“
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
”
”
Anaïs Nin
“
This isn’t the end. It’s just a little pause in our lives. And I’ll be watching over you, every single day. I’ll be in your heart. I’ll be in the blossom grove that we love so much, in the sun and the wind.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
Not forever does the bulbul sing
In balmy shades of bowers,
Not forever lasts the spring
Nor ever blossom the flowers.
Not forever reigneth joy,
Sets the sun on days of bliss,
Friendships not forever last,
They know not life, who know not this.
”
”
Khushwant Singh (Train to Pakistan)
“
Little blossom in peach and red
Trapping boys with your pretty head;
Tease and play, be coy and smart
For you will one day break his heart
”
”
A.G. Howard (Splintered (Splintered, #1))
“
On the day the tree bloomed in the fall, when its white apple blossoms fell and covered the ground like snow, it was tradition for the Waverleys to gather in the garden like survivors of some great catastrophe, hugging one another, laughing as they touched faces and arms, making sure they were all okay, grateful to have gotten through it.
”
”
Sarah Addison Allen (First Frost (Waverley Family, #2))
“
Life without love is like a tree without blossoms or fruit.”
“Love has no other desire but to fulfill itself. To melt and be like a running brook that sings its melody to the night. To wake at dawn with a winged heart and give thanks for another day of loving
”
”
Kahlil Gibran (The Prophet)
“
Nourishing yourself in a way that helps you blossom in the direction you want to go is attainable, and you are worth the effort.
”
”
Deborah Day
“
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
I will not die an unlived life.
I will not live in fear
of falling or catching fire.
I choose to inhabit my days,
to allow my living to open me,
to make me less afraid,
more accessible;
to loosen my heart
until it becomes a wing,
a torch, a promise.
I choose to risk my significance,
to live so that which came to me as seed
goes to the next as blossom,
and that which came to me as blossom,
goes on as fruit.
”
”
Dawna Markova (I Will Not Die an Unlived Life: Reclaiming Purpose and Passion)
“
We mourn the blossoms of May because they are to whither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops---which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
”
”
William Peter Blatty (The Exorcist (The Exorcist, #1))
“
Meeting you was a disaster.”
She raised a brow. “Thank you.”
Djel, he was terrible at this. He stumbled on, trying to make her understand. “But I am grateful every day for that disaster. I needed a cataclysm to shake me from the life I knew. You were an earthquake, a landslide.”
“I,” she said, planting a hand on her hip, “am a delicate flower.”
“You aren’t a flower, you’re every blossom in the wood blooming at once. You are a tidal wave. You’re a stampede. You are overwhelming.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
One day it may feel as if energy and enthusiasm are quenched, feelings dried up and emotions scorched, love and affection tangled in a harsh and uninviting setting. Nothing seems to grow anymore. No seed. No flowers. No foreseeable hope. No conceivable prospects. Any blossom of expectation seems to have become an illusion and life appears to have come to a standstill. If no seed of loving care is sown in the untilled, abandoned land, no bud can come into flower. Singer Amy Winehouse felt like lying fallow in the ground of a wasteland "with tears dry, dying a hundred times, going back to black" and leaving eventually for a place of ultimate sorrow and heartbreak, for a point of no return. ( “Amour en friche” )
”
”
Erik Pevernagie
“
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
”
”
Li-Young Lee (Rose)
“
Deep within everyone's heart there always remains a sense of longing for that hour, that summer, that one brief moment of blossoming. For several weeks or months, rarely longer, a beautiful young woman lives outside ordinary life. She is intoxicated. She feels as if she exists beyond time, beyond its laws; she experiences not the monotonous succession of days passing by, but moments of intense, almost desperate happiness.
”
”
Irène Némirovsky (Jezebel)
“
A poet is a verb that blossoms light in gardens of dawn, or sometimes midnight.
”
”
Aberjhani
“
Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.
”
”
Matshona Dhliwayo
“
Let us not subside into a single mandatory way of thinking or feeling, immersed by a spirit of self-gratification. But let’s dig into the fresh energy of new boundaries and at the same time pick the blossoms of poetry welling up along the path of our life, and enjoy the innocence of the little wonders of every day.
("A Thousand times touched." )
”
”
Erik Pevernagie
“
Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet.
We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable.
One day it will be pleasant to remember these things.
”
”
Henry Miller
“
[Baseball] breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall all alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops.
”
”
A. Bartlett Giamatti (Take Time for Paradise: Americans and Their Games)
“
Perhaps ...
To R.A.L.
Perhaps some day the sun will shine again,
And I shall see that still the skies are blue,
And feel one more I do not live in vain,
Although bereft of you.
