Black Costume Quotes

Courtesy of their tempers, both were now dressed in the Captain Asshole costume—which included, for no extra charge, the cape of disgrace, the booties of shame, and keys to the Fuck Up mobile.

Dave and Tate were dressed with equal heinousness. More black leather, chains, and whips. Either Don’s staff truly had costumes for all possible occasions on hand, or someone at wardrobe had a lot of explaining to do.

...just because I don't have on a silly black costume and carry a silly broom and wear a silly black hat, doesn't mean that I'm not a witch. I'm a witch all the time and not just on Halloween.

At night I no longer dreamed, nor did I let my imagination work during the day. The once vibrant escapes of watching myself fly through the clouds in bright blue costumes, were now a thing of the past. When I fell asleep, my soul became consumed in a black void. I no longer awoke in the mornings refreshed; I was tired and told myself that I had one day less to live in this world. I shuffled through my chores, dreading every moment of every day. With no dreams, I found that words like hope and faith were only letters, randomly put together into something meaningless - words only for fairy tales.

As I wouldn't wear a costume, I couldn't imagine him wanting to wear one. And seeing that the greater part of my wardrobe is black (It's a sensible colour. It goes with anything. Well, anything black)[...].

Man, this angel crap… it’s so fucking hard to influence anything. I’ve never had a problem with free will before, but for shit’s sake, I wish I could just I Dream of Jeannie you to where you need to be.” As Tohr winced, the angel muttered, “It’s okay, though. We’ll get you there somehow—” “Actually, I’m cringing at the vision of you in a pink harem costume.” “Hey, I have a great ass, I’ll have you know.

It looked like Tohr and the kid had a lot in common: Courtesy of their tempers, both were now dressed in the Captain Asshole costume—which included, for no extra charge, the cape of disgrace, the booties of shame, and keys to the Fuck Up mobile.

She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer.

Whatever." I grinned. His costume consisted of a black shirt that read in white lettering I DON't NEED A COSTUME. PEOPLE WANT TO BE ME. God, that was such a Luc shirt.

Mum is a costume she squeezed herself into, for you.

Just then Patch ambled through the front door. I did a double take to make it was really him. I hadn't expected him to come. We'd never resolved our fight, and I'd pridefully refused to take the first step, forcing myself to lock my cell phone in a drawer every time I was tempted to call him and apologize, despite my increasing distress that he might never call either. My pride immediately turned to relief at the sight of him. I hated fighting. I hated not having him close. If he was ready to mend this, so was I.A smile flickered across my face at the sight of his costume; black jeans, black t-shirt, black face mask. The latter concealed all but his cool, assessing gaze. "There's my date," I said. "Fashionably late.

— I don’t want to pretend to be anyone, not any more." "— So who is The Black Flamingo?" "— He is me, who I have been, who I am, who I hope to become. Someone fabulous, wild and strong. With or without a costume on.

Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.

He looks like a horse in a man costume!

It was all very…cute. Not bad if you wanted to hang out with some friends for a beer, but this wasn’t the real Devil’s Night. These people wore their black as a costume. For us, the costume was coming off.

RAINBOW VOICES I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.

The Baudelaire orphans hung on to one another, and wept and wept while the adults argued endlessly behind them. Finally-as, I'm sorry to say, Count Olaf forced the Quagmires into puppy costumes so he could sneak them onto the airplane without anyone noticing-the Baudelaires cried themselves out and just sat on the lawn together in weary silence.

My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.

Right now, I couldn't have cared less if someone had waltzed across the room in a large flower costume with a sign saying GET YOUR BLACK TULIPS HERE. Every nerve in my body was on man-alert, screaming, "incoming!

As for Nina, Genya had offered up a glorious red kefta from her collection and they’d pulled out the embroidery, altering it from blue to black. She and Genya were hardly the same size, but they’d managed to let out the seams and sew in a few extra panels. It had felt strange to wear a proper kefta after so long. The one Nina had worn at the House of the White Rose had been a costume, cheap finery meant to impress their clientele. This was the real thing, worn by soldiers of the Second Army, made of raw silk dyed in a red only a Fabrikator could create. Did she even have a right to wear such a thing now? When Matthias had seen her, he’d frozen in the doorway of the suite, his blue eyes shocked. They’d stood there in silence until he’d finally said, “You look very beautiful.” “You mean I look like the enemy.” “Both of those things have always been true.” Then he’d simply offered her his arm.

I look at everyone in their costumes, and it’s like we’re about to do a play that we’ve been rehearsing for, separately, our whole lives.

Their costumes are surprisingly clever—one of them is wearing a black silk nightgown with a picture of Freud’s face taped to the front. A Freudian slip. Nick

There is Normal Society and then there is the Abnormal Freaks Who Deserve Our Public Pity and Private Ridicule Society. The first is the world of good jobs and Christmas shopping and marriages and vacations and the scent of new cars. And then there is that other world, the world of the glazed eye, of people who chant at the moon and spout conspiracy theories and get sexually aroused by furry animal costumes. Some dress all in black to carry out vampire rituals and others col ect cats until they’re a furry shoulder-to-shoulder flood on every floor of the house. The Abnormal travel among the Normal and leave behind them a trail of sickeningly awkward conversations and stifled laughter, of hidden smirks and rolled eyes. And worst of all, pity.

Uncle Bob chuckled. “What the Hell Spawn of Satan are you wearing?” What Ubie was so indelicately referring to was the outfit I’d changed into, carefully picking out my most comfortable black-on-black attire and meticulously applying black greasepaint to my face to complement a desert-at-midnight look. Naturally, I had to struggle through several costume changes as Garrett sat out in his leather-seated truck waiting for me. I sure hoped my time-consuming endeavor didn’t annoy him.

my brain is many colors, vague, like massed flowers: total spectrum of petals beginning with black. I wear my costume inside like blood and bones, keep graphs of my ups and downs, discover people laugh more at my falls than at my flying. The moral of this story is: sad eyes need also tears.

