Blah Blah Blah Quotes

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Jordan doesn't really care about the blood," Simon said now. "His whole thing is about me being comfortable with what I am. Get in touch with your inner vampire, blah, blah." Clary slid in next to him onto the bed and hugged a pillow. "Is your inner vampire different from your...outer vampire?" "Definitely. He wants me to wear midriff-baring shirts and a fedora. I'm fighting it." Clary smiled faintly. "So your inner vampire is Magnus?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.
Chimamanda Ngozi Adichie (Americanah)
I expected him to do his usual thing of "Oh, Sophie, but that is impossible b/c of this big word, and that big word, and also this abstract concept.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Life goes on. Get over it. You're still young. It'll get better. Blah, Blah, Blah
David Levithan (Marly's Ghost)
Yep, that's me. I know. I know. You're humbled I'm here, feel like throwing rose petals at my feet, blah, blah, blah. No need, though. Just try and think of me as a normal guy -William
Gena Showalter (The Darkest Pleasure (Lords of the Underworld, #3))
The end of the world started when a pegasus landed on the hood of my car. Up until then I was having a great afternoon.Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to the private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin. Now, I know what your thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there. ~Sadie Kane, about Lacy and Drew of Aphrodite cabin.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
"Something on a line, it's discord and rhyme - whatever, whatever, la la la - Mouth is alive, all running inside, and I'm hungry like the -" Warmth spread down my neck. "It's actually,'I howl and I whine. I'm after you,' and not blah or whatever.
Jennifer L. Armentrout (Onyx (Lux, #2))
Grover Underwood of the satyrs!" Dionysus called. Grover came forward nervously. "Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders." Grover collapsed on the spot. "Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling." "FOOOOOD," Grover moaned, as the nature spirits carried him away. I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Blah, blah, blah. Demon boy, I can't speak that language. Furthermore, I don't want to pollute my brain by learning it. So it's time for you to learn mine. First lesson-I'm Say-been. I'm oft described as byoo-tee-full and mah-jest'ick.
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
Light our fire and protect us from the dark, blah blah, light our way and keep us toasty warm, the night is dark and full of terrors, save us from the scary things, and blah blah blah some more.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
whenever they get a chance, never fear, people make you waste hours and months ... they use you as a wall to bounce their bullshit off of ... blah! and blah! and blahblahblah! ... you put up with it for an hour, you'll need two weeks to recover ... blah! blah!
Louis-Ferdinand Céline (North (French Literature))
Never mind," Leo said. "I'm pretty sure pi is, uh, 3.1415 blah blah blah. The number goes on forever, but the sphere has only five rings, so that should be enough, if I'm right." "And if you're not?" Frank asked. "Well, then, Leo fall down, go boom. Let's find out!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
People hate us, blah blah blah, wish we’d go straight to hell, or maybe Wisconsin, since it’s closer, blah blah blah.
Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things.
Zooey Deschanel
Look, I know what you're thinking. You're thinking I said no because the whole thing would just be too Dirty Dancing , right? Summer fling at the resort, only with the roles reversed: you know, the poor working girl and the rich doctor's son, nobody puts Baby in the corner, blah blah blah. That kind of thing.
Meg Cabot (Darkest Hour (The Mediator, #4))
Let's face it - there are a million guys who fulfill the basics: He makes you laugh, earns a good living, smart, blah, blah, blah, but, for me, it's the chemistry that matters.
Jen Schefft (Better Single Than Sorry: A No-Regrets Guide to Loving Yourself and Never Settling)
It’s like when we read The Diary of Anne Frank in seventh grade, and I had the sneaking suspicion that I would have been a Nazi back then because I wouldn’t have had the guts to be anything else. Because I would have been too scared to not go along with the majority. Like, I would have been a passive sort of Nazi, but I still would have been a Nazi. I never said anything out loud, of course, but I remember reading that book in Ms. Peterson’s class and everyone was all, “Oh, I would’ve helped Anne. I would have rebelled. I don’t understand how people could have allowed this to happen, blah blah blah.” I mean,
Jennifer Mathieu (The Truth About Alice)
Names are illusions,” he growled. “Nonsensical labels seized upon by people to make them feel better about the intangibility of their puny existences. I am this. I am that,” he mocked. “I came from so and so. Ergo I am … whatever the blah-blah you want to claim. Bloody hell, spare me.
Karen Marie Moning (Dreamfever (Fever, #4))
Blah, said Toad.
Arnold Lobel
Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.
David Foster Wallace
What do you want me to call them? Shits and Giggles? Fists and Kneecap? Nah, I don't like that one. Hammer and Nails? Dude, these kids are hard-core gangster. They need kick-A names, not that blah, blah sh-crap you gave them." - William
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
He nodded nervously. ‘He looks like a magician. I hate magicians. They usually have rabbits.’ I stared at him. ‘You’re scared of bunnies?’ ‘Blah-hah-hah! They’re big bullies. Always stealing celery from defenceless satyrs.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
An unauthentic word, one which is unable to transform reality, results when dichotomy is imposed upon its constitutive elements. When a word is deprived of its dimension of action, reflection automatically suffers as well; and the word is changed into idle chatter, into verbalism, into an alienated and alienating “blah.” It becomes an empty word, one which cannot denounce the world, for denunciation is impossible without a commitment to transform, and there is no transformation without action.
