Leading Lady Quotes

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A true gentleman is one that apologizes anyways, even though he has not offended a lady intentionally. He is in a class all of his own because he knows the value of a woman's heart.
Shannon L. Alder
You better hide that heart of yours, Lady Titanos. It won't lead you anywhere you want to go.
Victoria Aveyard (Red Queen (Red Queen, #1))
One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
This highway leads to the shadowy tip of reality: you're on a through route to the land of the different, the bizarre, the unexplainable...Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination. . . Next stop The Twilight Zone.
Rod Serling
If I had lady-spider legs, I would weave a sky where the stars lined up. Matresses would be tied down tight to their trucks, bodies would never crash through windshields. The moon would rise above the wine-dark sea and give babies only to maidens and musicians who had prayed long and hard. Lost girls wouldn't need compasses or maps. They would find gingerbread paths to lead them out of the forest and home again. They would never sleep in silver boxes with white velvet sheets, not until they were wrinkled-paper grandmas and ready for the trip.
Laurie Halse Anderson (Wintergirls)
<…>"You're part-goof all class. Never walked in a room, any room, with a woman on my arm, any woman, who's got your looks, your style, the kinda beauty you got and the light that shines from you. So I don't get it. I don't get how a woman leads a life full of shit and comes out of it bein' part-goof and all class. That shit's impossible but there you fuckin' are. Part-goof, all class." I felt my breath coming fast but managed to whisper, "I'm not part-goof." "You're right. I was bein' nice. You're a total goof." "Am not" "Babe, you call me 'hubby'," he pointed out but my breath came faster because he called me "babe" again. "You are my hubby." "No one says hubby," he told me. "I do," I told him. "All right, I'll rephrase. No one but a goof says hubby."….<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
First the flame and then the flood: In the end it's Blackthorn blood. Seek thou to forget what's past First thirteen and then the last. Search not the book of angels gray, Red or white will lead you far astray. To regain what you have lost, Find the black book at any cost.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Trauma doesn't have to lead to destruction. Trauma can be the guiding point to something better, something stronger
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Lady, you are the cruel'st she alive If you will lead these graces to the grave And leave the world no copy.
William Shakespeare (Twelfth Night)
It was Carrot who'd suggested to the Patrician that hardened criminals should be given the chance to 'serve the community' by redecorating the homes of the elderly, lending a new terror to old age and, given Ankh-Morpork's crime rate, leading to at least one old lady having her front room wallpapered so many times in six months that now she could only get in sideways.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Whatever life you lead you must put your soul in it--to make any sort of success in it; and from the moment you do that it ceases to be romance, I assure you: it becomes grim reality! And you can't always please yourself; you must sometimes please other people. That, I admit, you're very ready to do; but there's another thing that's still more important--you must often displease others. You must always be ready for that--you must never shrink from it. That doesn't suit you at all--you're too fond of admiration, you like to be thought well of. You think we can escape disagreeable duties by taking romantic views--that's your great illusion, my dear. But we can't. You must be prepared on many occasions in life to please no one at all--not even yourself.
Henry James (The Portrait of a Lady)
The Countess was considerably younger than her husband. All of her clothes came from Paris (this was after Paris) and she had superb taste. (This was after taste too, but only just. And since it was such a new thing, and since the Countess was the only lady in all Florin to posses it, is it any wonder she was the leading hostess in the land?)
William Goldman (The Princess Bride)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
God knows; I won't be an Oxford don anyhow. I'll be a poet, a writer, a dramatist. Somehow or other I'll be famous, and if not famous, I'll be notorious. Or perhaps I'll lead the life of pleasure for a time and then—who knows?—rest and do nothing. What does Plato say is the highest end that man can attain here below? To sit down and contemplate the good. Perhaps that will be the end of me too.
Oscar Wilde (Lady Windermere's Fan)
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
Now suzanne takes you hand And she leads you to the river She is wearing rags and feathers From salvation army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that she will trust you For shes touched your perfect body with her mind.
Leonard Cohen (Songs of Leonard Cohen, Herewith: Music, Words and Photographs)
Man, or at least criminal man, has lost all enterprise and originality. As to my own little practice, it seems to be degenerating into an agency for recovering lost lead pencils and giving advice to young ladies from boarding-schools.
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories, Volume I)
Oh, we’ll see you again, Mike. Just not with the same, pretty face. I hear you’re an actor, too. Pity. Your days of wooing leading ladies are about to end.
Mark Barkawitz (Full Moon Saturday Night)
Just what I was afraid of—now I was his pet clown girl…you don’t date clown girls and you definitely don’t fall in love with them. Clown girls are like the caricatures in a Bollywood movie—I’ll never be his leading lady.
Shuchi Singh Kalra (Done With Men)
Human feelings are queer things -- I am much happier -- black-leading the stove's -- making the beds and sweeping the floors at home, than I should be living like a fine lady anywhere else.
