Blade Of Glory Quotes

We've searched our database for all the quotes and captions related to Blade Of Glory. Here they are! All 45 of them:

Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars. I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other. The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
Jeanette Winterson (Gut Symmetries)
I am the star in the night sky. I am the blade in the twilight. I am the god, the glory.
Pierce Brown (Morning Star (Red Rising, #3))
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
Thomas Wolfe (You Can't Go Home Again)
She was drunk, and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The Sword of the Stars,” Xiraxus repeated. “The Bringer of Light. The Blade of Glory. The Weapon of the Ages.
Lynette Noni (Draekora (The Medoran Chronicles, #3))
They fought because they loved the dance, and the weight of a sword in their hands. The clash and spark of metal and hiss of flame was like music written just for them. They fought for glory, but not for blood. They were Weirlind, heirs of the warrior's stone. And they always slept better with blades beneath their beds.
The Warrior Heir Cinda Williams Chima pg. 426
It is a truism that when one is a hammer, everything looks like a nail. The glory of art is that it can show this proverbial hammer how everything looks to a screwdriver--and to a plowshare, and to an earthenware pot. If reality is the sum of our perceptions, to acquire more varying points of view is to acquire, literally, more reality.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
They fought for glory, but not for blood. They were Weirlind, heirs of the warrior’s stone. And they always slept better with blades beneath their beds.
Cinda Williams Chima (The Warrior Heir (The Heir Chronicles, #1))
When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Innocence was a blade of glory, yet it could blind on both sides.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
He saw the delicate blades of grass which the bodies of his comrades had fertilized; he saw the little shoots on the shell-shocked trees. He saw the smoke-puffs of shrapnel being blown about by light breezes. He saw birds making love in the wire that a short while before had been ringing with flying metal. He heard the pleasant sounds of larks up there, near the zenith of the trajectories. He smiled a little. There was something profoundly saddening about it. It all seemed so fragile and so absurd.
Humphrey Cobb (Paths of Glory)
His eyes close. His hand trembles. “I am the star in the night sky. I am the blade in the twilight. I am the god, the glory.” His breath shudders out. He is afraid. “I am the Gold.” And
Pierce Brown (Morning Star (Red Rising Saga, #3))
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Men don’t fence for their King, or for their families, or for the exercise either, before you try that one on me. They fence for the recognition, for the glory. They fence for their own advancement. They fence for themselves. I should know.
Joe Abercrombie (The Blade Itself (The First Law Trilogy Book 1))
I turned to see him looming over me, his belt undone, his pants shoved to his hips, his rude little purple prick sticking straight out from a dark, tangled nest of pubic hair. By the gods, men thought they were so damned impressive. I giggled. The man hesitated as his features knotted in confusion. His cock drooped slightly, as if being revealed in all its tiny, veiny glory had been a big disappointment for both of us. “I’m sorry,” I said. “I just—” I giggled again. “It’s just, that’s the least impressive dick I’ve ever seen.
Meredith Hart (Dark Waters (Flame and Blade #3))
First of all, Ma never wanted to take credit for anything. She wanted the glory--and everything else--to go to us. And second--she's more a part of it than I like to admit. Yeah, I did the work, but every test I took, every paper I wrote, she was there with me. Her face when she opened the report card, or when I handed her a paper with the word 'Excellent' written across the top was my rocket fuel.... You know what it says in the Talmud? Every blade of grass has an angel that stands over it, whispering, Grow, Grow. That was Ma. That was the work of her life.
Patry Francis (All the Children Are Home)
Before man's bravery I bow my head: More so when valour is unnatural And fear, a bat between the shoulder-blades Flaps its cold webs - but I am ill at ease With propaganda glory, and the lies Of statesmen and the lords of slippery trades. - Before Man's Bravery I Bow My Head May 1941.