Paulo Freire (Pedagogy of the Oppressed)
I didn't want to tell you I'd been scared, much less why. I guess that was stupid." "It was." "Aren't you supposed to say something like 'no, it wasn't. Blah, blah, support, stroke, let me get you some chocolate'?" "You haven't red the marriage handbook's footnotes. It's another woman who does that sort of thing. I believe I'm allowed to be more blunt, then ask if you'd like a quick shag." "Shag yourself
J.D. Robb (Eternity in Death (In Death, #25.5))
Every child's bedroom is as important as a telescope orbiting the planet earth or a philosopher's study.
Jerry Spinelli (Fourth Grade Rats)
I can't make out what they're saying; it sounds like: hiss, blah, she hiss, squeak. But the aunt appears to speak the native language.
Emma Chase (Sustained (The Legal Briefs, #2))
DOOM DOOM THE SKY IS FALLING MY FRIEND IS EVIL THE WORLD IS ENDING blah blah overreacting melodramatic nonsense. Darkstalker
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Obviously, you don't know this, Empress, but you ride with the very one who killed you in the last game! He's played you false!" "Nope, I knew. He decapitated me. Blah.
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
And he was like "The sedative in the blood, blah, blah, four hours, blah, blah, nerdspeak, geektalk -" -Abby
Christopher Moore (You Suck (A Love Story, #2))
Yeah, but going by that cold tone of voice, she had to wonder whether the best-laid plans of mice and vampires, blah, blah, blah...
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Teachers, parents, guidance counselors... all of them are always pushing this crap about how it's okay to be different, just be yourself. Don't give in to peer pressure, blah, blah, blah. The truth is, it's really only okay to be yourself if that self is within an accepted range of "normal." You like soccer instead of basketball, Johnny? Well, okay, I guess, so long as you still like sports. What's that, Susie, you want to wear the blue sweater instead of the red? You know we're all about expressing individuality here... so long as it's still a sweater.
Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
I try to get centered: Watching white moon face The stars never feel anger Blah, blah, blah, the end
Chuck Palahniuk (Fight Club)
You better stop with the blah-fucking-zay shit now, or I'll shove this fork so far up your arse, you'll be chewing metal. What question are you considering?
Jodi Ellen Malpas (This Man (This Man, #1))
Quit it," Kitty warns. "We're not getting a cat. Cats are blah. They're also very manipulative
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
And being an "equal opportunity offender"—as in, "It's okay, because Daniel Tosh makes fun of ALL people: women, men, AIDS victims, dead babies, gay guys, blah blah blah"—falls apart when you remember (as so many of us are forced to all the time) that all people are not in equal positions of power. "Oh, don't worry—I punch everyone in the face! People, baby ducks, a lion, this Easter Island statue, the ocean…" Okay, well that baby duck is dead now.
Lindy West (Shrill: Notes from a Loud Woman)
It was strange how he’d made a 180-degree change. Not sure what to make of that curly, bigheaded, bozo yet, she thought, other than fruitcake nuts! “Blah, I’m not sure about your other big brother,” Savanna said, wiggling her nose upward. “I’d rather not chat about him. Do you come to the museum often?” she asked, quickly changing the topic. “I love unusual old history,” she divulged.
Sharon Carter (Love Auction II: Love Designs)
Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I wrote this book after my kids went to sleep. I wrote this book on subways and on airplanes and in between setups while I shot a television show. I wrote this book from scribbled thoughts I kept in the Notes app on my iPhone and conversations I had with myself in my own head before I went to sleep. I wrote it ugly and in pieces.
Amy Poehler (Yes Please)
If we don’t make it, I love you and blah, blah, blah.” He laughed, and shifted so his arm wrapped around her shoulders. “I’ll say the same. It’s been a hell of a ride so far.
J.D. Robb (Origin in Death (In Death, #21))
That thing that everyone talks about. That really big newspaper in the sky that came along and ruined everything else, blah blah blah.' Rosie was stumped, until light finally dawned. 'You mean the internet?' 'Well, yes. I hate that thing.' 'The whole thing?' 'Yes.' 'You hate the entire internet?' 'Yes.
Jenny Colgan (Welcome to Rosie Hopkins' Sweet Shop of Dreams (Rosie Hopkins' Sweet Shop, #1))
Language can't describe reality. Literature has no stable reference, no real meaning. Each reader's interpretation is equally valid, more important than the author's intention. In fact, nothing in life has meaning. Reality is subjective. Values and truths are subjective. Life itself is a kind of illusion. Blah, blah, blah, let's have another scotch.
Dean Koontz (False Memory)
Rats! There goes the bell... oh, how I hate lunch hours! I always have to eat alone because nobody likes me... Peanut butter again... I wish that little red haired girl would come over, and sit with me. Wouldn’t it be great if she’d walk over here, and say, “May I eat lunch with you, Charlie Brown?” I’d give anything to talk with her... she’d never like me, though... I’m so blah and so stupid... she’d never like me... I wonder what would happen if I went over and tried to talk to her! Everyone would probably laugh... she’d probably be insulted someone as blah as I am tried to talk to her. I hate lunch hour... all it does is make me lonely... during class it doesn’t matter... I can’t even eat... Nothing tastes good... Rats! Nobody is ever going to like me... Lunch hour is the loneliest hour of the day!
