Bizarre Quotes

We've searched our database for all the quotes and captions related to Bizarre. Here they are! All 100 of them:

There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable. There is another theory which states that this has already happened.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
I used to think I was the strangest person in the world but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do I would imagine her, and imagine that she must be out there thinking of me too. well, I hope that if you are out there you read this and know that yes, it’s true I’m here, and I’m just as strange as you.
Rebecca Katherine Martin
Did you just kiss me?" Will inquired. Magnus made a slip-second decision. "No." "I thought-" "On occasion the aftereffects of the painkilling spells can result in hallucinations of the most bizarre sort." "Oh," Will said. "How peculiar.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The beautiful is always bizarre.
Charles Baudelaire
All forms of madness, bizarre habits, awkwardness in society, general clumsiness, are justified in the person who creates good art.
Roman Payne (Rooftop Soliloquy)
People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.' If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen. They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.' So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.
George Carlin (Brain Droppings)
For a moment, I was captivated as I studied them side by side. My mother: the perfect picture of guardian excellence and decorum. My father: always capable of achieving his goals, no matter how twisted the means. Uneasily, I began to understand how I’d inherited my bizarre personality.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Now it is such a bizarrely improbable coincidence that anything so mind-bogglingly useful could have evolved purely by chance that some thinkers have chosen to see it as the final and clinching proof of the non-existence of God. The argument goes something like this: "I refuse to prove that I exist,'" says God, "for proof denies faith, and without faith I am nothing." "But," says Man, "The Babel fish is a dead giveaway, isn't it? It could not have evolved by chance. It proves you exist, and so therefore, by your own arguments, you don't. QED." "Oh dear," says God, "I hadn't thought of that," and promptly vanishes in a puff of logic. "Oh, that was easy," says Man, and for an encore goes on to prove that black is white and gets himself killed on the next zebra crossing.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
We're all pretty bizarre. Some of us are just better at hiding it, that's all.
John Hughes (The Breakfast Club)
No matter how calmly you try to referee, parenting will eventually produce bizarre behavior, and I'm not talking about the kids. Their behavior is always normal.
Bill Cosby
You are really…” “Amazing? Awesome?” He paused, brows raised. “Astonishing?” “I was going to go with bizarre.” “Well, hell, if I had feelings that might actually hurt.
J. Lynn (Wait for You (Wait for You, #1))
As a rule, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
Exit, pursued by a bear.
William Shakespeare (The Winter's Tale)
Don’t you understand? When you’re standing on their side, you’re the bizarre genius, the miraculous hero, the force of the rebellion, the flower that blooms alone. But the second your voice differs from theirs, you’ve lost your mind, you’ve ignored morality, you’ve walked the crooked path.
墨香铜臭 (魔道祖师 [Mó Dào Zǔ Shī])
It always struck me in years after how bizarre it was, how two people could look at one another with such tenderness and complete love, and how quickly that could dissolve into nothing but bitterness.
Hannah Harrington (Saving June)
It was only high school after all, definitely one of the most bizarre periods in a person’s life. How anyone can come through that time well adjusted on any level is an absolute miracle.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Here’s how bizarre the war is that we’re in in Iraq, and we should have known this right from the get-go: When we first went into Iraq, Germany didn’t want to go. Germany. The Michael Jordan of war took a pass.
Jon Stewart
No, Miss Palmer. What is bizarre is that I currently have a vagina.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
I tugged at the hem of my brand-new Hecate Hall issue blue plaid skirt (Kilt? Some sort of bizarre skirt/kilt hybrid? A skilt?)
Rachel Hawkins (Hex Hall (Hex Hall, #1))
No other continent has endured such an unspeakably bizarre combination of foreign thievery and foreign goodwill.
Barbara Kingsolver (The Poisonwood Bible)
It's a bizarre but wonderful feeling, to arrive dead center of a target you didn't even know you were aiming for.
