Body Splash Quotes

We've searched our database for all the quotes and captions related to Body Splash. Here they are! All 100 of them:

Ma and God God gave us fingers--Ma says, "Use your fork." God gave us voices--Ma says, "Don't scream." Ma says eat broccoli, cereal and carrots. But God gave us tasteys for maple ice cream. God gave us fingers--Ma says, "Use your hanky." God gave us puddles--Ma says, "Don't splash." Ma says, "Be quiet, your father is sleeping." But God gave us garbage can covers to crash. God gave us fingers--Ma says, "Put your gloves on." God gave us raindrops--Ma says, "Don't get wet." Ma says be careful, and don't get too near to Thoses strange lovely dogs that God gave us to pet. God gave us fingers--Ma says, "Go wash 'em." But God gave us coal bins and nice dirty bodies. And I ain't too smart, but there's one thing for certain-- Either Ma's wrong or else God is.
Shel Silverstein
His palm rests on the knob so I can't try to shut him out again. Rain droplets glisten along his sleek hair, which no doubt took gallons of glaze and hours to perfect. It's the one part of his appearance Taelor will actually approve of. As for me, I favour the messy look - hair out of sorts, body slicked in sweat with motor oil or watercolours splashed across his olive skin. That's the Jeb I grew up with. The one I could count on. The one I've lost.
A.G. Howard (Splintered (Splintered, #1))
I laid back the lounge chair and rolled to my stomach, content. Sounds of splashing faded as I dozed. And then I heard a beautiful voice. . . . “Cover your arse, and nobody gets hurt.” I lifted my head to see Kaidan crouched next to me. He was here! Just as I was about to get up and throw my arms around him, his gaze slid down my body to my butt and stayed there. Hello, stormy eyes. I felt twice as hot under the sun as I had one minute ago. I threw the towel over my body, which forced his eyes back to mine. “Hey,” I whispered. He touched my face, and I leaned into his palm. “I feel like it’s been a year since I saw you,” he said softly. “I’ve missed you.” I reached up and cupped his hand. “I’ve missed you, too.” “But you’re still in trouble.” His voice was low and gravelly.
Wendy Higgins (Sweet Reckoning (Sweet, #3))
And then he found it. Found that single spark of life that suggested hope had not died. He knelt down beside the body of a small child and gently cradled her in his massive arms. A tear fell, splashing on her cheek. The girl groaned and breathed deep. She opened her eyes; radiant green and speckled with fear.
Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
If you’re John Muir you want trees to live among. If you’re Emily, a garden will do. Try to find the right place for yourself. If you can’t find it, at least dream of it. When one is alone and lonely, the body gladly lingers in the wind or the rain, or splashes into the cold river, or pushes through the ice-crusted snow. Anything that touches. God, or the gods, are invisible, quite understandable. But holiness is visible, entirely.
Mary Oliver (Felicity)
Chemical warfare is the only way to describe what happens when cheap perfume, body splash, body spray, underarm deodorant, curl activator, hair spray, and pissy Pampers collide.
Sister Souljah (The Coldest Winter Ever (The Coldest Winter Ever, #1))
Three heavy blows boxed him low in the back. He saw a splash of red hit the door and had time to think, 'We should have remembered the body armor.' Then he crumpled, still holding onto the knob with one hand as the world rushed away from him. Everything he was and everything he'd ever known diminished to a single burning-bright point of light. Then it went out. His hand slipped off the knob. He died on his knees, leaning against the door.
Stephen King (Under the Dome)
The sky was so heartless and dark, and her body, her head, and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes -- telling them to pass it on and on in a trick-crystal regression -- that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Abby was ass up, her arms dangling behind me. Abby moaned, and then her body lurched. The awful groan/growl that always accompanied vomit preceded a splashing sound. The back of my legs felt wet. "Tell me she didn't," I said, frozen. Shepley bent back for a second, and then righted himself. "She did.
Jamie McGuire
Always being truthful gives you a certain kind of freedom. It springs forth like a fountain splashing throughout your body until it floods your soul. To be honest and to be trustworthy are great attributes. Ah, the power, Ah, the freedom
Amaka Imani Nkosazana (Sweet Destiny)
Prepare to evacuate soul in ten, in nine, eight. Chloe's splashing through the ankle-deep back-up of renal fluid from her failed kidneys. Death will commence in five. Five, four. Around her, a parasitic life spray paints her heart. Four, three. Three, two. Chloe climbs hand-over-hand up the curled lining of her own throat. Death to commence in three, two. Moonlight shines in through the open mout... h. Prepare for the last breath, now. Evacuate. Now. Soul clear of body. Death commences. Now.
Chuck Palahniuk (Fight Club)
his strange otherworldly body hangs in midair, his eye fixed to hers. Just as she’s about to be pulled down with him, he releases, and lands with a heavy splash in the night-black water.
Shelby Van Pelt (Remarkably Bright Creatures)
It's only thunder." "It just startled me," she said, her eyes on his. "I'm not afraid of storms.' "Let's see." Still, he moved slowly, taking his time as much to prolong this new moment as to gauge her reaction. He laid his hands on her hips as the rain beat and splashed, sliding them up her body, smooth and easy as he lowered his head, paused-one long breath-then fit his mouth to hers.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
Swallowing hard, she looked at him. He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing. "Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite enough," she managed. "You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?" Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean? "Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
So, you guyes are like us in other, uh, departments?” Deamon sat up, arching a brow. “Come again?” I felt my cheeks flush. “You know, like sex? I mean, you guys are all glowy and stuff. I don’t see how certain stuff would work.” Deamon’s lips curled into a half smile, and that was the only warning he gave. Moving unbelievably fast, I was on my back and he was above me in a flash. “Are you asking if I’m attracted to human girls?” he asked. Dark, wet waves of hair fell forward. Tiny droplets of water fell off the ends, splashing against my cheek. “Or are you asking if I’m attracted to you?” Using his hands, he lowered himself slowly. There wasn’t an inch of space between our bodies. Air fled my lungs at the contact of his body against mine. He was male and ripped in all the places I was soft. Being this close to him was startling, causing an array of sensations to zing through me. I shivered. Not from the cold, but from how warm and wonderful he felt. I could feel every breath he took, and when he shifted his hips, my eyes went wide and I gasped. Oh yeah, certain stuff was definitely working. Daemon rolled off me, onto his back beside me. “Next question?” he asked, voice deep and thick. I didn’t move. I stared wide-eyed at the blue-skies. “You could’ve just told me, you know?” I looked at him. “You didn’t have to show me.” “And what fund would there be in telling you?” He turned his head toward me. “Next question, Kitten?” “Why do you call me that?” “You remind me of a little fuzzy kitten, all claws and no bite.
Jennifer L. Armentrout (Obsidian (Lux, #1))
The water was tripping over itself, splashing and hypnotizing, and I tried to fix my mind on a chunk of it, like each little ripple was a life that began far away in a high mountain source and had traveled miles pushing forward until it arrived at this spot before my eyes, and now without hesitation that water-life was hurling itself over the cliff. I wanted my body in all that swiftness; I wanted to feel the slip and pull of the currents and be dashed and pummeled on the rocks below . . .
Justin Torres (We the Animals)
Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.
Jeffrey McDaniel
As the wind swelled, my tree started to sway. Almost like a human body it swung back and around, gently at first, then more and more wildly. While the swaying intensified, so did my fears that the trunk might snap and hurl me to the ground. But in time my confidence returned. Amazed at how the tree could be at once so flexible and so sturdy, I held on tight as it bent and waved, twisted and swirled, slicing curves and arcs through the air. With each graceful swing, I felt less a creature of the land and more a part of the wind itself. "The rain began falling, it's sound merging with the splashing river and the singing trees. Branches streamed like waterfalls of green. Tiny rivers cascaded down every trunk, twisting through moss meadows and bark canyons. All the while, I rode out the gale. I could not have felt wetter. I could not have felt freer. "When, at last, the storm subsided, the entire world seemed newly born. Sunbeams danced on rain-washed leaves. Curling columns of mist rose from every glade. The forest's colors shown more vivid, its smells struck more fresh. And I understood, for the first time in my life, that the Earth was always being remade, that life was always being renewed. That it may have been the afternoon of this particular day, but it was still the very morning of Creation.