Mervyn Peake (Collected Poems)
A high forehead was topped with thick curls, jet black like her own and without even a trace of powder, lengthening into an elegantly beribboned queue which hung down past his shoulder blades. Most remarkable, however, were his eyes, which were the most extraordinary color of green that she had ever seen.
Samantha Kaye (Amour (Passion and Glory #1))
And then I had ridden from the east in the glory of a warrior, which is what I am and always have been. All my life I have followed the path of the sword. Given a choice, and I have been given many choices, I would rather draw a blade than settle an argument with words, for that is what a warrior does, but most men and women are not fighters.
Bernard Cornwell (Lords of the North (The Saxon Stories, #3))
This was a desperate contest. Each move and counter move a fear and sweat-soaked thread to be woven later into fireside verse by those who had the gift. For now, though, they made just a dreadful, discordant song. The clank of blade on shield boss. The dull thud of sword on limewood boards and, now and then, the scrape of a blade's edge across iron ringmail or down bronze scales. And always the breathing, ragged and urgent. A man's lungs pumping in his chest like forge bellows, feeding the fire of hate and the blood lust. These sounds told the true story. They were the lyre strings before they are tuned to melodious accord, before the bard's fingers caress them to lift our hearts and our ideals. No glory now. Just two men hacking at each other with sharp steel. Each craving the other's death. Both desperate to live.
Giles Kristian (Lancelot (The Arthurian Tales, #1))
I began to sense a momentous glory radiating from every form that met my eye- every limb and leaf, every blade of grass ablaze with the unutterable grandeur and majesty. And it seemed to me that the world I saw before me was merely an outward manifestation of a vastly powerful, deeply fundamental reality that existed just out of sight. I might not discern this veiled reality directly, but I could perceive its effects.
Stephen R. Lawhead (The Endless Knot (The Song of Albion, #3))
Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.
Richard Burton (The Arabian Nights)
If anything is terrifying, if there is a reality that surpasses dream, it is this: to live, to see the sun, to be in full possession of manly vigor, to be full of health and joy, to laugh valiantly, to run toward the glory in front of you, dazzling, to feel in your chest lungs that breathe, a heart that beats, a will that reasons, to speak, to think, to love, to have a mother, to have a wife, to have children, to have the light, and all of a sudden, in the time it takes to let out a cry, in less than one minute flat, to tumble into an abyss, to fall, to roll, to crush, to be crushed, to see the blades of wheat, flowers, leaves, branches, and yet not to be able to stop yourself by grabbing any of them, to feel your saber useless, men underneath you, horses on top of you, to flail about in vain, your bones broken by some kick in the dark, to feel a heel making your eyes pop out of your head, to bite into horseshoes with rage, to suffocate, to howl, to twist yourself in knots, to be at the bottom of all this and tell yourself: Just now I was one of the living!
Victor Hugo
Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
Tana French (In the Woods (Dublin Murder Squad, #1))
What are the Italians of today but men tricked out in women's finery, when they should be waiting full-armed to rally at the first signal of revolt? Oh, for the day when a poet shall arise who dares tell them the truth, not disguised in sentimental frippery, not ending in a maudlin reconciliation of love and glory — but the whole truth, naked, cold and fatal as a patriot's blade; a poet who dares show these bedizened courtiers they are no freer than the peasants they oppress, and tell the peasants they are entitled to the same privileges as their masters!" He
Edith Wharton (Edith Wharton: Collection of 115 Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
Nothing is working. Nothing in my life is working. Giants of literature, philosophy, and the arts have influenced my life, but what have I done with this life? I remain a speck in a tumultuous universe that has little concern for me. I am no more than dust, a mote—dust to dust. I am a blade of grass upon which the stormtrooper’s boot stomps. I had dreams, and they were not about ending up a speck. I didn’t dream of becoming a star, but I thought I might have a small nonspeaking role in a grand epic, an epic with a touch of artistic credentials. I didn’t dream of becoming a giant—I wasn’t that delusional or arrogant—but I wanted to be more than a speck, maybe a midget. I could have been a midget. All our dreams of glory are but manure in the end.