Charlotte Brontë
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
Those who seek absolute power, even though they seek it to do what they regard as good, are simply demanding the right to enforce their own version of heaven on earth. And let me remind you, they are the very ones who always create the most hellish tyrannies. Absolute power does corrupt, and those who seek it must be suspect and must be opposed. Their mistaken course stems from false notions of equality, ladies and gentlemen. Equality, rightly understood, as our founding fathers understood it, leads to liberty and to the emancipation of creative differences. Wrongly understood, as it has been so tragically in our time, it leads first to conformity and then to despotism. Fellow Republicans, it is the cause of Republicanism to resist concentrations of power, private or public, which enforce such conformity and inflict such despotism. It is the cause of Republicanism to ensure that power remains in the hands of the people.
Barry M. Goldwater
Do not be obsessed with expensive things. Instead, be obsessed with excellence. Things don't make you excellent. However, excellence will make you expensive.
Janna Cachola
You can tell when a Hollywood historical film was made by looking at the eye makeup of the leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.
Alfred Bester (The Stars My Destination)
With God’s help, your trial today is leading to your wholeness tomorrow.
Elizabeth George (A Woman's Daily Walk with God)
Happy endings? The only ending life allows us is death, and that’s rarely happy. So, until my happy death, I have to fill my life: fill it with monochrome feels and leading ladies.
Stephen Mosley
Over analysis leads to paralysis
Rebecca Jane (The Real Lady Detective Agency)
Boldness isn't second nature to everyone, it is intentionality
Janna Cachola (Lead by choice, not by checks)
She tugged warningly on his shirt. "I am serious! Are you going to marry me, Sean? Finally?" He smiled, and the light of his smile filled his eyes. "Damn it, Elle! Will you not let me take the lead? Ladies do not propose marriage!" ~Sean O'Neill & Eleanor de Warenne
Brenda Joyce (The Stolen Bride (deWarenne Dynasty, #6))
I choke on a gasp, because oh my God, his penis is right there. And it’s impressive. Beside me, Carin is also quick to examine the goods. “Now that’s what I’m talking about! Well, hello there, Manaconda!” she calls to the model before sweeping her gaze over the other females in attendance. “Ladies, I think Spector deserves a slow clap right now, no?” Now I’m the one fighting laughter, because damned if the ladies don’t all break out in a slow, slow clap that leads to a burst of applause followed by whistles and catcalls.
Elle Kennedy (The Goal (Off-Campus, #4))
And here lies the vast importance of the novel, properly handled. It can inform and lead into new places the flow of our sympathetic consciousness, and it can lead our sympathy away in recoil from things gone dead. Therefore, the novel, properly handled, can reveal the most secret places of life: for it is in the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.
D.H. Lawrence (Lady Chatterley's Lover)
Perhaps the most dangerous by-product of the Age of Intellect is the unconscious growth of the idea that the human brain can solve the problems of the world. Even on the low level of practical affairs this is patently untrue. Any small human activity, the local bowls club or the ladies’ luncheon club, requires for its survival a measure of self-sacrifice and service on the part of the members. In a wider national sphere, the survival of the nation depends basically on the loyalty and self‑sacrifice of the citizens. The impression that the situation can be saved by mental cleverness, without unselfishness or human self-dedication, can only lead to collapse.
John Bagot Glubb (The Fate of Empires and Search for Survival)
Learn to win a lady's faith Nobly, as the thing is high; Bravely as for life and death - With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.
Elizabeth Barrett Browning
Dominance leads to tyranny
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
We weren't born to create excuses, we were born to create excellence.
Janna Cachola
Orion couldn't stop looking at her. Those determined eyes and the set of her brow. Artists would scramble to paint a face like that onto their war posters. Render her expression in vivid enough lines, and the sight alone could lead the world into battle.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
You, my child, will marry well. More than once." (...) The lady retrieved the cards and shuffled them back together into one stack in an attitude of dismissal. Taking this as a sign her fortune was complete, Preshea stood. Looking particularly pleased with life, she passed over a few coins and gave Madame Spetuna a nice curtsy. Mademoiselle Geraldine was fanning herself. "Oh, dear, oh, dear, Miss Buss. Let us hope it is widowhood and not" - she whispered the next word - "divorce that leads to your multiple marriages." Preshea sat and sipped from a china cup. "I shouldn't worry, Headmistress. I am tolerably certain it will be widowhood.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Whatever love meant there was some version of it that I felt for Winter. And it didn't matter if he felt that for me or not or if it was real love or just my sadness about my dad that had turned into longing. Love, that elusive leading lady, plays too many parts to be typecast.
Francesca Lia Block (Pink Smog (Weetzie Bat, #0))
The other travellers do seem to have given us a wide berth,” I admitted. “Can you blame them?” He surveyed our possessions, and I found myself smiling as well. “Not precisely a partridge in a pear tree...” “But we have a raven in a cage, a lurcher on a lead, a Siamese in a basket, and a dormouse in your décolletage. We are a travelling circus.
Deanna Raybourn (Silent Night (Lady Julia Grey, #5.5))
As she uttered the words of the prayer, she glanced up at him as if he were God Himself. He watched her with growing pleasure. In front of him was kneeling the directress, being humiliated by a subordinate; in front of him a naked revolutionary was being humiliated by prayer; in front of him a praying lady was being humiliated by her nakedness. This threefold image of degradation intoxicated him and something unexpected suddenly happened: his body revoked its passive resistance. Edward was excited! As the directress said, 'And lead us not into temptation,' he quickly threw off all his clothes. When she said, 'Amen,' he violently lifted her off the floor and dragged her onto the couch.
