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You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day." I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything? I jumped up.

There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.

In the mid 1980's I was asked by an american legal institution known as the Christic Legal Institute to compile a comic book that would detail the murky history of the C.I.A., from the end of the second world war, to the present day. Covering such things as the heroin smuggling during the Vietnam war, the cocaine smuggling during the war in Central America, the Kennedy assasination and other highlights. What I learned during the frankly horrifying research that I had to slog through in order to accomplish this, was that yes, there is a conspiracy, in fact there are a great number of conspiracies that are all tripping each other up. And all of those conspiracies are run by paranoid fantasists, and ham fisted clowns. If you are on a list targeted by the C.I.A., you really have nothing to worry about. If however you have a name similar to someone on a list targeted by the C.I.A., then you are dead? The main thing that I learned about conspiracy theory, is that conspiracy theorists believe in a conspiracy because that is more comforting. The truth of the world is that it is actually chaotic. The truth is that it is not The Iluminati, or The Jewish Banking Conspiracy, or the Gray Alien Theory. The truth is far more frightening. Nobody is in control. The world is rudderless...

Most best-sellers are written for readers who are willing to be passive consumers. The blurbs on their covers often highlight the coercive, aggressive power of the text—compulsive page-turner, gut-wrenching, jolting, mind-searing, heart-stopping—what is this, electroshock torture?

This vacillation between assertion and denial in discussions about organised abuse can be understood as functional, in that it serves to contain the traumatic kernel at the heart of allegations of organised abuse. In his influential ‘just world’ theory, Lerner (1980) argued that emotional wellbeing is predicated on the assumption that the world is an orderly, predictable and just place in which people get what they deserve. Whilst such assumptions are objectively false, Lerner argued that individuals have considerable investment in maintaining them since they are conducive to feelings of self—efficacy and trust in others. When they encounter evidence contradicting the view that the world is just, individuals are motivated to defend this belief either by helping the victim (and thus restoring a sense of justice) or by persuading themselves that no injustice has occurred. Lerner (1980) focused on the ways in which the ‘just world’ fallacy motivates victim-blaming, but there are other defences available to bystanders who seek to dispel troubling knowledge. Organised abuse highlights the severity of sexual violence in the lives of some children and the desire of some adults to inflict considerable, and sometimes irreversible, harm upon the powerless. Such knowledge is so toxic to common presumptions about the orderly nature of society, and the generally benevolent motivations of others, that it seems as though a defensive scaffold of disbelief, minimisation and scorn has been erected to inhibit a full understanding of organised abuse. Despite these efforts, there has been a recent resurgence of interest in organised abuse and particularly ritualistic abuse (eg Sachs and Galton 2008, Epstein et al. 2011, Miller 2012).

Tall, way taller than her five foot five frame, his body bulged with muscles covered in tanned skin. He possessed layered down brown hair with gold highlights, vivid turquoise eyes and chiseled features, including a strong straight nose--surprising because with a taunting mouth like his she expected he'd gotten it broken more than once in his life--a square chin, and wickedly full lips that now quirked into a grin. -"Enjoying the view?" he taunted. -"Deciding what part to carve off your body first," she replied."Do you have a name by the way? Or should I just refer to you as 'that asshole'?" -"You can call me Remy, but when I get your thighs around my neck, feel free to call me God. It totally pisses Lucifer's brother off, which means brownie points for me.

Slowly the highlights emerged: sunlight on the Madonna’s face, on the curls, left cheek and shoulder of the child. On the foredrapery covering the Madonna’s leg, on the back of John as he straddled the balustrade, on the inside of the balustrade itself to accent its importance in the structure. All the rest, the blockseat, stairs, walls were in quiet shadow. Now, he thought, one saw and felt the crisis, the intense emotional thinking reflected on Mary’s face as she felt the tug of Jesus at her breast and the weight of the cross in her hand.

Marketplace feminism is in many ways about just branding feminism as an identify that everyone can and should consume. That's not a bad thing in theory, but in practice it tends to involve highlighting only the most appealing feature of a multifaceted set of movements. It kicks the least sensational and most complex issues under a rug and assures them that we'll get back to them once everybody's on board. And it ends up pandering to the people who might get on board-maybe, possibly, once feminism works its charm-rather than addressing the many unfinished projects still remaining.

