Beautiful Greetings Quotes

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...I've made it my business to observe fathers and daughters. And I've seen some incredible, beautiful things. Like the little girl who's not very cute - her teeth are funny, and her hair doesn't grow right, and she's got on thick glasses - but her father holds her hand and walks with her like she's a tiny angel that no one can touch. He gives her the best gift a woman can get in this world: protection. And the little girl learns to trust the man in her life. And all the things that the world expects from women - to be beautiful, to soothe the troubled spirit, heal the sick, care for the dying, send the greeting card, bake the cake - allof those things become the way we pay the father back for protecting us...
Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
...the Confederacy of the Humbled is a close-knit brotherhood whose members travel with no outward markings, but who know each other at a glance. For having fallen suddenly from grace, those in the Confederacy share a certain perspective. Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense. They certainly do not scour the papers in search of their own names. They remain committed to living among their peers, but they greet adulation with caution, ambition with sympathy, and condescension with an inward smile.
Amor Towles (A Gentleman in Moscow)
The wondrous moment of our meeting... Still I remember you appear Before me like a vision fleeting, A beauty's angel pure and clear. In hopeless ennui surrounding The worldly bustle, to my ear For long your tender voice kept sounding, For long in dreams came features dear. Time passed. Unruly storms confounded Old dreams, and I from year to year Forgot how tender you had sounded, Your heavenly features once so dear. My backwoods days dragged slow and quiet -- Dull fence around, dark vault above -- Devoid of God and uninspired, Devoid of tears, of fire, of love. Sleep from my soul began retreating, And here you once again appear Before me like a vision fleeting, A beauty's angel pure and clear. In ecstasy my heart is beating, Old joys for it anew revive; Inspired and God-filled, it is greeting The fire, and tears, and love alive.
Alexander Pushkin
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?" Jem nodded. "So they tell me." "I am sorry," Will said. "No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me." He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what. Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly. "I'll train with you," he said.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
She walked to the door in her fucking underwear, and opened it a crack before turning and sprinting into her bedroom, leaving me to greet the intruders. What in the actual fuck.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
May we greet each other with a smile, hug and speak kind words.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
She passed through a world of snowcapped mountains under shining stars. Passed over one of those mountains, where a winged male stood beside a heavily pregnant female, gazing out at those very stars. Fae. They were Fae, but this was not her world. She flung out a hand, as if she might signal them, as if they might somehow help her when she was nothing but an invisible speck of power— The winged male, beautiful beyond reason, snapped his head toward her as she arced across his starry sky. He lifted a hand, as in greeting. A blast of dark power, like a gentle summer night, slammed into her. Not to attack—but to slow her down. A wall, a shield, that she tore and plunged through. But it slowed her. That winged male's power slowed her, just enough. Aelin vanished from his world without a whisper.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I acknowledged Gabe and his attempts at flight the way a legless child might view a hopeful but misguided parent buying a house full of stairs. After a while, when Gabe offered me a morning greeting, it didn't feel like he was greeting me but rather a giant pair of wings; no girl, just feathers.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.
Warsan Shire (Teaching My Mother How to Give Birth)
The best stories I have heard were pointless, the best books those whose plot I can never remember, the best individuals those whom I never get anywhere with. Though it has been practised on me time and again I never cease to marvel how it happens that with certain individuals whom I know, within a few minutes after greeting them we are embarked on an endless voyage comparable in feeling and trajectory only to the deep middle dream which the practised dreamer slips into like a bone slips into its sockets
Henry Miller (The Colossus of Maroussi)
Why Just ask the donkey in me To speak to the donkey in you, When I have so many other beautiful animals And brilliant colored birds inside That are longing to say something wonderful And exciting to your heart? Let's open all the locked doors upon our eyes That keep us from knowing the Intelligence That begets love And a more lively and satisfying conversation With the Friend. Let's turn loose our golden falcons So that they can meet in the sky Where our spirits belong-- Necking like two Hot kids. Let's hold hands and get drunk near the sun And sing sweet songs to God Until He joins us with a few notes From his own sublime lute and drum. If you have a better idea Of how to pass a lonely night After your glands may have performed All their little magic Then speak up sweethearts, speak up, For Hafiz and all the world will listen. Why just bring your donkey to me Asking for stale hay And a boring conference with the idiot In regards to this precious matter-- Such a precious matter as love, When I have so many other divine animals And brilliant colored birds inside That are all longing To so sweetly Greet You!
Hafez (The Gift)
The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.
Robert Frost
Chloe didn’t get here soon, Dominique would have to roll me to the door to greet my lady friend.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
I love you , Valentine’ is actually a popular phrase used in greeting cards.” If you were sending me one, what would it say?” he asks. I love you, too, Roman.” And there it is, words that I dread to say and do mean, because with them comes the responsibility of owning it, moving forward together and deciding for real who we are to each other. Now we’re not just lovers discovering what we like and sharing what we know. In this mutual declaration, we’re accountable to each other. We’re in love, and now, our relationship has to build slowly and beautifully in order to hold all the joy and misery that lies ahead.
Adriana Trigiani (Very Valentine (Valentine, #1))
Doubtless Catherine marked the difference between her friends, as one came in and the other went out. The contrast resembled what you see in exchanging a bleak, hilly, coal country for a beautiful fertile valley; and his voice and greeting were as opposite as his aspect.
Emily Brontë (Wuthering Heights)
In India, “Namaste” is a common greeting, like “Hello.” But there is a beautiful meaning to “Namaste.” It means, “The divine being within me bows to the divine being within you.” We are much greater and more sacred than we think.
Haemin Sunim (Love for Imperfect Things: How to Accept Yourself in a World Striving for Perfection)
The true task of spiritual life is not found in faraway places or unusual states of consciousness. It is here in the present. It asks of us a welcoming spirit to greet all that life presents to us with a wise, respectful, and kindly heart. We can bow to both beauty and suffering, to our entanglements and confusion, to our fears and to the injustices of the world. Honoring the truth in this way is the path to freedom.
