Bleed Blue Quotes

Love sucks. Sometimes it feels good. Sometimes it's just another way to bleed.

He left bloody fingerprints on the rock, but there was something satisfying about that. I was here. I exist. I’m alive, because I bleed.

Someone told me once that to create true art you must be willing to bleed and let others watch.

Emma —“ “I’m calling.” Emma lunged for her phone. “No!” Julian said, forcefully enough to stop her. “You know we can’t tell anyone. About Mark —“ “You’re not going to bleed to death in a car for Mark!” “No,” he said, looking at her. His eyes were eerily green-blue, the only bright color in the dark interior of the car. “You’re going to fix me.

It is early, early morning. It's that time when it's still dark but you know the day is coming. Blue is bleeding through black. Stars are dying.

...my soul bleeding tears of anguish

I was here. I exist. I'm alive, because I bleed.

We have big plans. Oh yes. We're fumbling in the dark, but at least we're in motion. Everyone is working now; Julie and I are just pausing for a moment to enjoy the view, because it's a beautiful day. The sky is blue. The grass is green. The sun is warm on our skin. We smile, because this is how we save the world. We will not let Earth become a tomb, a mass grave spinning through space. We will exhume ourselves. We will fight the curse and break it. We will cry and bleed and lust and love, and we will cure death. We will be the cure. Because we want it.

To sadden. To bloom. To bleed. What a strange set of words.

Any messages for me?" Usually I got one or two, but mostly people who wanted my help preferred to talk in person. "Yes. Hold on." She pulled out a handful of pink tickets and recited from memory, without checking the paper. "Seven forty-two a.m., Mr. Gasparian: I curse you. I curse your arms so they wither and die and fall off your body. I curse your eyeballs to explode. I curse your feet to swell until blue. I curse your spine to crack. I curse you. I curse you. I curse you.

I met a woman She had a mouth like yours She knew your life She knew your devils and your deeds And she said "Go to him, stay with him if you can But be prepared to bleed

Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.

Are you with women who only bleed monthly on their cycles?

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.

The whole passage was underlined in bleeding, water-soaked black ink. But there was another ink, this one a crisp blue, post-flood, and an arrow led from “How will I ever get out of this labyrinth!" to a margin note written in her loop-heavy cursive: Straight & Fast.

The whole idea of it makes me feel like I'm coming down with something, something worse than any stomach ache or the headaches I get from reading in bad light-- a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul. You tell me it is too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two. But I can lie on my bed and remember every digit. At four I was an Arabian wizard. I could make myself invisible by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince. But now I am mostly at the window watching the late afternoon light. Back then it never fell so solemnly against the side of my tree house, and my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, as I walk through the universe in my sneakers. It is time to say good-bye to my imaginary friends, time to turn the first big number. It seems only yesterday I used to believe there was nothing under my skin but light. If you cut me I could shine. But now when I fall upon the sidewalks of life, I skin my knees. I bleed.

But to use the knowledge of the threading, you must learn the making of the shades. When to sadden with the iron pot. How to bloom the colors. How to bleed.

There are blue diamonds born to the world and given to those who only want glass crystals. There are blue roses born to the world yet given to those who only want daisies. Blue diamond, don't cry because they want glass crystals. Blue rose, don't bleed because they see only the daisies. You were formed in the bedroom of the gods, you were conceived in the garden of the eternal!

Nothing has changed. The body is susceptible to pain, It must eat and breath air and sleep, It has thin skin and blood right underneath, An adequate stock of teeth and nails, Its bones are breakable, its joints are stretchable. In tortures all this is taken into account. Nothing has changed. The body shudders as it is shuddered Before the founding of Rome and after, In the twentieth century before and after Christ. Tortures are as they were, it’s just the earth that’s grown smaller, And whatever happens seems on the other side of the wall. Nothing has changed. It’s just that there are more people, Besides the old offenses, new ones have appeared, Real, imaginary, temporary, and none, But the howl with which the body responds to them, Was, and is, and ever will be a howl of innocence According to the time-honored scale and tonality. Nothing has changed. Maybe just the manners, ceremonies, dances, Yet the movement of the hands in protecting the head is the same. The body writhes, jerks, and tries to pull away Its legs give out, it falls, the knees fly up, It turns blue, swells, salivates, and bleeds. Nothing has changed. Except of course for the course of boundaries, The lines of forests, coasts, deserts, and glaciers. Amid these landscapes traipses the soul, Disappears, comes back, draws nearer, moves away, Alien to itself, elusive At times certain, at others uncertain of its own existence, While the body is and is and is And has no place of its own.

I was ten years old. I had noticed something was weird earlier in the day but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue so...I ignored it for a few hours. When we got home I pulled my mom aside to ask if it was weird I was bleeding in my underpants. She was very sympathetic but also a little baffled. Her eyes said "Dummy didn't you read 'How Shall I Tell My Daughter ". I HAD read it but nowhere in the pamphlet did anyone say that your period was NOT a blue liquid. At that moment two things became clear to me I was now technically a woman and I would never be a doctor.

I haven’t sold my soul yet—well, maybe a couple bars of rhythm and blues here and there,

War is not two great armies meeting in the clash and frenzy of battle. War is a boy being carried on a stretcher, looking up at God’s blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorsa for the son she has given.

