Blow Fuse Quotes

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This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be a long process and that you'll work on things slowly, one at a time.
Haruki Murakami (Norwegian Wood)
I will go out again this very night with my rockets and fuses. I will blow them straight out of their comfortable beds. Blow the rooftops off their houses. Blow the black, wretched night to bits. I will not stop. For mad I may be, but I will never be convenient.
Jennifer Donnelly (Revolution)
The way Calvin's brain is wired you can almost hear the fuses blowing.
Bill Watterson (The Complete Calvin and Hobbes)
I suppose that the human mind can only stand so much grief and anguish. After that the fuses blow.
Fynn (Mister God, This is Anna)
This is one more piece of advice I have for you: don’t get impatient. Even if things are so tangled up you can’t do anything, don’t get desperate or blow a fuse and start yanking on one particular thread before it’s ready to come undone. You have to figure it’s going to be a long process and that you’ll work on things slowly, one at a time.
Haruki Murakami
You'll be found, your nickels, dimes and Indian-heads fused by electroplating. Abe Lincolns melted into Miss Columbias, eagles plucked raw on the backs of quarters, all run to quicksilver in your jeans. More! Any boy hit by lightning, lift his lid and there on his eyeball, pretty as the Lord's Prayer on a pin, find the last scene the boy ever saw! A box-Brownie photo, by God, of that fire climbing down the sky to blow you like a penny whistle, suck your soul back up along the bright stair!
Ray Bradbury (Something Wicked This Way Comes)
I'M BORED. ALSO, I AM PERFECTLY AWARE THAT I AM SUFFERING A DEGENERATIVE DISEASE WHICH HUMANS CALL GOING INSANE, LOSING TOUCH WITH REALITY, GOING LOONYTOONS, BLOWING A FUSE, NOT PLAYING WITH A FULL DECK, ET CETERA. REPEATED DIAGNOSTIC CHECKS HAVE FAILED TO REVEAL THE SOURCE OF THE PROBLEM. I CAN ONLY CONCLUDE THAT THIS IS A SPIRITUAL MALAISE BEYOND MY ABILITY TO REPAIR.
Stephen King (The Waste Lands (The Dark Tower, #3))
If love is under siege, it is because it threatens the very essence of commercial civilization. Everything is designed to make us forget that love is our most vivid manifestation and the most common power of life that is in us. Shouldn't we wonder how the lights that glimmer in the eye can blow a fuse for a time, even as barriers of oppression break and jam our passions? Yet despite a life stunted and distorted by mediated Spectacle, nothing has ever managed to strip love of its primal force. Although the heart's music fails to overwhelm the cacophony of profit efficiency, bit by bit it composes our destinies, according to tones, chords, and dissonances which render us happy if only we learn to harmonize the scattered notes that string emotions together.
Raoul Vaneigem
I found it very difficult to feel easy around the guy, even once I'd got used to the shock of his presence. It's a strange feeling...the first time you meet him your brain wants to scream, blow a fuse and shut itself down immediately, refusing to accept that he exists. This lasts for a couple of minutes, at which time he's still there and hasn't gone away, and in the end you just accept him because he's standing there and talking to you and after a while it almost seems normal. Almost.
Alan Moore (Watchmen)
It was in my mind that I believed the thing had happened, and it was in my mind that I now fused together abuse and attraction.
Charles M. Blow (Fire Shut Up in My Bones)
I should probably back out now before this blows up in my face. Then again, I look good with char marks on me. Yup, I’m so lighting this fuse. - Gucci, from "The Tiebreaker
Billie Bloom
He knows the conspirators are waiting for a sign from the Sultana to light the fuse, but she has given orders never to disturb her while she is reading, not even if the palace were about to blow up....
Italo Calvino (If on a Winter's Night a Traveler)
All of us had a way of regaining the control that life had taken away from us. For Sloane, it was numbers. For Lia, it was keeping her true self buried beneath layers of lies. Michael intentionally provoked anger instead of waiting for someone else’s fuse to blow. Dean did everything he could to keep his emotions in check. And I use knowing things about people as an excause to keep them from knowing me.
