Black Widow Quotes

We've searched our database for all the quotes and captions related to Black Widow. Here they are! All 100 of them:

It means 'Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234'.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Consider the black widow spider. It's a timid little beastie, useful and, for my taste, the prettiest of the arachnids, with its shiny, patent-leather finish and its red hourglass trademark. But the poor thing has the fatal misfortune of possessing enormously too much power for its size. So everybody kills it on sight.
Robert A. Heinlein (Stranger in a Strange Land)
escape from the black widow spider is a miracle as great as art. what a web she can weave slowly drawing you to her she'll embrace you then when she's satisfied she'll kill you still in her embrace and suck the blood from you.
Charles Bukowski (Love Is a Dog from Hell)
I glared at Shane, who gave me an innocent look. With the most serious expression I could make, I joked, “Some of my close friends have called me Black Widow, because after I sleep with someone, I kill them.” Shane looked at me evenly, matching my serious expression, “I have no doubt in my mind that you have had that effect on men, since I feel like I’ve died every time you’ve smiled at me.
Christine Zolendz (Fall From Grace (Mad World, #1))
I will hate the man you choose because he is not me, and love him if he makes you smile. No woman deserves the sure knowledge of widow’s black as her brideprice, you least of all.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Better she never be a bride than wind up a widow
Holly Black (The Wicked King (The Folk of the Air, #2))
Allowables I killed a spider Not a murderous brown recluse Nor even a black widow And if the truth were told this Was only a small spider Sort of papery spider Who should have run When I picked up the book But she didn't And she scared me And I smashed her I don't think I'm allowed To kill something Because I am Frightened.
Nikki Giovanni (Chasing Utopia: A Hybrid)
The black widow, who had dispatched a lover or two, was sought out for her wisdom. The young spider asked her, "Did you keep his harmful secret under the threat of danger, or did you spin a web so confusing that he didn't know if you were friend or foe? Did you release him from the web and your presence or will you give another the venom in which to finish him?" The black widow was quiet and then said, "All of the above.
Donna Lynn Hope
The sooner we get started, the faster I can get back to tormenting widows and scandalizing the elderly with my nefarious black arts.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Holly winked. 'Do I look like a fly boy to you, Fowl?' Artemis had to admit that she didn't. Captain Short was extremely pretty in a dangerous sort of way. Black-widow pretty. Artemis was expecting puberty to hit in approximately eight months, and he suspected that at that point he would look at Holly in a different light. It was probably just as well that she was eighty years old.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
But when I see a black widow, I step on it; I don’t plead with it to be a good little spider and please stop poisoning people.
Robert A. Heinlein (Have Space Suit-Will Travel)
I'm Natasha Romanoff. Nobody judos my ass.
Margaret Stohl (Forever Red (Black Widow, #1))
bantams with big puffy chests and exotic head-dresses, bright orange coats with black tails. A couple of roosters sport bright red combs and wattles.
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Do or die, you'll never make me Because the world will never take my heart Go and try, you'll never break me We want it all, we wanna play this part I won't explain or say I'm sorry I'm unashamed, I'm gonna show my scar Give a cheer for all the broken Listen here, because it's who we are I'm just a man, I'm not a hero Just a boy, who had to sing this song I'm just a man, I'm not a hero I! don't! care! We'll carry on We'll carry on And though you're dead and gone believe me Your memory will carry on We'll carry on And though you're broken and defeated Your weary widow marches on
Gerard Way
Actually, it’s my younger brother who has me ticked, but since you brought up the boyfriend thing, take my advice; Be the black widow. Find a guy, have fun with him, then eviscerate him in the morning before he can brag about it to his friends. (Chrissy)
Sherrilyn Kenyon (Midnight Pleasures (Wild Wulfs of London #0.5; Dream-Hunter #0.5))
I sighed. Sometimes, killing people just wasn’t worth cleaning up the mess afterward.