Jack Canfield
In youth I played and learned...in manhood I worked for family and others...with age I sought understanding and beauty. When death comes, it will be greeted with smiles, not tears.
Michael Gray Calvert
When I was younger, imagining age, I would think, Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
As I worked to disentangle us, she gazed at me, bemused. “This makes me wary of ever dabbling in bondage with you.” Silence greeted us, and I unlooped the seatbelt from her neck before looking up and around us at the other passengers. “We're not alone, are we?” she playfully stage-hissed. “There are others,” I confirmed. “They're regarding you with curiosity.” “And mild horror,” Niall added.
Christina Lauren (Beautiful (Beautiful Bastard, #5))
Like the Freemasons, the Confederacy of the Humbled is a close-knit brotherhood whose members travel with no outward markings, but who know each other at a glance. For having fallen suddenly from grace, those in the Confederacy share a certain perspective. Knowing beauty, influence, fame, and privilege to be borrowed rather than bestowed, they are not easily impressed. They are not quick to envy or take offense. They certainly do not scour the papers in search of their own names. They remain committed to living among their peers, but they greet adulation with caution, ambition with sympathy, and condescension with an inward smile. As
Amor Towles (A Gentleman in Moscow)
Little soul, little perpetually undressed one, do now as I bid you, climb the shelf-like branches of the spruce tree; wait at the top, attentive, like a sentry or look-out. He will be home soon; it behooves you to be generous. You have not been completely perfect either; with your troublesome body you have done things you shouldn’t discuss in poems. Therefore call out to him over the open water, over the bright water with your dark song, with your grasping, unnatural song—passionate, like Marie Callas. Who wouldn’t want you? Whose most demonic appetite could you possibly fail to answer? Soon he will return from wherever he goes in the meantime, suntanned from his time away, wanting his grilled chicken. Ah, you must greet him, you must shake the boughs of the tree to get his attention, but carefully, carefully, lest his beautiful face be marred by too many falling needles.
Louise Glück (Meadowlands)
May the resurrection power of Christ, awake in us a greater spiritual force and strength, so that we can passionately pursue our God-given dreams.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Arise! Arise! Arise and shine! May Christ message of eternal life fill your heart with everlasting love, hope, happiness and new dreams.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Her beauty so bright and warm !! the moon greets her when she walk in the blue night .
Imran Shaikh
The beauty of her words so bright and warm !! the moon greets her when she writes in the blue night .
Imran Shaikh
Look at the queen of beauty! the moon greets her when she walk in the blue night.
Imran Shaikh
The same beautiful receptionist greeted Christian who had met him before and she extended the same lush invitation as she had the last time. Victoria's eyes narrowed and Christian chuckled under his breath at her jealousy."Relax chérie, she's paid to do that." "Well, she didn't come on to me, so obviously she's not doing her job properly," Victoria said. Christian laughed.
Amalie Howard (Bloodspell (The Cruentus Curse, #1))
Let your new energy, new thoughts, new attitude, new routine & new outlook make this time most sacred, memorable & beautiful for you & others. Let you also begin to see greater in everything & believe in unexplainable possibilities. Let you grow in ways which you never knew was possible. Darling listen – Don’t let the magic in the air get swallowed up by someone’s nonsensical thoughts, words, comments & by any kind of pressure in the air. I wish & pray that these last few days of this year be the best part of this year for you & everyone! Stay Healthy, Happy & Meaningful! Blessings!
Rajesh Goyal
Most religions and ideologies throughout history stated that there are objective yardsticks for goodness and beauty, and for how things ought to be. They were suspicious of the feelings and preferences of the ordinary person. At the entrance of the temple of Apollo at Delphi, pilgrims were greeted by the inscription: ‘Know thyself!’ The implication was that the average person is ignorant of his true self, and is therefore likely to be ignorant of true happiness. Freud would probably concur.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I walk into my bedroom after my morning shower to hear my phone ringing. And since everyone my age texts instead of calls, I know exactly who it is without having to check the screen. “Hey, Mom,” I greet her, gripping the edge of my towel as I head for the dresser. “Mom? Holy shish kebob. So it’s true? I mean, I thought I gave birth to a beautiful baby boy twenty-one years ago, but that seems like a distant memory. Because if I did have a son, he’d probably call me more than once a month, right
Elle Kennedy (The Mistake (Off-Campus, #2))
Our effectiveness depends on our capacity to be audacious and astute, clear and appealing. I would hope that we can create a language more fearless and beautiful than that used by conformist writers to greet the twilight.
Eduardo Galeano
Beauty as a “greeting”. At the moment one comes into the presence of something beautiful, it greets you. It lifts away from the neutral background as though coming forward to welcome you – as thought the object were designated to “fit” your perception.
Elaine Scarry (On Beauty and Being Just)
Usually when you are grieving and someone says something so senselessly optimistic to you, it's about them. Either they want to feel like they can say something helpful, or they simply cannot allow themselves to entertain the finality and pain of death, so instead they turn it into a Precious Moments greeting card.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy. Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy. Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless. Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers. Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for. Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself. How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles. You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul. Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness. Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?
Titon Rahmawan
The Onondaga Nation schools recite the Thanksgiving Address, a river of words as old as the people themselves, known in Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. (excerpt) ‘Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one. We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one. We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one. Standing around us we see all the Trees. The Earth has many families of Trees who each have their own instructions and uses. Some provide shelter and shade, others fruit and beauty and many useful gifts. The Maple is the leader of the trees, to recognize its gift of sugar when the People need it most. Many peoples of the world recognize a Tree as a symbol of peace and strength. With one mind we greet and thank the Tree life. Now our minds are one.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Uh, hi," she said, lifting a hand in greeting. "Hi yourself," Liam said, feeling remarkably calm, under the circumstances. "Did you just walk out of that closet?" He looked her over, taking in her unusual attire, jewels, sword, and all. She looked exotic, stunningly beautiful, and in some intangible way, more herself than he'd ever seen her. "Nice outfit. Special occasion?" He was fairly certain she hadn't just come from a costume ball. Unless it was one that involved some kind of giant pumpkin and a fairy godmother.
