“
He jests at scars that never felt a wound.
But soft! What light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou, her maid, art far more fair than she.
Be not her maid since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off!
It is my lady. Oh, it is my love.
Oh, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses. I will answer it.—
I am too bold. 'Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp. Her eye in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand.
Oh, that I were a glove upon that hand
That I might touch that cheek!
”
”
William Shakespeare
“
The american dream wasn't meant for me, cause lady liberty's a hypocrite she lied to me, promised me freedom,education, and equality never gave me nothing but slavery but now look at how dangerous you made me callin me a mad man because im strong and bold.
”
”
Tupac Shakur
“
It’s lovely,” I said, taking an involuntary half step back. “Really, though. I don’t like to handle other people’s cookware.”
“That’s the best you can manage? That’s your bright, bold lie?”
“Look, lady, I don’t know about you, but I’ve never had somebody corner me on a dark street and try to hand me a frying pan before,” I snapped.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
It is my lady. O, it is my love!
O, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses; I will answer it.
I am too bold. ’Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those
stars
”
”
William Shakespeare (Romeo and Juliet)
“
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“
Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity.
"May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?”
More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir."
A number of people in the class laughed outright.
"Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“
The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named.
"Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace, and next to a hyacinth look like a wholesome, freshly tubbed young girl beside a stout lady whose every movement weighs down the air with patchouli. Their faint, delicate scent is refinement itself; and is there anything in the world more charming than the sprightly way they hold up their little faces to the sun. I have heard them called bold and flaunting, but to me they seem modest grace itself, only always on the alert to enjoy life as much as they can and not be afraid of looking the sun or anything else above them in the face.
”
”
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
“
Boldness isn't second nature to everyone, it is intentionality
”
”
Janna Cachola (Lead by choice, not by checks)
“
Perriwickturned to Penelope as he set the tray down on a table. "If I might be so bold, my lady-"
"Perriwick!" Blake roared. "If I hear the phrase 'if I might be so bold' one more time, as God is my
witness, I'm going to toss you into the channel!"
"Oh dear," Penelope said. "Perhaps he does have the fever, after all.Perriwick , what do you think?"
The butler reached for Blake's forehead, only to have his hand nearly bitten off. "Touch me and die,"
Blake snarled.
”
”
Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
“
I know her by her angry air,
Her brightblack eyes, her brightblack hair,
Her rapid laughters wild and shrill,
As laughter of the woodpecker
From the bosom of a hill.
'Tis Kate--she sayeth what she will;
For Kate hath an unbridled tongue,
Clear as the twanging of a harp.
Her heart is like a throbbing star.
Kate hath a spirit ever strung
Like a new bow, and bright and sharp
As edges of the scymetar.
Whence shall she take a fitting mate?
For Kate no common love will feel;
My woman-soldier, gallant Kate,
As pure and true as blades of steel.
Kate saith "the world is void of might".
Kate saith "the men are gilded flies".
Kate snaps her fingers at my vows;
Kate will not hear of lover's sighs.
I would I were an armèd knight,
Far famed for wellwon enterprise,
And wearing on my swarthy brows
The garland of new-wreathed emprise:
For in a moment I would pierce
The blackest files of clanging fight,
And strongly strike to left and right,
In dreaming of my lady's eyes.
Oh! Kate loves well the bold and fierce;
But none are bold enough for Kate,
She cannot find a fitting mate.
”
”
Alfred Tennyson
“
Hornblower bowed to Lady This and Lady That, to Lord Somebody and to Sir John Somebody-else. Bold eyes and bare arms, exquisite clothes and blue Garter-ribbons, were all the impressions Hornblower received.
”
”
C.S. Forester (Flying Colours (Hornblower Saga: Chronological Order, #8))
“
What I've learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head. First there's the vinegar-lipped Reader Lady, who says primly, "Well, that's not very interesting, is it?" And there's the emaciated German male who writes these Orwellian memos detailing your thought crimes. And there are your parents, agonizing over your lack of loyalty and discretion; and there's William Burroughs, dozing off or shooting up because he finds you as bold and articulate as a houseplant; and so on. And there are also the dogs: let's not forget the dogs, the dogs in their pen who will surely hurtle and snarl their way out if you ever stop writing, because writing is, for some of us, the latch that keeps the door of the pen closed, keeps those crazy ravenous dogs contained.
”
”
Anne Lamott (Bird by Bird)
“
Lady, I have never been a hero, no Ryam Redwyne or Barristan the Bold. I've won no tourneys, no renown in war... but I was a knight once, and you have helped me remember what that meant. My life is a poor thing, but it is yours.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Thank you.” Caroline grinned. “You’re the best uncle in the whole world!” “That is a rather bold declaration for a young lady with seven uncles,” Corbin’s twin, Jason, said from nearby, a chuckle in his tone. Seven included Crispin, Lord Cavratt. “Aren’t I your favorite uncle?” Jason smiled at Caroline. “You’re my favorite uncle in London,” Caroline clarified quite matter-of-factly. “I suppose I’ll have to be satisfied with that.” Jason shrugged.
”
”
Sarah M. Eden (As You Are (The Jonquil Brothers #3))
“
If there is something one wants badly, one must often be bold.
”
”
Liz Carlyle (Never Lie to a Lady (Neville Family #1))
“
Anna Arkadyevna read and understood, but it was distasteful to her to read, that is, to follow the reflection of other people’s lives. She had too great a desire to live herself. If she read that the heroine of the novel was nursing a sick man, she longed to move with noiseless steps about the room of a sick man; if she read of a member of Parliament making a speech, she longed to be delivering the speech; if she read of how Lady Mary had ridden after the hounds, and had provoked her sister-in-law, and had surprised everyone by her boldness, she too wished to be doing the same. But there was no chance of doing anything; and twisting the smooth paper knife in her little hands, she forced herself to read.
”
”
Leo Tolstoy (Anna Karenina)
“
It’s bold.” “I know, right? It says, ‘Ladies and gentlemen and also people who do not identify as ladies or gentlemen, Daisy Ramirez won’t break her promises, but she will break your heart.
”
”
John Green (Turtles All the Way Down)
“
But Daniel wouldn't kiss her the way she wanted.The closer she pressed to him, the farther back he leaned.
Finally he pushed her away completely. He held on only to her hands, as if the rest of her were dangerous.
"Lady." He kissed the very tips of her fingers, making her shiver. "Would I be too bold to say your love makes you unmannerly?"
"Unmannerly?" Luce blushed.
Daniel took her back into his arms, slowly, a bit nervously. "Good Lucinda, you must not find yourself in this place dressed as you are." His eyes kept returning to her dress. "What clothes are these? WHere is your costume?" He reached into a wardrobe and flicked through the clothes pegs.
Quickly,Daniel began to unlace his boots, tossing them on the floor with two thuds. Luce tried not to gape when he dropped his trousers.He wore short gray pantaloons underneath that left very little to the imagination.
Her cheeks burned as Daniel briskly unbuttoned his white shirt. He yanked it off,exposing the full beauty of his chest.Luce sucked in her breath. The only things missing were his unfurled wings. Daniel was so impeccably gorgeous-and he seemed to have no idea of the effect he was having on her by standing there in his underwear.
She gulped,fanning herself. "Is it hot in here?
”
”
Lauren Kate (Passion (Fallen, #3))
“
You are clever man, friend John; you reason well, and your wit is bold; but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men’s eyes, because they know – or think they know – some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new; and which are yet but the old, which pretend to be young – like the fine ladies at the opera.
”
”
Bram Stoker
“
He's not good enough for you."
"What?" I stared at him incredulously. "I'd say you have that backwords. He's from a good family. Iam not" His fingers slid away from mine. A swallow darted past us. "So if you'll excuse me, I have to go convince his mother that I'm not a desperate fortune hunter with a liar for a mother an a disgusting talent for drugging old ladies."
"No"
I frowned. "What do you mean, no?Whats the matter with you?"
He just stepped closer to me, right on my shadow, which had been the only thing between us. His eyes were angry and conflicted but his hands were gently on my face, wrapping around the back of my neck. He pilled slightly and i stumbled forward. His mouth closed over mine, the kiss sending warmth shooting all the way from my belly down into my knees. His tongue was bold, sliding over mine as if I were strawberry ice cream. I felt devoured, delicious, decadent.
He stopped abruptly, pulling back, his breath ragged.
"I'm not good enough for you either.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
“
But, surprise folks, women get mad about things that don't have to do with men. Women feel anger and isolation just as intensely as men. Women have desires for power – destructive desires – that aren't satisfied with mean-spirited gossip and a bold lip color. Women need to be able to see themselves reflected in the monsters playing out these emotions on the big screen. Our only options shouldn't be either banishment to a shack in the woods or growing fangs and becoming part of a bloodthirsty sister-wife troupe. Women rarely get to weigh in on monster designs, but when she got the chance to, Millicent made it count.
”
”
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
“
Anna noticed many people taking in the sight of her in her men's clothing and nodding appreciaticely. The men seemed pleased or amused, the women either admiring or- interested. Quite a few raked Anna boldly with their eyes, their gazes clinging to the feminine body revealed by her fitted clothes. It was as if in casting off dresses she had cast off society's expectation of a woman's modesty and could allow herself to be admired, desired. Her soul soared with new confidence: she felt herself a gorgeous creature, neither a gentleman nor a lady. A gentlewoman, she thought.