Goddamn Lassiter. Dinner invite. Sal’s. WTF. The last thing he wanted to do was sit across from that angel and listen to a Reservoir Dogs opener about dick symbolism in Deadpool. The problem? His brother, iAm, did make the best Bolognese anywhere, and besides, if Trez didn’t show? Lassiter was just the flavor of asshole to turn up here in a clown costume and honk his nose until Trez lost his mind.

But while they stayed down, rolling around and trying to kill each other, Em jumped to her feet. Her costumes sometimes have little finishing touches that no one can see. She hadn't told me about this one.

You could fall in love with me, you can talk to my shrink, you can hide a tape recorder in my bedroom, see what I talk about from wherever I am when I sleep. You want to do that? You can put together clues, develop a thesis, or several, about why characters reacted to the Trystero possibility the way they did, why the assassins came on, why the black costumes. You could waste your life that way and never touch the truth.

A chorus of Golden Pages and Jade Maidens came onto the stage, fairy streamers fluttering and flags aloft, to reveal in their midst a gorgeously attired lady, her head draped in black, her costume shimmering with

But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.

I stared at Eph, envying the fact that he already had a costume, though whether it was actually qualified as a costume was debatable. He was dressed in all black- black jeans, black knit hat, black boots, long-sleeved, black T-shirt, black thermal on top of it. "I'm the dark night of the soul. Or a black hole. Or something like that," He'd said when I'd asked him earlier. "You're copping out," I said. "How is being in more than one costume copping out? I'm actually so investing in this, I am in an infinite number of costumes. It's meta and crap.

But what have Cortes and Pizarro or the others to do with me? You carry them in your blood as I carry the blood of Montezume; expeditions of them are harbored by your heart and your mind carries their supply trains. You've changed your helmet for a frontier hat while I have changed my robes for overalls and a black leather jacket. The costumes may have changed but the blood is still the same, gringo.

David had, in fact, done the Sherlock thing that Stevie had dismissed for herself, specifically, the BBC one. He was wearing a sharply cut blue dress shirt, slender, tailored pants, and a long gray-black coat with a red interior. He had teased out his hair a bit and made sure it curled. In many ways, it was a perfect costume while not being a costume at all. And it was obviously intentional, directed at her.

Nothing gazed around at the kids in the club. They were all so beautiful. He loved their choppy hairstyles, their costume jewelry, their ragged black or multicolored clothes. He loved the way they all somehow looked like him, and he wished he could make friends with every one of them.

The costume is great," I said to Lysander, "but a crown? Really?" He glared at me, his black wings beating. I'd only been in his shop for thirty minutes, but I was pretty sure the guy already hated me. "It was my understanding that you were to go dressed as the goddess of witchcraft, and Hecate wears a crown." "It's not really a crown, Soph," Jenna offered from her spot on a nearby white satin settee. "It's more like a tiara." She had her chin in her hand, and there was practically a little black rain cloud over her head. We had taken Vix to the airport, so Jenna was Sulky McSulkerton.

I whispered, "Do you have a rubber?" He laughed, hushed, a laughing whisper, as though his parents were in the next room, and reached one arm past my head to a nightstand there. "A rubber chicken." He shook the dancing chicken in the air. "Will that do?" I laughed back, ran a finger along the bumps of the fake chicken skin. "Ribbed and beaked for her pleasure, even. Want me to leave you two alone?" He threw the chicken on the floor and bit my neck and I giggled and he said, "Never," and he was everywhere then. The couch was a sinking place and I disappeared into the orgy of costumes, the smell of nervous strangers, makeup and smoke, my naked body buried in the perfume of human need. I took the rubber chicken home. Plucky was my mascot, the souvenir of our date. Later, much later, there was the conception of our child. And now the miscarriage, unexpected, though I should've expected it because, why not? -- family slid through my fingers the same as the old silicone banana-peel trick. After the D&C, after the suctioning away of our tiny fetus, I drew the black heart on Plucky's rubber breast in the place where a chicken might have a heart, over the ridges of implied feathers. Indelible ink. Now she'd been nabbed by a kid too young to know what love means, what a chicken might mean. Too young to know that a rubber chicken can carry all of love in one indelible ink heart.

In a word, God paints in many colors; but he never paints so gorgeously, I had almost said so gaudily, as when He paints in white. In a sense our age has realized this fact, and expressed it in our sullen costume. For if it were really true that white was a blank and colorless thing, negative and non-committal, then white would be used instead of black and grey for the funereal dress of this pessimistic period. Which is not the case. Meanwhile I could not find my chalk.

Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.

He took me in skeptically. "Darling, the ensemble is fabulous," he said, patting my hand, eyeing my black jacket, black tie, black silk shirt, and heavily pegged black satin pants, "but I'm not so sure about the white sneakers." "But they're essential to my costume." "Your costume? What are you dressed as?" "A tennis player in mourning.

He is me, who I have been, who I am, who I hope to become. Some fabulous, wild and strong. With or without a costume on.

Why he's wearing his costume out and about, trampling people on a monster black horse, I do not know.

Nonna likes Halloween, but draws the line at a costume, although she's been known to scare small children as she looms over them in her stark black, screeching at them to have some M&M's.

Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.

Courtesy of their tempers, both were now dressed in the Captain Asshole costume—which included, for no extra charge, the cape of disgrace, the booties of shame, and keys to the Fuck Up mobile. Christ,

It is autumn, mid-October, and the greens of our first encounter with this land have dressed up in fancy costume, orange, scarlet, yellow, to welcome us. It is almost too much to take in, all the beauty.