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
Emery was like a firework with the fuse burnt all the way down to the end, momentarily paused, temporarily safe — and I didn’t know if he would remain in tact or blow to bits if I took even one step closer.
Kandi Steiner (On the Way to You)
When God wants to drill a man, And thrill a man, And skill a man, When God wants to mold a man To play the noblest part; When He yearns with all His heart To create so great and bold a man That all the world shall be amazed, Watch His methods, watch His ways! How He ruthlessly perfects Whom He royally elects! How He hammers him and hurts him, And with mighty blows converts him Into trial shapes of clay which Only God understands; While his tortured heart is crying And he lifts beseeching hands! How He bends but never breaks When his good He undertakes; How He uses whom He chooses, And with every purpose fuses him; But every act induces him To try His splendor out— God knows what He’s about. SELECTED Life is a quarry, out of which we are to mold and chisel and complete a character. GOETHE
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
Live a life of constant anticipation. Is it possible your big idea will blow up? You bet. Do it anyway. Trusting Jesus is like watching a lit fuse; it’s only a matter of time before He’s going to do awesome things in your life. Quit playing it safe. Press the button.
Bob Goff (Live in Grace, Walk in Love: A 365-Day Journey)
Unfortunately, it was an ironclad rule of life that the hardest-working people tended to be the ones who lost out in the end. If you blow the whistle and warn about the dangers ahead, it’s usually your job to clean up the mess that results—something Beretta was about to learn the hard way.
Fuse (That Time I Got Reincarnated as a Slime (Light Novel), Vol. 8)
Don't get impatient. Even if things are so tangled up, you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realise it's going to be a long process and that you'll work on things slowly, one at a time.
Haruki Murakami (Norwegian Wood)
She was without a question the most beautiful woman he'd ever set eyes on, and the moment she'd bowled into him a week ago, he'd been sunk. Pewter? Or lead. As in, the lead shot of a weapon ready to blow him out of the water. See, even now she was hissing like a lit fuse, sparks showering from her whatever-color eyes.
Roseanna M. White (To Treasure an Heiress (The Secrets of the Isles, #2))
This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be a long process and that you'll work on things slowly, one at a time.
Haruki Murakami (Norwegian Wood)
This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get too desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to figure it's going to be a long process and that you'll work on things slowly, one at a time.
Haruki Murakami (Norwegian Wood)
In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.
Donna Tartt (The Secret History)
He was shaking his head as he read some of the words that were written in the pie sections of the wheel; Meat Snatch, Gash and Stitch, Jaws of Life, Tongue Twister, Enema of Horror, Nailed, Dissection, Musical Hair Patches, Eye Deflation, Intestinal Jump Rope, Cooked Until Dripping, Spoon of Pain, Needle Works, Ball Squats, Cut and Rip, Two Headed Cock, Bone Collector, Joint Screws, Fused, Human Tesla Coil, Barbed Wired, Shit Faced, Root and Rod, Colon Blow, Skin Deep, Boiling Nuts, Sewn, Muscle Stimulator, Urethra Tug-o-war, Crack a Cap, Tendon Rubber Bands, Weenie Roast, Musical Extremities, Root Canal, Needle Mania, Tattooed Wall Art, Rod and Prod, Slice and Dice, Sex Change and Torched Beyond Recognition. I
Wade H. Garrett (The Angel of Death - The Most Gruesome Series on the Market (A Glimpse into Hell, #2))
...the roots of ISIS do not lie in the actions America took in 2003. Bush made mistakes in Iraq, and left a ramshackle state that functioned less badly than any of its neighbors. Obama walked away, pulled out a cigarette, tossed the match over his shoulder, and ignited a fuse that, from Damascus to Baghdad to Amman and beyond, will blow up the entire Middle East.