Rabih Alameddine (An Unnecessary Woman)
Any Justification that does not lead to Biblical sanctification and mortification of sinful desires is a false justification no matter how many Solas you attach to it”. “See that your chief study be about the heart, that there God’s image may be planted, and his interest advanced, and the interest of the world and flesh subdued, and the love of every sin cast out, and the love of holiness succeed; and that you content not yourselves with seeming to do good in outward acts, when you are bad yourselves, and strangers to the great internal duties. The first and great work of a Christian is about his heart.” ~ Richard Baxter Never forget that truth is more important to the church than peace ~ JC Ryle "Truth demands confrontation. It must be loving confrontation, but there must be confrontation nonetheless.” ~ Francis Schaeffer I am not permitted to let my love be so merciful as to tolerate and endure false doctrine. When faith and doctrine are concerned and endangered, neither love nor patience are in order...when these are concerned, (neither toleration nor mercy are in order, but only anger, dispute, and destruction - to be sure, only with the Word of God as our weapon. ~ Martin Luther “Truth must be spoken, however it be taken.” ~ John Trapp “Hard words, if they be true, are better than soft words if they be false.” – C.H. Spurgeon “Oh my brethren, Bold hearted men are always called mean-spirited by cowards” – CH Spurgeon “The Bible says Iron sharpens Iron, But if your words don't have any iron in them, you ain't sharpening anyone”. “Peace often comes as a result of conflict!” ~ Don P Mt 18:15-17 Rom 12:18 “Peace if possible, truth at all costs.” ~ Martin Luther “The Scriptures argue and debate and dispute; they are full of polemics… We should always regret the necessity; but though we regret it and bemoan it, when we feel that a vital matter is at stake we must engage in argument. We must earnestly contend for the truth, and we are all called upon to do that by the New Testament.” Martyn Lloyd-Jones (Romans – Atonement and Justification) “It is one of the severest tests of friendship to tell your friend his faults. So to love a man that you cannot bear to see a stain upon him, and to speak painful truth through loving words, that is friendship.” ~ Henry Ward Beecher “Truth bites and it stings and it has a blade on it.” ~ Paul Washer Soft words produce hard hearts. Show me a church where soft words are preached and I will show you a church of hard hearts. Jeremiah said that the word of God is a hammer that shatters. Hard Preaching produces soft hearts. ~ J. MacArthur Glory follows afflictions, not as the day follows the night but as the spring follows the winter; for the winter prepares the earth for the spring, so do afflictions sanctified, prepare the soul for glory. ~ Richard Sibbes “Cowards never won heaven. Do not claim that you are begotten of God and have His royal blood running in your veins unless you can prove your lineage by this heroic spirit: to dare to be holy in spite of men and devils.” ~ William Gurnall
Various
I swung it a couple of times, getting used to the weight. “Two swords,” Bran said from the doorway. His spasm had torn his clothes, and he had cut and rigged the remnants of his shirt and pants into a makeshift kilt, showcasing the world’s greatest chest. Too bad the kilt gave me a flashback to Greg’s killer. He had worn a kilt, too. “Can you handle two swords?” I pulled Slayer from the sheath, lunged at him, drawing a classic figure eight around his body with Slayer, and blocked his arm with the flat of the shorter blade when he tried to counter. “Fancy. You missed,” he said. “You want something?” “I thought since we both might die tomorrow, you’d be up for a friendly roll-in-the-hay.” “I might die. You’ll be healed.” He shook his head. “I’m not immortal, dove. Do enough damage fast and I’ll kick the bucket like the rest of you.” I disengaged and moved past him to the door. His kilt fell. “It took me forever to fix this!” He grabbed it off the floor and it fell apart in his hand. I had cut it in three places. I walked out into the hallway and almost ran into Curran accompanied by a group of shapeshifters. Bran followed me in all his naked glory. “Hey, does this mean no sex?” Curran’s face went blank. I dodged him and kept walking. Bran chased me, weaving through the shapeshifters. “Get out of my way, don’t you see I’m trying to talk to a woman?” I made the mistake of looking back in time to see Curran reach for Bran’s neck as the Hound of Morrigan rushed by. With an effort of will that must have taken a year off his life, Curran curled his fingers into a fist and lowered his hand instead. I chuckled to myself and kept walking. The Universe had proven Curran wrong: a person who aggravated him more than me did, in fact, exist.