Deborah Blake (Wickedly Dangerous (Baba Yaga, #1))
he’d always given them the same welcome, calling out, Hello beautiful! The greeting was nice enough to make them want to leave the room and come in all over again.
Ann Napolitano (Hello Beautiful)
Those who were afraid of the dark and always refused to throw themselves inside it. Never got to see and feel how beautiful it is, to meet and greet one's own demons.
Akshay Vasu
There was just a thin fall of powdery snow in the air. It came onto their hats, not seeming to fall as much as to suddenly appear with its chill greeting on lips and noses.
Eloisa James (Duchess By Night (Desperate Duchesses, #3))
to Russell Vernon Hunter New York Spring 1932 My dear Vernon Hunter Your letter gives me such a vivid picture of some thing I love in space — love almost as passionately as I can love a person — that I am almost tempted to pack my little bag and go — but I will not go to it right this morning — No matter how much I love it — There is some thing in me that must finish jobs once started — when I can —. So I am here — and what you write of me is there The cockscomb is here too — I put it in much cold water and it came to life from a kind of flatness it had in the box when I opened it — tho it was very beautiful as it lay in the box a bit wilted when I opened it —. I love it — Thank you. I must confess to you — that I even have the desire to go into old Mexico — that I would have gone — undoubtedly — if it were only myself that I considered — You are wise — so wise — in staying in your own country that you know and love — I am divided between my man and a life with him — and some thing of the outdoors — of your world — that is in my blood — and that I know I will never get rid of — I have to get along with my divided self the best way I can —. So give my greetings to the sun and the sky — and the wind — and the dry never ending land —Sincerely Georgia O'Keeffe
Georgia O'Keeffe
I look at my parents the way mothers look at their toddlers. I take every chance to witness them undisturbed. To study every detail as if sitting for an important exam. I take note of their hands, the curves of their ears, the way they envelop a room and greet others. The way their souls shine through when they speak of something they love, like a candid photograph unveiling beauty and truth. Even though I am present in the same space as them, I am distanced because of the intensity of my love. Every heartbeat reminds me of the ephemeral nature of our bodies and the blessedness of these moments until my father looks up from his book and catches me smiling. And like a child he is bewildered for a moment and smiles back.
Kamand Kojouri
I could not even guess that day how many more men I would say that I would say you were beautiful in dreams! But I greet, I made love, and every time… I said, I wish you remained as a dream.
Arzum Uzun (BİTLİ PİLEYBOY)
It was majestic and beautiful, as if the forest had sent a herald to greet us. “An Irish elk,” Keelan whispered. More like the stag-moose, Cervalces scotti, which was native to North America according to Conlan’s book, but I didn’t want to ruin Keelan’s moment. “Damn, that’s a lot of meat,” Jynx breathed behind us. And the bouda had done it for me. Keelan glared at her. “Shut it.
Ilona Andrews (Magic Claims (Kate Daniels: Wilmington Years, #2; Kate Daniels, #10.6))
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Some days I do appreciate things more, eggs, flowers, but then I decide I’m only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
One of the first things that greet your eye in Rouen is the beautiful monument erected to Flaubert in the very wall of the Museum, which is Rouen's holy of holies. Just across from him, in front of a dense cluster of sycamores, is his friend and pupil Guy de Maupassant. The Maupassant statue at rouen is, I think, quite as impressive as that in Paris—perhaps more so—and it is even more happily placed. Besides there is something very fitting in the idea of commemorating together the master and the pupil who surpassed him.
Willa Cather (Willa Cather in Europe: Her Own Story of the First Journey)
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss heart. The danger is greyout.
Margaret Atwood (The Handmaid's Tale)
live and love fully, to embrace human vulnerability rather than exploit it, to try to make sense of our place in this fragile yet beautiful world, to seek to understand our role in proclaiming God’s love and justice—this has been the work of generations. It’s the quest that creates our greatest works of art and our most profound moments of quiet tenderness. It’s the promise that calls us to greet every sunrise and surrender to every sunset. It’s the best hope of our oldest prayers, both on the days when I believe as well as on the days when I don’t.
Rachel Held Evans (Wholehearted Faith)
Charlie had seen and loved each of them for who they were. When any of his girls—including Rose—had come into view, he’d always given them the same welcome, calling out, Hello beautiful! The greeting was nice enough to make them want to leave the room and come in all over again.
Ann Napolitano (Hello Beautiful)
We got out of our car in Agra to be faced with 150 people and instantly knew that we were their target. We were white (we still are) and wealthy (in comparison). And these people are masters at the art of distraction. You’ll spot the one approaching from the left, but not the imminent threat from the right. And if you say no they have ways of making you say yes. We were greeted with, “Give me money” by street urchins, “Give me 20 rupees,” by a man in a ‘locker room’ looking after our camera equipment, and graceful, exquisite and amused smiles by some of the most magnificently beautiful women in the world. Ladies with coconut oil in their hair, eyes the colour of artisan’s gold, and spirituality in their hearts. And everywhere we went we were greeted with the Añjali Mudrā gesture and the word Namaste, indicating 'I bow to the divine in you.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.   I'd
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
CHRISTMAS GREETINGS From Ray Bradbury Imagine that you have been dead for a year, ten years, one hundred years, a thousand years. The grave and night have taken and kept you in that silence and dark which says nothing and so reveals absolutely zero. In the middle of all this darkness and being alone and bereft of sense, let us imagine that God comes to your still soul and lonely body and says: I will give you one minute of ife. I will restore you to your body and senses for sixty seconds. Out of all the minutes in your life, choose one, I will put you in that minute, and you will be alive again after a hundred, a thousand years of darkness. Which is it? Think. Speak. Which do you choose? And the answer is: Any minute. Any minute at all! Oh, God, Sweet Christ, oh mystery, give me any minute in all my life. And the further answer is: When I lived I didn't know that every minute was special, precious a gift, a miracle, an incredible thing, an impossible work, an amazing dream. But not, Like Ebenezer Scrooge on Christmas Morn, with snow in the air and the promise of rebirth given, I know what I should have known in my dumb shambles: That all is a lark, and it is a beauty beyond tears, and also a terror. But I dance about, I become a child, I am the boy who runs for the great bird in the window and I am the man who sends the boy running for that bird, and I am the life that blows in the snowing wind along that street, and the bells that sound and say: live, love, for too soon will your name which is shaped in the snow melt, of your soul which is inscribed like a breath of vapor on a cold glass pane fade. Run, run, lad, run, down the middle of Christmas at the center of life.