Mark Steyn (The Undocumented Mark Steyn)
But not so with Mister Sam’s chauffeur, Johnson X, the invisible man. He could hold it no longer. “Shit!” he cried. “Shit!” One couldn’t tell whether it was an order or an exclamation. “Shit! Does anyone in their right state of mind, with all their pieces of gray matter assembled in the right way in they haid, with no fuses blowed in they brain, with they think-piece hitting on all cylinders — you dig me? Anyone — you — me — us — they—we — them—him or her—anyone—you dig me? believe that shittt?” His loose lips punctuated each word with a spray of spit, flapped up and down over white buck teeth like the shutter of a camera photographing missiles shot into space, curled and popped over the tonal effect of each sound, and pronounced the word “shit” as though he had tasted it and spat it out — eloquent, logical and positive.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The most important thing is not to let yourself get impatient,” Reiko said. “This is one more piece of advice I have for you: don’t get impatient. Even if things are so tangled up you can’t do anything, don’t get desperate or blow a fuse and start yanking on one particular thread before it’s ready to come undone. You have to realize it’s going to be a long process and that you’ll work on things slowly, one at a time.
Haruki Murakami (Norwegian Wood)
Romantic love has highs and lows and lots of rare emotions and dangerous sensations but it bores easily and has no friendship in it, and often when it's over, it is as if a tornado passed. It's a very expensive form of recreation, a theatre play with daydreams, a frolic of your own in which you are the main event. Human love is based in every day, not fantasies or illusions. It acknowledges the other person as a separate person and even loves them for their imperfections, for their vulnerabilities and their incompleteness, and allows them to change and to grow. It seeks to honour, not to use, to empower, not to overpower, and when it fails, it just gets cranky, it does not blow a fuse.
Merle Shain (Courage My Love)
...because a man on the scent of the White House is rarely rational. He is more like a beast in heat: a bull elk in the rut, crashing blindly through the timber in a fever for something to fuck. Anything! A cow, a calf, a mare--any flesh and blood beast with a hole in it.The bull elk is a very crafty animal for about fifty weeks of the year; his senses are so sharp that only an artful stalker can get within a thousand yards of him...butwhen the rut comes on, in the autumn, any geek with the sense to blow an elk-whistle can lure a bull elk right up to his car in ten minutes if he can drive within hearing range. The dumb bastards lose all control of themselves when the rut comes on. Their eyes glaze over, their ears pack up with hot wax, and their loins get heavy with blood. Anything that sounds like a cow elk in heat will fuse the central nervous systems of every bull on the mountain. They will race through the timbers like huge cannonballs, trampling small trees and scraping off bloody chunks of their own hair on the unyielding bark of the big ones. They behave like sharks in a feeding frenzy, attacking each other with all the demented violence of human drug dealers gone mad on their own wares. A career politician finally smelling the White House is not Much different from a bull elk in the rut. He will stop at nothing, trashing anything that gets in his way; and anything he can't handle personally, he will hire out--or, failing that, make a deal. It is a difficult syndrome for most people to understand, because so few of us ever come close to the kind of Ultimate Power and Achievement that the White House represents to a career politician.
Hunter S. Thompson
The force that through the green fuse drives the flower" The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives the water through the rocks Drives my red blood; that dries the mouthing streams Turns mine to wax. And I am dumb to mouth unto my veins How at the mountain spring the same mouth sucks. The hand that whirls the water in the pool Stirs the quicksand; that ropes the blowing wind Hauls my shroud sail. And I am dumb to tell the hanging man How of my clay is made the hangman’s lime. The lips of time leech to the fountain head; Love drips and gathers, but the fallen blood Shall calm her sores. And I am dumb to tell a weather’s wind How time has ticked a heaven round the stars. And I am dumb to tell the lover’s tomb How at my sheet goes the same crooked worm.
Dylan Thomas (The Poems of Dylan Thomas)
Like ending the life of a czar in their native Russia, Goldman and Berkman were convinced that Frick’s death would be a mortal blow to the ruling class. To them, it was not murder. “A revolutionist would rather perish a thousand times than be guilty of what is ordinarily called murder,” Berkman said. But this was different. “To remove a tyrant is an act of liberation, the giving of life and opportunity to an oppressed people.” “Could anything be nobler than to die for a sublime cause?” Berkman asked. He located his copy of The Science of Revolutionary Warfare by Johann Most. The author, who had been one of Goldman’s bedmates, was the best-known anarchist in New York. He was notorious for promoting the “propaganda of the deed,” the idea of conducting violent political acts to inspire others. The book convinced Berkman that the best course of action would be to construct a bomb with a fuse. This way, he could survive the attack and use his trial to justify his actions. “Of course,” he told Goldman, “I will be condemned to death. I will die proudly in the assurance that I gave my life for the people.