The person with the bleeding finger doesn't hurt less for the person next to him with the bleeding arm.

There is a small hill from which I can watch the sun set over the Outaouais River; every evening I see a red sky bleed over blue water and think of us. Have you ever watched this kind of sunset? The colours don’t blend: the redder the sky the bluer the water, as we tilt away from the sun.

I lay in my bed a few minutes later, resigned as the pain finally made its appearance. It was a crippling thing, this sensation that a huge hole had been pushed through my chest, excising my most vital organs and leaving ragged, unhealed gashes around the edges that continued to throb and bleed despite the passage of time. Rationally, I knew my lungs must still be intact, yet I gasped for air and my head spun like my efforts yielded me nothing. My heart must have been beating, too, but I couldn't hear the sound of my pulse in my ears; my hands felt blue with cold. I curled inward, hugging my ribs to hold myself together. I scrambled for my numbness, my denial, but it evaded me. And yet, I found I could survive. I was alert, I felt the pain--the aching loss that radiated out from my chest, sending wracking waves of hurt through my limbs and head--but it was managable. I could live through it. It didn't feel like the pain had weakened over time, rather that I'd grown strong enough to bear it.

A single slim trunk Branches that bow in a storm Green, leathery leaves with a soft centre Glittering against blue sky White bark scarred, bleeding Heart wide-open Bandaged, but upright she stands... (225)

I drew laughing, high-breasted girls aquaplaning without a care in the world, as a result of being amply protected against such national evils as bleeding gums, facial blemishes, unsightly hairs, and faulty or inadequate life insurance. I drew housewives who, until they reached for the right soap flakes, laid themselves wide open to straggly hair, poor posture, unruly children, disaffected husbands, rough (but slender) hands, untidy (but enormous) kitchens.

Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you’re molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt’s supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared.

The wounds we cause, while unintentional, still bleed.

I want my life to be a celebration of slowness. Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend. On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space. Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness. Hand on stone -- patience. Hand on water -- music.

Little Fox, when I saw you, I thought-' He broke off as he set her atop all the twisted sheets. Then he fisted her hair in his hand and tugged until she was looking up at him. His face had all the agony of a fallen star, broken and beautiful, with eyes so blue, the colour of everything else looked dull. Deliberately, his gaze fell to her lips. Her breathing turned ragged, and she wished just once that he could kiss her. He leaned closer and gently twisted her hair, angling her head as he brought their mouths incredibly close. 'You're still bleeding.' He licked the centre of her lips, soft and agonisingly slow. His tongue felt like heaven and hell. Like everything she wanted and all she couldn't have. She had to stop herself from leaning closer, though she doubted Jacks would let her. She could feel his fingers against her scalp, holding her in place, keeping her lips just shy of his. But maybe it was close enough. Maybe they didn't have to touch. She could live like this as long as she could live with him.

This modern deluge kneeing my dreams, twisting their blue, torturing my skies, tearing their chant and pouring grief streams trying again to bleed yearning’s eyes. They call it free world while smashing behind the light to adapt to their shadows’ kind.

I haven’t sold my soul yet – well, maybe a couple bars of rhythm and blues here and there.

I just don't— Ronan. My ears are bleeding!" Ronan turned down the music.

The blues was bleeding the same blood as me.

She was wearing her favorite UK T-shirt that read, “I Bleed Blue.

Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes.

I had this idea about America — that I’d find myself here. That’s why people get in a convertible and hit the road without a map. That’s the promise. That you’ll finally see yourself when you don’t recognize the scenery. Maybe it worked. I fell for the blue sky and sunshine. Then this country dragged me behind it, kicking and bleeding. I failed every test. I fell; I fell short.

I think the measure of advancement depends on where you are stood and from what distance you look. A thousand years ago, we farmed the fields, built towns and defended our land with swords and spears. It is little different now, save for the number of people we have to protect. We still kill with a sharp edge or point of metal, blood runs red still, sons ride off to war and parents grieve. If you look at the Empire in its whole, then it is peaceful. If you look closely, you will see the small wars, the bandits and rebellions. Look more closely still and you’ll see the petty crimes, the struggle to survive, the rich bleeding the poor. Even the soil can turn against its farmers, yielding few crops. Or the weather, a late frost killing the early crops. There is strife and conflict everywhere in the Empire. Everywhere you find men, you find conflict.

My voice is blind, my hearing is mute, my sight is deaf. Art is science, mathematics is conversation, and music is something that bleeds. I am so far away that I am inside myself. I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.

What are we going to do, Ayden?" she whispered, glaring up at me. "I don't know," I confessed. "But how about we burn that bridge when we get there?" "I thought it was 'cross' that bridge?" I lightly poked her in the eye and she laughed. "No. We're burning bridges. Crossing is so overrated." I smiled and touched the corner of her eyes, captivated by the iridescent blues. "I think I like the sound of that," she whispered. "Yeah?" "Yeah.