Lois McMaster Bujold
I haven't found a drug yet that can get you anywhere near as high as a sitting at a desk writing, trying to imagine a story no matter how bizarre it is, [or] going out and getting into the weirdness of reality and doing a little time on the Proud Highway.
Hunter S. Thompson
Did you get checked out?” “Yeah, by a hot blond who sat in the corner of the bar and made googly eyes at me.” “I meant by a doctor.” “No, but a balding yet bizarrely hot paramedic said I’d be fine." “Oh, and he’s an expert?” “At flirting.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.
Rebecca Martin
The only other scenario that could explain everything, up to and including your own bizarre apperance, is a convoluted conspiracy theory involving the Russian Mafia and a crack team of plastic surgeons.
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
I find it so bizarre that I occupy space, and that I am seen by other people.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
Oh, Jeeves,' I said; 'about that check suit.' Yes, sir?' Is it really a frost?' A trifle too bizarre, sir, in my opinion.' But lots of fellows have asked me who my tailor is.' Doubtless in order to avoid him, sir.' He's supposed to be one of the best men in London.' I am saying nothing against his moral character, sir.
P.G. Wodehouse
I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of daily life.
Arthur Conan Doyle
Maybe it’s just in America, but it seems that if you’re passionate about something, it freaks people out. You’re considered bizarre or eccentric. To me, it just means you know who you are.
Tim Burton
There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.
Edgar Allan Poe (The Masque of the Red Death)
What have I become? My sweetest friend; everyone I know goes away in the end. And you could have it all: my empire of dirt. I will let you down. I will make you hurt.
Nine Inch Nails
This is bizarre," I say. "I think it's beautiful," he says. I give him a look. "What?" He laughs a little. "They each have an equal role in government; they each feel equally responsible. And it makes them care; it makes them kind. I think that's beautiful.
Veronica Roth (Insurgent (Divergent, #2))
As a rule, the more bizarre a thing is, the less mysterious it proves to be.
Arthur Conan Doyle (The Complete Sherlock Holmes)
It felt bizarre to be ignored in general, much less by an embodiment of Aidan--who used to stare at her so hard that he'd run into trees.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Its amazing waht you can get used to if your daily allowance of bizarre is high enough.'......Harry Dresden
Jim Butcher (Small Favor (The Dresden Files, #10))
This highway leads to the shadowy tip of reality: you're on a through route to the land of the different, the bizarre, the unexplainable...Go as far as you like on this road. Its limits are only those of mind itself. Ladies and Gentlemen, you're entering the wondrous dimension of imagination. . . Next stop The Twilight Zone.
Rod Serling
It's like Dungeons and Dragons, but real." Jace was looking at Simon as if he were some bizarre species of insect. "It's like what?" "It's a game," Clary explained. She felt vaguely embarrassed. "People pretend to be wizards and elves, and they kill monsters and stuff." Jace looked stupefied. Simon grinned. "You've never heard of Dungeons and Dragons?" "I've heard of dungeons," Jace said. "Also dragons. Although they're mostly extinct." Simon looked disappointed. "You've never killed a dragon?" "He's probably never met a six-foot-tall hot elf-woman in a fur bikini, either," Clary said irritably. "Lay off, Simon." "Real elves are about eight inches tall," Jace pointed out. "Also, they bite.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I know you all have families who love you so if you want to leave–. (Acheron) We wouldn’t be here if we didn’t want to. You and Val fought to save my sister when no one else would have bothered. I haven’t forgotten it. (Vane) And I haven’t forgotten what the Dark-Hunters did for me and Maggie. (Wren) Yeah, we’re family. Psychotic, bizarre and a hodgepodge of personalities that should probably never be blended, but here we are. Now let’s go kick some ass. (Fury)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
When you really thought about it crying was a rather bizarre thing for any creature to be capable of. What purpose did it serve other than revealing too much?
Kitty Thomas (The Auction)
Did you bring me a hamburger? Did I-No,Myrnin,I didn't bring you a hamburger.Bizarre.He'd never asked for that before. Coffee? It's late. Doughnuts? No. What good are you then?