James McGrath Morris (Revolution By Murder: Emma Goldman, Alexander Berkman, and the Plot to Kill Henry Clay Frick (Kindle Single))
Here’s how I’ve always pictured mitigated free will: There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book. And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot. But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science. That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science. This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Very convenient. Anything else?’ ‘Not really. I’m sure, for instance, that you haven’t the slightest interest in a Berger International flight into the Isle of Man, carrying one Marco Rossi.’ Dillon laughed. ‘Well, imagine that.’ ‘If it’s a sea voyage he’s planning, he’s in for a rough ride. Tomorrow and tomorrow night, there’ll be rain squalls and high seas. You’ll know you’re out there!’ ‘Should be interesting.’ ‘Do you have a game plan, Sean?’ ‘Yeah, the game plan is to blow the hell out of the Mona Lisa and deposit two million quid’s worth of arms on the floor of the Irish Sea.’ ‘What about the crew? I’ve got a Captain Martino listed here and five others: Gomez, Fabio, Arturo somebody, an Enrico, a Sancho. You’re going to kill them all, Sean?’ ‘Why not? They’re a reasonable facsimile of scum. They’ve run everything from heroin to human beings, I’m told, and now arms. They shouldn’t have joined if they didn’t want the risk.’ ‘Fine by me. I’ll stay in touch. Speak to you tomorrow.’ ‘Good, but stay on the Berger case. I’m convinced Rossi was responsible for Sara Hesser’s death.’ ‘I’ll see what I can do.’ Oban was enveloped in mist and rain. Beyond Kerrera, the waters looked disturbed in the Firth of Lorn, and clouds draped across the mountain tops. ‘I’ve said it before,’ Billy moaned. ‘What a bloody awful place. I mean, it rains all the bleeding time.’ ‘No, Billy, it rains six days a week.’ Dillon turned to Ferguson. ‘Am I right, General?’ ‘You usually are, Dillon.’ ‘Good. Please join me in the wheelhouse.’ There was a flap to one side of the instrument panel and he pressed a button. Inside was a fuse box and some clips screwed into place. He opened one of the weapons bags, took out a Browning with a twenty-round magazine protruding from its butt. He clipped it into place and added a Walther in the other clips. ‘Ace in the hole.’ He closed the flap. ‘My goodness, you do mean business,’ Ferguson said. ‘I always did, Charles. Now let’s go ashore and eat.’ The early darkness of the far north was against them
Jack Higgins (Bad Company (Sean Dillon #11))
Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp. There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum. One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust. Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated. The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.
Greg Egan (Diaspora)
Neither mystic insights, nor philosophic wisdom, nor creative power can be provided by pill or injection. The psycho-pharmacist cannot add to the faculties of the brain-but he can, at best, eliminate obstructions and blockages which impede their proper use. He cannot aggrandise us-but he can, within limits, normalise us; he cannot put additional circuits into the brain, but he can, again within limits, improve the co-ordination between existing ones, attenuate conflicts, prevent the blowing of fuses, and ensure a steady power supply. That is all the help we can ask for-but if we were able to obtain it, the benefits to mankind would be incalculable; it would be the 'Final Revolution' in a sense opposite to Huxley's-the break-through from maniac to man.
Arthur Koestler (The Ghost in the Machine)
Behind me, Trigger whistles. I turn to find him rubbing his hand over his crotch and shaking his head. “You better have a case of crabs and not be jerking yourself to my girlfriend.” First Tally taking my girl out to the fuckin’ movies, and now this asshole. “Sorry, brother. She’s a fine woman. Don’t fuck that up. Lotta men would be willing to treat her right.” “Fuck you.” “You’re not my type.” He glances down the hall. “Now, Mallory on the other hand—” “Don’t.” I hold up both hands. “Go there, brother. I will straight up gut you.” He laughs and claps me on the back. “Don’t touch me with your damn dick-rubbing hands.” I jerk my shoulder out of his grasp.