”
”
Cassandra Clare (Ghosts of the Shadow Market)
“
I remember every player—every single one—who wore the Tennessee orange, a shade that our rivals hate, a bold, aggravating color that you can usually find on a roadside crew, “or in a correctional institution,” as my friend Wendy Larry jokes. But to us the color is a flag of pride, because it identifies us as Lady Vols and therefore as women of an unmistakable type. Fighters. I remember how many of them fought for a better life for themselves. I just met them halfway.
”
”
Pat Summitt (Sum It Up: A Thousand and Ninety-Eight Victories, a Couple of Irrelevant Losses, and a Life in Perspective)
“
[The wives of powerful noblemen] must be highly knowledgeable about government, and wise – in fact, far wiser than most other such women in power. The knowledge of a baroness must be so comprehensive that she can understand everything. Of her a philosopher might have said: "No one is wise who does not know some part of everything." Moreover, she must have the courage of a man. This means that she should not be brought up overmuch among women nor should she be indulged in extensive and feminine pampering. Why do I say that? If barons wish to be honoured as they deserve, they spend very little time in their manors and on their own lands. Going to war, attending their prince's court, and traveling are the three primary duties of such a lord. So the lady, his companion, must represent him at home during his absences. Although her husband is served by bailiffs, provosts, rent collectors, and land governors, she must govern them all. To do this according to her right she must conduct herself with such wisdom that she will be both feared and loved. As we have said before, the best possible fear comes from love.
When wronged, her men must be able to turn to her for refuge. She must be so skilled and flexible that in each case she can respond suitably. Therefore, she must be knowledgeable in the mores of her locality and instructed in its usages, rights, and customs. She must be a good speaker, proud when pride is needed; circumspect with the scornful, surly, or rebellious; and charitably gentle and humble toward her good, obedient subjects. With the counsellors of her lord and with the advice of elder wise men, she ought to work directly with her people. No one should ever be able to say of her that she acts merely to have her own way. Again, she should have a man's heart. She must know the laws of arms and all things pertaining to warfare, ever prepared to command her men if there is need of it. She has to know both assault and defence tactics to insure that her fortresses are well defended, if she has any expectation of attack or believes she must initiate military action. Testing her men, she will discover their qualities of courage and determination before overly trusting them. She must know the number and strength of her men to gauge accurately her resources, so that she never will have to trust vain or feeble promises. Calculating what force she is capable of providing before her lord arrives with reinforcements, she also must know the financial resources she could call upon to sustain military action.
She should avoid oppressing her men, since this is the surest way to incur their hatred. She can best cultivate their loyalty by speaking boldly and consistently to them, according to her council, not giving one reason today and another tomorrow. Speaking words of good courage to her men-at-arms as well as to her other retainers, she will urge them to loyalty and their best efforts.
”
”
Christine de Pizan (The Treasure of the City of Ladies)
“
Thank you, sweet lady.' Ser Dontos lurched clumsily to his feet, and brushed earth and leaves from his knees. 'Your lord father was as true a man as the realm has ever known, but I stood by and let them slay him. I said nothing, did nothing . . . and yet, when Joffrey would have slain me, you spoke up. Lady, I have never been a hero, no Ryam Redwyne or Barristan the Bold. I've won no tourneys, no renown in war . . . but I was a knight once, and you have helped me remember what that meant. My life is a poor thing, but it is yours.' Ser Dontos placed a hand on the gnarled bole of the heart tree. He was shaking, she saw. 'I vow, with your father's gods as witness, that I shall send you home.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Kate saith the world is void of might.
Kate saith the men are gilded flies.
Kate snaps her fingers at my vows;
Kate will not hear of lovers sighs.
I would I were an armed knight,
Far-famed for well-won enterprise,
And wearing on my swarthy brows
The garland of new-wreathed emprise
For in a moment I would pierce
The blackest files of clanging fight,
And strongly strike to left and right,
In dreaming of my lady's eyes.
O, Kate loves well the bold and fierce;
But none are bold enough for Kate,
She cannot find a fitting mate.
”
”
Alfred Tennyson
“
It is said that the skill of the Dwarves is in their hands rather than in their tongues,’ she said; ‘yet that is not true of Gimli. For none have ever made to me a request so bold and yet so courteous. And how shall I refuse, since I commanded him to speak? But tell me, what would you do with such a gift?’
‘Treasure it, Lady,’ he answered, ‘in memory of your words to me at our first meeting. And if ever I return to the smithies of my home, it shall be set in imperishable crystal to be an heirloom of my house, and a pledge of good will between the Mountain and the Wood until the end of days.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
I have heard many a young unmarried lady exclaim with a bold sweep of conception, “Ah me! I wish I were a widow!” Mrs. Keith was precisely the widow that young unmarried ladies wish to be. With her diamonds in her dressing-case and her carriage in her stable, and without a feather’s weight of encumbrance, she offered a finished example of satisfied ambition.
”
”
Henry James (Watch and Ward)
“
He was all confidence and smolder and masculine power. Exuded a bold, audacious air that said, “I do what I like, I go after whatever I want, and I don’t give a hot shit if you approve or not.”
Behold, ladies and gentlemen, the elusive alpha male.
”
”
Suzanne Wright (Shadows (Dark in You, #5))
“
To use strong language, she thought, was a sign of bad temper and lack of concern for others. Such people were not clever or bold simply because they used such language; each time they opened their mouths they proclaimed I am a person who is poor in words.
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
In the Land under the Hill, in the Time Before …
Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel.
Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side.
And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her.
And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing.
She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild.
Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature.
She did not lie, for she could not lie.
Humans are animals.
Pain is their nature.
For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy.
Until the day one brother discovered the truth of the other.
The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie.
The lady set the useless brother free and allowed him to believe he had freed himself.
The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her.
The lady let her lover renounce her and run away.
And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him.
As she had given him his story, she gave him his children.
She had nothing left to live for, then, and so lived no longer.
This is the story she left behind, the story her lover will never know; this is the story her daughter will never know.
This is how a faerie loves: with her whole body and soul.
This is how a faerie loves: with destruction.
I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever.
This is how a faerie loves: with a gift.
”
”
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
“
I had started out in life trusting everyone and now I trusted no one. So I had a few acquaintances and no close friends. It was perhaps in reaction against the inevitable loneliness of my life that I'd find myself doing bold, risky, even outrageous things without hesitation or surprise. I was usually disappointed in these adventures and they didn't have much effect on me, good or bad, but I never quite lost the hope of something better or different.
”
”
Jean Rhys (Sleep It Off Lady: Stories)
“
Headlining also meant a higher caliber of groupie—as in, they had enough self-respect to hide their track marks and cutting scars on the insides of their thighs, like ladies. These bitches were bold, too. Entitled even. Opening act groupies were bottom-feeders. Skittish. Easily scared off by a ninety-five-pound nineteen-year-old with a platinum-blonde pixie haircut and one hell of a stink eye. Headliner groupies, on the other hand, were scrappers. They were working on their retirement plans, goddamn it, and they weren’t going to let a little thing like me (or a condom) get between them and eighteen years of rock star–sized child-support checks.
”
”
B.B. Easton (44 Chapters About 4 Men)
“
There is a whole lot of difference between a demand and a request. At times we increase our chances of success by backing up our actions with BOLD demands instead of merely expecting our requests and wishes to be granted. And that single act of bravery is almost always the difference between success and failure. Face it, own it, live it, be it, just do it!
”
”
Asuni LadyZeal
“
Ye have to be bold, lad. We're told that ladies want cringing politeness from a gentleman, but what they really want is a bit of forwardness, even carnality. It's exciting for them.
”
”
Jennifer Ashley (The Stolen Mackenzie Bride (MacKenzies & McBrides, #8))
“
He reached out and tugged on a lock of my white hair. “Bold choice.”
I pushed the loose strands behind my ear self-consciously. “It’s all the fashion underground.”
“Is it?”
“It happened during the battle. I hoped it might turn back, but it seems to be permanent.”
“My cousin Ludovic woke up with a white streak in his hair after he almost died in a house fire. Claimed the ladies
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
The greatest badluck that can befall a person is self-doubt. Fear can still push a man to greatness but not self-doubt: It would eat into all the possible chances of success one has instead. Stay bold. Stay on Course!
”
”
Asuni LadyZeal
“
Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.
”
”
Anne Brontë (Agnes Grey)
“
I am certain
you are not one of those dreary fellows one reads of who demands that
their lady friends be in possession of a maidenhead. Mine was taken
by a marrow two years ago.”
“A marrow, Miss Pertwee? The vegetable that the Italians call il
zucchine?”
“The very same.A most particularly bold and impetuous hot-house
marrow. It was quite the ravishment, I can assure you.”
“I consider it no dishonor at all to be preceded by so noble a vegetable.
”
”
Vinnie Tesla (The Erotofluidic Age)
“
He reached out and tugged on a lock of my white hair. “Bold choice.”
I pushed the loose strands behind my ear self-consciously. “It’s all the fashion underground.”
“Is it?”
“It happened during the battle. I hoped it might turn back, but it seems to be permanent.”
“My cousin Ludovic woke up with a white streak in his hair after he almost died in a house fire. Claimed the ladies found it very dashing. Of course, he also claimed the house fire was set by ghosts, so who can say.”