Jennifer Estep (Black Widow (Elemental Assassin, #12))
He pointed at Brother Jeremiah, who had come to a halt in front of a statue just slightly taller than he was, its base overgrown with moss. The statue was of an angel. The marble of the statue was so smooth it was almost translucent. The face of the angel was fierce and beautiful and sad. In long white hands the angel held a cup, its rim studded with marble jewels. Something about the statue tickled Clary’s memory with an uneasy familiarity. There was a date inscribed on the base, 1234, and words inscribed around it: NEPHILIM: FACILIS DESCENSUS AVERNI. “Is that meant to be the Mortal Cup?” she asked. Jace nodded. “And that’s the motto of the Nephilim—the Shadowhunters—there on the base.” “What does it mean?” Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.’” “Jace—” It means, said Jeremiah, The descent into Hell is easy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I'm getting pretty tired of unicorns. Could we try to get a regular horse around here for once?
Margaret Stohl (Forever Red (Black Widow, #1))
I'm about to go full Natasha Romanoff on his ass.
Mel
I don’t need Coulson or the cavalry,” Natasha said finally. “Please, I’m my own cavalry.
Margaret Stohl (Forever Red (Black Widow, #1))
Once, he’d been the Seducer, the Executioner, the High Priest of the Hourglass, the Prince of the Darkness, the High Lord of Hell. Once, he’d been Consort to Cassandra, the great Black-Jeweled, Black Widow Queen, the last Witch to walk the Realms. Once, he’d been the only Black-Jeweled Warlord Prince in the history of the Blood, feared for his temper and the power he wielded. Once, he’d been the only male who was a Black Widow. Once, he’d ruled the Dhemlan Territory in the Realm of Terreille and her sister Territory in Kaeleer, the Shadow Realm. He’d been the only male ever to rule without answering to a Queen and, except for Witch, the only member of the Blood to rule Territories in two Realms. Once, he’d been married to Hekatah, an aristo Black Widow Priestess from one of Hayll’s Hundred Families. Once, he’d raised two sons, Mephis and Peyton. He’d played games with them, told them stories, read to them, healed their skinned knees and broken hearts, taught them Craft and Blood Law, showered them with his love of the land as well as music, art, and literature, encouraged them to look with eager eyes upon all that the Realms had to offer—not to conquer but to learn. He’d taught them to dance for a social occasion and to dance for the glory of Witch. He’d taught them how to be Blood. But that was a long, long time ago.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
Nobody wears a black mask forever.
Willowy Whisper (Widow’s Heart)
Wisdom is for the meek,” he returns. “And it seldom helps them as much as they believe it will. After all, as wise as you are, you still married Locke. Of course, perhaps you are wiser than even that—perhaps you’re so wise you made yourself a widow, too.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Yes, Smoke told him reluctantly, Lucivar had cried. Heart pain. Caught-in-a-trap pain. The Lady had petted and petted, sung and sung. It had been more than a dream, then. In one of the dreamscapes Black Widows spun so well, Jaenelle had met the boy he had been and had drawn the poison from the soul wound. He had wept for the boy, for the things he hadn’t been allowed to do, for the things he hadn’t been allowed to be. But he didn’t weep for the man he’d become. “Ah, Lucivar,” she’d said regretfully as they’d walked through the dreamscape. “I can heal the scars on your body, but I can’t heal the scars of the soul. Not yours, not mine. You have to learn to live with them. You have to choose to live beyond them.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
Enough!” Romanoff barked. “Look around you. You’re on a military transport. Nobody’s flirting. S.H.I.E.L.D. does not run a dating service.” “Well,” Coulson said, “technically it’s frowned upon, but I’d be lying if—” Romanoff glared at Coulson, and he fell silent.
Margaret Stohl (Black Widow: Forever Red)
His gaze was heat across her cheeks, her lips. It was touch. His eyes were hypnotic, his brows black and velvet. He was copper and shadow, honey and menace, the severity of knife-blade cheekbones and a widow's peak like the point of a dagger.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
You might think I'm cold-hearted. I am. I can't afford distractions. I've got work to do.
Nathan Edmondson (Black Widow #3)
Like many Vatican pronouncements, the official version of events would bear little resemblance to the truth.
Daniel Silva (The Black Widow (Gabriel Allon, #16))
Screw Captain America, screw Black Widow, and screw Tony Stark and all his money. I want to be Team Griffin,” Wade says. “When are we giving that a shot?” That
Adam Silvera (History Is All You Left Me)
Additionally, many widows took over family shops or businesses- and, not uncommonly, ran them better than their dead husbands. Y.pestis [black death germ] turns out to have been something of a feminist.