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I know a little of this man, Sandor Clegane. He was Prince Joffrey’s sworn shield for many a year, and even here we would hear tell of his deeds, both good and ill. If even half of what we heard was true, this was a bitter, tormented soul, a sinner who mocked both gods and men. He served, but found no pride in service. He fought, but took no joy in victory. He drank, to drown his pain in a sea of wine. He did not love, nor was he loved himself. It was hate that drove him. Though he committed many sins, he never sought forgiveness. Where other men dream of love, or wealth, or glory, this man Sandor Clegane dreamed of slaying his own brother, a sin so terrible it makes me shudder just to speak of it. Yet that was the bread that nourished him, the fuel that kept his fires burning. Ignoble as it was, the hope of seeing his brother’s blood upon his blade was all this sad and angry creature lived for . . . and even that was taken from him, when Prince Oberyn of Dorne stabbed Ser Gregor with a poisoned spear.
Anonymous
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
He wondered, as her blades crackled in the too quiet room, and waves of electricity spiraled around them, if he'd made a mistake. He hadn't seen her in years, but he'd heard the rumors. He hadn't truly known if she could wield those weapons with the glory and grace that drew blood and split bones. But now, as Androma hissed, "I'm going to kill you," and her words sent a slice of fear charging through Dex's heart, he knew. Gone was the girl he'd once known, that shivering thing he;d found bruised and broken in the wilderness of Adhira. In her place stood the warrior he'd trained and hardened and turned into something devilishly delicious. He reached for his gun as the Bloody Baroness attacked.
Sasha Alsberg (Zenith Part 1)
I am the star in the night sky. I am the blade in the twilight. I am the god, the glory.” His
Pierce Brown (Morning Star (Red Rising, #3))
Eamon stood and adjusted the sword at his waist. Buck edged over to peer around their little rock shelter, taking a closer look at both cliff sides.   “We’ll spread out so if it attacks, the rest have a better chance of doing something,” Eamon said softly. “We know its weak spot now. We have a chance.”   Shea’s expression said ‘what the fuck is that going to do?’   “This is what a scout does, Daisy,” Buck said with a jaunty grin. “We go where others fear to tread. It’s why we’re the best of Hawkvale’s Army. Men fight for the privilege of being a scout. Father’s train their boys from birth for the sole purpose of joining our ranks. Who wants to be swinging a blade while hemmed in on their left and right when they have a chance at true glory? We slay beasts, and we’re not afraid of anything. Not even death.
T.A. White (Pathfinder's Way (The Broken Lands, #1))
The icy casings of leaves and grasses and blades and sprigs were glowing and hid in a mist of sun-fire. Moor-folk call this morning glory Ammil.
Henry Williamson (Tarka the Otter)
Now you see,’ said Yesugei. ‘We are made to be greater than the humanity we serve. The weight of the blade is nothing to us. To ride and fight and bleed for days is nothing to us. Nothing to us… We are made higher and so we lose that part that a child and an old man and a father looking into his child’s eyes knows – that the next step is not a promise. That to live is to fight. We forget that. We forget that life is weakness in the face of eternity. To take the next step only matters if you must fight for it, for the last fraction of ourselves. And taking it you see yourself, true and clear – not a warrior, not a hero, not a story of glory and wonder… Just a lightning flash, a descent from Heaven to Earth, a step taken, bright and fleeting and then gone.