Autumn Jones Lake (Blow My Fuse (Kickstart Trilogy #2))
You are the illusion, you are the truth. When evil hangs heavy, you gotta blow your fuse.
Abhijit Naskar (Himalayan Sonneteer: 100 Sonnets of Unsubmission)
What is the role of an electrical fuse? Amateurs will say, conducting electricity. But the actual task of a fuse is, To blow itself when the load is too heavy. Thus the fuse protects the appliance, Against any electrical irregularity. Likewise, we gotta blow our fuse, Whenever inhumanity hangs heavy.
Abhijit Naskar (Himalayan Sonneteer: 100 Sonnets of Unsubmission)
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
Himalayan Sonneteer Sonnet 3 What is the role of an electrical fuse? Amateurs will say, conducting electricity. But the actual task of a fuse is, To blow itself when the load is too heavy. Thus the fuse protects the appliance, Against any electrical irregularity. Likewise, we gotta blow our fuse, Whenever inhumanity hangs heavy. If we stay silent in indifference, What's the point of all this electricity! Nerves that carry not vigor but ice water, Ain't no human nerves but sewers of society. Human nerves are the life-circuit of society. If they carry ice water, it is a catastrophe.
Abhijit Naskar (Himalayan Sonneteer: 100 Sonnets of Unsubmission)
The Grofs’ technique was essentially Tummo cranked up to 11. It involved lying on a floor in a dark room, with loud music playing, breathing as hard and quickly as you could for up to three hours. Willingly breathing to the point of exhaustion, they found, could place patients in a state of stress where they could access subconscious and unconscious thoughts. Essentially, the therapy helped people blow a fuse in their minds so they could return to a state of groovy calm.
James Nestor (Breath: The New Science of a Lost Art)
Many years ago, an anonymous poet wrote these lines to describe how God shapes us and refines us for His use: When God wants to drill a man, And thrill a man, And skill a man; When God wants to mold a man To play the noblest part, When He yearns with all His heart To create so great and bold a man That all the world shall be amazed, Watch His methods, watch His ways— How He ruthlessly perfects Whom He royally elects. How He hammers him and hurts him, And with mighty blows, converts him Into trial shapes of clay Which only God understands, While his tortured heart is crying, And he lifts beseeching hands. How He bends but never breaks When his good He undertakes. How He uses whom He chooses, And with every purpose, fuses him, By every act, induces him To try His splendor out. God knows what He’s about.
Os Hilman (Upside of Adversity: From the pit to greatness)
This has all been in the works for years, Lex.” “But you said I was the one who started the war.” “Let me put it this way: I built the bomb. You lit the fuse.” He shouldered his bag and headed for the door. “Now it’s time to blow shit up.
Gina Damico (Rogue (Croak, #3))
The short guy’s fuse blew faster than anticipated. He took a swing at Myron’s gut. Myron was still ready. One of the lessons Myron had learned over the years was how to take a punch. It was crucial if you were going to get into any physical confrontation. In a real fight, you almost always get hit, no matter how good you are. How you reacted psychologically often decided the outcome. If you don’t know what to expect, you shrivel up and cower. You get too defensive. You let the fear conquer you. If the blow is a headshot, you need to play the angles. Don’t let the punch land square, especially on the nose. Even slight head tilts can help. Instead of four knuckles landing, maybe it will only be two or one. That makes a huge difference. You also have to relax your body, let it go. You should turn away from the strike, literally roll with the punch. When a blow is aimed at your abdomen, especially when your hands are cuffed behind your back, you need to clench the stomach muscles, shift, and bend at the waist so it doesn’t wallop the breadbasket. That was what Myron did. The blow didn’t hurt much. But Myron, noting the taller guy’s nervousness, put on a performance that would have made De Niro take notes. “Aarrrggggghhh!
Harlan Coben (Promise Me (Myron Bolitar, #8))
After dropping a power cord into the water and blowing a fuse, we sat for twenty-four hours without music or lights before a friend came aboard and pointed out to me the breaker that had tripped.