John Kelly (The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague of All Time)
When everything impossible had been eliminated and what remains is supernatural, then someone is lying.
Isaac Asimov (Tales of the Black Widowers (The Black Widowers, #1))
ROMANOFF: Every Russian family line ends in a czar. That’s the only way the genealogist gets paid, sir.
Margaret Stohl (Black Widow: Forever Red)
I guess I can’t say too much about Natasha because she won’t want much said about her in this forum… I don’t know if you’re going to get a chance to meet her, but when you meet the Black Widow, I’m telling you… I defy you not to fall head over heels in dizzy lust with her. She is the embodiment of everything man wants in this world. She is stunning. She is smoldering. And even though I’ve known her for years now, and even though I know better… if you told me that I would fall for her all over again… it wouldn’t surprise me.
Hawkeye Avengers
The truth? What do you know about the truth? You're so good at lying you don't even know when you're lying to yourself.
Margaret Stohl (Forever Red (Black Widow, #1))
We aren’t saints. When we die, nobody mourns. That’s the only way this ends, for all of us.
Margaret Stohl (Black Widow: Forever Red)
What these men do not know about me, though... is a black widow dangling by herself on a single thread... is a deadly thing. A really dangerous thing.
Nathan Edmondson (Black Widow #6)
Or perhaps a widow found him and took him in: brought him an easy chair, changed his sweater every morning, shaved his face until the hair stopped growing, took him faithfully to bed with her every night, whispered sweet nothings into what was left of his ear, laughed with him over black coffee, cried with him over yellowing pictures, talked greenly about having kids of her own, began to miss him before she became sick, left him everything in her will, thought of only him as she died, always knew he was fiction but believed in him anyway.
Jonathan Safran Foer (Everything is Illuminated)
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
Tolstoy will live forever. Some people do. But that's not enough. It's not the length of life that matters--just the depth of it. The chances we take. The paths we choose. How we go on after our hearts break. Hearts always break. And so we bend with our hearts. And we sway. But in the end--what matters is that we loved and lived
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
ROMANOFF: A gun might as well shoot both ways at once, sir. You want to take out the person in the crosshairs? You have to get okay with taking out the person at the trigger. You don’t get to choose.
Margaret Stohl (Forever Red (Black Widow, #1))
Great. So he's a genius. Fifty points for Ivanclaw.
Margaret Stohl (Forever Red (Black Widow, #1))
People were so quick to point at all those inspiring stories of catharsis, completely ignoring the fact that the vast majority of the broken never beat their demons, that the drunkard’s son stayed with the bottle, the war widow never conquered her loneliness, and the defiled child never wiped that imagined black stain from their soul. Because in a world that worshipped the victorious, who the hell wanted to hear about the defeated?
Nicolas Lietzau (Dreams of the Dying (The Twelfth World, #1))
I am a spy. Not some rooftop-jumping archer, shield-wielding super-soldier, or shiny-metal philanthrobot. I need to make that clear on my business card. Espionage is shadow warfare. Cold combat. Does anything about this feel cold to you?
Nathan Edmondson (Black Widow #4)
Tony had started the evening off with his improvised Stark Quantum Detangler—quickly followed by a Stark Quantum Retangler—soon detouring into a little Stark Quantum Hypnotic Regulator, a Stark Quantum Rapid Eye Movement Stimulator, and a Stark Quantum Ultrasound Scanner. Basically, if Tony could put the words Stark or Quantum in front of it, he was game.
Margaret Stohl (Black Widow: Forever Red)
The double-teaming paid off; there was no resisting the power of a Stark-Romanoff alliance for long.
Margaret Stohl (Black Widow: Forever Red)
The government doesn't want any system of transmitting information to remain unbroken, unless it's under its own control.