Rachel Caine (Bitter Blood (The Morganville Vampires, #13))
Please be a traveler, not a tourist. Try new things, meet new people, and look beyond what’s right in front of you. Those are the keys to understanding this amazing world we live in.
Andrew Zimmern (Andrew Zimmern's Bizarre World of Food: Brains, Bugs, and Blood Sausage)
It always felt good typing up a review on a book I enjoyed and I went all out, finding bizarre pictures to emphasis the wow factor. I preffered ones with cute kittens and llamas. And Dean Winchester. Hitting 'publish post' cracked a smile.
Jennifer L. Armentrout (Opal (Lux, #3))
All events, no matter how earthshaking or bizarre, are diluted within moments of their occurrence by the continuance of the necessary routines of day-to-day living.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Is it just me or does the fact that you live in the same building you were abducted into seem a bit morbid?" "Pffft. It’s just you," I said, discounting the entire bizarre ghoulish thing.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
Humanity's greatest strength - and also the reason for its ultimate downfall - is its ability to normalize even the bizarre.
David Yoon (Frankly in Love)
At the heart of science is an essential balance between two seemingly contradictory attitudes--an openness to new ideas, no matter how bizarre or counterintuitive they may be, and the most ruthless skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
There is so much noise on the Internet, with would-be prophets daily haranguing their audience and megalomaniacs trying to push bizarre ideas, that eventually people will cherish a new commodity: wisdom.
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
What do you think it would have been like if Valentine had brought you up along with me? Would you have loved me?" Clary was very glad she had put her cup down, because if she hadn't, she would have dropped it. Sebastian was looking at her not with any shyness or the sort of natural awkwardness that might be attendant on such a bizarre question, but as if she were a curious, foreign life-form. "Well," she said. "You're my brother. I would have loved you. I would have...had to.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
He'd come to recognize the bizarre phenomenon of Zoya's beauty, the way men loved to create stories around it. They said she was cruel because she'd been harmed in the past. They claimed she was cold because she just hadn't met the right fellow to warm her. Anything to soften the edges and sweeten her disposition--and what was the fun in that? Zoya's company was like strong drink. Bracing--and best to abstain if you couldn't handle the kick.
Leigh Bardugo (King of Scars (King of Scars, #1))
Do you remember how many breads you have eaten in your life?
Hirohiko Araki (Jojo's Bizarre Adventure, Part 1 - Phantom Blood, Tome 5 (Phantom Blood, #5))
Everybody has a ‘gripping stranger’ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe it’s the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the library—a stranger who, if you were to come home and find a message from them on your answering machine saying ‘Drop everything. I love you. Come away with me now to Florida,’ you’d follow them.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
And then something truly bizarre happened. I could feel his touch through our eyes. I couldn't look away from him.
P.C. Cast
Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
Osamu Tezuka
So, you don’t give out freebies? Like ever?” That just sounded so bizarre to me. I would’ve thought a gigolo would be a complete man-whore, even off the clock. But when his jaw went dead still as he stopped chewing and he said, “Are you…asking for one?
Linda Kage (Price of a Kiss (Forbidden Men, #1))
I’m reminded of Orville Tethington, inventor of the world’s first steam-powered fog machine. He’s also the guy who, after the Germans invented the flame thrower in WWI, decided to counteract it with his own creation, the candle thrower. The candle thrower was only battle tested once, and after fifteen minutes the war zone was littered with lit candles. Upon returning home after the war, some of the soldiers suffered such extreme and bizarre cases of PTSD that anytime a civilian lit a match or used their lighter, the soldiers would hit the ground and start singing “Happy Birthday.