She was wearing a black dress without decoration, thick-soled black boots and vast amounts of silver jewellery on her arms. Her red hair was spiky like some new species of cactus. I have heard the word ‘stunning’ used to describe women, but this was the first time I had actually been stunned by one. It was not just the costume or the jewellery or any individual characteristic of Rosie herself: it was their combined effect. I was not sure if her appearance would be regarded as conventionally beautiful or even acceptable to the restaurant that had rejected my jacket. ‘Stunning’ was the perfect word for it.

A cult is a group of people who share an obsessive devotion to a person or idea. The cults described in this book use violent tactics to recruit, indoctrinate, and keep members. Ritual abuse is defined as the emotionally, physically, and sexually abusive acts performed by violent cults. Most violent cults do not openly express their beliefs and practices, and they tend to live separately in noncommunal environments to avoid detection. Some victims of ritual abuse are children abused outside the home by nonfamily members, in public settings such as day care. Other victims are children and teenagers who are forced by their parents to witness and participate in violent rituals. Adult ritual abuse victims often include these grown children who were forced from childhood to be a member of the group. Other adult and teenage victims are people who unknowingly joined social groups or organizations that slowly manipulated and blackmailed them into becoming permanent members of the group. All cases of ritual abuse, no matter what the age of the victim, involve intense physical and emotional trauma. Violent cults may sacrifice humans and animals as part of religious rituals. They use torture to silence victims and other unwilling participants. Ritual abuse victims say they are degraded and humiliated and are often forced to torture, kill, and sexually violate other helpless victims. The purpose of the ritual abuse is usually indoctrination. The cults intend to destroy these victims' free will by undermining their sense of safety in the world and by forcing them to hurt others. In the last ten years, a number of people have been convicted on sexual abuse charges in cases where the abused children had reported elements of ritual child abuse. These children described being raped by groups of adults who wore costumes or masks and said they were forced to witness religious-type rituals in which animals and humans were tortured or killed. In one case, the defense introduced in court photographs of the children being abused by the defendants[.1] In another case, the police found tunnels etched with crosses and pentacles along with stone altars and candles in a cemetery where abuse had been reported. The defendants in this case pleaded guilty to charges of incest, cruelty, and indecent assault.[2] Ritual abuse allegations have been made in England, the United States, and Canada.[3] Many myths abound concerning the parents and children who report ritual abuse. Some people suggest that the tales of ritual abuse are "mass hysteria." They say the parents of these children who report ritual abuse are often overly zealous Christians on a "witch-hunt" to persecute satanists. These skeptics say the parents are fearful of satanism, and they use their knowledge of the Black Mass (a historically well-known, sexualized ritual in which animals and humans are sacrificed) to brainwash their children into saying they were abused by satanists.[4] In 1992 I conducted a study to separate fact from fiction in regard to the disclosures of children who report ritual abuse.[5] The study was conducted through Believe the Children, a national organization that provides support and educational sources for ritual abuse survivors and their families.

He was really quite addicted to her face, and yet for the longest time he could not remember it at all, it being so much brighter than sunlight on a pool of water that he could only recall that blinding brightness; then after awhile, since she refused to give him her photograph, he began to practice looking away for a moment when he was still with her, striving to uphold in his inner vision what he had just seen (her pale, serious, smooth and slender face, oh, her dark hair, her dark hair), so that after immense effort he began to retain something of her likeness although the likeness was necessarily softened by his fallibility into a grainy, washed-out photograph of some bygone court beauty, the hair a solid mass of black except for parallel streaks of sunlight as distinct as the tines of a comb, the hand-tinted costume sweetly faded, the eyes looking sadly, gently through him, the entire image cob-webbed by a sheet of semitranslucent Thai paper whose white fibers twisted in the lacquered space between her and him like gorgeous worms; in other words, she remained eternally elsewhere.

I’m in a simple black unitard that covers me from ankle to neck. Shiny leather boots lace up to my knees. But it’s the fluttering cape made of streams of orange, yellow, and red and the matching headpiece that define this costume.

The Empire is a thug, a bully. It’s no better than Surat Nuat, or Black Sun, or the syndicate of Hutts. The Empire pretends it’s about law and order, but at the end of the day, it’s about dressing up oppression in the costume of justice.

Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep

Time collapsed into a delicate dark pencil brushed against our eyebrows, the emergent rumble of crowds gathering above our heads. We slid into our costumes. Pirate, outlaw, futuristic rebels. Red, purple, gold. Chains hanging from our belts, tight black trousers. We were moved upstairs, closer to the stage. Finally, we heard the cannon's roar: Ladies and gentlemen, please welcome... Tanzar recording artists... THE MASTER PLANETS!" The world shot forward. We stepped into the spotlight.

Let’s think about the fake sense of urgency that pervades the left-liberal humanitarian discourse on violence: in it, abstraction and graphic (pseudo)concreteness coexist in the staging of the scene of violence-against women, blacks, the homeless, gays . . . “A woman is rpaed every six seconds in this country” and “In the time it takes you to read this paragraph, ten children will die of hunger” are just two examples. Underlying all this is a hypocritical sentiment of moral outrage. Just this kind of pseudo-urgency was exploited by Starbucks a couple of years ago when, at store entrances, posters greeting costumers pointed out that a portion of the chain’s profits went into health-care for the children of Guatemala, the source of their coffee, the inference being that with every cup you drink, you save a child’s life. There is a fundamental anti-theoretical edge to these urgent injunctions. There is no time to reflect: we have to act now. Through this fake sense of urgency, the post-industrial rich, living in their secluded virtual world, not only do not deny or ignore the harsh reality outside the area-they actively refer to it all the time. As Bill Gates recently put it: “What do the computers matter when millions are still unnecessarily dying of dysentery?” Against this fake urgency, we might want to place Marx’s wonderful letter to Engels of 1870, when, for a brief moment, it seemed that a European revolution was again at the gates. Marx’s letter conveys his sheer panic: can’t the revolution wait for a couple of years? He hasn’t yet finished his ‘Capital’.