“Poor cousin Ludovic.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
To classify an intuitively bold and technically deft artist like Mary Hiester Reid as a poetry-reading lady flower painter in a high collar misses the fact that she slipped that collar at every opportunity, and when she couldn't, wore it with stately dignity.
”
”
Molly Peacock (Flower Diary: In Which Mary Hiester Reid Paints, Travels, Marries & Opens a Door)
“
Girl. Such a simple title. One I've been labeled all my life. But nowhere was I called it more than at the Hidden Palace: spat from the beaked mouth of Madam Himura, hissed with contemp by Naja, thrown with derision by General Yu. But in the Cloud Palace, with the magnificent Lady Dunya before me and her bold, fierce daughters, I feel for one of the first times the hidden power contained within its single modest syllable. Because this is what I am. Not a Paper Girl anymore, just "girl." Almost, as I told Lady Dunya, a caste of its own. An oppressed caste, yes, but one braver and bolder and capable of more brilliance than any other in this world.
”
”
Natasha Ngan (Girls of Storm and Shadow (Girls of Paper and Fire, #2))
“
It is entirely different from kissing Callum. It is, for a start, significantly less wet. Less impulsive and frantic and out of control. It feels bold and shy both at once, like giving and taking. Her lips are chapped but her mouth is soft as milkweed silk and rimmed with salt water from the cold spray kicked up against the side of the boat. When they part against mine, I open my mouth in return. Her thumb skims my jawline, feather-light. But beyond the physical observations, it’s nothing. Not wholly unpleasant, but neither something I’m anxious to repeat. Just a thing people do. She pulls back, her hand still upon my cheek, and looks at me. “Did that work any sort of magic?” “Not really.” “That’s a shame.” She settles back into our little nest of cloaks, pulling the collar higher around her face. “It worked for me.
”
”
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
“
Suppose you are bold, however; with a call, instead of merely leaving your card, you inquired if the lady were "at home." She was free to peer out of her drawing-room window on the second floor, see you and then whisper an emphatic "no" to her servant. This was perfectly acceptable, and it was understood that many people were physically at home when they were not socially "at home," although it was crass if they got caught.
”
”
Daniel Pool (What Jane Austen Ate and Charles Dickens Knew: From Fox Hunting to Whist—the Facts of Daily Life in 19th-Century England)
“
So when the displays were erected it came as something of a surprise to discover that the American section was an outpost of wizardry and wonder. Nearly all the American machines did things that the world earnestly wished machines to do—stamp out nails, cut stone, mold candles—but with a neatness, dispatch, and tireless reliability that left other nations blinking. Elias Howe’s sewing machine dazzled the ladies and held out the impossible promise that one of the great drudge pastimes of domestic life could actually be made exciting and fun. Cyrus McCormick displayed a reaper that could do the work of forty men—a claim so improbably bold that almost no one believed it until the reaper was taken out to a farm in the Home Counties and shown to do all that it promised it could. Most exciting of all was Samuel Colt’s repeat-action revolver, which was not only marvelously lethal but made from interchangeable parts, a method of manufacture so distinctive that it became known as “the American system.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Women began promenading without shame, publicly socializing and visiting the parks erected to be the lungs of industrialized cities. The outdoors offered opportunities to push social and sexual boundaries, and young people, writes Peiss, “used the streets as a place to meet the other sex, to explore nascent sexual feelings, and carry on flirtations, all outside the watchful eyes and admonitions of parents.”12 So liberating was a life lived in the urban wild that the YWCA worried, Peiss reports, about how “young girls . . . in this unconventional out-of-door life, are so apt to grow noisy and bold.” By
”
”
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
“
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume.
"Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper.
"Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London."
Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek.
"There's something else," Marcus said.
Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?"
"With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses.
Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it.
"Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?"
"Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?"
Marcus gave her a speaking look, as if only an imbecile would suppose otherwise.
Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes.
No miles of level desert, no jagged mountain heights,
no sea of endless blue
Neither words nor tears, nor silent fears
will keep me from coming back to you.
There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought.
"It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes.
"Let me see it."
Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Jackson…” she whispered.
“I love to hear my name on your lips,” he rasped against her ear. “Say it again.”
“Jackson…this isn’t another lesson…is it?” She had to know. She had to be sure.
“It ought to be,” he growled. “God knows you didn’t learn the first one very well, or we wouldn’t be here together, alone.”
When he lifted her onto the table, knocking off some of the books, she gasped. “I’ve never been good with lessons.”
He brushed a kiss over her lips. “Perhaps you haven’t had the right teacher. Or the right lessons, my lady.”
“Celia,” she countered, burying her hands in his thick, raven hair. He had the most beautiful hair, soft to the touch, with lovely waves that spilled wantonly over her fingers. “If I’m to call you Jackson, you must call me Celia.”
His eyes turned molten gray as they locked with hers. “Celia,” he breathed. Then he brought his hands up to flick open the buttons of her redingote and pull out her lace tucker so he could toss it aside.
She caught her breath. “Wha-What are you doing?”
“Continuing your lessons.” He spread open her redingote gown to expose her undergarments. “I want to taste you. Will you let me, sweeting?”
Sweeting? That alone would have softened her resolve, for no mad had ever called her such a lovely thing. But the fact that he was asking for what Ned had tried to force from her melted her resistance even further.
“I’m willing to repeat a lesson as often as it takes to learn it,” she said, shocking her own boldness.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Lady Mary was young, and Lady Mary was fair. She had two brothers, and more lovers than she could count. But of them all, the bravest and most gallant, was a Mr. Fox, whom she met when she was down at her father's country-house. No one knew who Mr. Fox was; but he was certainly brave, and surely rich, and of all her lovers, Lady Mary cared for him alone. At last it was agreed upon between them that they should be married. Lady Mary asked Mr. Fox where they should live, and he described to her his castle, and where it was; but, strange to say, did not ask her, or her brothers to come and see it. So one day, near the wedding-day, when her brothers were out, and Mr. Fox was away for a day or two on business, as he said, Lady Mary set out for Mr. Fox's castle. And after many searchings, she came at last to it, and a fine strong house it was, with high walls and a deep moat. And when she came up to the gateway she saw written on it: BE BOLD, BE BOLD. But as the gate was open, she went through it, and found no one there. So she went up to the doorway, and over it she found written: BE BOLD, BE BOLD, BUT NOT TOO BOLD. Still she went on, till she came into the hall, and went up the broad stairs till she came to a door in the gallery, over which was written: BE BOLD, BE BOLD, BUT NOT TOO BOLD, LEST THAT YOUR HEART'S BLOOD SHOULD RUN COLD. But Lady Mary was a brave one, she was, and she opened the door, and what do you think she saw? Why, bodies and skeletons of beautiful young ladies all stained with blood.
”
”
Joseph Jacobs (English Fairy Tales)
“
They then praise me for traits I don’t think I even have. Amiable presence? Hah! Lady of legends? OK, that sounds pretty cool. But righteous? Honourable? Composed? Did they just grab a dictionary and choose a bunch of positive words? And calling me polite, the girl who talks with her mouth full, the girl who speaks her mind at the worst moments, the girl who has no intention of hiding when she’s bored, annoyed or offended in order to respect the other person? Well, they’ll soon realise that polite was far from the truth. I’m not exactly impolite towards them, but I hate phoneys, and I have being phoney, too. Somehow, though, my upfront comments only spawn more of these exaggerated compliments: ‘What a sincere girl!’ and ‘We need a Pulsar of such boldness.
”
”
Giselle Simlett (Girl of Myth and Legend (The Chosen Saga #1))
“
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
”
”
Walter Scott (Marmion)
“
You are a clever man, friend John. You reason well, and your wit is bold, but you are too prejudiced. You do not let your eyes see nor your ears hear, and that which is outside your daily life is not of account to you. Do you not think that there are things which you cannot understand, and yet which are, that some people see things that others cannot? But there are things old and new which must not be contemplated by men's eyes, because they know, or think they know, some things which other men have told them. Ah, it is the fault of our science that it wants to explain all, and if it explain not, then it says there is nothing to explain. But yet we see around us every day the growth of new beliefs, which think themselves new, and which are yet but the old, which pretend to be young, like the fine ladies at the opera.
”
”
Bram Stoker
“
What else do you like?” She blew out a breath, her expression considering while Vim used the brush in long strokes from her crown to her hips. It was beautiful hair, thick, lustrous, and gleaming with an indication of basic health and sound living. “I like music,” she said, “and sweets. I am quite partial to sweets.” Vim took this answer for a deliberate and charming prevarication. “I meant, what do you like from your lovers? Shall I kiss you all over? Shall you bind my wrists and have your way with me?” He leaned down and nuzzled her neck, the braid he’d been fashioning forgotten. “Shall you put your mouth on me, Sophie, and make me forget myself utterly?” She sat very still while Vim slid a hand over her shoulder and let it rest there, just above her breast while he pressed his cheek to hers. “My love, are you blushing?” “You are very bold, Mr. Charpentier.” He straightened, feeling it imperative that he braid up her hair, so he might have the pleasure of unbraiding it once they’d gained the bed. “I like your hands on me,” he volunteered. “There’s a particular quality to your touch I can’t quite describe. There’s… meaning in it.” “Meaning?” She regarded him in the mirror, her blush fading. “That’s not the right word. Some people can calm a nervous horse with their touch. They communicate to the animal with hands, tone of voice, and posture in ways more substantial than words. Your hands on me feel that way—more substantial than words.” She turned and pressed her forehead to his midriff. “You must not say such things.” He stroked his palm over her crown, holding her half-finished braid with the other hand. “Why not, Sophie?” “You simply must not.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
I am an ordinary man from an equally ordinary family."
