Bowling Alone Quotes

We've searched our database for all the quotes and captions related to Bowling Alone. Here they are! All 100 of them:

As she read, at peace with the world and happy as only a little girl could be with a fine book and a little bowl of candy, and all alone in the house, the leaf shadows shifted and the afternoon passed.
Betty Smith (A Tree Grows in Brooklyn)
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Great potential for emotional balance and mental flexibility can help us fight the bleakness and sterility of a statistical matrix that clashes with our inner compass's needs. ("What after bowling alone?" )
Erik Pevernagie
In the rough-and-tumble play of politics, dog-whistle messages are copiously dispatched over the heads of the grassroots people that cannot see the writing on the wall and have to remain in the cold, like dumb puppets on a string. ("What after bowling alone?" )
Erik Pevernagie
Many politicians are tantalizing storytellers, as they mix facts with fiction, grab our emotion and tell things, they want us to believe. Their factoids are unremittingly reiterated, take a life on their own and in the end become the very truth… until the bubble bursts.("What after bowling alone?" )
Erik Pevernagie
Conspiracy adepts love story-tellers who want to exorcise their fear, mixing rational and irrational elements to construct a plausible narrative for people craving a meaningful decoding and a breathtaking clarification. ("What after bowling alone?" )
Erik Pevernagie
By ring-fencing a time budget for a momentous ‘breathing space’ in the flurry of our life, we may encounter ourselves and take the time to fill the gaps in the framework of our individuality so as to reconcile the qualities of our personality. ( "What after bowling alone?
Erik Pevernagie
Reality may not always be a happy companion. If we learn to trust ourselves and fully put through our paces, we can discover something like a winner's soul ignoring itself and passing with flying colors. The future can be an open space with a range of surprises. ("What after bowling alone?" )
Erik Pevernagie
Some cry out against the majority's despotism that knocks them off their feet and hacks into their fundamental values. Since the unbearable intrusion on their lifestyle's quality frightens them, they are obsessed with losing their integrity through the backlash of an overpowering "democratorship." Spearheading a reconciliation between freethinking and mediation is of supreme importance because mere resentment can be an evil counselor. ("What after bowling alone?" )
Erik Pevernagie
I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
We must not look past the maneuvers of politicians who feel driven by intuition fed by visionary hysteria. They pretend to have a 'privileged' mission to shoulder but rob people's physical or mental property, appropriating their cultural heritage. If their intuition is cautioned as vicious or murderous by reason or facts, history will forever eradicate their soul from the holy grail of humanity, especially those who want to set the world on fire for their sole ambition. ("What after bowling alone?" )
Erik Pevernagie
Social capital may turn out to be a prerequisite for, rather than a consequence of, effective computer-mediated communication.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
People divorced from community, occupation, and association are first and foremost among the supporters of extremism.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
We all know that the way to get something done is to give it to a busy person.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
Heart’s blood and bitter pain belong to love, And tales of problems no one can remove; Cupbearer, fill the bowl with blood, not wine - And if you lack the heart’s rich blood take mine. Love thrives on inextinguishable pain, Which tears the soul, then knits the threads again. A mote of love exceeds all bounds; it gives The vital essence to whatever lives. But where love thrives, there pain is always found; Angels alone escape this weary round - They love without that savage agony Which is reserved for vexed humanity.
عطار نیشابوری (The Conference of the Birds)
Financial capital - the wherewithal for mass marketing - has steadily replaced social capital - that is, grassroots citizen networks - as the coin of the realm.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
Social dislocation can easily breed a reactionary form of nostalgia.
Robert D. Putnam (Bowling Alone)
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
Comte de Lautréamont (Maldoror and the Complete Works)
TV-based politics is to political action as watching ER is to saving someone in distress.
Robert D. Putnam (Bowling Alone)
I've just stopped talking to you. It seems so strange. It's perfectly peaceful here--they're playing bowls--I'd just put flowers in your room. And there you sit with the bombs falling around you. What can one say-- except that I love you and I've got to live through this strange quiet evening thinking of you sitting there alone. Dearest-- let me have a line... You have given me such happiness...
Virginia Woolf (The Letters of Virginia Woolf, Vol. Five: 1932-1935)
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
In the past, Cameron, worrying about Ian, would go make sure that he wasn’t sitting alone in a huddle, or staring for hours at a Ming bowl, or pouring over some endless mathematical exercise. These days, Cameron knew that Ian used the excuse of not liking crowds to spend more time alone with his wife – in bed.
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
I found my way into the Met one afternoon in early September. I guess I wanted to see what other people had done with their lives, people who had made art alone, who had stared long and hard at bowls of fruit.
Ottessa Moshfegh (My Year of Rest and Relaxation)
A cloud began to cover the sun slowly, wholly, shadowing the bay in deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song : I sang it alone in the house, holding down the long dark chords. her door was open : she wanted to hear my music. silent with aw and pity i went to her bedside. she was crying in her wretched bed for these words, Stephen : love's bitter mystery.
James Joyce (Ulysses)
Busy people tend to forgo the one activity - TV watching _ that is most lethal to community involvement
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
Slavery was, in fact, a social system designed to destroy social capital among slaves and between slaves and freemen.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
From the top of the bus she could see the vast bowl of London spreading out to the horizon: splendid shops with mannequins in the window, interesting people and already a much bigger world.
Julia Gregson
I loved - but those I loved are gone; Had friends - my early friends are fled: How cheerless feels the heart alone When all its former hopes are dead! Though gay companions o'er the bowl Dispel awhile the sense of ill; Though pleasure stirs the maddening soul, The heart - the heart - is lonely still.
Lord Byron
Am I alone in this mother-food connection or does being with your mom trigger the sudden and voracious need for large amounts of mac & cheese, rice pudding, and the scraps along the side of a bowl of cookie dough?