John French (Mortis (The Siege of Terra #5))
Clouds had moved over the moon. Not even the bright sword in his hand could be seen as he moved it out into what had been moonlight. And then it came. A light more brilliant than the sun’s – a light like razors. It not only showed to the least minutiae the anatomy of masonry, pillars and towers, trees, grass-blades and pebbles, it conjured these things, it constructed them from nothing. They were not there before – only the void, the abactinal absences of all things – and then a creation reigned in a blinding and ghastly glory as a torrent of electric fire coursed across heaven. To Flay it seemed an eternity of nakedness; but the hot black eyelid of the entire sky closed down again and the stifling atmosphere rocked uncontrollably to such a yell of thunder as lifted the hairs on his neck. From the belly of a mammoth it broke and regurgitated, dying finally with a long-drawn growl of spleen. And then the enormous midnight gave up all control, opening out her cumulous body from horizon to horizon, so that the air became solid with so great a weight of falling water that Flay could hear the limbs of trees breaking through a roar of foam.
Mervyn Peake (The Illustrated Gormenghast Trilogy)
A new day has dawned. New Secondary Skills are unlocked: Strider’s Focus: You have grown closer to Nature and learned the basics of this skill without a trainer. Somatic Battle-Weaving: This skill has increased through extensive use without the need to allocate skill points to it. Equilibrium: This skill allows you to keep your balance and avoid effects that cause dizziness or disorientation. Suffer through more such effects to increase it. Blades: You have increased your knowledge of which techniques to use in which situations. He had little time to bask in the glory of his skill increases, as the true prize of level four awaited him: Focus Unlocked. At level 4, you may select a Focus for one of your Attributes. This Focus increases your effective score in that Attribute whenever the relevant trait is tested. For instance, Prowess(Strength) allows you better results when lifting heavy objects, but you receive no bonus for feats of agility (such as dodging attacks)
Gregory Blackburn (Unbound (Arcana Unlocked #1))
Myriam gritted her teeth and extinguished every one of her thoughts except one: glory. She roared with the fury of every woman who had ever been scorned by the world of man, and even though she wanted nothing more than to hold her wife, she forced her mind to stoically accept the present moment and filled herself with fearless rage. “Come, Hunter! Come and taste my blades and know that you are not the most terrifying monster on Earth. I am!” Myriam screamed, her rasping voice a trophy proving that Hunters had every right to fear her.
E.S. Fein (Mendel's Ladder (The Collected Histories of Neoevolution Earth, #1))
Early in the battle, Dumas's horse was shot out from under him and fell in such a way that the Austrians were sure it had killed him. "The Black Devil is dead!" the cry went up. But then Dumas rose from the dead, or rather, from behind his horse, which he then used as cover to stage his own counter-fusillade. He had discovered a small cache of loaded Austrian guns, which he now used to return fire. As Dermoncourt lay in a bleeding heap, he later recalled, "I managed to turn toward the general; he was standing at the head of the bridge of Clausen and holding it alone against the whole Austrian squadron; and as the bridge was narrow and the men could only get at him two or three abreast, he cut down as many as came at him. Bleeding from the arm, thigh, and head, Dumas slashed and stabbed with unrelenting fury, and with such power that most every Austrian touched by his blade fell mortally wounded or took a deadly dive over the bridge into the river below. When he was finally relieved on the bridge by a few dozen French cavalry and the Austrians retreated, Dumas did not rest but leapt on a horse to purse the fleeing enemy nearly ten miles into the alpine woods.