T.A. Barron (The Lost Years of Merlin (Merlin, #1))
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
She floated on coral and flaxen flames. What she thought was a sea of fire was not seawater at all; it was an ocean of fiery light. Around her it rippled, constantly changing, a flare of aqua, a splash of violet, a burst of tangerine. She combed her fingers through the colors as her body was immersed.
Holly Ringland (The Lost Flowers of Alice Hart)
Still, he moved slowly, taking his time as much to prolong this moment as to gauge her reaction. He laid his hands on her hips as the rain beat and splashed, sliding them up her body, smooth and sexy as he lowered his head, paused - one long breath - then fit his mouth to hers. This, he thought as the took her face in his hands. Just this, so worth the wait. Soft, sweet, a yielding tremor, and her arms came up to wrap around his waist, to draw him into her.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
I consider a tree. I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background. I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself. I can classify it in a species and study it as a type in its structure and mode of life. I can subdue its actual presence and form so sternly that I recognise it only as an expression of law — of the laws in accordance with which a constant opposition of forces is continually adjusted, or of those in accordance with which the component substances mingle and separate. I can dissipate it and perpetuate it in number, in pure numerical relation. In all this the tree remains my object, occupies space and time, and has its nature and constitution. It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It. I have been seized by the power of exclusiveness. To effect this it is not necessary for me to give up any of the ways in which I consider the tree. There is nothing from which I would have to turn my eyes away in order to see, and no knowledge that I would have to forget. Rather is everything, picture and movement, species and type, law and number, indivisibly united in this event. Everything belonging to the tree is in this: its form and structure, its colours and chemical composition, its intercourse with the elements and with the stars, are all present in a single whole. The tree is no impression, no play of my imagination, no value depending on my mood; but it is bodied over against me and has to do with me, as I with it — only in a different way. Let no attempt be made to sap the strength from the meaning of the relation: relation is mutual.
Martin Buber (I and Thou)
Echoes of a time still splash in my ears. It is persistent, gently prying into the silver moon of my mind, where the tide has come to shore and wallows. [Mind Time]
Susan L. Marshall (Bare Spirit: The Selected Poems of Susan Marshall)
He takes his time. A slow burn that builds and builds, until I am clawing at the stones and my back arches, and my toes splash and my body ripens under his grip.
Abigail Hing Wen (Loveboat, Taipei (Loveboat, Taipei, #1))
Letter to Myself, in Remission, from Myself, Terminal" You'll come to hate your own poems, read them as pretty wisps of colorful thinking, all those images just a splash of colored oil sloshed over a pool gone rancid. Admit it. Atheists always scared you. And no wonder. Those nights you switched on the fan so no one could hear you scream into your pillow, weeping and biting your own hands like a motherless monkey,banded to a body that despised you, a suit of coals with a jammed-shut zipper. Instead of the truth, you took refuge in stories and souls, wore the word survivor like a pink nimbus. All the while, my dear, I waited, knowing you'd catch up to me one day. I'm holding the black- backed mirror to your face. Look into it.
Anya Krugovoy Silver
One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body.
Catherine Fisher (The Lost Heiress (Relic Master, #2))
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
In front of a big aluminum building with a plywood cross on the roof, I kneel in a puddle and splash water on my face. I wash my mouth out with dirty gutter runoff and spit until I can't taste anything. That holy wooden "t" looms overhead, and I wonder if the Lord might ever find cause to approve of me, wherever and whatever he is. Have you met him yet, Perry? Is he alive and well? Tell me he's not just the mouth of the sky. Tell me there's more looking down on us than that empty blue skull.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Lying there as I gazed up with rapture, I purposely avoided looking at the paleness of my body, but I was still vaguely aware of it, somewhere in the periphery of my vision. Yet, still silent, I sensed that it was not the same white body as when I was little. I couldn't stand it. The body had no connection to my mind, it developed on its own accord, which was unbearable and bewildering. It made me miserable that I was rapidly becoming an adult and that I was unable to do anything about it. I suppose there is no choice but to give myself over to what is happening, to wait and see as I become a grown up. I want to have a doll-like body forever. I splashed the bathwater about, trying to imitate a child, but I still felt depressed. I was distressed, like there wasn't any reason left to live.
Osamu Dazai (Schoolgirl)
Then Freddie was transformed into a moth. His old empty body fell forward face first into the water with a splash. Slicked back hair tied in a ponytail floated on the surface of the pool like a dead rodent on the sea as Freddie fluttered up towards a nearby streetlamp.
Stephen Livingston
The vines wound around us both, encircling our intertwined bodies. Their leaves were red and violet, splashes of human and Fey blood that quickly withered into blackened husks. And yet, they pulled us into such a comforting embrace, the three of us—me, Caduan, and death.
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
She waded into the water, splashing it on her waist and shoulders before kicking herself free of the ground and plunging in. She swam out from the shore, covering yards with each thrust of her strong arms and legs. Her body churned the water into bronze scoops and billows that fanned out behind her, tiger-striping the surface with big ripples. Jackson watched her, his mind a jumble of desire and misgivings: the free abandon with which she plunged and twisted in the water had in it something distantly threatening as well as graceful. A dangerous self-sufficiency.
James Lasdun
And then I realize: this isn’t dirty water falling from the sky. It is—literally—blood. I look up, and a droplet of blood splashes directly into my eye. I curse, rubbing my face, trying to get the blood out, but it’s everywhere, it’s like trying to dry off in the middle of the ocean. Shielding my face as best I can, I stare up into the sky. I am in the center of a cyclone. Giant white clouds swirl like a spiraling galaxy above me, the eye a tiny dark speck. The storm rages, throwing out bloody rain like punches, the wind so vicious it tears my clothes and cuts my skin. Representative Belles’s mind is swirling with dark thoughts—bloody thoughts—and they have created the biggest storm I have ever seen. I have to stop the cyclone. I have to get him into a peaceful reverie, something that he can hold on to while I root around his brain, looking for answers. I focus all of my concentration on stopping the bloody rain. The drops come slower and slower. I take a deep breath, imagining the clouds breaking up, spinning into fluffy bits of cotton-candy like clouds. I don’t open my eyes until the sounds of beating rain disappear and I can feel the warmth of the Mediterranean sun on my face.
Beth Revis (The Body Electric)
Hurricane Katrina arrived without a confirmed weather category, or a name that adequately addressed anger summoned from a thousand leagues down. When the levees broke in New Orleans images escaped television screens to tattoo every skin with the shameful reality that America’s towers fell twice. There was no phoenix. Only mosquitoes escaped the ashes, promising to puncture any still unbloodied with the needle kiss of plague. Then, a great swarm of dragonflies, sent by some other to even the odds. They feasted on the thin-limbed vampires, devoured body and virus, and then hovered around the floating bloated bodies of forgotten grandmothers, armored escorts of the dead. Their wings hummed swamp sonnets while their mouths swallowed maggots, thwarting attempts to hurry death beyond spring sunsets and autumn graves. They kept up their holy procession until New Orleans rebirthed jazz and cut the bodies loose and let saints march in all over again. As I steer my bike through one puddle after the other, making the street music urban rainforest dwellers know, I ask the splash to summon the dragonfly. Call her from the swamp into my throat to name the lump that will never loose me. Be my escort, gobble the flies ever entering me before their children become my whole.
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
The thought of missing it was eased when she found a gap in the bodies and was able to see the mound of guilt, still intact. It was prodded and splashed, even spat on. It reminded her of an unpopular child, forlorn and bewildered, powerless to alter its fate. No one liked it. Head down. Hands in pockets. Forever. Amen.
Markus Zusak (The Book Thief)
For toning, a mild herbal vinegar infused with German chamomile, lavender, rosemary, fennel, roses, comfrey root, or calendula helps to control excess oil and hydrate dry areas. Any one of these herbs can be made into a tea and applied as a facial toner or used as a body splash immediately after showering or bathing. Rose, lavender, neroli, rosemary, lemon balm, and chamomile hydrosols are great hydrating mists to have on hand during the day to prevent surface dehydration. One of my favorite pore-tightening and skin-softening toner blends for combination skin is a combination of four parts yarrow tea mixed with one part vegetable glycerin.