Perhaps the golden meadows at my feet,
Will make the sunny hours of spring seem gay,
And I shall find the white May-blossoms sweet,
Though You have passed away.
Perhaps the summer woods will shimmer bright,
And crimson roses once again be fair,
And autumn harvest fields a rich delight,
Although You are not there.
But though kind Time may many joys renew,
There is one greatest joy I shall not know
Again, because my heart for loss of You
Was broken, long ago.
”
”
Vera Brittain (Testament of Youth)
“
Where humanity
sowed faith, hope, and unity,
joy’s garden blossomed.
”
”
Aberjhani (The River of Winged Dreams)
“
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.
”
”
Emily Brontë (Bronte: Poems)
“
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.
Living never wore one out so much as the effort not to live.
Life is truly known only to those who suffer, lose, endure adversity and stumble from defeat to defeat.
Perfection is static, and I am in full progress.
Abnormal pleasures kill the taste for normal ones.
-Anais Nin
"Dust thou art, and unto dust shalt thou return." -Bible-Genesis 3:19
"While I thought that I was learning to live, I have been learning how to die" - Leonardo da Vinci
”
”
Anaïs Nin
“
A Woman's Question
Do you know you have asked for the costliest thing
Ever made by the Hand above?
A woman's heart, and a woman's life---
And a woman's wonderful love.
Do you know you have asked for this priceless thing
As a child might ask for a toy?
Demanding what others have died to win,
With a reckless dash of boy.
You have written my lesson of duty out,
Manlike, you have questioned me.
Now stand at the bars of my woman's soul
Until I shall question thee.
You require your mutton shall always be hot,
Your socks and your shirt be whole;
I require your heart be true as God's stars
And as pure as His heaven your soul.
You require a cook for your mutton and beef,
I require a far greater thing;
A seamstress you're wanting for socks and shirts---
I look for a man and a king.
A king for the beautiful realm called Home,
And a man that his Maker, God,
Shall look upon as He did on the first
And say: "It is very good."
I am fair and young, but the rose may fade
From this soft young cheek one day;
Will you love me then 'mid the falling leaves,
As you did 'mong the blossoms of May?
Is your heart an ocean so strong and true,
I may launch my all on its tide?
A loving woman finds heaven or hell
On the day she is made a bride.
I require all things that are grand and true,
All things that a man should be;
If you give this all, I would stake my life
To be all you demand of me.
If you cannot be this, a laundress and cook
You can hire and little to pay;
But a woman's heart and a woman's life
Are not to be won that way.
”
”
Joshua Harris (I Kissed Dating Goodbye)
“
The beauty of that June day was almost staggering. After the wet spring, everything that could turn green had outdone itself in greenness and everything that could even dream of blooming or blossoming was in bloom and blossom. The sunlight was a benediction. The breezes were so caressingly soft and intimate on the skin as to be embarrassing.
”
”
Dan Simmons (Drood)
“
For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered is grief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins.
”
”
Algernon Charles Swinburne
“
One day I shall burst my bud of calm and blossom into hysteria.
”
”
Christopher Fry (The Lady's Not for Burning)
“
And there, row upon row, with the soft gleam of flowers opened at morning, with the light of this June sun glowing through a faint skin of dust, would stand the dandelion wine. Peer through it at the wintry day - the snow melted to grass, the trees were reinhabitated with bird, leaf, and blossoms like a continent of butterflies breathing on the wind. And peering through, color sky from iron to blue.
Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in
”
”
Ray Bradbury (Dandelion Wine)
“
It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops. Today, October 2, a Sunday of rain and broken branches and leaf-clogged drains and slick streets, it stopped and summer was gone.
”
”
A. Bartlett Giamatti
“
And so the spring buds burst, and so I gaze,
And so the blossoms fall, and so my days ...
”
”
Onitsura
“
This isn't the end. It's just a little pause in our lives. And I'll be watching over you, every single day. I'll be in your heart. I'll be in the blossom grove that we love so much, the sun and the wind.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
If beautiful lilies bloom in ugly waters, you too can blossom in ugly situations.
”
”
Matshona Dhliwayo
“
Every day, bring some flowers to your life. Every day bring some blessings in someone’s life.
”
”
Amit Ray (Walking the Path of Compassion)
“
Artistry exists in everyone. What makes it blossom is a soul's personal desire to find an outlet for expression.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
When all you know is pain you don’t know that that is not normal. It is not a woman’s lot to suffer, even if we’ve been raised that way.
It is not OK to miss a part of your life because of pain and excessive bleeding.