Consider the exquisite torture of all those little girls never allowed to eat dancing as costumed Sugar Plums, as fat Bonbons gushing cherry slicks. Tutus like ribbon candy, boys spinning great hoops of peppermint, and everywhere black slathers of licorice and marzipan glistening like snow.

Taking into consideration all your loveliness why can't you burn your bootsoles and your draft card? How can you sit there saying yes to war? You'll be a pauper when you die, sore boy. Dead, while I still live at our addresss. Oh my brother, why do you keep making plans when I am at seizures of hearts and hands? Come dance the dance, the Papa-Mama dance; bring costumes from the suitcase pasted Ille de France, the S.S. Gripsholm. Papa's London Harness case he took abroad and kept i our attic laced with old leather straps for storage and his scholar's robes, black licorice - that metamorphosis with it's crimson blood. "The Papa and Mama Dance

Olmsted’s greatest concern, however, was that the main, Jackson Park portion of the exposition simply was not fun. “There is too much appearance of an impatient and tired doing of sight-seeing duty. A stint to be got through before it is time to go home. The crowd has a melancholy air in this respect, and strenuous measures should be taken to overcome it.” Just as Olmsted sought to conjure an aura of mystery in his landscape, so here he urged the engineering of seemingly accidental moments of charm. The concerts and parades were helpful but were of too “stated or programmed” a nature. What Olmsted wanted were “minor incidents … of a less evidently prepared character; less formal, more apparently spontaneous and incidental.” He envisioned French horn players on the Wooded Island, their music drifting across the waters. He wanted Chinese lanterns strung from boats and bridges alike. “Why not skipping and dancing masqueraders with tambourines, such as one sees in Italy? Even lemonade peddlers would help if moving about in picturesque dresses; or cake-sellers, appearing as cooks, with flat cap, and in spotless white from top to toe?” On nights when big events in Jackson Park drew visitors away from the Midway, “could not several of the many varieties of ‘heathen,’ black, white and yellow, be cheaply hired to mingle, unobtrusively, but in full native costume, with the crowd on the Main Court?

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

A good Facebook brawl or Twitter mobbing might be the political equivalent of Huxley’s Violent Passion Surrogate, delivering all the tonic effects of joining the Weathermen or the Black Panthers or Benito Mussolini’s March on Rome with none of the physical inconveniences. The Internet might be bringing back the dramas and tragedies of history, only as a stage production, a costumed farce.

My father and I used to watch a ton of old horror movies when I was growing up. ’The Creature from the Black Lagoon‘ was one of my father’s favorites and he was very excited for me to see the film. But after the movie was over, I told him that I was kind of bored. I said to him, ‘I’m sorry, Daddy, but I saw the zipper in the back of the monster’s costume. From that point on, I was really never scared at all. The point I’m trying to make is that I don’t believe someone intentionally tipped off the target. And I maintain that no one made some horrendous mistake, which I’m now trying to cover up. I believe what really happened with the operation was that our target ended up seeing the zipper. Orlo Kharms realized something around him wasn’t… real. And he was able to avoid the trap we had laid out for him.

Car là encore ces hommes se livraient à quelque chose de grotesque lorsqu'ils embêtaient leur famille pour qu'elle leur achète un costume tout neuf pour leur procès. Les tribunaux ne prenaient jamais en considération la tenue des inculpés. Ils auraient pu comparaître dans des sacs à pommes de terre, les juges n'en avaient rien à faire. La seule chose qui comptait était la couleur de leur peau et les chefs d'accusation.

She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her the in the gloom of an Italian tomb, sucking the poison from her lover’s lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one’s imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them:

Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian Tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in one of them.

Suddenly you see a tall, thin man approaching, whose extraordinary costume immediately rivets your attention. Perched on top of a jet-black wig he wears a small grey felt hat, and everything else about him—coat, waistcoat, trousers, socks and shoes—is grey to match. Even his preternaturally long walking stick is painted grey. He comes striding towards you, with his great deep-set eyes staring straight at you, but appears to be quite unaware of your existence.

Campbell was an ordinary-looking man, but he was extravagantly costumed in a uniform of his own design. He wore a white ten-gallon hat and black cowboy boots decorated with swastikas and stars. He was sheathed in a blue body stocking which had yellow stripes running from his armpits to his ankles. His shoulder patch was a silhouette of Abraham Lincoln’s profile on a field of pale green. He had a broad armband which was red, with a blue swastika in a circle of white.

On Halloween, Wendell, Floyd, and Mona were walking home from school when a black cat crossed their path. “Don’t pet it, Floyd!” cried Wendell. “Don’t you know that black cats are bad luck?” “That’s just an old wives’ tale,” Mona said. “Besides, what could happen?” Wendell merely shook his head. “Anything can happen on Halloween.” In fact, something did happen as soon as they got home. First, Wendell discovered that his mad scientist costume had turned pink in the wash. This is definitely a bad sign, he thought. Then Floyd found out that he had to take his sister, Alice, trick-or-treating with him. “Pirates don’t have little sisters,” he complained. Worst of all, Mona’s mother insisted that she go out dressed as a fairy princess. “I look ridiculous,” Mona protested. “Nonsense,” said her mother, and handed her a magic wand. They all felt gloomy that evening as they set out trick-or-treating and hoped that no one they knew would see them.

