Blood Axes Quotes

Once again, you show all the sensitivity of a blunt axe.

I would rather die than betray his trust." "That's not saying much, seeing as you're already dead," Ron observed. "Once again, you show all the sensitivity of a blunt axe," said Nearly Headless Nick in affronted tones.

THERE were two “Reigns of Terror,” if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the “horrors” of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror—that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.

Every poem is a coat of arms. It must be deciphered. How much blood, how many tears in exchange for these axes, these muzzles, these unicorns, these torches, these towers, these martlets, these seedlings of stars and these fields of blue!

Last of all Hurin stood alone. Then he cast aside his shield, and wielded an axe two-handed; and it is sung that the axe smoked in the black blood of the troll-guard of Gothmog until it withered, and each time that he slew Hurin cried: 'Aure entuluva! Day shall come again!' Seventy times he uttered that cry; but they took him at last alive...

Nadir we, youth born, axe wielders, blood letters, victors still.

Axes bit wood into pieces and hammers nailed it back together. Humans could never accept the world as it was and live in it. They were always breaking it and living amongst the shattered pieces.

An axe without a blade is just a stick.

I want to live forever in a land where summer lasts a thousand years. I want a castle in the clouds where I can look down over the world. I want to be six-and-twenty again. When I was six-and-twenty I could fight all day and fuck all night. What men want does not matter. Winter is almost upon us, boy. And winter is death. I would sooner my men die fighting for the Ned's little girl than alone and hungry in the snow, weeping tears that freeze upon their cheeks. No one sings songs of men who die like that. As for me, I am old. This will be my last winter. Let me bathe in Bolton blood before I die. I want to feel it spatter across my face when my axe bites deep into a Bolton skull. I want to lick it off my lips and die with the taste of it on my tongue.

Zeth’s chest is heaving, too. And he’s wearing that wicked smirk again. Holy fuck, I don’t care if he’s dangerous. I don’t care if he’s an axe murderer. I’m never letting him leave this house.

She would roll up her sleeves and dispense with sentimentality, and do whatever blood-soaked, bad-smelling thing had to be done. She would become adept with axes.

Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.

Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf’s blizzard. The Time of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt: Tedd Deireádh, the Time of End. The world will die amidst frost and be reborn with the new sun. It will be reborn of the Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which will not sprout but will burst into flame. Ess’tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first the earth will flow with the blood of Aen Seidhe, the Blood of Elves… Aen Ithlinnespeath, Ithlinne Aegli aep Aevenien’s prophecy

At last Fingon stood alone with his guard dead about him; and he fought with Gothmog, until another Balrog came behind and cast a thong of fire about him. Then Gothmog hewed him with his black axe, and a white flame sprang up from the helm of Fingon as it was cloven. Thus fell the High King of the Noldor; and they beat him into the dust with their maces; and his banner, blue and silver, they trod into the mire of his blood.

He had outlived the luxurious agonies of youthful blood, and in this very freedom from illusion he recognised the loss of something. From now on, every hour of light-heartedness would be, not a prerogative but an achievement - one more axe or case-bottle or fowling-piece, rescued, Crusoe-fashion, from a sinking ship.

He'd heard of elvenblossom wine. It was known for its stultifying bouquet of fruit blossoms and the battle-axe power of its alcohol content. Only those of elven blood could stomach the sweet stuff, he'd heard, and it was the alcoholic equivalent of being kicked in the head by a centaur.

Men do not relish the shield wall. They do not rush to death's embrace. You look ahead and see the overlapping shields, the helmets, the glint of axes and spears and swords, and you know you must go into the reach of those blades, into the place of death, and it takes time to summon the courage, to heat the blood, to let the madness overtake caution.

And he’s wearing that wicked smirk again. Holy fuck, I don’t care if he’s dangerous. I don’t care if he’s an axe murderer. I’m never letting him leave this house.

This was not Hatch, her constant companion through the mouse hole. Nor was this the man who had methodically rescued her from a burning building. This was Hatcher, the murderer with the axe, the man who had been found covered in blood and surrounded by bodies.

A battle in the shield wall. It's smelling your enemy's breath while he tries to disembowel you with an axe, it's blood and shit and screams and pain and terror. It's trampling in your friends' guts as enemies butcher them. It's men clenching their teeth so hard they shatter them. Have you ever been in a battle?

There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; “great men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner.

Life is overwhelming life, Sound is melting, bit by bit, Something’s off, I feel deprived, With no time to harp on it. Life was better, was it not? No comparing, anyway, How you rustled once, my blood, - How you’re rustling today. It appears that one must pay For the movement of the lips, And the tree-tops freely sway As the axe awaits, eclipsed.

Meantime the clang of the bows and the shouts of the combatants mixed fearfully with the sound of the trumpets, and drowned the groans of those who fell, and lay rolling defenceless beneath the feet of the horses. The splendid armour of the combatants was now defaced with dust and blood, and gave way at every stroke of the sword and battle-axe. The gay plumage, shorn from the crests, drifted upon the breeze like snowflakes. All that was beautiful in the martial array had disappeared, and what was now visibke was only calculated to awaken terror or compassion.

Judging from the array of swords and axes and daggers and bows and other implements of killing and dismemberment that they carried around, she gathered that manual dexterity was an imperative. The better to kill you with, my dears.