Ray Bradbury
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
Midnight is another planet! When the clock strikes twelve and if you are asleep, wake up, friend, and discover the beauties of this new planet: Discover the silence; discover the tranquillity; speak to the owls, speak to the moon; greet the hedgehogs and disappear in the midst of the mists!
Mehmet Murat ildan
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
In a largely autobiographical paper Tolkien wrote in 1931 for the Oxford Esperanto Society (“A Hobby for the Home,” later entitled “A Secret Vice”), he would maintain that the making of a language necessitates the making of a mythology in which that language is spoken, that the two processes are intertwined, each giving rise to the other. People thought Tolkien was joking when he later said that he wrote The Lord of the Rings to bring into being a world that might contain the Elvish greeting, so pleasing to his sense of linguistic beauty, Elen síla lúmenn’ omentielmo (“A star shines on the hour of our meeting”). The remark is witty—but also deadly serious.
Philip Zaleski (The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams)
The glow of a lamp filled the main bedroom with quiet amber light. The unmistakable rattle of ice in a glass floated to her ears. Assuming that Shaw was in a drunken stupor, Livia went to the doorway. The sight that greeted her eyes caused her to gasp. Gideon Shaw was reclining in a slipper tub that had been set near the fire, his head leaning back against the mahogany rim, one long leg dangling carelessly over the side. He held an ice-filled glass in his hand, his gaze arrowing to hers as he took a swallow. Steam rose in veils from the bathwater, condensing on the golden curvature of his shoulders. Droplets glistened on the amber curls of his chest and the small circles of his nipples. Good Lord in heaven, Livia thought dazedly. Gentlemen suffering the aftereffects of an excess of strong spirits usually looked terrible. "Death's head on a mop stick" was how Marcus liked to describe them. However, Livia had never seen anything as magnificent as an unshaven and unkempt Gideon Shaw in his bath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
White cosmos nodded their heads in the breeze as if greeting them. In front of the taller flowers were blue cornflowers and mauve asters, mixed with pink phlox, spikes of grape hyacinth and purple salvias. As they walked around the path leading towards the front of the house, they passed beds of roses, the buds showing the promise of beauty to come
Ellen Read (The Inca's Curse (The Thornton Mysteries #2))
Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
No man lived a more strong and beautiful life than did John Wesley, and his view of death was that whenever it came he would be found at his duty; and the transition from that duty to heaven's service would be a natural one. Instead of death, let the Lord be expected; and the true attitude of life will be that of quiet pursuit of duty and constant readiness to greet Him.
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
I Love Thee I love thee, as I love the calm Of sweet, star-lighted hours! I love thee, as I love the balm Of early jes'mine flow'rs. I love thee, as I love the last Rich smile of fading day, Which lingereth, like the look we cast, On rapture pass'd away. I love thee as I love the tone Of some soft-breathing flute Whose soul is wak'd for me alone, When all beside is mute. I love thee as I love the first Young violet of the spring; Or the pale lily, April-nurs'd, To scented blossoming. I love thee, as I love the full, Clear gushings of the song, Which lonely--sad--and beautiful-- At night-fall floats along, Pour'd by the bul-bul forth to greet The hours of rest and dew; When melody and moonlight meet To blend their charm, and hue. I love thee, as the glad bird loves The freedom of its wing, On which delightedly it moves In wildest wandering. I love thee as I love the swell, And hush, of some low strain, Which bringeth, by its gentle spell, The past to life again. Such is the feeling which from thee Nought earthly can allure: 'Tis ever link'd to all I see Of gifted--high--and pure!
Eliza Acton
The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.
Jacqueline Susann (Valley of the Dolls)
If he was nervous, even I could not tell. I watched as he greeted them, spoke ringing words that made them stand up straighter. They grinned, loving every inch of their miraculous prince: his gleaming hair, his deadly hands, his nimble feet. They leaned toward him, like flowers to the sun, drinking in his luster. It was as Odysseus had said: he had light enough to make heroes of them all.
Madeline Miller (The Song of Achilles)
Nesta didn't care that she was covered in sweat, wearing her leathers amongst a bejewelled crowd. Not as she staggered onto the veranda at the top of the House and gaped at the stars raining across the bowl of the sky. They zoomed by so close some sparked against the stones, leaving glowing dust in their wake. She had a vague sense of Cassian and Mor and Azriel nearby, of Feyre and Rhys and Lucien, of Elain and Varian and Helion. Of Kallias and Viviane, also swollen with child and glowing with joy and strength. Nesta smiled in greeting and left them blinking, but she forgot them within a moment because the stars, the stars, the stars... She hadn't realised that such beauty existed in the world. That she might feel so full from wonder it could hurt, like her body couldn't contain all of it. And she didn't know why she cried then, but the tears began rolling down her face. The world was beautiful, and she was so grateful to be in it. To be alive, to be here, to see this. She stuck out a hand over the railing, grazing a star as it shot past, and her fingers came away glowing with blue and green dust. She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
again, right where they left off.” Just as all roads lead to Rome, according to the old saying, all tunnels lead to the entrance to the Other Side. No matter where on this earth we leave our bodies, we all take exactly the same trip to exactly the same place. We emerge from the tunnel to find ourselves in a breathtakingly beautiful meadow. Waiting there to greet us are deceased loved ones from the life we’ve just left behind, as well as friends and loved ones from all our past lives, on Earth and on the Other Side. Our Spirit Guides are there. Our true soul mates are there. And best of all as far as I’m concerned, every animal we’ve ever loved from every lifetime we’ve lived is on hand, with such pure, urgent joy that the people waiting to welcome us have a hard time making their way through the happy crowd.