April Paine (1 Weight Loss Plan, 2 Friends, 3 Weeks: Using the Buddy System to Fight Fat)
If we think of politics as an industry, we might delight in its new "labour-saving efficiency", but if we think of politics as democratic deliberation, to leave people out is to miss the whole point of the exercise.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
She saw herself in this connexion without detachment – saw others alone with intensity; otherwise she might have been struck, fairly have been amused, by her free assignment of the pachydermatous quality. If
Henry James (The Golden Bowl)
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
Everything has turned sour, I’ll never be carried away with joy again. There’s a terrible clarity dominating everything. As though the world were made of crystal so that you only have to flick part of it with your fingernail for a tiny shudder to run through it all.… And then the loneliness—it’s something that burns. Like hot thick soup you can’t bear inside your mouth unless you blow on it again and again. And there it is, always in front of me. In its heavy white bowl of thick china, dirty and dull as an old pillow. Who is it that keeps forcing it on me? “I’ve been left all alone. I’m burning with desire. I hate what’s happened to me. I’m lost and I don’t know where I’m going. What my heart wants it can’t have … my little private joys, rationalizations, self-deceptions—all gone! All I have left is a flame of longing for times gone by, for what I’ve lost. Growing old for nothing. I’m left with a terrible emptiness. What can life offer me but bitterness? Alone in my room … alone all through the nights … cut off from the world and from everyone in it by my own despair. And if I cry out, who is there to hear me?
Yukio Mishima (Spring Snow (The Sea of Fertility #1))
If you’d rather skip lunch, that’s fine with me. I’ve got some things to take care of anyway before I can leave the store to Robin for the weekend.” “I don’t want to skip lunch,” he bit out. “I’m starving.” Her temper got the better of her. “Fine, but if you plan on snapping at me the whole time then I’d just as soon you eat alone.” His gaze darkened. “I’m not snapping.” She poked him in the chest. “Yes, you are.” Leo started to speak, then paused and let out a huge breath. “Sorry. Damn, I’m just having one of those days.” Amanda smiled and patted his cheek. “You can tell me all about it over a bowl of fettuccine.
Anne Rainey (A Little Bit Naughty (Tahoe Nights, #1))
She a nice lady ol auntie … but ol moms was somethin else, she really somethin else. Harrys eyes were closed and he was leanin back remembering how his mother always protected him from the cold wind in the winter when he was a kid, and how warm she felt when he got in the house and she hugged the cold out of his ears and cheeks and always had a bowl of hot soup waiting. … Yeah, I guess the old lady was pretty groovy too. I guess its a bitch being alone like that. Harry Goldfarb and Tyrone C. Love sat loosely in their chairs, their eyes half closed, feeling the warmth of fond memories and heroin flowing through them as they got ready for another nights work.
Hubert Selby Jr. (Requiem for a Dream)
Where is Sin’s plaid? (Lochlan) Plaid cloth is for people of true Scots blood, Lochlan. They are not for half-blooded Sassenachs. (Aisleen) (He had found Sin later that day, alone in their room. Sin had been sitting in the middle of the floor with his arm cut open while he let blood trail from the wound into a bowl.) What are you doing? (Lochlan) I’m trying to get rid of the English blood in me, but it doesn’t look any different than yours. How can I make it go away when I can’t find the difference? (Sin)
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
Chess and you taking a picture of me reading Slaughterhouse-Five, telling me I’d need proof someday because nobody in Creek View would ever believe I had actually read a goddamn book, let alone five. Talking about God and why there’s evil in the world and bitching because the Steelers won the Super Bowl. Camp Leatherneck, me not missing home at all and you missing it like crazy, always talking about going to college and how when you had leave you were gonna marry Hannah. And you wanted kids, and I said I didn’t because people like me, we just end up disappointing one another and I’d probably be like my dad, and you told me I had to get over it, get over my dad and my mom and how screwed up everything is because you said, Josh, you’re gonna have it all. I know it. You’re gonna have it all. And for the first time, I’m almost believing that.
Heather Demetrios (I'll Meet You There)
Magnolias don't look like that," Ignatius said, thrusting his cutlass at the offending pastel magnolia. "You ladies need a course in botany. And perhaps geometry, too." "You don't have to look at our work," an offended voice said from the group, the voice of the lady who had drawn the magnolia in question. "Yes, I do!" Ignatius screamed. "You ladies need a critic with some taste and decency. Good heavens! Which one of you did this camellia? Speak up. The water in this bowl looks like motor oil." "Let us alone," a shrill voice said. "You women had better stop giving teas and brunches and settle down to the bustiness of learning how to draw," Ignatius thundered. "First, you must learn how to handle a brush. I would suggest that you all get together and paint someone's house for a start." "Go away." "Had you 'artists' had a part in the decoration of the Sistine Chapel, it would have ended up looking like a particularly vulgar train terminal," Ignatius snorted.
John Kennedy Toole (A Confederacy of Dunces)
alone in his struggle to bring the truth to its people. He consoled himself by recalling that it is only in each man’s own consciousness that the isolation exists; objectively man is always a part of something.
Paul Bowles (The Delicate Prey: And Other Stories)
Molly! I’ve got to ask you your question first!” “Arthur, really, this is just silly. . . .” “What do you like me to call you when we’re alone together?” Even by the dim light of the lantern Harry could tell that Mrs. Weasley had turned bright red; he himself felt suddenly warm around the ears and neck, and hastily gulped soup, clattering his spoon as loudly as he could against the bowl. “Mollywobbles,” whispered a mortified Mrs. Weasley into the crack at the edge of the door. “Correct,” said Mr. Weasley. “Now you can let me in.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.
Paul Bowles (Up Above the World)
Go ahead! Keep breaking them!” he yelled. “There's plenty of medicine where that came from. Break one bowl and I'll bring twenty more! I'll keep forcing it down your throat until you drink it all!” “Aaaaaah! Can't you just leave me alone?! Just let me die!” Shi Qingxcuan screamed. “I'm your brother!” Shi Wudu snapped. “If I don't take care of you, who will?!
Mò Xiāng Tóng Xiù
Serendipitous connections become less likely as increased communication narrows our tastes and interests. Knowing and caring more and more about less and less. This tendency may increase productivity in a narrow sense while decreasing social cohesion.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
You just want to give up, he said when he was able to speak. Only you keep going. You still have to get up in the morning and pour the cereal in the bowls. You keep on breathing, whether you want to or not. Nobody's around to tell you how it's supposed to work. The usual rules just don't apply anymore. He was still talking, but she wasn't even sure if it was to her. When it started, he said, I thought nothing could be worse than those first days. And it wasn't only us, but everyone else you'd see, wandering around like they'd landed on a whole different planet. Instead of just dealing with your own heart getting ripped into pieces, wherever you looked you knew there were other people dealing with the same thing. You couldn't even be alone with it. Like you're out in the ocean and the undertow catches you and you start yelling for help, but then you look around, and all around you in the water for as far as you can see, there's all these other people flailing too. He sat there for a moment, shaking his head. You keep getting up in the morning and knowing this will continue maybe ten thousand more mornings. You wish you were the one who died. How much better would that be?