Come,” he whispered. They all were welcome. They scattered for the racks, seizing their spiked swords, and their sharp axes, and the Bloody-Nine laughed to watch them. Armed or not, their death was a thing already decided. It was written into the cavern in lines of fire and lines of shadow. Now he would write it in lines of blood. “Die!” he roared, and the blade made circles, savage and beautiful, the letter on the metal burning red and leaving bright trails behind. And where the circles passed everything would be made right. The Shanka would scream and gibber, and the pieces of them would scatter, and they would be sliced and divided as neatly as meat on the butcher’s block The Bloody-Nine showed his teeth, and smiled to be free, and to see the good work done so well. He knocked a barbed sword from a Flathead’s hand, seized it by the scruff of the neck and forced its face down into the channel where the molten steel flowed, furious yellow, and its head hissed and bubbled, shooting out stinking steam. “Burn!” laughed the Bloody-Nine, and the ruined corpses, and their gaping wounds, and their fallen weapons, and the boiling bright iron laughed with him. Only the Shanka did not laugh. They knew their hour was come.

Like lightning she snatched her axe, and struck him on the neck - deep - once - twice - his life-blood gushed out, staining her feet. The stars touched midnight.

Once again, you show all the sensitivity of a blunt axe,’ said Nearly Headless Nick in affronted tones,

Hack away..." the old man raised the axe and split the head of John Glannon to the thrapple.

Axe…I think I’m falling in love with you.” —

Axe saved my life….” That was the last thing Rhage said before he went nighty-night. —

The Viking gods didn't whittle you with an axe. You are no hydraulic statue, telephone exchange or computer. You came, kicking and screaming, out of a pulsating, blood-red womb.

Can a split quill write fair script? Can a blunt axe cut wood for the fire? Can a cripple please a lady?

you will never inherit my stone axe; but you leave me the legacy of your skull, from which I may henceforth drink sea-water and the blood of men.

Will you two cut the shit and get a room already," Axe drawled. "No offense, but rom coms make me sick." "This is not a romantic comedy," Novo ground out. "It's a murder mystery with an obvious ending.

They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. […] They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry

Good God! Can it be, can it be, that I shall really take an axe, that I shall strike her on the head, split her skull open … that I shall tread in the sticky warm blood, break the lock, steal and tremble; hide, all spattered in the blood … with the axe … Good God, can it be?

Dothraki hooves had torn the earth and trampled the rye and lentils into the ground, while arakhs and arrows had sown a terrible new crop and watered it with blood. Dying horses lifted their heads and screamed at her as she rode past. Wounded men moaned and prayed. Jaqqa rhan moved among them, the mercy men with their heavy axes, taking a harvest of heads from the dead and dying alike. After them would scurry a flock of small girls, pulling arrows from the corpses to fill their baskets. Last of all the dogs would come sniffing, lean and hungry, the feral pack that was never far behind the khalasar.

At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap

This is the problem with lying, Axe. You do it once, and the other person has no idea what else you’ve been untruthful about. I come from a family of lies and silence. I can’t go into that shadow world with someone I’m intimate with. Moreover, I won’t do it. I told you in the beginning, honesty is the most important thing

We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls youe arm out of your hand and begins to hit you with it...

We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls your arm out of your hand and begins to hit you with it...

And for the real noble a whole private dialect is set apart. The common names for an axe, for blood, for bamboo, a bamboo knife, a pig, food, entrails, and an oven are taboo in his presence, as the common names for a bug and for many offices and members of the body are taboo in the drawing-rooms of English ladies. Special words are set apart for his leg, his face, his hair, his belly, his eyelids, his son, his daughter, his wife, his wife's pregnancy, his wife's adultery, adultery with his wife, his dwelling, his spear, his comb, his sleep, his dreams, his anger, the mutual anger of several chiefs, his food, his pleasure in eating, the food and eating of his pigeons, his ulcers, his cough, his sickness, his recovery, his death, his being carried on a bier, the exhumation of his bones, and his skull after death. To address these demigods is quite a branch of knowledge, and he who goes to visit a high chief does well to make sure of the competence of his interpreter. To complete the picture, the same word signifies the watching of a virgin and the warding of a chief; and the same word means to cherish a chief and to fondle a favourite child.

I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.

Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena "He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo "Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants." Bethany/Athena Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night-

A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!

Maybe she would grow cunning, up here on the farm. Maybe she would absorb some of the darkness, which might not be darkness at all but only knowledge. She would turn into a woman others came to for advice. She would be called in emergencies. She would roll up her sleeves and dispense with sentimentality, and do whatever blood-soaked, bad-smelling thing had to be done. She would become adept with axes.

One story clearly illustrates Anne Bonny's particular mix of comedy and ingenuity. She'd heard of a French Merchantman, loaded down with silks and satins, and decided to attack it. Her plan was quite nuts. She got the crew to smear the sails and the deck of the ship with turtle blood, covered most of the crew with the same blood, dressed one of Bouspeut’s dressmaker dummies in women’s clothing and stood it in the bow of the ship, likewise splashed with blood, and positioned the crew around it like corpses. She then lobbed her tits out and, brandishing a blood-soaked boarding axe, stood quite still over this horrific scene as they sailed out to meet the Merchantman. Sailors are profoundly superstitious and once the Frenchmen caught sight of this demonic ship with the bare-breasted maniac lit by a raging moon, the Frenchmen were so repelled that they gave up without a fight. What theatre!

Under cover of darkness on 22 January 1961 two Belgian brothers, with connections to the Belgian security forces, returned and exhumed the body for a second time. They used a hacksaw and an axe to dismember the decomposing corpse, before dissolving the remains in a 200-litre petrol drum filled with sulphuric acid taken from a nearby copper-processing plant. One of the brothers later admitted he used pliers to remove two of Lumumba’s teeth as souvenirs.