Sylvia Browne (End of Days: Predictions and Prophecies About the End of the World)
The rake himself lived up to Amy’s expectations, however, when he came out to greet his guests. Tall, dark, handsome, and dressed with devastating informality in an open-necked shirt, sleeves rolled up to expose his arms like a laborer. No one could fair to be aware of a lithe body beneath the slight amount of clothing, and there was a wicked gleam in his eye even if he was supposed to have been tamed by matrimony. Amy found it difficult to believe that the very ordinary woman by his side had achieved such a miracle. Lady Templemore was short and her gown was a simple green muslin. Her face was close to plain and her brown hair was gathered into a simple knot at the back. But then she smiled at her guests and was beautiful. When she turned to her husband with a comment, she was dazzling, and the look in his eye showed he was tamed indeed, if devotion so heated could be called tame at all.
Jo Beverley (The Fortune Hunter (Lovers and Ladies, #5))
At the sight of Elizabeth Hamilton, all his previous concerns flew out of his mind. She was dressed in green, the color of new leaves, with her burnished blonde hair pulled back in a simple knot. Her blue eyes, more azure than the sky back home, turned in inquiry toward him. The color of her surroundings suited her. Nick had never seen a more elegant woman. Damn, she’s beautiful. His tongue froze like lake water in a Montana winter, and his greeting died on his lips.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
Fred had first come to Fire Island Pines when he was thirty. He wasn’t ready for such beauty, such potential, such unlimited choice. The place scared him half to death. It was a warm and sunny weekend and there were one thousand bathing-suited handsomenesses on The Botel deck at Tea Dance. They all seemed to know each other and to touch and greet and smile at each other. And there he was, alone. Though he had acquired his 150-pound body for the first time (of his so-far three: the first for himself, the second for Feffer, number three, with muscles, for Dinky), he still felt like Mrs. Shelley’s monster, pale, and with a touch of leprosy thrown in. Not only had he no one to talk to, not only did the overwhelmingness of being confronted by so much Grade A male flesh, most of which seemed superior to his, which would make it difficult to talk to, even if he could utter, which he could not, floor him, but everyone else seemed so secure, not only with their bodies (all thin and no doubt well-defined since birth), tans, personalities, their smiles and chat, but also with that ability to use their eyes, much like early prospectors must have looked for gold, darting them hither and yon, seeking out the sparkling flecks, separating the valued from the less so, meaning, he automatically assumed, him. Their glances his way seemed like disposable bottles, no deposit, no return. He felt like Mr. Not Wanted On The Voyage, even though it was, so be it, his birthday. Many years would pass before he would discover that everybody else felt exactly the same, but came out every weekend so to feel, thus over the years developing more flexible feelings in so feeling.
Larry Kramer (Faggots)
If the eye is constantly greeted by harmonious objects, having elegance of form and color, a standard of taste naturally grows up. The effect of a tawdry, unarranged, and over-decorated environment works for the deterioration of taste, just as meager and barren surroundings starve out the desire for beauty. Against such odds, conscious teaching can hardly do more than convey second-hand information as to what others think. Such taste never becomes spontaneous and personally engrained, but remains a labored reminder of what those think to whom one has been taught to look up.
John Dewey (Democracy and Education: An Introduction to the Philosophy of Education)
By this time a thousand different kinds of brightly colored birds began to warble in the trees, and with their varied and joyous songs they seemed to welcome and greet the new dawn, who, through the doors and balconies of the Orient, was revealing the beauty of her face and shaking from her hair an infinite number of liquid pearls whose gentle liquor bathed the plants that seemed, in turn, to send forth buds and rain down tiny white seed pearls; the willows dripped their sweet-tasting manna, the fountains laughed, the streams murmured, the woods rejoiced, and the meadows flourished with her arrival.
Miguel de Cervantes Saavedra (Don Quixote)
I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.
John Cleese (So, Anyway...: The Autobiography)
From "The Jasmine Farm" by Elizabeth von Arnim, c 1934: "...except for a little trickle of water somewhere near, and the piping, on an oleander bush, of a solitary bird, so great a stillness surrounded her that in the whole world there might have been no one but herself. Relaxed she sat, her hands palm upwards on her lap, her mouth open because she was too tired to keep it shut. If she had known it, she was being exquisitely welcomed. The scented air, floating past her, lingered to pat her face. From a row of Madonna lilies, under the windows of the house, came fragrance, crossing the grass to greet her. Slanting shadows cooled her. The bird piped away, as if to her alone, songs of wisdom and good cheer. She was surrounded, companioned, pressed upon by beauty; and, for all she saw of it, it might have been Tottenham Court Road in a fog. 'Lift up your heart,' something whispered--'foolish woman, lift up your heart.' But of what use is it to exhort the absorbed, those who are steeped in their own particular tragedies, to do things like that? She heard the whisper, she recognised that familiar words were drifting through her mind, and all she did about it was listlessly to wonder that anybody had enough energy to lift up anything.
