Blast Of Silence Quotes

We've searched our database for all the quotes and captions related to Blast Of Silence. Here they are! All 79 of them:

When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
She was like a windflower trembling on its slender stem, so fragile you feel it can’t possibly survive the blasts that shake it, though it survives them all.
Pat Barker (The Silence of the Girls (Women of Troy, #1))
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
When Gonzalez and Canley were close enough to the machine gun they called for suppressing fire and then stood and hurled grenades. At the blast, they charged, firing their rifles on automatic, silencing the gun.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
Hunter S. Thompson (Hell's Angels)
We are beautiful, strange creatures of heat and noise, of sudden, inscrutable impulses, of savage passions...Yet when we consider our existence, we think ourselves calm, composed, rational, in control...All the while forgetting that we are at the mercy of these rebellious hidden systems--and the elements, of course. And when the elements have their way, and the tiny fire within us flickers out...What then? A blast of silence, probably, and no more.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
The blast that swept him came off New Hampshire snow-fields and ice-hung forests. It seemed to have traversed interminable leagues of frozen silence, filling them with the same cold roar and sharpening its edge against the same bitter black-and-white landscape. ("The Triumph Of The Night")
Edith Wharton (The Ghost Stories of Edith Wharton)
Hannah leaned forward and reached for the dial. The radio hissed, shrieked and blasted a few bars of Mozart before finally settling on Radiohead’s Exit Music (for a Film). Hannah, delighted with her discovery, smiled and slumped back in her seat. She listened to Thom Yorke’s nasally vocals in silence for a couple of verses before joining in. Singing heartily and drumming away on her knees, she was like a ball of energy, and already I felt this energy permeating my own body. I felt as fresh and as happy as I’d been in months. Radiohead ended and became The Stone Roses, who in turn became The Killers. Finally, when they became the hourly news, Hannah rolled her eyes and turned off the radio.
Andy Marr (Hunger for Life)
Instantly Pandora nudged her chair with the back of her leg, toppling it over. “Blast,” she exclaimed. “How did that happen?” The countess turned to face her. “Pandora, that word!” “What should I say when I knock something over?” There was a brief silence as Lady Berwick considered the question. “You may say ‘alas.’” “‘Alas?’ Pandora echoed in distaste. “But that’s such a flabby word.” “What does it even mean?” Cassandra asked.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
All's ringing, roaring, grinding, breakers' crash - and silence all at once, release: it means he is tiptoeing over pine needles, so as not to startle the light sleep of space. And it means he is counting the grains in the blasted ears; it means he has come again to the Daryal Gorge, accursed and black, from another funeral. And again Moscow, where the heart's fever burns. Far off the deadly sleighbell chimes, someone is lost two steps from home in waist-high snow. The worst of times...
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
And then, just as I begin to raise my sword to cleave a path to Arthur's side, there comes a sound like a tempest wind - the blast of a mighty sea gale. Men fall back, suddenly afraid. They cover their heads with their arms and peer into the darkness above. What is it? Is the roof falling? The sky? The strange sound subsides and they glance at one another in fear and awe. Merlin is there. The Emrys is standing calmly beside Arthur. His hands are empty and upraised, his face stern in the unnatural silence he has created . . .
Stephen R. Lawhead (Arthur (The Pendragon Cycle, #3))
All round me are words, and words and words, They grow on me like leaves, they never Seem to stop their slow growing From within... But I tell my self, words Are a nuisance, beware of them, they Can be so many things, a Chasm where running feet must pause, to Look, a sea with paralyzing waves, A blast of burning air or, A knife most willing to cut your best Friend's throat... Words are a nuisance, but. They grow on me like leaves on a tree, They never seem to stop their coming, From a silence, somewhere deep within...
Kamala Suraiyya Das (Summer in Calcutta)
Jason neither agreed nor disagreed, but took refuge in gloomy silence, while Orpheus, who of all the Argonauts was least likely to blunder in the Samothracian ritual, invoked the Triple Goddess in her name of Amphitrite. He poured a jar of olive oil upon the waves, and in her name respectfully called upon the North Wind to cease. For a while the North Wind, whom his sons Calaïs and Zetes also respectfully invoked, made no response, except for a single furious blast that nearly tore the mast out of the ship, but then gradually ceased.
Robert Graves (The Golden Fleece)
Then, for a moment, silence dominates the path to the summit of Everest. If the furious race of monsoon winds blasting the outlines of the Nepalese mountain range can be considered silence.
Sebastián Martínez Daniell (Two Sherpas)
[A]ll the resources of our almost miraculous technology have been thrown into the current assault against silence. That most popular and influential of all recent inventions, the radio, is nothing but a conduit through which pre-fabricated din can flow into our homes. And this din goes far deeper, of course, than the ear-drums. It penetrates the mind, filling it with a babel of distractions - news items, mutually irrelevant bits of information, blasts of corybantic or sentimental music, continually repeated doses of drama that bring no catharsis, but merely create a craving for daily or even hourly emotional enemas.
Aldous Huxley (The Perennial Philosophy)
O God in heaven, if you're so designed that you can listen to two voices blast at once from but one set of lips and find in them not noise but strife between the past and future, raise to you my coughing mind and plant its microbes where your light is cast. Divide among them with your mighty hand the sum of these convulsive thoughts and days. And leave the fraction of me left behind to triumph over silence then, at least.
Joseph Brodsky (To Urania: Poems)
After Blakely delivered that infamous and muchrepeated set down, he transferred his gaze to the new Marchioness of Blakely. She shook her head, once. Firmly. “Gareth,” she said dryly. “It is your sister’s wedding day. Behave.” Silence. He’d lifted his chin, in typical Blakely arrogance. The crowd waited for the blast. And then Lord Blakely shrugged and grinned helplessly. Grinned. Helpless. A Blakely. “Oh,” said his sister, from where she stood near him. “Is that how it’s done? I’ll have to practice that.” Like that, everything society knew about nine generations of Blakelys went up in smoke. Since that day, there had been no question. Lady Blakely had been granted otherworldly powers at birth. Every smile she coaxed from him, every laugh that she surprised from his lips, stood as testament to her arcane abilities. And those that questioned her worth still had only to see the look in his eyes when he watched her to find all the proof they required.
Courtney Milan (Proof by Seduction (Carhart, #1))
For all the investment in the creation of Europa-1, you'd think Earth would have been more interested in preserving us. Instead, the last thing we'd heard had been reports of a worldwide nuclear launch, then silence. Emptiness. Nothing but the occasional blast of celestial noise reached our frozen home as it orbited the looming gargantuan that was Jupiter. It was a cold sort of reality that we'd been abandoned by our home world. But it was a cold day beneath the ice, so really, that was just par for the course.