Isaac Asimov (Tales of the Black Widowers (The Black Widowers, #1))
I'm a SPY ( not some rooftop-jumping archer, shield-wielding super- solider, or shiny metal philanthrobot) " Black Widow
Nathan Edmondson
A plane flies overhead and inside it is a writer who has spent most of his life as a law clerk, even though he’s always known deep down that he’s a writer. For the first time, he’s worked out what he wants to write, what the truth really is. He begs a napkin and a pen off the air hostess and he writes down the most beautiful sentence ever written, as the engine catches fire outside and the plane starts its plummet to the ground. It doesn’t matter to him. It’s the only sentence he’s ever written and it is the last and no part of him cares. The sentence falls through the air with singed, black edges and comes to rest in a tree, in a park, miles away. One day, around ten years from now, an old widow of an astronaut will find it when a strong breeze finally blows it from its hiding place. She will read it and she will weep.
pleasefindthis (Intentional Dissonance)
Nighthawks I wanted to run away with you tonight but you are a difficult woman the rules of you - Past and future circle round us now we know more now less in the institute of shadows. On a street black as widows with nothing to confess our distances found us the rules of you - so difficult a woman I wanted to run away with you tonight.
Anne Carson (Men in the Off Hours)
There are wolves in the night. The soldiers would say that, when I was a girl. My uncles and brothers in war. My friends. Raising me on the battlefield because there was no where else to go. There are wolves, they would say. And there are stories about wolves and girls. Girls in red. All alone in the woods. About to get eaten up. Wolves and girls. Both have sharp teeth.
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
Pro tip: (Often learned too late) Don't argue with crazy. Just expect crazy... to be f*****g insane.
Nathan Edmondson (Black Widow #5)
And if she doesn't--" "Like all of you, she's a deniable asset, agent. This isn't the Red Cross,
Nathan Edmondson (Black Widow #6)
One way or another we’re taking your bank. All you have to do is decide the level of persuasion we need to apply.
David Louden (Heroes of Hollywood Boulevard)
Marilyn Monroe is pissing me off, Charlie Chaplin owes me twenty bucks, that fucker Shrek tried to fuck my girlfriend at Baskin Robbins.
David Louden (Heroes of Hollywood Boulevard)
Jace’s grin was a white flash in the darkness. “It means ‘Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
She would do a mans work when she needed to, but she lived and died without ever putting on a pair of pants. She wore dresses. Being a widow, she wore them black. Being a woman of her time she wore them long. the girls of her day I think must have been like well wrapped gifts to be opened by their husbands on their wedding night, a complete surprise. 'Well! What's this!?
Wendell Berry
She tends the fire Burning his letters. They turn black like thin mourning dresses. Yellow names, leaping; above them a blonde woman's hair on her bare shoulders. Red hollow glowing beneath. Illusion of passion. Like fragile layers of widow weeds, matted bluish, shiny, worn and buttons, yes, cheap buttons and words. Her fingers touch the smooth skin on her breasts. She tends the fire.
Ursula Hegi
Josh? Can you come to my room?” My wolfish grin broke some of the tension on her face. “Oh, stop. There’s a spider. I need you to kill it. Please. Before it disappears and I have to burn my whole house down.” I laughed. “Should I get my gun or…?” She bounced nervously. “Josh, I’m serious. I hate them. Please help me.” I pulled a few tissues from the box on my nightstand. “You know, you seem too fearless to be afraid of spiders.” “A black widow killed my schnauzer when I was a kid. Embracing a lifelong debilitating fear of spiders is cheaper than therapy.” She stopped in the doorway of her room like there was an invisible force field, and I almost bumped into her back.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Did the tsar refuse to marry you?" I asked. I thought the duke might have been angry with her if he had: he hadn't seemed like a man to be satisfied if his plans went awry. "No," she said. "I am tsarina. For as long as I live." She said it dryly, as if she didn't expect that to last long. "The tsar is a black sorcerer. He is possessed by a demon of flame that wants to devour me." I laughed; I couldn't help it. It wasn't mirth, it was bitterness. "So the fairy silver brought you a monster of fire for a husband, and me a monster of ice. We should put them in a room together and let them make us both widows.
Naomi Novik (Spinning Silver)
Of course she is. Because she’s eight kinds of wonderful, and that’s just her legs.” Jeb furrows his brow. “What’s that supposed to mean?” “Taelor has all the diplomacy of a black widow spider. Garnet’s her birthstone. You’re wearing her birthday on your lip. Talk about spinning you up in her web.