Stephanie Tourles (Organic Body Care Recipes: 175 Homeade Herbal Formulas for Glowing Skin & a Vibrant Self)
Leaves and Blossoms Along the Way,” If you’re John Muir you want trees to live among. If you’re Emily, a garden will do. Try to find the right place for yourself. If you can’t find it, at least dream of it. • When one is alone and lonely, the body gladly lingers in the wind or the rain, or splashes into the cold river, or pushes through the ice-crusted snow. Anything that touches. • God, or the gods, are invisible, quite understandable. But holiness is visible, entirely. • Some words will never leave God’s mouth, no matter how hard you listen. • In all the works of Beethoven, you will not find a single lie. • All important ideas must include the trees, the mountains, and the rivers. • To understand many things you must reach out of your own condition. • For how many years did I wander slowly through the forest. What wonder and glory I would have missed had I ever been in a hurry! • Beauty can both shout and whisper, and still it explains nothing. • The point is, you’re you, and that’s for keeps.
Mary Oliver (Felicity)
Dylan felt her world click into place. All of her senses simultaneously focused and spread. She could feel the whales singing far off, their song thrumming in her bones. She could feel the wave patterns of the water, the splash of otters playing farther down the coast. And ever so distantly, she heard the crooning of selkies in their seal bodies
K.M. Shea (The Little Selkie (Timeless Fairy Tales, #5))
So there they stood, side by side, the better for me to compare them, an elderly gentleman and a young man, as thousands of cobalt-colored flies swooped in thousands of wild nosedives, their metallic wings and bodies embroidering an immense tableau vivant made up of constantly shifting curves and splashes like the flow of paint in those gigantic Jackson Pollocks.
Bohumil Hrabal (Too Loud a Solitude)
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal
Richard Preston (The Hot Zone)
I tell Dylan I have to go to the bathroom. I shut the door and try to pee, but my dick's already sticking straight up at the ceiling. Great. I'm sure she caught that minor detail. We haven't even kissed yet. I shake my head and do my best to pee. I pull my pants back up, trying to make my hard-on less obvious. I stare at myself in the mirror and splash cold water on my face to calm down. My face flushed. I concentrate on one critical thing. Last, Gray. You've got to make it last. No two pumps, you're done. Don't be that guy. You're stronger than that. Think sports. Try to name every candy bar you can. Think about anything but what her body feel like, because as soon as you let yourself go there, It's over. Enough with the pep talk. I take a deep breath. This is it. It's what you were born to do.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
In the Holy Land are two ancient bodies of water. Both are fed by the Jordan River. In one, fish play and roots find sustenance. In the other, there is no splash of fish, no sound of bird, no leaf around. The difference is not in the Jordan, for it empties into both, but in the Sea of Galilee: for every drop taken in one goes out. It gives and lives. The other gives nothing. And it is called the Dead Sea.
William Sloane Coffin
Rhys lunged against his hold, but Amren stepped to their side and hissed, 'Listen.' Nesta whispered, 'I give it all back.' Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that would destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. 'Look at the light.' Iridescent light began flowing from Nesta's body. Into Feyre. Nesta kept holding her sister. 'I give it back. I give it back. I give it back.' Even Rhys stopped fighting. No one moved. The lights glimmered down Feyre's arm. Her legs. It suffused her ashen face. Began to fill the room. Cassian's Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, flowed towards Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, 'I give it back. I give it all back.' The iridescence filled her, filled Feyre, filled the bundle in Mor's arms, lighting his friend's face so the shock on it was etched in stark relief. 'I give it back,' Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. Ans as it faded, dark ink splashed upon Nesta's back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself. Yet Cassian could have sworn a luminescent, gentle hand prevented the light from leaving her body altogether. Cassian didn't fight Rhys this time as he raced to the bed. To where Feyre lay, flush with colour. No more blood spilling between her legs. Feyre opened her eyes. She blinked at Rhys, and then turned to Nesta. 'I love you, too,' Feyre whispered to her sister, and smiled. Nesta didn't stop her sob as she launched herself onto Feyre and embraced her.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
For three hours that day I forgot everything except my body and my pony’s body; the rushing, the scrambling, the splashing, struggling up the hills, sliding down them again, the tugging, the bucketing, the earth and the sky. I forgot everything, I could hardly have told you my name. That must be the great hold that hunting has over people, especially stupid people; it enforces an absolute concentration, both mental and physical.
Nancy Mitford (The Pursuit of Love (Radlett and Montdore, #1))
Forever Drifting outside in a pall of smoke, I follow a snail’s streaked path down the garden to the garden’s stone wall. Alone at last I squat on my heels, see what needs to be done, and suddenly affix myself to the damp stone. I begin to look around me slowly and listen, employing my entire body as the snail employs its body, relaxed, but alert. Amazing! Tonight is a milestone in my life. After tonight how can I ever go back to that other life? I keep my eyes on the stars, wave to them with my feelers. I hold on for hours, just resting. Still later, grief begins to settle around my heart in tiny drops. I remember my father is dead, and I am going away from this town soon. Forever. Goodbye, son, my father says. Toward morning, I climb down and wander back into the house. They are still waiting, fright splashed on their faces, as they meet my new eyes for the first time.
Raymond Carver (All of Us: The Collected Poems)
Yeah, yeah, cum inside me, fucking fill my hole!” Ty started really flexing his ass muscles, milking my dick. He reached behind me and gripped my ass, pulling me closer to him. I pumped a few more times, then my body went rigid as my cock shot one long rope of cum inside his ass. I quaked over and over as more cum erupted from my balls, splashing his guts. “Ahhh, arrggg… fuuuck!” I shivered as I finished my orgasm. It was intense and my cock was still hard inside him afterwards.
Nicholas Bella (House of Theoden: Season Two Complete Boxset (The New Haven Series))
ON TIME RUTH HALEY BARTON There have to be times in your life when you move slow, times when you walk rather than run, settling into each step . . . There have to be times when you stop and gaze admiringly at loved ones, marveling that they have been given to you for this life . . . times when hugs linger and kisses are real, when food and drink are savored with gratitude and humility rather than gulped down on your way to something else. There have to be times when you read for the sheer pleasure of it, marveling at the beauty of words and the endless creativity in putting them together . . . times when you settle into the comforts of home and become human once again. There have to be times when you light a candle and find the tender place inside you that loves or sorrows or sings and you pray from that place, times when you let yourself feel, when you allow the tears to come rather than blinking them back because you don’t have time to cry. There have to be times to sink into the soft body of yourself and love what you love simply because love itself is a grace . . . times when you sit with gratitude for the good gifts of your life that get lost and forgotten in the rush of things . . . times to celebrate and play to roll down hills to splash in water or make leaf piles to spread paint on paper or walls or each other. There have to be times to sit and wait for the fullness of God that replenishes body, mind, and soul— if you can even stand to be so full. There has to be time for the fullness of time or time is meaningless.
Ruth Haley Barton (Embracing Rhythms of Work and Rest: From Sabbath to Sabbatical and Back Again (Transforming Resources))
I reminded the reporter that sonnet means “little sound.” “Oh,” she said, and I could tell by the way her pen jumped in her hand that she was charmed by the idea; people almost always are. Sonnets are taken so strenuously, so literally, when taught at school, or at least they used to be, and the definition—fourteen lines of rhymed iambic pentameter—hardens and ends up gesturing toward an artifact, an object one might construct from a kit. But if you picture the sonnet, instead, as a little sound, a ping in the great wide silent world, you make visible a sudden fluidity to the form, a splash of noise, but a carefully measured splash that’s saved from preciosity by the fact that it comes from within the body’s own borders; one voice, one small note extended, and then bent; the bending is everything, the volta, the turn, and also important is where it occurs within the sonnet’s “scanty plot of ground,” to quote old Wordsworth. From there the “little sound” sparks and then forms itself out of the dramatic contrasts of private light and darkness.
Carol Shields (Collected Stories)
The closest analogy, the one her brain reached for and rejected and reached for again, was splashing into a lake. It was cold, but not cold. There was a smell, rich and loamy. The smell of growth and decay. She was aware of her body, the skin, the sinew, the curl of her gut. She was aware of the nerves that were firing in her brain as she became aware of the nerves firing in her brain. She unmade herself and watched herself being unmade. All the bacteria on her skin and in her blood, the virii in her tissues. The woman who had been Elvi Okoye became a landscape. A world. She fell farther in.