It is not OK to be bed-ridden for two-to-three days a month.
It is not OK to pain during sex.
It is not OK to have major bloating or nausea."
(Address, 2011 Endometriosis Foundation of America Blossom Ball)
”
”
Susan Sarandon
“
As the days and the years of your life go by, I will keep watch over you, and when your blossom closes its petals, finally surrendering to the night, I will meet you at the dawn of your new existence and I will be your new guide in the afterlife.
”
”
Colleen Houck (Reawakened (Reawakened, #1))
“
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world.
Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas.
The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.
This is a moment:
”
”
Thomas Wolfe (Look Homeward, Angel)
“
The story of the young woman whose death I witnessed in a concentration camp. It is a simple story. There is little to tell and it may sound as if I had invented it; but to me it seems like a poem. This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here-I am here-I am life, eternal life.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
The blossoms fall just once each winter, yet in our memories, they fall every day.
”
”
David Kudler (Risuko: A Kunoichi Tale (Seasons of the Sword, #1))
“
and then he could not see her come into a room without a sense of the flowing of robes, of the flowering of blossoms, of the purple waves of the sea, of all things that are lovely and mutable on the surface but still and passionate in their heart.
”
”
Virginia Woolf (Night and Day)
“
She still took my breath away with how beautiful she was. “Hei, Poppymin,” I said and sat on the edge of her bed.
“Hey, baby,” she replied, her voice now barely above a whisper. I brought my hand to hers and pressed a kiss to her mouth.
Poppy smiled and melted my heart. A loud gust of wind blew past the window, whistling against the glass. Poppy inhaled sharply. I turned to see what she was seeing.
A mass of blossom petals went sailing in the wind.
“They’re leaving…,” she said.
I closed my eyes briefly. It was apt that Poppy left the same day that the cherry blossoms lost their petals too.
They were guiding her soul home.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
Men and women are needed whose prayers will give to the world the utmost power of God; who will make His promises to blossom with rich and full results. God is waiting to hear us and challenges us to bring Him to do this thing by our praying. He is asking us, to-day, as He did His ancient Israel, to prove Him now herewith." Behind God's Word is God Himself, and we read: "Thus saith the Lord, the Holy One of Israel, his Maker: Ask of me of things to come and concerning my sons, and concerning the work of my hands, command ye me." As though God places Himself in the hands and at the disposal of His people who pray - as indeed He does. The dominant element of all praying is faith, that is conspicuous, cardinal and emphatic. Without such faith it is impossible to please God, and equally impossible to pray.
”
”
E.M. Bounds (The Weapon of Prayer)
“
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
”
”
Roman Payne
“
Just remember, Every day of your lives, you must always be sure what you’re fighting for.
”
”
Gail Tsukiyama (The Street of a Thousand Blossoms)
“
I want to see my wife and children every day, I want to see my grass and blossoms and corn ... But above all, except the wife and children, I want to see my books.
”
”
John Adams
“
A mother’s love is like an everlasting bed of roses, that continues to blossom. A mother’s love bears strength, comfort, healing and warmth. Her beauty is compared to a sunny day that shines upon each rose petal and inspires hope.
”
”
Ellen J. Barrier
“
The adventure of our first days together gradually blossomed into something else: a feeling I'd never had, which I can only compare to the sensation of returning home, of joining a balance that needs no adjusting, as if the scales of my life had been waiting for her all along.
”
”
Ian Caldwell (The Rule of Four)
“
If you tend to a flower, it will bloom, no matter how many weeds surround it.
”
”
Matshona Dhliwayo
“
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them.
I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today.
We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them.
Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken.
They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
There are some delightful places in this world which have a sensual charm for the eyes. One loves them with a physical love. We people who are attracted by the countryside cherish fond memories of certain springs, certain woods, certain ponds, certain hills, which have become familiar sights and can touch our hearts like happy events.
Sometimes indeed the memory goes back towards a forest glade, or a spot on a river bank or an orchard in blossom, glimpsed only once on a happy day, but preserved in our heart.
”
”
Guy de Maupassant (Selected Short Stories)
“
Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Its all a matter of weeding out the bad and cultivating more productive thoughts. And just like pulling weeds, you have to get to the root otherwise that weed, the self-doubt, that negative programming, will spring back up and shoke off the flower that can blossom for you in the future.Be consistent. Apply that "weed off" whenever you feel the need. Every day see the brighter side of things. Continually tell yourself how lucky you are, how good your life is right now, and how things can only get better
”
”
Dave Pelzer (Help Yourself: Finding Hope, Courage, And Happiness)
“
In Egypt, I loved the perfume of the lotus. A flower would bloom in the pool at dawn, filling the entire garden with a blue musk so powerful it seemed that even the fish and ducks would swoon. By night, the flower might wither but the perfume lasted. Fainter and fainter, but never quite gone. Even many days later, the lotus remained in the garden. Months would pass and a bee would alight near the spot where the lotus had blossomed, and its essence was released again, momentary but undeniable.