There are guys bleeding to death who don't know it, they're smiling, they're talking, they don't feel pain because they're in shock, they ask you for some water and then they're dead. On D-day I ran past a guy lying on his spilled guts with his eyes closed and his thumb in his mouth. Eisenhower's speech had been read to us over the loudspeaker by our commander when we crossed the channel that morning. What valor and inspiration were in his words- all about how we were embarked on a great crusade, that the hopes and prayers of a liberty loving people were going with us....I got gooseflesh when he asked for the blessing of almighty god on this great and noble undertaking. But how to reconcile that with spilled guts on a beach and flies in the eyes of some dead nineteen year old kid who traded his life for some words on paper?

More and more the world resembles an entomologist's dream. The earth is moving out of its orbit, the axis has shifted; from the north the snow blows down in huge knife-blue drifts. A new ice age is setting in, the transverse sutures are closing up and everywhere throughout the corn belt the fetal world is dying, turning to dead mastoid. Inch by inch the deltas are drying out and the river beds are smooth as glass. A new day is dawning, a metallurgical day, when the earth shall clink with showers of bright yellow ore. As the thermometer drops, the form of the world grows blurred; osmosis there still is, and here and there articulation, but at the periphery the veins are all varicose, at the periphery the light waves bend and the sun bleeds like a broken rectum.

It’s still unmessed-with country. You like to think it goes on forever, but the colonisers are coming. The suits and tenderfeet. You can hear the blue-eyed-soul music over the ridgeline. There’s already a half dozen well-funded projects for designing software to crawl the Deep Web –” “Is that,” Maxine wonders, “like, ‘Ride the Wild Surf’?” “Except summer will end all too soon, once they get down here, everything’ll be suburbanised faster than you can say ‘late capitalism.’ Then it’ll be just like up there in the shallows. Link by link, they’ll bring it all under control, safe and respectable. Churches on every corner. Licenses in all the saloons. Anybody still wants his freedom’ll have to saddle up and head somewhere else.

It is raining blood today. I open my book and write “Black Lives Matter” to acknowledge the unanswered injustices. I write “Blue Lives Matter” for how can any human be separate from humanity? I write “All Lives Matter” but stare at these words. Do they invalidate the others? I do not know. I am only a love poet. I stand conflicted but the clouds continue to bleed. I come to erase the phrase but find that the blood has already drowned my words.

What packages we were allowed to receive from our families often contained handkerchiefs, scarves, and other clothing items. For some time, Mike had been taking little scraps of red and white cloth, and with a needle he had fashioned from a piece of bamboo he laboriously sewed an American flag onto the inside of his blue prisoner's shirt. Every afternoon, before we ate our soup, we would hang Mike's flag on the wall of our cell and together recite the Pledge of Allegiance. No other event of the day had as much meaning to us. "The guards discovered Mike's flag one afternoon during a routine inspection and confiscated it. They returned that evening and took Mike outside. For our benefit as much as Mike's they beat him severely, just outside our cell, puncturing his eardrum and breaking several of his ribs. When they had finished, they dragged him bleeding and nearly senseless back into our cell, and we helped him crawl to his place on the sleeping platform. After things quieted down, we all lay down to go to sleep. Before drifting off, I happened to look toward a corner of the room, where one of the four naked lightbulbs that were always illuminated in our cell cast a dim light on Mike Christian. He had crawled there quietly when he thought the rest of us were sleeping. With his eyes nearly swollen shut from the beating, he had quietly picked up his needle and begun sewing a new flag.

Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.

I’m only 33% patriotic, because I don’t bleed red, white, and blue. I only bleed red. But I pee white and my balls are blue, so doesn’t that count for something?

Love sucks. Sometimes it feels good. Sometimes it’s just another way to bleed.

When you scratch these guitars, they bleed.

The sky becomes translucent above her, the universe on the other side bleeding through as the blue deepens and the stars prick the atmosphere.

My heart bleeds both red and blue, My spirit smiles with a frown, Gonna turn heaven upside-down

the world's worst illustration of the Symposium: split down the middle and sent bleeding into separate lives.

Something breathing, something bleeding, something blue. It was time to cast her first spell as the Gargoyle.

Asita had been raised on this knowledge. He knew also that all these planes merged into each other like wet dyed cloths hung too close on the line, the blue bleeding into the red, the red into the saffron yellow. Lokas were apart and together at the same time. Demons could move among humans, and often did. The re-verse, a mortal visiting the demon loka, was much rarer.

My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.

Another shuddering inhale. God, this is hard. His blue warmth is starting to bleed through the cracks in the wall and I want to cry with relief. “I was a fucking coward,” I finish. And then—just when I was hoping a dam would burst—the wall just dissolves, letting the blue-green wash over me, clearing out the muck in my veins for the first time in months. “I feel like I should apologize too,” Adam starts, and I immediately jump in to stop him. “No, just let me,” he insists. Another deep breath in for both of us. “I’ve spent a lot of time thinking about this—about us. And I think I was too wrapped up in my own shit before. I was so worried about making you feel sad that I didn’t think. I didn’t let you in. And I put a lot of pressure on you to be the stable one—the normal one—in the relationship, which is pretty fucking ironic. Your power is cool and everything

I want to walk in the desert tonight. I want the wind to pass over me. I want to let the poison bleed through the soles of my feet into the desert floor. I want to starve the monster. I want to punish it with thoughts of clean night wind. The