Joyce Maynard (The Usual Rules)
All of these arenas of American life are facets of the same widely discussed phenomenon: the decline of what is termed “social capital.” As defined by political scientist Robert Putnam in his book Bowling Alone, “… social capital refers to connections among individuals—social networks and the norms of reciprocity and trustworthiness that arise from them. In that sense social capital is closely related to what some have called ‘civic virtue.’” It’s the trust, friendships, group affiliations, helping, and expectation of being helped built up by actively participating in and being a member of all sorts of groups, ranging from book clubs, bowling clubs, bridge clubs, church groups, community organizations, and parent-teacher associations to political organizations, professional societies, rotary clubs, town meetings, unions, veterans associations, and others.
Jared Diamond (Upheaval: Turning Points for Nations in Crisis)
The sun had risen for me -for me alone- and turned the sky into the painted milk of a soggy bowl of leftover off-brand Lucky Charms. The soft roses and lavenders went on to burn blood orange on the underbellies of clouds. I told my shadow I wanted to keep the sun. My shadow whispered back the instructions for making a memory. I watched the light of day ascend until it hurt my eyes, then I closed them, and taught myself to remember.
Ashley C. Ford (Somebody's Daughter)
When the bad time begins, you may feel alone, because your mind never goes with you. Even your shadow leaves you, then what to say about friends? In this world it is very difficult to get true friend. Cause most of the time people come to you as friend with some great need inside them. They remain with you until their needs. When neediness is over they leave you, whatever your condition is or where ever you stuck in. They leave you when you need them. They leave you when you are in danger. They only remain with you for the happy hours. When the happy hour is over they fly away like a fly when milk is not in the bowl. These words everybody knows, “Friend in need, friends indeed.”.
Salman Aziz
Mohamed Choukri—For Bread Alone—translated by Paul Bowles.
Teju Cole (Open City)
If we do not like what is happening to us, it is a sure sign that we are in need of a change of mental diet. For man, we are told, lives not by bread alone but by every Word that proceeds from the mouth of God. And having discovered the mouth of God to be the mind of man, a mind which lives on Words or inner talking, we should feed into our minds only loving, noble thoughts. For with Words or inner talking we build our world. Let love's lordly hand raise your hunger and thirst to all that is noble and of good report, and let your mind starve e'er you raise your hand to a cup love did not fill or a bowl love did not bless. That you may never again have to say, "What have I said? What have I done, O All Powerful Human Word?
Neville Goddard (Be What You Wish)
Knowing one’s original face is the beginning of a life of love, of a life of celebration. You will be able to give so much love—because it is not something that is exhaustible. It is immeasurable, it cannot be exhausted. And the more you give it, the more you become capable of giving it. The greatest experience in life is when you simply give without any conditions, without any expectations of even a simple thank-you. On the contrary, a real, authentic love feels obliged to the person who has accepted his love. He could have rejected it. When you start giving love with a deep sense of gratitude to all those who accept it, you will be surprised that you have become an emperor—no longer a beggar asking for love with a begging bowl, knocking on every door. And those people on whose doors you are knocking cannot give you love; they are themselves beggars. Beggars are asking each other for love and feeling frustrated, angry, because the love is not coming. But this is bound to happen. Love belongs to the world of emperors, not of beggars. And a man is an emperor when he is so full of love that he can give it without any conditions.
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
But you knew, or should know, that it was a wild thing you lived with, that a collar and leash and a bowl of food might tame the actions of the beast, but couldn’t change its essential nature.
Kristin Hannah (The Great Alone)
How to describe the things we see onscreen, experiences we have that are not ours? After so many hours (days, weeks, years) of watching TV—the morning talk shows, the daily soaps, the nightly news and then into prime time (The Bachelor, Game of Thrones, The Voice)—after a decade of studying the viral videos of late-night hosts and Funny or Die clips emailed by friends, how are we to tell the difference between them, if the experience of watching them is the same? To watch the Twin Towers fall and on the same device in the same room then watch a marathon of Everybody Loves Raymond. To Netflix an episode of The Care Bears with your children, and then later that night (after the kids are in bed) search for amateur couples who’ve filmed themselves breaking the laws of several states. To videoconference from your work computer with Jan and Michael from the Akron office (about the new time-sheet protocols), then click (against your better instincts) on an embedded link to a jihadi beheading video. How do we separate these things in our brains when the experience of watching them—sitting or standing before the screen, perhaps eating a bowl of cereal, either alone or with others, but, in any case, always with part of us still rooted in our own daily slog (distracted by deadlines, trying to decide what to wear on a date later)—is the same? Watching, by definition, is different from doing.
Noah Hawley (Before the Fall)
He was somewhere, he had come back through the vast regions from nowhere; there was the certitude of an infinite sadness at the core of his consciousness, but the sadness was reassuring, because it alone was familiar.
Paul Bowles (The Sheltering Sky)
Here is what I have always thought: that people, when they eat, are very dear. The eager lips, the flapping jaws, the trembling release of control-the guilty glances at one’s companions or at strangers. The focus, the great focus of eating. The pleasure in it. I remember-when I went out more-I remember watching people in restaurants. People who ate alone, lost in the pleasure of it, O the pleasure of it. Digging for food in the bottoms of their bowls, guarding their fork, bringing the food to their mouths. Staring off into some middle distance while chewing. Thinking of things known only to them. To watch others eat is a thing of joy to me. & it is the only time I can forgive myself for what I have become.
Liz Moore (Heft)
This may have looked like a cookbook, but what it really is is an annotated list of things worth living for: a manifesto of moments worth living for. Dinner parties, and Saturday afternoons in the kitchen, and lazy breakfasts, and picnics on the heath; evenings alone with a bowl of soup, a or a heavy pot of clams for one. The bright clean song of lime and salt, and the smoky hum of caramel-edged onions. Soft goat's cheese and crisp pastry. A six-hour ragù simmering on the stove, a glass of wine in your hand. Moments, hours, mornings, afternoons, days. And days worth living for add up to weeks, and weeks worth living for add up to months, and so on and so on, until you've unexpectedly built yourself a life worth having: a life worth living.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
If you deliberately put out a bowl of milk for the little people, or whatever equivalent gesture, they’d come and suck up the tiny bit of mana that came from your intent, and then they’d leave your house alone in order to preserve the regular supply.