”
”
Anita Diamant (The Red Tent)
“
Heart resides
where crumbling churches give way to blossoming trees
empty storefronts to towering mansions
it doesn’t want just another heist movie
or an illusion of cleavage
it’s not accidental or meaningless
it wants to be known
”
”
Brian D'Ambrosio (Halcyon Days and Stormy Months: 21 Poems)
“
I am firmly convinced to-day that, generally speaking, it is in youth that men lay the essential groundwork of their creative thought, wherever that creative thought exists. I make a distinction between the wisdom of age- which can only arise from the greater profundity and foresight that are based on the experiences of a long life- and the creative genius of youth, which blossoms out in thoughts and ideas with inexhaustible fertility, without being able to put these into practice immediately, because of their very superabundance. These furnish the building materials and plans for the future; and it is from them that age takes the stones and builds the edifice, unless the so-called wisdom of the years may have smothered the creative genius of youth.
”
”
Adolf Hitler (Mein Kampf)
“
The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.
”
”
Washington Irving
“
And so it goes, day after day. Every sharp word and every angry, impure thought. You press them down, pretending they’re not a part of who you really are – the sweet, good girl, the smiling, happy person but the truth is, that anger is more real than anything. It burns and blooms and blossoms, twisting tighter with every faked smile until you wonder, what would it be like to just let it free?
Stop pretending. Stop hiding. Stop being the girl they all said you should be.
Imagine that freedom. God, can’t you feel it?
What harm could it do?
”
”
Abigail Haas (Dangerous Boys)
“
Love is a lost gift.
Why wish for its return.
Why beg for its flame when you've already been burned?
Is it not enough to live from day to day remembering its tune like a beautiful melody you heard years ago-
is it not enough to see a bruise and remember how it blossomed?
Love is a song we hear only a few moments in our lifetime
but it's that memory that is the gift, the way we remember it lasts forever.
Stop ruining love by wanting what no longer exists.
Your soul is beaming with flowers,
it's time to stop watering your scars.
”
”
Pavana पवन
“
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead
with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always
be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation.
It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine
right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile.
. . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial
as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances.
The true mystery of the world is the visible, not the invisible.
. . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only
a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you,
or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful.
Time is jealous of you, and wars against your lilies and your roses.
You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth
while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you!
Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism--
that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met
you I saw that you were quite unconscious of what you really are,
of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is
such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars.
But we never get back our youth. The pulse of joy that beats in us
at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but
youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
I thought of myself mixing the fragrance of a certain day – the heavy musk of the hillside after the rain with the lightness of fresh blossoms doused in the downpour. I thought of each little bottle as the essence of a happy day or a sad one. I mixed the scent of a lonely moment – sandalwood and bergamot lingering over a rich, peppery base.
”
”
Sara Sheridan (The Secret Mandarin)
“
A handsome young knight is madly in love with a princess, and she too is in love with him, though she seems not to be entirely aware of it. Despite the friendship that blossoms between them, or perhaps because of that very friendship, the young knight finds himself so humbled and speechless that he is totally unable to bring up the subject of his love. Until one day he asks the princess point-blank: Is it better to speak or to die?
”
”
Marguerite de Navarre (HEPTAMERON (L'))
“
Nina Simone Feeling Good
Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin' on by you know how I feel
It's a new dawn
It's a new day
It's a new life
For me
And I'm feeling good
Fish in the sea you know how I feel
River running free you know how I feel
Blossom on the tree you know how I feel
Dragonfly out in the sun you know what I mean, don't you know
Butterflies all havin' fun you know what I mean
Sleep in peace when day is done
That's what I mean
And this old world is a new world
And a bold world
For me
Stars when you shine you know how I feel
Scent of the pine you know how I feel
Oh freedom is mine
And I know how I feel
”
”
Nina Simone
“
The realm of freedom actually begins only where labour which is determined by necessity and mundane considerations ceases; thus in the very nature of things it lies beyond the sphere of actual material production. Just as the savage must wrestle with Nature to satisfy his wants, to maintain and reproduce life, so must civilised man, and he must do so in all social formations and under all possible modes of production. With his development this realm of physical necessity expands as a result of his wants; but, at the same time, the forces of production which satisfy these wants also increase. Freedom in this field can only consist in socialised man, the associated producers, rationally regulating their interchange with Nature, bringing it under their common control, instead of being ruled by it as by the blind forces of Nature; and achieving this with the least expenditure of energy and under conditions most favourable to, and worthy of, their human nature. But it nonetheless still remains a realm of necessity. Beyond it begins that development of human energy which is an end in itself, the true realm of freedom, which, however, can blossom forth only with this realm of necessity as its basis. The shortening of the working-day is its basic prerequisite.