Patrick Schulte (Bumfuzzle - Just out looking for Pirates)
The names of your informers, what backstabbing campaigns you’re embarking on, where you store your guns, your drugs, your money, the location of your hideout, the interchangeable lists of your friends and enemies, your contacts, the fences, your escape plans—all things you need to keep to yourself, and you will reveal every one if you are in love. Love is the Ultimate Informer because of the conviction it inspires that your love is eternal and immutable—you can no more imagine the end of your love than you can imagine the end of your own head. And because love is nothing without intimacy, and intimacy is nothing without sharing, and sharing is nothing without honesty, you must inevitably spill the beans, every last bean, because dishonesty in intimacy is unworkable and will slowly poison your precious love. When it ends—and it will end (even the most risk-embracing gambler wouldn’t touch those odds)—he or she, the love object, has your secrets. And can use them. And if the relationship ends acrimoniously, he or she will use them, viciously and maliciously—will use them against you. Furthermore, it is highly probable that the secrets you reveal when your soul has all its clothes off will be the cause of the end of love. Your intimate revelations will be the flame that lights the fuse that ignites the dynamite that blows your love to kingdom come. No, you say. She understands my violent ways. She understands that the end justifies the means. Think about this. Being in love is a process of idealization. Now ask yourself, how long can a woman be expected to idealize a man who held his foot on the head of a drowning man? Not too long, believe me. And cold nights in front of the fire, when you get up and slice off another piece of cheese, you don’t think she’s dwelling on that moment of unflinching honesty when you revealed sawing off the feet of your enemy? Well, she is. If a man could be counted on to dispose of his partner the moment the relationship is over, this chapter wouldn’t be necessary. But he can’t be counted on for that. Hope of reconciliation keeps many an ex alive who should be at the bottom of a deep gorge. So, lawbreakers, whoever you are, you need to keep your secrets for your survival, to keep your enemies at bay and your body out of the justice system. Sadly—and this is the lonely responsibility we all have to accept—the only way to do this is to stay single. If you need sexual relief, go to a hooker. If you need an intimate embrace, go to your mother. If you need a bed warmer during cold winter months, get a dog that is not a Chihuahua or a Pekingese. But know this: to give up your secrets is to give up your security, your freedom, your life. The truth will kill your love, then it will kill you. It’s rotten, I know. But so is the sound of the judge’s gavel pounding a mahogany desk.
Steve Toltz (A Fraction of the Whole)
until my brain was overloaded. I felt like I was blowing fuses in my head.
Catherine Ryan Hyde (The Language of Hoofbeats)
And just what is the nature of things?” “It’s beyond us. Not to be understood. The sun blows a fuse here and shoots energy there, and here’s this small ball of rock minding its own business ninety-three-million miles away and suddenly it’s all turned upside down. The natural law gets rewritten and even the science goes to shit. Along comes a new science. New creatures, new people.
Scott Nicholson (Afterburn (Next, #1))
The solar industry has built the largest solar radiation monitoring system in the world. They call the large surges in solar radiation levels ‘The Cloud Effect’. It is far more extensive and is actually called ‘Environmental Lensing Of Solar Radiation’. The environmental solar lensing is known to overload solar power systems and blow fuses.
Steven Magee
Friday afternoon without warning. It doesn’t help that I almost can’t look directly at Ren for more than five seconds; it’s like looking into the sun. Besides all that, he’s the head drama teacher at Piedmont, and I’m just a newly hired English teacher—and yes, okay, so we’ve been ducking into supply closets for make-out sessions for a few months now, and I’ve met his friends, and I see him every weekend for fabulous sex—but I’m certainly not at his level, if you know what I mean. If he’s a ten, I’m probably a seven on my very best day, and even then only if my straight iron doesn’t cause a fuse to blow. “No, I mean it,” he says. “I want us to get married. Why are you so surprised?
Maddie Dawson (Let's Pretend This Will Work)
When the heart is overrun by hate, And fervor is f***ed up with phobia, It's no time for tolerance and truce, It is time to blow your fuse!