What the hell happened to your leg?" Ang asked him. Matt looked down at his shin, which was scraped and oozing and seemed to be caked in mud. "Crashed." "Crashed what?" Ang asked. "My mountain bike. We just got back." "You crashed, then what? Rolled in dirt?" He laughed. "Something like that actually. It's not a successful ride if you don't bleed." He must not have noticed the look of horror on my face, because he asked, suddenly enthusiastic, "You guys ride?"Angelo and I just looked at each other, and he seemed to realize that was a "no." "Too bad. Well, make yourselves at home. Beer's in the fridge. I have to get cleaned up. Kickoff's in ten minutes." "Football?" Angelo asked. Matt looked at his as if he had just asked if the sky was really blue. "Yeah! First game of the regular season!" We just stared blankly at him, and he just laughed and disappeared down the hall. Angelo looked at me with a smile on his face. "Four fags watchin' football. Must be pretty fuckin' cold in hell right now.

Some Cutting Advice by Stewart Stafford Before you pick up your knife, To run your enemy through, Know the entry wound bleeds red, And the exit thrust bleeds blue. Not because they are of noble birth, But they are protected by a mighty hand, Not just of those moneyed and influential, But the mightiest hands in all the land. So stab with caution, I urge you, For the blade jabs back in your gut, Swallow the bile that fuels you so, Lest it be your throat you cut. © Stewart Stafford, 2022. All rights reserved.

when i left them, i painted myself burgundy and grey i stopped saying the words “please” and “i’m sorry” i walked into grocery stores and bought too many clementines, ordered too much Chinese, spent my last four dollars on over the counter sleeping pills that made my stomach bleed but my soul forget every time i wanted to tell you “i’m sorry”, i wrote you a poem instead, i said things like “i hope your mother calls you beautiful” to strangers and when boys with dry hands and broken eyes asked me on dates i didn’t hesitate no, didn’t even stop them when their hands grazed my breasts and when they moaned my name against my thighs i cried i opened the mail and didn’t tell anyone for a week that i got accepted into law school, i stopped watering the plants and filled the bathtub with roses and milk, when i got invited to parties, i wore blue jeans with white shirts, sat alone in some kitchen drinking hard liquor until some boys mouth made me feel like home i stopped answering the phone for a month, i didn’t like how my name tasted in his mouth but he was older and didn’t say things like “it doesn’t matter” and i think i went insane, my heart boiled blisters, i couldn’t understand why my bones felt like cages, i walked around art museums until closing, watched them lock up the gates and then open them up again the very same morning, i thought about clocks and how time was a deception of my fingertips, i had stars growing inside of me into constellations, and only when some man on the 9 AM bus asked me for the time did i realize that you cannot run from light igniting your lungs, you cannot run from yourself.

Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!

There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.

During the Mardi Gras carnival in New Orleans, drunk and drugged and sleepless for sex-driven nights and days, I saw leering clowns on gaudy floats tossing cheap necklaces to grasping hands that clutched and grabbed and tore them, spilling beads; and revelers crawled on littered streets, wrestling for them, bleeding for them on sidewalks; and beads fell on spattered blood like dirty tears—and I saw costumed revelers turn into angels, angels into demons, demons into clowning angels; and in a flashing moment the night split open into a deeper, darker chasm out of which soared demonic clowning angels laughing.

At evening the autumnal forests resound With deadly weapons, the golden plains And blue lakes, above them the sun Rolls more darkly by; night enfolds The dying warriors, the wild lament Of their broken mouths. But in the grassy vale the spilled blood, Red clouds in which an angry god lives, Gathers softly, lunar coldness; All roads lead to black decay. Beneath the golden boughs of night and stars The sister’s shadow reels through the silent grove To greet the ghosts of heroes, their bleeding heads; And the dark flutes of autumn sound softly in the reeds. O prouder sorrow! you brazen altars Today an immense anguish feeds the mind’s hot flame, The unborn descendants.

I stood up from my chair to give Harry a hug, but as I did, the lighting highlighted my upper cheekbone, the rounded spot just below my eye. I watched as Harry’s gaze ran across my face. He could see the light bruise I was hiding, could see the purple and blue under the surface of my skin, bleeding through the pancake makeup. “Evelyn…” he said. He put his thumb up to my face, as if he needed to feel it to know it was real. “Harry, don’t.” “I’ll kill him.” “No, you won’t.” “We’re best friends, Evelyn. Me and you.” “I know,” I said. “I know that.” “You said best friends tell each other everything.” “And you knew it was bullshit when I said it.” I stared at him as he stared at me. “Let me help,” he said. “What can I do?

Focused on nothing, open to everything- it's a state I fall into, where all my senses swap. My voice is blind, my hearing is mute, my sight is deaf. Art is science, mathematics is conversation, and music is something that bleeds. I am so far away that I'm inside myself. I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.

baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal

Tonight his father had caught up, carrying all the horrors of hell with him. His mother could no longer protect him—hide him—and now his father‟s wrath would fall on him. He ran across the fields and through the forest, his bare feet carrying him as fast as they could go, aching and bleeding into the night. He could feel his father‟s eyes on him and his stinking breath filling Raven‟s nostrils as he rushed toward the only place he had ever found safe. He sobbed, choking on his grief and his frustration—the horrible guilt of carrying all the anger from his father into their house making him sick and afraid. He ran with lungs and muscles burning from strain, throwing himself through the doors of the castle when he reached them and only then chancing to look back the way he‟d come.