There were more dead in the courtyard, piled deeper around the steps to the hall, bodies twisted together, hacked and mutilated. And on the steps in the midst of it all sat a woman. She was gore-drenched, red with blood from her head to her boots, a long-axe lying across her lap. An ugly creature was perched upon her shoulder, with a nasty-looking sting on its tail, and another vaesen sat on the steps before the woman. It was small, with sharp claws and a half-spear in its tiny, slim-fingered hand. A tennúr. It had a mound of what looked like bloodcovered nuts piled at its feet and was crunching on one of them as it looked at Varg. A shiver of revulsion passed through Varg as he realised they weren’t nuts: they were human teeth. And he didn’t like the way the tennúr’s gaze fixed for a long moment upon his own mouth. The two vaesen regarded Glornir and the Bloodsworn with suspicious, violent eyes. Sitting around the woman’s legs were children, maybe twelve or fifteen of them. They were the only things in the area not spattered in blood. They didn’t seem to be scared of the woman, which Varg found strange, as his blood was tingling, and he felt the ripples of fear and danger pulsing off her. If he had hackles like Edel’s wolfhounds, they would have been standing stiff and straight. Ahead of him Varg heard Glornir gasp a breath. The woman looked up at them as they approached, her eyes fixing on Glornir. Varg saw recognition dawn in them. “He’s not here,” the woman said, shaking her head, “he’s not here.” The pain in her voice was palpable. Tears had streaked clean lines through the blood and gore and fragments of bone that were thick on her cheeks. Glornir reined in his horse and slipped from his saddle, then walked a few steps towards her and stopped. “Orka Skullsplitter,” he whispered. The woman stood. “My brother?” Glornir asked. “They killed him and took my son,” she said, fresh tears rolling down her cheeks. Glornir walked up to her and spread his arms wide, pulling her into an embrace.

A MADMAN’S MANUSCRIPT ‘Yes! — a madman’s! How that word would have struck to my heart, many years ago! How it would have roused the terror that used to come upon me sometimes, sending the blood hissing and tingling through my veins, till the cold dew of fear stood in large drops upon my skin, and my knees knocked together with fright! I like it now though. It’s a fine name. Show me the monarch whose angry frown was ever feared like the glare of a madman’s eye — whose cord and axe were ever half so sure as a madman’s gripe. Ho! ho! It’s a grand thing to be mad! to be peeped at like a wild lion through the iron bars — to gnash one’s teeth and howl, through the long still night, to the merry ring of a heavy chain and to roll and twine among the straw, transported with such brave music. Hurrah for the madhouse! Oh, it’s a rare place!

And here were these freemen assembled in the early morning to work on their lord the bishop's road three days each—gratis; every head of a family, and every son of a family, three days each, gratis, and a day or so added for their servants.  Why, it was like reading about France and the French, before the ever memorable and blessed Revolution, which swept a thousand years of such villany away in one swift tidal-wave of blood—one:  a settlement of that hoary debt in the proportion of half a drop of blood for each hogshead of it that had been pressed by slow tortures out of that people in the weary stretch of ten centuries of wrong and shame and misery the like of which was not to be mated but in hell. There were two "Reigns of Terror," if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the "horrors" of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break?  What is swift death by lightning compared with death by slow fire at the stake?  A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror—that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.

You think this is the end?” He looked at his hands. “The end of what?” “The end of everything. The Riki. The Aska.” The words hung in the air over us, burning in the fire. “Is that what you think?” “No. I think you’ll convince them.” The stillness of the night turned to something fragile, threatening to break. Because I wasn’t sure. “How do you know?” He smiled at the corner of his mouth. “Because you have fire in your blood.” It was what Inge said about me the night I watched them from the loft and he told Halvard I was dangerous. “Do you trust me, Fiske?” “I’m here, aren’t I?” The memory of his lips on mine came flooding back. His hands finding me in the dark, pulling me across the stone. I fisted my hands, resisting the urge to touch him. “And if the Aska do join the Riki and together we defeat the Herja? What then?” He reached into the fire with his axe, knocking a log closer to the flames. “Then things change.” “What things?” He leaned back against the tree, his eyes running over my face, and his voice softened. “Everything.

They say that if you feel you don’t have fifteen minutes to meditate each day, then you need to do an hour. I’m sure it would do me no harm at all, but I’ve never been much of a man for sitting cross-legged, focusing on my breath. Instead, I prefer to whittle. Whittling is a form of practical meditation, which pre-dates the Buddhist and Hindu civilisations. It’s as simple as it gets. To make a tablespoon you take a branch – I prefer green birch, but holly, beech, maple and cherry can work well. Avoid softwoods. Saw it to length, axe it in half, draw out the shape of the spoon you’re aiming for, and start whittling it away with a small carving knife. Your knife, along with your sense of awareness, needs to be sharp. Drift away in your thoughts, worries or daydreams for one moment and, if you’re lucky, you’ll shave off a sliver of wood that may take you twenty minutes to correct; in the final stages you may not be able to correct it at all. If you’re unlucky, you may shave off a sliver of flesh from your finger that may take a week or two to correct itself. Nothing focuses the mind better than blood, or the thought of showing the woman you love an ugly, impractical spoon.