Naomi Novik (The Last Graduate (The Scholomance, #2))
Always in conjunction with his fantasies he saw the imperturbable, faintly questioning face in its mask-like symmetry. He felt a sudden shudder of self pity that was almost pleasurable, it was such a complete expression of his mood. It was a physical shudder; he was alone, abandoned, lost, hopeless, cold. Cold especially – a deep interior cold nothing could change. Although it was the basis of his unhappiness, this glacial deadness, he would cling to it always, because it was also the core of his being; he had built the being around it.
Paul Bowles (The Sheltering Sky)
The timing of the Internet explosion means that it cannot possibly be causally linked to the crumbling of social connectedness described in previous chapters. Voting, giving, trusting, meeting, visiting, and so on had all begun to decline while Bill Gates was still in grade school.
Robert D. Putnam (Bowling Alone: Revised and Updated: The Collapse and Revival of American Community)
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away." "Come kiss me awake in seventeen minutes." She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest. He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?" She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at. He sighed. "That was a no. How much longer am I going to be on the fence with you?" "Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone. He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up." She leaned her chin against her hand, looking down at him. "I like you, Jack." "You just figured that out?" "I'll like you more when you catch my mouse." "The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide." Or you could move your left hand about three inches to the right right and catch her." Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it." "You're horrible." He smiled. "I'm serious." "So am I." Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops." "That wasn't fair. You scared my mouse." Jack set the kitten on the floor. "Benji, go get her mouse." The kitten took off after it. "You're teaching her to be a mouser." "Working on it. Come here. You owe me a kiss for the new year." "Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff." He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year." She glanced at the muted television. "That's two minutes away." "Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow. She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered. "Next year will be even better." "Really? Promise?" "Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?" She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?" "A rare find." He smiled. "Like you." "That sounds like a bit of honey." "I'm good at being mushy." "Oh, really?" He glanced over her shoulder. "Turn up the TV. There's the countdown." She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve. "Tell me I didn't see what I think I just did." "I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
Dee Henderson (The Protector (O'Malley, #4))
It was wrong. It was so relentlessly awful that my mother had been taken from me. I couldn’t even hate her properly. I didn’t get to grow up and pull away from her and bitch about her with my friends and confront her about the things I wished she’d done differently and then get older and understand that she did the best she could and realize that what she did was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again
Cheryl Strayed (Brave Enough: A Collection of Inspirational Quotes)
We “bowl alone,” as sociologist Robert Putnam has put it. Yet this fails to account for a monumental shift in whom we join and for what. We still join together, but now we join for services too expensive to purchase alone—child care, the schools our children attend, recreational facilities, and security...
Robert B. Reich (The Common Good)
Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014
Saijo Yaso
When the children were very small I spent weeks alone with them high up in the Welsh hills and I used to lose the power of speech. I would return to London bereft of all vocabulary, communicating in grunts and diddums talk. You feel a fool asking, for instance, Professor Sir Alfred Ayer if he would care for an icky bitty more soup in his ickle bowl.
Alice Thomas Ellis (Home Life One)
Go ahead! Keep breaking them!” he yelled. “There's plenty of medicine where that came from. Break one bowl and I'll bring twenty more! I'll keep forcing it down your throat until you drink it all!” “Aaaaaah! Can't you just leave me alone?! Just let me die!” Shi Qingxuan screamed. “I'm your brother!” Shi Wudu snapped. “If I don't take care of you, who will?!
Mò Xiāng Tóng Xiù
{The Progressives] outlook was activist and optimistic, not fatalist and despondent. The distinctive characteristic of the Progressives was their conviction that social evils would not remedy themselves and that it was foolhardy to wait passively for time's cure. As Herbert Croly put it, they did not believe that the future would take care of itself. Neither should we.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
Here they brought him more “duffers and dope,” with the addition of a bowl of soup. Many of the prisoners had their meals brought in from a restaurant, but Jurgis had no money for that. Some had books to read and cards to play, with candles to burn by night, but Jurgis was all alone in darkness and silence. He could not sleep again; there was the same maddening procession of thoughts that lashed him like whips upon his naked back. When night fell he was pacing up and down his cell like a wild beast that breaks its teeth upon the bars of its cage. Now and then in his frenzy he would fling himself against the walls of the place, beating his hands upon them. They cut him and bruised him—they were cold and merciless as the men who had built them.
Upton Sinclair (The Jungle)
Gabby seemed to have made up her mind. 'I certainly wish I could help you, Lord Breksby,' she cooed, tilting her head to the side. Quill watched cynically from the other side of the room as Breksby melted in front of his eyes. At least he wasn't alone in being bowled over by Miss Gabrielle Jerningham. Although he rather thought he, Quill, hadn't been lied to yet. If so, he reminded himself, it was only a matter of time.
Eloisa James (Enchanting Pleasures (Pleasures, #3))
Descending the stairs from her room, I was tempted to go outside and find out if the shivering gut-wrench I’d felt as I came in really meant what I thought it did. But I stayed in the warmth of the house. I felt like I knew something about myself that I hadn’t before, a bit of knowledge so new that if I became a wolf now, I might lose it and not remember it whenever I became Cole again. I wandered down the main stairs, mindful that her father was somewhere in the house’s depths while Isabel stayed up in her tower alone. What would it be like, growing up in a house that looked like this? If I breathed too hard it would knock some decorative bowl off the wall or cause the perfectly arranged dried flowers to weep petals. Sure, my family had been affluent growing up—successful mad scientists generally are—but it never looked like this. Our lives had looked…lived in.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
My mother has found being alone a new beginning. Her house is tidy. She eats what she wants, when she wants: nothing for a day and then a dressed crab at eleven at night, or a bowl of frozen peas, uncooked, which she eats like peanuts for breakfast. I admire the singleness that she has embraced since Dad died. I think I could aspire to that, but without having to be widowed first. Sometimes, though, it would be nice to fuck and to be fucked.