Struggling transforms her captor into a Chinese finger trap. She’s suffocating. Sucking in air without relief. Her lungs expand. Contract. Expand. They fill with lies and broken promises. With despair and lost hope. Each inhale is empty. Invisible hands reach into her body and constrict around her windpipe. She watches her friends collapse like supernovae, their cognizance disappearing into a black hole. A black hole she’s quickly cascading into. The dark consumes, bleeds into her vision. She blinks. Catches icy blue eyes peeking out from the shadows.

Attitudes towards menstrual blood in contemporary Western culture still circle around the subject with a mixture of denial and horror, advertisements for sanitary products typically use blue liquid in an attempt to sanitize the reality of blood, weary old jokes circulate about not trusting anything that bleeds for seven days and does not die. Menstrual blood is constructed either as something that requires a hygienic makeover or as something unnatural and obscene, a further indication of the horrors of sexual difference and the threatening ‘secrets’ of the female body.

Hanne is stretched out on her back. Faces hover in a circle above her. A boy with big blue eyes. A woman whose front teeth rest on her lower lip. An old Chinese woman wearing all gray, her face expressionless, as if she’s seen this before, and much worse. Suddenly a man’s face zooms toward her. Beads of sweat on his upper lip. Dark sideburns. Dark nose hairs. His eyes are close-set, unnervingly so. “Don’t move,” he says, his breath reeking of garlic and cigarette smoke. An imperative. She tries to sit up, and when she can’t, attempts to understand why she’s on the floor. This is not where she should be. She knows that. What is she doing here? “She’s bleeding . . . Hurt. A woman.” But nothing hurts. Liquid streams from her nose, down her cheek, pools into her ear. The circle of faces still above her. But she can’t right herself. The world is tilting. The man with sideburns is squatting beside her. What does he want? He’s saying something to her. Telling her something, his horrible breath assaulting her. Get back. She can’t get her mouth to shout, Move back! She hunts for that perfect moment again, the water, her children when they were young, Hiro, but it is gone.

That Archangel, now, " Miriam continued; "how fair he looks, with his unruffled wings, with his unhacked sword, and clad in his bright armor, and that exquisitely fitting sky-blue tunic, cut in the latest Paradisiacal mode! What a dainty air of the first celestial society! With what half-scornful delicacy he sets his prettily sandaled foot on the head of his prostrate foe! But, is it thus that virtue looks the moment after its death struggle with evil? No, no; I could have told Guido better. A full third of the Archangel's feathers should have been torn from his wings; the rest all ruffled, till they looked like Satan's own! His sword should be streaming with blood, and perhaps broken half-way to the hilt; his armor crushed, his robes rent, his breast gory; a bleeding gash on his brow, cutting right across the stern scowl of battle! He should press his foot down upon the old serpent, as if his very soul depended upon it, feeling him squirm mightily, and doubting whether the fight were half over yet, and how the victory might turn! And, with all this fierceness, this grimness, this unutterable horror, there should be something high, tender, and holy in Michael's eyes, and around his mouth.

The Butcher’s Shop The pigs are strung in rows, open-mouthed, dignified in martyrs’ deaths. They hang stiff as Sunday manners, their porky heads voting Tory all their lives, their blue rosettes discarded now. The butcher smiles a meaty smile, white apron stained with who knows what, fingers fat as sausages. Smug, woolly cattle and snowy sheep prance on tiles, grazing on eternity, cute illustrations in a children’s book. What does the sheep say now? Tacky sawdust clogs your shoes. Little plastic hedges divide the trays of meat, playing farms. playing farms. All the way home your cold and soggy paper parcel bleeds.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.

Many of the gifts were for me. There were jewels and gowns and furs and paintings--- done on ice canvases that made everything bleed together far more than watercolors---and a strange, empty box with a base of some sort of pale velvet that the faerie claimed would sprout white roses with diamonds in them if left outside at midday, and blue roses with rubies if left outside at midnight. There were other nonsensical presents along these lines, including a saddle of shapeless grey leather that would allow me to ride the mountain fog, though no explanation was given as to why I should wish to do this. The only presents I truly appreciated came in the form of ice cream, which the Hidden Ones are obsessed with and cover with sea salt and nectar from their winter flowers.

It made me think of Collioure last summer. The day we went, all four of us with the French students, up through the ilexes to the tower. The ilexes. An absolutely new colour, amazing chestnut, rufous, burning, bleeding, where they had cut away the cork. The cicadas. The wild azure sea through the stems and the heat and the smell of everything burnt in it. Piers and I and everyone except Minny got a bit tipsy. Sleeping in the shade, waking up staring through the leaves at the cobalt blue sky, thinking how impossible things were to paint, how can some blue pigment ever mean the living blue light of the sky. I suddenly felt I didn’t want to paint, painting was just showing off, the thing was to experience and experience for ever more. The beautiful clean sun on the blood-red stems.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