The statement should have reeked of false humility. After all, Sir Ross was a man of remarkable accomplishments and abilities. Surely he was aware of his own achievements, his keen mind, his good looks, his sterling reputation. However, Sophia realized that he did not consider himself superior to any other man. He demanded so much of himself that he could never live up to his own impossible standards.
"You are not ordinary," she half whispered. "You are fascinating."
There was no doubt that Sir Ross was often approached by women who had a personal interest in him. As a handsome widower with deep pockets and considerable social and political influence, he was probably the most eligible man in London. Yet Sophia's bold statement had clearly caught him off guard. He gave her a baffled stare, seeming unable to reply.
”
”
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement.
”
”
Michael Kaplan (Bozo Sapiens: Why to Err is Human)
“
The fist on his chest uncurled. A finger began to stray, tracing the line of hair down toward his navel. It was a slow, tentative movement, for this was all too new. Passion unchained. Not just her own nakedness, but his.Especially his. She was still half-afraid to touch him. Then all at once he caught her hand, as if he could stand it no longer, and guided it down the tight grid of his belly, between the ridge of his hips.
Straight to the heart of him.
She gasped in shock when he dragged her hand up and down, up and down. Her eyes flew wide. It was a caress as outrageously shocking as when he'd slid his fingers inside her; as bold and daring as the man himself.
"Aid- Aidan!" She stuttered his name, part-question, part jarringly shocked.
"No, it's all right. Touch me, sweet, just like that... Oh, yes, just like that."
His whisper compelled surrender. Watching him, the glint of his eyes, half-closed now, her reserve slipped away.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
I don't require any more sleep than you do, sir. If you stay up late, I am capable of doing the same. I also have work to do."
His brows lowered in a forbidding scowl. "Go to bed, Miss Sydney."
Sophia did not flinch. "Not until you do."
"My bedtime has nothing to do with yours," he said curtly, "unless you are suggesting that we go to bed together."
Clearly, the remark was meant to intimidate her into silence.
A reckless reply came to mind, one so bold that she bit her tongue to keep from speaking. And then she thought, Why not? It was time to declare her sexual interest in him... time to advance her plan of seduction one more step.
"All right," she said quickly. "If that is what it takes to make you get the rest you require- so be it."
His dark face went blank. The lengthy silence that ensued was evidence of how greatly she had surprised him. My God, she thought in a flutter of panic. Now I've done it. She could not predict how Sir Ross would respond. Being a gentleman- a notoriously celibate one- he might refuse her proposition. However, there was something in his expression- a flicker in his gray eyes- that made her wonder if he might not accept the impulsive invitation. And if he did, she would have to carry it out and sleep with him. The thought jarred her very soul. This was what she had planned, what she had wanted to achieve, but she was suddenly terrified.
Terrified by the realization of how much she wanted him.
Slowly Sir Ross approached, following as she backed away one step, then another, until her spine was flattened against the door. His alert gaze did not move from her flushed face as he braced his hands on the door, placing them on either side of her head.
"My bedroom or yours?" he asked softly.
Perhaps he expected her to back down, stammer, run away.
Her hands curled into balls of tension. "Which would you prefer?" she parried.
His head tilted as he studied her, his eyes oddly caressing. "My bed is bigger.
”
”
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
Gawain laid his hand on his son’s shoulder. “Sir Perceval, when the priest reads the lesson, he says that he who would save his life must lose it. Good words for any man, for there are moments when cowardice will bring death more surely than boldness. But the ordinary man knows, when he goes out to meet the wolf in his road, that he may yet come home in peace. Not so the knights of the Round Table. We win through one deadly peril only to face another. If we banish one evil, we must go on to the next and after that, to the next—until death meets us in the path. We yield up our bodies every day, not for glory and fortune but so that those weaker than ourselves may live. Do you understand?”
“I do,” said Sir Perceval. “And I say that there is no nobler calling. I am content.” But then he thought of the Lady Blanchefleur kissing his brow on a night of fire and blood, and with a sudden ache of grief told himself that even a hundred years of peace would not be enough time to spend with her.
”
”
Suzannah Rowntree (Pendragon's Heir (Pendragon's Heir #1-3))
“
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us.
We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have.
We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves.
There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy.
When people say something is impossible, they have already decided that they don't want to do it.
Differentiate between things you want and things you need.
Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life.
Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today.
Don't get creative when you are trying to discard things.
There's no need to stock up.
An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement.
As long as we stick to owning things that we really love, we aren't likely to want more.
Our homes aren't museum, they don't need collections.
When you aren't sure that you really want to part with something, try stowing it away for a while.
Larger furniture items with bold colors will in time trigger visual fatigue and then boredom.
Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need.
We find our originality when we own less.
When you think about it, it's experience that builds our unique characteristics, not material objects.
I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere.
For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are.
Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing.
The qualities I look for in the things that I buy are:
- the item has a minimalistic kind of shape and is easy to clean
- it's color isn't too loud
- I'll be able to use it for a long time
- it has a simple structure
- it's lightweight and compact
- it has multiple uses
A relaxed moment is not without meaning, it's an important time for reflection.
It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away.
We are what we repeatedly do. Excellence, then, is not an act but a habit.
With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward.
Cleaning your house is like polishing yourself.
Simply by living an organized life, you'll be more invigorated, more confident and like yourself better.
Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy.
When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
There are some however more condescending, and gracious enough to confess, that many Women have wit and conduct; but yet they are of opinion, that even such of us as are most remarkable for either or both, still betray something which speaks the imbecility of our sex. Stale, thread-bare notions, which long since sunk'd with their own weight; and the extreme weakness of which seem'd to condemn to perpetual oblivion; till an ingenious writer, for want of something better to employ his pen about, was pleased lately to revive them in one of the weekly * papers, lest this age should be ignorant what fools there have been among his sex in former ones.
To give us a sample then of the wisdom of his sex, he tells us, that it was always the opinion of the wisest among them, that Women are never to be indulged the sweets of liberty; but ought to pass their whole lives in a state of subordination to the Men, and in an absolute dependance upon them. And the reason assigned for so extravagant an assertion, is our not having a sufficient capacity to govern ourselves. It must be observed, that so bold a tenet ought to have better proofs to support it, than the bare word of the persons who advance it; as their being parties so immediately concern'd, must render all they say of this kind highly suspect.
”
”
Sophia Fermor (Woman Not Inferior to Man)
“
The story of the Lady of Shalott created an extraordinarily resonant echo in the Victorian and Edwardian imagination; Pre-Raphaelite artists, looking for images that expressed what they saw as a truly medieval perspective, returned to it time and time again. Tennyson provided them with the narrative, a story in which the lady is cursed only to see the world through a mirror. When she spies Lancelot she is smitten and looks directly at him: the mirror shatters and she is doomed. She sets out on a pathetic boat trip to Camelot, but by the time she arrives the curse has had its effect and she is dead. It is an image of womanhood as essentially confined and restricted; full participation in the world is forbidden and fatal. This is sentimentally regretted, but tragically unalterable. Tennyson was retelling a genuine medieval tale, but he transformed it utterly. In the original story the lady was not weak and helpless at all, and she was not under any curse. Nor was she passive and pathetic. She was a wilful, stubborn woman who boldly declared her passionate love for Lancelot. Her tragedy was that it was not returned. The story was retold in Malory’s Morte d’Arthur in the fifteenth century, and there too the Lady of Shalott was portrayed as a real, flesh and blood woman whose declaration of love was unashamed (‘Why should I leave such thoughts? Am I not an earthly woman?’) and who wrote to Lancelot as an equal. In fact, pretty well every time we find an apparently helpless woman in medieval literature she turns out to be not quite what we were looking for.
”
”
Terry Jones (Terry Jones' Medieval Lives)
“
BEAUTY
I was charged with finding Beauty.
The order whispered as I slept.
A voice said it was my duty.
Then quietly it wept.
Filled with purpose, I set out.
I was honored with my quest.
In my mind there was no doubt
I was up to this great test.
In my garden I stopped first.
My roses were in bloom.
Their bright red glory burst
With others mixed on Nature’s loom.
Then a lady drew my gaze.
She was gliding o’er the grass.
Her features would gods amaze.
I sighed deep and let her pass.
A cathedral’s spire reached to the sky,
Man-made wonder to behold.
No sight more pleasing to the eye
Than such a work both grand and bold.
I came upon a mighty mountain,
Snowcap glistening against blue sky.
My eyes were drinking from beauty’s fountain.
Yet I knew I could do better with another try.
My journey lengthened.
I crossed the earth.
My will strengthened.
To place beauty’s birth.
Witness I was to the wonders
Of beauty’s many layers.
Fiery sunsets, tropic thunders,
Children at their prayers.
But each time I thought me near
To beauty’s absolute,
Something better would appear
Even closer to the root.
I wandered thus for many years.
Despaired to ever reach my goal.
I often found myself in tears.
I had searched from pole to pole.
