Bookshop Movie Quotes

We've searched our database for all the quotes and captions related to Bookshop Movie. Here they are! All 14 of them:

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Back then, I told myself not to jump to conclusions to figure out what things mean. I decided not to think too deeply about life. Instead, I spent time eating well, watching movies, doing yoga and making coffee. I started to have an interest in other things besides myself and when I turned back to reflect, I realised that my life wasn't a failure after all
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Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
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His simple life โ€“ yoga, work, movies, sleep โ€“ was starting to feel like a well-put-together routine. Perhaps life was enough as it was.
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Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
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Well, in short, Iโ€™m a movie critic who writes movie reviews. I donโ€™t need anyone to bestow the title on me. If I say so, then I am. Thatโ€™s enough, and isnโ€™t this what life is about?
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Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
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I deprived my love of the thing she wanted most. Growing up, Evelyn never had family dinners, holidays, movie nights. I took the possibility of that from her when I failed to make the house safe. When I failed to keep her safe. I told myself that I didnโ€™t know how to keep you safe, either, that I didnโ€™t deserve to create a family without Evelyn.
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Amy Meyerson (The Bookshop of Yesterdays)
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Be good to everyone who becomes attached to us; cherish every friend who is by our side; ์นดํ†กโ˜›ppt33โ˜š ใ€“ ๋ผ์ธโ˜›pxp32โ˜š ํ™ˆํ”ผ๋Š” ์นœ์ถ”๋กœ ์—ฐ๋ฝ์ฃผ์„ธ์š” love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... ๋น„๋‹‰์Šค๊ตฌ์ž…,๋น„๋‹‰์Šค๊ตฌ๋งค,๋น„๋‹‰์ŠคํŒ๋งค,๋น„๋‹‰์Šค๊ฐ€๊ฒฉ,๋น„๋‹‰์ŠคํŒŒ๋Š”๊ณณ,๋น„๋‹‰์ŠคํŒ๋‹ˆ๋‹ค,๋น„๋‹‰์Šค๊ตฌ์ž…๋ฐฉ๋ฒ•,๋น„๋‹‰์Šค๊ตฌ๋งค๋ฐฉ๋ฒ•,๋น„๋‹‰์Šค๋ณต์šฉ๋ฒ• I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, ์•„๋ฌด๋Ÿฐ ๋ง์—†์ด ํ•œ๋ฒˆ๋งŒ ์ฐพ์•„์ฃผ์‹ ๋‹ค๋ฉด ๋’ค๋กœ๋Š” ๊ณ„์† ๋‹จ๊ณจ๋  ๊ทธ๋Ÿฐ ์ž์‹  ์žˆ์Šต๋‹ˆ๋‹ค.์ €ํฌ์ชฝ ์„œ๋น„์Šค๊ฐ€ ์•„๋‹ˆ๋ผ ์ œํ’ˆ์—๋Œ€ํ•ด์„œ ์ž์‹ ์žˆ๋‹ค๋Š”๊ฒ๋‹ˆ๋‹ค ํŒ”ํŒ”์ •,๊ตฌ๊ตฌ์ •,๋„ค๋…ธ๋งˆ์ •,ํ”„๋ฆด๋ฆฌ์ง€,๋น„๋งฅ์Šค,๋น„๊ทธ์•Œ์—‘์Šค,์— ๋น…์Šค,๋น„๋‹‰์Šค,์„ผํŠธ๋ฆฝ ๋“ฑ ๋งŽ์€ ์ œํ’ˆ ์ทจ๊ธ‰ํ•ฉ๋‹ˆ๋‹ค ํ™•์‹คํ•œ ์ œํ’ˆ๋งŒ ์ทจ๊ธ‰ํ•˜๋Š”๊ณณ์ด๋ผ ์–ธ์ œ๋“  ์—ฐ๋ฝ์ฃผ์„ธ์š” Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. ๋น„์•„๊ทธ๋ผํŒŒ๋Š”๊ณณ,์‹œ์•Œ๋ฆฌ์ŠคํŒŒ๋Š”๊ณณ,๋ ˆ๋น„ํŠธ๋ผํŒŒ๋Š”๊ณณ,์— ๋น…์ŠคํŒŒ๋Š”๊ณณ,์„ผํŠธ๋ฆฝํŒŒ๋Š”๊ณณ,์„ผ๋”ํŒŒ๋Š”๊ณณ,์นด๋งˆ๊ทธ๋ผ์ คํŒŒ๋Š”๊ณณ,๋‚จ์„ฑ์ •๋ ฅ์ œํŒŒ๋Š”๊ณณ,๋„ค๋…ธ๋งˆ์ •ํŒŒ๋Š”๊ณณ There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls โ€“ every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
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๋น„๋‹‰์Šค์ฒ˜๋ฐฉ via2.co.to ์นดํ†ก:ppt33 ๋น„๋‹‰์ŠคํŒ๋งค ๋น„๋‹‰์ŠคํŒŒ๋Š”๊ณณ ๋น„๋‹‰์ŠคํŒ๋‹ˆ๋‹ค ๋น„๋‹‰์Šค๊ตฌ์ž…๋ฐฉ๋ฒ• ๋น„๋‹‰์Šค๊ตฌ๋งค๋ฐฉ๋ฒ• ๋น„๋‹‰์Šคํ›„๊ธฐ
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Being the richest man in the cemetery doesn't matter to me ... Going to bed at night saying we've done something wonderful... that's what matters to me. ์นดํ†กโ˜›ppt33โ˜š ใ€“ ๋ผ์ธโ˜›pxp32โ˜š ํ™ˆํ”ผ๋Š” ์นœ์ถ”๋กœ ์—ฐ๋ฝ์ฃผ์„ธ์š” ๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž…,๋ถˆ๊ฐœ๋ฏธ๊ตฌ๋งค,๋ถˆ๊ฐœ๋ฏธํŒ๋งค,๋ถˆ๊ฐœ๋ฏธํŒŒ๋Š”๊ณณ,๋ถˆ๊ฐœ๋ฏธ๊ฐ€๊ฒฉ,๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž…๋ฐฉ๋ฒ•,๋ถˆ๊ฐœ๋ฏธ๊ตฌ๋งค๋ฐฉ๋ฒ•,๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž…์‚ฌ์ดํŠธ,๋ถˆ๊ฐœ๋ฏธ๊ตฌ๋งค์‚ฌ์ดํŠธ,๋ถˆ๊ฐœ๋ฏธํŒ๋งค์‚ฌ์ดํŠธ ๋น„์•„๊ทธ๋ผํŒ๋‹ˆ๋‹ค,์‹œ์•Œ๋ฆฌ์ŠคํŒ๋‹ˆ๋‹ค,๋ ˆ๋น„ํŠธ๋ผํŒ๋‹ˆ๋‹ค,๊ตฌ๊ตฌ์ •ํŒ๋‹ˆ๋‹ค,ํŒ”ํŒ”์ •ํŒ๋‹ˆ๋‹ค,๋„ค๋…ธ๋งˆ์ •ํŒ๋‹ˆ๋‹ค I want to put a ding in the universe. Quality is more important than quantity. One home run is better than two doubles. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel.