Milan Kundera (Laughable Loves)
Now Suzanne takes your hand and she leads you to the river She is wearing rags and feathers from Salvation Army counters And the sun pours down like honey on our lady of the harbour And she shows you where to look among the garbage and the flowers
Leonard Cohen
The long-ago days - the days of Mother and Bone and the shed - have become fuzzy and have blended with images of Moon, of my travels, of other people and houses, of hiding places; a tangle of memories leading to Susan. I burrow into her side and listen to her heartbeat. With my eyes closed, I might be in the straw-filled wheelbarrow again, nestled against Mother, listening to the first heartbeat I knew. I open my eyes and tilt my head back to look at Susan's lined face. She smiles at me, and we sit pressed into each other, two old ladies.
Ann M. Martin (A Dog's Life: Autobiography of a Stray)
The leading lady had a large and saving sense of humor. But there is nothing that blunts the sense of humor more quickly than a few months of one-night stands. Even O. Henry could have seen nothing funny about that room.
Edna Ferber
We have to take up the cross that was left by our Pioneers; they got us as far as they could. It is now our time to take advantage of the tools that were left for us and open the doors of our opportunities as women. We have to lead by example for our little girls and young ladies who will soon take up the torch. We have to show them by our actions that women’s opportunities are never-ending. Their assumptions must not take us off-course because our minds are too sharp and powerful to dwell on their insecurities, and we do not have time to stray off track.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
She was returning home to be the wife of, mother of, First Lady of, but what did that really mean?
Stacy Hawkins Adams (Lead Me Home (Winds of Change #2))
When your pain gets tough, your game needs to get rough.
Janna Cachola
…and after all, the wrong road always leads somewhere.
George Bernard Shaw (The Dark Lady of the Sonnets)
And try not to make a habit of getting engaged in the first place, Vivvie. It can leade to marriage if you're not careful.
Elizabeth Gilbert (City of Girls)
Just as Manda Lewis's impressions of the world had been informed by her reading-- leading her to expect balls, duels, and conveniently timed thunderstorms out of life-- so, too, had mine; but what I expected was intellectual commerce between equals.
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
The first start toward success is to be glad you are yourself, and know that the ground you are on is holy ground and that you expand into the Divine Plan of your life. In the Divine Plan, every righteous desire of the heart is satisfied. You are the leading lady in your life's scenario. You never take a backseat in the fourth dimension. The Divine Plan unfolds through following intuition.
Florence Scovel Shinn (The Magic Path of Intuition)
She’ll need a code name of her own.” Quinn tapped his quill on the table as he read over Mouse’s notes for the tenth time. They were like a flock of gabbling birds, these ladies, following the lead of the one in front. “Starling.” Cass nodded as he opened the door. “Starlings are smart birds.” “I know. Annoying as hell, too.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
The Lady turned to face us. “Ain’t no way out but up,” she said. “Readin’. Writin’. Thinkin’. Those are the rungs on the ladder that lead up and out. Not whinin’ and takin’ and bein’ a mind-chained slave.
Robert McCammon (Boy's Life)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?
Donna Tartt (The Goldfinch)
It is enough to say that her perception of the endless interest of the place was such as might have been expected in a young woman of her intelligence and culture. She had always been fond of history, and here was history in the stones of the street and the atoms of the sunshine. She had an imagination that kindled at the mention of great deeds, and wherever she turned some great deed had been acted. These things excited her but they had been quietly excited... To her own knowledge she was very happy; she would have even been willing to believe that these were to be on the whole the happiest hours of her life. The sense of mighty human past was upon her, but it was interfused in the strangest, suddenest, most capricious way, with fresh cool breath of the future. Her feelings were so mingled that she scarcely knew whither any of them would lead her, and she went about in a kind of repressed ecstasy of contemplation, seeing often in the things she looked at a great deal more than was there.
Henry James (The Portrait of a Lady)
If she did not wish to lead a virtuous life, at least she desired to enjoy a character for virtue, and we know that no lady in the genteel world can possess this desideratum, until she has put on a train and feathers and has been presented to her Sovereign at Court. From that august interview they come out stamped as honest women. The Lord Chamberlain gives them a certificate of virtue.
William Makepeace Thackeray (Vanity Fair)
If there was a bad guy we could appeal to the people because, like it or not, we, the huddled masses, want our public figures to be good or bad but rarely allow them to mix the two. Not good an bad. We place people in these categories, which then creates a smooth story-line but also a dichotomy. It's why we like our male movie stars to be either bad boys or heroes, our leading ladies sluts or soccer moms. We like our politicians to be tough guys or saints. What we don't like are any signs of actual humanity, a mixture of the two. So we are left with the question: who is the bad guy? And is the bad guy in control of all that is bad?
Bill Carter (Fools Rush In: A True Story of War and Redemption)
A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you?
Donna Tartt (The Goldfinch)
A crazy old lady, leading a band of teenagers against an angry supernatural Entity - who’da thought?