James S.A. Corey (Cibola Burn)
Why do they do that?” I asked, watching the shiny body flip through the air before landing with a splash. “I get why they do it when they’re hooked—I’d put up a fight, too. But this seems counterproductive. Like, you’re a fish and people are trying to find you. Hide!” Josh laughed and rested his elbows on the edge of the boat. [..] “I don’t know if anyone has asked the sturgeons directly, but I think it’s to clear their gills? Or maybe avoid predators.” I squinted off into the distance. “Maybe it’s just fun.” Josh grew quiet and I looked over to see him watching me. “I never thought of it that way before.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
Hawk-soar, and butterflies - water trickling, and especially the night sounds: owls, and fish splashing in the creek, the invisible sound of bats over the water, and the howls of the coyotes, the silence of the stars, the sound of the wind, the cool wind: both howling blue northers in the winter, and cool southerly prairie-scented night breezes coming up from Mexico in the summer, cooling the land and bathing us in blossom scents-huisache, agarita. Fire-flies,drawing light it seemed (and blinking it through their bodies) as if fueled by the presence of joy, or happiness, somewhere in the world, and that energy has, and still is, on Prade Ranch
Rick Bass (The Sky, The Stars, The Wilderness)
He splashed into the water, his whole body, not with the reverent attitude of prayer, but with a desperate thirst; he buried his head under the water and drank deep, with his cheek against the cold stone of the riverbed, the water tumbling over his back, his calves. He drank and drank, lifted his head and shoulders above the water to gasp in the evening air, and then collapsed into the water again, to drink as greedily as before. It was a kind of prayer, though, he realized as he emerged, freezing cold as the water evaporated from his skin in the breeze of the dark morning. I am with you, he said to the Oversoul. I'll do whatever you ask, because I long for you to accomplish your purpose here.
Orson Scott Card (The Memory of Earth (Homecoming))
You have eyes like a mermaid," he murmured. "Soft, pale green. Beautiful." "I knew it was only a matter of time before you walked in during my bath," Lara said, trying to sound calm although her heart was pounding. "Your request to see me in that negligee made it quite evident that you're a shameless voyeur." Hunter grinned. "I've been found out, it seems. But you can't blame me for it." "Why not?" "After more than a year of sexual deprivation, a man has to have some pleasure." "You could expend your energy on something more productive," Lara suggested as he came closer to the bath. "Develop a hobby... collect something... take up chess or pugilism." His eyes twinkled at her prim tone. "I do have a hobby, madam." "Which is what?" "Admiring you." She shook her head with a reluctant smile. "If you weren't so annoying, my lord, you would almost be charming." "If you weren't so beautiful, I wouldn't be annoying." He gave her an easy masculine grin. "But I plan to annoy you often, madam, and someday you'll like it." He took another step toward the tub. "Brace yourself- I'm coming closer." Lara went rigid, thinking of covering herself, screaming, splashing him... but she did none of those things. She remained in the tub, stretched before him like a pagan sacrifice. Hunter made no obvious show of staring at her, but she knew that he took in every detail of her body as it shimmered beneath the scented water.
Lisa Kleypas (Stranger in My Arms)
Violet felt so free. She could hear Jay laughing from behind her as he held on tight. She spun the craft first sharply to the right and then quickly to the left. He knew she was trying to buck him free, testing him to see how long he could hold on to her before being tossed into the frigid water of the lake as she maneuvered the miniature speedboat back and forth. But he was stronger now than ever before, and his reflexes were sharper. He seemed to know which way she was going to go even before she did. After a while, Violet slowed down near a floating dock in the lake and parked the Wave Runner. “Do you want to jump in?” she asked as she pulled the key from the ignition without waiting for an answer, making it more of a statement than a question. Jay stood up and hopped from the Wave Runner onto the dock. Violet joined him and instead of diving into the water, she sat down and dangled her feet in. “It’s quiet here,” he commented absently. He sat down beside her. “Mm-hmm,” she sighed, kicking her feet and splashing up water. “How are your knees?” He reached out and brushed his fingers across the damp bandages. Violet shrugged. “They’re fine . . .” and then she added with mock adoration, “. . . thanks to you, of course.” And to show her gratitude, she kicked water in his direction. He nudged her with his shoulder but didn’t say anything. They stayed like that for a while, enjoying the silence of being alone and enjoying each other’s presence. It was easy . . . and comfortable.
Kimberly Derting (The Body Finder (The Body Finder, #1))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.
Brenda Peterson (Build Me an Ark: A Life with Animals)
bombs poured down from the sky exploding across trachimbrod in bursts of light and heat those watching the festivities hollered ran frantically they jumped into the bubbling splashing frantically dynamic water not after the sack of gold buy to save themselves they stayed under as long as they could they surfaced to seize air and look for loved ones my safran picked up his wife and carried her like a newlywed into the water which seemed amid the falling trees and hackling crackling explosions the safest place hundreds of bodies poured into the brod that river with my name I embraced them with open arms come to me come I wanted to save them all to save everybody from everybody the bombs rained from the sky and it was not the explosions or scattering shrapnel that would be our death not the heckling cinders not the laughing debris but all of the bodies bodies flailing and grabbing hold of one another bodies looking something to hold on to my safran lost sight of his wife who was carried deeper into me by the pull of the bodies the silent shrieks were carried in bubbles to the surface where they popped PLEASE PLEASE PLEASE PLEASE the kicking in zosha’s belly became more and more PLEASE PLEASE the baby refused to die like this PLEASE the bombs came down cackling smoldering and my safran was able to break free from the human mass and float downstream over the small falls to clearer waters zosha was pulled down PLEASE and the baby refusing to die like this was pulled up and out of her body turning the waters around her red she surfaced like a bubble to the light to oxygen to life to life WAWAWAWAWAWA she cried she was perfectly healthy and she would have lived except for the umbilical cord that pulled her back under toward her mother who was barely conscious but conscious of the cord and tried to break it with her hands and then bite it with her teeth but could not it would not be broken and she died with her perfectly healthy nameless baby in her arms she held it to her chest the crowd pulled itself into itself long after the bombing ceased the confused the frightened the desperate mass of babies children teenagers adults elderly all pulled at each other to survive but pulled each other into me drowning each other killing each other the bodies began to rise one at a time until I couldn’t be seen through all of the bodies blue skin open white eyes I was invisible under them I was the carcass they were the butterflies white eyes blue skin this is what we’ve done we’ve killed our own babies to save them
Jonathan Safran Foer (Everything is Illuminated)
yeah’! Page stopped in front of a smaller room, enclosed by heavy quartz. Inside that room was the great bank of mercury-vapor rectifiers. From them lashed a blue-green glare that splashed against his face and shoulders, painting him in angry, garish color. The glass guarded him from the terrific blast of ultra-violet light that flared from the pool of shimmering molten metal, a terrible emanation that would have flayed a man’s skin from his body within the space of seconds. * * * * The scientist squinted his eyes against the glare. There was something in it that caught him with a deadly fascination. The personification of power—the incredibly intense spot of incandescent vapor, the tiny sphere of blue-green fire, the spinning surge of that shining pool, the intense glare of ionization. Power…the breath of modern mankind, the pulse of progress.
Clifford D. Simak (The Fourth Golden Age of Science Fiction MEGAPACK ®: Clifford D. Simak)
Sam groaned. A warmth on her face alerted her to the new morning. She opened one eye and peered at the fuzzy daylight streaming in through the window. Her head throbbed like a bitch. Her mouth felt like a carpet. She pushed herself off the couch and stood up shakily, kicking bottles as she stumbled to her small kitchen. Every movement was painful and slow. She was a sloth tight-roping through time. She held onto the basin for a moment to steady herself. She grabbed a plastic cup and opened the tap, letting it flow as she filled and refilled it, gulping down as much water as she could. She splashed her face, neck and chest with water, then refilled the cup and dumped the contents over her head. She stood there, unaware of the moments passing by, as the water dripped down her body. Willing herself to wake up and feel better. Willing the nausea into oblivion.
Adelheid Manefeldt (Consequence)
She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)
Eudora Welty
One of my siblings was, named Sarah she was, shaken to death.’ 'Sarah was hurled into one of the industrial 50 pounds 1950's Milnor washing machines, with full soap and hot wash cycles and that is what killed her, not by one of us kids as they would say, by our Mother, and Gramma and Grandpa giggled, like xenophobe demented children when the wash was over.' ‘I can still hear the scramming for help, yet no one did this was her punishment for being a bad girl, and if you would help, like you would face the same fate.’ 'This was the true shaking to death, that was not reported, I was there and saw this happen, I would know it was true, yet who would believe me.' 'I can still see all the washers lined up in a line in the basement of the orphanage, next to the washrooms for all girls, to mass shower 100 at a time, all running around bare for a bath as water jets splashed upon the young naked pubescent bodies that were acting out in the only freedom to play.