A.Z. Anthony (Short Tales from Earth's Final Chapter Book 1)
The wishes in this story are wishes built the way wishes are always built, and the way bullets are built too, to keep going long after they’ve left the safety of silence. Each person is a projectile filled with sharp voice and broken volume, blasts of maybe.
Mahvesh Murad (The Djinn Falls in Love & Other Stories)
The sudden silence was the first thing many survivors of the Hoel, the Gambier Bay, the Samuel B. Roberts, and the Johnston noticed after their ships had been smashed and swallowed. To many, the quiet was unwelcome. The noise of battle--the roar of machinery, the shrieks and blasts of shells incoming and outbound, the shouts and screams of their buddies--had anesthetized fear. Now the noise lifted like a curtain, unveiling the hidden inner vistas of their grief and shock. When their ships sank, their duties went down with them.
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
Mathis moved his chair close to hers and said softly: ‘That is a very good friend of mine. I am glad you have met each other. I can already feel the ice-floes on the two rivers breaking up.’ He smiled. ‘I don’t think Bond has ever been melted. It will be a new experience for him. And for you.’ She did not answer him directly. ‘He is very good-looking. He reminds me rather of Hoagy Carmichael, but there is something cold and ruthless in his …’ The sentence was never finished. Suddenly a few feet away the entire plate-glass window shivered into confetti. The blast of a terrific explosion, very near, hit them so that they were rocked back in their chairs. There was an instant of silence. Some objects pattered down on to the pavement outside. Bottles slowly toppled off the shelves behind the bar. Then there were screams and a stampede for the door.
Ian Fleming (Casino Royale (James Bond, #1))
For reasons that were never made clear, I blew out my back windows with five blasts of a 12-gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter and crashing glass. Yet the neighbors reacted with total silence.
Hunter S. Thompson
You keep saying you instead of we.” Jak’ri closed the incinerator. A whoosh sounded. “I’m not coming with you.” She stared up at him. “What?” “I’m staying here. Keep me apprised of everything telepathically as you go. If you run into any trouble, I’ll start blasting things in here, then run and draw their fire.” “Oh, hell no!” she blurted. “We leave together or we don’t leave at all.” “Ava, you have a much higher chance of escaping if I keep them distracted long enough to—” Closing the distance between them, she rose onto her toes, curled her free hand around the nape of his neck, and pressed a fervent kiss to his lips. Startled into silence, he stared down at her. “I’m not going without you, Jak’ri. I won’t let you sacrifice yourself for me. We either escape together or we die together. Those are your two options. Time is ticking. What’s it going to be?
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
At first there was nothing - a profound blue darkness running running deep, laced by skeins of starlight and pale phosphorescent flashes. This four o-clock hour was a moment of utter silence, the indrawn breath of dark, the absolute, trance-like balance between night and day. Then, when it seemed that nothing would ever move or live or know the light again, a hot wind would run over the invisible water. It was like a fore-blast of the turning world, an intimation that its rocks and seas and surfaces still stirred against the sun. One strained one's eyes, scarce breathing, searching for a sign. Presently it came. Far in the east at last the horizon hardened, an imperceptible line dividing sky and sea, sharp as a diamond cut on glass. A dark bubble of cloud revealed itself, warmed slowly, flushing from within like a seed growing, a kernel ripening, a clinker hot with locked-in fire. Gradually the cloud throbbed red with light, then suddenly caught the still unrisen sun and burst like an expanding bomb. Flares and streamers began to fall into the sea, setting all things on fire. After the long unthinking darkness everything now began to happen at once. The stars snapped shut, the sky bled green, vermillion tides ran over the water, the hills around took on the colour of firebrick, and the great sun drew himself at last raw and dripping from the waves. Scarlet, purple, and clinker-blue, the morning, smelling of thyme and goats, of charcoal, splintered rock and man's long sojourn around this lake
Laurie Lee (A Rose for Winter)
Outsiders sometimes have an impression that mathematics consists of applying more and more powerful tools to dig deeper and deeper into the unknown, like tunnelers blasting through the rock with ever more powerful explosives. And that's one way to do it. But Grothendieck, who remade much of pure mathematics in his own image in the 1960's and 70's, had a different view: "The unknown thing to be known appeared to me as some stretch of earth or hard marl, resisting penetration...the sea advances insensibly in silence, nothing seems to happen, nothing moves, the water is so far off you hardly hear it...yet it finally surrounds the resistant substance." The unknown is a stone in the sea, which obstructs our progress. We can try to pack dynamite in the crevices of rock, detonate it, and repeat until the rock breaks apart, as Buffon did with his complicated computations in calculus. Or you can take a more contemplative approach, allowing your level of understanding gradually and gently to rise, until after a time what appeared as an obstacle is overtopped by the calm water, and is gone. Mathematics as currently practiced is a delicate interplay between monastic contemplation and blowing stuff up with dynamite.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
Sirens blasted, breaking the silence and spinning me around. The shrill sound was all too familiar, and I snapped into action. Vicious excitement replaced the restlessness, and I knew just how screwed up that was, but right then? Oh yeah, I could use a fight. Yesterday in the quad had been child’s play. Grabbing the Glock loaded with titanium bullets, I hooked it into the holster and fit it around my thigh. I snatched the daggers off the dresser and headed out the door, not even bothering with grabbing a shirt. I came to a complete stop as Josie’s door swung open. What in the holy fuck were Alex and Josie doing together? For just a few seconds, the three of us were literally frozen, staring at each other as the sirens blared overhead. And then Alex broke the silence. “Really?” she said dryly, eyeing me with a smirk. “You’re going to fight with the awesomeness of your six-pack as a weapon?” I arched a brow. “Yeah, you know, I was going to test out the whole abs of steel theory thing. The gun attached to my thigh and the daggers in my hands are just props. Mainly for show. Don’t want to take away from the gloriousness that is my body, though.” Her smirk flipped into a grin. “Whatever.” She started forward. Up ahead, a tall figure stepped out in the hall, and light glinted off the titanium daggers in his hands. Aiden. Of course their room had to be close to mine. Of. Course.
Jennifer L. Armentrout (The Power (Titan, #2))
Whatever our history, whatever the root of our surnames, we remain a good and decent people, and we do not bow down and we do not give up. The fire of the human spirit cannot be quenched by bomb blasts or body counts. Cannot be intimidated forever into silence or drowned by tears. We have endured worse before. We will bear this burden and all that come hereafter because that's what ordinary men and women do. No matter what. This has not made us weaker. It has only made us stronger.