Diane M. Haynes
But you still know about Doors, don't you? Because there are ten thousand stories about ten thousand Doors, and we know them as well as we know our names. They lead to Faerie, to Valhalla, Atlantis and Lemuria, Heaven and Hell, to all the directions a compass could never take you, to elsewhere. My father--who is a true scholar and not just a young lady with an ink pen and a series of things she has to say--puts it much better: "If we address stories as archaeological sites, and dust through their layers with meticulous care, we find at some level there is always a doorway. A dividing point between here and there, us and them, mundane and magical. It is at the moments where the doors open, when things flow between the worlds, that stories happen.
Alix E. Harrow (The Ten Thousand Doors of January)
The crowd laughs at the parody. Weep, ladies, over your own fate, when you see the misery of imprisoned matter, of tortured matter which does not know what it is and why it is, nor where the gesture may lead that has been imposed on it forever. The crowd laughs. Do you understand the terrible sadism, the exhilarating, demiurgical cruelty of that laughter? Yet we should weep, ladies, at our own fate, when we see that misery of violated matter, against which a terrible wrong had been committed.
Bruno Schulz (The Street of Crocodiles)
Sharing the fun of fishing turns strangers into friends in a few hours. Whether you sit with native fishermen in their boat and fish with nets and lines or dive under the sea with them - they will lead you to the haunts of the specimens you desire and you could not find yourself in safer and more enjoyable company.
Eugenie Clark (Lady with a Spear)
[...]perhaps the secret of leading a life in which you would not always be worrying about things, or complaining about them, was to accept that there were people who just saw things differently from you and always would. Once you understood that, then you could accept the people themselves as they were and not try to change them. What was even more important, perhaps, was that you could love those people who looked at things so differently, because you realised that they were not trying to make life hard for you by being what they were, but were simply doing their best. Then, when you started to love them, love would do the work that it always did and it would begin to transform them and then they would end up seeing things in the same way that you did.
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency, #17))
What's the latest beast in your collection, I wonder?" "Me." Metal clanged as Gabriel flipped the helmet's visor. "I'm her latest beast." The Irving sisters choked on their laughter, then swallowed it hard. He took a clanking step forward, towering over them. "Let me tell you, Lady Penelope has her hands full. I'm vicious. Untamed. I won't come to heel." He leaned forward, lowering his voice to a growl. "And I bite." He turned, and- confronted with the wall of hedges- stormed through it like the Ottomans breaching the walls of Tyre. Once he'd cleared a path with his armored body, he extended a gauntlet, inviting Penny to follow. She put her gloved hand in his shining one. Rather than leading her through, he pulled her to him, slid his hand to her backside, and lifted her off her feet, keeping her slippers free of the trampled shrubs. Her beast in shining armor. As he carried her through the hedge, she waved farewell to the bug-eyed Irving sisters. "It's been lovely seeing you.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Jack.  [After some hesitation.]  I know nothing, Lady Bracknell. Lady Bracknell.  I am pleased to hear it.  I do not approve of anything that tampers with natural ignorance.  Ignorance is like a delicate exotic fruit; touch it and the bloom is gone.  The whole theory of modern education is radically unsound.  Fortunately in England, at any rate, education produces no effect whatsoever.  If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square. 
Oscar Wilde (The Importance of Being Earnest)
I realized now that I would never be truly done with adventuring. The path of life takes twists and turns one could never even imagine or hope for. It was the greatest adventure and I had so much more to experience. Where, I wonder, would life lead me next?
April Sadowski (Lady From Day)
If women are trapped by the whore/Madonna complex, men are equally trapped by this warrior/minstrel complex. What’s more, while a man is expected to be modern, that is, to support feminism in all its particulars, to see and treat women as equals in every respect, he is on the other hand often still expected to be traditional at the same time, to treat a lady like a lady, to lead the way and pick up the check.
Norah Vincent (Self-Made Man: One Woman's Journey Into Manhood and Back Again)
The writer of this legend then records Its ghostly application in these words: The image is the Adversary old, Whose beckoning finger points to realms of gold; Our lusts and passions are the downward stair That leads the soul from a diviner air; The archer, Death; the flaming jewel, Life; Terrestrial goods, the goblet and the knife; The knights and ladies all whose flesh and bone By avarice have been hardened into stone; The clerk, the scholar whom the love of pelf Tempts from his books and from his nobler self. The scholar and the world! The endless strife, The discord in the harmonies of life! The love of learning, the sequestered nooks, And all the sweet serenity of books; The market-place, the eager love of gain, Whose aim is vanity, and whose end is pain!
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
She sat with great intensity, giving the whole of her mind to it, and was capable of remaining for an hour almost as motionless as if she were before a photographer's lens. I could see she had been photographed often, but somehow the very habit that made her good for that purpose unfitted her for mine. At first I was extremely pleased with her lady-like air, and it was a satisfaction, on coming to follow her lines, to see how good they were and how far they could lead the pencil. But after a few times I began to find her too insurmountably stiff; do what I would with it my drawing looked like a photograph or a copy of a photograph. Her figure had no variety of expression -- she herself had no sense of variety. You may say that this was my business, was only a question of placing her. I placed her in every conceivable position, but she managed to obliterate their differences. She was always a lady certainly, and into the bargain was always the same lady. She was the real thing, but always the same thing. There were moments when I was oppressed by the serenity of her confidence that she WAS the real thing.