Marcel Ray Duriez (Nevaeh 1-6)
Time did exist here, in small amounts (well some of the time) – and there were feint eddies and currents of time here, things that were barely tangible. Feint forces of the universe they were, nearly indiscernible from the nothingness like a warm breeze on a hot summer night. How long he had been here, he knew not – but he was slowly learning to master these barely tangible waves like a new surfer with one foot on the sandy beach and the other on a shiny new board of Hatred. Revenge splashed around his feet like the cold waves of the ocean of Time. Nearby, two other inmates collided with each other, bounced apart spread-eagled and spiraled off into the distance in infinite slowness. The Wetsuit of Insanity clung to his spiritual body, isolating him from the timelessness that seemed to exist here. A wind of Change blew at him from behind and he pushed off from the beach with iron determination and a mental clarity hereto before unknown to him. Something in the microcosm that didn’t even have a name went ‘bling’ and against all the laws of probability, Brad Xyl opened his eyes.
Christina Engela (The Time Saving Agency)
For at that very moment, whether because the Sea Serpent was being pushed so hard, or because it foolishly decided to draw the noose tight, the whole of the carved stern broke off and the ship was free. The others were too exhausted to see what Lucy saw. There, a few yards behind them, the loop of Sea Serpent’s body got rapidly smaller and disappeared into a splash. Lucy always said (but of course she was very excited at the moment, and it may have been only imagination) that she saw a look of idiotic satisfaction on the creature’s face. What is certain is that it was a very stupid animal, for instead of pursuing the ship it turned its head round and began nosing all along its own body as if it expected to find the wreckage of the Dawn Treader there. But the Dawn Treader was already well away, running before a fresh breeze, and the men lay and sat panting and groaning all about the deck, till presently they were able to talk about it, and then to laugh about it. And when some rum had been served out they even raised a cheer; and everyone praised the valor or Eustace (though it hadn’t done any good) and of Reepicheep.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
He carried the hot mug, which was tiny in his hand, over to Cisi, who dumped the vial of sleep elixir in it and sauntered over to the guard. Without a word of explanation. “I doubt he speaks Thuvhesit,” Teka said. Cisi’s posture relaxed, and a smile spread over her face as she greeted the guard. At first the man looked like he would yell at her, but then he got that sleepy look, the same one both Jorek and Jyo had given Cisi yesterday. “She could be speaking Ogran,” he said. “It wouldn’t matter.” He’d seen the effects of Cisi’s gift before, but only when she wasn’t really trying. He had no idea how potent the effect would be when she actually put effort into it. The guard was leaning back against the amphitheater wall, a little smile curling his lips, and when she offered him the mug, he cradled it in both hands. And sipped. Akos hustled through the crowd, quick. If the guard was going to topple, he wanted it to happen as discreetly as possible. And sure enough, by the time he made it to his sister’s side, the guard was swaying on his feet, the rest of the Othyrian drink splashing on the packed dirt. Akos caught him by the shoulders and lowered him to the ground, slow. Teka was already crouched over the man’s body, searching his pockets. She turned up the key quickly, checked over her shoulder, and crammed it into the lock. “Okay,” Isae said to Cisi. “That was downright alarming.” Cisi just grinned.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
when expressing her own. Despite what happened in August, there is still something in her soft brown eyes—a cheerfulness and curiosity—that reminds me of the daughters I lost so many years ago. It’s what drew me to Rebecca in the first place. Every interaction with her since has made me wonder what my daughters would be doing now had they survived that long, horrid summer. She cups her tea in both hands and holds it to her lips, letting the steam curl around her cheeks, before taking a sip. “So what is this news you have for me?” Instead of answering Rebecca’s question, I once again look to the door, listen for a beat, then ask one of my own. “Do you happen to know where Isaac was last night?” “I don’t. In his study, I suppose. But I wasn’t feeling well, and I went to bed early. Why?” I can remember a time, when my sons were younger, when they loved throwing stones over the bridge into the river. They loved the splash and the noise. Being boys, they loved the disturbance that it caused. I study Rebecca’s face and take no pleasure in upsetting the still waters of her soul. “Joshua Burgess is dead. They found his body in the river this morning.” Rebecca shakes her head, as though unable to comprehend. “Was he…? Did…?” Whatever questions she means to ask won’t form. “It was not an accident. He didn’t drown,” I tell her. “He was hanged.” Rebecca goes completely still, except for her hands, which begin a frantic
Ariel Lawhon (The Frozen River)
The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.
Gwendoline Clermont (Gwendoline Goes Underground)
I was 18 wen I started driving I was 18 the first time I was pulled over. It was 2 AM on a Saturday The officer spilled his lights all over my rearview mirror, he splashed out of the car with his hand already on his weapon, and looked at me the way a tsunami looks at a beach house. Immediately, I could tell he was the kind of man who brings a gun to a food fight. He called me son and I thought to myself, that's an interesting way of pronouncing "boy," He asks for my license and registration, wants to know what I'm doing in this nieghborhood, if the car is stolen, if I have any drugs and most days, I know how to grab my voice by the handle and swing it like a hammer. But instead, I picked it up like a shard of glass. Scared of what might happen if I didn't hold it carefully because I know that this much melanin and that uniform is a plotline to a film that can easily end with a chalk outline baptism, me trying to make a body bag look stylish for the camera and becoming the newest coat in a closet full of RIP hashtags. Once, a friend of a friend asked me why there aren't more black people in the X Games and I said, "You don't get it." Being black is one of the most extreme sports in America. We don't need to invent new ways of risking our lives because the old ones have been working for decades. Jim Crow may have left the nest, but our streets are still covered with its feathers. Being black in America is knowing there's a thin line between a traffic stop and the cemetery, it's the way my body tenses up when I hear a police siren in a song, it's the quiver in my stomach when a cop car is behind me, it's the sigh of relief when I turn right and he doesn't. I don't need to go volcano surfing. Hell, I have an adrenaline rush every time an officer drives right past without pulling me over and I realize I'm going to make it home safe. This time.
Rudy Francisco (Helium (Button Poetry))
When Evie awakened alone in the large bed, the first thing she beheld was a scattering of pale pink splashes over the snowy white linens, as if someone had spilled blush-colored wine in bed. Blinking sleepily, she propped herself up on one elbow and touched one of the pink dabs with a single fingertip. It was a creamy pink rose petal, pulled free of a blossom and gently dropped to the sheet. Gazing around her, she discovered that rose petals had been sprinkled over her in a light rain. A smile curved her lips, and she lay back into the fragrant bed. The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. "We made up a list of potential suitors and wrote it on our empty dance cards," Evie had told him. "Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind." Sebastian had laughed huskily, tangling his bare legs intimately with hers. "I was waiting for you to ask me." "You never spared me a glance," Evie had replied wryly. "You weren't the sort of man to dance with wallflowers." Sebastian had smoothed her hair, and was silent for a moment. "No, I wasn't," he had admitted. "I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you'd never have escaped me." He had proceeded to seduce her as if she were still a virginal wallflower, coaxing her to let him make love to her by slow degrees, until he was finally sheathed in her trembling body.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?