”
”
Karl Marx
“
A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
”
”
James Wright (Above the River: The Complete Poems)
“
On the day he was born, Muhammad was given a unique name—and with it a mission to model positive behavior to inspire others. The great inventors of the Golden Age sought to emulate his success by applying his mindset of blossoming to their own circumstances. Each manifested his methodology in trailblazing innovations that not only reflected their individuality but also transformed the world—precisely the lifetime goal Muhammad’s mother had articulated for her son on her deathbed.
Indeed, Aminah’s inspiring last words reverberate beyond six-year- old Muhammad to reach people of all backgrounds across the genera- tions: strive to be a world-changer in your own unique way.
”
”
Mohamad Jebara (Muhammad, the World-Changer: An Intimate Portrait)
“
Sometimes people appear in your life unexpectedly like a gift from the Universe. You didn’t even know you needed them, or that you had called out silently to them. They appear when you needed them most, to lift you, educate you, wake you up, or shine a light on your path. They sprout the seed that was in you, and patiently watch that seed emerge from the soil. Sometimes it wears them out to water and fertilize you every single day as you grow. This is a delicate time, you as the plant, and they as the nurturer. You as the plant need them for your growth, and they as your nurturer, have to have the energy to believe in your growth. Then, one day you blossom, and awaken to the beauty around you and rejoice. The only thing you ask from them anymore, is to celebrate the flower they have brought to life, and to accept the riches you now will give to them.
”
”
Riitta Klint
“
All had this in common: that if they returned from the Empty Quarter - even though their journey might have taken them only a day's ride into that place - they came back changed men. Nobody could set his eyes on such a void and return to hearth and home without having lost a part of himself to the wilderness forever. Many, having endured the void once, went back, and back again, as if daring the desert to claim them; not content until it did. And those unhappy few who died at home, died with their eyes not on the loving faces at their bedside, nor on the cherry tree in blossom outside the window, but on that waste that called them as only the Abyss can call, promising the soul the balm of nothingness.
”
”
Clive Barker (Weaveworld)
“
That was his moment in Leningrad, on an empty street, when his life became possible—when Alexander became possible. There he stood as he was—a young Red Army officer in dissolution, all his days stamped with no future and all his appetites unrestrained, on patrol the day war started for Russia. He stood with his rifle slung on his shoulder and cast his wanton eyes on her, eating her ice cream all sunny, singing, blonde, blossoming, breathtaking. He gazed at her with his entire unknowable life in front of him, and this is what he was thinking…
To cross the street or not to cross?
To follow her? To hop on the bus, after her? What absolute madness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air —
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath —
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
”
”
Alan Seeger
“
Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.
”
”
Hermann Hesse
“
In place of hope all that remained to him was endurance, and somewhere beyond the long sequence of nights, beyond the orchards that faded, blossomed, and perished once more, beyond all the people he had encountered and who had then passed on into the past, there existed his fated day-when he would have to take to his bed, turn his face to the wall, and pass away without being able to cry.
”
”
Andrei Platonov (The Foundation Pit)
“
From invisible girlhood, the Asian American woman will blossom into a fetish object. When she is at last visible—at last desired—she realizes much to her chagrin that this desire for her is treated like a perversion. This is most obvious in porn, where our murky desires are coldly isolated into categories in which white is the default and every other race is a sexual aberration. But the Asian woman is reminded every day that her attractiveness is a perversion, in instances ranging from skin-crawling Tinder messages (“I’d like to try my first Asian woman”) to microaggressions from white friends. I recall a white friend pointing out to me that Jewish men only dated Asian women because they wanted to find women who were the opposite of their pushy mothers. Implied in this tone-deaf complaint was her assumption that Asian women are docile and compliant. Well-meaning friends never failed to warn me, if a white guy was attracted to me, that he probably had an Asian fetish. The result: I distrusted my desirousness. My sexuality was a pathology. If anyone non-Asian liked me, there was something wrong with him.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Spring had come once more to Green Gables-the beautiful, capricious Canadian spring, lingering along through April and may in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red-budded and little curly ferns pushed up around the Dryad's Bubble. Away in the barrens, behind Mr. Silas Sloane's place, the mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every minute that she could steal from her chores under that tree for the last three days. That was to say, ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
From the east a spring breeze is touching us,
passing by,
And so in the goblet in the green wine
tiny ripples are formed.