Until one day on a dusty street
In a poor part of the world,
I found a woman begging at my feet,
Her fingers gnarled and curled.
I fished my pocket for a coin,
Thinking good luck could be bought.
Her eyes raised up to my eyes join.
And I saw the woman owned what I sought.
She let me pass into her soul.
Into the garden there.
Never in my life whole
Had I conceived a sight so fair.
I saw the Holy Face of God,
From whose smile all beauty is born.
All the steps that I had trod
Were redeemed on that sweet morn
”
”
Carl Johnson
“
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.”
“I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally.
“Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look.
“Another creditable observation. You’ve certainly a quick mind.”
“Must you make this so very difficult!” Elizabeth exclaimed.
“I apologize,” he said with mocking gravity. “Do go on. You were saying?”
“Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.”
“Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda.
He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly.
“You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp.
“Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?”
He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said.
“Hear what?” Elizabeth said nervously.
“An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.”
“Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!”
“I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.”
Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances.
“The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted.
“Let’s stick to the salient points. What are you doing here?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She refused to feel guilty for not talking to Portia about the Earl of Harte. She couldn't discuss what she didn't understand, and she had no idea what to think of the man with the forbidding gaze.
Avenell Slade.
Lily snuggled deeper beneath her blankets.
She loved the way his name felt moving through her mind. It was sharp and smooth at the same time. Dark and light.
Lily knew she was no great beauty. She did not have Portia's dramatic dark hair or flashing eyes. Nor did she have Emma's commanding presence. She did her best to be content with her place among her exceptional sisters.
But now, after experiencing Lord Harte's painful slight, she found herself wishing she stood out more, that she was somehow more attractive, more striking.
She should forget him. Put him completely from her mind. He had made it infinitely clear he did not welcome her interest.
Yet, she wanted to know him. It was that simple and that impossible.
A hollowness spread from Lily's center. It was a sensation she had experienced more than once since she had begun her foray into the marriage market. It was the fear that what she sought might never be found- that the kind of deep passion she yearned for existed only in sordid novels.
As thoughts of Lord Harte continued to agitate her mind and created a growing restlessness in her body, Lily imagined an often-read scene from one of her favorite stories. It was frighteningly easy to cast the enigmatic Lord Harte in the role of dark seducer, but she struggled to envision herself as the intrepid heroine.
Lily did not possess a bold bone in her body. By nature, she had always been rather shy and had never been able to cultivate the kind of self-confidence her sisters possessed. Though she may crave the passionate experiences she read about, she did not possess the courage to explore such things beyond the privacy of her mind.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain.
In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses.
One Independent, strong, honest, brave, straightforward, pioneering, lonely.
Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible.
Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious.
Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable.
Five Balanced, central, cute, fat, dominant but not too much so, happy.
Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble.
Seven Magical, unalterable, intelligent, awkward, overconfident, masculine.
Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable.
Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving.
Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober.
Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek.
Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational.
Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse.
You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.
”
”
Alex Bellos (The Grapes of Math: How Life Reflects Numbers and Numbers Reflect Life)
“
Celia froze. She couldn't believe it-Proper Pinter was kissing her. Hard, boldly, with more feeling than the duke.
Good heavens.
Stung by the challenge he'd laid down, she fumbled for the pistol in her reticule, but she'd just got it in her hand when he whispered hoarsely against her lips, "Sweet God, Celia..."
He'd never called her by only her Christian name. He'd certainly never said it so...desperately. It made her hesitate with the pistol in her hand.
He took her mouth once more, and her world shifted on its axis as his kiss became wilder, more consuming. This wasn't about a challenge anymore-not when he kissed her is if her mouth held the secret to eternity. Such lovely, drugging kisses made her blood dance through her veins.
His mouth slanted over hers, and his tongue swept the seam of her lips with an urgency that made her throat ache. Remembering how Ned had kissed her, she parted her lips for him.
He went still for the briefest instant. Then with a groan, he slipped his tongue into her mouth. Ohhh, that was amazing. When Ned had done it she'd found it messy and disgusting, but Mr. Pinter's kiss was as opposite to Ned's as sun was to rain.
Slow and sensual, he dove inside with hot strokes that had her eager for more. How could this be happening to her? With him? Who could ever have guessed that the passionless Mr. Pinter could kiss so very passionately?
Scarcely aware of what she did, she slipper her free hand up to clutch his neck. He pressed into her, flattening her against the wall as he ravished her mouth with no remorse. His whiskers abraded her chin, his mouth tasted of champagne, and the smell of orange trees sweetened the air around them.
It was delicious...it was intoxicating. Paradise.
She forgot the pistol in her other hand, forgot that they were in full view of anyone who might be outside the orangery windows, forgot that he'd just been lecturing her as if she were some ninnyhammer. Because he was kissing her now as if she were an angel. His angel. And Lord help her, but she wanted him to keep kissing her like that forever.
But a noise from the nearby stove-the crackle of a log as it settled-seemed to jerk him to his senses. He tore his lips from hers and stared down at her a moment, his eyes wild, his breathing heavy.
A change came over his face, turning his expression to cold stone. "You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Looks like everybody's asleep. Don't they keep a light on for you?"
"They probably figured I wouldn't be needing it."
"Sorry to disappoint your cousins."
"Not to mention me.I'm gravely disappointed at the way this evening has ended.You're going to ruin my reputation as a lady-killer." He flashed her one of his famous smiles.
He opened the door and climbed down.When he rounded the front of the truck, he paused beside her open window. "Good night,Marilee. I appreciate the ride home. I just wish you didn't have to make that long drive back to town all alone."
"I'll be fine.I've got my radio to keep me company."
"You could always coe inside and bunk in my room."
"What a generous offer.But once again, I'm afraid I'll have to decline,though I have to admit that I've had more fun in a few hours with you than I've had in years."
The minute the words were out of her mouth,she wanted to call them back. What was it about Wyatt that had her trusting him enough to reveal such a thing?
Though she barely knew him,he'd uncovered an inherent goodness in him that was rare and wonderful.
This had been one of the best nights of her life.
Still,he'd gone very quiet.As though digesting her words and searching for hidden meanings.
As he turned away she called boldly, "What? No kiss good night? Just because I refused to spend the night with you?"
He turned back with a smile, but it wasn't his usual silly grin.Instead, she noted,there was a hint of danger in that smile.
He studied her intently before reaching out as though to touch her face. Then he seemed to think better of it and withdrew his hand as if he'd been burned.
His eyes locked on hers. "I've already decided that I'll never be able to just kiss you and walk away.So a word of warning,pretty little Marilee. When I kiss you,and I fully intend to kiss you breathless,be prepared to go the distance. There's a powerful storm building up inside me,and when it's unleashed,it's going to be one hell of an earth-shattering explosion.For both of us."
He walked away then and didn't look back until he'd reached the back door.
Startled by the unexpected intensity of his words,Marilee put the truck in gear and started along the gravel lane.
As her vehicle ate up the miles back to town,she couldn't put aside the look she'd seen in his eyes.The carefully banked passion she'd taken such pains to hide had left her more shaken than she cared to admit.
In truth,she was still trembling.
And he hadn't even touched her.
”
”
R.C. Ryan (Montana Destiny)
“
I suppose it means that I will be free to travel with my maid, or to live in the country while you are in town, or I may live in town while you are in the country if I wish. I mean if I find your company...er...unpleasant."
"I see," Daniel said dryly. "And if we are always apart, how exactly are we to gain heirs?"
"Oh." Suzette flushed. "Well, I suppose we could arrange for occasional visits for...er...procreative purposes."
"Occasional visits for procreative purposes?" he achoed with disbelief, and then muttered dryly, "My, how scintillating that sounds."
Suzette frowned, for really it did sound rather cold, nothing like the passionate delirium she had read about in one of Lisa's novels. But then, truthfully,she simply couldn't fathom the ecstasies described in that book. She'd never even been kissed and what if she didn't enjoy his kisses? Just because he didn't have bad breath didn't mean she would enjoy these visits she spoke of so boldly. Coming to a decision, she straightened abruptly, and said, "We must kiss."
That caught his attention and he asked with amazement, "What?"
"Well, we should see if we would deal well together in...er...that regard," she muttered, blushing hotly. Swallowing, she forced herself to add firmly, "You should kiss me. Then we will know."
"My dear young lady," Daniel began seeming half amused and half horrified, "I really do not think-"
"Oh,for pity's sake," Suzette interuppted impatiently, and then leaned forward again,this time pressing her lips to his. In her rush to get it over with, she lost her balance a bit and had to catch a hold of his jacket to steady herself as she smooshed her mouth against his. She then waited for the warm and wonderful commotion she'd read about to assault her. Unfortunately, there wasn't any commotion. Really this was no more exciting than pressing her mouth to a cup, Suzette thought with dismay, and released him to sit back again with a most disappointed sigh. "Oh dear, I fear you're no good at this."
"Excuse me? I am no good at this?" Daniel asked with amazed disbelief. "My dear girl, if you think that was a kiss-"
"Do stop calling me a girl," Suzette snapped a bit impatiently and got to her feet, too agitated now to sit. "You sound like you're old enough to be my father and you aren't quite that old."
"Not quite that old? For pity's sake! What a charmer you are," he said with irritation, and then stood up as well and informed her with some dignity, "That was not a proper kiss."