Martine Bailey (A Taste for Nightshade)
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Consider, for example, a cichlid fish known as Haplochromis burtoni that comes from the lakes of East Africa.9 In this species, only a small number of males secure a breeding territory, and they are not discreet about their privileged social status. In contrast to their drably beige nonterritorial counterparts, territorial males sport bold splashes of red and orange, and intimidating black eye stripes. The typical day for a territorial male involves a busy schedule of unreconstructed masculinity: fighting off intruders, risking predation in order to woo a female into his territory, then, having inseminated her by ejaculating into her mouth, immediately setting off in pursuit of a new female. Add to this the fact that territorial males boast significantly larger testes and have higher circulating levels of testosterone than submissive nonterritorial males, and a T-Rex view of the situation seems almost irresistible. These high-T fish are kings indeed, presumably thanks to the effects of all that testosterone on their bodies, brain, and behavior. With a large dose of artistic license, we might even imagine the reaction were a group of feminist cichlid fish to start agitating for greater territorial equality between the sexes. It’s not discrimination, the feminist fish would be told, in tones of regret almost thick enough to hide the condescension, but testosterone. But even in the cichlid fish, testosterone isn’t the omnipotent player it at first seems to be. If it were, then castrating a territorial fish would be a guaranteed method of bringing about his social downfall. Yet it isn’t. When a castrated territorial fish is put in a tank with an intact nonterritorial male of a similar size, the castrated male continues to dominate (although less aggressively). Despite his flatlined T levels, the status quo persists.10 If you want to bring down a territorial male, no radical surgical operations are required. Instead, simply put him in a tank with a larger territorial male fish. Within a few days, the smaller male will lose his bold colors, neurons in a region of the brain involved in gonadal activity will reduce in size, and his testes will also correspondingly shrink. Exactly the opposite happens when a previously submissive, nonterritorial male is experimentally maneuvered into envied territorial status (by moving him into a new community with only females and smaller males): the neurons that direct gonadal growth expand, and his testes—the primary source of testosterone production—enlarge.11 In other words, the T-Rex scenario places the chain of events precisely the wrong way around. As Francis and his colleagues, who carried out these studies, conclude: “Social events regulate gonadal events.”12
Cordelia Fine (Testosterone Rex: Myths of Sex, Science, and Society)
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone. In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats. They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence. Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased. He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis. He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound. Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
Be Daring like Skiddy Cottontail by D.L. Lewis
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
Frank heard the glass of water thump on the stand that he now imagined might be beside the bed, which meant it was. Finally something firm to grasp, in his mind and with his hand. He reached out very slowly, as he didn’t want to risk tearing the gauze that was so precariously holding his vital organs together. He felt wood. His fingers slid shakily over the corners of the table, feeling their reality, their solidity. He tried to picture it in his head, all rough hewn and unpainted, but the white kept slipping in, even though he knew Mexicans rarely painted anything with a neutral color. Still, there it was, a whitewashed bed stand in his mind. He tried to overlook it, and reached up higher to find the glass cylinder full of what his body was screaming out for, water. That was why he felt so tight, he figured. His tissues and muscles had all dried up, and he needed to rehydrate them before even attempting to move. So at last, grasping the all important container, his fingers straining against its mighty heft, he slowly slipped it to and then off of the edge of the little table. Vast oceans of bluey refuge sloshed against their constraints, spilling their powerful waves over the side, across his sleeping hand, and onto the bed sheets below that were undoubtedly as white as Santa’s fucking beard. But the spill, the great cresting of the breakers over the levee walls, tremendous in its awesome power and glory, had only served to excite him, to intrigue him, the refreshment that the backside of his hand was lapping up osmotically served only to stoke the great thirst within him, and with God steadying his hand, he tipped his gauze laden head up, muscled the glass towards his mouth with veins rippling in his arms, and tipped it. It was not a perfect pour. Water splashed against his forehead, his eyes still clenched tightly in their death struggle against the white, as he had no idea where his mouth was at that point anyway. But he really didn’t give a shit where the life giving fluid went, for he had become a very gauzey sponge, and his tissues would reach their strange and parched tendrils across the entire room if they must to soak up the precious juices that would in turn dissolve their steely grip and allow him to rise from his low perch and sallie forth across the blue fields of agave that awaited a non-suicidal tourist’s itinerary, just outside the door he could not remember but which must surely be bolted to an opening that must surely be the gateway to the very room in which he must surely be attempting to drink.
Thomas Alton Gardner (Holy Tequila!: A Magical Adventure Under the Mexican Sun)
watching her. With a playful flick of her fingers on his chest, she jumped into the water and swam away from him. The cool feel of the water soothed her and cooled her hot body. She glided effortlessly, feeling free and rejuvenated. Another splash behind her told her that Ethan had taken the plunge too. He swam up behind her and tried to grab her but she swam away. He swam after her again and they
Lily Zante (The Proposal (A Perfect Match #1))
One minute his eleven-year-old body was asleep in bed, and suddenly he was falling through the sky. The next thing he knew, he was underwater, and now he was surfacing and splashing about. He had landed in a swimming pool.
Ryan Davis (Planet Lazy)
as thousands of cobalt-colored flies swooped in thousands of wild nosedives, their metallic wings and bodies embroidering an immense tableau vivant made up of constantly shifting curves and splashes like the flow of paint in those gigantic Jackson Pollocks.
Bohumil Hrabal (Too Loud a Solitude)
The night seemed like a dream. Had she really found a mysterious dead body? And Falco: he could not be any more infuriating. And offensive. And exciting. Cass’s eyelids fluttered shut and she was with Falco again, walking across a field of flowers. The boy plucked one and tucked it behind her left ear. A white lily. Cass breathed in the aromatic scent. Almost overpowering. Intoxicating. His lips fell on hers, soft, then harder. So hard she was having trouble finding her breath. Falco laid her on the ground, and Cass realized that all the flowers were white lilies. White lilies piled on top of a coffin. Drops of red splashed on the petals. Cass gasped, but then saw it was paint, not blood. Scarlet teardrops falling from a brush Falco held poised above her. Two quick brushstrokes left a red X, emblazoned across her chest. And then Cass couldn’t breathe at all.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
My eyes fluttered. I coughed up some blood. And I laughed, mocking myself, mocking my own adventure. THE GIANT was simply a story. I was alone. A long time passed. A splashing of footsteps. Then, two enormous hands. With effort, they pulled my body from the pavement. My limbs were heavy.
Nathan Walkowicz (THE GIANT)
You needn’t have come to Hampshire in such a hurry.” “The threat of lawyers and Chancery Court impressed me with the need for haste,” he said darkly. Perhaps her telegram had been a bit dramatic. “I wasn’t really going to bring layers into it. I only wanted to gain your attention.” His reply was soft. “You always have my attention.” Kathleen wasn’t certain how to take his meaning. Before she could ask, the latch of the bathroom door clicked. The wood panels trembled as someone began to push his way in. Kathleen’s eyes flew open. She wedged her hands against the door, her nerves stinging in horror. A violent splash erupted behind her as Devon leaped from the bathtub and flattened a hand on the door to keep it from opening farther. His other hand slid around her to cover her mouth. That was unnecessary--Kathleen couldn’t have made a sound to save her life. She quivered in every limb at the feel of the large, steaming male at her back. “Sir?” came the valet’s puzzled voice. “Confound it, have you forgotten how to knock?” Devon demanded. “Don’t burst into a room unless it’s to tell me that the house is on fire.” Distantly Kathleen wondered if she might swoon. She was fairly certain that Lady Berwick would have expected it of her in such circumstances. Unfortunately her mind remained intractably awake. She swayed, her balance uncertain, and his body automatically compensated, hard muscles flexing to support her. He was pressed all along her, hot water seeping through the back of her riding habit. With every breath, she dew in the scents of soap and heat. Her heart faltered between every beat, too weak, too fast. Dizzily she focused on the large hand braced against the door. His skin was faintly tawny, the kind that would brown easily in the sun. One of his knuckles was scraped and raw--from lifting the carriage wheel, she guessed. The nails were short and scrupulously clean, but ink stains lingered in faint shadows on the sides of two fingers. “I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Unbelievably, Drin started to feel herself building up toward another intense climax. As she came, she clutched tightly onto the big lizard's dick, her arms and legs tightening on the throbbing, red-hot member. The Tyrannosaurus Rex yelled loudly as pints of white fluid shot from the tip of its fat cock to splash onto the rocks below them. Once, twice, and then a third time, the big lizard rammed its shaft against her naked body, each time more of its semen ejaculated across the canyon, wetting the rocks below.   Apparently
Christie Sims (Taken by the T-Rex)
With the words, “We commit the body to the deep,” the end of the plank was lifted, and the hammock, heavily weighted at the end, slid down, and, with a splash, the blue sea closed over all that remained of our shipmate, while the order to “Fill away the main topsail!” brought us back to a realization that all was over, and our messmate gone forever.
John D. Whidden (Ocean Life in the Old Sailing Ship Days)
You can avoid toilet water splash, and have a quieter pooping experience if you drop a piece of toilet paper in first.