Jarod Kintz (I Should Have Renamed This)
I was just about to get up when Dad rushed into the kitchen. He was in pajamas, which was totally bizarre. Dad never came down to breakfast until he was completely dressed. Of course, his pajamas even had a little pocket and handkerchief, so maybe he felt dressed.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
All events, no matter how earthshaking or bizarre, are diluted within moments of their occurrence the the continuance of the necessary routines of day-to-day. -Fitz Most prisons are of our own making. A man makes his own freedom, too. -Chade When you cut pieces out of the truth to avoid looking like a fool, you end up sounding like a moron instead. -Burrich We left. Walking uphill and into the wind. That suddenly seemed a metaphor for my whole life. -Fitz
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Why do you want to ask her out?" I asked. "I mean, she's great. But are you just doing this to distract her from Micah and give her a safe alternative? Or do you, um, like her?" "Of course he likes her," said Adrian, quick to defend Jill's honor. I had a feeling that there was really no good way for Lee to answer at this point. If he expressed interest in her, Adrian's bizarre chivalric instincts were going to kick in. If Lee wasn't interested, Adrian would no doubt demand to know why Lee didn't want to marry her then and there. It was one of those fascinating — but weird — quirks of Adrian's personality.
Richelle Mead (Bloodlines (Bloodlines, #1))
My mind kept screaming, Not possible! Not possible! How did I get trapped in this bizarre situation? Oh, yeah. I volunteered.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Yet, in a bizarre, backwards way, death is the light by which the shadow of all of life’s meaning is measured. Without death, everything would feel inconsequential, all experience arbitrary, all metrics and values suddenly zero.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
In response to be asked about Boris Johnson becoming UK Prime Minister... "I'm delighted. As the UK continues to plunge ever faster into a future akin to a dystopian novel I'll never run out of material to write more books. Although now that reality is more bizarre than fiction maybe plot-lines will need to be more ambitious. Perhaps a book where Boris Johnson is really an accidental sentient snafu of Trump's scrotum lint. Kind of a sequel to the Bush-Blair story. I see musical rights being drawn up as we speak.
R.D. Ronald
life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was.
Cecelia Ahern (If You Could See Me Now)
The fact that, in the United States, there are people serving ten-year prison terms for growing marijuana plants in their backyards while Wall Street racketeers, who have defrauded millions of people and destroyed the global economy, walk free is a kind of bizarre hypocrisy that boggles my mind.
Mark Haskell Smith (Heart of Dankness: Underground Botanists, Outlaw Farmers, and the Race for the Cannabis Cup)
Don't accuse me of being morbid when I'm merely the product of a culture that buries the bones of the ones they love in pretty, manicured flower gardens so they can keep them nearby and go talk to them whenever they feel troubled or depressed. That's morbid. Not to mention bizarre. Dogs bury bones, too.
Karen Marie Moning (Darkfever (Fever, #1))
Most of my favorite people are dangerously fucked up but you’d never guess it because we’ve either become adept at hiding it or we’ve learned to bare it so honestly that it becomes the new normal. There’s a quote from The Breakfast Club that goes “We’re all pretty bizarre. Some of us are just better at hiding it.” I have it on a poster but I took a Sharpie to it and scratched out the word “hiding” because it reminds me that there’s a certain pride and freedom that comes from wearing your unique bizarreness like a badge of honor.
Jenny Lawson
Balthazar was the kind of guy who used totally correct spelling and punctuation even when he was texting, which was sort of bizarrely hot. She was in serious trouble if commas could get her going.
Claudia Gray (Balthazar (Evernight, #5))
To be with another in this [empathic] way means that for the time being, you lay aside your own views and values in order to enter another's world without prejudice. In some sense it means that you lay aside your self; this can only be done by persons who are secure enough in themselves that they know they will not get lost in what may turn out to be the strange or bizarre world of the other, and that they can comfortably return to their own world when they wish. Perhaps this description makes clear that being empathic is a complex, demanding, and strong - yet subtle and gentle - way of being.
Carl R. Rogers (A Way of Being)
Two babies were born on the same day at the same hospital. They lay there and looked at each other. Their families came and took them away. Eighty years later, by a bizarre coincidence, they lay in the same hospital, on their deathbeds, next to each other. One of them looked at the other and said, 'So, what did you think?