Evie Wyld (The Bass Rock)
Robert Putnam, Harvard professor and author of Bowling Alone, has spent years studying the effects of ethnic diversity on a community’s well-being. It turns out diversity is a train wreck. Contrary to his expectation—and desire!—Putnam’s study showed that the greater the ethnic diversity, the less people trusted their neighbors, their local leaders, and even the news. People in diverse communities gave less to charity, voted less, had fewer friends, were more unhappy, and were more likely to describe television as “my most important form of entertainment.” It was not, Putnam said, that people in diverse communities trusted people of their own ethnicity more, and other races less. They didn’t trust anyone.28 The difference in neighborliness between an ethnically homogeneous town, such as Bismarck, North Dakota, and a diverse one, such as Los Angeles, Putnam says, is “roughly the same as” the difference in a town with a 7 percent poverty rate compared with a 23 percent poverty rate.29
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
FILL THE GOBLET AGAIN A Song Fill the goblet again! for I never before Felt the glow which now gladdens my heart to its core; Let us drink! — who would not? — since, through life’s varied round, In the goblet alone no deception is found. I have tried in its turn all that life can supply; I have bask’d in the beam of a dark rolling eye; I have loved! — who has not? — but what heart can declare That pleasure existed while passion was there? In the days of my youth, when the heart’s in its spring, And dreams that affection can never take wing, I had friends! — who has not? — but what tongue will avow, That friends, rosy wine! are so faithful as thou? The heart of a mistress some boy may estrange, Friendship shifts with the sunbeam — thou never canst change; Thou grow’st old — who does not? — but on earth what appears, Whose virtues, like thine, still increase with its years? Yet if blest to the utmost that love can bestow, Should a rival bow down to our idol below, We aree jealous! — who is not? — thou hast no such alloy; For the more that enjoy thee, the more we enjoy. Then the season of youth and its vanities past, For refuge we fly to the goblet at last; There we find — do we not? — in the flow of the soul, That truth, as of yore, is confined to the bowl. When the box of Pandora was opened on earth, And Misery’s triumph commenced over Mirth, Hope was left, — was she not? — but the goblet we kiss, And care not for Hope, who are certain of bliss. Long life to the grape! for when summer is flown, The age of our nectar shall gladden our own: We must die — who shall not? — May our sins be forgiven, And Hebe shall never be idle in heaven.
Lord Byron (Delphi Complete Works of Lord Byron)
Needless to say, cooking for a man with such a delicate palate can be challenging and every once in a while I like to make something that isn't served with a glass of milk and a side of applesauce. This can be difficult with a husband with such discriminating taste buds. Difficult, but not impossible, if you're willing to lie. Which I am.   During the winter months I love to make soups and one of my favorites is taco soup. It has all of the basic food groups in one bowl; meat, veggies, beans, and Fritos. It's perfection. I've been warming bodies and cleaning colons with this recipe for years. However, when I met my husband he advised he didn't like beans, so he couldn't eat taco soup. This was not the response I hoped for.   I decided to make it for him anyway. The first time I did I debated whether to add beans. I knew he wouldn't eat it if I did, but I also knew the beans were what gave it the strong flavor. I decided the only way to maintain the integrity of the soup was to sacrifice mine. I lied to him about the ingredients. Because my husband is not only picky but also observant, I knew I couldn't just dump the beans into the soup undetected. Rather, I had to go incognito. For that, I implored the use of the food processor, who was happy to accommodate after sitting in the cabinet untouched for years.   I dumped the cans of beans in the processor and pureed them into a paste. I then dumped the paste into the taco soup mixture, returning the food processor to the cabinet where it would sit untouched for another six months.   When it came time to eat, I dished out a heaping bowl of soup and handed it to my husband. We sat down to eat and I anxiously awaited his verdict, knowing he was eating a heaping bowl of deceit.   “This is delicious. What's in it?” he asked, in between mouthfuls of soup.   “It's just a mixture of taco ingredients,” I innocently replied, focusing on the layer of Fritos covering my bowl.   “Whatever it is, it's amazing,” he responded, quickly devouring each bite.   At that moment I wanted nothing more than to slap the spoon out of his hand and yell “That's beans, bitch!” However, I refrained because I'm classy (and because I didn't want to clean up the mess).
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
McCormack and Richard Tauber are singing by the bed There's a glass of punch below your feet and an angel at your head There's devils on each side of you with bottles in their hands You need one more drop of poison and you'll dream of foreign lands When you pissed yourself in Frankfurt and got syph down in Cologne And you heard the rattling death trains as you lay there all alone Frank Ryan brought you whiskey in a brothel in Madrid And you decked some fucking blackshirt who was cursing all the Yids At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair And in the Euston tavern you screamed it was your shout But they wouldn't give you service so you kicked the windows out They took you out into the street and kicked you in the brains So you walked back in through a bolted door and did it all again At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair You remember that foul evening when you heard the banshees howl There was lousy drunken bastards singing Billy in the Bowl They took you up to midnight mass and left you in the lurch So you dropped a button in the plate and spewed up in the church Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round" At the gravesite of Cuchulainn we'll kneel around and pray And God is in his heaven, and Billy's down by the bay "The Sick Bed of Cuchulainn
Shane MacGowan
Are we still going bowling tonight?” I asked, wondering if the invitation was just to get some alone time with me that he no longer needed. “Well, hell yeah! I’m gonna kick your ass, too!” I narrowed my eyes at him. “Not this time you’re not. I have a new superpower.” He laughed. “And what’s that? Harsh language?” I leaned over to kiss his neck once, and then ran my tongue up to his ear, kissing his earlobe. He froze in place. “Distraction,” I breathed into his ear. He grabbed my arms and flipped me onto my back. “You’re going to miss another class.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The Hall of Tra was cold and lightless. His wolf-eye caught the ghost radiation of barely smouldering firepits. In terms of heat and light, the Wolves were making no allowances for human tolerances of comfort. They had given him a pelt and an eye to see through the dark with. What more could he want? He realised he wasn’t alone. The company was all around him. Their body heat was barely detectable, dimmer than the dull firepits. The Hall was a massive natural cavern, ragged and irregular, and the Astartes were ranged around it, huddled and coiled in their furs, as immobile as a sibling pack of predators, gone to ground overnight, dormant and pressed close for warmth. Faces cowled by animal skin hoods were watching his approach. There were occasional grumbles and murmurs, like animals growling in their sleep or tussling over bones. As his eye resolved the scene better, the Upplander saw some evidence of movement. He saw hands casually raise silver bowls and dishes so that men could sip black liquid from them. He saw hunched shapes engaged in the counter game, hneftafl, that the Upplander had seen Skarsi playing.