A.G. Howard (Splintered (Splintered, #1))
He was one of those old people who give the impression of having undergone a lifetime trial by fire which they somehow managed to turn to their own good in the end; using the fire to burn away everything in them that could possibly decay, everything mortal. So that what remains finally are only their cast-iron hearts, the few muscles and bones tempered to the consistency of steel needed to move them about, the black skin annealed long ago by the sun's blaze and thus impervious to all other fires; and hidden deep within, out of harm's way, the indestructible will: old people who have the essentials to go on forever.
Paule Marshall (Praisesong for the Widow)
To my Black brothers and sisters, choose faith. As difficult as it is, choose faith—the kind of faith that we know without works is dead. The faith that raises awareness, educates the community, advocates, cares for the widows and feeds the orphans. Choose the faith that is compelled to action, but not controlled my anger.
Andrena Sawyer
...Only then will I teach you how to take a life—how and when and where.” “And why?” Natasha had asked. She had been young, then, or she would have known better. ... He had laughed outright. “Not why, my Natashka. Never why. Why is for guitar players and Americans.
Margaret Stohl (Forever Red (Black Widow, #1))
Where do you even buy a black lace handkerchief? Widows R Us?
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
Picking your own jobs means you get to exercise your own ethics. But ethics isn't a science. Which is to say... You do your best... But that doesn't make you right.
Nathan Edmondson (Black Widow #2)
What you carry with you, it weighs you down, down, down.
Nathan Edmondson (Black Widow #3)
Jobs can feel familiar, but familiarity is a dangerous feeling. In espionage and mercenary work, there's no such thing as routine.
Nathan Edmondson (Black Widow #2)
My past is my own.
Nathan Edmondson (Black Widow #2)
That looks bad." "He's had worse." "Should you get involved?" "No. Sometimes an Avenger... But we all have things we need to do on our own.
Nathan Edmondson (Black Widow #6)
When you need them, agents are at your disposal. And any special gear you'd like?" "As a matter of fact... Yes. I'll give you a list.
Nathan Edmondson (Black Widow #4)
One benefit of government work? Frequent flyer miles. Seriously, I get bumped up about every flight. Still not as nice as the director's private jet though...
Nathan Edmondson (Black Widow #4)
You ready?" "Let's bring hell.
Nathan Edmondson (Black Widow #11)
Thanks." "For what?" "I needed someone angrier than I was." "I am that." "And Logan wanted me to look out for you." "You're angry, Laura. But you're not alone.
Nathan Edmondson (Black Widow #11)
I'm getting Captain America." (Clint) "Get popcorn." (Tony)
Nathan Edmondson (Black Widow #12)
I'm not a trained soldier. I'm a spy. But I am a fighter. But lately I've felt more like a soldier than a spy. And if that's what the world is asking for... I'm happy to oblige.
Nathan Edmondson (Black Widow #12)
They stood either side of him like haunting little genetic bookends. The one thing he’ll leave behind, two kids who called another man for help with their homework.
David Louden (Heroes of Hollywood Boulevard)
How was it they had cut to Hollywood Boulevard for a fluff piece and ended up with Gangs of New-Fucking-York?! Bonnie looked to her co-Anchor. He was wearing a good mouth for cooling soup.
David Louden (Heroes of Hollywood Boulevard)
But I knew no one. I was alone. No one cared. You might as well have left me to die.” “You didn’t, did you?” “Die? No, I didn’t. No thanks to you. Now I know I can only depend on myself.” “Exactly.” Natasha shrugged. “You’re welcome.” Ava didn’t respond. Natasha sat down next to her. “Such Russian problems.” She settled her back against the wall. “I know you’re angry. Be as angry as you want. But no matter how you feel, we need to get out of here. Fair enough?” “Why should I do anything you say?” “Because you can trust me.” “Are you crazy? You’re the one person I can’t trust. You taught me not to trust you.” “No. I taught you not to trust anyone,” Natasha said. “And that’s something everyone has to learn. Especially every girl.” She sounded as stubborn as Ava felt.