Elizabeth von Arnim (La fattoria dei gelsomini)
Then I saw the figure standing outside my car door: it was Marlboro Man, who’d come outside to greet me. His jeans were clean, his shirt tucked in and starched. I couldn’t yet see his face, though, which was what I wanted most. Getting out of the car, I smiled and looked up, squinting. The western sunset was a backdrop behind his sculpted frame. It was such a beautiful sight, a stark contrast to all the ugliness that had surrounded me that day. He shut the car door behind me and moved in for a hug, which provided all the emotional fuel I needed to continue breathing. Finally, in that instant, I felt like things would be okay.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When I was five years old, my father bought a little yellow-haired pup for fifty cents. He was the light and joy of my childhood. Every afternoon about four-thirty, he would sit in the front yard with his beautiful eyes staring steadfastly at the path, and as soon as he heard my voice or saw me swinging my dinner pail through the buck brush, he was off like a shot, racing breathlessly up the hill to greet me with leaps of joy and barks of sheer ecstasy. Tippy was my constant companion for five years. Then one tragic night—I shall never forget it—he was killed within ten feet of my head, killed by lightning. Tippy’s death was the tragedy of my boyhood.
Dale Carnegie (How to Win Friends and Influence People)
The sight of the centuries-old stone walls never failed to captivate me, evoking a sense of history and grandeur. Stepping inside, I was greeted by the timeless beauty of the castle's architecture. The walls whispered stories of the past, while the ornate furnishings and artwork adorned each room with elegance. It was a place where time seemed to stand still, allowing me to escape the hustle and bustle of daily life and immerse myself in the tranquil atmosphere. I wandered through the halls, taking in the breathtaking views of the Ligurian coastline that stretched out before me. The waters sparkled under the sun's warm embrace, inviting me to lose myself in its vastness.
Asif Hossain (Serenade of Solitude)
Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.
Marie Lu (The Rose Society (The Young Elites, #2))
We’ve only just found each other! You cannot condemn me to live without you! Would you really go so soon, and leave me? Never to return, or if you did, only after an agony of waiting you should wish on no man! And how should I greet thee, after long years? With silence, and tears! My heart will break, yet brokenly live on!” “Stop quoting yourself!” Emily snapped. “You were! You were going to trap me here in Glass Town all for yourself! You’d steal my father and my aunt and my home away! You would make this whole beautiful world into a cage to hold me fast.” “No, Ellis—Emily! I would love you! I would be your husband!” “I’m ten!” “So?” shouted Lord Byron desperately. “I’m eleven! Emily, my darling, don’t be so dramatic.
Catherynne M. Valente (The Glass Town Game)
You remember the Latin?" "Of course. Vir prudens non contra ventum mingit." I couldn't see his face. Cease of the hood, but it could tell by the tone of his voice that he was completely serious. Or at least trying to be. I wrinkled my forehead as I attempted to translate. "Wait a second," Seth said, pulling back his hood to demonstrate his utter confusion. "I thought their greeting was Non ducor, duco. 'I am not led, I lead.'" Liam's shoulders began shaking just as I finished my rough translation. "A wise man does not urinate against the wind?" I pulled down my hood and looked at Liam. He winked at me, and it was pretty much the most beautiful thing I'd ever seen in my life. Normally, I'm very anti-wink when it comes to guys, but in this case it was a wink of absolution. It was a wink that meant Liam and I were actually going to be okay. "You've been planning that all night, haven't you?" I reached over and squeezed his arm. It was the first time I had touched him in at least twenty-four hours, and his strong forearm felt so good beneath my fingertips. When he grabbed my hand and quickly brought my palm to his lips, I felt all the air leave my body. As much as I hated to admit it, for fear of sounding like a ridiculous, boy-crazed damsel in distress, it felt good to have my boyfriend back. Taylor whipped back her hood, her blue eyes icy. "I'm so glad this is such a joke to you," she spat, clearly not in the mood for games. Liam dropped my hand and sat up a little straiter. "Sorry T., I've got it non ducor, duco. Don't worry.
Lisa Roecker (The Lies That Bind (The Liar Society, #2))
When she thinks of Christmastime now she thinks of Carricklea, lights strung up over Main Street, the glowing plastic Santa Claus in the window of Kelleher’s with its animated arm waving a stiff, repetitive greeting. Tinfoil snowflakes hanging in the town pharmacy. The door of the butcher shop swinging open and shut, voices calling out on the corner. Breath rising as mist in the church car park at night. Foxfield in the evening, houses quiet as sleeping cats, windows bright. The Christmas tree in Connell’s front room, tinsel bristling, furniture cramped to make space, and the high, delighted sound of laughter. He said he would be sorry not to see her. Won’t be the same without you, he wrote. She felt stupid then and wanted to cry. Her life is so sterile now and has no beauty in it anymore
Sally Rooney (Normal People)
Dear Maddie, Fun fact: The dandelion flower opens up in the morning to greet the sun and closes in the evening to go to bed. It is the only flower to “grow old.” When you were younger, I took you to the park every day. Do you remember, Maddie? We used to look at dandelions and try to determine which ones would turn white and frail first. When they finally did, we’d pick them and blow them. They’d dance in the wind like snowflakes, and you’d chase them and laugh. I told you it was okay to pick up dandelions and blow on them, because we spread their seeds. Each dandelion that died was responsible for the birth of a dozen like it! There is a twisted, jagged beauty to the ending of life. It is a bittersweet reminder that it happened. Seize the moment. Every moment. Until we meet again. Love, Mom. x
L.J. Shen (The Devil Wears Black)
And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy. As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love. The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once. Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head.
Victoria Kahler (Luisa Across the Bay)
On the Day I Dreamed of You. Just past dawn, the sun rises blushing greeted me. Remember last night I dreamed of you. In my dream I saw a rare red sun flower that was never born, beautifully arranged on your head. Twisted in a black tree branch. Looks like you're waiting for someone to come with a range of golden glowing wings. In a white cloud coat and a hair loose similar to raindrops. And then that day has passed, I seemed to be trapped in a long dream. When I spend my days full of romance, feasting on every sparkling green moment, walking from one purple path to another purple street until the darkness whispers calling my name. Dragged me deep into the silence of the jungle. Wilderness full of blue imagination. And along the way, my fingers never stopped ring a small bell that echoed your name. Chat the story with happiness. That is the day I will always remember as the day you were born into the world.