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๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž… via2.co.to ์นดํ†ก:ppt33 ๋ถˆ๊ฐœ๋ฏธํŒŒ๋Š”๊ณณ ๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž…๋ฐฉ๋ฒ• ๋ถˆ๊ฐœ๋ฏธ๊ตฌ๋งค๋ฐฉ๋ฒ• ๋ถˆ๊ฐœ๋ฏธ์•ฝํšจ ๋ถˆ๊ฐœ๋ฏธ์ง€์†์‹œ๊ฐ„ ๋ถˆ๊ฐœ๋ฏธ๊ตฌ์ž…์‚ฌ์ดํŠธ ๋ถˆ๊ฐœ๋ฏธ๊ตฌ๋งค์‚ฌ์ดํŠธ
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Your negative emotions can also be controlled and directed. PMA and self-discipline can remove their harmful effects and make them serve constructive purposes. Sometimes fear and anger will inspire intense action. But you must always submit your negative emotions--and you positive ones--to the examination of your reason before releasing them. Emotion without reason is a dreadful enemy. ์นดํ†กโ˜›ppt33โ˜š ใ€“ ๋ผ์ธโ˜›pxp32โ˜š ํ™ˆํ”ผ๋Š” ์นœ์ถ”๋กœ ์—ฐ๋ฝ์ฃผ์„ธ์š” ํŒ”ํŒ”์ •ํŒ๋งค,ํŒ”ํŒ”์ •ํŒŒ๋Š”๊ณณ,ํŒ”ํŒ”์ •๊ฐ€๊ฒฉ,ํŒ”ํŒ”์ •ํ›„๊ธฐ,ํŒ”ํŒ”์ •๊ตฌ์ž…๋ฐฉ๋ฒ•,ํŒ”ํŒ”์ •๋ณต์šฉ๋ฒ•,ํŒ”ํŒ”์ •๋ถ€์ž‘์šฉ,ํŒ”ํŒ”์ •๊ตฌ์ž…์‚ฌ์ดํŠธ,ํŒ”ํŒ”์ •๊ตฌ๋งค์‚ฌ์ดํŠธ,ํŒ”ํŒ”์ •ํŒ๋งค์‚ฌ์ดํŠธ ๊ตฌ๊ตฌ์ •๊ฐ€๊ฒฉ,๋น„์•„๊ทธ๋ผ๊ฐ€๊ฒฉ,์‹œ์•Œ๋ฆฌ์Šค๊ฐ€๊ฒฉ,๋ ˆ๋น„ํŠธ๋ผ๊ฐ€๊ฒฉ,์•„๋“œ๋ ˆ๋‹Œ๊ฐ€๊ฒฉ,์„ผ๋”๊ฐ€๊ฒฉ,๋น„๋‹‰์Šค๊ฐ€๊ฒฉ,์„ผํŠธ๋ฆฝ๊ฐ€๊ฒฉ What faculty provides the crucial balance between emotions and reason? It is your willpower, or ego, a subject which will be explored in more detail below. Self-discipline will teach you to throw your willpower behind either reason or emotion and amplify the intensity of their expression. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls โ€“ every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
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ํŒ”ํŒ”์ •ํŒŒ๋Š”๊ณณ via2.co.to ์นดํ†ก:ppt33 ํŒ”ํŒ”์ •ํŒ๋‹ˆ๋‹ค ํŒ”ํŒ”์ •๊ตฌ์ž…์‚ฌ์ดํŠธ ํŒ”ํŒ”์ •๊ตฌ๋งค์‚ฌ์ดํŠธ ํŒ”ํŒ”์ •ํ›„๊ธฐ ํŒ”ํŒ”์ •์ง€์†์‹œ๊ฐ„
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Our current preoccupation with zombies and vampires is easy to explain. They're two sides of the same coin, addressing our fascination with sex, death and food. They're both undead, they both feed on us, they both pass on some kind of plague and they can both be killed with specialist techniques โ€“ a stake through the heart or a disembraining. But they seem to have become polarised. Vampires are the undead of choice for girls, and zombies for boys. Vampires are cool, aloof, beautiful, brooding creatures of the night. Typical moody teenage boys, basically. Zombies are dumb, brutal, ugly and mindlessly violent. Which makes them also like typical teenage boys, I suppose. ์นดํ†กโ–บppt33โ—„ ใ€“ ๋ผ์ธโ–บpxp32โ—„ ํ™ˆํ”ผ๋Š” ์นœ์ถ”๋กœ ์—ฐ๋ฝ์ฃผ์„ธ์š” ๋ฐœ๊ธฐ๋ถ€์กฑ์œผ๋กœ ์‚ฝ์ž…์‹œ ์กฐ๋ฃจ์ฆ์ƒ ๊ทธ๋ฆฌ๊ณ  ์—ฌ์„ฑ๋ถ„ ์˜ค๋ฅด๊ฐ€์ฆ˜๋Šฆ๊ธฐ์ง€ ๋ชปํ•œ๋‹ค ๋˜ํ•œ ํŽ˜๋‹ˆ์…˜์ด ์ž‘๋‹ค๊ณ  ๋Š๋ผ๋Š”๋ถ„๋“ค ์ด์ชฝ์œผ๋กœ ๋ณด์„ธ์š” ํŒ”ํŒ”์ •,๊ตฌ๊ตฌ์ •,๋น„๋‹‰์Šค,์„ผํŠธ๋ฆฝ,๋„ค๋…ธ๋งˆ์ •,ํ”„๋ฆด๋ฆฌ์ง€,๋น„๋งฅ์Šค,๋น„๊ทธ์•Œ์—‘์Šค ๋“ฑ ์•„์ฃผ ๋งŽ์€ ์ข‹์€์ œํ’ˆ๋“ค ์ทจ๊ธ‰ํ•˜๊ณ  ๋‹จ๊ณจ๋‹˜ ๋ชจ์‹œ๊ณ  ์žˆ๋Š”๊ณณ์ž…๋‹ˆ๋‹ค.์›ํ•˜์‹ค๊ฒฝ์šฐ ์–ธ์ œ๋“  ์—ฐ๋ฝ์ฃผ์„ธ์š” Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls โ€“ every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
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ํŒ”ํŒ”์ •์ •ํ’ˆ๊ตฌ์ž… ์นดํ†ก:ppt33 ๋ผ์ธ:pxp32 ํŒ”ํŒ”์ •ํŒŒ๋Š”๊ณณ ํŒ”ํŒ”์ •์ •ํ’ˆ๊ตฌ๋งค ํŒ”ํŒ”์ •์ฒ˜๋ฐฉ ํŒ”ํŒ”์ •ํ›„๊ธฐ