Charles M. Schulz
Can I just say that dying sucks? All that bullshit about seeing the light and having this inner peace, blah, blah, blah. It's crap.
Julie Kenner (Tainted (The Blood Lily Chronicles, #1))
Watching white moon face The stars never feel anger Blah, blah, blah, the end
Chuck Palahniuk (Fight Club)
If you listen to the experts, you may find this is all a little bit of this and a little bit of that, a whole lot of blah blah blah, and a smattering of goobledygook.
Philippe Lechermeier (The Secret Lives of Princesses)
Blah blah blah deconstruction blah blah blah.
A. Cretan
We owe Clint Eastwood a debt of thanks. Not only because it was truly a hilarious twelve minutes of improvised "awesome" in a week of scripted "blah". But because it advanced our understanding. This president has issues, and there are very legitimate debates about his policies and actions, and successes and or failures as president - I mean, tune in next week. But I could never wrap my head around why the world, and the president republicans describe, bears so little resemblance to the world and the president that I experience. And now I know why : There is a president Obama that only republicans can see
Jon Stewart (Miscellaneous Writings (Studies in Phenomenology and Existential Philosophy))
P.S. Nothing personal, but I think this journal assignment is a waste of time. I know I have to do something to make up for all the work I'm missing at school, but I HATE busywork. And that's what this journal thing is. Half the teachers at school assign work they never read. When we get stupid assignments like that, I always write somewhere on my paper "blah blah blah" or "I bet you're not even reading this," are you? or "Give me a sign if you're reading this." They never are.
Kate Klise (Trial by Journal)
Writing is such an industry now. In many ways, that's a good thing, in that it removes all the muse-like mystique and makes it a plain old job, accessible to everyone. But with industry comes jargon. I was aware that jargon was starting to fill those growing shelves of Writer's Self Help books, not to mention the blogosphere. Wherever I looked, the writing of a script was being reduced to A, B, C plots, Text and Subtext, Three Act Structure and blah, blah, blah. And I'd think, that's not what writing is! Writing's inside your head! It's thinking! It's every hour of the day, every day of your life, a constant storm of pictures and voices and sometimes, if you're very, very lucky, insight.
Russell T. Davies (Doctor Who: The Writer's Tale)
Blah, blah, blah, regret to inform you that DI Gray has tendered his resignation; blah, blah, blah; opportunity to reward performance; blah, blah, blah; suggestions by next Wednesday. McPherson had scribbled, "BEATTIE?" in the margin in red biro. Idiot. Logan stuck the memo back in the drawer. Detective Sergeant Beattie couldn't arrest his own backside with three patrol cars and a search warrant.
Stuart MacBride (Blind Eye (Logan McRae, #5))
Everybody keeps talking about 'fighting' the cancer," he said, "everybody keeps telling me to fight for my life, to fight the disease, and how their uncle won the battle against cancer and their cousin won the fight against cancer and black blah blah blah." "Okay...and?" "I'm not fighting," he said. "It's already inside me... and I'm not going to fight. I'm going to be a good host, let it pass through me.. resist nothing. Sieve. Let it all pass through.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
A blah is a terrible thing to waste!
Nigel Tomm
Crest, that was his name, was meanwhile droning on, while Kate seemed to be only half listening. I could not hear him clearly, but I could guess at the gist of it. “Blah blah blah, I am handsome, I make a lot of money, this suit is expensive, and my shoes are made of the finest Corinthian leather hand-stitched by virgins under the moonlight. Of course, I could have gone into pediatrics, but for one of my amazing skill, really, plastic surgery was the only option. Beauty is so important, don’t you think? Oh, Kate, you are nearly as attractive as I. Why then should we not be beautiful together?”
Gordon Andrews (Magic Bites - Fernando's (Curran POV #2))
Nothing Alan Moore writes can be blah-blah-blahed," Park said solemnly. Eleanor shrugged and bit her lip. "I’m beginning to think you shouldn’t have started reading comics with a book that completely deconstructs the last fifty years of the genre," he said. "All I’m hearing is blah, blah, blah, genre.
Rainbow Rowell (Eleanor & Park)
Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a rain drop, a tea kettle, an article, a sentence, a footstep, feel it all – look around you. All of this is for you. Take it and have gratitude. Give it and feel love.
Zooey Deschanel
I'm not that nice," I said. People were always telling me how nice I was. You'd think it would be a compliment, but it was amazing how sometimes it just felt like a kinder way of saying "blah." "I just keep my horrible side well hidden.
Hester Browne (The Runaway Princess)
Why question what Froi of Lumatere was doing here?' he asked.' When you should be questioning what would have happened to Charyn if he hadn't been here. Who else would have saved Gargarin of Abroi from the street lords? … 'Who would have saved Quintana of Charyn from hanging? Who would have rescued her from Tariq of Lascow's compound? Who would have sent her to a safe place to birth the cursebreaker? Blah, blah, blah. I'm bored now,' Finnikin said, looking around.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black and fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable.
Chimamanda Ngozi Adichie (Americanah)
...I hate myself. I feel like an idiot saying it because, blah, blah, teen angst, boo hoo, but I do. I hate myself. Almost all the time. I try not to tell anyone because I don't want to burden them, but I feel like I'm falling farther and farther away from them. Like the well's getting deeper and I'm running out of energy to climb it and any minute now, any second, it's going to stop being worth even trying.