Tom Reiss (The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo)
Throne In Confusion by Stewart Stafford The sacked castle casts smoke on the lake, Cinders’ glow distinguishes it from the mist, The only gallows the noble knights adorned, Were ones lowering them onto their steeds. Thundering warhorses charged the enemy, Storming across such a gallant battlefield, Mortal combat with axe, blade and sword, For king, country and all of Heaven’s glory. Intruders rush over a downed drawbridge, Rotten and riddled in darkness incarnate, To a peregrinating, riderless throne room, A neophyte sovereign in gold leaf crown. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
opportunity to boast to Ittai. “A big battle is coming. The Sons of Rapha will finally be unveiled in all our power and glory. Speak nothing of this, or I will have to slit your throat.” “Of course.” Lahmi gave his usual grin of contempt. “We are the Seed of the Serpent cursed by the Israelite god Yahweh. Ha! It is a badge of honor to be so cursed by such a despicable deity. We will hand him his curse back on the blade of our scimitars!” Ittai blurted out, “How?” “Well, it has just been revealed by none other than Dagon himself to our inner circle…” He paused for gloating effect, “that an ancient prophecy of a messiah king born of the Seed of Eve and of Abraham will rise within Israel. In a fortnight, Goliath will call out their Champion, this warrior messiah, and challenge him to a duel. It is no surprise what the outcome of that battle will be.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
Philosophy and science have not always been friendly toward the idea of God, the reason being that they are dedicated to the task of accounting for things and are impatient with anything that refuses to give an account of itself. The philosopher and the scientist will admit that there is much that they do not know; but that is quite another thing from admitting that there is something which they can never know, which indeed they have no technique for discovering. To admit that there is One who lies beyond us, who exists outside of all our categories, who will not be dismissed with a name, who will not appear before the bar of our reason, nor submit to our curious inquiries: this requires a great deal of humility, more than most of us possess, so we save face by thinking God down to our level, or at least down to where we can manage Him. Yet how He eludes us! For He is everywhere while He is nowhere, for "where" has to do with matter and space, and God is independent of both. He is unaffected by time or motion, is wholly self-dependent and owes nothing to the worlds His hands have made. Timeless, spaceless, single, lonely, Yet sublimely Three, Thou art grandly, always, only God is Unity! Lone in grandeur, lone in glory, Who shall tell Thy wondrous story? Awful Trinity! FREDERICK W. FABER It is not a cheerful thought that millions of us who live in a land of Bibles, who belong to churches and labor to promote the Christian religion, may yet pass our whole life on this earth without once having thought or tried to think seriously about the being of God. Few of us have let our hearts gaze in wonder at the I AM, the self-existent Self back of which no creature can think. Such thoughts are too painful for us. We prefer to think where it will do more good - about how to build a better mousetrap, for instance, or how to make two blades of grass grow where one grew before. And for this we are now paying a too heavy price in the secularlzation of our religion and the decay of our inner lives. Perhaps some sincere but puzzled Christian may at this juncture wish to inquire about the practicality of such concepts as I am trying to set forth here. "What bearing does this have on my life?" he may ask. "What possible meaning can the self-existence of God have for me and others like me in a world such as this and in times such as these?" To this I reply that, because we are the handiwork of God, it follows that all our problems and their solutions are theological. Some knowledge of what kind of God it is that operates the universe is indispensable to a sound philosophy of life and a sane outlook on the world scene. The much-quoted advice of Alexander Pope, "Know then thyself, presume not God to scan: The proper study of mankind is man," if followed literally would destroy any possibility of man's ever knowing himself in any but the most superficial way. We can never know who or what we are till we know at least something of what God is. For this reason the self-existence of God is not a wisp of dry doctrine, academic and remote; it is in fact as near as our breath and as practical as the latest surgical technique.
A.W. Tozer (The Knowledge of the Holy)
Glory is as easy to grasp as a dagger. It draws attention to its bearer like a blade flashing in the sun. Honor, on the other hand, requires discipline and compassion and self-respect. It often works silently, without recognition or the desire for it. Honor comes only after years of effort and, once grasped, is even more difficult to hold. ~Abu Bakr
Sherry Jones (The Jewel of Medina)
I am the star in the night sky. I am the blade in the twilight. I am the god, the glory.” His breath shudders out. He is afraid. “I am the Gold.
Pierce Brown, Morning Star