Richard Heart (sciVive)
She stood in line outside the American embassy in Lagos, staring straight ahead, barely moving, a blue plastic file of documents tucked under her arm. She was the forty-eighth person in the line of about two hundred that trailed from the closed gates of the American embassy all the way past the smaller, vine-encrusted gates of the Czech embassy. She did not notice the newspaper vendors who blew whistles and pushed The Guardian, Thenews, and The Vanguard in her face. Or the beggars who walked up and down holding out enamel plates. Or the ice-cream bicycles that honked. She did not fan herself with a magazine or swipe at the tiny fly hovering near her ear. When the man standing behind her tapped her on the back and asked, “Do you have change, abeg, two tens for twenty naira?” she stared at him for a while, to focus, to remember where she was, before she shook her head and said, “No.” The air hung heavy with moist heat. It weighed on her head, made it even more difficult to keep her mind blank, which Dr. Balogun had said yesterday was what she would have to do. He had refused to give her any more tranquilizers because she needed to be alert for the visa interview. It was easy enough for him to say that, as though she knew how to go about keeping her mind blank, as though it was in her power, as though she invited those images of her son Ugonna’s small, plump body crumpling before her, the splash on his chest so red she wanted to scold him about playing with the palm oil in the kitchen. Not that he could even reach up to the shelf where she kept oils and spices, not that he could unscrew the cap on the plastic bottle of palm oil. He was only four years old.
Chimamanda Ngozi Adichie (The Thing Around Your Neck)
Hagrid added in a whisper to Harry, “but he’ll have a harder time frightenin’ you, an’ we’ve gotta get this done.” So Harry set off into the heart of the forest with Malfoy and Fang. They walked for nearly half an hour, deeper and deeper into the forest, until the path became almost impossible to follow because the trees were so thick. Harry thought the blood seemed to be getting thicker. There were splashes on the roots of a tree, as though the poor creature had been thrashing around in pain close by. Harry could see a clearing ahead, through the tangled branches of an ancient oak. “Look —” he murmured, holding out his arm to stop Malfoy. Something bright white was gleaming on the ground. They inched closer. It was the unicorn all right, and it was dead. Harry had never seen anything so beautiful and sad. Its long, slender legs were stuck out at odd angles where it had fallen and its mane was spread pearly-white on the dark leaves. Harry had taken one step toward it when a slithering sound made him freeze where he stood. A bush on the edge of the clearing quivered. . . . Then, out of the shadows, a hooded figure came crawling across the ground like some stalking beast. Harry, Malfoy, and Fang stood transfixed. The cloaked figure reached the unicorn, lowered its head over the wound in the animal’s side, and began to drink its blood. “AAAAAAAAAAARGH!” Malfoy let out a terrible scream and bolted — so did Fang. The hooded figure raised its head and looked right at Harry — unicorn blood was dribbling down its front. It got to its feet and came swiftly toward Harry — he couldn’t move for fear. Then a pain like he’d never felt before pierced his head; it was as though his scar were on fire. Half blinded, he staggered backward. He heard hooves behind him, galloping, and something jumped clean over Harry, charging at the figure. The pain in Harry’s head was so bad he fell to his knees. It took a minute or two to pass. When he looked up, the figure had gone. A centaur was standing over him, not Ronan or Bane; this one looked younger; he had white-blond hair and a palomino body. “Are you all right?” said the centaur, pulling
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Mind is skin, flesh, bones, and marrow. Mind is taking up a flower and smiling. There is having mind and having no mind. There is mind with a body and mind with no body. . . . Blue, yellow, red, and white are mind. Long, short, square, and round are mind. The coming and going of birth and death are mind. Year, month, day, and hour are mind. Dream, phantom, and empty flower are mind. Water, foam, splash, and flame are mind. Spring flowers and autumn moon are mind. All things that arise and fall are mind.
Dōgen (The Essential Dogen: Writings of the Great Zen Master)
I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
We swam in the hot aquamarine of the pool late at night, in the clatter of palms and the twinkle of the new-scoured sky. My mother floated on her back, humming to herself. “God, I love this.” She splashed gently with her fingers, letting her body drift in a slow circle. “Isn’t it funny. I’m enjoying my hatred so much more than I ever enjoyed love. Love is temperamental. Tiring. It makes demands. Love uses you. Changes its mind.” Her eyes were closed. Beads of water decorated her face, and her hair spread out from her head like jellyfish tendrils. “But hatred, now. That’s something you can use. Sculpt. Wield. It’s hard or soft, however you need it. Love humiliates you, but hatred cradles you. It’s so soothing. I feel infinitely better now.
Janet Fitch (White Oleander)
Dina raised her arms, palms facing upward, the teacup held high. The forest grew dark around them. Like any sliver of moonlight was vanishing, leaving them in absolute black. Only it wasn't for long, as a pool of silvery substance--- not liquid but not air either--- began to swarm around her, like it was raining moonlight. She turned her face to the sky and was bathed in a milky glow. Sometimes she forgot how much joy raw magic brought her. The rivers of moonlight twisted in rivulets across her body, until they all collected into the teacup in a shimmering liquid. For a moment, the air around them was scented like fresh coffee and spices. Dina met Scott's eyes, testing him. He couldn't speak, but he wasn't running away. With an ecstatic smile, Dina flicked the teacup, flinging moonlight outward, splashing it against the trunks of trees, coating ferns and shrubs near the path like silver luminescent paint. As it landed, it began to fade, until--- within seconds--- full night had returned. Dina set the teacup down on the front step of the cottage.
Nadia El-Fassi (Best Hex Ever)
Something wet and cold fell into her lap. Aimee jumped in surprise, jolted out of her sensual daydreams. She stared as a large trout flopped up and down on her legs. Her gaze shot toward the river. Daniel wore a wolfish grin on his face. “You threw a fish at me?” she shouted in false anger. “I can’t believe you threw a fish at me!” In truth, it was hard to believe. Mr. Tall, Dark, and Scowly had actually done something funny. Imagine that. She bent down in pretense of picking up the wiggling fish, and gathered a handful of river mud from the bank, and squeezed it into a ball. As Daniel slowly waded toward her, still grinning from ear to ear, she aimed and threw the mud, hitting him in the shoulder. “Hah! Take that!”  Daniel’s grin faded quickly. “Two can play at that game.” Aimee kept taunting him, her hands on her hips. Daniel emerged from the river, and she swallowed hard. Her eyes roamed over his glistening wet body as he advanced. His feral virility stunned her. Several large jagged scars on his chest stood out against his olive skin. Why hadn’t she noticed them the day before? She swallowed nervously as her gaze traveled lower, and sighed in relief. He wasn’t completely nude. He wore a breechcloth, but it didn’t leave much to the imagination as to what it covered, and only served to accentuate his flat, rippled stomach and muscular thighs. The smoldering look in his eyes as he advanced sent her a few steps backwards, and the smile on her face froze. Oh God! Is he really this angry because I threw some mud at him?  In one lightning fast, predatory move, Daniel grabbed her up and flung her over his shoulder like a sack of potatoes, and turned back to the water. “What are you doing? Put me down!” Aimee shrieked. Her fists pounded his hard back while her feet kicked uselessly in the air. He waded into the water a few feet, and unceremoniously threw her into the river. Before she hit the water, her thought was one of disbelief that he carried the game this far. It seemed so uncharacteristic of him. “You slimeball,” she yelled as her head emerged from the water. She was actually pleasantly surprised at this new, playful side of him. At least it solved her dilemma of wanting to go for a swim earlier. “How dare you!” she squealed in mock anger. Daniel dove into the river after her and came up inches from her face. She splashed water at him to ward him off. Daniel’s hands shot up and encircled her wrists. Flashing a devilish grin, he asked, “What is a slimeball?” She couldn’t keep up her false anger any more. “A slippery snake,” she laughed. “Like you, who preys on helpless women.” Daniel’s eyebrows shot up. “I thought you said you weren’t helpless.” “You’re right, I’m not helpless,” she confirmed, and flapped like a fish to try and free herself from his iron grip.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
she spat a single word. A long, guttural, twisting word that evoked frozen Germanic winters. The trigger to the spell she’d been weaving for days. The toxic miasma above our heads exploded with a peal of thunder and her spite-fueled power crashed down on Cesar, one man alone in a torrent of death. The paper cut on his bicep ripped open, as if someone had taken pliers to his skin and given it one brutal, wrenching tug. Blood gushed from the wound as he screamed, flowing faster than it should have, and even faster by the second. He collapsed to his knees, shrieking, and a scarlet torrent blasted from the wound like the spray from a fire hose and splashed across the arcade wall. His skin turned ashen and taut, his fingers and toes curling, crumpling. Bones cracked as his limbs folded in on themselves and the flesh on his skull stretched taut like a mummified corpse. Jennifer’s death curse slowly crushed his body like a juice box, squeezing every drop of blood from every last ragged vein. What collapsed to the floor when the spell was done, gray and bloodless and small as a child, didn’t look human anymore. “That’s what you get for fuckin’ with a witch,” Jennifer said. “My momma taught me that trick.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
Tapping rubber was hazardous work, Soldado explained, rife with danger. There were índios bravos in the woods, not to mention aggressive, venomous snakes. And jaguars. One time he went to visit the station of a fellow rubber tapper and found it vacant. “His ladder was kicked over,” Soldado said in his low, deadpan voice. “His bucket was turned over. Latex was splashed on the ground like spilled milk.” Jaguar paw prints the size of a human hand led away into the forest, where he and his neighbors found the beast seated triumphantly on the body, the man’s throat ripped open, head devoured, stomach spilling innards. The animal bolted, and when the men tracked it down and finally shot it, they found their friend’s hair lodged in its teeth. “That jaguar came right up into the tree after him,” Soldado said, dread seeming to strangle his voice, as though it’d happened only yesterday.