The wearing of skullcaps in public was criminalised, as were other items defined as habitually Jewish. But Hasidic Jews responded by adopting the costume of the Polish-Russian merchant; the black fox-fur shtreimel hat worn over the yarmulka, the long belted black coat and white stockings that merchants wore in St Petersburg. This is what they still wear in Jerusalem and elsewhere, imagined as distinctively Jewish dress, which frozen over the generations it has duly become.

I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness? Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for Truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.

I consider these things idly. Each one of them seems the same size as all the others. Not one seems preferable. Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.   I look out at the dusk and think about its being winter. The snow falling, gently, effortlessly, covering everything in soft crystal, the mist of moonlight before a rain, blurring the outlines, obliterating color. Freezing to death is painless, they say, after the first chill. You lie back in the snow like an angel made by children and go to sleep. Behind me I feel her presence, my ancestress, my double, turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get it over, she says. I'm tired of this melodrama, I'm tired of keeping silent. There's no one you can protect, your life has value to no one. I want it finished.   As I'm standing up I hear the black van. I hear it before I see it; blended with the twilight, it appears out of its own sound like a solidification, a clotting of the night. It turns into the driveway, stops. I can just make out the white eye, the two wings. The paint must be phosphorescent. Two men detach themselves from the shape of it, come up the front steps, ring the bell. I hear the bell toll, ding-dong, like the ghost of a cosmetics woman, down in the hall. Worse is coming, then. I've

Well?” he prompted. “What are you doing here, especially without a Tony Manero polyester special on?” Lassiter, the Fallen Angel, smiled in a way that didn’t include his strangely colored, pupil-less eyes; the expression only affected the lower part of his face. “Oh, you know, leisure suits are so last week for me.” “Moving on to eighties New Age? I don’t have any neon to lend you.” “Nah, I have another new costume to wear.” “Good for you. Scary for the rest of us. Just tell me you aren’t going to pull a Borat on the beach.

a costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.

The practice of giving uniforms to soldiers, which hadn’t been the case before, began at that time in France. Toledo gave us half-Spanish, half-French costumes. We wore scarlet habits, black breastplates with the Maltese cross at the middle, ruffs and Spanish hats. This costume suited us very well. Wherever we appeared, women never left their windows and duennas came running to us with love-letters, often delivered to the wrong person. Such confusion led to the most amusing incidents. We visited all the ports in the Mediterranean and were feted everywhere.

If you could take one ride in a time machine, which way would you go? The future or the past? Sally forth or turn back?...Do you prefer the costumed pageant of history or the techno-marvels to come? It seems there are two kinds of people. Both camps have their optimists as well as their pessimists. Disease is a worry. Time traveling while black or female poses special hazards. Then again, some people see ways to make money at lotteries, stock markets, and racetracks. Some just want to relive past loves. Many back travelers are driven by regret—mistakes made, opportunities lost.

And so, with their first public action on Halloween of 1968, the feminist activist group called W.I.T.C.H. was born. Its members donned witch costumes, replete with brooms and pointy black hats, and did a public ritual performance of hexing the New York Stock Exchange. Did it work? Well, as Gloria Steinem wrote about the incident in New York magazine, “A coven of 13 members of W.I.T.C.H. demonstrates against that bastion of white supremacy: Wall Street. The next day, the market falls five points.” (The glue that the witches added to the locks of the NYSE doors also added a bit of whammy, no doubt.)

Callie scrambled from under the covers, dashed around the bed, and flung herself into Luce's arms. "They kept telling me you were going to be okay, but in that lying, we're-also-completely-terrified-we're-just-not-going-to-explain-a-word-to-you kind of way. Do you even realize how thoroughly spooky that was? It was like you physically dropped off the face of the Earth-" Luce hugged her back tightly. As far as Callie knew, Luce had been gone only since the night before. "Okay, you two," Molly growled, pulling Luce away from Callie, "you can OMG your faces off later. I didn't lie in your bed in that cheap polyester wig all night enacting Luce-with-stomach-flue so you guys could blow our cover now." She rolled her eyes. "Amateurs." "Hold on. You did what?" Luce asked. "After you...disappeared," Callie said breathlessly, "we knew we could never explain it to your parents. I mean, I could barely fathom it after seeing it with my own eyes. When Gabbe fixed up the backyard, I told your parents you felt sick and had gone to bed, and Molly pretended to be you and-" "Lucky I found this in your closet." Molly twirled a short wavy black wig around one finger. "Halloween remnant?" "Wonder Woman." Luce winced, regretting her middle school Halloween costume, and not for the first time. "Well, it worked." It was strange to see Molly-who'd once sided with Lucifer-helping her. But even Molly, like Cam and Roland, didn't want to fall again. So here they were, a team, strange bedfellows. "You covered for me? I don't know what to say. Thank you." "Whatever." Molly jerked her head at Callie, anything to deflect Luce's gratitude. "She was the real silver-tongued devil. Thank her." She stuck one leg out the open window and turned to call back, "Think you guys can handle it from here? I have a Waffle House summit meeting to attend.

They came to the door of the ladies’ club and Ash reached for the handle. Before he could touch it, the door flew open and Lyre fell out, still dressed in the white waiter “uniform” and his arms full of his clothes and weapons. Shouts burst from the building’s interior. “There you are!” Lyre blurted, wild-eyed. “Time to go.” “What happened?” Ash barked. Clio was still gawking when Lyre launched down the alley, leaving her and Ash to rush after him. “Some women react poorly to rejection,” Lyre explained breathlessly. “Especially when they’ve paid a lot of money to not be rejected.” “You blew your cover by rejecting her?” Ash snapped. They fled down several alleys before Lyre skidded to a stop and whirled on Ash, still clutching his belongings. “I’ll dress up in stupid costumes,” the incubus snarled with unexpected temper, “and I’ll pretend to be a paid whore, and I’ll even let a crucial informant pinch and paw at me.” He thrust an accusatory finger at Ash. “But I will not allow that nasty old hag’s tongue anywhere near me, not even to save the damn world!” Ash blinked. Scowling blackly, Lyre shoved his armload at Ash, then pulled a dagger from the pile and cut his leather-strap top off. “Next time, you can do the nasty stuff and I’ll kill people.