The blossoms stolen by the whirl
are falling to the earth.
My fair girl will be drunken soon
with her blushed cheeks.
Beside the blue pavilion the peach tree -
Do you know, how long it will bloom?
It’s a trembling shine, a dream:
it cheats us and steals away.
Rise and dance!
The sun is fading!
Who never was full of demanding live
and crazy in his young days
will vainly - when the hair
is white - sigh and wail.
”
”
Li Bai
“
The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.
”
”
Shirley Jackson (The Lottery and Other Stories)
“
The faint laughter of winds was always about them and the colors of Mistawis, imperial and spiritual, under the changing clouds, were something that cannot be expressed in mere words. Shadows, too. Clustering in the pines until a wind shook them out and pursued them over Mistawis. They lay all day along the shores, threaded by ferns and wild blossoms. They stole around the headlands in the glow of the sunset, until twilight wove them all into one great web of dusk.
”
”
L.M. Montgomery (The Blue Castle)
“
The Child Angel
Let your life come amongst them like a flame of light, my child,
unflickering and pure, and delight them into silence.
They are cruel in their greed and their envy,
their words are like hidden knives thirsting for blood.
Go and stand amidst their scowling hearts, my child,
and let your gentle eyes fall upon them like the
forgiving peace of the evening over the strife of the day.
Let them see your face, my child, and thus know the
meaning of all things, let them love you and love each other.
Come and take your seat in the bosom of the limitless, my child.
At sunrise open and raise your heart like a blossoming flower,
and at sunset bend your head and in silence
complete the worship of the day.
”
”
Rabindranath Tagore
“
I have your gun" I pulled the Ruger out of my bag and gave it to Ranger. He held the gun flat in his hand and looked at it. "It smells like orange blossoms."
"I washed it and sprayed it with air freshener"
"You washed it?"
"I wore rubber gloves and scrubbed it with my vegetable brush. It was.. icky"
He yanked open the driver's side door, pulled me out of the car, and kissed me. The kiss involved tongue, and a hand on my ass, and made my nipples tingle.
"I can always count on you to brighten my day" Ranger said.
Ranger drove off, and I got back into the Buick.
"That was hot," Lula said. "Imagine what he'd do if you washed his Glock
-- After Stephanie threw up on Rangers gun.
”
”
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
“
Everything is boring, boredom is the other epidemic which is making Europe ripe for decline. Boredom is the end product of each and every civilization. It is the arteriosclerosis of the great thinking peoples. The moment always arrives where even God, whether he’s called Zeus, Zebaoth or Zoroaster, has finished creating the universe and asks: “What’s the point of it, actually?” He yawns and chucks it aside. Mankind does the same with civilization. Boredom is the condition of a people which no longer believes but all the same is doing just fine. Boredom is when every clock in the country is predestined to be correct. When the same naive flowers blossom again in the month of March. When every day the deaths of good family fathers are announced in the papers. When a war breaks out in the Balkans. When poems go on about the stars. Boredom is a symptom of aging. Boredom is the diagnosis that talent and virtue are slowly being spent. Boredom is the life-long determination to a form of being which has worn itself out.
”
”
Yvan Goll
“
Nothing has changed, Claire. You're still as beautiful as you were when we met first and I am still in love with everything about you. We may be worlds apart but this doesn't keep our hearts at distance. I feel your breath in every breath of mine and I hear your heartbeat in every beat of my heart. I traveled to far away lands, rivers, forests, mountains, glaciers, deserts and skyscrapers but wherever I go I find you there. My dreams aren't illusions but visions of a beautiful yesterday; I play with your hair-locks, I kiss your eyes, I embrace your hands and you giggle in my arms blossoming like a flower. My love, you're my only reality, my only fantasy, my only celebration and my only refuge. I have waited a thousands suns and I can wait a thousand more to witness the moment you call out to me. That day you'll find me and even if I don't live up to see that day I will be with you forever, just remember me.
”
”
Huseyn Raza
“
In the days to come, when it will seem as if I were entombed, when the very firmament threatens to come crashing down upon my head, I shall be forced to abandon everything except what these spirits implanted in me. I shall be crushed, debased, humiliated. I shall be frustrated in every fiber of my being. I shall even take to howling like a dog. But I shall not be utterly lost! Eventually a day is to dawn when, glancing over my own life as though it were a story or history, I can detect in it a form, a pattern, a meaning. From then on the word defeat becomes meaningless. It will be impossible ever to relapse.