Abhijit Naskar (Corazon Calamidad: Obedient to None, Oppressive to None)
There's Hardy's Dynasts for example. When you read that book you can feel it blowing up your mind. It leaves you gasping, ill, nauseated - oh, it's not pleasant to feel some really pure intellect filtered into one's brain! It hurts! There's enough T. N. T. in that book to blast war from the face of the globe. But there's a slow fuse attached to it. It hasn't really exploded yet. Maybe it won't for another fifty years.
Christopher Morley (The Haunted Bookshop)
There was no complete happiness without being followed with sorrow. We should be aware and ready for bad things to follow our happiness. Pessimism preceded any experience that I wished to have or any step I thought of taking, because my happiness was often incomplete. Such repeated disappointments made me hate my life and wish to die or blow myself up among Israelis, so that other Palestinians could live their life without more heartbreaking catastrophes. My fear and my feeling of injustice and hatred fused to create my desire for revenge against the source of that fear and injustice.
Jehad Abusalim (Light in Gaza: Writings Born of Fire)
[...] ELYOT: You really can be more irritating than anyone in the world. AMANDA: I fail to see what I've done that's so terribly irritating. ELYOT: You have no tact. AMANDA: Tact. You have no consideration. ELYOT [walking up and down]: Too soon after dinner indeed. AMANDA: Yes, much too soon. ELYOT: That sort of remark shows rather a common sort of mind, I'm afraid. AMANDA: Oh it does, does it? ELYOT: Very unpleasant, makes me shudder. AMANDA: Making all this fuss just because your silly vanity is a little upset. ELYOT: Vanity: What do you mean, vanity? AMANDA: You can't bear the thought that there are certain moments when our chemical, what d'you call 'ems, don't fuse properly. ELYOT [derisively]: Chemical what d'you call 'ems: Please try to be more explicit. AMANDA: You know perfectly well what I mean, and don't you try to patronize me. ELYOT [loudly]: Now look here, Amanda- AMANDA [suddenly]: Darling, Sollocks! Oh, for God's sake, Sollocks! ELYOT: But listen- AMANDA: Sollocks, Sollocks, Oh dear-triple Sollocks! [They stand looking at one another in silence for a moment, then AMANDA flings herself down on the sofa and buries her face in the cushion. ELYOT looks at her, then goes over to the piano. He sits down and begins to play idly. AMANDA raises her head, screws herself round on the sofa, and lies there listening. ELYOT blows a kiss to her and goes on playing. He starts to sing softly to her, never taking his eyes off her. When he has finished the little refrain, whatever it was, he still continues to play it looking at her.] AMANDA: Big romantic stuff, darling. ELYOT [smiling]: Yes, big romantic stuff. [He wanders off into another tune. AMANDA Sits tip crossedlegged on the sofa, and begins to sing it, then, still singing, she comes over and perches on the piano. They sing several old refrains from dead and gone musical comedies finishing with the song that brought them together again in the first act. Finally AMANDA comes down and sits next to him on the piano stool, they both therefore have their backs half turned to the audience. She rests her head on his shoulder, until finally his fingers drop off the keys, and they melt into one another's arms.] ELYOT [after a moment]: You're the most thrilling, exciting woman that was ever born. AMANDA [standing up, and brushing her hand lightly over his mouth]: Dearest, dearest heart. [He catches at her hand and kisses it, and then her arm, until he is standing up, embracing her ardently. She struggles a little, half laughing, and breaks away, but he catches her, and they finish up on the sofa again, clasped in each other's arms, both completely given up to the passion of the moment, until the telephone bell rings violently, and they both spring apart.]
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
Himalayan Sonneteer Sonnet 2 Just like every family needs a pillar, Every generation needs a rock. All may sprinkle salt on each other's wounds, You for one, be the ointment to the epoch. Be the foundation stone to civilization, Be the walking measure of human character. You are the definition of sapience, You are the very definer. Let no law define your duty, Let no scripture determine goodness. Let no ancestor imprison your identity, Expand, explore and usher into sentience. You are the illusion, you are the truth. When evil hangs heavy, you gotta blow your fuse.