Assessing Miller's rebuttal and the 1895 convention, W.E.B. Du Bois made a sobering observation. Miller had, on some fundamental level, misunderstood the aims of the white men who sought to destroy Reconstruction. From Du Bois's perspective, the 1895 constitutional convention was not an exercise in moral reform, or an effort to purge the state of corruption. These were simply bywords embraced to cover for the restoration of a despotic white supremacy. The problem was not that South Carolina's Reconstruction-era government had been consumed by unprecedented graft. Indeed, it was the exact opposite. The very success Miller highlighted, the actual record of 'Negro government' in South Carolina, undermined white supremacy. To redeem white supremacy, that record was twisted, mocked, and caricatured into something that better resembled the prejudices of white South Carolina. 'If there was one thing that South Carolina feared more than bad Negro government,' wrote Du Bois, 'it was good Negro government.

[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.

Covering politics like sports has created a self-reinforcing incentive structure that is not dissimilar to the one the ESPN’S SportsCenter has on the fundamentals of basketball. There is a long-running concern from basketball purists that the fundamentals of the game – passing, defense, and footwork – are eroding. The theory goes that players want to be like the stars they see on SportsCenter. You don’t get on SportsCenter by doing the nitty-gritty work of winning basketball games. The more extreme the play, the more dramatic the showboating and celebrating, the more likely to be a feature in a coveted highlight segment. The reward system benefits the opposite behavior most basketball coaches would like to see in their players. This is the SportsCenter effect.

Chapter 4,‘Organised abuse and the pleasures of disbelief’, uses Zizek’s (1991) insights into cite political role of enjoyment to analyse the hyperbole and scorn that has characterised the sceptical account of organised and ritualistic abuse. The central argument of this chapter is that organised abuse has come to public attention primarily as a subject of ridicule within the highly partisan writings of journalists, academics and activists aligned with advocacy groups for people accused of sexual abuse. Whilst highlighting the pervasive misrepresentations that characterise these accounts, the chapter also implicates media consumers in the production of ignorance and disdain in relation to organised abuse and women’s and children’s accounts of sexual abuse more generally.

One of the greatest accusations against us by the cult was that we were “broad brushing” all the IFB churches, but with an estimated eight to ten thousand survivors speaking out on the Internet, telling the same stories from their experiences within IFB churches from all over the country, we finally put that accusation to rest. Dozens of public and private Facebook groups and blogs are now highlighting their abuses. That was precisely what the mob bosses feared: We could prove the entire cult was rife with sexual abuse cover-ups and we had a mountain of evidence to back up our assertions. To my knowledge there is no religious cult anywhere with more people speaking out through social media about their physical, emotional, sexual, and spiritual abuse than the former members of the IFB.

The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow. We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat. The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens. Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine. "You're a madman," he whispered. "An utter madman." "Perhaps," I allowed. "But it worked." The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured. The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want." A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question. It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk. Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with. And yet the very thought felt like dying. I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough... Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return. There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder. "My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come." "Y-Yes." It was amazing I managed that much coherence. He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?" Was he asking...? "Yes." Oh, God, yes. His lips curved into a smile.

Among the Allied casualties was Ernie Pyle. “If I ever was brave, I ain’t any more,” he wrote a friend. “I’m so indifferent to everything I don’t even give a damn that I’m in Paris.” The war had become “a flat, black depression without highlights, a revulsion of the mind and an exhaustion of the spirit.” In a final column from Europe, he told his readers, “I have had all I can take for a while. I’ve been twenty-nine months overseas since this war started; have written around seven hundred thousand words about it.… The hurt has finally become too great.” Arriving at Bradley’s headquarters on September 2—“worn out, thin, and badly in need of a shave,” one officer reported—he said goodbye, then sailed home on the Queen Elizabeth, her decks crowded with other wounded. “I feel like I’m running out,” he confessed to another writer. Eight months later, while covering the Pacific war, he would be killed by a Japanese bullet in the head.

He had only three days off, which meant our honeymoon was only two days. We went to Lake Tahoe, and one of the highlights was a snowmobile tour in the mountains. In theory, we had to ride our separate vehicles very placidly, with no horsing around. But Chris-or maybe it was me-discovered that by maneuvering carefully, it was possible to splash up a lot of snow, and as we went up to the top we managed to cover each other with snow. It was the sort of simple joy you vow to repeat as often as you can, even as you realize the moment will be impossible to duplicate. They were a great two days, though I wished there were more. I happened to be reading a book around that time that theorized that humans live through many lives. I asked Chris what he thought about the concept. Did he think he had many past lives? “Oh, I don’t know,” he said. “That’s not in the Bible.” “No, it’s not.” “I guess anything’s possible,” he told me after a little thought. “I don’t think we have all the answers. But I do know this: if we get more than one life, I can’t wait to spend the rest of them with you.