Patrick Ness (The Rest of Us Just Live Here)
God is not a technician. God is an Artist. This is the God who made you. The same God who lives inside of you. He comes into us, then comes out of us, in a million little ways. That's why there's freedom, even in the blah. Hope, even in the dark. Love, even in the fear. Trust, even as we face our critics. And believe in the midst of all that? It feels like strength and depth and wildflower spinning; it feels risky and brave and underdog winning. It feels like redemption. It feels like art.
Emily P. Freeman (A Million Little Ways: Uncover the Art You Were Made to Live)
There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue... And in the depths of the city, beyond an old zone of ruined buildings that look like broken hearts, there lived a happy young fellow by name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah.
Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
Blah! This coconut cream pie tastes like ass and feet! I hate it when things are deceptively delicious-looking.
Nicole Amakan (DIABOLICAL)
Alex the pilot heaved a sigh and said, “I am required by FAA regulations . . . blah blah . . . seat belt . . . blah . . .
Thea Harrison (Serpent's Kiss (Elder Races, #3))
It drives me crazy how quickly the great ones get canonized. 'Blah-blah-blah is such a terrible loss.' Does that mean that the death of one mediocre slob is not as terrible? Do fags have to be geniuses to justify living?
Sarah Schulman (Rat Bohemia)
All the backpedaling and backstepping that goes on with powerful women today, with Hillary Clinton saying she could have stayed home and baked cookies and blah blah blah, and then offending everybody so that she had to say that she does, in fact, *love* to make cookies, loves it almost as much as she likes to trade agricultural futures. I mean, what is that about? All this I'm really a lady, I'm really a nice girl crap- who needs it? It really is nothing more than surrender.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
Who wouldn’t love this jargon we dress common sense in: "formal innovation is no longer transformative, having been co-opted by the forces of stabilization and post-industrial inertia," blah, blah. But this co-optation might actually be a good thing if it helped keep younger writers from being able to treat mere formal ingenuity as an end in itself. MTV-type co-optation could end up a great prophylactic against cleveritis—you know, the dreaded grad-school syndrome of like "Watch me use seventeen different points of view in this scene of a guy eating a Saltine." The real point of that shit is "Like me because I’m clever"—which of course is itself derived from commercial art’s axiom about audience-affection determining art’s value.
David Foster Wallace
Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!" People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH.. If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something.. No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again. Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore.. It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!
Timothy Padayachee
And they got blackout drunk one night and it just happened. It was basically an accident, and he gave me the most sincere and moving confession of all time, swore to God he loved me so much and would do anything to convince me, blah blah blah, but it didn’t matter, I kept thinking about it and running it through my head and just burning with it. I cried every night for weeks. Practically wore the binary off all my saddest Mp3s.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Right! Let's get on with it! All right... you... Will... have trained as apprentice to Ranger Halt of Redmont Fief these last five twelvemonths and blah blah blah and so on and so on. You've shown the necessary level of proficiency in the use of the weapons a Ranger uses- the longbow, the saxe knife, the throwing knife." He paused and glanced up Halt. "He has shown the proficiency, hasn't he? Of course he has," he went on, before Halt could answer. "Furthermore, you are a trusted officer in the service of the King and so on and so on and hi diddle diddle dee dee..." He glanced up again. "These forms really do carry on a bit, don't they? But I have to make a pretense of reading them. And so forth and so on and such like." He paused, nodded several times, then continued. "So basically..." He flicked a few more pages, found the one he was after and then continued, "You are in all ways ready to assume the position and authority of a fully operational Ranger in the Kingdom of Araluen. Correct?" He glanced up again, his eyebrows raised. Will realized he was waiting for an answer. "Correct," he said hastily, then in case that wasn't enough, he added, "Yes. I mean... I do... I am. Yes." "Well, good for you.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Sheena Iyengar, a Columbia University professor who specializes in research on choice, put it to me another way: “People are not products,” she said bluntly. “But, essentially, when you say, ‘I want a guy that’s six foot tall and has blah, blah, blah characteristics,’ you’re treating a human being like one.
Aziz Ansari (Modern Romance: An Investigation)
The Battle of Gettysburg was fought in Gettysburg, Pennsylvania in 18-something-or-nother. The year doesn‘t matter.They considered it the turning point of the war, and President Lincoln showed up to give his big speech. Who really cares what it was called? I don‘t. After it was all over and the North won, Congress passed the 13th amendment to free the slaves. It outlawed owning another person, yada, yada, yada, but it was a waste of time. All of it. Every bit. Completely pointless. All those people died and it didn't change anything, because it doesn't work if they don't enforce it. They just ignore it, turn their backs and say it‘s not their problem, but it is. It's everyone's problem. They can say slavery ended all they want, but that doesn't make it true. People lie. They'll tell you what they think you wanna hear, and you‘ll believe it. Whatever makes you feel better about your dismal little lives. So, whatever. Go on being naive. Believe what the history book tells you if you want. Believe what Mrs. Anderson wants me to tell you about it. Believe the land of the free, blah, blah, blah, star spangled banner bullshit. Believe there aren‘t any slaves anymore just because a tall guy in a big ass top hat and a bunch of politicians said so. But I won‘t believe it, because if I do too, we‘ll all fucking be wrong, and someone has to be right." -Carmine DeMarco
J.M. Darhower (Sempre (Sempre, #1))
Blah, blah, blah, we’re never going to agree but I respect your viewpoint even though I think you’re an idiot,
J.M. Darhower (Ghosted)
The Blues The Blahs The Weary Dismals Lost in Gloom Woesome Me's The Eternal 3 AM of the Soul.