Dan Abnett (Prospero Burns (The Horus Heresy, #15))
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
And it occurred to me, over a bowl of soggy cereal, that I could live like this. Compartmentalized. There, but separate. Together, but alone. Loving, but isolated. This is how I had been living most of my life, after all. In a household where my mother might appear in the middle of the night to do unspeakable things with a hairbrush. Then hours later, we’d sit across from one another sharing a platter of buttermilk biscuits for breakfast. My mother had prepared me well for this life. I glanced over at my husband, crunching away on Cheerios. I wondered who had prepared him.
Lisa Gardner (The Neighbor (Detective D.D. Warren, #3))
Light-touch government works more efficiently in the presence of social capital. Police close more cases when citizens monitor neighborhood comings and goings. Child welfare departments do a better job of “family preservation” when neighbors and relatives provide social support to troubled parents. Public schools teach better when parents volunteer in classrooms and ensure that kids do their homework. When community involvement is lacking, the burdens on government employees—bureaucrats, social workers, teachers, and so forth—are that much greater and success that much more elusive.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
I asked once before, do you always court trouble, Miss Click, or does it just seem tae follow you where’er you go?” She flushed. So word of her run-in with Hero McClary had reached the doctor as well. Her face grew pinker, not from his mention of the feud but from his intense scrutiny. She managed as calmly as she could, “As I told Colonel Barr, the matter is settled.” His eyes sparked. “Nae, no’ settled. Nothing is ever settled with a clan like the McClarys. It matters no’ that you’re a woman. It matters greatly that you live alone.” She swallowed, not taking her eyes from his, and saw the warning and concern in their blueness. Wearily, elbows on the table, she rested her face in her hands. Gently but firmly his fingers encircled her wrists like iron bands and brought them back down. “Look at me, Lael, and say that you’ll come tae the fort, just for the winter.” Lael. Lay-elle. In his Highland brogue, it sounded like no name she had ever heard, yet she bristled at his familiarity. Her resistance to the notion of forting up doubled. “Nay,” was all she said as she looked away. Releasing her, he looked down at the bowl of food Ma Horn had set before him. Did he find turnips and greens disagreeable fare? Or was he regretting saying her given name? In a few days’ time, “Miss Click” had changed to “Lael.” “I’d best be going,” she said but made no move to do so. “Nae . . . stay.
Laura Frantz (The Frontiersman's Daughter)
1: Everyone Knows It was in the summer of 1998 that my neighbor Coleman Silk—who, before retiring two years earlier, had been a classics professor at nearby Athena College for some twenty-odd years as well as serving for sixteen more as the dean of faculty—confided to me that, at the age of seventy-one, he was having an affair with a thirty-four-year-old cleaning woman who worked down at the college. Twice a week she also cleaned the rural post office, a small gray clapboard shack that looked as if it might have sheltered an Okie family from the winds of the Dust Bowl back in the 1930s and that, sitting alone and forlorn across from the gas station and the general store, flies its American flag at the junction of the two roads that mark the commercial center of this mountainside town.
Philip Roth (The Human Stain (The American Trilogy, #3))
Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed. It
Diana Gabaldon (Outlander (Outlander, #1))
It was wrong. It was so relentlessly awful that my mother had been taken from me. I couldn’t even hate her properly. I didn’t get to grow up and pull away from her and bitch about her with my friends and confront her about the things I wished she’d done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very height of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we’d left off. She was my mother, but I was motherless. I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill. I’d have to fill it myself again and again and again.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Anyone who has lived for a long time with a lover, and then suddenly does not, will understand what I mean by those crusted bowls, by those solo whiskeys, by the promise of solitude behind a closed door. That to be tethered, so intimately, for so long, and then to find yourself free, is both misery and miracle—a sudden and unlikely dream that brings both darkest despair and the euphoria of liberation. They’ll understand the daily fixations on the ideas of togetherness and separateness; the idea that humans, or at least most of us, pair off and couple up and try as best as we can to stay with one mate for the rest of our lives, fueled in equal parts by love and connection and expectation, and at the root of it, the blind hope that we will never be alone again. And this, we’re told, is what we should want most—a partner, children, family—those bound by sacrament or by state or by blood, who will, we believe with everything we have in our fragile human hearts, never leave us.
Melissa Faliveno (Tomboyland: Essays)
But without Emily, Greg would feel—paradoxically for such a social creature—alone. Before they met, most of Greg’s girlfriends were extroverts. He says he enjoyed those relationships, but never got to know his girlfriends well, because they were always “plotting how to be with groups of people.” He speaks of Emily with a kind of awe, as if she has access to a deeper state of being. He also describes her as “the anchor” around which his world revolves. Emily, for her part, treasures Greg’s ebullient nature; he makes her feel happy and alive. She has always been attracted to extroverts, who she says “do all the work of making conversation. For them, it’s not work at all.” The trouble is that for most of the five years they’ve been together, Greg and Emily have been having one version or another of the same fight. Greg, a music promoter with a large circle of friends, wants to host dinner parties every Friday—casual, animated get-togethers with heaping bowls of pasta and flowing bottles of wine. He’s been giving Friday-night dinners since he was a senior in college, and they’ve become a highlight of his week and a treasured piece of his identity. Emily has come to dread these weekly events. A hardworking staff attorney for an art museum and a very private person, the last thing she wants to do when she gets home from work is entertain. Her idea of a perfect start to the weekend is a quiet evening at the movies, just her and Greg. It seems an irreconcilable difference: Greg wants fifty-two dinner parties a year, Emily wants zero. Greg says that Emily should make more of an effort. He accuses her of being antisocial. “I am social,” she says. “I love you, I love my family, I love my close friends. I just don’t love dinner parties. People don’t really relate at those parties—they just socialize. You’re lucky because I devote all my energy to you. You spread yours around to everyone.” But Emily soon backs off, partly because she hates fighting, but also because she doubts herself. Maybe I am antisocial, she
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
We humans think we exist like this." Dadi gestured to the powders in their individual bowls. "Apart. Single. Beautiful and vivid, but alone." … She upended the two bowls into the center of the larger container, and the powders came together. They were mixed somewhat, but still in their separate piles for the most part - "Then" Dad continued, " with each interaction with another soul, we begin to change." She put a finger into the pile of powders and began to stir gently. The powders mixed more the longer she stirred, red mingling with orange, losing its distinct form. "We take pieces of them, and they take pieces of us. It's not bad. It's not good. It just is." By now the powders were completely mixed together, indistinguishable from each other. "Our best friends, the ones we love the most, are the ones who can hurt us the most. Because look." She pointed down to the powders. "We have had so many interactions, that we cannot separate their pieces from ours. And if we try, we would only be getting rid of ourselves.