Her sword weighed heavily in her hand. She stared at the polished blade, wondering if its reflection would be the last sight she ever caught of herself. Would she die as Ping, the Fa son she'd made up so she could join the army in her father's place? If she died here, in the middle of this snow-covered mountain pass, she'd never see her father or her family again. Mulan swallowed hard. Who would believe that only a few months ago, her biggest concern had been impressing the Matchmaker? She could barely remember the girl she'd been back then. She'd worn layer upon layer of silk, not plates of armor, her waist cinched tightly with a satin sash instead of sore from carrying a belt of weapons. Her lips had been painted with rouge instead of chapped from cold and lack of water, her lashes highlighted with coal that she now could only dream of using to fuel a fire for warmth. How far she'd come from that girl to who she was now: a soldier in the Imperial army. Maybe serving her country as a warrior was truer to her heart than being a bride. Yet when she saw her reflection in her sword, she knew she was still pretending to be someone else.

Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.

There are several reasons for this. For one thing, it’s not just that lobsters get boiled alive, it’s that you do it yourself—or at least it’s done specifically for you, on-site. 14 As mentioned, the World’s Largest Lobster Cooker, which is highlighted as an attraction in the festival’s program, is right out there on the MLF’s north grounds for everyone to see. Try to imagine a Nebraska Beef Festival 15 at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there on the World’s Largest Killing Floor or something—there’s no way. The intimacy of the whole thing is maximized at home, which of course is where most lobster gets prepared and eaten (although note already the semiconscious euphemism “prepared,” which in the case of lobsters really means killing them right there in our kitchens). The basic scenario is that we come in from the store and make our little preparations like getting the kettle filled and boiling, and then we lift the lobsters out of the bag or whatever retail container they came home in … whereupon some uncomfortable things start to happen. However stuporous a lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water. If you’re tilting it from a container into the steaming kettle, the lobster will sometimes try to cling to the container’s sides or even to hook its claws over the kettle’s rim like a person trying to keep from going over the edge of a roof. And worse is when the lobster’s fully immersed. Even if you cover the kettle and turn away, you can usually hear the cover rattling and clanking as the lobster tries to push it off. Or the creature’s claws scraping the sides of the kettle as it thrashes around. The lobster, in other words, behaves very much as you or I would behave if we were plunged into boiling water (with the obvious exception of screaming 16 ). A blunter way to say this is that the lobster acts as if it’s in terrible pain, causing some cooks to leave the kitchen altogether and to take one of those little lightweight plastic oven-timers with them into another room and wait until the whole process is over.

The Raisin meditation2 Set aside five to ten minutes when you can be alone, in a place, and at a time, when you will not be disturbed by the phone, family or friends. Switch off your cell phone, so it doesn’t play on your mind. You will need a few raisins (or other dried fruit or small nuts). You’ll also need a piece of paper and a pen to record your reactions afterward. Your task will be to eat the fruit or nuts in a mindful way, much as you ate the chocolate earlier (see p. 55). Read the instructions below to get an idea of what’s required, and only reread them if you really need to. The spirit in which you do the meditation is more important than covering every instruction in minute detail. You should spend about twenty to thirty seconds on each of the following eight stages: 1. Holding Take one of the raisins (or your choice of dried fruit or nuts) and hold it in the palm of your hand, or between your fingers and thumb. Focusing on it, approach it as if you have never seen anything like it before. Can you feel the weight of it in your hand? Is it casting a shadow on your palm? 2. Seeing Take the time really to see the raisin. Imagine you have never seen one before. Look at it with great care and full attention. Let your eyes explore every part of it. Examine the highlights where the light shines; the darker hollows, the folds and ridges. 3. Touching Turn the raisin over between your fingers, exploring its texture. How does it feel between the forefinger and thumb of the other hand? 4. Smelling Now, holding it beneath your nose, see what you notice with each in-breath. Does it have a scent? Let it fill your awareness. And if there is no scent, or very little, notice this as well. 5. Placing Slowly take the object to your mouth and notice how your hand and arm know exactly where to put it. And then gently place it in your mouth, noticing what the tongue does to “receive” it. Without chewing, simply explore the sensations of having it on your tongue. Gradually begin to explore the object with your tongue, continuing for thirty seconds or more if you choose. 6. Chewing When you’re ready, consciously take a bite into the raisin and notice the effects on the object, and in your mouth. Notice any tastes that it releases. Feel the texture as your teeth bite into it. Continue slowly chewing it, but do not swallow it just yet. Notice what is happening in the mouth. 7. Swallowing See if you can detect the first intention to swallow as it arises in your mind, experiencing it with full awareness before you actually swallow. Notice what the tongue does to prepare it for swallowing. See if you can follow the sensations of swallowing the raisin. If you can, consciously sense it as it moves down into your stomach. And if you don’t swallow it all at one time, consciously notice a second or even a third swallow, until it has all gone. Notice what the tongue does after you have swallowed. 8. Aftereffects Finally, spend a few moments registering the aftermath of this eating. Is there an aftertaste? What does the absence of the raisin feel like? Is there an automatic tendency to look for another? Now take a moment to write down anything that you noticed when you were doing the practice. Here’s what some people who’ve attended our courses said: “The smell for me was amazing; I’d never noticed that before.” “I felt pretty stupid, like I was in art school or something.” “I thought how ugly they looked … small and wrinkled, but the taste was very different from what I would normally have thought it tasted like. It was quite nice actually.” “I tasted this one raisin more than the twenty or so I usually stuff into my mouth without thinking.

Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful

When you are going to plan your website anatomy, few things you need to make clear like you have to give a proper briefing of your product or product range on the landing page of your website, technically called ‘home page’. This home page should cover all the highlights of your products or services that you want to tell your visitors to grab their interest. Then you have to make a page that tells a description about your product or service; call it service page or product page. As much details you can give in this page – your visitors will get a more detailed idea about your business. Depending on your product you can develop specific product related pages. As example, if you are selling 20 books on your website and if you are trying to give all details in a single page then it will not be a user friendly page, say when the visitor is searching for a particular book and it comes at the bottom of the page with a serial of 20th.  So here you need to categorize your products based on some criteria. Now you have to develop a page telling about you or your company

you are a crayon i am a highlighter,you may cover the world but i make it brighter.

The media is just as complicit in highlighting our discord. I imagine that reporting on a nation at peace would be boring to cover twenty-four seven, so there’s no impetus to bring us together—again, unless there’s an alien attack. There’s nothing exciting about nothing happening. Ad buyers want eyeballs on programs. Harmony doesn’t sell; concord isn’t sexy. For example, Forbes reported on the Institute for Economics and Peace in their Global Peace Index ranking Iceland as the most peaceful country in the world—quick, tell me one thing you know about that place. Wrong. Iceland is green and Greenland is ice.

Kerry had headed up the back stairs of the pub, and even as exhausted as she was, she’d still found it impossible to wipe that image of Cooper from her mind. The sun setting over his back, highlighting the breadth of his shoulders, sending shadows under those cheekbones, made more chiseled by the ridiculously gorgeous, shit-eating grin that had been on his face when he made it clear he was in town to stay. “For another twenty-nine days anyway.” Kerry pulled her pillow over her face and groaned. Part of her was still in utter shock that he was actually there, in her town. Hell, in her orbit at all. Other parts of her--most of them hormonally activated--were still all aquiver from that kiss. She groaned again and ground clenched fists into the mattress on either side of her hips. Damn, but that kiss… How many times had she lain in bed, just like this, only in a bunkhouse at Cameroo Downs, and wondered what it would be like to be kissed by Cooper Jax? Okay, okay, a whole lot more than kissed. But damn…that kiss alone had been worlds better than the best sex she’d ever had. So much so, he’d probably ruined her for having sex with mere mortals. So I guess you’ll just have to have sex with him, then. “Not helpful,” she grunted at her little voice, jerking the pillow off her face and thumping it on the bed beside her. Besides, even if she was willing to have some kind of fling with Cooper, fulfill even a sliver of the many, oh, so very many fantasies she’d had about the man, he’d made it clear from pretty much the moment he’d set foot back into her world that he wasn’t looking for a fling. He’d strolled right in and made it clear he was looking for a--no. She squeezed her eyes shut and tightened her lips, willing her mind to go blank. It didn’t work. She couldn’t shut it out. Cooper Jax had, basically, proposed to her. Then he’d walked all up and down a kelp-covered, low-tide seashore and listened to her enumerate the reasons why they couldn’t even contemplate such a union. Right before kissing her in a way that defied science and made her wonder if she might need a pregnancy test, before pretty much declaring he was going to spend the next four weeks making it as impossible for her to say no to his doing that again, and maybe more, as he could.