Vivian Swift (When Wanderers Cease to Roam: A Traveler's Journal of Staying Put)
I stared at him. “You’re scared of bunnies?” “Blah-hah-hah! They’re big bullies. Always stealing celery from defenseless satyrs!” Thalia coughed.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
At some point you have to set aside snobbery and what you think is culture and recognize that any random episode of Friends is probably better, more uplifting for the human spirit, than ninety-nine percent of the poetry or drama or fiction or history every published. Think of that. Of course yes, Tolstoy and of course yes Keats and blah blah and yes indeed of course yes. But we're living in an age that has a tremendous richness of invention. And some of the most inventive people get no recognition at all. They get tons of money but not recognition as artists. Which is probably much healthier for them and better for their art.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
Japhy,' I said out loud, 'I don't know when we'll meet again or what'll happen in the future, but Desolation, Desolation, I owe so much to Desolation, thank you forever for guiding me to the place where I learned it all. Now comes the sadness of coming back to cities and I've grown two months older and there's all that humanity of bars and burlesque shows and gritty love, all upsidedown in the void God bless them, but Japhy you and me forever we know, O ever youthful, O ever weeping.' Down on the lake rosy reflections of celestial vapor appeared, and I said 'God I love you' and looked up to the sky and really meant it. 'I have fallen in love with you, God. Take care of us all, one way or the other.' To the children and the innocent it's all the same. And in keeping with Japhy's habit of always getting down on one knee and delivering a little prayer to the camp we left, to the one in the Sierra, and the others in Marin, and the little prayer of gratitude he had delivered to Sean's shack the day he sailed away, as I was hiking down the mountain with my pack I turned and knelt on the trail and said 'Thank you, shack.' Then I hadded 'Blah,' with a little grin, because I knew that shack and that mountain would understand what that meant, and turned and went on down the trail back to this world.
Jack Kerouac (The Dharma Bums)
You. Must. Do. Your. Homework. I'm not kidding. Our world is full of dangerous things. When you neglect your studies, you deny yourself the tools to deal with them. Every assignment-" I lifted a hand to stop him. "Allow me. Every assignment is a rare window into the ancient and noble tradition of the Guardians, a key to the mysterious power of the Crossworld, blah, blah. Don't forget the part about how I'm not living up to my potential.
Cecily White (Prophecy Girl (Angel Academy, #1))
Soph, I really don't think this is a good idea. I'm at a point in my life where dating is more hazardous than helpful." She held her hand up and made it move like a chattering puppet. "Blah, blah, blah, blah, blah, blah. Say what you want. We had a deal. I picked a guy for you to talk to. Now you're gonna sashay your fanny over there and be the very definition of charming and beguiling." "Shows what you know," I grumbled under my breath. "I don't even know what beguiling means.
Stacey Rourke (Embrace (Gryphon, #2))
Classifying depression as an illness serves the psychiatric community and pharmaceutical corporations well; it also soothes the frightened, guilty, indifferent, busy, sadistic, and unschooled. To understand depression as a call for life-changes is not profitable. Stagnation is not a medical term. The 17.5 million Americans diagnosed as suffering a major depression in 1997 were mostly damned. (Psychobiological examinations confuse cause and symptom.) Deficient serotonergic functioning, ventral prefrontal cerebral cortex, dis-inhibition of impulsive-aggressive behavior, blah blah blah: the medical lexicon boils emotion from human being. Go take a drug, the doctor says. Pain is a biochemical phenomenon. Erase all memory.
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
He made a noise that sounded like a strangled laugh, and then said: Ah, I like your style. I’ll give you that. You’re not easy to get the upper hand on, are you? Obviously I’m not going to manage it. It’s funny, because you carry on like you’d let me walk all over you, answering my texts at two in the morning, and then telling me you’re in love with me, blah blah blah. But that’s all your way of saying, just try and catch me, because you won’t. And I can see I won’t. You’re not going to let me have it for a minute. Nine times out of ten you’d have someone fooled with the way you go on. They’d be delighted with themselves, thinking they were really the boss of you. Yeah, yeah, but I’m not an idiot. You’re only letting me act badly because it puts you above me, and that’s where you like to be. Above, above. And I don’t take it personally, by the way, I don’t think you’d let anyone near you. Actually, I respect it. You’re looking out for yourself, and I’m sure you have your reasons. I’m sorry I was so harsh on you with what I said, because you were right, I was just trying to hurt you. And I probably did hurt you, big deal. Anyone can hurt anyone if they go out of their way. But then instead of getting mad with me, you go saying I’m welcome to stay over and you still love me and all this. Because you have to be perfect, don’t you? No, you really have a way about you, I must say. And I’m sorry, alright? I won’t be trying to take a jab at you again. Lesson learned. But from now on you don’t need to act like you’re under my thumb, when we both know I’m nowhere near you. Alright? Another long silence fell. Their faces were invisible in darkness. Eventually, in a high and strained voice, straining perhaps for an evenness or lightness it did not attain, she replied: Alright. If I ever do get a hold of you, you won’t need to tell me, he said. I’ll know. But I’m not going to chase too much. I’ll just stay where I am and see if you come to me. Yes, that’s what hunters do with deer, she said. Before they kill them.