"Well if you are such an expert, why do you not show me how to do it right?" she suggested, glowering with frustration at this turn of events.
”
”
Lynsay Sands (The Heiress (Madison Sisters, #2))
“
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her.
“Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened.
“Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.”
“I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.”
“So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice.
“Though you may choose to fault my passions, madam, they’re quite honestly aroused.”
“Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!”
“I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right.
“Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!”
“An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.”
She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment.
“Will you get off me?!”
“Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside.
-Erienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty.
Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention.
This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled.
How could he have mistaken her for his Vex?
While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right.
With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel.
With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone.
Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away.
Ready, though, didn’t mean he looked happy about it.
The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased.
Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.”
For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty.
Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride.
His bride was beautiful, and it was only right she be admired.
From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked.
He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success.
She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen.
And she is mine.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.”
Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair.
“You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry.
She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.”
Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.”
She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength.
Physics were on her side.
Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash.
Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter.
A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly.
He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies.
“What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights.
“Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended.
He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!”
“I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.”
Indignant, her mouth opened, ready to skewer him.
But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
”
”
Laura Moore (Night Swimming: A Novel)
“
The mockup of the poster in Lady Gloria's London flat was the same size as the ones plastered up in tube stations, and it nearly filled the space between the heavy damask drapes and her massive stereo speakers. The poster's design featured bold, red, Helvetica type printed on a gray background of random letters and nonsense words. The message was, "Illiterate? Can't read? Call this number: 944-READ."
"I believe your contribution could be more wisely employed, Lady Gloria," Glynis Mortimer said.
”
”
Richard Tillotson (Acts of God While on Vacation)
“
Well," he said lightly, "where shall we go?"
"I thought I was being kidnapped, sir."
"Well, you are. But you are being allowed the privilege of being asked if there's anywhere in particular you would like to go?"
Fionna's heart caught. All the way to Gleneden, she longed to cry. She remembered the night he'd first suggested he might kidnap her.
If I should kidnap you, he had said, why, we would not be seen for many days and many nights... I admit, though, I find the prospect quite fascinating. I'd take you to Gleneden, I think, where we would be far, far away from everyone... quite alone, you and I.
How long ago that seemed. Yet in truth, it had been only a few weeks.
In that uncanny way he had, he always knew her every thought. She knew it for certain when she spied the smile lurking at the corners of his mouth.
"North?" he murmured. "To Scotland?"
Fionna tried to stifle a smile and didn't succeed. Which in turn, only encouraged him.
He slid an arm around her shoulder, drawing her close. With the other he tossed her stylish little hat so that it landed precisely beside his on the other seat. That, of course, enabled him to lower his mouth to her ear, nuzzling the tiny little hollow there.
"I could take you all the way to heaven if you like," he murmured suggestively.
Fionna couldn't resist. "You already have, remember?" A finger on his cheek, she led his mouth to hers, boldly taking the lead. When he sucked in a breath, she knew she'd startled him.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
Gentlemen," Lily informed the room at large, "I came to tell you I must abandon the game to show my new guest 'round the house. Lansdale, perhaps you would take my place at the table?"
"He will, but not half so attractively," someone remarked. There were assorted chuckles around the room.
Lansdale, a middle-aged man of unusually short stature but possessing a handsome aquiline face, regarded Sara with bold interest. "Perhaps, Lady Raiford, you would keep to the billiards game and allow me to show your guest around."
Sara blushed at the suggestion, while several of the men laughed.
Rolling her eyes, Lily addressed a remark to Sara. "Watch out for that one, my lamb. In fact, don't trust a single of these men. I know them all, and I can vouch for the fact that underneath those attractive exteriors is a pack of wolves."
Sara could see how Lily's remark pleased the men, who clearly liked to think of themselves as predators, paunches and receding hairlines notwithstanding.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
It is related of Buonaparte, that he one day rebuked a French lady for busying herself with politics. "Sire," replied she, "in a country where women are put to death, it is very natural that women should wish to know why." And, dear sisters, in a country where women are degraded and brutalized, and where their exposed persons bleed under the lash-- where they are sold in the shambles of "negro brokers"-- robbed of their heard earnings-- torn from their husbands, and forcibly plundered of their virtue and their offspring; surely in such a country, it is very natural that women should wish to know "the reason why"-- especially when these outrages of blood and nameless horror are practiced in violation of the principles of our Constitution. We do not, then, and cannot concede the position, that because this is a political subject women ought to fold their hands in idleness, and close their eyes and ears to the "horrible things" that are practiced in our land. The denial of our duty to act is a bold denial of our right to act; and if we have no right to act, then may we well be termed "the white slaves of the North"-- for like our brethren in bonds, we must seal our lips in silence and despair.
”
”
Lucretia Mott
“
The footman opened the door, and three women entered the room.
Two of them were dressed in diaphanous gowns in the pleasure house's Grecian theme, designed to tantalize and tease. The pastel silk draping their bodies only suggested modesty while revealing more than enough to incite the lust of the men avidly observing their movements. Between these sensual nymph-like creatures walked a third woman. Her slim arms were linked with the other two as they came forward to take their places before the fireplace.
This third woman was young and dressed in a modest gown of white with a pale-blue sash cinched beneath full breasts well covered by a pleated bodice. Whereas her two companions looked boldly out at the small crowd with flashing, inviting gazes and knowing smiles, the woman standing between them kept her chin lowered shyly. Her features were obscured by a curtain of brunette tresses falling in silken waves over her shoulders and down to her waist.
Avenell's blood ignited in a furious storm of awareness, and his stomach clenched violently. His fingers tightened around the brandy snifter as he studied the details of the third woman's appearance, uncertain if he could believe what his eyes were suggesting.
But there was no doubt. It was her.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
I want to make love to ye, lass.” “I… want you to, Ruaidri.” “Ye know what it entails, don’t ye?” She blushed but forced herself to be bold. “I know… certain things. And I’ve been… touched before.” “Have ye, now?” He was smiling with just one corner of his mouth. “Of course it was nothing more than a touch. And it might have been quite accidental, really. I’m a lady, Captain.” “I see. Do ladies lack the same desires that other females have?” “I’m not an ‘other female,’ so I don’t know.” “Hmph.” He let go of her hair and with one finger, traced the curve of her jaw, down to her throat, causing her to suppress a little shiver of desire. “Well, I’ve never taken a highborn English lady to me bed, but I can tell ye right now, Lady Nerissa, that ye’ve got the same parts an’ pieces as any other whether she be an Irish barmaid or an American seamstress, and I know very well how to make those parts an’ pieces work. To sing together in harmony, to bring ye such pleasure that ye’ll think ye’ve died and gone to heaven.” “Confident, aren’t you?” “Always.
”
”
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
“
In his arrogant selfconfidence, he had always known that he could seduce any woman he wanted, no matter what her station. He was even certain that he could have Holly in his bed, given enough time to melt her defenses. But the moment he slept with her, he would lose her. There would be no way to convince her to stay afterward. And the extraordinary fact was, he wanted her company even more than he wanted to bed her. Whenever Zach had imagined the woman that might finally capture his attention, his emotions, all his waking thoughts, he had always been certain she would be worldly, bold… his sexual equal. He had never considered the possibility of losing his heart and head to a demure widow. Inexplicably Holly worked on him like a drug, exciting and sweet, and like a drug, her absence left him with emptiness and craving. He was no fool. It was obvious that Lady Holly was not meant for him. Better to pluck some far more available fruit on the tree. But there she hung, tempting and exquisite, always out of reach.
”
”
Lisa Kleypas (Where Dreams Begin)
“
The whiles some one did chaunt this louely lay;
Ah see, who so faire thing doest faine to see,
In springing flowre the image of thy day;
Ah see the Virgin Rose, how sweetly shee
Doth first peepe forth with bashfull modestee,
That fairer seemes, the lesse ye see her may;
Lo see soone after, how more bold and free
Her bared bosome she doth broad display;
Loe see soone after, how she fades, and falles away.
So passeth, in the passing of a day,
Of mortall life the leafe, the bud, the flowre,
Ne more doth flourish after first decay,
That earst was sought to decke both bed and bowre,
Of many a Ladie, and many a Paramowre:
Gather therefore the Rose, whilest yet is prime,
For soone comes age, that will her pride deflowre:
Gather the Rose of love, whilest yet is time,
Whilest louing thou mayst loued be with equall crime.
”
”
Edmund Spenser (The Faerie Queene)
“
Thomas’s blood boiled. “That’s enough!” He bellowed, shooting out of his seat. The two actors jumped apart, their mouths agape. Kitty stared with round eyes. Jaw solid, he walked to Nathaniel and swiped the book from his hand. “Sit down, you’re terrible. I can’t stand to watch you. It’s my turn.” Nathaniel raised one eyebrow and dipped his chin. A bold, satisfied grin swept across his face as he took the seat where Thomas had been. “Continue, oh great one.” Thomas glared at his friend, calculating the different ways he could wipe the smirk off his face, then shuffled into Nathaniel’s previous position. His stomach turned weightless. Palms clammy, his breathing faltered. This was a mistake. Eliza’s face shone up at him, sparkling like the stars in the winter sky. The corners of her mouth lifted ever so slight. The orange glow of the fire kissed her supple cheek and made him want to do the same. He kicked away the dangerous thoughts, and carefully slipped his hand around her tiny waist, relishing the warm smoothness of her gown and spread his fingers across her back. Her dark eyes widened and she inhaled a sharp breath. In her gaze circled a mixture of nervousness and pleasure as the color in her cheeks deepened to scarlet. He smiled and pulled her body closer to his. Pure heaven! Perhaps this wasn’t a mistake after all. Thomas
”
”
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
“
I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch.
Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.
”
”
Marlena de Blasi
“
I am not certain that Lord Carson and I will suit one another."
Mostly because she knew she was falling in love with his brother. But that she wouldn't share.
She couldn't believe she was speaking so boldly to her mother. To anyone, honestly.
Neither, at least according to their expressions, could her mother and Olivia.
"What do you mean?"
For once, her mother was actually asking her a question that didn't presuppose the answer.
"I mean," Eleanor said slowly, feeling how her chest was tightening at even the thought of saying something so undebutante-like, "that I do not wish to go driving with Lord Carson this afternoon. I mean that I would like to be unhampered by an engagement for just a bit more. That how you all are bearing down on me makes it feel as though I am a thing to be manipulated, not a person who could live her own life."
Her mother's mouth dropped open, while Olivia looked as though she didn't know whether to cheer or to slap her sister.
"Live your own life?" her mother said, her voice rising into a screech. Eleanor winced at the sound. "Your sister made it impossible for any of the rest of you to live your own lives, unless you plan on living your lives in penury and disgrace."
"It isn't that horrible," Olivia pointed out in a reasonable tone. "The worst that could happen is that we settle for gentlemen we actually like rather than gentlemen you and Father decide on for us."
Now Eleanor wished she could cheer for her sister.
”
”
Megan Frampton (Lady Be Bad (Duke's Daughters, #1))
“
But I promise, I will not allow my limitations to lessen the pleasure you experience during our association."
A blush pinked her cheeks. But she did not look away.
"And what of your pleasure, my lord?" Her voice was soft and low. Smoky, like her eyes.
It weaved through Avenell's senses and hit him hard in the gut. Heat scored through his insides on a direct path to his loins. He had suspected from the start that her gentle manner had lured him so strongly. But the unexpected boldness in her query had an intense effect on him.
His arousal roughened his tone as he answered, "My pleasure is assured. Do not doubt that."
The pink in her cheeks spread down across her chest and the upper swell of her breasts, but still she held his gaze. He wondered what she might be thinking. Her stillness was disconcerting when he sensed so much going on inside her.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
He did not move from the door, but stood watching her, a possessive gleam in his eyes.
Licks of flame danced through her blood, and the boldness she had momentarily possessed left her in a long exhale. He wanted her. It was an amazing thought. And though the forbidden novels she had read had given her more insight into what happened between a man and a woman in the bedroom than any young lady should have, there was simply no way to feel prepared for what was to come.
Even though this moment was inevitable and had been from the first time she had seen him.
As she stared back at him, his brows lowered even farther over his eyes, intensifying the delicate anticipation roaring through Lily's body.
His rich voice, when he spoke, flowed through her like fine wine.
"Remove your cloak.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
Her smoky gaze held his intently, as though silently demanding something of him. Stopping at the side of the bed, he studied the stretch of her body. She so eloquently displayed both shameless sensuality and innocent anticipation. She was maiden and courtesan together. Bold and modest.
So many sumptuous curves and mysterious shadows.
Beautiful and all his.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
This rushing “in medias res” has doubtless the charm of ease. “Certainly, when I threw her from the garret window to the stony pavement below, I did not anticipate that she would fall so far without injury to life or limb.” When a story has been begun after this fashion, without any prelude, without description of the garret or of the pavement, or of the lady thrown, or of the speaker, a great amount of trouble seems to have been saved. The mind of the reader fills up the blanks, — if erroneously, still satisfactorily. He knows, at least, that the heroine has encountered a terrible danger, and has escaped from it with almost incredible good fortune; that the demon of the piece is a bold demon, not ashamed to speak of his own iniquity, and that the heroine and the demon are so far united that they have been in a garret together. But there is the drawback on the system, — that it is almost impossible to avoid the necessity of doing, sooner or later, that which would naturally be done at first. It answers, perhaps, for half-a-dozen chapters; — and to carry the reader pleasantly for half-a-dozen chapters is a great matter! — but after that a certain nebulous darkness gradually seems to envelope the characters and the incidents
”
”
Anthony Trollope (Complete Works of Anthony Trollope)
“
This man brought out something wicked in her. A boldness of spirit long dormant.
”
”
Fenna Edgewood (The Seafaring Lady's Guide to Love (The Gardner Girls, #3))
“
No, YOU were right. I'm impulsive. I always have been.'
He tossed her hat to the ground and rested his forehead on hers. 'And as much as that drives me mad with fear, I love it about you--that where I am cautious, you are bold; that where I think and never act, you charge ahead.
”
”
Roseanna M. White (The Lost Heiress (Ladies of the Manor, #1))
“
I don't care anymore. I'm sick of hiding in the shadows."
I am half sick of shadows, said the Lady of Shalott. The line flitted across Biddy's mind in Rowan's softest lilt, along with a flicker of firelight in the castle library, the sound of rain lashing outside, a cold draft through the half-open window that seemed to bring with it the promise of adventure. She had been perhaps six or seven, hearing the poem read to her for the first time. It had thrilled and spellbound her: the woman in the tower, longing for life and experience, the bold knight outside, the ebb and flow of the rhyme as relentless and inevitable as a river.
”
”
H.G. Parry (The Magician’s Daughter)
“
(Amavia's suicide)
But if that carelesse heauens (quoth she) despise
The doome of iust reuenge, and take delight
To see sad PAGEANTS OF MEN'S MISERIES,
As bound by them to liue in liues despight,
Yet can they not warne death from wretched wight.
Come then, come soone, come sweetest death to mee,
And take away this LONG LENT LOATHED LIGHT:
Sharpe be thy wounds, but sweet the medicines bee,
That long captiued soules from wearie thraldome free.
But thou, sweet Babe, whom frowning froward fate
Hath made sad witnesse of thy fathers fall,
Sith heauen thee deignes to hold in liuing state,
Long maist thou liue, and better thriue withall,
Then to thy lucklesse parents did befall:
Liue thou, and to thy mother dead attest,
That cleare she dide from blemish criminall;
Thy litle hands embrewd in bleeding brest
Loe I for pledges leaue. So giue me leaue to rest.
With that a deadly shrieke she forth did throw,
That through the wood reecchoed againe,
And after gaue a grone so deepe and low,
That seemd her tender heart was rent in twaine,
Or thrild with point of thorough piercing paine;
As gentle Hynd, whose sides with cruell steele
Through launched, forth her bleeding life does raine,
Whiles the sad pang approching she does feele,
Brayes out her latest breach, and vp her eyes doth seele.
Which when that warriour heard, dismounting straict
From his tall steed, he rusht into the thicke,
And soone arriued, where that sad pourtraict
Of death and dolour lay, halfe dead, halfe quicke,
In whose white alabaster brest did sticke
A cruell knife, that made a griesly wound,
From which forth gusht a streme of gorebloud thick,
That all her goodly garments staind around,
And into a deepe sanguine dide the grassie ground.
Pittifull spectacle of deadly smart,
Beside a bubbling fountaine low she lay,
Which she increased with her bleeding hart,
And the cleane waues widi purple gore did ray;
Als in her lap a louely babe did play
His cruell sport, in stead of sorrow dew;
For in her streaming blood he did embay
His litle hands, and tender ioynts embrew;
Pitifull spectacle, as euer eye did view.
Out of her gored wound the cruell steele
He lighdy snatcht, and did the floudgate stop
With his faire garment: then gan softly feele
Her feeble pulse, to proue if any drop
Of liuing bloud yet in her veynes did hop;
Which when he felt to moue, he hoped faire
To call backe life to her forsaken shop.
...
Not one word more she sayd
But breaking off, the end for want of breath,
And slyding soft, as downe to sleepe her layd,
And ended all her woe in quiet death.
That seeing good Sir Guyon, could vneath
From tears abstaine, for griefe his hart did grate,
And from so heauie sight his head did wreath,
Accusing fortune, and too cruell fate,
Which plunged had faire Ladie in so wretched state.
Then turning to his Palmer said, Old syre
Behold the image of mortalitie,
And feeble nature cloth’d with fleshly tyre,
When raging passion with fierce tyrannie
Robs reason of her due regalitie,
And makes it seruant to her basest part:
The strong it weakens with infirmitie,
And with bold furie armes the weakest hart;
The strong through pleasure soonest falles, the weake through smart.
”
”
Edmund Spenser (The Faerie Queene)
“
We ladies are rational creatures. We none of us expect to be in smooth water all our days. Not all of us want a man to shield us from the inevitable storms of life. Especially those of us connected to dragons. If I may be so bold as to speak for a class so broad and diverse, we want someone with whom we can share the task, as a partner and a friend, as I have shared the Admiral’s travels and adventures with him. Unless I am very sorely mistaken, and I do not think I am, your Anne is such a woman. And if that is the sort of way you are determined to treat her, then she should not have you.