Hair fall - The two words that make up for the shortest yet the scariest horror story that no woman would ever want to witness. However, many women suffer from it and get stuck in a loop of trying various solutions to take control of hair fall. It’s important to understand to what amount the hair fall is normal and to what is abnormal. We lose about 100 strands every day but anything more than that is excessive and alarming. HAIR FALL PROBLEM Hair is a big part of our identity and appearance. It adds confidence and resembles our style in ways more than one. When one loses hair, they lose self-esteem and self-confidence. Therefore, it is necessary to find an answer to the question of ‘How to control hair fall?’ Hair Fall Problem For most of us, a good hair day instantly puts us in a good mood. Such is the importance associated with the appearance of our hair. When even an occasional bad hair day can seriously put a damper on our mood, imagine how dreadful it’s to deal with your precious hair locks beginning to fall off. If you're looking for a basic brush that gets rid of tangles with no discomfort or pain, look no moreoverthan the Patented Venting hairbrush DoubleC. This universal brush is made to detangle wet hair of all kinds and forms with ease. Each brush is made with light, soft, and strong bristles that can painlessly get rid of despite the most serious knots. The points also highlight SofTips at the top that massage the scalp and help improve follicle stimulation. Patented Venting hairbrushes work best on women with long, thick hair for they're usually too large and unwieldy on short or thin hair. Most maximum paddle brushes are created for dry hair, as a regular detangler, and smoother. Hair Fall Problem Different Types of Hair Brush Our wide collection of Nuway4haiHair Brushes covers DoubleC Brush, C Brush, Travel C Brush, Traveler Brush, MagicSpell Combo Brush, and many more. Available in various forms and sizes, these hair brushes for women have two hair types namely. Specially created to serve, appearance, and smoothen up the hair of all dimensions and arrangements, all the hairbrushes come following three distinct ranges, that is, Basic, Premium, and Specialist. Nuway4hair Top Sellers to Choose From 1. Patented Venting hairbrush DoubleC - Purple 2. Patented Venting hairbrush DoubleC - Blue 3. DoubleC Brush- Black 4. Patented Venting hairbrush DoubleC PRO - Gray

Hold still." Emma squirmed again, her lush lips curving in a smile as she gazed up at me coyly. "But it tickles." My dick pulsed, sheer lust twisting my insides up in knots. But I kept my hands steady. "Almost there." I piped another series of rosettes along the curve of her breast, heading for the pretty little pouting nipple, now deep pink and stiff. Her breath hitched, and I gave her a wicked smile. "Be good, or I won't lick it off." "Liar. You can't wait." She was laid out on my bed, wearing nothing but the lemon-buttercream flowers and swirls I'd decorated her lovely body with. "Guilty as charged." My mouth actually watered with the need to taste her, mix her flavors with my cream. Fuck up into the tight, silky-hot clasp of her body, where it felt both like home and the best pleasure I'd ever had in my life. My hand shook a little as I circled her perky nipple, choosing to highlight rather than cover it. Emma bit her bottom lip, her lids lowering as she subtly arched into the tip of the pastry bag. Heat rippled through me, and I tossed the buttercream aside. "Now, where to start?" I wanted it all at once. Every delectable inch of her. Always. All the time. Impatient and aching, I stroked my shaft, keeping the hold light lest I blow now. Because nothing looked more delicious than Emma Maron spread out before me, smiling in that way that said she was all mine. Happiness warred with lust, making for a heady cocktail in my veins. I had Emma right where I wanted her----with me. Everything else took a back seat to her and the way she watched me palm my dick, all greedy need and anticipation. It fueled my own.

Lore: This skill shows your understanding of the monsters, magic, and history of the world of Nightfall. It is linked to Secondary Skills involving these areas, as well. Remedies: Where Lore gives knowledge of monsters and Survivalcraft aids with staying alive in the wilderness, Remedies covers how to stay well. This skill can identify herbs with healing properties, highlight medical uses for various substances, and even show how to harvest monster parts for use in potions, poisons, and poultices. Counseling: All who live in Nightfall know one emotion better than all others: fear. Repeated exposure to the terrors hidden in the Dark can erode the mental strength of even the stalwart, driving good men to commit atrocities or even abandon the Light in service to evil powers. This skill helps to identify such mental damage, as well as heal it.