Titon Rahmawan
QUEEN OF THE SAND "Oh father, behold the desert queen" and I looked and I saw an inscription but age deprived my understanding. My daughter cried out, "Oh father, King of the Desert, behold she who bears my name". Then I realise it was Zara Muhammad The Queen of the Sand. The mercy of princesses. The sons delight and the father's pride. Oh daughter of Arab, what bringeth thou thee to the Kingdom were daughters are enthroned, where women rule, and where the sons of men marvel at the beauty of the stars. The Sand Queen replied, "It the glory every daughter of the Sand has spoken of brought me this far" "What glory, oh Adored Zara?" I asked and she roared with voice of a bird rejoicing over showers of seeds and she said "You my Lord and King, for your beauty has reached the ends of the world" It was then I realise that this poem was written not only for Zara Muhammed but also for Zara Vote and Victor Vote. Greetings of great Great Zara, Queen of the Sand. Poem by Victor Vote for Zara Muhammed
Victor Vote
Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
She was alone and still, gazing out to sea; and when she felt his presence and the worship of his eyes her eyes turned to him in quiet sufferance of his gaze, without shame or wantonness. Long, long she suffered his gaze and then quietly withdrew her eyes from his and bent them towards the stream, gently stirring the water with her foot hither and thither. The first faint noise of gently moving water broke the silence, low and faint and whispering, faint as the bells of sleep; hither and thither, hither and thither; and a faint flame trembled on her cheek. —Heavenly God! cried Stephen’s soul, in an outburst of profane joy. He turned away from her suddenly and set off across the strand. His cheeks were aflame; his body was aglow; his limbs were trembling. On and on and on and on he strode, far out over the sands, singing wildly to the sea, crying to greet the advent of the life that had cried to him. Her image had passed into his soul for ever and no word had broken the holy silence of his ecstasy. Her eyes had called him and his soul had leaped at the call. To live, to err, to fall, to triumph, to recreate life out of life! A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory. On and on and on and on!
James Joyce
It was a Tuesday when I finally threw caution to the wind, when I decided, finally, to articulate the words I knew I so desperately felt but that, for whatever reason, I’d always been too scared to say. It was impromptu, unexpected. But there was something about the night. He’d greeted me at the car. “Hey, you,” he said as I closed the door behind me and, still out of habit, armed the theft alarm of my car. “Do you think you might ever get to a point where you’ll actually leave your car unlocked out here?” he asked with a chuckle. I hadn’t even noticed. “Oh,” I said, laughing. “I don’t know why I even do that!” My face turned red. Freakazoid. Marlboro Man smiled, wrapped his arms around my waist, and lifted me off the ground--my favorite move of his. “Hi,” he said, the right side of his mouth turned upward in a grin. “Hi,” I replied, smiling back. He looked so beautiful in his worn-out, comfortable jeans and his starched charcoal button-down shirt. God, did he look good in charcoal. Charcoal, the color, was created with Marlboro Man in mind. And then came the kiss--the kind usually reserved for couples who spend weeks and weeks apart and store up all their passions for the moment when they say hello again. For us, it had been less than twenty-four hours. At that moment, there was no one in the world but the two of us, and as closely as we were pressed together in our embrace, there weren’t really two of us at all anymore. My whole body tingled as we walked into the house. I was feeling the love that night.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching. “Are you going to claim that it’s not?” “St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.” Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.” St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?” Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…” Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—” “You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—” “The goings-on in my bedroom are not open for discussion,” Hunt said firmly. “But you lie with her more than once a week?” St. Vincent pressed. “Hell, yes,” Hunt muttered. “And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.” Marcus frowned. “There are more important things.” “Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?” “I never answer hypothetical questions.” St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Then I saw the figure standing outside my car door: it was Marlboro Man, who’d come outside to greet me. His jeans were clean, his shirt tucked in and starched. I couldn’t yet see his face, though, which was what I wanted most. Getting out of the car, I smiled and looked up, squinting. The western sunset was a backdrop behind his sculpted frame. It was such a beautiful sight, a stark contrast to all the ugliness that had surrounded me that day. He shut the car door behind me and moved in for a hug, which provided all the emotional fuel I needed to continue breathing. Finally, in that instant, I felt like things would be okay. I smiled and acted cheerful, following him into the kitchen and not at all letting on that my day had sucked about as badly as a day could have sucked. I’d never been one to wear my feelings on my sleeve, and I sure wasn’t going to let them splay out on what was merely my sixth date with the sexiest, most masculine man I’d ever met. But I knew I was a goner when Marlboro Man looked at me and asked, “You okay?” You know when you’re not okay, but then someone asks you if you’re okay, and you say you’re okay and act like you’re okay, but then you start realizing you’re not okay? Then you feel your nose start to tingle and your throat start to swell and your chin start to quiver and you tell yourself, In the name of all that is good and holy, do not do this. Do not do this…but you’re powerless to stop it? And you try to blink it away and you finally think you’ve just about got it under control? But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I hopped in the car and headed toward the ranch. I almost fell asleep at the wheel. Twice. Marlboro Man met me at the road that led to his parents’ house, and I followed him down five miles of graveled darkness. When we pulled into the paved drive, I saw the figure of his mother through the kitchen window. She was sipping coffee. My stomach gurgled. I should have eaten something. A croissant, back at my parents’ house. A bowl of Grape-Nuts, maybe. Heck, a Twinkie at QuikTrip would have been nice. My stomach was in knots. When I exited the car, Marlboro Man was there. Shielded by the dark of the morning, we were free to greet each other not only with a close, romantic hug but also a soft, sweet kiss. I was glad I’d remembered to brush my teeth. “You made it,” he said, smiling and rubbing my lower back. “Yep,” I replied, concealing a yawn. “And I got a five-mile run in before I came. I feel awesome.” “Uh-huh,” he said, taking my hand and heading toward the house. “I sure wish I were a morning person like you.” When we walked into the house, his parents were standing in the foyer. “Hey!” his dad said with a gravelly voice the likes of which I’d never heard before. Marlboro Man came by it honestly. “Hello,” his mom said warmly. They were there to welcome me. Their house smelled deliciously like leather. “Hi,” I said. “I’m Ree.” I reached out and shook their hands. “You sure look nice this morning,” his mom remarked. She looked comfortable, as if she’d rolled out of bed and thrown on the first thing she’d found. She looked natural, like she hadn’t set her alarm for 3:40 A.M. so she could be sure to get on all nine layers of mascara. She was wearing tennis shoes. She looked at ease. She looked beautiful. My palms felt clammy. “She always looks nice,” Marlboro Man said to his mom, touching my back lightly. I wished I hadn’t curled my hair. That was a little over-the-top. That, and the charcoal eyeliner. And the raspberry shimmer lip gloss.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
True understanding is to see the events of life in this way: “You are here for my benefit, though rumor paints you otherwise.” And everything is turned to one’s advantage when he greets a situation like this: You are the very thing I was looking for. Truly whatever arises in life is the right material to bring about your growth and the growth of those around you. This, in a word, is art—and this art called “life” is a practice suitable to both men and gods. Everything contains some special purpose and a hidden blessing; what then could be strange or arduous when all of life is here to greet you like an old and faithful friend? I had a dream many years ago that sums up this thought in a different way, one that has become a sustaining metaphor for me. I am on a train going home to God. (Bear with me!) It’s a long journey, and everything that happens in my life is scenery along the way. Some of it is beautiful; I want to linger over it awhile, perhaps hold on to it or even try to take it with me. Other parts of the journey are spent grinding through a barren, ugly countryside. Either way the train moves on. And pain comes whenever I cling to the scenery, beautiful or ugly, rather than accept that all the scenery is grist for the mill, containing, as Marcus Aurelius counseled us, some hidden purpose and a hidden blessing. My family, of course, is on board with me. Beyond our families, we choose who is on the train with us, who we share our journey with. The people we invite on the train are those with whom we are prepared to be vulnerable and real, with whom there is no room for masks and games. They strengthen us when we falter and remind us of the journey’s purpose when we become distracted by the scenery. And we do the same for them. Never let life’s Iagos—flatterers, dissemblers—onto your train. We always get warnings from our heart and our intuition when they appear, but we are often too busy to notice. When you realize they’ve made it on board, make sure you usher them off the train; and as soon as you can, forgive them and forget them. There is nothing more draining than holding grudges.
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting. Christian seemed pleased to see him. “Falcon. It’s been a long time.” “Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.” Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.” Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.” Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.” “’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.” Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.” “Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.” Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.” “What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?” “Nay, my lord. I fear I am one of a kind.” He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.” Christian snorted at that prospect. “You would have a better chance courting my horse.” “Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.” Adara glanced over her shoulder as he fell back into the ranks with the other knights. “Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.” She gave him a meaningful look. “In that regard, he reminds me of someone else I know.” “Ouch, my lady, you wound me.” “Never, Christian. I would never wound you.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
Rose barely poured herself a cup of hot, mouth-watering chocolate, when she saw Grey and Archer walking across the lawn. Archer was impeccable as always, but Grey was a mess. His clothes were the same he’d worn the night before, and obviously slept in. His shirt, open at the throat, revealed a glimpse of tanned flesh that made her heart twitch and her gingers itch to touch him. His hair was mussed, and stubble covered his cheeks and jaw, except where prohibited by his scar. In short, he looked absolutely beautiful-a fallen angel. The only thing that made him remotely human was that scar, and she could easily tell herself he got that from battling the archangel Gabriel before being thrown out of heaven. She squinted as she realize Grey held something against his chest-something that moved. Was that a puppy? She jumped to her feet, and skipped down the few steps that took her down to the lawn. Lifting the skirts of her yellow morning gown, she hurried to meet them. “Good morning!” she cried. “What have you there?” Archer smiled in greeting, but Rose barely noticed. Her gaze was riveted on the man looking at her with an expression so hopeful it neigh on broke her heart. “I brought you something,” he said, his voice low and strangely rough. “A gift.” And then he held out his arms and offered her the sweetest face she’d ever seen. “Oh!” What an idiot she must seem, her eyes welling with tears over a dog, but she didn’t care. She let the tears come and slip down her cheeks as she took the warm, silky animal into her own arms, burying her face against its fur. “Grey, thank you!” “He’s too young to be away from his mother yet, but he’s yours if you want hm.” “Of course I want him! He’s beautiful.” He ran a hand through the thick tangle of his hair. “I didn’t know that you’d never had a dog before.” Rose cast a glance at Archer, who shrugged. “Telling my secrets are you, Lord Archer?” What else had he revealed? Grey’s brother shot her a sincere glance. “Only that one, Lady Rose. I did not think you would mind.” “And I don’t.” Turning her attention back to the squirming puppy in her arms, Rose was rewarded with a lick to the chin. “He’ll need to go back to the stables in a few minutes,” Grey told her. “But you can see him whenever you like.” With her free hand, Rose reached out and took one of Grey’s. His fingers were so big and strong next to hers. She squeezed and then let go, letting him know with a touch just how much his gift meant to her. “I love him. Thank you so very much.” “What are you going to name him?” he asked. Rose tore her gaze away from the pleasure in his, lest she do something stupid like kiss him in front of his brother. Instead, she cast a small, secretive smile at Archer. “Heathcliff,” she replied. “His name is Heathcliff.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))