Victor said, ‘I’m going to take this axe and I’m going to hack off one of your hands. The blade is dull and I couldn’t find a whetstone so it might take a couple of blows to do the job, so you’ll need to be patient. The pain and the fear will be like nothing you’ve ever experienced, but the horror of watching the stump where your wrist used to be spray blood everywhere is going to be like nothing you can even imagine. At that point you won’t be worried by what your employers might do to you. You’ll bleed to death in about two minutes. Which is why I’m telling you now: don’t forget the stove. When I sever your hand, you’re going to be free of that post. It’s only 20 feet to that stove, but it’s going to feel like a mile. Focus on it now, because you’re going to be in shock. When you cauterise the wound against the cast iron, you’re probably going to pass out, but I’ll wake you up again. If your heart stops, I’ll use the epinephrine you brought to bring you back. If you don’t talk to me then, if you don’t give what I want to know about your employers, I’ll take your other hand. After that, I’ll start improvising. Are you ready?’ Niven’s gaze flicked between the axe and Victor’s eyes. ‘You… you can’t be serious.’ Victor raised the axe.

Towards the end of September the officers went to a man in prison, whom they found quietly playing at cards, and gave him notice that he was to die in two hours. The wretched creature was horror-struck; for, during the six months he had been forgotten, he had no longer thought on death; he was confessed, bound, his hair cut off, he was placed in the fatal cart, and taken to the place of execution; the executioner took him from the priest; laid him down and on the see-saw, put him in the oven, to use slang, and then let loose the axe. The heavy triangle of iron slowly detached itself, falling by jerks down the slides, until, horrible to relate, it gashed the man, but without killing him! The poor creature uttered a frightful cry. The disconcerted executioner hauled up the axe, and let it slide down again. A second time, the neck of the malefactor was cut, without being severed. Again he shrieked, the crowd joining him. The executioner raised the axe a third time, hoping to do better at the third stroke, but, no! The third stroke only started a third stream of blood on the prisoner’s neck, but the head did not fall. Let us cut short these fearful details. Five times the axe was raised and let fall, and after the fifth stroke, the condemned was still shrieking for mercy.

In addition to these international climbers, we were supported by a climbing team of Nepalese Sherpas, led by their Sirdar boss, Kami. Raised in the lower Himalayan foothills, these Sherpas know Everest better than anyone. Many had climbed on the mountain for years, assisting expeditions by carrying food, oxygen, extra tents, and supplies to stock the higher camps. As climbers, we would each carry substantial-sized packs every day on Everest, laden with food, water, cooker, gas canisters, sleeping bag, roll mat, head torch, batteries, mittens, gloves, hat, down jacket, crampons, multitool, rope, and ice axes. The Sherpas would then add an extra sack of rice or two oxygen tanks to that standard load. Their strength was extraordinary, and their pride was in their ability to help transport those life-giving necessities that normal climbers could not carry for themselves. It is why the Sherpas are, without doubt, the real heroes on Everest. Born and brought up at around twelve thousand feet, altitude is literally in their blood. Yet up high, above twenty-five thousand feet, even the Sherpas start to slow, the way everyone, gradually and inevitably, does. Reduced to a slow, agonizing, lung-splitting crawl. Two paces, then a rest. Two paces, then a rest. It is known as the “Everest shuffle.

O my land! O my love! What a woe, and how deep, Is thy death to my long mourning soul! God alone, God above, Can awake thee from sleep, Can release thee from bondage and dole! Alas, alas, and alas! For the once proud people of Banba! As a tree in its prime, Which the axe layeth low, Didst thou fall, O unfortunate land! Not by time, nor thy crime, Came the shock and the blow. They were given by a false felon hand! Alas, alas, and alas! For the once proud people of Banba! O, my grief of all griefs Is to see how thy throne Is usurped, whilst thyself art in thrall! Other lands have their chiefs, Have their kings, thou alone Art a wife, yet a widow withal! Alas, alas, and alas! For the once proud people of Banba! The high house of O’Neill Is gone down to the dust, The O’Brien is clanless and banned; And the steel, the red steel May no more be the trust Of the Faithful and Brave in the land! Alas, alas, and alas! For the once proud people of Banba! True, alas! Wrong and Wrath Were of old all too rife. Deeds were done which no good man admires And perchance Heaven hath Chastened us for the strife And the blood-shedding ways of our sires! Alas, alas, and alas! For the once proud people of Banba! But, no more! This our doom, While our hearts yet are warm, Let us not over weakly deplore! For the hour soon may loom When the Lord’s mighty hand Shall be raised for our rescue once more! And all our grief shall be turned into joy For the still proud people of Banba!

The church has never lacked valiant men. On August 15, 1714, the Romanian king Constantin Brincoveanu died a martyr’s death. During the twenty-five years of his reign, he had been a valiant defender of the Christian world against Islam. On Good Friday in 1714, he and his whole household were arrested by the Turkish sultan’s men and taken to Constantinople, where they were put in the notorious Yedikule prison. On his sixtieth birthday, King Brincoveanu was sentenced to death together with his four sons. Before the executioner raised his axe, the sultan said, “I will pardon you if you tell me where the wealth of your country is and if you will deny the Christian faith and convert to Islam.” King Brincoveanu replied: “I will never abandon the Christian faith. I was born in it, have lived in it, and will die in it. I have filled my country with churches, monasteries and hospitals. I will not worship in your mosques, neither I nor my children.” Then he turned to his sons and said: “My beloved, be strong in faith. We have lost all things. Let us not lose our souls as well.” The sultan ordered that the sons should die first. Young Constantin prayed and quietly put his head on the block. As he was beheaded, his father sighed and said, “God, Your will be done.” The next two sons followed. Then Matthew, who was only sixteen, wavered at the sight of the blood and hid himself near his mother. “Follow your brothers,” urged King Brincovaneau. “Do not deny Christ.” The youngster put his head on the block and said to the executioner, “Strike.” The king followed them. Kneeling, he prayed with many tears: “God, accept our sacrifice. For the blood of our martyrdom, I desire that the Romanian principates remain Christian. Amen.