Poet Ayoade, the first African immigrant to serve as a nuclear missile operator in the United States Air Force, debuts with an inspirational memoir chronicling his childhood in Nigeria and journey to become a doctor and American citizen. Ayoade, who at the age of seven promised his mother “One day, I will take you far away from here,” details his upbringing with an abusive father and the many family tragedies he endured—along with his dedication to creating a different life: “Underground is my unusual journey from childhood poverty to where I am today. How the impossible became a reality.” Readers will be swept into Ayoade’s vivid recollections of his early years, including his strict education, brushes with death, and a strained relationship with his father. He recounts the family’s passion for American movies that made “America seem like the perfect place,” sparking his desire for a better future, and details his decision to become a veterinarian and eventually pursue a career in the U.S. military to ensure the best life for his family (and future generations). Ayoade’s story is moving, particularly his reconciliation with his father and hard-earned American citizenship, and his message that it’s never too late to chase your dreams resonates. That message will evoke strong emotions for readers as Ayoade highlights the importance of hard work and the benefit of a committed support system, alongside his constant “wishing, praying, and fighting to be free from all the sadness and injustice around me”—a theme that echoes through much of the book, including in his acknowledgement that the fear he experienced as a nuclear missile operator was a “cost of this freedom.” Ayoade’s poetry and personal photographs are sprinkled throughout, illuminating his deep love for family and his ultimate belief in liberty as “The reason for it all./ A foundation for a new generation,/ The best gift to any child.” Takeaway: This stirring memoir documents an immigrant’s fight for the American dream. Great for fans of: Ashley C. Ford’s Somebody's Daughter, Maria Hinojosa’s Once I Was You. Production grades Cover: A- Design and typography: A Illustrations: A Editing: A Marketing copy: A

When it comes to teaching, we might lecture, show videos, and encourage note-taking during class. When it comes to studying, students might re-read their textbooks, highlight information, and review their notes before an exam. We've all had the experience of feeling like these teaching and studying methods work. So what's the problem? The problem is that these methods only lead to short-term learning. Have you ever asked students about material you covered months earlier, only to find that they've forgotten everything? This common situation arises because of an assumption we make about learning. We assume that when information comes to mind easily and it feels fluent, we'll remember it.

The décor was the perfect contrast to the club's existing dark wood walls and coffered ceilings. Cedric's team used accents of gold to tie in with the space, but lightened things up with oodles of ivory and blush flowers. They highlighted the massive arched window overlooking the twinkling lights of downtown by flanking it with two equally massive blooming dogwood trees. Where he found blooming dogwoods this time of year in Dallas was a mystery, but that was all part of his magic. Dining tables were draped in champagne-colored velvet linen, and atop every table was an ivory urn overflowing with blush antique garden roses. They reminded me of the roses that grew in our garden at home, which was certainly on purpose. Twinkling candles in glass sleeves covered every surface, and next to the bar stood a sparkling tower of champagne glasses.

Meghan, said Oprah, had been the target of ‘constant criticism [and] blatant sexist and racist remarks by British tabloids’. As she spoke, the screen was covered by a spread of apparently racist headlines in the Daily Mail and other British newspapers. The word ‘niggling’ was highlighted as causing offence, although critics noted the sixteenth-century Scandinavian origin of the word has no connection to race.

Because flushed cheeks and high color are cues that men use to gauge a woman’s health, women rouge their cheeks artificially to trigger men’s attraction. Because smooth, clear skin is one of men’s evolved desires, women cover up blemishes, use moisture cream, apply astringents, and get facelifts. Because lustrous hair is one of men’s evolved desires, women highlight, bleach, tint, or dye their hair, and they give it extra body with conditioners, egg yolks, beer, or weaves. Because full red lips trigger men’s evolved desires, women apply lipstick skillfully and even get injections to enlarge their lips for the “bee-stung” look. And because firm, youthful breasts stimulate men’s desires, women obtain breast implants and wear push-up bras.

dramatically INCREASED the amount of absentee and mail-in ballots in the battleground states [while] Prong Two dramatically DECREASED the level of scrutiny of such ballots—effectively taking the election “cops” off the beat. This pincer movement resulted in a FLOOD of illegal ballots into the battleground states which was more than sufficient to tip the scales from a decisive legal win by President Trump to a narrow and illegitimate alleged “victory” by Joe Biden.7 In a landmark Time magazine cover story by Molly Ball, the Democrats have all but confessed to this Grand Stuff the Ballot Box Strategy. And Molly Ball is neither a right-wing hack nor a Fourth Estate slouch; she was the 2019 winner of the Gerald R. Ford Journalism Prize for Distinguished Reporting on the Presidency. In her “kiss and tell” article, Ball highlighted a long list of operatives who have openly boasted about how they gamed America’s election system to overthrow a sitting president. That she portrayed these smug zealots as saviors of the election rather than as thieves is yet another Big Reveal—not just of Ball’s own Progressive ideology but also of the much deeper rot eating away at our election system and our broader Republic. In this Big Reveal, we bare stark witness to an “ends justify the means” mentality that has gripped far too many Americans on the left. As Corey Lewandowski once put it, these Machiavellian cadres apparently hate Donald Trump more than they love their country.8 Memo number one to Molly’s Merry Band of Democrat Thieves: Destroying the integrity of our election system to topple a sitting president you loathe is no Devil’s bargain. It’s national suicide.