Henry James (The Real Thing And Other Tales)
At the time, when decisions had to be made, she had truly wanted to stay home- she was, in a word, exchausted- though she had never wanted such a thing before. And, honestly, what a privilege. What a treat. She understood that she was just a privileged, overeducated lady in the middle of America living the dream of holding her baby twenty-four hours a day. According to basically everyone’s standards, she had nothing to complain about, ever, after that point and possibly even leading up to it. In fact, wasn’t it a bit, you know, hoity-toity, a but oblivious middle-class white lady of her, even to think about complaining? If she read the articles, examined the data, contemplated her lot in life, her place in society, her historical role in the oppression of everyone other than white men, she really had not even a sparse spot of yard on which to stand and emit one single strangled scream.
Rachel Yoder (Nightbitch)
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's. As a kid growing up with books and films and stories instead of friends, that was always the narrative injustice that upset me more than anything else. I felt it sometimes like a sharp pain under the ribcage, the kind of chest pain that lasts for minutes and hours and might be nothing at all or might mean you're slowly dying of something mundane and awful. It's a feeling that hit when I understood how few girls got to go on adventures. I started reading science fiction and fantasy long before Harry Potter and The Hunger Games, before mainstream female leads very occasionally got more at the end of the story than together with the protagonist. Sure, there were tomboys and bad girls, but they were freaks and were usually killed off or married off quickly. Lady hobbits didn't bring the ring to Mordor. They stayed at home in the shire.
Laurie Penny
You ask perhaps if one should take the maid herself? Such a plan brings the greatest risk with it. In one case, fresh from bed, she’ll get busy, in another be tardy, in one case you’re a prize for her mistress, in the other herself. There’s chance in it: even if it favours the idea, my advice nevertheless is to abstain. I don’t pick my way over sharp peaks and precipices, no youth will be caught out being lead by me. Still, while she’s giving and taking messages, if her body pleases you as much as her zeal, make the lady your first priority, her companion the next: Love should never be begun with a servant.
Ovid (The Art of Love)
This time I shall not lead you into a new corner of the house of the world. We know it so well by now, after all. We know where the Fairies live and where the shadows fall, where the cobwebs really ought to be cleaned up if anyone ever gets around to it, where a window is loose, where a door creaks. We are annoyed by the stove that will not light, by the weeds in the garden, by that ungodly mess in the closet. A thing too familiar becomes invisible. It is time for us to Go Out. But do not fear, even if it is colder outside than you might prefer, if Spring has once again been rudely tardy, if the trees only have a breath of green at their tips like a fine lady's jade rings, if the sun is pale and high and makes you squint, if the wind, for there is always wind, bites and pierces deep. Tug up your best coat round your neck and tie your longest scarf tight. You may hold my hand if you like. I promise, it is good for your health to step outside the house of the world. After all, we are not going far. Only so far as the mailbox.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
ladies & gentlemen," the Professor began, "the Other Professor is so kind as to recite a Poem. The title of it is 'The Pig-Tale.' He never recited it before!" (General cheering among the guests.) "He will never recite it again!" (Frantic excitement, & wild cheering all down the hall, the Professor himself mounting the table in hot haste, to lead the cheering, & waving his spectacles in one hand & a spoon in the other.)
Lewis Carroll
To be Kaspar Hauser is to long, at every moment of your dubious existence, with every fiber of your questionable being, not to be Kaspar Hauser. It’s to long to leave yourself completely behind, to vanish from your own sight. Does this surprise you? It is of course what you have taught me to desire. And I am a diligent student. With your help I have furnished myself inside and out. My thoughts are yours. These words are yours. Even my black and bitter tears are yours, for I shed them at the thought of the life I never had, which is to say, your life, ladies and gentlemen of Nuremberg. My deepest wish is not to be an exception. My deepest wish is not to be a curiosity, an object of wonder. It is to be unremarkable. To become you—to sink into you—to merge with you until you cannot tell me from yourselves; to be uninteresting; to be nothing at all; to experience the ecstasy of mediocrity—is it so much to ask? You who have helped me to advance so far, won’t you lead me to the promised land, the tranquil land of the ordinary, the banal, the boring? Not to be Kaspar Hauser, not to be the enigma of Europe, not to be the wild boy in the tower, the man without a childhood, the young man without a youth, the monster born in the middle of his life, but to be you, to be you, to be nothing but you! This is my vision of paradise. And although the very existence of such a vision reveals nothing so much as my distance, which widens into an abyss even as I try to fling myself across, still I am not without hope.
Steven Millhauser (Knife Thrower: And Other Stories)
Queen Lily Ruckler, negotiations have ceased with the Commoner leaders of the world. The time for attempting peace is over. There is no other viable option. Mystical-Commoner World War II has been officially declared. Strike now. My heartfelt regrets, Elder Richard Harcourt.” I lowered the missive while Bonnie jumped onto the table, sitting regally but watching everyone warily in front of where I stood, and I stated, “We’re officially at war. I want to strike Sydney’s defenses within the hour, before they realize what’s happening.” My dead gaze landed on Antonio. I blinked, and then moved on to every gentleman and lady in the room, letting my power touch each of them so that no one would dare argue with me. “I will lead the attack alongside Elder Farrar.” I did. I relished it, my rage finally finding a useful outlet. Surprise, surprise, I fucking finally found something I excelled at. Bloodshed.
Scarlett Dawn (King Hall (Forever Evermore, #1))
Disillusioned words like bullets bark As human gods aim for their marks Made everything from toy guns that sparks To flesh-colored Christs that glow in the dark It's easy to see without looking too far That not much Is really sacred. While preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred-dollar plates Goodness hides behind its gates But even the President of the United States Sometimes must have To stand naked. An' though the rules of the road have been lodged It's only people's games that you got to dodge And it's alright, Ma, I can make it. Advertising signs that con you Into thinking you're the one That can do what's never been done That can win what's never been won Meantime life outside goes on All around you. Although the masters make the rules For the wise men and the fools I got nothing, Ma, to live up to. For them that must obey authority That they do not respect in any degree Who despite their jobs, their destinies Speak jealously of them that are free Cultivate their flowers to be Nothing more than something They invest in. While some on principles baptized To strict party platforms ties Social clubs in drag disguise Outsiders they can freely criticize Tell nothing except who to idolize And then say God Bless him. While one who sings with his tongue on fire Gargles in the rat race choir Bent out of shape from society's pliers Cares not to come up any higher But rather get you down in the hole That he's in. Old lady judges, watch people in pairs Limited in sex, they dare To push fake morals, insult and stare While money doesn't talk, it swears Obscenity, who really cares Propaganda, all is phony. While them that defend what they cannot see With a killer's pride, security It blows the minds most bitterly For them that think death's honesty Won't fall upon them naturally Life sometimes Must get lonely. And if my thought-dreams could been seen They'd probably put my head in a guillotine But it's alright, Ma, it's life, and life only.
Bob Dylan
Some centuries ago they had Raphael and Michael Angelo; now we have Mr. Paul Delaroche, and all because we are progressing. You brag of your Opera houses; ten Opera houses the size of yours could dance a saraband in a Roman amphitheatre. Even Mr. Martin, with his lame tiger and his poor gouty lion, as drowsy as a subscriber to the Gazette, cuts a pretty small figure by the side of a gladiator from antiquity. What are your benefit performances, lasting till two in the morning, compared with those games which lasted a hundred days, with those performances in which real ships fought real battles on a real sea; when thousands of men earnestly carved each other -- turn pale, O heroic Franconi! -- when, the sea having withdrawn, the desert appeared, with its raging tigers and lions, fearful supernumeraries that played but once; when the leading part was played by some robust Dacian or Pannonian athlete, whom it would often have been might difficult to recall at the close of the performance, whose leading lady was some splendid and hungry lioness of Numidia starved for three days? Do you not consider the clown elephant superior to Mlle. Georges? Do you believe Taglioni dances better than did Arbuscula, and Perrot better than Bathyllus? Admirable as is Bocage, I am convinced Roscius could have given him points. Galeria Coppiola played young girls' parts, when over one hundred years old; it is true that the oldest of our leading ladies is scarcely more than sixty, and that Mlle. Mars has not even progressed in that direction. The ancients had three or four thousand gods in whom they believed, and we have but one, in whom we scarcely believe. That is a strange sort of progress. Is not Jupiter worth a good deal more than Don Juan, and is he not a much greater seducer? By my faith, I know not what we have invented, or even wherein we have improved.
Théophile Gautier (Mademoiselle de Maupin)
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
William Makepeace Thackeray (Vanity Fair)
I’ve never quite mastered the art of holding my liquor,” she replied. He watched her root around in her purse a moment, before pulling out a tube of lip balm. As Jonas watched her apply it, he nearly got distracted from her answer. Leaning forward, Jonas murmured, “Can’t hold your liquor, huh?” She replaced the cap and dropped it back into her purse. “Not so much. I tend to get a bit too happy.” His eyebrows shot up and his cock came to full-alert status. Happy--he liked the sound of that. “And that’s a bad thing?” To his utter shock, Deanna blushed. “In my case it is.” Curiosity got the better of him. “Care to explain?” The waiter returned with the check, forcing Jonas to drop the conversation while he fished out his credit card. Once they were alone again, Jonas waited, hoping Deanna would go into more detail. She didn’t disappoint him. “All my inhibitions disappear. It’s not a comfortable feeling for me.” She was killing him. An immediate picture of a carefree Deanna sprang to mind. He liked it a hell of a lot. “Most people enjoy letting it all hang out every once in a while. Taking life too seriously leads to an early grave.” “Maybe, but if I suddenly develop the urge, I’d rather be coherent.” “You don’t like to give up control,” he surmised. She cocked her head to the side, as if unsure how to respond at first. “It’s not that,” she said. “I guess if I’m in the mood to go romping naked through a forest, for example, then I don’t want alcohol to blur the memorable event for me.” She laughed. “I mean, I’d want to remember a crazy moment like that. Wouldn’t you?” No doubt about it, Jonas liked the way the lady’s mind worked. “You had me at ‘running naked’.” Deanna snorted. “You need serious help.
Anne Rainey (Pleasure Bound (Hard to Get, #2))
One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
been thinking about what you said earlier, Nedra, and I agree with you. I don’t think this is terrorism or lady terrorism. Do you know what I think it is?” “I’m dying to know,” said Nedra Feldstein-Delaney. “I think it’s a response to terrorism. From the time we’re little girls, we’re taught to fear the bad man who might get us. We’re terrified of being raped, abused, even killed by the bad man, but the problem is, you can’t tell the good ones from the bad ones, so you have to be wary of them all. We’re told not to go out by ourselves late at night, not to dress a certain way, not to talk to male strangers, not to lead men on. We take self-defense classes, keep our doors locked, carry pepper spray and rape whistles. The fear of men is ingrained in us from girlhood. Isn’t that a form of terrorism?” “For God’s sake, Nola. You’re going to get us both fired,” said Nedra Feldstein-Delaney.
Sarai Walker (Dietland)
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.
F. Scott Fitzgerald (The Stories of F. Scott Fitzgerald)
Well, as for slavery…it is true that I should not like to be one myself, yet Nelson was in favour of it and he said that the country’s shipping would be ruined if the trade were put down. Perhaps it comes more natural if you are black…but come, I remember how you tore that unfortunate scrub Bosville to pieces years ago in Barbados for saying that the slaves liked it – that it was in their masters’ interest to treat them kindly – that doing away with slavery would be shutting the gates of mercy on the negroes. Hey, hey! The strongest language I have ever heard you use. I wonder he did not ask for satisfaction.’ ‘I think I feel more strongly about slavery than anything else, even that vile Buonaparte who is in any case one aspect of it…Bosville…the sanctimonious hypocrite…the silly blackguard with his “gates of mercy”, his soul to the Devil – a mercy that includes chains and whips and branding with a hot iron. Satisfaction. I should have given it him with the utmost good-will: two ounces of lead or a span of sharp steel; though common ratsbane would have been more appropriate.’ ‘Why, Stephen, you are in quite a passion.’ ‘So I am. It is a retrospective passion, sure, but I feel it still. Thinking of that ill-looking flabby ornamented conceited self-complacent ignorant shallow mean-spirited cowardly young shite with absolute power over fifteen hundred blacks makes me fairly tremble even now – it moves me to grossness. I should have kicked him if ladies had not been present.
Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid. Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples. Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something. Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking." Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Wow, this pizza is so good,” I said, swallowing a gooey bite. “It is,” Ben agreed. “But I think Sage needs a little more garlic on his. Piri says he loves the stuff.” “Nice,” I said, nodding. “So what have you guys been doing since we got to the hotel?” Rayna asked. “Playing cribbage,” Ben said. “Ask Sage who won.” “You say that like you never lost a game,” Sage countered. “Not at all. I’m just asking you to inform the ladies who won the most games.” “That would be you,” Sage admitted. “Four out of seven,” Ben crowed, “which is like winning the Stanley Cup of cribbage.” I had no idea what that meant. Ben had to explain that the Stanley Cup is a best-of-seven match. “I prefer soccer,” Sage said. “In the World Cup the preliminary games are just lead-ups to the final. And if Ben would be so kind as to let you know who won our final game…” “Misnomer,” Ben said. “You won the last game we played before dinner, yes, but the final game won’t come until right before we go our separate ways. You let me know when you’re about to head back to South America for good, and I’ll bring out the cards for that match. I’m ready whenever you are.” He said it lightly, but his eyes were steely, and we all picked up on his real message.
Hilary Duff (Elixir (Elixir, #1))
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I was a cottage maiden Hardened by sun and air, Contented with my cottage mates, Not mindful I was fair. Why did a great lord find me out, And praise my flaxen hair? Why did a great lord find me out To fill my heart with care? He lured me to his palace home— Woe's me for joy thereof— 10 To lead a shameless shameful life, His plaything and his love. He wore me like a silken knot, He changed me like a glove; So now I moan, an unclean thing, Who might have been a dove. O Lady Kate, my cousin Kate, You grew more fair than I: He saw you at your father's gate, Chose you, and cast me by. 20 He watched your steps along the lane, Your work among the rye; He lifted you from mean estate To sit with him on high. Because you were so good and pure He bound you with his ring: The neighbours call you good and pure, Call me an outcast thing. Even so I sit and howl in dust, You sit in gold and sing: 30 Now which of us has tenderer heart? You had the stronger wing. O cousin Kate, my love was true, Your love was writ in sand: If he had fooled not me but you, If you stood where I stand, He'd not have won me with his love Nor bought me with his land; I would have spit into his face And not have taken his hand. 40 Yet I've a gift you have not got, And seem not like to get: For all your clothes and wedding-ring I've little doubt you fret. My fair-haired son, my shame, my pride, Cling closer, closer yet: Your father would give lands for one To wear his coronet.
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
I’d like to go to one,” she said. “It might not be my thing even, but I’d like to go at least once to say I’ve done it. Sometimes I feel cheated. I know it’s selfish, but sometimes I wonder what it would’ve been like if my grandfather didn’t get himself exiled. Who knows, I might have been a lady.” He didn’t have much use for ladies. A lady was someone else’s wife or daughter or sister. They were not real, almost like trophies forever out of his reach. She was real. And strong. She looked about to cry. “Would you like to dance?” Her eyes opened wide. “Are you serious?” Once he learned something, he never forgot it. William took a step forward and executed a perfect deep bow, his left arm out. “Would you do me the honor of dancing with me, Lady Cerise?” She cleared her throat and curtsied, holding imaginary skirts. “Certainly, Lord Bill. But we have no music.” “That’s fine.” He stepped to her, sliding one arm around her waist. She put her hand on his shoulder. Her body touched his, and he spun with her around the attic, light on his feet, leading her. It took her a moment and then she caught his rhythm and followed him. She was flexible and quick, and he kept picturing her naked. “You dance really well, Lord Bill.” “Especially if I have a knife.” She laughed. They circled the attic once, twice, and he brought them to the center of the room, shifting from a quick dance to a smooth swaying. “Why are we slowing down?” she asked. “It’s a slow song.” “Ah.” She leaned against him. They were almost hugging.
Ilona Andrews (Bayou Moon (The Edge, #2))
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Walter Scott (Marmion)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Suppose he really is in love. What about her? She never has anything good to say about him.” “Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?” “As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.” “I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?” But she doesn’t love him…If you’d just give her a chance- “I do not know,” Hetty said with a sigh. “I do not know anything anymore.” “Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.” “Oh?” she said archly. “Have I been stubborn with you?” He gazed down at her. “You haven’t agreed to marry me yet.” Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously. Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…” “Are you worried that I am a fortune hunter?” “Do not be absurd.” “Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.” The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?” His voice lowered. “Because I want to make you mine in every way.” A sweet shiver swept along her spine. “We do not need to marry for that.” “So all you want from me is an affair?” “No! But-“ “I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.” “But at our age, people will say-“ “Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.” She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool. But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering. “I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.” She bit back a smile. Thank God for that.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Ever since I had ceased to see actors solely as the depositories, in their diction and acting ability, of an artistic truth, they had begun to interest me in their own right; with the feeling that I was watching the characters from some old comic novel, I was amused to see the naïve heroine of a play, her attention drawn to the new face of some young duke who had just taken his seat in the theatre, listen abstractedly to the declaration of love the juvenile lead was addressing to her, while he, through the rolling passion of this declaration, was in turn directing an enamoured eye at an old lady seated in a stage box, whose magnificent pearls had caught his interest; and in this way, largely owing to what Saint-Loup had told me about the private lives of actors, I saw another drama, silent but telling, being played out beneath the words of the play that was being performed, yet the play itself, however uninspired, was still something that interested me too; for within it I could feel germinating and blossoming for an hour in the glare of the footlights, created out of the agglutination on the face of an actor of another face of grease-paint and pasteboard, and on his individual soul the words of a part, the ephemeral and spirited personalities, captivating too, who form the cast of a play, whom one loves, admires, pities, whom one would like to meet again after the play is over, but who by that time have already disintegrated into the actors who are no longer what they were in their roles, into a script which no longer shows the actors’ faces, into a coloured powder that can be wiped off by a handkerchief, who have reverted, in a word, to elements that contain nothing of them, because their dissolution is complete as soon as the play has ended, and this, like the dissolution of a loved one, causes one to doubt the reality of the self and to meditate on the mystery of death.
Marcel Proust (The Guermantes Way)
Imagine you're sitting having dinner in a restaurant. At some point during the meal, your companion leans over and whispers that they've spotted Lady Gaga eating at the table opposite. Before having a look for yourself, you'll no doubt have some sense of how much you believe your friends theory. You'll take into account all of your prior knowledge: perhaps the quality of the establishment, the distance you are from Gaga's home in Malibu, your friend's eyesight. That sort of thing. If pushed, it's a belief that you could put a number on. A probability of sorts. As you turn to look at the woman, you'll automatically use each piece of evidence in front of you to update your belief in your friend's hypothesis Perhaps the platinum-blonde hair is consistent with what you would expect from Gaga, so your belief goes up. But the fact that she's sitting on her own with no bodyguards isn't, so your belief goes down. The point is, each new observations adds to your overall assessment. This is all Bayes' theorem does: offers a systematic way to update your belief in a hypothesis on the basis of the evidence. It accepts that you can't ever be completely certain about the theory you are considering, but allows you to make a best guess from the information available. So, once you realize the woman at the table opposite is wearing a dress made of meat -- a fashion choice that you're unlikely to chance up on in the non-Gaga population -- that might be enough to tip your belief over the threshold and lead you to conclude that it is indeed Lady Gaga in the restaurant. But Bayes' theorem isn't just an equation for the way humans already make decisions. It's much more important that that. To quote Sharon Bertsch McGrayne, author of The Theory That Would Not Die: 'Bayes runs counter to the deeply held conviction that modern science requires objectivity and precision. By providing a mechanism to measure your belief in something, Bayes allows you to draw sensible conclusions from sketchy observations, from messy, incomplete and approximate data -- even from ignorance.
Hannah Fry (Hello World: Being Human in the Age of Algorithms)
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))