For on that day I become and I remain one with my creation.
On another day, in a foreign land, there will appear before me a young man who, unaware of the change which has come over me, will dub me "The Happy Rock." That is the moniker I shall tender when the great Cosmocrator demands-" Who art thou?"
Yes, beyond a doubt, I shall answer "The Happy Rock!"
And, if it be asked-"Didst thou enjoy thy stay on earth?"-I shall reply: "My life was one long rosy crucifixion."
As to the meaning of this, if it is not already clear, it shall be elucidated. If I fail then I am but a dog in the manger.
Once I thought I had been wounded as no man ever had. Because I felt thus I vowed to write this book. But long before I began the book the wound had healed. Since I had sworn to fulfill my task I reopened the horrible wound.
Let me put it another way. Perhaps in opening my own wound, I closed other wounds.. Something dies, something blossoms. To suffer in ignorance is horrible. To suffer deliberately, in order to understand the nature of suffering and abolish it forever, is quite another matter. The Buddha had one fixed thought in mind all his life, as we know it. It was to eliminate human suffering.
Suffering is unnecessary. But, one has to suffer before he is able to realize that this is so. It is only then, moreover, that the true significance of human suffering becomes clear. At the last desperate moment-when one can suffer no more!-something happens which is the nature of a miracle. The great wound which was draining the blood of life closes up, the organism blossoms like a rose. One is free at last, and not "with a yearning for Russia," but with a yearning for ever more freedom, ever more bliss. The tree of life is kept alive not by tears but the knowledge that freedom is real and everlasting.
”
”
Henry Miller
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees.
It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick.
April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet...
Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.
”
”
Forrest Carter (The Education of Little Tree)
“
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath!
"One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes.
"Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately.
"Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
”
”
Guy de Maupassant (Selected Short Stories)
“
Before my last exhale,
Before the curtain falls,
Before the last flower wilts,
I intend to live fully,
I intend to love without inhibition,
I intend to be.
In this cruel world,
In this era steeped in hatred and grudge,
In this age filled with disasters,
I want to be in the presence of those who need me,
Whom I need,
Who are worthy of reverence?
So that I can discover,
Be mesmerized,
And understand anew,
All that I am,
All that I can be,
All that I want to be.
So that the days don’t pass me by in meaningless void,
The hours become alive,
And the moments gain significance.
When I laugh,
When I cry,
When I am silent,
I am journeying towards you,
Towards myself,
Towards the divine.
For it is an unknown path,
Full of thorns,
And ebbs and flows.
A path that upon taking,
Upon which I have already stepped foot,
There is no return,
Until I have seen the blossoming of the flowers,
Until I have heard the rivers roar,
Until I have been awed by the beauty of life.
Now death can find me,
Now I can carry on with the journey,
Now I can say that I have lived.
”
”
Margot Bickel (سکوت سرشار از ناگفتههاست)
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
Indifference
This hate has blossomed like a living love,
grieving, watching its own exhaustion.
It seeks a face, it seeks flesh, as though it were love.
The worldly flesh and the voices that spoke
are dead, all has shuddered away,
all life hangs on a voice.
Days pass in bitter ecstasy to the sad
caress of the voice that returns
and drains the blood from our faces. Not without sweetness
that voice returns to the mind exhausted
and trembling: once it trembled for me.
But the flesh does not tremble. Only love
could set it alight, this hate seeks it out.
All the possessions, all the flesh and all the voices
in the world cannot equal the burning caress
of that body and those eyes. In the bitter ecstasy
that kills itself, this hate still finds
each day a glance, a broken word,
and grasps them, hungrily, like love.
”
”
Cesare Pavese (Selected Poems)
“
We are all, in the last analysis, alone. And this basic state of solitude is not something we have any choice about. It is, as the poet Rilke says, "not something that one can take or leave. We are solitary. We may delude ourselves and act as though this were not so. That is all. But how much better it is to realize that we are so, yes, even to begin by assuming it. Naturally," he goes on to say, "we will turn giddy."
Naturally. How one hates to think of oneself as alone. How one avoids it. It seems to imply rejection or unpopularity. An early wallflower panic still clings to the world. One will be left, one fears, sitting in a straight-backed chair alone, while the popular girls are already chosen and spinning around the dance floor with their hot-palmed partners. We seem so frightened today of being alone that we never let it happen. Even if family, friends and movies should fail, there is still the radio or the television to fill up the void. Women, who used to complain of loneliness, need never be alone any more. We can do our housework with soap-opera heroes at our side. Even day-dreaming was more creative than this; it demanded something of oneself and it fed the inner life. Now, instead of planting our solitude with our own dream blossoms, we choke the space with continuous music, chatter and companionship to which we do not even listen. It is simply there to fill the vacuum. When the noise stops there is no inner music to take its place. We must re-learn to be alone.
”
”
Anne Morrow Lindbergh
“
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love.
But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
”
”
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
“
Why Roses Crave Thorns"
Petals detach from a wilting bud—a single stem plucked before fully blossomed. They descend in hesitant swirls, too soft and limp to shatter like teardrops. One by one they light to blanket a single shadow below.
She is a rose, young and innocent, with beauty incomparable to shame all others. She has flowered enough to stop the observer in his tracks, awestruck. He is compelled to reach out and touch. The petals delight at a silken caress, her bud everything desirable but defenseless—without a sharp edge to make an admirer pause, to warn the intrusive hand. ‘Stay back! Stay back!’
His fingers curl around the stem to tug, and suddenly the rose craves a thorn.
It is madness not to want her and yet madness to cut her down. Let the flower thrive and blush to someday flaunt layers of silken favors! But the world will not have it. A single stem is severed in a selfish moment of desire—a yearning to hold and possess.
Alone and forgotten her petals cry, raining in hesitant swirls where they accumulate to blanket her shadow below. Dry, withered, craving the thorns. Beautiful no more.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
My, you ought to seen old Henry the Eight when he was in bloom. He was a blossom. He used to marry a new wife every day, and chop off her head next morning. And he would do it just as indifferent as if he was ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up. Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane Shore,' he says; and up she comes, Next morning, 'Chop off her head'—and they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the bell. Next morning, 'Chop off her head.' And he made every one of them tell him a tale every night; and he kept that up till he had hogged a thousand and one tales that way, and then he put them all in a book, and called it Domesday Book—which was a good name and stated the case. You don't know kings, Jim, but I know them; and this old rip of ourn is one of the cleanest I've struck in history. Well, Henry he takes a notion he wants to get up some trouble with this country. How does he go at it—give notice?—give the country a show? No. All of a sudden he heaves all the tea in Boston Harbor overboard, and whacks out a declaration of independence, and dares them to come on. That was his style—he never give anybody a chance. He had suspicions of his father, the Duke of Wellington. Well, what did he do? Ask him to show up? No—drownded him in a butt of mamsey, like a cat. S'pose people left money laying around where he was—what did he do? He collared it. S'pose he contracted to do a thing, and you paid him, and didn't set down there and see that he done it—what did he do? He always done the other thing. S'pose he opened his mouth—what then? If he didn't shut it up powerful quick he'd lose a lie every time. That's the kind of a bug Henry was; and if we'd a had him along 'stead of our kings he'd a fooled that town a heap worse than ourn done. I don't say that ourn is lambs, because they ain't, when you come right down to the cold facts; but they ain't nothing to that old ram, anyway. All I say is, kings is kings, and you got to make allowances. Take them all around, they're a mighty ornery lot. It's the way they're raised.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
Outsong in the Jungle
[Baloo:] For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: "Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Kaa:] Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Bagheera:] In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[The Three:] On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
”
”
Rudyard Kipling
“
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much.
And then I realized one thing: the woman is the reflection of her man.
If you love her to the point of madness, she will become it.
”
”
Brad Pitt
“
Say you could view a time lapse film of our planet: what would you see?
Transparent images moving through light, “an infinite storm of beauty.”
The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.
A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames.
Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts.
Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I’m sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks?
America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don’t think he’ll come back it’s sinister.
Are you being sinister or is this some form of practical joke?
I’m trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I’m doing.
America the plum blossoms are falling.
I haven’t read the newspapers for months, everyday somebody goes on trial for murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid I’m not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there’s going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I’m perfectly right.
I won’t say the Lord’s Prayer.
I have mystical visions and cosmic vibrations.
America I still haven’t told you what you did to Uncle Max after he came over from Russia.
I’m addressing you.
Are you going to let your emotional life be run by Time Magazine?
I’m obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It’s always telling me about responsibility. Businessmen are serious. Movie producers are serious. Everybody’s serious but me.
It occurs to me that I am America.
I am talking to myself again.
...
”
”
Allen Ginsberg (Howl and Other Poems)
“
But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.
Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.
Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.
There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.
On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.
The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.
In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.
No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
”
”
Rachel Carson
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))