Sandhya Menon (From Twinkle, with Love)
We humans think we exist like this." Dadi gestured to the powders in their individual bowls. "Apart. Single. Beautiful and vivid, but alone." … She upended the two bowls into the center of the larger container, and the powders came together. They were mixed somewhat, but still in their separate piles for the most part - "Then" Dadi continued, "with each interaction with another soul, we begin to change." She put a finger into the pile of powders and began to stir gently. The powders mixed more the longer she stirred, red mingling with orange, losing its distinct form. "We take pieces of them, and they take pieces of us. It's not bad. It's not good. It just is." By now the powders were completely mixed together, indistinguishable from each other. "Our best friends, the ones we love the most, are the ones who can hurt us the most. Because look." She pointed down to the powders. "We have had so many interactions, that we cannot separate their pieces from ours. And if we try, we would only be getting rid of some of the best parts of ourselves.
Sandhya Menon (From Twinkle, with Love)
Hsing-chen went back to his dim meditation cell and sat down alone. He could still hear the melodious voices of the eight fairies echoing in his ears, and his eyes seemed to see their beautiful forms and faces as if they stood before him in the room. He found it impossible to control his racing thoughts – he could not meditate. He thought to himself: 'If a youth diligently studies the Confucian classics and serves his country as a minister of state or a general when he is grown into a man, he may dress in silks with an official seal upon his jade belt. He may look upon beautiful colors with the eyes and listen to beautiful voices with his ears. He may enjoy beautiful girls and leave an honorable legacy for his descendants. But a Buddhist monk has only a small bowl of rice and a cup of water. We read the sutras and meditate with our 108 mala beads hanging upon our necks. It is a lofty and profound endeavor, but it is terribly lonely. Though I may become enlightened, though I may master all the doctrines of the Mahayana path and sit in my master's seat to succeed him, once my spirit parts from my body in the flames of the funeral pyre, who will remember that a person named Hsing-chen ever lived upon this Earth?
Kim Manjung (The Nine Cloud Dream)
There was a lot of stress on both of us, and one night we had a fight over some detail about the house. The cause is lost to me, but I know I got really mad-mad enough to knock my papers off the kitchen table, and then take a bowl of macaroni and cheese and fling it against the wall. That’s very mad, especially for me. I also remember the solution. Sitting alone after Chris went to bed, I called a girlfriend and poured out my heart. I knew that I had gone too far, but I didn’t know how to fix it. “You love him, right?” she asked finally. “Yes.” “Then go in there, wake him up, and give him some hot sex.” So I did. We didn’t talk, but we sure did make love. Chris seemed apprehensive when he left the next morning. I later found out that he couldn’t quite figure out why his mad fiancée would come to him for hot sex and no talk. He was afraid he would come home and I would be gone. He didn’t mention it, though, because he didn’t want to risk a talk when maybe I was over it. If he was wrong and I was gone, he would find me and fix it. Avoiding a “talk” was worth the risk of damage control later. He was his usual confident self, taking life as it came and handling the consequences IF they came. On my side, I would have panicked if I thought he was going to leave me.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Morning in the Burned House" In the burned house I am eating breakfast. You understand: there is no house, there is no breakfast, yet here I am. The spoon which was melted scrapes against the bowl which was melted also. No one else is around. Where have they gone to, brother and sister, mother and father? Off along the shore, perhaps. Their clothes are still on the hangers, their dishes piled beside the sink, which is beside the woodstove with its grate and sooty kettle, every detail clear, tin cup and rippled mirror. The day is bright and songless, the lake is blue, the forest watchful. In the east a bank of cloud rises up silently like dark bread. I can see the swirls in the oilcloth, I can see the flaws in the glass, those flares where the sun hits them. I can't see my own arms and legs or know if this is a trap or blessing, finding myself back here, where everything in this house has long been over, kettle and mirror, spoon and bowl, including my own body, including the body I had then, including the body I have now as I sit at this morning table, alone and happy, bare child's feet on the scorched floorboards (I can almost see) in my burning clothes, the thin green shorts and grubby yellow T-shirt holding my cindery, non-existent, radiant flesh. Incandescent.
Margaret Atwood
I guess I wanted to see what other people had done with their lives, people who had made art alone, who had stared long and hard at bowls of fruit. I wondered if they’d watched the grapes wither and shrivel up, if they’d had to go to the market to replace them, and if, before they threw the shriveled strand of grapes away, they’d eaten a few. I hopd that they’d had some respect for the stuff they were immortalizing. Maybe, I thought, once the light had faded for the day, they dropped the rotted fruit out an open window, hoping it would save the life of a starving beggar passing below on the street. Then I imagined the beggar, a monster with worms crawling through his matter hair, the tattered rags on his body fluttering like the wings of a bird, his eyes ablaze with desperation, his heart a caged animal begging for slaughter, his hands cupped in perpetual prayer as the townspeople milled around the city square. Picasso was right to start painting the dreary and dejected. The blues. He looked out the window at his own misery. I could respect that. But these painters of fruit thought only of their own mortality, as though the beauty of their work would somehow soothe their fear of death. There they all were, hanging feckless and candid meaningless, paintings of things, objects, the paintings themselves just things, objects, withering toward their own inevitable demise.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct.
Diana Gabaldon (Outlander (Outlander, #1))
What did this Madame Moon tell you?” Her friend frowned slightly. “It was so strange. She said there was a man here tonight who was everything I could ever want, and that if I did not find him, my life would be empty and…tragic.” “Good lord.” Rose dug in her heels. “I’m not going near this woman. It’s all about men.” “We’re women,” Eve needlessly reminded her, giving her a shove toward the tent entrance. “Of course it’s all about men. Now get in th…oh my.” Rose turned her head. Her friend was staring at someone on the other side of the room-a man. A handsome, lean, dangerous-looking man with the grace of a cat. A very predatory cat, and he was staring at Eve as though she was the sweetest, plumpest mouse he’d ever seen. Perhaps there was more to this Madame Moon than she first suspected. One look at Eve’s face and she could tell her friend was just as taken by this man as he by her. “Go,” Rose whispered. And then loudly she said, “Eve, is not that Amanda Ross by the punch bowl? She said she had a recipe for a new face cream. Go get it from her, will you?” Eve shot her a startled glance, because they both knew Amanda Ross was standing not two feet away from Vienna La Rieux, who was conversing with Mr. Dangerous. But as startled as her friend might have been by the encouragement, she also realized that both of their chaperones were in line to have their fortunes told and that she might never have an opportunity like this again. “Of course,” she replied loudly as well. “I will be right back.” And off she went. Alone, and the target of exasperated looks by the ladies waiting their turns, Rose ducked into the tent to face her future.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
In theory, toppings can include almost anything, but 95 percent of the ramen you consume in Japan will be topped with chashu, Chinese-style roasted pork. In a perfect world, that means luscious slices of marinated belly or shoulder, carefully basted over a low temperature until the fat has rendered and the meat collapses with a hard stare. Beyond the pork, the only other sure bet in a bowl of ramen is negi, thinly sliced green onion, little islands of allium sting in a sea of richness. Pickled bamboo shoots (menma), sheets of nori, bean sprouts, fish cake, raw garlic, and soy-soaked eggs are common constituents, but of course there is a whole world of outlier ingredients that make it into more esoteric bowls, which we'll get into later. While shape and size will vary depending on region and style, ramen noodles all share one thing in common: alkaline salts. Called kansui in Japanese, alkaline salts are what give the noodles a yellow tint and allow them to stand up to the blistering heat of the soup without degrading into a gummy mass. In fact, in the sprawling ecosystem of noodle soups, it may be the alkaline noodle alone that unites the ramen universe: "If it doesn't have kansui, it's not ramen," Kamimura says. Noodles and toppings are paramount in the ramen formula, but the broth is undoubtedly the soul of the bowl, there to unite the disparate tastes and textures at work in the dish. This is where a ramen chef makes his name. Broth can be made from an encyclopedia of flora and fauna: chicken, pork, fish, mushrooms, root vegetables, herbs, spices. Ramen broth isn't about nuance; it's about impact, which is why making most soup involves high heat, long cooking times, and giant heaps of chicken bones, pork bones, or both. Tare is the flavor base that anchors each bowl, that special potion- usually just an ounce or two of concentrated liquid- that bends ramen into one camp or another. In Sapporo, tare is made with miso. In Tokyo, soy sauce takes the lead. At enterprising ramen joints, you'll find tare made with up to two dozen ingredients, an apothecary's stash of dried fish and fungus and esoteric add-ons. The objective of tare is essentially the core objective of Japanese food itself: to pack as much umami as possible into every bite.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I took up the pestle as she left, and pounded and ground automatically, paying little heed to the results. The shut window blocked the sound both of the rain and the crowd below; the two blended in a soft, pattering susurrus of menace. Like any schoolchild, I had read Dickens. And earlier authors, as well, with their descriptions of the pitiless justice of these times, meted out to all illdoers, regardless of age or circumstance. But to read, from a cozy distance of one or two hundred years, accounts of child hangings and judicial mutilation, was a far different thing than to sit quietly pounding herbs a few feet above such an occurrence. Could I bring myself to interfere directly, if the sentence went against the boy? I moved to the window, carrying the mortar with me, and peered out. The crowd had increased, as merchants and housewives, attracted by the gathering, wandered down the High Street to investigate. Newcomers leaned close as the standees excitedly relayed the details, then merged into the body of the crowd, more faces turned expectantly to the door of the house. Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed.
Diana Gabaldon (Outlander (Outlander, #1))
During this time my father was in a labor camp, for the crime of wanting to leave the country, and my mother struggled to care for us, alone and with few provisions. One day she went out to the back patio to do the wash and saw a cute little frog sitting by the door to the kitchen. My mother has always liked frogs, and this frog by the kitchen door gave her an idea. She began to spin wonderful stories about a crazy, adventurous frog named Antonica who would overcome great odds with her daring and creativity. Antonica helped us dream of freedom and possibilities. These exciting tales were reserved for mealtime. We ate until our bowls were empty, distracted from the bland food by the flavor of Antonica’s world. Mamina knew her children were well nourished, comforted, and prepared for the challenges and adventures to come. In 2007, I was preparing to host a TV show on a local station and was struggling with self-doubt. With encouragement and coaching from a friend, I finally realized that I had been preparing for this opportunity most of my life. All I needed was confidence in myself, the kind of confidence Antonica had taught me about, way back in Cuba. Through this process of self-discovery, the idea came to me to start cooking with my mother. We all loved my Mamina’s cooking, but I had never been interested in learning to cook like her. I began to write down her recipes and take pictures of her delicious food. I also started to write down the stories I had heard from my parents, of our lives in Cuba and coming to the United States. At some point I realized I had ninety recipes. This is a significant number to Cuban exiles, as there are ninety miles between Cuba and Key West, Florida. A relatively short distance, but oh, so far! My effort to grow closer to my mother through cooking became another dream waiting to be fulfilled, through a book called 90 Miles 90 Recipes: My Journey to Understanding. My mother now seemed as significant as our journey to the United States. While learning how she orchestrated these flavors, I began to understand my mother as a woman with many gifts. Through cooking together, my appreciation for her has grown. I’ve come to realize why feeding everyone was so important to her. Nourishing the body is part of nurturing the soul. My mother is doing very poorly now. Most of my time in the last few months has been dedicated to caring for her. Though our book has not yet been published, it has already proven valuable. It has taught me about dreams from a different perspective—helping me recognize that the lives my sisters and I enjoy are the realization of my parents’ dream of freedom and opportunity for them, and especially for us.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.
Annie Dillard (Pilgrim at Tinker Creek)
Harvard professor Robert Putnam’s ground-breaking book Bowling Alone stirred the conscience of America in 2001, when he showed that we sign fewer petitions, belong to fewer organizations that meet, know our neighbors less, socialize with friends less frequently, and even get together with our families less often. 6 Latchkey kids return to empty homes each day from school, and our electronic culture entertains us without meaningful social interaction. These experiences, among others, contribute to the growing alienation that we sense.
David Timms (Living the Lord's Prayer)