Margaret Stohl (Black Widow Forever Red (A Black Widow Novel))
Who seeks for better of thee, sauce his palate With thy most operant poison! What is here? Gold? yellow, glittering, precious gold? No, gods, I am no idle votarist: roots, you clear heavens! Thus much of this will make black white, foul fair, Wrong right, base noble, old young, coward valiant. Ha, you gods! why this? what this, you gods? Why, this Will lug your priests and servants from your sides, Pluck stout men's pillows from below their heads: This yellow slave Will knit and break religions, bless the accursed, Make the hoar leprosy adored, place thieves And give them title, knee and approbation With senators on the bench: this is it That makes the wappen'd widow wed again;
William Shakespeare (Timon of Athens)
The older women, the married ones and the widows, wear black clothes and no makeup, as I used to do. When I was in the later months of pregnancy, they would smile at me, as if I was almost one of them. Now they smile at Sarah first.
Margaret Atwood (Cat’s Eye)
When it's time to retire, maybe I could disappear too." "I always thought you'd end up taking a director's position at S.H.I.E.L.D." "Some day we all retire, Isaiah. The trick is to be sure you do it well before life is done with you.
Nathan Edmondson (Black Widow #7)
We all burn. We burn in fire. We burn in blood. We burn in dreams. And it never ends. Dreams never end. You would not want them to. Not if it means forgetting. You can never forget. You, who are all that is left. So remember, we are born in fire. Again and again. You would live it all again. No matter how much it hurts. When it hurts you know you are alive. And you know that as long as you live, they live. And when you die, they die. You are the inheriter of memories.
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
Now you will no longer fear the storm, for you find shelter in each other. Now the cold cannot harm you, for you warm each other with love. Now when strength fails, you will be the wind at the other's back. Now the darkness holds no danger, for you will be the light to each other's path. Now you will defy despair, for you will bring hope to each other's heart. Now there will be no loneliness, for there will always be a hand reaching out to hold you when all seems darkest. Where there were two paths, there is now one. May your days together be long upon the earth, and each day blessed with joy in each other.
Lena Austin (Black Widow)
I am the Dark One, – the Widower, – the Unconsoled The Aquitaine Prince whose Tower is destroyed: My only star is dead, - and my constellated lute Bears the Black Sun of Melancholia. In the night of the Tomb, You who comforted me, Give me back Mount Posillipo and the Italian sea, The flower that my afflicted heart liked so much And the trellised vineyard where the grapevine unites with the rose. Am I Amor or Phoebus ?… Lusignan or Biron ? My forehead is still red from the Queen’s kiss; I dreamt of the Cave where the mermaid swims… Twice victorious I crossed Acheron: Taking turn to play the Orpheus’ lyre The sighs of the Saint and the Fairy’s screams.
Gérard de Nerval (Les Chimères)
The Widow Russell apparently took her at-home retirement so far as the abstain from receiving guests in the formal parlors: Theo was shown to a pink-papered upstairs room where she sat in an armchair whose chintz upholstery featured roses twining daintily on a white ground. She was head-to-toe in black, of course, and for a moment he had the very odd impression of a spider lurking in a rose bouquet.
Cecilia Grant (A Lady Awakened (Blackshear Family, #1))
The boulevard was awash with the curious and the shocked as wave after wave of tourist crashed into the unmoving masses of families who had just witnessed a brawl between The Incredible Hulk and SpongeBob Squarepants over territory, boundaries and the age old issue of ownership.
David Louden (Heroes of Hollywood Boulevard)
Every little prick out there wants me to lift them. I had this one kid from Oklahoma, big fat shitter he was. Legs as fat as a Downers forehead screaming Up, up, Hulk up! at me for ten minutes until I had no other choice. Fat fucker damn near put my back out and then his old man stiffs me with Canadian dollars. Canadian, can you believe that shit?!
David Louden (Heroes of Hollywood Boulevard)
Katrina hated to see the widows in black. They struck her as relics of their own making, frozen in permanent deference to reckless or foolish or simply unfortunate men who were nonetheless dead and sealed away in the earth forever. Husbands never wore black. Husbands were never confined to that kind of passive declaration, were never compelled to sulk across the world for the remainder of their lives, walking signposts of mourning. Husbands were permitted rage, permitted wrath, permitted to avenge their loss by marching out and inflecting on others the very same carnage once inflicted on them. It seemed to Karina further proof that wartime was the only time the world became as simple and carnivorously liberating as it must exist at all times in men's minds. Some of the women she met never used their own names again - she knew them only as Widow This or Widow That - but she'd never met a Widower Anything.