Scott Wallace (The Unconquered: In Search of the Amazon's Last Uncontacted Tribes)
He groaned. She groaned. They both groaned as he played with the nipple. There were no words exchanged between them, nothing but soft pants and moans of pleasure. And the splash as something hit the water. Then another something. The faint echo of a gunshot froze him. Shit. Someone was fucking shooting at them. “Take a deep breath,” was the only warning he gave before yanking Arabella underwater where they’d prove a more difficult target. Wide eyes met his under the surface. Kind of hard to explain. Only his great-uncle Clive had ever inherited the famous Johnson gills. Hayder got great hair. Since he couldn’t explain why it appeared he wanted to drown her, he kicked off. With her in tow, he scissor-kicked to the deep end of the pool by the waterfall. Having explored this place many a time when working off some energy, he knew the perfect spot to shelter while he figured out where the shooter was. And then we’ll catch ’em and eat ’em. It seemed Hayder wasn’t the only one peeved at the interruption. But still… We don’t eat people. Such a disappointed kitty. But catch the hunter and we’ll order the biggest rare steak they have in stock. With the red sauce stuff? A double order of the red wine reduction, he promised. Lungs burning, Hayder dragged them to the surface, behind the filtering screen of water cascading from above. The little hidden grotto made a great hiding spot. The shooter would have a hard time targeting them, and the water would also slow the bullet and throw off its aim. He knew they were more or less safe for the moment, but she didn’t. Soaked and scentless didn’t mean Hayder couldn’t sense the fear coming off Arabella. She remained tucked close to him, for once not sneezing. Small blessing because one of her ginoromous achoos might have caused quite the amplified echo. “Was someone shooting at us?” she whispered in his ear. Kind of funny since nothing could be heard above the falling splash of water “Yes. Someone was trying to get us.” Which meant heads would roll with whoever was on duty for security today. Exactly how had someone made it on to pride land with a loaded weapon? What kind of cowards hunted shifters with bullets? The kind who thought it was okay to beat a woman. Grrrr. Man, not lion, made the sound. It was also the man who made sure to tuck Arabella as deep as he could into the pocket, using himself as a body shield just in case the gunman got a lucky shot. The crashing of water, not to mention the echoes created by the recess, made it impossible to gauge what happened outside their watery grotto. Did the shooter approach? Did he know where they’d gone? Would he stick around long enough for Hayder to hunt him down and slap him silly? Only one way to find out.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
He groaned. She groaned. They both groaned as he played with the nipple. There were no words exchanged between them, nothing but soft pants and moans of pleasure. And the splash as something hit the water. Then another something. The faint echo of a gunshot froze him. Shit. Someone was fucking shooting at them. “Take a deep breath,” was the only warning he gave before yanking Arabella underwater where they’d prove a more difficult target. Wide eyes met his under the surface. Kind of hard to explain. Only his great-uncle Clive had ever inherited the famous Johnson gills. Hayder got great hair. Since he couldn’t explain why it appeared he wanted to drown her, he kicked off. With her in tow, he scissor-kicked to the deep end of the pool by the waterfall. Having explored this place many a time when working off some energy, he knew the perfect spot to shelter while he figured out where the shooter was. And then we’ll catch ’em and eat ’em. It seemed Hayder wasn’t the only one peeved at the interruption. But still… We don’t eat people. Such a disappointed kitty. But catch the hunter and we’ll order the biggest rare steak they have in stock. With the red sauce stuff? A double order of the red wine reduction, he promised. Lungs burning, Hayder dragged them to the surface, behind the filtering screen of water cascading from above. The little hidden grotto made a great hiding spot. The shooter would have a hard time targeting them, and the water would also slow the bullet and throw off its aim. He knew they were more or less safe for the moment, but she didn’t. Soaked and scentless didn’t mean Hayder couldn’t sense the fear coming off Arabella. She remained tucked close to him, for once not sneezing. Small blessing because one of her ginoromous achoos might have caused quite the amplified echo. “Was someone shooting at us?” she whispered in his ear. Kind of funny since nothing could be heard above the falling splash of water “Yes. Someone was trying to get us.” Which meant heads would roll with whoever was on duty for security today. Exactly how had someone made it on to pride land with a loaded weapon? What kind of cowards hunted shifters with bullets? The kind who thought it was okay to beat a woman. Grrrr>/I>. Man, not lion, made the sound. It was also the man who made sure to tuck Arabella as deep as he could into the pocket, using himself as a body shield just in case the gunman got a lucky shot. The crashing of water, not to mention the echoes created by the recess, made it impossible to gauge what happened outside their watery grotto. Did the shooter approach? Did he know where they’d gone? Would he stick around long enough for Hayder to hunt him down and slap him silly? Only one way to find out.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
There had been three pegs on the ground, marking the spots where the bodies had been found. He knew he should stop, think of something else, but he couldn’t, and soon he recalled the nightmare again, the flashes from years before: the flattened village, the blood splashed over the arid ground, the body of the boy, the peppery smell of high explosives and cloying death. He floated away from that, running onto all the other things he had done and seen in the service of Queen and country: dingy rooms and darkened streets, one hundred and thirty-six victims laid out in evidence of the terrible things he had done. A shot to the head from a sniper rifle, a knife to the heart, a garrotte around the throat pulled tight until the hacking breaths became wheezes that became silent, a body desperately jerking, then falling still. One hundred and thirty-six men and women faced him, accused him, their blood on his hands.
Mark Dawson (The Cleaner (John Milton, #1))
The gods were on the cusp of completing their ritual when the archangels hit them. They had swum across the wharf area and slipped up the rocks to assault the gods from behind. All seven burst in through the pillared open-air sanctuary, swords flashing. The gods drew their weapons. Dagon stuck his sword into his lower fishy half and cut it off with a swipe. He would not be hampered in battle. Everyone paused for a moment. The four gods stood facing off against the seven archangels, each waiting for the other to make a move. The mightiest of Yahweh’s heavenly host were here to bind the Watcher gods who would be fighting for their eternities. This was going to be brutal. An earthquake rattled the foundation of the temple. Everyone had to catch their balance. Dust and debris fell from the cracks in the stone above their heads. Asherah and the gods smiled. The archangels realized it had been no earthquake. That was an announcement of the arrival of something. Something very huge. Something from the depths of the sea. The water behind the gods suddenly exploded upward with the form of the seven headed sea dragon of chaos: Leviathan. It burst out of the water and leapt over the manmade jetty that housed the temple. Mikael, now healed, joined his fellow archangels for the fight. He saw the huge four hundred foot long serpentine body fly past them through the air. It landed on the wharf side with a huge splash that drenched everyone in the temple. Its double tail followed, with a swipe at the architecture. It smashed half the structure, wiping it into the water with the force. Gods and angels fell beneath the debris of the other half collapsing on top of them.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))