By force-marching his exhausted men through the unknown, rain-swept wilderness of the German-infested Teutoburg Forest, this guy had just made a brain-explodingly boneheaded mistake so amazing in its incompetence that it makes the Roman consuls at Cannae look like a conjoined triplet made out of Napoleon Bonaparte, Alexander the Great, and that dude from Total Recall who had the baby coming out of his stomach. In terms of career moves, marching three legions into the Teutoberg was the Classical Age equivalent of coauthoring an academic paper with the Unabomber or asking Charles Manson to write you a letter of recommendation for law school. Unsurprisingly, this came back to bite him in the ass. We don’t know exactly how many Germans were hiding in the woods, watching the column of imperial invaders trudge past. The Germans didn’t bother to write anything down more detailed than “killed sum d00ds 2day lulz,” and the only Romans who managed to run screaming out of this forest alive were the ones who knew better than to sit there and try to count how many GWAR fans were currently trying to brutally dismember them with axes. Let’s just say it was probably a crapload, and that when these long-haired death metal freaks unleashed a bloodcurdling shout and started charging through the forest like a bunch of gigantic mutant Ewok-Wookies ambushing the Imperial Stormtroopers on the Forest Moon of Endor it wasn’t exactly the sort of hilarious laugh riot you might see in an animated GIF involving unicorns, rainbows, and cartoon kitties with Pop-Tarts where their bodies are supposed to be. Bellowing like madmen, these balls-out, frothing-at-the-mouth, beer-swilling sausage fiends went Leeroy Jenkins toward the enemy, blitzkrieging out of the woods from every side seemingly at the same time, their ferociousness magnified not only by their savage blood rage, but by the fact that some of the dudes had taken to painting their entire bodies black with mud to help them hide in the dark forest like how Schwarzenegger hid from the Predator’s infrared vision. It was so damned terrifying that it took every ounce of Roman discipline to not simply spontaneously combust into blood vapor on the spot.

We wanted to hear about the Bjornmen,” Erinn said firmly as Kainen and Devin nodded in agreement. “Ah... the wolves of the sea, come to ravage and burn the homes of, fat. Lazy. Farmers.” he said, raising his voice at the last and looking pointedly at the rotund farmer in the corner. “From their frozen storm-lashed coasts they come, sailing in their galleys with fearsome figureheads the sight of which strikes fear into all that behold them. It's said that the first you know of their coming is the muffled drumbeat of the oarsmaster and then they are among you. Torches fly into thatch and blood runs down the streets as they hew through flesh and bone with their axes and swords. They come to pillage and burn young mistress, and to take pretty little red-haired blacksmiths' daughters back to their ships,” he cackled again, joined this time by the farmers from the corner who were clearly listening in.

Today was the day to win again, Javlei held his axe in hand he had killed many people with it he didn't care that he had blood on his hands. He had won the STEDFARST races every year so far by being ruthless butchering other racers as he went.

The tension in the room had reached breaking point when at last he swung his axe. It smashed into Mary’s head. Some thought they heard a cry. A second stroke almost severed the neck. The axe was then used like a cleaver on a chicken wing to cut it free. As the head fell the executioner raised it up, with the shout ‘God save the queen’, only to have it drop out of his hand leaving him clutching her chestnut wig. It had been severed from its moorings by the botched strike of the axe. As Shrewsbury wept, the executioners began to tear the dead queen’s stockings from her corpse. In was a perk of the job to be allowed to keep or sell their victim’s clothes. Their action disturbed her little dog, hidden under her skirts. Covered with blood, it rushed up and down the body, howling plaintively.16

The saga teems with life and action, with memorable and complex characters from the heroic Gunnar of Hlidarendi, a warrior without equal who dislikes killing, to the villainous, insinuating Mord Valgardsson, who turns out to be less dastardly than we first expect. Unforgettable events include Skarphedin’s head-splitting axe blow as he glides past his opponent on an icy river bank, or Hildigunn’s provoking of her uncle to seek blood revenge by placing on his shoulders the blood-clotted cloak in which her husband was slain... Just as in the Norse poem Völuspá (‘The Seeress’s Prophecy’) the gods met their doom (no mere twilight) at the hands of brute giants and monsters, after which a new and peaceful earth arose, so do the terrible events of Njal’s Saga lead finally and at great cost to a dignified resolution bearing the promise of a better time. (Robert Cook(

Speed, Ciri, not strength. Strength is necessary for a lumberjack axing trees in a forest. That’s why, admittedly, girls are rarely lumberjacks. Have you got that?