”
”
Maria Grace (Kellynch: Dragon Persuasion (Jane Austen's Dragons, #6))
“
Our gentlemen visitors ain’t allowed no more than a smile and a squeeze in the public rooms, for I won’t ’ave Sodom and Gomorrah under my roof. I always tell my girls, I tell them, ‘Ladies, just show the boys enough to give them a proper ’int of what they’re in for. And close your door be’ind you when you’re entertaining, for a gentleman is easily embarrassed.
”
”
Owen Parry (Bold Sons of Erin (Abel Jones, #5))
“
just as I told Kathleen that very first day when I seen ’er, all looking fresh and pert as the flowers in May . . . I said to ’er, ‘One at a time and easy does it, and wash up proper after.’ Dr. Carr keeps telling them, but it’s a battle to get them to listen, and the careless ones pay the price.” Mrs. Walker had chatted herself into a disheartened state. “It’s rare to meet a proper young lady these days. Though Kathleen Boland could ’ave passed for a princess. Until she opened that shanty-Irish mouth of ’er’s.” I
”
”
Owen Parry (Bold Sons of Erin (Abel Jones, #5))
“
Two pairs of strangers performed. Jane watched them. Mr. Nobley watched her. Then it was her turn.
She curtsied to the audience, to Mr. Nobley, and faced him in the center of the floor. All eyes watched them. Jane looked for Martin in the crowd.
Maybe I really don’t want this, she thought. This is summer camp. This is a novel. This isn’t home. I need something real. Root beer and disposable umbrellas and bare feet real.
“I believe we must say something.”
It was Mr. Nobley who spoke.
“Sorry,” she said.
“Are you unwell tonight?”
“Do I look unwell?”
He smiled. “You are baiting me. It will not work tonight, Miss Erstwhile. I am completely at ease. I might even say, I am quite content.”
Jane pushed the air out of her lungs. Part of her very much wanted to banter and play, to twirl and laugh, to be Miss Erstwhile and fall in love with Mr. Nobley (fall back in love?), but she felt herself on that razor’s edge, talking toe to heel like a gymnast, and when she fell this time, she wanted to be on the real world side, away from heartless fantasy, into the tangible.
Then, with his hand on her waist to lead her through another figure, Mr. Nobley smiled at her again, and she clean forgot what she wanted.
Him, him, him! she thought. I want him and this and everything, every flower, every strain of music. And I don’t want it wrapped up in a box--I want it living, around me, real. Why can’t I have that? I’m not ready to give it up.
The first number ended, the group applauded the musicians. Mr. Nobley seemed to applaud Jane.
“You look flushed,” he said. “I will get you a drink.”
And he was gone.
Jane smiled at his back. She liked a man in tails. Something bumped her elbow.
“Excuse me…of, it is you, Jane, dear,” said Aunt Saffronia. She’d been watching Mr. Nobley as well, and her expression was still misty with contemplation. “Where is your partner off to?”
“He is fetching me a drink,” said Jane. “I’ve never seen him so attentive. Or so at ease.”
“Nor I, not in the four years I have known him. He is acting like a proper gentleman in love, is he not? I might almost say that he looks happy.” Aunt Saffronia was thoughtful, and while she stared, she idly bit her fingernail right through her glove.
“Is he in love?” asked Jane. She was feeling bold in her bridal gown.
“Hm, a question only hearts can answer.” She looked fully at Jane now and smiled approvingly. “Well, you are a confection tonight! And no wonder.”
Aunt Saffronia leaned in to touch cheeks and kiss, and Jane caught a trace of cigarette smoke. Could the dear lady be the unseen smoker? What a lot of secrets in this place, thought Jane. She’d never before considered that Austen didn’t just write romances and comedies, but mysteries as well.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds. “Where are we going?” Ellen asked, for she did not recognize the path they were traveling. “To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.” Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her. “My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached. “Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.” “Your Grace?” Ellen heard surprise in Val’s voice, and pleasure. “I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.” “I am that,” Val said softly, catching his father’s eye. “I always will be.” “I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation. “My papa is hell-bent on grandchildren. I hope you are not offended?” Ellen shook her head. “Of course not, but Valentine, we do need to talk.” “We do.” He signaled to Nick, where that worthy fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door. By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench. “I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve. “Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock!
“Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.”
He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm:
“But cold and dead by the sunken log,
Are they who came from the town.”
We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?”
Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.”
“Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.”
The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.
”
”
Philip van Doren Stern (The Civil War Christmas Album)
“
Stop peering around to see if Sophie’s here. I assure you she’s about somewhere.” Sindal passed his gloves and hat to the footman and waited until the servant had bustled away. “And you would not object to my socializing with Lady Sophia?” “Such a bold fellow you have become.” Emboldened by love, apparently, which made the situation both simpler and more delicate. “You would not give a tinker’s damn if I objected, would you?” Sindal’s lips quirked. “I would not, Your Grace, but Sophie would.” “Thank God for small favors, then. Are we to stand around here in this draft and exchange innuendos, or will you let me get you a glass of punch?” And still, Sindal’s gaze was darting surreptitiously into every corner of the vast entrance hall. “No punch for me, thank you, Your Grace.” Oh, for God’s sake. His Grace leveled a look at his guest that wasn’t the least congenial. Love made young men daft—old men too, though that didn’t signify at the moment. “Perhaps
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
His expression was bleak, but then, Sir Joseph’s expression was usually bleak. He was not a classically handsome man—his features were saturnine, his brows a trifle heavy, his nose not quite straight, though bold and a bit hooked. He yet managed to be attractive to Louisa for she had seen him smile. Just the once, he’d smiled at his small daughters one day in the church yard, but Louisa had never forgotten the sight. His smile, full of warmth, humor, and affection, made him very attractive indeed.
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
Reaching his destination in a relatively short period of time, Everett was forced to stop in his tracks when Davis suddenly stepped in front him. His footman was not looking his normal affable self but was glaring at Everett, and . . . the man’s fists were clenched. “Is something the matter?” he asked slowly. “I would say so, sir, but since you are my employer, it wouldn’t be proper of me to tell you what that something is, or tell you where I think you should go at the moment.” “I was intending to go to Mrs. Hart’s house.” “You’re not done misleading Miss Millie?” Everett stepped closer to Davis, stopping when the man actually raised one of his clenched fists. “Were you, by chance, present when Miss Dixon spoke to Millie?” “I was, and good thing too, sir, since I was able to fetch Miss Millie a buggy straightaway so she could get away from . . . you.” “Miss Dixon lied, Davis. She admitted to me she told Millie we were still going through with our engagement plans this evening, but I had no intention of asking Caroline to marry me tonight. And as odd as this may sound, Caroline is now happily engaged to Mr. Codman.” “I beg your pardon?” “I wish I could explain more sufficiently, but now is not the time. I need to find Millie.” “Miss Dixon told Miss Millie you only see her as an amusement.” Temper began to boil directly underneath Everett’s skin. “I swear to you, I’ve never looked at Millie as a source of amusement. Granted, I do find her amusing almost all the time, but that’s completely different.” “What are your intentions toward her, sir, if I may be so bold to ask?” “I think it would probably be better for me to discuss those intentions with Millie first, although I can assure you, they are completely honorable.” Davis regarded him for a long moment before he nodded. “Well, that’s all right, then, but I do think you need to find Miss Millie straightaway. She was close to tears when I summoned a buggy for her, and I don’t believe Miss Millie is a lady who is normally prone to tears.” “You’re
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
But only seconds seemed to have passed before there was a huge blast that caused her to sit up straight and catch her breath. Then the outhouse door opened sharply, and Ian stood there with a startled look on his face and a big gun in his hand. “How long have you been in here?” he asked. “I have no idea,” she said. “I think maybe d-d-days.” He got a sheepish look on his face. “You about done in here?” he asked. She burst into laughter, which brought another coughing spasm, then laughter again. “Yes, Ian,” she finally said. “I’ve widdled and wiped. Can I please go home now?” “Home? Marcie—that car of yours—” “The cabin, Ian.” She laughed. “Jesus, do you have no sense of humor?” “That wasn’t so funny. I can’t imagine what he was doing around here. I don’t keep food out or small livestock…” “He was hanging around the shed. You think maybe he likes chicken soup?” “I’ve never had a problem like that before. That’s bold, getting out where people can see him, challenge him—” “What the hell was that?” “Puma,” he said. “Mountain lion.” “I knew that was a lion.” She stopped suddenly. “You didn’t hurt him, did you?” “Marcie, he wanted to eat you! Are you worried about his soul or something?” “I just wanted him to go away,” she said. “I didn’t want him to go dead.” “I just scared him off. Listen,” he said, walking her quickly to the cabin, “if it had been down to you or him, could you have shot him?” “No,” she said. “No?” he asked. “Well, I’ve never fired a gun, so I don’t like my chances. If I’d had a big gun like that in my hands I could’ve probably shot you or the cabin or shot the crap out of that outhouse…” She burst into laughter at her pun. “But he was way smaller. You have a frying pan, right? A big iron one, right?” “What for?” “So, in future, I can get to the bathroom with some protection. I was once a very good hitter in softball.” He stopped walking and looked down at her. “Jesus, there’s always the blue pot.” “Yeah, but there are some things a lady will risk her life to keep private.” He smiled. He actually smiled. “Is that so?
”
”
Robyn Carr (A Virgin River Christmas (Virgin River #4))
“
Be bold in pursuing what others believe is unrealistic because this will achieve more than being bland and unimaginative.
”
”
Janna Cachola