Gritting my teeth as if it requires actual physical strength, I push the memory of him dying in my arms down, deep down. It almost seems to fight me, to want to surge into the forefront of my mind, and I sigh. Long ago I came to the realization that painful memories are persistent. The agony of them stays with you much longer, sharper, and clearer than sweet memories, that soften and assume a hazy, rosy glow in your mind, almost as if they have been airbrushed. Remembrance of pain is different; there is no muting of colors, no blurring of edges. No, its colors remain stark and bold, a palette of vibrant primary reds, blues, and yellows; its edges stay defined and razor sharp. Years later it can still cut you as deeply, make you bleed as profusely, as the day it was formed. FROM AN UNTITLED WORK IN PROGRRESS

Oh, the hot breath coming out of her mouth on each side, as she clamps on with her fang-like incisors, that are razor sharp. It is like her teeth would bite into me there, and make me so weak I would pass out. Until now, I would bleed without any bright markings left behind. Yes, even on summer days, they come around me. Like that day, Ava pulled up one of the railroads spikes up and out of the railroad ties from the ground with her bare hands. Then she began roughly using it on me. It is like she pumps in cocktails of venom with her nibbles of taste, and my soul is floating out of my body as she comes in. My body is paralyzed, yet I feel the pain, and my soul and faith are challenged. So far, she will never get me all the way, I will never become one of them! I found out that she loves to suck out my blood, and everything else that comes with it. For that is what gives her evil strength, it is the same as being drugged when she draws from me.

After The Persian" 1 I have wept with the spring storm; Burned with the brutal summer. Now, hearing the wind and the twanging bow-strings I know what winter brings. The hunt sweeps out upon the plain And the garden darkens. They will bring the trophies home To bleed and perish Beside the trellis and the lattices, Beside the fountain, still flinging diamond water, Beside the pool (Which is eight-sided, like my heart). 2 All has been translated into treasure: Weightless as amber, Translucent as the currant on the branch, Dark as the rose's thorn. Where is the shimmer of evil? This is the shell's iridescence And the wild bird's wing. 3 Ignorant, I took up my burden in the wilderness. Wise with great wisdom, I shall lay it down upon flowers. 4 Goodbye, goodbye! There was so much to love, I could not love it all; I could not love it enough. Some things I overlooked, and some I could not find. Let the crystal clasp them When you drink your wine, in autumn.

She didn't look up, her gaze focused entirely on the paper before her as she drew what looked like a wing. He picked up one of the papers from the floor, and on it was a butterfly, the colors a blending of vibrant yellows and oranges. He held out the paper. "What's this one called?" "Golden Shimmer," she said. "She loves the sunlight." He picked up a picture of a light-purple butterfly with a string of pearls around her neck. "And this one?" "Lavender Lace. She has the power to heal all sorts of wounds." He scanned the room, all the pictures on the floor. "Do they each have a name?" Finally she looked at him, her bright-blue eyes meeting his. "Of course." And he realized with a pang of sadness that these were Libby's friends for life. "They are beautiful." A glint of a smile. "Thank you." He picked up another butterfly, this one a dark violet shade, a silver streak bleeding across the edge of its wings. "What is she called?" "Silver Shadow." "Does she have a story?" Libby's smile faded. "She's lost and can't seem to find her way home.

Song for the Last Act Now that I have your face by heart, I look Less at its features than its darkening frame Where quince and melon, yellow as young flame, Lie with quilled dahlias and the shepherd's crook. Beyond, a garden. There, in insolent ease The lead and marble figures watch the show Of yet another summer loath to go Although the scythes hang in the apple trees. Now that I have your face by heart, I look. Now that I have your voice by heart, I read In the black chords upon a dulling page Music that is not meant for music's cage, Whose emblems mix with words that shake and bleed. The staves are shuttled over with a stark Unprinted silence. In a double dream I must spell out the storm, the running stream. The beat's too swift. The notes shift in the dark. Now that I have your voice by heart, I read. Now that I have your heart by heart, I see The wharves with their great ships and architraves; The rigging and the cargo and the slaves On a strange beach under a broken sky. O not departure, but a voyage done! The bales stand on the stone; the anchor weeps Its red rust downward, and the long vine creeps Beside the salt herb, in the lengthening sun. Now that I have your heart by heart, I see.

Miss Wigglesworth gave him an assessing look out of her remarkable blue eyes. “You’re a libertine? How very unique.” She gave a small fake yawn. She was, in that heartbeat, so perfect and so pure and so very dangerous indeed that all he could do was frighten her away. “Have you been listening at keyholes, Lazuli? I assure you, they have always been willing, even when I ask that they pretend otherwise.” She blushed deep pink at that – an appealing thing, the blood high under her cheeks, warm and subtle and alive. He wanted to delve into her, with teeth and body until she was ravaged and supine and wrecked and bleeding and his. She did not, as he had expected, break away from him mid-step. The blush was there, to be sure, but she was made of sterner stuff. Any true innocent would be repulsed by the intent in his tone. A woman without experience would fear the implication of his preferences – the certain acknowledgment that there was wolf, nothing but wolf, underneath all his icy indifference. Faith was intrigued. She tilted her head and looked hard at him, her lovely eyes flinty. “So, you’re just a beast who enjoys the chase, nothing else?” “Exactly so.” She threw it all at him. Like a piece of warm fresh meat, cut and dripping temptation, enough to make him salivate, to bait her trap. “You can’t catch me.” The waltz ended.