To successfully launch a product, generic drug companies must tread in reverse through this obstacle course. Once a generic company zeroes in on a molecule, and its scientists figure out how it operates in the body, its lawyers get to work to establish how well protected it is legally. The next step takes place in the laboratory: developing the active pharmaceutical ingredient by synthesizing it into ingredient form. That alone can take several years of trial and error. Once successful, the finished generic has to take the same form as the brand, whether that be pill, capsule, tablet, or injection. Formulating it requires additional ingredients known as excipients, which can be different, but might also be litigated. Then comes testing. In the lab, the in-vitro tests replicate conditions in the body. During dissolution tests, for example, the drug will be put in beakers whose contents mimic stomach conditions, to see how the drugs break down. But some of the most important tests are in-vivo—when the drug is tested on people. Brand-name companies must test new drugs on thousands of patients to prove that they are safe and effective. Generic companies have to prove only that their drug performs similarly in the body to the brand-name drug. To do this, they must test it on a few dozen healthy volunteers and map the concentration of the drug in their blood. The results yield a graph that contains the all-important bioequivalence curve. The horizontal line reflects the time to maximum concentration (Tmax) of drug in the blood. The vertical line reflects the peak concentration (Cmax) of drug in the blood. Between these two axes lies the area under the curve (AUC). The test results must fall in that area to be deemed bioequivalent. Every batch of drugs has variation. Even brand-name drugs made in the same laboratory under the exact same conditions will have some batch-to-batch differences. So, in 1992, the FDA created a complex statistical formula that defined bioequivalence as a range—a generic drug’s concentration in the blood could not fall below 80 percent or rise above 125 percent of the brand name’s concentration. But the formula also required companies to impose a 90 percent confidence interval on their testing, to ensure that less than 20 percent of samples would fall outside the designated range and far more would land within a closer range to the innovator product.

The gods always smiled on Watt, though. When the wildlings knocked him off the Bridge of Skulls, somehow he landed in a nice deep pool of water. How lucky was that, missing all those rocks?” “Was it a long fall?” Grenn wanted to know. “Did landing in the pool of water save his life?” “No,” said Dolorous Edd. “He was dead already, from that axe in his head. Still, it was pretty lucky, missing the rocks.

The murderers are loose! They search the world All through the night, oh God, all through the night! To find the fire kindled in me now, This child so like a light, so still and mild. They want to put it out. Like pouring ink Their shadows seep from angled walls; Like scrawny cats they scuttle Timidly across the footworn steps. And I am shackled to my bed With grating chains all gnawed with rust That weigh upon me, pitiless and strong. And bite raw wounds into my helpless arms. The murderer has come! He wears a hat, A broad-brimmed hat with towering pointed peak; Upon his chin sprout tiny golden flames That dance across my body; it is good… His huge nose sniffs about and stretches out Into a tentacle that wriggles like a rope. Out of his fingernails crawl yellow maggots, Saffron seeds that sprinkle down on me Into my hair and eyes. The tentacle Gropes for my breasts, at rose-brown nipples, And I see its white flesh twist into the blackness; Something sinks upon me, sighs and presses— I can’t go on…I can’t…Oh let the blade strike down Like a monstrous tooth that flashes from the sky! Oh crush me! There, where blood-drops fly, Can you hear it cry, can you hear it? “Mother!” Oh the stillness… In my womb: the axe. From either side of it break forks of flame. They meet and fold together now: My child. Of dark green bronze, so stern and grave.

Axe’s erection was instantaneous, and he kept himself facing her as it rose. Even

He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons. They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down. He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots. But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one. Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.

Mammoth columns were rooted in the flagstones and the sawdust. Arches flew in broad hoops from capital to capital; crossing in diagonals, they groined the barrel-vaults that hung dimly above the smoke. The place should have been lit by pine-torches in stanchions. It was beginning to change, turning now, under my clouding glance, into the scenery for some terrible Germanic saga, where snow vanished under the breath of dragons whose red-hot blood thawed sword-blades like icicles. It was a place for battle-axes and bloodshed and the last pages of the Nibelungenlied when the capital of Hunland is in flames and everybody in the castle hacked to bits. Things grew quickly darker and more fluid; the echo, the splash, the boom and the road of fast currents sunk this beer-hall under the Rhine-bed; it became a cavern full of more dragons, misshapen guardians of gross treasure; or the fearful abode, perhaps, where Beowulf, after tearing the Grendel's arm out of its socket, tracked him over the snow by the bloodstains and, reaching the mere's edge, dived in to swim many fathoms down and slay his loathsome water-hag of a mother in darkening spirals of gore.

Bury him with it,” she said firmly. “He drew blood, it was a warrior’s death.” “That’s going to be up to his family…” Hawk said hesitantly. “Talk to them. He’s earned his blade, let him keep it.” Norton snorted softly, “A fire axe isn’t exactly a heroic weapon.

I turn it off. I try to relax. I take a deep breath. But I can’t get that scene out of my mind where that poor kid who is sitting up late all by himself watching a horror movie suddenly has a group of blood-sucking axe-wielding freaks

Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.

Harry Potter knows that he can confide in me with complete confidence,’ I told them. ‘I would rather die than betray his trust.’” “That’s not saying much, seeing as you’re already dead,” Ron observed. “Once again, you show all the sensitivity of a blunt axe,” said Nearly Headless Nick in affronted tones,

These are not the familiar vessels now floating in the harbour, raised up by the tide. These are larger, much larger, and driving through the water, dragon-prowed, square-sailed, sailing towards us. ‘Ships,’ is all I can say to my brothers. Men are moving on the decks, axes in their hands. In my mind’s eye: whirlwinds, flames and dragons on the waves. An altar running with blood.