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood with Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes)
Cinderella winced in the silence and was about to whisper to the minster to move on when Friedrich touched her arm. When she met his gaze, he tilted his head toward the courtyard. When Cinderella looked, a resounding, almost deafening, “WE DO,” blasted in through the open windows. Cinderella broke ranks and hurried to the banister—Friedrich at her side. There, standing in the courtyard with the rest of the well-wishers, was every servant of Aveyron. They were headed by Gilbert and Jeanne, and all of them—from the head butler to the youngest chicken girl—wore bracelets or bands of scarlet red silk tied around their foreheads and the arms of their coats. They carried flags with the Aveyron crest, and bowed and curtsied when they saw that Cinderella looked down at them. “They couldn’t all have possibly fit in the cathedral, so they asked to be outside where they might all stand together as your witness,” Friedrich said, speaking directly into Cinderella’s ear. Now
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
The strange thing was how quiet everything became just in that moment. Everything. All of existence, covered in a thick, still blanket of complete silence. The screeching tires and the yelling all paused. And then it happened: the white flash. It was blinding, taking away all definition of earth and sky, leaving nothing visible but the awful purity of the white. I remember that I flinched instinctively. That was all I really had time to do. Then, as if to announce my passing and that of all three-hundred-and-fourteen other souls working the midnight shift at the plant, came the roar. It was a guttural thunderous growl, like some great evil had just been released into the world. After that…
Dennis Sharpe (Saturday Night To Infinity)
Out of some far recess of the sky a tinkling of little bells falls soft upon the listening land. Then again silence. Now comes a baying of some sweet-throated hound, soon the clamor of a responding back. Then a far clear blast of hunting horns, out of the sky into the fog. High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks , and cries that almost shakes the bog with its nearness, but without yet disclosing whence it comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
Let’s get some sleep,” he whispered. “Before dawn we’ll see what we can gather up.” His eyes rested on her forehead, on the new bruises and gashes from the Juggernaut blast. “You look awful,” he said. Camille narrowed her eyes to slits. She grabbed the lamp from his hands. “Thank you very much.” “I didn’t mean it like that,” he said, following her as she climbed the narrow stairwell. “You look just as whipped,” she said over her shoulder. Camille already felt like a load of dung-her head throbbed, her limbs ached, and the rope marks around her wrists burned. She didn’t need to be told she looked dreadful, too. “The bruises, Camille. Your injuries look awful, not you,” he said. She walked down the hallway in self-conscious silence.
Angie Frazier (Everlasting (Everlasting, #1))
Every year before the Days of Awe, the Ba-al Shem Tov, the founder of Hasidic Judaism, held a competition to see who would blow the shofar for him on Rosh Hashanah. Now if you wanted to blow the shofar for the Ba-al Shem Tov, not only did you have to blow the shofar like a virtuoso, but you also had to learn an elaborate system of kavanot — secret prayers that were said just before you blew the shofar to direct the shofar blasts and to see that they had the proper effect in the supernal realms. All the prospective shofar blowers practiced these kavanot for months. They were difficult and complex. There was one fellow who wanted to blow the shofar for the Ba-al Shem Tov so badly that he had been practicing these kavanot for years. But when his time came to audition before the Ba-al Shem, he realized that nothing he had done had prepared him adequately for the experience of standing before this great and holy man, and he choked. His mind froze completely. He couldn’t remember one of the kavanot he had practiced for all those years. He couldn’t even remember what he was supposed to be doing at all. He just stood before the Ba-al Shem in utter silence, and then, when he realized how egregiously — how utterly — he had failed this great test, his heart just broke in two and he began to weep, sobbing loudly, his shoulders heaving and his whole body wracking as he wept. All right, you’re hired, the Ba-al Shem said. But I don’t understand, the man said. I failed the test completely. I couldn’t even remember one kavanah. So the Ba-al Shem explained with the following parable: In the palace of the King, there are many secret chambers, and there are secret keys for each chamber, but one key unlocks them all, and that key is the ax. The King is the Lord of the Universe, the Ba-al Shem explained. The palace is the House of God. The secret chambers are the sefirot, the ascending spiritual realms that bring us closer and closer to God when we perform commandments such as blowing the shofar with the proper intention, and the secret keys are the kavanot. And the ax — the key that opens every chamber and brings us directly into the presence of the King, where he may be — the ax is the broken heart, for as it says in the Psalms, “God is close to the brokenhearted.
Alan Lew (This Is Real and You Are Completely Unprepared: The Days of Awe as a Journey of Transformation)
Apollo watched me closely, intently. “No.” My eyes narrowed. “No to what?” “I’m not sending you after them. Not yet,” he said, surprising me into silence—a rarity. “I have another task for you. You need to leave for southern Virginia immediately. I’d snap your sunshine-and-rainbows ass there, but now that you’ve annoyed me, you’ll drive the twenty or so hours to get there.” Okay. That was irritating, but I kind of liked road trips, so whatever. “What’s in southern Virginia?” “Radford University.” I waited. I waited some more, and then sighed. “Okay. You want me to enroll in college?” I asked, and Apollo tipped back his head and laughed so loudly, he actually whooped. I frowned. “What the hell is so funny about that idea?” “You. College. Using your head. That’s what’s funny.” I was seconds away from blasting him with akasha.
Jennifer L. Armentrout (The Return (Titan, #1))
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
Max’s unflinching gaze never left that house. “What do you think’s going to happen?” Jules asked him quietly, “if you let yourself peel that giant S off your shirt and take a nap? If you let yourself spend an hour, an evening, screw it, a whole weekend doing nothing more than breaking and taking enjoyment from living in the moment? What’s going to happen, Max, if—after this is over—you give yourself permission to actually enjoy Gina’s company? To sit with her arms around you and let yourself be happy. You don’t have to be happy forever—just for that short amount of time.” Max didn’t say anything. So Jules went on. “And then maybe you could let yourself be happy again the next weekend. Not too happy,” he added quickly. “We wouldn’t want that. But just happy in a small way, because this amazing woman is part of your life, because she makes you smile and probably fucks like a dream and yeah—see? You are listening. Don’t kill me, I was just making sure you hadn’t checked out.” Max was giving him that look. “Are you done?” “Oh, sweetie, we have nowhere to go and hours til dawn. I’m just getting started.” Shit, Max said with his body language. But he didn’t stand up and walk away. He just sat there. Across the street, nothing moved. And then it still didn’t move. But once again, Max was back to watching it not move. Jules let the silence go for an entire minute and a half. “Just in case I didn’t make myself clear,” he said, “I believe with all my heart that you deserve—completely—whatever happiness you can grab. I don’t know what damage your father did to you but—” “I don’t know if I can do that,” Max interrupted. “You know, what you said. Just go home from work and . . .” Holy shit, Max was actually talking. About this. Or at least he had been talking. Jules waited for more, but Max just shook his head. “You know what happens when you work your ass off?” Jules finally asked, and then answered the question for him. “There’s no ass there the next time. So then you have to work off some other vital body part. You have to give yourself time to regrow, recharge. When was the last time you took a vacation? Was it nineteen ninety-one or ninety-two?” “You know damn well that I took a really long vacation just—” “No, sir, you did not. Hospitalization and recovery from a near-fatal gunshot wound is not a vacation,” Jules blasted him. “Didn’t you spend any of that time in ICU considering exactly why you made that stupid mistake that resulted in a bullet in your chest? Might it have been severe fatigue caused by asslessness, caused by working said ass off too many 24-7’s in a row?” Max sighed. Then nodded. “I know I fucked up. No doubt about that.” He was silent for a moment. “I’ve been doing that a lot lately.” He glanced over to where Jones was pretending to sleep, arm up and over his eyes. “I’ve been playing God too often, too. I don’t know, maybe I’m starting to believe my own spin, and it’s coming back to bite me.” “Not in the ass,” Jules said.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
About the time Phil set out to film the first Duckmen of Louisiana video in 1987, there had been a really bad ice storm in West Monroe, which was kind of rare. It was so cold that a lot of the water on our property froze, so there was nowhere for the ducks to go. We climbed into our trucks and headed south to find the ducks. When we arrived at Lake Maurepas in South Louisiana, our guide took us to a hunting camp that was located about eight miles into the swamp. As we made our way to the camp near sunset, there were so many ducks flying overhead that duck feces started hitting the boat like it was a hailstorm--that’s what we call a poop storm! The sound of all those ducks was like a roar. The ice storm had pushed all the ducks south. It was the most ducks I’d ever seen. The next morning, we called in a group of about three thousand ducks! They funneled into our decoys like a cyclone. It took them over thirty minutes to land. Hundreds of ducks landed in front of us and swam to the edge of our hole, and then more would land in the vacated areas. We sat in stunned silence during the entire event. Finally, Phil whispered to us to be careful because we might kill more ducks than we needed with stray shot, since there were so many of them and they were so close together. My dad thought he saw a rare duck and without warning broke the silence with a gun blast. The roar of the ducks getting up was deafening. We only shot once per hunter and had our limit. It would have never happened if we hadn’t been completely concealed in our blind. It was one of the most amazing sights I’ve ever seen.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Rockton is no more Oliver than Churchgrove is Lord Kirkwood,” Lady Minerva said stoutly. “Then why did you steal my name for him?” Oliver asked. “It’s not quite your name, old chap,” Lord Gabriel said. “And you know perfectly well that Minerva likes to tweak your nose from time to time.” “Stop calling me ‘old,’ blast it,” Oliver grumbled. “I’m not some doddering fool.” “How old are you, anyway?” Maria asked him, amused by his vanity. “Thirty-five.” Mrs. Plumtree had said little until now, but apparently the conversation had piqued her interest. “That’s long past the age when a man should marry, don’t you think, Miss Butterfield?” Aware of Oliver’s gaze on her, Maria chose her words carefully. “I suppose it depends on the man. Papa didn’t marry until he was nearly that age. He was too busy fighting in the Revolutionary War to court anyone.” When the blood drained from Mrs. Plumtree’s face, Oliver’s eyes held a glint of triumph. “Ah, yes, the Revolutionary War. Did I forget to mention, Gran, that Mr. Butterfield was a soldier in the Continental Marines?” The table got very quiet. Lady Minerva focused on eating her soup. Lady Celia took several sips of wine, one after another, and Lord Jarret stared into his soup bowl as if it contained the secret to life. The only real sound punctuating the silence was Lord Gabriel’s muttered “bloody hell.” Clearly, there was some undercurrent here that Maria didn’t understand. Oliver was watching his grandmother again like a wolf about to pounce, and Mrs. Plumtree was clearly contemplating which weapon would best hold the wolf at bay. “Uncle Adam was a hero,” Freddy put in, oblivious as usual to undercurrents of any kind. “At the Battle of Princeton, he held off ten of the British until help could arrive. It was just him and his bayonet, slashing and stabbing-“ “Freddy,” Maria chided under her breath, “our hosts are British, remember?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?
Martine Bailey (A Taste for Nightshade)
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
The universal signal for help is three loud noises, such as blasts of a whistle or air horn, with about a second of silence between each blast.
Denise Long (Survivor Kid: A Practical Guide to Wilderness Survival)
We entered the house, and there was that pregnant silence in the air, the silence between a husband and wife who have just had words, and it is unlike any other silence except perhaps the awful stillness you hear between the flash of an atomic bomb and the blast.
Nelson DeMille (The Gold Coast)
I stood straight and calm, though every part of me wanted to blast the crap out of the room. No one moved, no one spoke. I barely breathed. I didn’t know how much time had passed when Ty finally broke the silence. “If we’re demigods and you are demigods, which gods are our grandparents?” Tyde asked, snapping me out of my funk. Why hadn’t it occurred to me to ask that? My parents were the children of gods. All Mer were thought of as children of Poseidon in some respects, but this was different. “Well, your father’s father is Apollo,” Mom said, “And my father is… Zeus.” Whoa, that was big. Zeus was our grandfather. How does someone wrap their mind around that? “So our grandfathers are Apollo and Zeus, but aren’t they related? Wouldn’t that make you and Dad…” Ty couldn’t finish that thought and I was grateful. I was now grossed out. I couldn’t do the math on that messed up family tree. Yuck. “It doesn’t really work that way with the gods,” Mom said, catching on to what Ty was hinting at. “They are so ancient that their blood, while it will carry power, doesn’t carry much else in terms of genealogy. Our DNA comes mostly from our mortal parents. Our powers come from our godly parents but that’s it. It’s complicated, but your father and I are not related. So if you were worried… stop. You’re not the product of kissing cousins
Emory Gayle (Mer (Water #2))
In earnest, I shall echo your earlier proclamation, my friend, and state that in my mind the acquaintance of not only Cyprian Wythe, but any lover of King George is a grave displeasure.” Thomas raised his glass. “Hear, hear, my friend.” “Then I am surprised that you are able to abide my presence.” Kitty’s stiff response blasted a hole through Nathaniel’s middle and the resulting silence choked the merriment from their little circle like thick black smoke. He looked up only to be censured from the shock that drained the light from her eyes. Her lips pressed tight, turning them colorless.  The blood drained from his face. Idiot!  He couldn’t bring himself to look away from her wounded expression, aching for words that would soothe the pain he’d inflicted. The pleasant tune from the quartet and the quiet hum of voices continued around them, each guest blissfully unaware of his thoughtless remark. Thomas reached out to her, his brow pinching. “Kitty, you must know our comments are no reflection on you.” “Are they not?” She handed her glass to Eliza. “If you’ll excuse me, I shall take my leave so as not to injure you with my presence any longer.” Kitty brushed between them before facing them one last time. “Forgive me, Eliza.” She darted from the room, holding her skirts as she wove through the tangle of party-goers toward the exit. The hollow chill her absence created smacked Nathaniel on the back of the head like an irritated father. He exchanged a narrow glance with Thomas before slamming his eyes shut. How could he be so foolish? How could he have allowed himself to say something so hurtful to someone so gracious? The temperature of the room went hot, then instantly cold. So much for your famous charm, Nathaniel. You’ve proven your lack of it with amazing skill. “I’m
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Hello, said Loo. What's wrong? Hawley asked. You're not outside. Not tonight. But you're *always* outside. Hawley did not know how to answer. All this time he had been watching her window, it had never occurred to him that she was watching for him, too. He could hear Loo's breath, heavy and expectant, blowing hard into the mouthpiece, and for a moment all he could think of was the sound of the whale's spout--the blast of air and water as the giant rose to the surface, the salted spray that had rained down upon him in Puget Sound and filled him with terror and longing and a sense that he could right the path he was on. He had not realized that he'd been waiting for this sound until he heard it. He knew only that he had been waiting--for something that had never arrived, that had failed him, that had made him rage and murder int he silence it had left. But now here it was again. His daughter, still breathing. And so was he. I'll come now. Right now? Yes, said Hawley. Put your coat on. And get your toothbrush. Your real toothbrush. Hawley wrapped the phone cord around his arm, tighter and tighter, waiting to hear what she would say. Instead he heard the sound of footsteps. A door open and close. Then a clattering as the phone dropped to the ground. Hawley called Loo's name. He pressed his ear tightly against the receiver, straining to listen. Something dragged across the floor. Shuffling. Thumps. A noise like Velcro being ripped apart. And then she came back to him. I've got my shoes on, Loo said. I've got the candy, too.
Hannah Tinti (The Twelve Lives of Samuel Hawley)
Back to the cake. You were down to the seam of coal.” “Yeah, well, once they find the coal, they bring in more machines, extract it, haul it out, and continue blasting down to the next seam. It’s not unusual to demolish the top five hundred feet of a mountain. This takes relatively few workers. In fact, a small crew can thoroughly destroy a mountain in a matter of months.” The waitress refilled their cups and Donovan watched in silence, totally ignoring her. When she disappeared, he leaned in a bit lower and said, “Once the coal is hauled out by truck, it’s washed, which is another disaster. Coal washing creates a black sludge that contains toxic chemicals and heavy metals. The sludge is also known as slurry, a term you’ll hear often. Since it can’t be disposed of, the coal companies store it behind earthen dams in sludge ponds, or slurry ponds. The engineering is slipshod and half-assed and these things break all the time with catastrophic results.
John Grisham (Gray Mountain)
Medicine cat, wise you are, and such you know. Care for your Clanmates you can without walking in their thoughts and dreams. Let those hidden be from your sight.” Midnight reached Dovewing, and she felt a blast of stinking breath around her muzzle. “Small warrior, many dangers there are in a world when you are blind and deaf. But eyes and ears you have still. Use them as your Clanmates do.
Erin Hunter (Dovewing's Silence (Warriors Novellas))
White noise is also the steady drone of white supremacy that follows us practically everywhere we go. Its frequencies contain the range of human experience, except that those experiences are corrupted by racism. It is the everyday racism that we accept as such a part of living that we often don’t even recognize it as oppression. We sometimes find ourselves acquiescing to the white noise of subtle racism lest we do something to trigger a loud, offensive blast of racist static from white people.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
I lifted the book, firing two words down the bond between us before I blasted my shields up again. Conversation over. 'Like hell it is,' he snarled. A thrum of power caressed my fingers, and then the book sealed shut between my hands. My nails dug into the leather and paper- to no avail. Bastard. Arrogant, presuming bastard. Slowly, I lifted my eyes to him. And I felt... not hot temper- but icy, glittering rage. I could almost feel that ice at my fingertips, kissing my palms. And I swore there was frost coating the book before I hurled it at his head. He shielded fast enough that it bounced away and slid across the marble floor behind us. 'Good,' he said, his breathing a bit uneven. 'What else do you have, Feyre?' Ice melted to flame, and my fingers curled into fists. And the High Lord of the Night Court honestly looked relieved at the sight of it- of that wrath that made me want to rage and burn. A feeling, for once. Not like that hollow cold and silence. And the thought of returning to that manor with the sentries and the patrols and the secrets... I sank back into my chair. Frozen once more. 'Any time you need someone to play with,' Rhys said, pushing the plate toward me on a star-flecked wind, 'whether it's during our marvellous week together or otherwise, you let me know.' I couldn't muster up a response, exhausted from the bit of temper I'd shown. And I realised I was in a free fall with no end. I had been for a while. From the moment I'd stabbed that Fae youth in the heart.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
A ceremony full of contradictory meanings, as if to say: "There is nothing here for you, intruders. You will wrest nothing from us, by your fire or falling ice, but traps, deceptions, and camouflage. Your envoy can do what he likes. Everywhere he will be met by the same stony silence, until, forced to part from his expectations, bewildered and defeated, he flies into a muddled rage, begins blasting at whatever is at hand, and buries himself beneath tumbling ruins - or crawls out from under them and departs skyward, not with knowledge stolen in an orderly retreat, but only in panic, fleeing. And even if he could in fact force anything, strong-arming his way into locked places, into the iron reaches of the one-eyed metropolis beyond the wall of smoke, surely in such alien, nonhuman surroundings the harder he struck the less he would learn, unable to distinguish between what was discovered and what was destroyed.
Stanisław Lem (Fiasco)
I desperately wanted to taste him. The only problem was, that would require me to drop to my knees. Kneel. The phantom voice shot an icy blast through my veins. I refused to give it any power. Instead, I absorbed Filip’s endless warmth, reveling in the sheer perfection of his body and the reverence in his ravenous stare. Slowly, I lowered myself to my knees.
Jill Ramsower (Absolute Silence (The Five Families, #5))
His room was still and very quiet, insulated by sound building and oak boards from the jabber of the dissenting voices below. He unlatched the window in the seaward wall and forced it open with both hands against the blast of the gale. the wind rushed into the room swirling the bed cover into folds, sweeping the papers from his desk and rustling the pages of his bedside Jane Austen like a giant hand. It took his breath away so that he leaned gasping against the window ledge, welcoming the sting of spray on his face and tasting the salt drying on his lips. When he closed the window the silence seemed absolute. The thundering surf receded and faded like the far-away moaning on another shore.
P.D. James (Unnatural Causes)
Last year I saw three migrating Canada geese flying low over the frozen duck pond where I stood. I heard a heart-stopping blast of speed before I saw them. They thundered across the pond, and back, and back again. I think of this now, and my brain vibrates to the blurred bastinado of feathered bone. “Our God shall come,” it says in a psalm for Advent, “and shall not keep silence; there shall go before him a consuming fire, and a mighty tempest shall be stirred up round about him.” It is the shock I remember. Not only does something come if you wait, but it pours over you like a waterfall, like a tidal wave. You wait in all naturalness without expectation or hope, emptied, translucent, and that which comes rocks and topples you; it will shear, loose, launch, winnow, grind. I have glutted on richness and welcome hyssop. This distant silver November sky, these sere branches of trees, shed, and bearing their pure and secret colors- this is the real world, not the world gilded and pearled. I stand under wiped skies directly, naked, without intercessors. Frost winds have lofted my body’s bones with all their restless sprints to an airborne raven’s glide. I am buoyed by a calm and effortless longing, an angled pitch of the will, like the set of the wings of the monarch which climbed a hill by falling still.
Annie Dillard (Pilgrim at Tinker Creek)
Cod style cottage, focused on the crunch of brittle leaves under my sneakers, focused on breathing. I would not react to the scene around me. I couldn’t. As Grandma repeatedly warned, my very life depended on silence. Boom! A sudden blast rang
Lori Brighton (The Mind Readers (Mind Readers, #1))
Cecilia blasts a great snort of air from her nostrils and speaks. Her voice is venomous. “There is plague in Danbury. More and more of it. The blighted ones come in packs from the north. Packs like the one we ran from today. Some of them find their way to Danbury. Ten of our people were killed in the last two weeks. My mother. My sister.” She trembles, points a finger at Thomas. “His wife! All of them dead. And still he makes fiery speeches about staying safe and about how he will protect us, and how Danbury is secure. It is not secure! We will be overrun soon, and we will die! All of us! Did you see it today? Did you see it? They will sweep into Danbury and surround us like they surrounded that — ” “Silence!” Sir Thomas stands and points to Cecilia. “You think fleeing is the answer? You think packing up in the black of morning and riding off to Dartford will keep you safe? Did it keep you safe today?” Silence falls again.
Roberto Calas (The Scourge (The Scourge, #1))
Young lady, you will attend your mother in her sitting room at once.” And Deene was supposed to just toddle back down the stairs to await an uncertain fate? “If Your Grace would allow Lady Eve and me a chance to discuss the events of the—” “You, sir!” His Grace was not inclined to keep his voice down when discretion might be most appreciated. This was known by all familiar with him, and beside Deene, Eve graduated from wincing to cringing. “Your Grace, Lady Eve’s nerves are not aided by a display of temper, though you have every reason to rail at me.” The ducal eyebrows went up. “I have every reason to kill you, young man. The harm you have done cannot be explained or excused, and no adequate reparation ever made to my daughter.” This was the moment for Eve to step forward and explain that they were betrothed, that the indiscretion was just that, more a slip than a sin. Certainly not a matter of a lady’s slighted honor. His Grace’s gaze went to his daughter while a silence stretched, a silence during which Deene wanted to go down on bended knee and beg the blasted woman to marry him. “Unhand my daughter, Deene.” Eve slipped away from Deene’s side and disappeared into the house. His Grace waited a long moment while Eve’s footsteps faded rapidly, and then the older man glanced about. “You, come with me. And get that mulish expression off your face. The last thing Her Grace will do is castigate Eve for a situation that must lie exclusively at your handsome, booted feet.” Was there a softening in His Grace’s eyes? Deene was not about to bet his life on it. When the duke led him to a chamber on the first floor, Deene noted an absence of footmen, maids, or other curious ears. “Your Grace, I think you well might have to call me out.” Moreland opened the door to the ducal study and preceded Deene through it. He closed the door, then turned, and without any warning whatsoever, delivered a walloping backhand across Deene’s cheek. “Perhaps I shall have to call you out, Deene. Let’s make it a convincing show, then, shall we?” ***
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
I don’t guess you can outrun an explosion, right?” Sam asked doubtfully. Jack rolled his eyes and sighed his condescending geek sigh. “Seriously? Brianna runs in miles per hour. Explosions happen in feet per second. Don’t believe what you see in movies.” “Yeah, Sam,” Dekka said. “In the old days I always had Astrid around to humiliate me when I asked a stupid question,” Sam said. “It’s good to have Jack to take over that job.” He’d said it lightheartedly, but the mention of Astrid left an awkward hole in the conversation. Brianna said, “I can’t outrun an explosion, but I’ll tie the string around the wire.” She zipped over to the wire and zipped back holding the loose end. “Who gets to yank the string?” “She who ties the string pulls it,” Sam said. “But first—” BOOOOM! The containers, the sand, pieces of driftwood, bushes on the bluff all erupted in a fireball. Sam felt a blast of heat on his face. His ears rang. His eyes scrunched on sand. Debris seemed to take a long time to fall back down to earth. In the eventual silence Sam said, “I was going to say first we should all lie flat so we didn’t get blown up. But I guess that was good, too, Breeze.
Michael Grant (Fear (Gone, #5))
Aside from leaving out a few intimate details, Christopher told them everything. He was unsparing when it came to his own flaws, but he was determined to protect Beatrix from criticism, even from her own family. “It’s not like her to play games,” Leo said, shaking his head after Christopher told them about the letters. “God knows what possessed her to do such a thing.” “It wasn’t a game,” Christopher said quietly. “It turned into something more than either of us expected.” Cam regarded him with a speculative gaze. “In the excitement of all these revelations, Phelan, one could easily be swept away. Are you very sure of your feelings for Beatrix? Because she is--” “Unique,” Leo supplied. “I know that.” Christopher felt his mouth twitch with a trace of humor. “I know that she steals things unintentionally. She wears breeches, and references Greek philosophers, and has read far too many veterinary manuals. I know that she keeps the kinds of pets that other people pay to have exterminated.” Thinking of Beatrix, he felt an ache of yearning. “I know that she could never reside in London, that she could only thrive by living close to nature. I know that she is compassionate, intelligent, and brave, and the only thing she truly fears is being abandoned. And I would never do that, because I happen to love her to distraction. But there is one problem.” “What is that?” Leo asked. Christopher answered in a bleak syllable. “Me.” Minutes ticked by as Christopher explained the rest of it…his inexplicable behavior since the war, the symptoms of a condition that seemed akin to madness. He probably shouldn’t have been surprised that they received the information without apparent alarm. But it made him wonder: what kind of family was this? When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
When Christopher finished, there was a moment of silence. Leo looked at Cam expectantly. “Well?” “Well what?” “Now is the time when you dredge up one of your blasted Romany sayings. Something about roosters laying eggs, or pigs dancing in the orchard. It’s what you always do. Let’s have it.” Cam gave him a sardonic glance. “I can’t think of one right now.” “By God, I’ve had to listen to hundreds of them. And Phelan doesn’t have to hear even one?” Ignoring Leo, Cam turned his attention to Christopher. “I believe the problems you’ve described will lessen as time passes.” He paused. “Our brother Merripen would attest to that, if he were here.” Christopher looked at him alertly. “He never fought in a war,” Cam continued quietly, “but violence and damage are hardly limited to the battlefield. He had his own demons to fight, and he conquered them. I see no reason why you can’t do the same.” “I think Phelan and Beatrix should wait,” Leo said. “Nothing will be lost by waiting.” “I don’t know about that,” Cam said. “As the Rom say, ‘Take too much time, and time will take you.’” Leo looked smug. “I knew there would be a saying.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Joshua did not raise his head as he listened to the word of the Lord. “See, I have delivered Jericho into your hands along with its king and its fighting men. March around the city once with all the armed men. Do this for six days. Have seven priests carry trumpets of rams’ horns in front of the ark. On the seventh day, march around the city seven times, with the priests blowing the trumpets. When you hear them sound a long blast on the trumpets, have all the people give a loud shout; then the wall of the city will collapse and the people will go up, every man straight in.” Joshua waited for the man to go on, but there was a silence almost as thick as rock.
Gilbert Morris (Daughter of Deliverance (Lions of Judah Book #6))
and there was that pregnant silence in the air, the silence between a husband and wife who have just had words, and it is unlike any other silence except perhaps the awful stillness you hear between the flash of an atomic bomb and the blast. Five, four, three, two, one.
Nelson DeMille (The Gold Coast)
Lord Charles?" "Amy."  He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder.  "Good morning." Temporary silence.  Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face.  A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'!  He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement.  He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it.  He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink.  In a heartbeat, she saw what Amy had described:  studied thoughtfulness, kindness, compassion.  The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides.  Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced.  "I'm Amy's friend.  She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you.  Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true.  Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed.  If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Luna reached out a pale hand, which looked eerie floating in midair, unconnected to arm or body. She knocked once, and in the silence it sounded to Harry like a cannon blast. At once the beak of the eagle opened, but instead of a bird’s call, a soft, musical voice said, “Which came first, the phoenix or the flame?” “Hmm . . . What do you think, Harry?” said Luna, looking thoughtful. “What? Isn’t there just a password?” “Oh no, you’ve got to answer a question,” said Luna. “What if you get it wrong?” “Well, you have to wait for somebody who gets it right,” said Luna. “That way you learn, you see?” “Yeah . . . Trouble is, we can’t really afford to wait for anyone else, Luna.” “No, I see what you mean,” said Luna seriously. “Well then, I think the answer is that a circle has no beginning.” “Well reasoned,” said the voice, and the door swung open.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In the midst of all the blurring misinformation, confusion, conflict, and polluted thoughts, all I could hear were the tinnitus sounds of the seven trumpets humming in divine orchestration and the murmurations of starlings. It was the song of silence, the song of songs.
Rajinder Jhol (Shine)
It is very obvious why everyone is suffering from anxiety and stress these days, why there is so much anger in the world. Have you ever tried to find a corner of silence in any city where there isn't pop music blasting in the background while people shout at each other? Have you ever tried to find a place where there aren't cars passing by, and you can hear them? Have you ever tried to find a place where you don't hear people, because they don't feel the need to make noise to feel alive? The more aware you are of the need for silence, the more anxious you get, because you're supposed to feel anxious. You are living in a world of very mentally ill creatures. The need for noise is a mental problem. The constant need to hear music that tells you how to feel, what you should miss, want, need, care for, is a mental problem. The world is made to turn you insane. And the radiation in the environment, may be invisible to the eyes, but does contaminate your brain with more toxicity. You are under attack 24/7 and you don't even notice it because you have become too numb, too stupid, too apathetic to feel it. You are so worried about having friends that you socialize with most imbecile and you praise yourself for having many imbecile friends. And the reason why so many people don't notice these things is because their level of apathy is too deep. You are supposed to get angry, anxious and irritated with all this. There is something very wrong with you, if you feel good in such a world.
Dan Desmarques
IT WAS ALMOST December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane. At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the riverbank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community. But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others—adults as well as children—stop what they were doing and wait, confused, for an explanation of the frightening event. Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE. Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours. Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populated the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly. He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled. But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was noticed. NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that final message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.
Lois Lowry (The Giver (The Giver, #1))
Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
I realized that there had never been a point in my life before where I had just sat in silence and done nothing. You don't grow up used to silence in a house like mine, with its never-ending vacuuming, television blaring, and shrieking. During the rare moments that the television was off, Dad would put on his old Elvis records and play them at full blast. A cafe too is a constant buzz of noise and clatter. Here, I could hear my thoughts. I could almost hear my heartbeat. I realized, to my surprise, that I quite liked it.
Jojo Moyes (Me Before You (Me Before You, #1))
It was as if, in the midst of a film concerning an avalanche, a tornado, a hurricane, a volcanic eruption, something had, first, gone wrong with the sound apparatus, thus muffling and finally cutting off all noise, all of the blasts and repercussions and thunders, and then, second, ripped the film from the projector and inserted in its place a beautiful tropical slide which did not move or tremor. The world ground to a standstill. The silence was so immense and unbelievable that you felt your ears had been stuffed or you had lost your hearing altogether. The children put their hands to their ears. They stood apart. The door slid back and the smell of the silent, waiting world came in to them. The sun came out.
Ray Bradbury (All Summer in a Day)
Tired. I was so- tired. When we were almost to the table, Rhys said, 'I felt a spike of fear this month through our lovely bond. Anything exciting happen at the wondrous Spring Court?' 'It was nothing,' I said. Because it was. And it was none of his business. I glanced sidelong at him- and rage, not worry- flicked in those eyes. I could have sworn the mountain beneath us trembled in response. 'If you know,' I said coldly, 'why even ask about it?' I dropped into my chair as he slid into his. He said quietly, 'Because these days, all I hear through the bond is nothing. Silence. Even with your shields up rather impressively most of the time, I should be able to feel you. And yet I don't. Sometimes I'll tug on the bond only to make sure you're still alive.' Darkness guttered. 'And then one day, I'm in the middle of an important meeting when terror blasts through the bond. All I get are glimpses of you and him- and then nothing. Back to silence. I'd like to know what caused such a disruption.' I served myself from the platters of food, barely caring what had been laid on the table. 'It was an argument, and the rest is none of your concern.' 'Is it why you look like grief and guilt and rage are eating you alive, bit by bit?
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The Naval and Military Club’s long bar was devastated by a bomb thrown through the building’s open front window. Remarkably, no one in the packed bar was killed; although, after a long, awkward pause and everyone being thrown off their feet by the blast, including the head barman Robbins, one member, Commander Vaughan Williams, broke the awkward silence: ‘Another pink gin please, Robbins.
Seth Alexander Thevoz (Behind Closed Doors: The Secret Life of London Private Members' Clubs)
One of the best ways to blast past the noise in our brains and discover what’s going on underneath is through meditation. Sitting in purposeful silence.
Jen Sincero (You Are a Badass at Making Money: Master the Mindset of Wealth)
Abdul Khader was not at the hotel, but twenty-six people died in the explosion. The inevitable retaliation came on the morning of February 22, 1948, at Ben Yehuda Street in the heart of Jewish Jerusalem. Three trucks loaded with TNT exploded, sending a flash of white light across the morning sky and shattering the dawn silence. The devastation was enormous. Entire buildings collapsed from the power of the blast. Apartments had their facades torn off, revealing bleeding, crying people, many who had been asleep when the explosion hit.
Eric Gartman (Return to Zion: The History of Modern Israel)
it she blasted white ministers for their silence on and sometimes support for lynching, saying that the practice was converting white southern women and children to savages. She blamed whites’ hatred of blacks and a general state of lawlessness of the South. She took up one of Cooper’s major themes, the invasion of Negro homes by white “gentlemen” who consider “young colored girls” their “rightful prey.” If white Hamilton was listening, and by now they were hyperalert to the subversive outcries of “the enemy,” their ears were burning.
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
Most people’s minds are awash in a buzz of thoughts, worries, and desires. From that splintered mental state, which is reinforced by the necessities of daily life, samadhi sounds like a vacation to a Valiumscented fantasy island. Work, commuting, and chronic television violence are very effective at smothering the equanimity and silence necessary to develop and sustain samadhi. That’s why when one seriously practices yoga at a traditional ashram (retreat center), there are no mundane distractions. No television, radio, iPod, cell phone, Internet, sugar, caffeine, spicy foods, clocks, and in some cases, no talking. The ecstasy associated with the experience of samadhi might sound superficially similar to the momentary high achieved by smoking crack or shooting heroin. But while narcotics can blast the mind into a euphoric stupor, it doesn’t take long before that route becomes horrifically grim, to say nothing of fleeting and a considerable drain on society. By contrast, the mind trained to sustain samadhi is focused, calm, and crystal clear, and the accompanying happiness doesn’t fade or cost anything (other than maintaining a lifestyle that is probably much simpler than most Westerners are willing to adopt). The modern sophisticate has been taught to associate claims about “bliss” and “ecstasy” as starry-eyed New Age pabulum, or as a sign of taking one too many psychedelic drugs. But this is indeed the serious aspiration of yoga practice. It may not be simple to achieve this goal today, but nor was it all that easy even when Patanjali wrote the Yoga Sutras. Still, the sages insist it is achievable, and both history and contemporary examples confirm that it is possible. These people smile and laugh too much. They burst with radiant health and generosity. We are suspicious of them. They’ve been transformed out of the ordinary, and it shows.
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
We stare at each other to stave off the inevitable spat over who misses work. Warren’s down to his last few vacation days; I’d have to reschedule forty student conferences. But enough of the night sparkles through me that I say I’ll handle it, then I add, It’s good for me to get out every now and then. I hope so, he says. A few heartbeats keep me there in silence till I say, Was that sarcastic? He meets my eyes again, saying, Of course not. I start up the stairs and stop. I feel another urge to slide my arms around his strong middle and have him hold me, but if he withdrew, peeled my arms off—the refusal would’ve scorched me like a nuclear blast. I lean tentatively on the door jamb. Don’t you think I need to go out? You believe so, he says. Some rage burbles up, and from nowhere, I say—calmly but with force—That’s a shit thing to say.
Mary Karr (Lit)
We reached the bottom and I sat down on the lowest step. The Fool sat down beside me, and Bee came to my other side. Here we were. All of us alive. For now. I put my arm around her and drew her close. For an instant she stiffened at my touch. Then she leaned into me. For a time, I just sat there. My strength was at a low ebb, but Bee was here. My child was beside me. Above us, fire and falling walks and a furious enemy. Down here, chill and dank and dimness. We were caged in by stone and sea. Prilkop crouched beside the prisoners he had freed. They sat together in one cell, ragged and round-shouldered, huddle close on a single pallet. I could not hear what he was saying to them. Across the room, a shaky Spark inspected a section of the wall. I watched her and Lant run their hands over the stonework, rub at the scratched mortar, and shake their heads. They looked discouraged. “We may have to use a fire-pot,” Lant suggested Spark rubbed her eyes and gingerly shook her head. “Last resort,” she said loudly. “Unless we could put it inside the wall, more of the force would come at us than into the stone. Chade and I did many tests. If we buried the pot, it blasted a hole. On top of the ground it made a wide, shallow indentation. It could as easily bring the ceiling down on us.” “I’m so tired,” Bee said. I could barely hear her. “So am I.” The carris seed had already faded, leaving its darkness and weariness. “Wolf-Father is with you now?” Yes. “Yes.” Her name for Nighteyes made me smile at her. “What is he?” I didn’t know. “He’s good,” I said. I sensed approval from him. “He is,” she agreed. She waited for me to say more. I shrugged at her, and a smile flickered across her face. Then she asked, “Are we safe here?” “Safe enough. For now,” I told her. I studied her face. Her eyes widened. Almost defiantly, she said, “I know what I look like. I’m not pretty anymore.” “You never were,” I told her. I shook my head. The Fool gasped at my cruelty, and Bee’s eyes went wide in shock. “You were and are beautiful,” I said. I freed a hand to touch her lumpy ear. “Every scar a victory. I see you had many of them.” She straightened her back. “Every time they beat me, I tried to hurt them back. Wolf-Father told me that. Make them fear me, he said. So I did. I bit a hole in Dwalia’s face.” That shocked me to silence. But the Fool leaned in and said, “Oh, well done! Would that I could have done that myself.” He smiled at her. “Do you like your father’s nose?” She looked up at me, and I fingered the break in it. She had never seen it any other way. “What’s wrong with it?” she asked in puzzlement. “Nothing at all,” the Fool told her merrily. “I’ve always told people, ‘There’s nothing wrong with his nose.’” He laughed out loud, and both Lant and Spark turned to regard us in surprise. I didn’t understand his joke, but their expressions made me laugh and even Bee smiled, in the way one does at a madman. She leaned closer and closed her eyes. The pain from my leg came in surges with my heartbeat. Rest, rest, rest said the pain. I knew I could not. My body wanted to sleep, to heal, but now was not the time. I needed to get up, to help the others, but Bee was slumped against me and I didn’t want to move her. I leaned back and the last fire-pot in the belt poked me. “Help me,” I said, and the Fool tugged it off me. Bee didn’t stir. I looked down at her little face. Her eyes were closed. Her disfigurement told a dreadful tale. Scars, some months old, some fresh, distorted her face. I wanted to touch the cut at the corner of her mouth and heal it. No. Don’t wake her. I realized I was leaning heavily on the Fool. I lifted my head to look at him. “Did we win?” he asked me. His smile was lopsided in his swollen face. “The fight isn’t over until you win,” I said. Burrich’s words. Spoken to me so long ago. I touched my leg. Warm and wet. I was hungry and thirsty and so tired. But I had them both beside me. Alive.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
Ah!” he cried, his hands raising to blast her off of him, but she tethered them to his chest with vines and cast a dick-shaped eggplant in her hand before shoving it deep into his mouth to silence his screams.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))