How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—

Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.

Wormtail was speaking. His voice shook; he seemed frightened beyond his wits. He raised his wand, closed his eyes, and spoke to the night. “Bone of the father, unknowingly given, you will renew your son!” The surface of the grave at Harry’s feet cracked. Horrified, Harry watched as a fine trickle of dust rose into the air at Wormtail’s command and fell softly into the cauldron. The diamond surface of the water broke and hissed; it sent sparks in all directions and turned a vivid, poisonous-looking blue. And now Wormtail was whimpering. He pulled a long, thin, shining silver dagger from inside his cloak. His voice broke into petrified sobs. “Flesh — of the servant — w-willingly given — you will — revive — your master.” He stretched his right hand out in front of him — the hand with the missing finger. He gripped the dagger very tightly in his left hand and swung it upward. Harry realized what Wormtail was about to do a second before it happened — he closed his eyes as tightly as he could, but he could not block the scream that pierced the night, that went through Harry as though he had been stabbed with the dagger too. He heard something fall to the ground, heard Wormtail’s anguished panting, then a sickening splash, as something was dropped into the cauldron. Harry couldn’t stand to look . . . but the potion had turned a burning red; the light of it shone through Harry’s closed eyelids. . . . Wormtail was gasping and moaning with agony. Not until Harry felt Wormtail’s anguished breath on his face did he realize that Wormtail was right in front of him. “B-blood of the enemy . . . forcibly taken . . . you will . . . resurrect your foe.” Harry could do nothing to prevent it, he was tied too tightly. . . . Squinting down, struggling hopelessly at the ropes binding him, he saw the shining silver dagger shaking in Wormtail’s remaining hand. He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes. Wormtail, still panting with pain, fumbled in his pocket for a glass vial and held it to Harry’s cut, so that a dribble of blood fell into it. He staggered back to the cauldron with Harry’s blood. He poured it inside. The liquid within turned, instantly, a blinding white. Wormtail, his job done, dropped to his knees beside the cauldron, then slumped sideways and lay on the ground, cradling the bleeding stump of his arm, gasping and sobbing.

Bleed out your story. It's a painful process, but in the end you will feel lighter and we will feel enriched.

If there is a hole inside you,stuff it with books.They will stop the bleeding.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

Give that bully that is history a bleeding lip.

Once, we were a mighty nation Our people came from strong foundation Until cursed with darker days A dragon red came from skies blue Came and stole the things we once knew Making us humble, unknown But we were told one day of old That we’d give our throne of ancient gold To a prince and dragon slayer’s son For us to regain the ancient throne He will fight and bleed for our mountain home This dragon prince of Bowen’s line He will kill the drake that broke us He will remove the Witch who cursed us And become our King some glad day So now we wait ever patiently We wait for the one promised to make us free We wait for this prince to come

My God! How could you allow this woman to get worse, when she is doing all she can to get better? What in the world is going on? Have you ever wondered the same in your sin predicament as you make valiant efforts to overcome temptation? Have you gone to teacher-after-teacher, and pastor-after-pastor, searching for a remedy to your addiction to drugs, stealing, illicit sex, liquor, gambling, or evil entertainments? Did you get better, or did you get progressively worse over the years? Well, this woman, now an outcast from Jewish society due to the fact that her vaginal bleeding made her ceremonially unclean, and excluded from attendance of temple services and many other regular activities, knew that the Master was nearby. With all the faith she had, she crawled through the crowd so she…could…just…touch, the blue hem/tassel of His garment. She believed that if she could simply touch the border of His garment. Which represented the Throne of God, and His holy Ten Commandment Law (Exodus 24:9-10; Ezekiel 1:26; Numbers 15:37-41), she would be whole. So, that she did!

Left Alone" (feat. Chet Faker) This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves Good down, I’m for long Got my word to be someone Good down, that’s alright All I want is to be left alone Left alone, left alone, left alone Left alone, left alone, left alone Left alone, left alone, left alone Left alone, Cannot swallow blue found vow More than that my sleep is wild All I need is suffering bones Breathe in sorrow Gonna watch you fake it now Will I freak can I calm down And I take it all at a loss Breathe in sorrow Gonna watch you fake it now Will I freak can I calm down And I take it all at a loss Breathe out sorrow Gonna find them peace in loss Holding by the knees and vow I can always feel this proud Breathe out sorrow Oh I tell you something more What my brain is bleeding for And it hurts my darling, but breathe out sorrow Gonna find them peace in loss Holding by the knees and vow I can't always feel this proud Breathe out sorrow Oh, I tell you something more What my brain is bleeding for And it hurts my darling, but breathe out sorrow

The baskets, both of which I had filled, were growing heavy. I held one in each hand and glanced around for a place I might sit until Dahnath was ready to go home. I was about to dodge across the street when my load lightened, one of the baskets having been taken away. Thinking a thief, I shouted and swung around, arm outstretched, and my nails scratched someone or something. “Enough of that!” a man yelped, and the moment my eyes fell on him, I groaned. “Saadi, what do you think you’re doing?” I demanded. “Well, I thought I was helping you. As it turns out, I’m bleeding.” “No, you’re not!” I stepped closer to inspect the tracks on his cheek where my nails had made contact, and gently lay my fingers on the scratches. He winced and took my hand, holding it away from his lightly freckled face. Acutely aware of his touch, I blushed. He was adorable, as much as I’d fought against admitting it. His pale blue eyes examined me for a moment, confused by my reaction, then he grinned. “So…sewing?” he asked. “For my sisters.” “Oh. How many?” “Four. And a brother.” “Full house. Rava is my only sibling.” My mood dipped at mention of his sister. He put a hand gently on my back, guiding me to the side of a building and out of the way of traffic. “We don’t get along, if it helps,” he added, aware of my feelings. I laughed. “Do siblings ever get along?” “I think so. At least, most siblings who argue will apologize and enjoy each other’s company until the next fight comes along. I don’t remember ever enjoying Rava.” “That’s said,” I murmured. He grinned again. “Well, would you enjoy her?” “I don’t know her, other than as an enemy. Maybe I’d like her if we’d grown up together.

Attitude creates actions create results create destiny. Dan Buettner, author of Blue Zones: Lessons for Living Longer From the People Who’ve Lived the Longest, has traveled the world studying the everyday living habits of people who are healthiest and live the longest of anyone on the planet. Of all the factors possibly influencing health, vitality, and longevity, Buettner and his team compiled a list of nine. These people (1) live an active life, (2) cultivate purpose and a reason to wake up every morning, (3) take time to de-stress (appreciation, prayer, etc.), (4) stop eating when they are 80 percent full, (5) eat a diet emphasizing vegetables, especially beans, (6) have moderate alcohol intake (especially dark red wine), (7) play an active role in a faith-based community, (8) place a strong emphasis on family, and (9) are part of like-minded social circles with similar habits. As Buettner points out, physiological factors like exercise and diet play a role—but not as big a role as you’d expect. A big part of it is factors that have to do with attitude, habits of behavior, and who they associate with. And while we’re talking about positivity, let me clear up a common misconception about positive outlook, right here and now. Cultivating positive outlook does not mean you are always happy. It does not mean life never gets you down. It does not mean you walk around with an idiotic grin on your face even when you’re hurting, and it doesn’t mean living in denial, ignoring the realities of pain and struggle, or checking your brain at the door. People who cultivate a genuinely positive outlook go through tough times, too; when we’re cut, we bleed red blood just like everyone else.

The veins of Kansans may bleed prisms of Jayhawk blue and red, Wildcat purple, or Shocker black and gold, but our identity as a buffalo state unites all Kansans. By what right though? Our iconic state mammal is extirpated in the wild, and for more than 125 years now we have chosen not to share our wild lands with the buffalo.

Sweat streaked her face and darkened her red hair. Her free hand was scratched and bleeding where she had scraped it against a thorn tree. He caught that small hand in his and held it up to examine the wound. The tip of a broken thorn was embedded in her palm. He raised her hand to his lips and felt the splinter with the tip of his tongue. She gasped and pulled her hand back. “Be still,” he admonished. “Do you want me to cut it out with my knife?” A thorn could fester and turn flesh black with poison. Dead, she was of no use to him. She shook her head. Her hand trembled as she held it out to him. Her sky eyes were wary, the expression like that of a doe he had once seen crossing a frozen lake in winter. The ice had been rotten, and it creaked ominously with each step the deer took. Still she had continued on until she reached the far bank and safety. He wondered if firm earth waited for this female with the strange blue eyes. Eventual safety or . . . A shudder of revulsion rippled through him. War should be between men, he thought. And no matter how much contempt he felt for Simon Brandt and those he led to Indian country, he could not find it in his heart to despise this courageous woman, even if she was without honor. Gently, he bent and brushed his lips against her hand, then, when he found the thorn with his tongue, he closed his teeth on it and pulled it free. Blood welled up from her palm as he spat out the bit of wood. He scooped up a handful of snow and pressed it against the injury. She blinked. Moisture glistened in her round eyes and for a second he thought she might begin to cry. Then her eyes narrowed and the expression gleaming there hardened. Again, Talon reminded himself that she was his enemy’s wife, and that she wished him dead.

Sophie saw a flash of fang as he bit sharply into the blue bracelet of veins that ran along the underside of his inner wrist. “What…why did you do that?” she barely had time to ask before he was holding his bleeding wrist to her mouth. “Drink.” “Drink your blood?” She wanted to recoil but she was too weak. Sylvan cursed softly. “This isn’t the right way to do this but it can’t be helped. I offer you the gift of my blood freely, Sophia. You must drink.” “But why? How will it help?” “I’ve had your blood several times. That means my body is attuned to yours which causes it to produce chemicals tailored to heal and stimulate you.” Sophie looked at him, wide-eyed. “So…you’re like my own personal pharmacy? Is that normal?” He looked pained. “It would be if we were bonded. What matters now is that the taste of my blood should stimulate your body to start producing more red cells very quickly. And it will also warm you up rapidly.” He pressed his wrist to her lips and looked at her sternly. “You have frostbite in all your extremities. Drink now if you don’t want to lose your hands and feet.” “Oh my G—” she started to say. But as soon as she opened her mouth, it was full of his blood. Sophie