Sally Rooney (Beautiful World, Where Are You)
There was a kind of willful stupidity about him. Eddie thought it was self-created and maybe propped up by his analyst, who would tell him about how he had to take care of himself, how he had to be the captain of his own ship, the author of his own destiny, respect his own desires, all that blah-blah. All the little code words and terms that meant it was all right to be a selfish fuck. That it was noble, even.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
My friends never seem to yell at their kids. Even when their kids are behaving hideously, they pull them aside and say, now sweetie, you know you shouldn't, blah, blah, blah. Please don't yadda, yadda, okay sweetie? Maybe it's some bullshit show they put on for non-family members, but I'd have to be on happy pills to act like that
Brenda Wilhelmson (Diary of an Alcoholic Housewife)
I tend to forget or rather, rarely cash in on — like coupons piling up — the proximity of people. If I wanted, I could walk a few blocks and find a friend, a friend who is likely experiencing coincidental gloom, blahs, and Sunday doom, because if there’s one thing I know to be true about New York friendships: they are intervened time and again by emotional kismet. Stupid, unprecedented quantities of it. We’re all just here, bungling this imitation of life, finding new ways of becoming old friends.
Durga Chew-Bose
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
The first thing I saw was the pink bubble gum, four feet lower than it should have been, inches above the ground, and framed by a set of perfectly painted lips. It was one of those huge bubbles you just know is going to pop and cover the girl's face, and she'll shriek and yell and whine that her makeup is ruined, blah, blah, blah. But the bubble didn't pop—she did that thing where you suck all the air back into your mouth, and the bubble deflated into a little pink heap.
Aprilynne Pike (Life After Theft)
I scooted out of the laundry room and skipped down the hallway, arms flaying around my head like one of the hot pink puppets from the movie Labyrinth. “A scent and a sound, I’m lost and I’m found. And I’m hungry like the wolf. Something on a line, it’s discord and rhyme—whatever, whatever, la la la—Mouth is alive, all running inside, and I’m hungry like the—” Warmth spread down my neck. “It’s actually, ‘I howl and I whine. I’m after you,’ and not blah or whatever.” Startled by the deep voice, I shrieked and whipped around. My foot slipped on a section of well-cleaned wood and my butt smacked on the floor. “Holy crap,” I gasped, clutching my chest. “I think I’m having a heart attack.” “And I think you broke your butt.” Laughter filled Daemon’s voice. I remained sprawled across the narrow hallway, trying to catch my breath. “What the hell? Do you just walk into people’s houses?” “And listen to girls absolutely destroy a song in a matter of seconds? Well, yes, I make a habit out of it. Actually, I knocked several times, but I heard your…singing, and your door was unlocked.” He shrugged. “So I just let myself in.” “I can see that.” I stood, wincing. “Oh, man, maybe I did break my butt.” “I hope not. I’m kind of partial to your butt.” He flashed a smile. “Your face is pretty red. You sure you didn’t smack that on the way down?” I groaned. “I hate you.
Jennifer L. Armentrout
I replaced my lip with my thumb as my nervous chewing object. "I've taken over your workspace. Your hours. Your life." "You've taken over the very heart of me. Blah, blah. What do you want to do about it?" He tilted his head and drew his ribbon through his fingers. "No, I'll tell you what I want. I wa-" "I'm sorry!" "Do you hear me complaining, Crown? Do you actually know me to do anything I don't want to do?
Anne Zoelle (The Rise of Ren Crown (Ren Crown, #3))
Saying goodbye is rough. I think I told you once that goodbye sounds so stupid and final and blah, blah, blah. But I was younger then. I didn’t know what I know now. Roads can diverge. It’s tough but true. It’ll be okay. In the end. So you’ll go one way. And we’ll go another. Maybe one day we’ll meet again. But even if we don’t, remember this: We have lived. We have loved. We have lost. But we’re standing. For all that we are, we’re still standing.
T.J. Klune (The Long and Winding Road (Bear, Otter, and the Kid, #4))
On the contrary, I’m too weak for it. I mean, everyone is, but I am especially susceptible to its false rewards, you know? It’s designed to addict you, to prey on your insecurities and use them to make you stay. It exploits everybody’s loneliness and promises us community, approval, friendship. Honestly, in that sense, social media is a lot like the Church of Scientology. Or QAnon. Or Charles Manson. And then on top of that—weaponizing a person’s isolation—it convinces every user that she is a minor celebrity, forcing her to curate some sparkly and artificial sampling of her best experiences, demanding a nonstop social performance that has little in common with her inner life, intensifying her narcissism, multiplying her anxieties, narrowing her worldview. All while commodifying her, harvesting her data, and selling it to nefarious corporations so that they can peddle more shit that promises to make her prettier, smarter, more productive, more successful, more beloved. And throughout all this, you have to act stupefied by your own good luck. Everybody’s like, Words cannot express how fortunate I feel to have met this amazing group of people, blah blah blah. It makes me sick. Everybody influencing, everybody under the influence, everybody staring at their own godforsaken profile, searching for proof that they’re lovable. And then, once you’re nice and distracted by the hard work of tallying up your failures and comparing them to other people’s triumphs, that’s when the algorithmic predators of late capitalism can pounce, enticing you to partake in consumeristic, financially irresponsible forms of so-called self-care, which is really just advanced selfishness. Facials! Pedicures! Smoothie packs delivered to your door! And like, this is just the surface stuff. The stuff that oxidizes you, personally. But a thousand little obliterations add up, you know? The macro damage that results is even scarier. The hacking, the politically nefarious robots, opinion echo chambers, fearmongering, erosion of truth, etcetera, etcetera. And don’t get me started on the destruction of public discourse. I mean, that’s just my view. Obviously to each her own. But personally, I don’t need it. Any of it.” Blandine cracks her neck. “I’m corrupt enough.