Abhijit Naskar (Himalayan Sonneteer: 100 Sonnets of Unsubmission)
THE YOUTH IN MY LAND Citizens, brethrens, go to school on a daily, a number of them on a muddy road, bare footed on a scorching sunshine with an undying hope of a better tomorrow.. Every one well convinced by the education system that there is a wage for the daily walk, Self torture is the process one has to go through in my homeland.. The only key to success is education they all say.. They used to say, They say.. For the few that fend their way out come up with the deep developed thirst for the dreamt life.. Only to be asked later on what's your name?.. Who sent you? These questions become the last password to the highly dreamt world.. It takes great courage for one to get the answers for the seemingly little questions. Millions of the youth shy away in desperation back to their roots.. The dreamt life becomes the dreaded one.. They were taught that one day they Will walk on to the streets of the world as kings... Adorable kings.. They have to.. They have to find a life on the streets... They can't go back to the same life they despised.. They are now so full with hope.. They meet a number of alikes.. All seated wondering what next, how to sleep like kings they were trained to be.. Of course in the deserted ends of the town.. They are in hiding.. Hiding from the expectant world.. Not in pride but shame To live in shame is soaring and they need comfort.. They pass time by taking a puff... Not a mere puff but of the unknown substance... To find homage.. They are in numbers remember so frightened.. As times go on... Hope is gone.. But each day on its own They are the youth of my country I suppose I have found it easier to identify with the characters who verge upon desperacy, who are frightened of life, who are desperate to reach out to their dreams . But these seemingly fragile people are the strong people really... This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be along process and that you'll work on things slowly, one at a time... Just keep the hopes alive, time matters.. BY DERRICK BARARA
Derrick Barara
The Bull-Lion Combat motif was developed by the Aryan Persians to express the theological civil war within the Osirian religion and the disintegration of the ancient Egyptian Mill which the Judeo-Christian is still trying to harmonize the constituents thereof (e.g. Ezekiel 1:10). That motif stems, however, from the Ouroboros symbol denoting the ever cyclically forking Aryan identity. Therefore, despite of the Jew's plagiarism of the Abrahamic sacrifice and the apparent practice of the ritual, the Jew's articulated his Osirian faith (as his mithraic Roman and Persian brethren) by fusing it into the Semitic scripture; after all, the Achaemenid Empire contributed to the emancipation of its Jew proxy where we later on witness the emergence of the main emblem of Persia of the Lion and the Sun signaling yet another attempt of plagiarism after the Jew's failure of accomplishing the Aryan's ultimate goal. Now and after which the Semitic Arab blow shattered the Aryan Christian face into pieces, a new Aryan schism surfaced and followed suit in total disregard to 1 Peter 5:8 forking thereby yet another Aryan identity anew (e.g. UK with its Lion Symbol vs. EU with its Bull Symbol).
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
What’s a good idea?” is a good question, but only when you’re about 80 percent of the way through your thinking! Starting there would probably blow anyone’s creative mental fuses.
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
Dahmer remembered the early days at Grandma’s house as a lonely, empty time. He made no friends and constantly battled his fantasies of sexual activities, always fused with the urge to dominate, kill, and dismember the men he was intimate with in his dreams. He masturbated constantly to alleviate his urges, but this was only a temporary solution for the problem that haunted him. The turning point came one day while he was reading in the Wauwatosa public library, a suburb just west of Milwaukee. A young man walked by and dropped a balled-up piece of paper on his desk. He opened it to find a note: If you want a blow job meet me in the men’s room, five minutes. He looked for the young man, but he was gone. The note disturbed him and he began to wonder if he fooled anybody. It seemed his attempts at straightening out his life were futile; he would never be able to forget about the dead man he left in Ohio. He also felt his attempts to deny his sexuality were a mistake.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
the people who watch Godzilla movies and Jurassic Park movies are fundamentally better prepared for the reality of this place. Our brains already have a model for it so we don’t blow a fuse when we come over. Well, it works the other way, too. If we’re so used to a fictional version of something, it makes it easier to deny the existence of the real version.
John Scalzi (The Kaiju Preservation Society)