Sigtryggr held out a hand to pull me from the ditch. His one eye was bright with the same joy I had seen on Ceaster’s ramparts. ‘I would not want you as an enemy, Lord Uhtred,’ he said. ‘Then don’t come back, Jarl Sigtryggr,’ I said, clasping his forearm as he clasped mine. ‘I will be back,’ he said, ‘because you will want me to come back.’ ‘I will?’ He turned his head to gaze at his ships. One ship was close to the shore, held there by a mooring line tied to a stake. The prow of the ship had a great dragon painted white and in the dragon’s claw was a red axe. The ship waited for Sigtryggr, but close to it, standing where the grass turned to the river bank’s mud, was Stiorra. Her maid, Hella, was already aboard the dragon-ship. Æthelflaed had been watching Eardwulf’s death, but now saw Stiorra by the grounded ship. She frowned, not sure she understood what she saw. ‘Lord Uhtred?’ ‘My lady?’ ‘Your daughter,’ she began, but did not know what to say. ‘I will deal with my daughter,’ I said grimly. ‘Finan?’ My son and Finan were both staring at me, wondering what I would do. ‘Finan?’ I called. ‘Lord?’ ‘Kill that scum,’ I jerked my head towards Eardwulf’s followers, then I took Sigtryggr by the elbow and walked him towards his ship. ‘Lord Uhtred!’ Æthelflaed called again, sharper this time. I waved a dismissive hand, and otherwise ignored her. ‘I thought she disliked you,’ I said to Sigtryggr. ‘We meant you to think that.’ ‘You don’t know her,’ I said. ‘You knew her mother when you met her?’ ‘This is madness,’ I said. ‘And you are famous for your good sense, lord.’ Stiorra waited for us. She was tense. She stared at me defiantly and said nothing. I felt a lump in my throat and a sting in my eyes. I told myself it was the small smoke drifting from the Norsemen’s abandoned campfires. ‘You’re a fool,’ I told her harshly. ‘I saw,’ she said simply, ‘and I was stricken.’ ‘And so was he?’ I asked, and she just nodded. ‘And the last two nights,’ I asked, ‘after the feasting was over?’ I did not finish the question, but she answered it anyway by nodding again. ‘You are your mother’s daughter,’ I said, and I embraced her, holding her close. ‘But it is my choice whom you marry,’ I went on. I felt her stiffen in my arms, ‘And Lord Æthelhelm wants to marry you.’ I thought she was sobbing, but when I pulled back from the embrace I saw she was laughing. ‘Lord Æthelhelm?’ she asked. ‘You’ll be the richest widow in all Britain,’ I promised her. She still held me, looking up into my face. She smiled, that same smile that had been her mother’s. ‘Father,’ she said, ‘I swear on my life that I will accept the man you choose to be my husband.’ She knew me. She had seen my tears and knew they were not caused by smoke. I leaned forward and kissed her forehead. ‘You will be a peace cow,’ I said, ‘between me and the Norse. And you’re a fool. So am I. And your dowry,’ I spoke louder as I stepped back, ‘is Eardwulf’s money.’ I saw I had smeared her pale linen dress with Eardwulf’s blood. I looked at Sigtryggr. ‘I give her to you,’ I said, ‘so don’t disappoint me.

The House of Fantasy is built of stone and wood and furnished in High Medieval. Its people travel by horse and galley, fight with sword and spell and battle-axe, communicate by palantir or raven, and break bread with elves and dragons. The House of Science Fiction is built of duralloy and plastic and furnished in Faux Future. Its people travel by starship and aircar, fight with nukes and tailored germs, communicate by ansible and laser, and break protein bars with aliens. The House of Horror is built of bone and cobwebs and furnished in Ghastly Gothick. Its people travel only by night, fight with anything that will kill messily, communicate in screams and shrieks and gibbers, and sip blood with vampires and werewolves. The Furniture Rule, I call it. Forget the definitions. Furniture Rules.

The Damned Axe by Stewart Stafford The axe decapitates a head, Society's ills get quickly shed, Can we trust what we don't see? The masked executioner's decree. A death by hacks couldn't be worse, Carnifex of the jingling cutpurse, Blood is spilt to slake the thirst, In the name of God, the law comes first. A pantomime of barbarity, To lose one's head so publicly, And then be held up mockingly, The crowd disperses hastily. © Stewart Stafford, 2023. All rights reserved.

Well, it’s time to hit the hay. Sweet dreams!” I sing right before I plunge the sharp tip of my axe into his chest.

All she loves is her people and power. He should have learned by now to forget about soft things. The world is harsh, and he is a leader of warriors.

He is such an asshole.” “Everyone needs a hobby.” Axe shrugged.”And he clearly likes pissing you off.” “If you tell me to stop encouraging him. I am going to punch you in the junk.” (Novo &Axe talking about Peyton)

Thirty minutes later, panting, he threw the axe; it skidded across the blood-soaked floor. He gathered the chunks of flesh and threw them into several bags. He carted the bags up the stairs and tossed them into the back of his truck. They hit the flatbed with a mushy wet sound.

He begun to tease air through the brass. At first we all just stood there with our axes at the ready, staring at him. Nothing happened. I glanced at Chip, shook my head. But then I begun to hear, like a pinprick on the air--it was that subtle--the voice of a hummingbird singing at a pitch and speed almost beyond hearing. Wasn't like nothing I ever heard before. The kid come in at a strange angle, made the notes glitter like crystal. Pausing, he took a huge breath, started playing a ear-spitting scale that drawn out the invisible phrase he'd just played.

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A cat, owl, woman-girl screeched. Blood ran, water ran, white greyed, red glowed, and a thousand-towered castle rose and fell in stagnant green waters that loomed above scarlet mountains coated with wolves that flew like bats on broomsticks of lightning. An axe fell, guillotine hummed, knife whistled, stake thudded, and Martin smiled, holding out his arms as a road came and went beneath his naked feet. Suns came up, clouds, caves, homes of gingerbread, streets, paths, trails of thorns. There marched dolls with pink pins, men on jackals, and an out-of-step parade passed, parted over him, through him…and he was alone.