There were a couple of Bowie twins from Hatfield in Hertfordshire. They were both tall and razor thin, and looked like a slightly more exaggerated version of David Bowie on the cover of Young Americans. Their hair was even more exaggerated: deep red with bleached streaks through the front, but also with pink highlights cascading over their eyes, and slicked back at the sides. Pencil-thin dark plucked eyebrows, very pale complexions, with black mascara. They always wore the shiniest black or red plastic dungarees. Outside the club they would wear these slightly furry leopard-skin bomber jackets, which I thought looked great. They had a mad, slurry way of talking, and kind of shouted and talked at the same time. They would jump from one subject to another in mid-sentence. They were very unusual people. Every second line was ‘Never mind the bollocks.’ They would say that three hundred times a night. Everything was ‘Never mind the bollocks.’ I know for a fact that the Sex Pistols got the name for their album from the twins. They both earned a living selling hot dogs. One worked on Charing Cross Road, the other down by Trafalgar Square. They were mad. If you stopped to talk to them, they would always be arguing with someone. Man or woman, they always had the same line: ‘Now listen, sweetheart: never mind the bollocks.

It is well documented that humans are especially fearful of threats than can be easily pictured or imagined. For example, one study found that people are willing to spend significantly more for flight insurance that covers "death from 'terrorist acts'" than for flight insurance that covers "death from 'all possible causes'". Now, logically, flight insurance for death by any cause would cover terrorism in addition to a number of other potential problems. But something about the buzzword "terrorism" created a vivid impression that generates excessive fear. The flight insurance example highlights another psychological phenomenon that is important to understanding how fear influences our thinking: "probability neglect". Social scientists have found that when confronted with either an enormous threat or a huge reward, people tend to focus on the magnitude of the consequence and ignore probability.

The troupe also made a 20,000–mile trip into the European war. Hope was the first American entertainer to perform in Sicily. He did a show at Messina just after the enemy had fled the town and was still bombarding the area with its artillery. By the end of the war, it was estimated that Hope had appeared at virtually every camp, naval base, and hospital in the country. He had made half a dozen trips overseas, including a tour of the South Pacific in 1944 that was highlighted by a crash landing in Australia. With him then was the same crew that had gone to Italy the year before: Langford, Colonna, dancer Patty Thomas, guitarist Tony Romano, and an old vaudeville pal, Barney Dean. Newsweek called it “the biggest entertainment giveaway in history,” a pace that no one in show business has ever equaled. “It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective,” novelist John Steinbeck said of Hope. For his service to the country, Hope was given more than 100 awards and citations and two special Oscars. He was voted a place in the Smithsonian’s Living Hall of Fame.

There was no mistaking it, throughout the 1950’s, Liberia proudly brandished its American roots by flaunting the palatial homes overlooking the Atlantic Ocean near Monrovia or the antebellum style mansions dominating rubber plantations owned by wealth Americo Liberians who considered themselves privileged. Their homes were closely modeled after the affluent homes of the pre-civil war era in the Confederacy. These beautiful homes stood out when compared to the dirt floor, thatch roofed village homes most Liberians lived in. The best visual description of Liberian architecture,would be in film clips taken from the movie Gone With The Wind.. In the 1950's, Liberia had all the trappings of an American colony stuck in the past. To a great extent it was this great social divide between the indigenous natives and the Americo-Liberians that brought on the two civil wars in Liberia. This aspect of life in Liberia is highlighted in Seawater Two and will be covered in my upcoming book about the history of West Africa. Many of the Americo Liberians including President Talbert, have been killed of displaced. Because of the fierce civil wars in Liberia the coastal ships of the Farrell Lines fleet were sunk in “The Port of Monrovia” and much of Liberia’s antebellum architecture has been destroyed .

Too often girls cover up their highlights instead of their shadows. And too often the right boys are too late to notice.

• • For twenty minutes, read the portion of God’s Word according to the reading schedule for that day. It will take an average reader about that long to cover the bases. • • For the next twenty minutes, take one Scripture that the Holy Spirit has highlighted for you and journal on it, using the SOAP method. This is not a time to play theologian. From the chapters you’ve read, choose only one Scripture. Even if several catch your attention, select one thing the Spirit is bringing to your attention. Write your thoughts out in manuscript form using standard grammar. No notations or Cliffs Notes. Take the time to explain it clearly. Writing this way will help you to be exact in your thinking and clear in your understanding.  • • During the final twenty minutes, have the group share, one person at a time, what each person has journaled. Everyone takes a turn. No preaching allowed, and no special offerings allowed. Just read the entry. Discuss what you’ve heard in an easygoing and encouraging way. When you listen to others share their journals, you’ll draw from their wisdom and insights.