Omar El Akkad (American War)
...in other spheres of Victorian Society the appeal of a young woman dressed in black from head to toe was acknowledged. In Victorian popular culture, widows had two manifestations: the battleaxe and the man-eater, preying upon husbands and bachelors alike. Even today, an attractive, dark-haired person dressed in all black has vampiric connotations, as the novelist Alison Lurie has noted, 'so archetypally terrifying and thrilling, that any black-haired, pale-complexioned man or woman who appears clad in all black formal clothes projects a destructive eroticism, sometimes without concious intention.
Catharine Arnold (Necropolis: London and Its Dead)
He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.
Joan Aiken (Black Hearts in Battersea (The Wolves Chronicles, #2))
Out of that night and day of unconditional wrath, folks would’ve expected to see any city, if it survived, all newly reborn, purified by flame, taken clear beyond greed, real-estate speculating, local politics—instead of which, here was this weeping widow, some one-woman grievance committee in black, who would go on to save up and lovingly record and mercilessly begrudge every goddamn single tear she ever had to cry, and over the years to come would make up for them all by developing into the meanest, cruelest bitch of a city, even among cities not notable for their kindness.
Thomas Pynchon (Against the Day)
She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion. Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge. "What's your name?" I asked. "Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?" ("Vampire's Honeymoon")
Cornell Woolrich (Vampire's Honeymoon)
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
Out of that night and day of unconditional wrath, folks would've expected to see any city, if it survived, all newly reborn, purified by flame, taken clear beyond greed, real-estate speculating, local politics--instead of which, here was this weeping widow, some one-woman grievance committee in black, who would go on and save up and lovlingly record and mercilessly begrudge every goddamn single tear she ever had to cry, and over the years to come would make up for them all by developing into the meanest, cruelest bitch of a city, even among cities not notable for their kindness. To all appearance resolute, adventurous, manly, the city would not shake that terrible all-night rape, when "he" was forced to submit, surrending, inadmissably, blindly feminine, into the Hellfire embrace of "her" beloved. He spent the years afterward forgetting and fabulating and trying to get back some self-respect. But inwardly, deep inside, "he" remained the catamite of Hell, the punk at the disposal of all the denizens thereof, the bitch in men's clothing.
Thomas Pynchon (Against the Day)
....It was to complete his marriage with Maimuna, the daughter of Al Hareth, the Helalite. He had become betrothed to her on his arrival at Mecca, but had post-poned the nuptials until after he had concluded the rites of pilgrimage. This was doubtless another marriage of policy, for Maimuna was fifty-one years of age, and a widow, but the connection gained him two powerful proselytes. One was Khaled Ibn al Waled, a nephew of the widow, an intrepid warrior who had come near destroy- ing Mahomet at the battle of Ohod. He now became one of the most victorious champions of Islamism, and by his prowess obtained the appellation of " The Sword of God." The other proselyte was Khaled's friend, Amru Ibn al Aass ; the same who assailed Mahomet with poetry and satire at the commencement of his prophetic career ; who had been an ambassador from the Koreishites to the king of Abyssinia, to obtain the surrender of the fugitive Moslems, and who was henceforth destined with his sword to carry victoriously into foreign lands the faith he had once so strenuously opposed. Note.— Maimuna was the last spouse of the prophet, and, old as she was at her marriage, survived all his other wives. She died many years after him, in a pavilion at Serif, under the same tree in the shade of which her nuptial tent had been pitched, and was there interred. The pious historian, Al Jannabi, who styles himself "a poor servant of Allah, hoping for the pardon of his sins through the mercy of God," visited her tomb on returning from a pilgrimage to Mecca, in the year of the Hegira 963, a.d. 1555. "I saw there," said he, "a dome of black marble erected in memory of Maimuna, on the very spot on which the apostle of God had reposed with her. God knows the truth ! and also the reason of the black color of the stone. There is a place of ablution, and an oratory ; but the building has fallen to decay.
Washington Irving (Life of Mohammed)
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570  To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580  Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other’s jewel case? And why does she avert her fierce young face?
Vladimir Nabokov (Pale Fire)
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell