Bookstore Sad Quotes

Despite what you’ve read, your sadness is not beautiful. No one will see you in the bookstore, curled up with your Bukowski, and want to save you. Stop waiting for a salvation that will not come from the grey-eyed boy looking for an annotated copy of Shakespeare, for an end to your sadness in Keats. He coughed up his lungs at 25, and flowery words cannot conceal a life barely lived. Your life is fragile, just beginning, teetering on the violent edge of the world. Your sadness will bury you alive, and you are the only one who can shovel your way out with hardened hands and ragged fingernails, bleeding your despair into the unforgiving earth. Darling, you see, no heroes are coming for you. Grab your sword, and don your own armor.

(yesterday) From the terrace of the Flore, I see a woman sitting on the windowsill of the bookstore La Hune; she is holding a glass in one hand, apparently bored; the whole room behind her is filled with men, their backs to me. A cocktail party. May cocktails. A sad, depressing sensation of a seasonal and social stereotype. What comes to my mind is that maman is no longer here and life, stupid life, continues.

In years to come, if the book was still in his possession, I wanted him to ache. Better yet, I wanted someone to look through his books one day, open up this tiny volume of Armance, and ask, Tell me who was in silence, somewhere in Italy in the mid-eighties? And then I'd want him to feel something as darting as sorrow and fiercer than regret, maybe even pity for me, because in the bookstore that morning I'd have taken pity too, if pity was all he had to give, if pity could have made him put an arm around me, and underneath his surge of pity and regret, hovering like a vague, erotic undercurrent that was years in the making, I wanted him to remember the morning on Monet's berm when I'd kissed him not the first but the second time and given him my spit in his mouth because I so desperately wanted his in mine.

And at a bookstore he plucked a copy of The Bell Jar out of my hands. “I heard that one’s really sad,” he said, handing me Little Women instead. I raised an eyebrow. “And you think this one’s happy?” “Why?” he asked, alarmed. “It’s not?

So I can finish this diary, and God only knows if I shall ever begin another. If I do, or if I even open this again, it will be to deal with different people and different themes, for here at the end, where the romance of my life is told, ere I go back to take up the thread of my life-work, I say sadly and without hope, "FINIS".” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/us/book/drac...

Josephy visited several leading Manhattan bookstores and sadly discovered the explanation [from his agent] to be generally correct; books about Indians were shelved in the back of the stores alongside books about natural history, dinosaurs, plants, birds, and animals rather than being placed alongside biographies and histories of Americans, Europeans, Asians, Africans, and other great world cultures. Puzzled, Josephy began asking bookstore managers for a justification of this marketing tactic and was informed that Indian books had “just always been placed there.” The longer he pondered booksellers’ indifference toward Indians, the more annoyed Josephy became with the realization that bookstore marketing tactics were simply a reflection of the pervasive thinking throughout the United States in 1961: Americans believed Indians to be a vanished people. “Thinking about it made me angry,” Josephy wrote in his autobiography, “and I vowed that someday, some way, I would do something about this ignorant insult.

Actually, Peter and I broke up this morning.” I bite my lip and try to look sad. “It’s just, really hard, you know? After I liked him for so long and then finally he likes me back. But it’s just not meant to be. I don’t think he’s over his breakup yet. I think maybe Genevieve still has too strong a hold on him, so there’s no room in his heart for me.” Josh gives me a funny look. “That’s not what he was saying today at McCalls.” What in the world was Peter K. doing at a bookstore? He’s not the bookstore type. “What did he say?” I try to sound casual, but my heart is pounding so loudly I’m pretty sure Sadie can hear it. Josh keeps petting Sadie. “What did he say?” Now I’m just trying not to sound shrill. “Like, what was said exactly?” “When I was ringing him up, I asked him when you guys started going out, and he said recently. He said he really liked you.

Sadly, however, it is not serious historians who, for the most part, form the historical consciousness of their times; it is bad popular historians, generally speaking, and the historical hearsay they repeat or invent, and the myths they perpetuate and simplifications they promote, that tend to determine how most of us view the past. However assiduously the diligent, painstakingly precise academical drudge may labor at his or her meticulously researched and exhaustively documented tomes, nothing he or she produces will enjoy a fraction of the currency of any of the casually composed (though sometimes lavishly illustrated) squibs heaped on the front tables of chain bookstores or clinging to the middle rungs of best-seller lists. For everyone whose picture of the Middle Ages is shaped by the dry, exact, quietly illuminating books produced by those pale dutiful pedants who squander the golden meridians of their lives prowling in the shadows of library stacks or weakening their eyes by poring over pages of barely legible Carolingian minuscule, a few hundred will be convinced by what they read in, say, William Manchester’s dreadful, vulgar, and almost systematically erroneous A World Lit Only by Fire. After all, few have the time or the need to sift through academic journals and monographs and tedious disquisitions on abstruse topics trying to separate the gold from the dross. And so, naturally, among the broadly educated and the broadly uneducated alike, it is the simple picture that tends to prevail, though in varying shades and intensities of color, as with any image often and cheaply reproduced.

As the old curator walked bow-backed down the High Street towards his small museum, he looked sadly up at the growing number of estate agent signs and narrowed his eyes; everything seemed to be changing. There were no market days anymore. The big supermarkets in Weymouth and Swanage had long since starved out the butcher, baker and greengrocer, while online shopping had comprehensively killed off the antique shop and the second-hand bookstore. The young families had all drifted off to Dorchester and Bournemouth in search of employment and homes in which you could stand upright. Langton Hadlow had begun to die. The

Instead of dwelling on the factory of sadness that was the aftermath of Autumn’s death, I cut to the chase. “After that, I threw myself into my business and then helped my parents settle into their new house here. Anything to keep my mind off not having her with me. I was numb for a long time, trying to move on as she would have wanted me to do. It was so hard.” I paused, thinking about those dark moments that involved way too much bourbon. “I was like Bill Murray in Groundhog Day, doing the same thing over and over each day with no purpose in life. Stuck in a rut. Big time. Then one morning, I came across the body of my friend Paige Whitaker behind my bookstore, and something possessed me to figure out who did it.

You will carry on and find joy in life because being sad doesn’t help me.

So how are things going with Kavinsky?” Funny you should bring that up, Josh. ’Cause I’ve got my story locked and loaded. Peter and I had a fight via video chat this morning (in case Josh has noticed I haven’t left the house all weekend), and we broke up, and I’m devastated about the whole thing, because I’ve been in constant love with Peter Kavinsky since the seventh grade, but c’est la vie. “Actually, Peter and I broke up this morning.” I bite my lip and try to look sad. “It’s just, really hard, you know? After I liked him for so long and then finally he likes me back. But it’s just not meant to be. I don’t think he’s over his breakup yet. I think maybe Genevieve still has too strong a hold on him, so there’s no room in his heart for me.” Josh gives me a funny look. “That’s not what he was saying today at McCalls.” What in the world was Peter K. doing at a bookstore? He’s not the bookstore type. “What did he say?” I try to sound casual, but my heart is pounding so loudly I’m pretty sure Sadie can hear it. Josh keeps petting Sadie. “What did he say?” Now I’m just trying not to sound shrill. “Like, what was said exactly?” “When I was ringing him up, I asked him when you guys started going out, and he said recently. He said he really liked you.” What… I must look as shocked as I feel, because Josh straightens up and says, “Yeah, I was kind of surprised too.” “You were surprised that he would like me?” “Well, kind of. Kavinsky just isn’t the kind of guy who would date a girl like you.” When I stare back at him, sour and unsmiling, he quickly tries to backtrack. “I mean, because you’re not, you know…” “I’m not what? As pretty as Genevieve?” “No! That’s not what I’m saying. What I’m trying to say is, you’re like this sweet, innocent girl who likes to be at home with her family, and I don’t know, I guess Kavinsky doesn’t strike me as someone who would be into that.” Before he can say another word, I grab my phone out of my jacket pocket and say, “That’s Peter calling me right now, so I guess he does like homely girls.” “I didn’t say homely! I said you like to be at home!” “Later, Josh.” I speed walk away, dragging Sadie with me. Into my phone I say, “Oh hey, Peter.

I was autographing books at one of those little rattan tables in the bookstore when I found myself looking into the saddest eyes I had ever seen. “The doctor wanted me to buy something that would make me laugh,” she said. I hesitated about signing the book. It would have taken corrective surgery to make that woman laugh. “Is it a big problem?” I asked. The whole line of people was eavesdropping. “Yes. My daughter is getting married.” The line cheered. “Is she twelve or something?” “She’s twenty-four,” said the woman, biting her lip. “And he’s a wonderful man. It’s just that she could have stayed home a few more years.” The woman behind her looked wistful. “We’ve moved three times, and our son keeps finding us. Some women have all the luck.” Isn’t it curious how some mothers don’t know when they’ve done a good job or when it’s basically finished? They figure the longer the kids hang around, the better parents they are. I guess it all depends on how you regard children in the first place. How do you regard yours? Are they like an appliance? The more you have, the more status you command? They’re under warranty to perform at your whim for the first 18 years; then, when they start costing money, you get rid of them? Are they like a used car? You maintain it for years, and when you’re ready to sell it to someone else, you feel a great responsibility to keep it running or it reflects on you? (That’s why some parents never let their children marry good friends.) Are they like an endowment policy? You invest in them for 18 or 20 years, and then for the next 20 years they return dividends that support you in your declining years or they suffer from terminal guilt? Are they like a finely gilded mirror that reflects the image of its owner in every way? On the day the owner looks in and sees a flaw, a crack, a distortion, one tiny idea or attitude that is different from his own, he casts it aside and declares himself a failure? I see children as kites. You spend a lifetime trying to get them off the ground. You run with them until you’re both breathless...they crash...you add a longer tail...they hit the rooftop...you pluck them out of the spout. You patch and comfort, adjust and teach. You watch them lifted by the wind and assure them that someday they’ll fly. Finally they are airborne, but they need more string so you keep letting it out. With each twist of the ball of twine there is a sadness that goes with the joy, because the kite becomes more distant, and somehow you know it won’t be long before that beautiful creature will snap the lifeline that bound you together and soar as it was meant to soar—free and alone. Only then do you know that you did your job.

You need to look closer, Book Walker! The people smile when you arrive, but not when they’re unpacking the books. You’re much more important to them than the books. Maybe they know, deep down, that they’re ordering the wrong books. Or do you think Effi needs sad books? She’s got a sad enough life already!” “It’s her life. They’re her books.” “Then isn’t there a book that makes everyone happy? Like the Bible, but exciting?