Tess Gunty (The Rabbit Hutch)
Blah!' Oglivy yells, pushing Emma and me into a pile of wet leaves. We roll around, a red flail of limbs and hysterical laughter. We are all raccoon-drunk on moonlight and bloodshed and the heady, under blossom smell of the forest. I breathe in the sharp odor of cold stars and skunk, thinking, 'This is the happiest I have ever been'. I wish somebody would murder a sheep every night of my life. It feels like we are all embarking on a nightmare together. 'And will stop it in progress!' I think, yanking Emma and Ogli to their feet and hurting towards the lake. We will make sure that the rest of the herd escapes Heimdall's fate, we will....
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
Not every day is awful. Not every day is good. Despite the way the hours pass, I’m living like I should. Not every day is all wrong. Not every day is right. At least I’m not a spider trying to scamper out of sight. Not every day is ideal. Not every day is bad. At any rate I have my senses, even if they’re mad. Not every day is happy. Not every day is glum. When melancholy drags me down, a simple tune I hum. Not every day I smile. Not every day I frown. With effort, I can take a scowl and turn it upside down. Not every day is crazy. Not every day is sane. If consequence nips at my heels I don’t pass on the blame. Not every day is giddy. Not every day is blah. Yet I can still appreciate a giggle and guffaw. Not every day is timid. Not every day is proud. I may not be a dragon, but I roar about as loud. Not every day has rainbows. Not every day has rain. Despite the fact I’m stiff and sore, I’m not in chronic pain. On every day the sun shines, so every night I pray that I might see the morning light and live another day.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
I’m over a thousand years old. I’ve seen it all. You, sweetcheeks, are nothing new.” At what must have been an outraged expression on her face, he laughed again. “Come on. Surely you can’t think you are the only female out there who’s had a rough life, had her heart walked on, been kept in a dungeon for three centuries, blah, blah, pick your trauma, and are now stomping around with all this pent-up anger you spill like acid on everyone who gets to know you.” He narrowed his gaze at her. “How close am I?” Sin’s mouth worked, but nothing came out. She finally snapped it shut to avoid looking like a fish gasping on the bank of a river. “That’s what I thought.” He made a shooing gesture with his hand. “No, run along and go be caustic with someone who cares. Oh, wait, no one cares, do they? Because you won’t let them--
Larissa Ione (Desire Unchained (Demonica, #2))
Marriages suffer from this same cycle. You start dating someone with wonder and anticipation, drunk on love. You romanticize everything about your partner, and even mundane activities like going to the grocery store together can seem like a fantastic date. But then you fall into a routine, and years later, you’ve become roommates, circling the same safe topics while packing lunches, the monotony broken only by occasional date nights. Deep down, you know why these parts of your life have gone stale. It’s because nothing new is happening. You may say you fear change, but the lack of change in your life is why you feel so blah. Monotony will drive any human relationship or endeavor into a ditch.
Mel Robbins (Stop Saying You're Fine: Discover a More Powerful You)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
[WAIT—IT WON’T LET ME REDACT THESE LITTLE SUBHEADING THINGS? THAT’S SUPER ANNOYING!] [FINE, I’LL JUST GIVE YOU MY SUMMARY.] [SO, WHOEVER WROTE THIS WAS ALL BLAH-BLAH-BLAH-STELLARLUNE-SOMETHING-SOMETHING-LEGACY. BUT SERIOUSLY, NO ONE WANTS TO READ ABOUT THE CREEPY STUFF MY MOM DID BEFORE SHE GOT PREGNANT WITH ME! (AND WE’RE ALL SUPER SICK OF HEARING ABOUT MY “LEGACY,” AMIRITE?) SO, LET’S JUST LEAVE IT AT THIS: MY MOM IS EVIL. SHE THINKS SHE’S WAY SMARTER THAN SHE IS. AND NOTHING SHE DID IS GOING TO AFFECT MY GENERAL AWESOMENESS, OKAY?] A PHOTOGRAPHIC MEMORY: [WOW, HOW DID YOU COME UP WITH SUCH A CLEVER TITLE?!] [AND YEAH, I HAVE A PHOTOGRAPHIC MEMORY. NOT SURE WHY ANYONE CARES. BUT IT DOES COME IN HANDY DURING MIDTERMS AND FINALS.] AHEAD OF THE GAME: [BASICALLY: I’M A GENIUS. I SKIPPED LEVEL ONE AT FOXFIRE. YES, YOU SHOULD BE IMPRESSED.] UNREASONABLY HIGH STANDARDS: [GOTTA ADMIT, I WAS TEMPTED TO LEAVE THIS ONE ALONE, SINCE WHOEVER WROTE IT ACTUALLY GOT THINGS PRETTY MUCH RIGHT. I GUESS EVEN THE COUNCIL KNOWS MY DAD’S A JERK WHO FREAKS OUT ALL THE TIME BECAUSE I’M NOT A LITTLE MINI-HIM. WHO KNEW?] A POWERFUL EMPATH: [UGH, THAT’S THE