In an instant, five harlequin-like clowns emerged and began to perform all kinds of acrobatic tricks, encircling us––correction...corralling us. They were graceful but a little creepy too. They were wearing black and white costumes that were form fitting and appeared to move like some psychedelic drug trip when they flipped around. That of course was odd, but not nearly as odd as the chant they were singing as they continued to perform their tricks. See us dance. Watch us flip. Care to take a chance? We’ll only need a sip. Come to see our mistress? Or come to see our master? She can be quite viscous. But he is a disaster. We love them both, and we’ll let you choose. Either way, we wouldn’t want to be in your shoes.

He seemed normal again, or as normal as Myrnin ever got, anyway. He'd begged, borrowed, or outright stolen a long, black velvet coat, and under it he was still wearing the poofy white Pierrot pants from his costume, dark boots, and no shirt. Long, black, glossy hair and decadently shining eyes. Oliver took in the outfit, and raised a brow. "You look like you escaped from a Victorian brothel," he said. "One that . . . specialized." In answer, Myrnin skinned up the sleeves of the coat. The wound in his back might have healed--or might be healing, anyway--but the burns on his wrists and hands were still livid red, with an unhealthy silver tint to them. "Not the sort of brothel I'd normally frequent, by choice," he said, "though of course you might be more adventurous, Oliver.

Music began playing and a woman walked into the room and stood beside a small band. She was dressed in a red Irish costume that hung to her ankles and it was laced at the bodice with a black cord. After giving a nod to the band, she sang a few Irish songs. But one song seemed to stand out to Rick and he stopped eating and listened. Sure a little bit of Heaven fell from out the sky one day and it nestled on the ocean in a spot so far away. When the angels found it, sure it looked so sweet and fair, they said, "Suppose we leave it for it looks so peaceful there." So they sprinkled it with stardust just to make the shamrocks grow. 'Tis the only place you'll find them no matter where you go. Then they dotted it with silver to make its lakes so grand and when they had it finished, sure they called it Ireland.

CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II

I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!

We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.

You're kidding, right?" Shane asked. "You don't need caffeine. You need sleep." He held out the last cup, and Claire realized she'd been wrong; there was someone else in the shadows. Deeper in the shadows even than Oliver had been. Myrnin. He looked completely different to her now, and not just because he wasn't crazy anymore. He'd remembered how to dress himself, for one thing; gone were the costume coats and Mardi Gras beads and flip-flops. He had on a gray knit shirt, black pants, and a jacket that looked a bit out of period, but not as much as before. All clean. He even had shoes on. "Yes, you must sleep," he agreed, as he accepted the cup and tried the coffee. "I've gone to far too much trouble to train up another apprentice at this late date. We have work to do, Claire. Good, hard work. Some of it may even earn you accolades, once you leave Morganville." She smiled slowly. "You'll never let me leave." Myrnin's dark eyes fixed on hers. "Maybe I will," he said. "But you must give me at least a few more years, my friend. I have a great deal to learn from you, and I am a very slow learner.

On Sunday, get ready to have two million people cheering you on,” Jessie said. “Laney is making you a shirt with your name on it so people will know to yell your name out.” Mr. Beiderman groaned. “I was hoping she had forgotten about that shirt.” “You’re going to love it,” Orlando said. “It will give you a boost when you’re running. And it will help the cross-country team find you when we join you on the course.” “I want to wear this,” Mr. Beiderman said, gesturing to his all-black workout clothes. “No, no,” Jessie said, wagging a finger at him. “Laney’s heart would be broken.” “C’mon,” Orlando said. “It’ll be fun. People wear all sorts of funny things when they run the marathon. Chicken costumes. Superhero outfits complete with fake muscles. Business suits. A T-shirt with your name on it will look tame in comparison.” “Laney has been excited about making your marathon shirt for weeks,” Jessie reminded him. “Fine,” Mr. B grumbled. “I’ll wear it.” Jessie smiled. “Good. Also, this might be a good time for me to warn you that she’s putting a lot of glitter on it.” Mr. Beiderman sighed, and Jessie and Orlando laughed.

Our first stop was London, where there were a few competitions leading up to Blackpool. I had never seen this level of competition before. I was so excited by the energy and the feeling of being around all these amazing dancers. I wasn’t overwhelmed, just a little embarrassed. Everyone looked so polished, and they all smelled like fancy cologne. Comparatively, I looked and felt like the poor kid on the block. I didn’t own the proper costume (white tie, black jacket, and black trousers), so I’d rented one from a wedding store before we left home. It was baggy in all the wrong places, and I didn’t have the right shoes. Watching the dancers get ready backstage, we realized we were also completely unprepared. They’d put water or castor oil on the floor and rub the soles of their shoes in it. Then they’d scratch the soles with a wire brush, roughening up the suede to prevent slipping. As we stepped out for the first round, Autumn spit in the middle of the dance floor and rubbed her feet in it. She encouraged me to do the same, so I did--hoping that not too many people were watching. I remember thinking, Yeah, we are definitely from out of town.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