Okay, y’all,” Ashley announced. “This is our dress rehearsal. Our last chance to get everything perfect before the big night tomorrow. Any questions? Ideas? Opinions?” “Yeah, I have an idea.” Slumped on the front steps of the Battlefield Inn, Parker choked down a mouthful of cough syrup and tried not to speak above a whisper. “Let’s call it off. That would really make it perfect. No more ghost tour.” “Walk of the Spirits,” Ashley corrected him, irritated. “Walk of the Spirits. And we’re not calling it off. After all this time? All this work?” “All this suffering?” Roo added. She was perched one step below Parker, and was digging through her pockets for a cigarette. Her face still bore some major bruises from the storm, and a wide gash zigzagged across her forehead, not quite healed. She’d taken great pains to highlight this zigzag with dark, red lipstick. “You like suffering,” Parker reminded her. “And, excuse me, but you’re not the one with pneumonia.” "You don’t have pneumonia. You’re just jealous because Gage was in worse shape than you, and he got more attention.” “Well, it’s almost pneumonia. It’s turning into pneumonia.” Tensing, Parker let out a gigantic sneeze. “Shit, I hate this. I feel like my brain’s ten times its normal size.” Roo gave him a bland stare. “You know, when people lose a leg or an arm, they think they still feel it, even though it’s not really there.” “Will you two behave?” Ashley scolded. “And, Parker, where’s that newspaper article your mom was going to give us?” “Somewhere.” Parker thought a moment, then shrugged. “In my car, I think.” “Well, will you please go get it? The sooner we start, the sooner we can all go home.” “She’s right.” Though unable to hold back a laugh, Miranda came loyally to Ashley’s rescue. “Let’s just walk it through, and read the script, and make sure we’ve covered all the basic information. Ashley, what about your costume?” “I’ve got the final fitting after I leave here.” Ashley’s eyes shone with excitement. “Can you believe Mrs. Wilmington went to all that trouble to make it for me?” “She didn’t.” Parker scowled. “She got her dressmaker, or designer, or whoever the hell she calls him, to make it for you.” “Parker, that doesn’t matter--it was still really nice of your mother to do that.” “You’re a southern belle--how could she resist that?” Ashley shot Miranda a grateful smile. “That was Miranda’s idea.” “It made sense,” Miranda explained. “A costume sets the mood. It’s all about southern history and heritage, so our tour guide should be a southern hostess--hoopskirt and all.” “And I’m the only one who gets to dress up! And I can’t wait to wear it! It’s like cotton candy!” Roo arched an eyebrow. “Sticky?” “No! All pink and fluffy and…sweet. I love the way I feel in it.” “I agree,” Parker said hoarsely. “I love the way you feel in it, too. And I love the way you feel out of it even better.” Roo stared at him. “Wow. You should write greeting cards.

Anne Kihagi highlight’s some of the museum’s ongoing, current, and upcoming exhibits at San Francisco Museum of Modern Art The San Francisco Museum of Modern Art (SFMOMA) features a wide range of art exhibits. One of the ongoing exhibits at SFMOMA is the pop, minimal, and figurative art one, which features pieces from the 1960s on. The museum also features the Approaching American Abstraction exhibit, which showcases the various methods of abstraction since the 1950s. The Sea Ranch is a current exhibit that runs through April 28, 2019. The exhibit is from the 1960s Northern California Modernist movement and combines architecture, the environment, and idealism. The work of photographer Louis Stettner will be featured until May 26, 2019. Stettner’s work combines American street photography with French humanism. SFMOMA will debut the Andy Warhol – From A to B and Back Again exhibit on May 19, 2019. It is slated to run until September 2, 2019. The exhibit will cover three floors and will offer a dozen pieces unique to SFMOMA. The Chronicles of San Francisco will run from May 23, 2019, through April 27, 2010, and features the work of artist JR. The exhibit is the culmination of two months of on-the-street interviews the artist conducted with almost 1,200 people. The snap + share exhibit will run from March 30 – August 4, 2019, and focuses on the impact of photographs in our daily lives. SFMOMA is open Friday through Tuesday from 10:00 AM - 5:00 PM and Thursdays from 10:00 AM – 9:00 PM. Adult admission is $25.00, with senior admission at $22.00. Visitors ages 19-24 are $19.00, and anyone under 18 is free.