BEST YOU COULD DO FOR THIS SUBHEADING???] [HOW ABOUT “LORD OF THE FEELS”? OR “TRUST THE EMPATH”! OR “HE KNOWS WHAT YOU’RE FEELING—AND YOU SHOULD BE ASHAMED OF YOURSELF”?] [OOO! I’VE GOT IT! “HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF!”] [THOUGH… KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.] THE HEART OF THE MATTER: [I CAN’T BELIEVE YOU GUYS NAMED A SECTION OF MY FILE AFTER MY FATHER’S SUPER-BORING BOOK—AND THEN RAMBLED ON FOR TWO PAGES ABOUT HIS SUPER-BORING THEORY!!!!!] [YOU DON’T NEED TWO PAGES ON IT. YOU DON’T EVEN NEED TWO SENTENCES. HERE’S ALLLLLL YOU NEED TO KNOW—BESIDES THE FACT THAT HE’S TOTALLY NOT THE FIRST PERSON TO COME UP WITH THIS (JUST THE ONE WHO LOVES TO TAKE CREDIT): OUR HEADS AND OUR HEARTS SOMETIMES FEEL DIFFERENT EMOTIONS, AND WHAT’S IN OUR HEARTS IS PROBABLY STRONGER.] [THAT’S IT!] [WELL… OKAY… I GUESS HE ALSO GOES ON A BIT ABOUT HOW EMPATHS PROBABLY ONLY READ THE EMOTIONS FROM THE HEAD.] [AND THERE’S SOMETHING ABOUT HEART EMOTIONS BEING PURER BECAUSE NO ONE CAN CONTROL THEM.] [BUT THAT’S IT.] [AND DON’T TELL LORD BORINGPANTS I READ HIS DUMB BOOK! I MOSTLY SKIMMED.] PRANKSTER AND TROUBLEMAKER: [100 PERCENT ACCURATE. ALSO, I’M LEAVING YOUR LITTLE ATTACHED DETENTION RECORD BECAUSE IT’S THE GREATEST THING I’VE EVER SEEN IN MY LIFE!!!!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
We usually bring her helmet with us, but we left it back in the hotel room this time." I gasp. I also try to decide what kind of flowers I'll bring to her funeral after I strangle the life from her body. I should have stayed in Jersey, like Mom said. Shouldn't have come here with Chloe and her parents. What business do I have in Florida? We live on the Jersey Shore. If you've seen one beach, you've seen them all, right? But noooooooo. I had to come and spend the last of my summer with Chloe, because this would be our last summer together before college, blah-blah-blah. And now she's taking revenge on me for not letting her use my ID to get a tattoo last night. But what did she expect? I'm white and she's black. I'm not even tan-white. I'm Canadian-tourist white. If the guy could mistake her for me, then he shouldn't be giving anyone a tattoo, right? I was just protecting her. Only, she doesn't realize that. I can tell by that look in her eyes-the same look she wore when she replaced my hand sanitizer with personal lubricant-that she's about to take what's left of my pride and kick it like a donkey. "Uh, we didn't get your name. Did you get his name, Emma?" she asks, as if on cue. "I tried, Chloe. But he wouldn't tell me, so I tackled him," I say, rolling my eyes. The guy smirks. This almost-smile hints at how breathtaking a real one would be. The tingling flares up again, and I rub my arms.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
And I wonder, therefore, how James Atlas can have been so indulgent in his recent essay ‘The Changing World of New York Intellectuals.’ This rather shallow piece appeared in the New York Times magazine, and took us over the usual jumps. Gone are the days of Partisan Review, Delmore Schwartz, Dwight MacDonald etc etc. No longer the tempest of debate over Trotsky, The Waste Land, Orwell, blah, blah. Today the assimilation of the Jewish American, the rise of rents in midtown Manhattan, the erosion of Village life, yawn, yawn. The drift to the right, the rediscovery of patriotism, the gruesome maturity of the once iconoclastic Norman Podhoretz, okay, okay! I have one question which Atlas in his much-ballyhooed article did not even discuss. The old gang may have had regrettable flirtations. Their political compromises, endlessly reviewed, may have exhibited naivety or self-regard. But much of that record is still educative, and the argument did take place under real pressure from anti-semitic and authoritarian enemies. Today, the alleged ‘neo-conservative’ movement around Jeane Kirkpatrick, Commentary and the New Criterion can be found in unforced alliance with openly obscurantist, fundamentalist and above all anti-intellectual forces. In the old days, there would at least have been a debate on the proprieties of such a united front, with many fine distinctions made and brave attitudes struck. As I write, nearness to power seems the only excuse, and the subject is changed as soon it is raised. I wait for the agonised, self-justifying neo-conservative essay about necessary and contingent alliances. Do I linger in vain?
Christopher Hitchens (Prepared for the Worst: Selected Essays and Minority Reports)
Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.
Chip Heath (Made to Stick: Why Some Ideas Survive and Others Die)