I don't want to give up my prime position over here by the cookies," she shouted back. "Are they good? The cookies?" "They're great!" This was the loudest conversation Rosie had ever had about cookies. "Really good, tight crumb structure. You can tell the butter is high quality. And each cookie is so consistent. And the piping!" She picked up another one, aware that she'd already eaten way too many of them but was probably about to eat another. "The piping on the front is beautiful, but the frosting still tastes good." "Thank you." He grinned. "Did you make these?" Rosie asked, surprised. "Yeah! I love Halloween." "You love Halloween." Rosie couldn't believe he'd made all of these. Firstly, they were so identical, they looked like they'd been made by a machine. But what she really couldn't believe was that Bodie Tal was exhibiting the same level of Halloween enthusiasm that Owen had abandoned several years ago because he'd decided he was too old for it. "Halloween is the best holiday ever. Costumes? Sugar? The sick orange-and-black color scheme? What's not to like?" Rosie laughed as he reached over her to grab a cookie and took a bite. She could smell his aftershave, again. She took half a step back. "Do you think they're too salty?" he asked, chewing. "No, the salt cuts the butter. You need it to balance the richness. You did it perfectly, actually.

Rebecca,why haven't you burned his wardrobe yet?" Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but. But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met." Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort. "You can't seriously intend to take your wife out wearing something like that?" Julie continued. "What's wrong with what she's wearing?" "Not her,you fool.You! You're married now. Your old taste in clothes-" "Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?" The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about. But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!

Knightmare. Breezeo’s archenemy. Where Breezeo is light, a breath of fresh air, the nice breeze on a warm summer day, Knightmare is the storm that rolls in and takes it all away. Darkness, thick and suffocating, the shadows you can’t escape in the night in back alleyways. Black leather framed with dark armor, head to toe, from the combat boots the whole way up to the oversized black hood with a metal mask covering part of the face, rendering him unrecognizable. I’ve always been envious of the costume. Beats the damn pseudo-spandex, that’s for sure. “I, uh, wow.” Kennedy stands in the doorway of her apartment with a look of awe as her eyes scan the costume. “That’s just… wow.” “Wow, huh?” I glance down. “Good or bad?” “It’s just, uh, you know…” “Wow?” I guess. She nods, fighting off a smile. “Wow.” I smirk. “It’s the original.” “Seriously?” “Straight from the second movie,” I say, touching an armored chest plate with a fingerless glove-clad hand. “Well, except for these gloves. The real ones wouldn’t fit because of the cast, so I had to improvise.” “It’s, uh…” “Wow?” “Nice,” she says, touching the costume, fingertips grazing the armor. “Kind of weird seeing you like this, but still, it’s nice.” “Thanks,” I say as she steps aside for me to come in the apartment. “I talked them into letting me borrow it. Might not give it back, though. I’m kind of enjoying it.” “You should keep it,” she says, her eyes still scanning me as she closes the door. “It’s, uh…” “Nice?” “Wow.” She smiles playfully as she walks away. “I need to finish getting ready for work. Maddie, you've got a visitor!” A moment after Kennedy disappears, Madison runs in. She skids to a stop when she spots me, eyes wide, mouth popping open. “Whoa.” I push the hood off, shoving the mask up, her expression changing when she sees it’s me, face lighting up. She runs right at me, slamming into me so hard I stumble. I laugh as she hugs me. “Hey, pretty girl.” She looks up at me. “You think I’m pretty?” “What? Of course.” I kneel next to her, grinning as I press a finger to the tip of her nose. “You look like your mom.” “You think Mommy’s pretty, too?” “I think she's the most beautiful woman in the world.” Her expression shifts rapidly when I say that before her eyes widen. “Even more beautifuler than Maryanne?” I lean closer, whispering, repeating her words. “Even more beautifuler than Maryanne.” “Whoa

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

Beth had never been one of those girls who'd imagined her wedding. Acted it out with some barbies. Bought Bride magazine as soon as she hit her twenties. She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer. And yet as she stared up at her soon-to-be husband, she couldn't have pictured anything she would have liked more. Then again, when you were facing the right person? None of the things they talked about on television, no Vera Wang dress, no champagne waterfall, no DJ or place setting or party favor mattered. ~Beth Ch.51

Please don't misunderstand me. I'm not saying motherhood lacks meaning. There's great dignity in the smallness of motherhood; we're essential in our contingency. And though we may not follow the Western model of the epic hero, we mothers can find a metaphor for our lives. The metaphor is in the kuroko, the Kabuki theater stage assistant. You've heard of Kabuki—with its wildly theatrical actors, its gorgeous costumes, and spectacular scale. The kuroko are assistants who help the actors move through their elaborate dramas. Meant to provide unobtrusive assistance with props and costumes, kuroko try to remain in the wings. They huddle in half-kneeling posture, wearing black bags over their heads and bodies—the better to recede into both actors' and audience's preconscious mind. Scurrying to arrange the trailing hems of heavy brocade kimonos, like an American mother repeatedly straightening her daughter's wedding train, the kuroko's role is to suport the real players of life's dramas.

Has dress sense was anything but stylish. He still often favoured his plain blue suit.155 His trilby, light-coloured raincoat, leather leggings and riding-whip gave him – especially when arriving with his bodyguards in the big black six-seater Mercedes convertible he had bought in early 1925 – the appearance of an eccentric gangster.156 For relaxation, he preferred to wear traditional Bavarian lederhosen.157 But even when he was in prison, he hated to be seen without a tie.158 During the heat of the summer, he would never be seen in a bathing costume.

In order to pressure the government to change its approach, however, Alinsky urged black activists to dress in African tribal costumes and greet government officials flying into Chicago from Washington, D.C. This action, he said, would dramatize the “colonial mentality” of the antipoverty establishment. I learned about this particular Alinsky caper from Hillary Clinton’s Wellesley College thesis.18 Alinsky

Papa, what is it?” Alice in her humble Cinderella costume—a costume close enough to her mother’s all those years ago to revive fond memories in Lyle—ran lightly down the stairs at the side of the stage. “Travelers in need, chicken,” he said, smiling at her. “Mr. Black, Mr. Plum, this is my family. My wife, Lady Lyle. You’ve met Michael. These are my older sons Angus and Hamish. And this ragamuffin is my daughter Alice.” “You’ve caught us in the middle of putting on a play, Mr. Black,” Charlotte said. “I apologize for our odd appearance.” Lyle waited for some response, then caught the dazed expression on young Black’s face as he stared at Alice. “Mr. Black?” he prompted. “I’m…I’m sorry, my lord,” Black said without shifting his gaze from Alice. “Please don’t let us inconvenience you.” “We’re used to taking in travelers in trouble,” Lyle said, not sure what he thought about his daughter making such a fast conquest. Except it was worse than that, damn it. “I’ll…I’ll show you back to the house. You’ll want dry clothes,” Alice said, returning Black’s interest with a readiness that made every hair on Lyle’s neck bristle with warning. He caught his wife’s eye and stifled his immediate veto of Alice’s offer. “The play’s about to start, Alice,” Angus said. “A short delay won’t matter,” she said, without looking at her brother. Her attention was all for the tall young man with the burning gray eyes and wet blond hair. “You’re too kind, Lady Alice,” Black said. “Come with me.” A brilliant smile curled Alice’s lips. “To the ends of the earth,” the young man said, smiling back with untrammeled delight. They turned toward the door, and Lyle instinctively started to follow until his wife’s hand curled around his arm. “Let them go.” She drew Lyle away from the crowd. “I don’t like the way he was looking at her,” he grumbled, shooting the oblivious Julian Black a glower over his shoulder. Charlotte

The mists parted and a figure that haunts all of humanity's nightmares glided ethereally towards him. Its black cloak absorbed the street light. The scythe in its hand glimmered with the memory of a thousand dying suns. This guy had really made an effort with his Halloween costume. The image was ruined, though, when he crashed to the ground like he had been shot. His feet waving in the air, Dave could see the roller skates. 'A

February 27: Muncher Illustrierte (Germany) displays Marilyn and Jane Russell in showgirl costumes, holding black top hats above their heads.

costume we’d worn last Halloween to great acclaim: I would be an angelic Little White Lie, and she—winking at being the better-behaved twin in real life—would be a Dirty Little Secret. This involved snug-fitting white (for me) and black (for her) V-neck T-shirts—Lacey is all about Just Enough Cleavage, although she has more of it than I do, and so the V on mine fell almost low enough to be indecent—and silver Sharpies tied to our belt loops, so that people could jot down on our bodies their various anonymous fibs and close-held truths.

Man, what am I going to do? I guess I’m going to have to figure out a way to make my own Harry Potter costume. It’s probably gonna be real hard too. I still haven’t even figured out how to carve a lightning bolt on my head. So we just spent the rest of the time shopping for a costume for my little brother Wesley. As we were looking around, I saw a crowd of people standing around a display that had a large object covered in a black curtain. It was inside a glass box that was locked with like 20 padlocks. Then, around the glass box there were two big fat chains that were locked together with a big lock. And in front of the glass box there were two security guards that were dressed in riot gear. Man, I just had to find out what was in there.

Rule number one: The Game is secret. But I listened and, once or twice when temptation drove me and the coast was clear, I peeked inside the box. This is what I learned. The Game was old. They'd been playing it for years. No, not playing. That is the wrong verb. Living; they had been living The Game for years. For The Game was more than its name suggested. It was a complex fantasy, an alternate world into which they escaped. There were no costumes, no swords, no feathered headdresses. Nothing that would have marked it as a game. For that was its nature. It was secret. Its only accoutrement was the box. A black lacquered case brought back from China by one of their ancestors; one of the spoils from a spree of exploration and plunder. It was the size of a square hatbox- not too big and not too small- and its lid was inlaid with semiprecious gems to form a scene: a river with a bridge across it, a small temple on one bank, a willow weeping from the sloping shore. Three figures stood atop the bridge and above them a lone bird circled. They guarded the box jealously, filled as it was with everything material to The Game. For although The Game demanded a good deal of running and hiding and wrestling, its real pleasure was enjoyed elsewhere. Rule number two: all journeys, adventures, explorations and sightings must be recorded. They would rush inside, flushed with danger, to record their recent adventures: maps and diagrams, codes and drawings, plays and books. The books were miniature, bound with thread, writing so small and neat that one had to hold them close to decipher them. They had titles: Escape from Koshchei the Deathless; Encounter with Balam and His Bear, Journey to the Land of White Slavers. Some were written in code I couldn't understand, though the legend, had I had the time to look, would no doubt have been printed on parchment and filed within the box. The Game was simple. It was Hannah and David's invention really, and as the oldest they were its chief instigators. They decided which location was ripe for exploration. The two of them had assembled a ministry of nine advisers- an eclectic group mingling eminent Victorians with ancient Egyptian kings. There were only ever nine advisers at any one time, and when history supplied a new figure too appealing to be denied inclusion, an original member would die or be deposed. (Death was always in the line of duty, reported solemnly in one of the tiny books kept inside the box.) Alongside the advisers, each had their own character. Hannah was Nefertiti and David was Charles Darwin. Emmeline, only four when governing laws were drawn up, had chosen Queen Victoria. A dull choice, Hannah and David agreed, understandable given Emmeline's limited years, but certainly not a suitable adventure mate. Victoria was nonetheless accommodated into The Game, most often cast as a kidnap victim whose capture was precipitant of a daring rescue. While the other two were writing up their accounts, Emmeline was allowed to decorate the diagrams and shade the maps: blue for the ocean, purple for the deep, green and yellow for land.