Winter is almost upon us, boy. And winter is death. I would sooner my men die fighting for Ned's little girl than alone and hungry in the snow, weeping tears that freeze upon their cheeks. No one sings songs of men who die like that. As for me, I am old. This will be my last winter. Let me bathe in Bolton blood before I die. I want to feel it spatter across my face when my axe bites deep into a Bolton skull. I want to lick it off my lips and die with the taste of it on my tongue.

Mooton’s men swarmed him with swords and spears and axes, dealing him many grievous wounds…yet each blow only seemed to enrage him further.

Gath of Baal stood on a pile of dead bodies working his axe. The surviving nomads surrounded him. Splattered with blood, they mindlessly charged up the bodies of the fallen into the Barbarian’s slashing axe. Bodies and pieces of bodies tumbled in the air, tossed on fountains of blood, and still they charged. Gath was knee-deep in carnage, slipping on bloody chests and heads. Dying men clung to his legs, bit them, struggled with the last of their strength to pull him down into their mire of gore.

She got injun fire in her blood, as I hear tell it, and it seem to me Lucy about ripe to snap a crack in that jumping bean she call a head.

On the shoreline, Inanna’s complexion went pale. It was the one thing she had not anticipated. And it was the one thing that might completely derail her strategy. In the water, Yahipan noticed that the tentacles were not grabbing Nephilim, they were grabbing the Rephaim generals. It was as if the creature were searching only for Rephaim. Before he could move, one of the tentacles wrapped around his body and pulled him into the air. He chopped with a battle axe. But the constriction of the tentacle made him black out. His axe splashed in the water. Bands of Nephilim closer to the launch site tried frantically to paddle back to shore. Numbers, thought Inanna. Chaos cannot possibly keep up with the numbers. Some will get through. She drew a bow and some arrows and started shooting the returning Nephilim. She bellowed, “DESERTION IS TREASON. FORWARD OR DIE!!” The fleeing Nephilim stopped in confusion. They turned back around, to try their luck for the other side. The lake became one big cauldron of churning waters, snapping multiple dragon heads, crushing tentacles and Nephilim blood and body parts. The Nephilim forces were being decimated. But some crossed over and made it to the other side. Inanna and Utu mounted their Anzu and flew overhead to try to assess their losses and help the few who appeared to be close to landing. This sea bitch and her brood are not going to stop me, thought Inanna. If I have to attack it myself, I will.

I kicked back my heels, but all I achieved was to ride out of the panicked mass into the path of the Danes, and all around me men were screaming and the Danish axes and swords were chopping and swinging. The grim work, the blood feast, the song of the blade, they call it.

He unstrapped his axe and swung it around. It was beautiful in a harsh I’m-going-to-gut-you-like-a-fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw. The shaft was about the same height as the Minotaur, bronze wrapped in leather. Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods.

And I, Sheldon Skaggs, declare there’s not an ounce of lies in what you say—and I can tell the lies from the truth because I was there at Sodden. I stood against the Nilfgaard invaders with an axe in my hand …

… This was chronicled in a harsher book and McCaslin, fourteen and fifteen and sixteen, had seen it and the boy himself had inherited it as Noah’s grandchildren had inherited the Flood although they had not been there to see the deluge: that dark corrupt and bloody time while three separate people had tried to adjust not only to one another but to the new land which they had created and inherited too and must live in for the reason that those who had lost it were no less free to quit it than those who had gained it were: – those upon whom freedom and equality had been dumped overnight and without warning or preparation or any training in how to employ it or even just endure it and who misused it not as children would nor yet because they had been so long in bondage and then so suddenly freed, but misused it as human beings always misused freedom, so that he thought Apparently there is a wisdom beyond even that learned through suffiring necessary for a man to distinguish between liberty and license; those who had fought for four years and lost to preserve a condition under which that franchisement was anomaly and paradox, for the old reasons for which man (not the generals and politicians but man) has always fought and died in wars: to preserve a status quo or to establish a better future one to endure for his children; and lastly, as if that were not enough for bitterness and hatred and fear, that third race even more alien to the people whom they resembled in pigment and in whom even the same blood ran, than to the people whom they did not, – that race threefold in one and alien even among themselves save for a single fierce aged Quartermaster lieutenants and Army sutlers and contractors in military blankets and shoes and transport mules, who followed the battles they themselves had not fought and inherited the conquest they themselves had not helped to gain, sanctioned and protected even if not blessed, and left their bones and in another generation would be engaged in a fierce economic competition of small sloven farms with the black men they were supposed to have freed and the white descendants of fathers who had owned no slaves anyway whom they were supposed to have disinherited and in the third generation would be back once more in the little lost country seats as barbers and garage mechanics and deputy sheriffs and mill- and gin-hands and power-plant firemen, leading, first in mufti then later in an actual formalized regalia of hooded sheets and passwords and fiery Christian symbols, lynching mobs against the race their ancestors had come to save: and of all that other nameless horde of speculators in human misery, manipulators of money and politics and land, who follow catastrophe and are their own protection as grasshoppers are and need no blessing and sweat no plow or axe-helve and batten and vanish and leave no bones, just as they derived apparently from no ancestry, no mortal flesh, no act even of passion or even of lust: and the Jew who came without protection too since after two thousand years he had got out of the habit of being or needing it, and solitary, without even the solidarity of the locusts and in this a sort of courage since he had come thinking not in terms of simple pillage but in terms of his great-grand-children, seeking yet some place to establish them to endure even though forever alien: and unblessed: a pariah about the face of the Western earth which twenty centuries later was still taking revenge on him for the fairy tale with which he had conquered it. …