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So while we formally mourn the dead from our past wars once a year, we increasingly see war as something that happens when peaceโ€”the normal state of affairsโ€”breaks down. At the same time we can indulge a fascination with great military heroes and their battles of the past; we admire stories of courage and daring exploits in war; the shelves of bookshops and libraries are packed with military histories; and movie and television producers know that war is always a popular subject. The public never seems to tire of Napoleon and his campaigns, Dunkirk, D-Day or the fantasies of Star Wars or The Lord of the Rings. We enjoy them in part because they are at a safe distance; we are confident that we ourselves will never have to take part in war. The result is that we do not take war as seriously as it deserves. We may prefer to avert our eyes from what is so often a grim and depressing subject, but we should not.
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Margaret MacMillan (War: How Conflict Shaped Us)
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I hate movie tie-in covers.
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Amy Meyerson (The Bookshop of Yesterdays)
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Unlike the movies, you donโ€™t just leave your home, your marriage and everything you knew and simply start a new life. There is a bit in between where youโ€™re just breathing โ€“ like a drowning man who clings to a rock. You know youโ€™re alive, you can move, even speak, but something is missing.
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Evie Woods (The Lost Bookshop)
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then it was exactly what I needed, for I was still in shock. Unlike the movies, you donโ€™t just leave your home, your marriage and everything you knew and simply start a new life. There is a bit in between where youโ€™re just breathing โ€“ like a drowning man who clings to a rock. You know youโ€™re alive, you can move, even speak, but something is missing.
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Evie Woods (The Lost Bookshop)
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My parents had gone out, and Billy was babysitting. We stayed up late to watch Return to Oz. I wasnโ€™t allowed to watch the movie, but I didnโ€™t tell Billy, not that heโ€™d asked whether shock treatments and a demonic Oz were appropriate for a four-year-old. From the entrance of the menacing score, I knew I was in for a sleepless night. When Billy put me to bed, I didnโ€™t tell him to leave a light on, even though the shadows from the floodlights etched the monstrous shapes of the Nome King across my walls. I tossed and turned, and soon the floor began to vibrate. The trophies on my bookshelf rattled. The Nome King had overtaken my room, shifting the walls into stone gargoyles and goblins that wanted to eat me. I screamed. The room didnโ€™t stop shaking. I screamed louder. By the time Billy opened the door, the bookshelves had stopped moving but the Nome Kingโ€™s minions remained in the shadows across my walls.
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Amy Meyerson (The Bookshop of Yesterdays)
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The movie theaters showed an anti-Semitic newsreel called โ€œThe Eternal Jew,โ€ but as weโ€™d stopped going to the movies, neither Henk nor I saw it. Books that the Germans didnโ€™t like were removed from our libraries and bookshops. It was said that they were also making changes in school textbooks to suit their ideology.
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Miep Gies (Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family)