Steven Wright
The ORDINARY RESPONSE TO ATROCITIES is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable. Atrocities, however, refuse to be buried. Equally as powerful as the desire to deny atrocities is the conviction that denial does not work. Folk wisdom is filled with ghosts who refuse to rest in their graves until their stories are told. Murder will out. Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims. The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma. People who have survived atrocities often tell their stories in a highly emotional, contradictory, and fragmented manner that undermines their credibility and thereby serves the twin imperatives of truth-telling and secrecy. When the truth is finally recognized, survivors can begin their recovery. But far too often secrecy prevails, and the story of the traumatic event surfaces not as a verbal narrative but as a symptom. The psychological distress symptoms of traumatized people simultaneously call attention to the existence of an unspeakable secret and deflect attention from it. This is most apparent in the way traumatized people alternate between feeling numb and reliving the event. The dialectic of trauma gives rise to complicated, sometimes uncanny alterations of consciousness, which George Orwell, one of the committed truth-tellers of our century, called "doublethink," and which mental health professionals, searching for calm, precise language, call "dissociation." It results in protean, dramatic, and often bizarre symptoms of hysteria which Freud recognized a century ago as disguised communications about sexual abuse in childhood. . . .
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
They made a major mistake," he blurted out, "the dumb bastards, when they didn't start by killing you first." "Benjamin Thomas Parish, that was the sweetest and most bizarre compliment anyone's ever given me." I kissed him on the cheek. He kissed me on the mouth. "You know," I whispered, "a year ago, I would have sold my soul for that." He shook his head. "Not worth it." And, for one-ten thousandth of a second, all of it fell away, the despair and grief and anger and pain and hunger, and the old Ben Parish rose from the dead. The eyes that impaled. The smile that slayed. In another moment, he would fade, slide back into the new Ben, the one called Zombie, and I understood something I hadn't before: He was dead, the object of my schoolgirl desires, just as the schoolgirl who desired him was dead.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
Do you think it is fair that guy will make more money doing the same job as you? Does it piss you off and scare you when you find out about your friends getting raped? Do you ever feel like shit about your body? Do you ever feel like something is weong with you because you don't fit into this bizarre ideal of what girls are supposed to be like? Well, my friend, I hate to break it to you, but you're hardcore feminist. I swear.
Jessica Valenti (Full Frontal Feminism)
It is most certainly a good thing that the world knows only the beautiful opus but not its origins, not the conditions of its creation; for if people knew the sources of the artist's inspiration, that knowledge would often confuse them, alarm them, and thereby destroy the effects of excellence. strange hours! strangely enervating labor! bizarrely fertile intercourse of the mind with a body!
Thomas Mann (Death in Venice and Other Tales)
For many people, changing course is also a sign of weakness, tantamount to admitting that you don’t know what you are doing. This strikes me as particularly bizarre—personally, I think the person who can’t change his or her mind is dangerous. Steve Jobs was known for changing his mind instantly in the light of new facts, and I don’t know anyone who thought he was weak.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
All things are strange which are worth knowing.
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
What I'd show you is much more bizarre than anything we have looked at so far, and I warn you in advance that the first impulse will be to laugh. That's all right. Laugh if you must. Just don't take your eye off what you see, for even in your imagination, here is a creature who can do you damage.
Stephen King (The Dark Tower (The Dark Tower, #7))
When common objects in this way be come charged with the suggestion of horror, they stimulate the imagination far more than things of unusual appearance; and these bushes, crowding huddled about us, assumed for me in the darkness a bizarre grotesquerie of appearance that lent to them somehow the aspect of purposeful and living creatures. Their very ordinariness, I felt, masked what was malignant and hostile to us.
Algernon Blackwood (The Willows)
Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her than ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.
Delia Owens (Where the Crawdads Sing)
Never was a cornflake girl; Thought it was a good solution: hanging with the raisin girls.
Tori Amos (Under the Pink)
But mostly, I remembered what I’ve always believed. What my mom taught me. That while some things are just plain awful, most things in life can be seen either tragic or comic. And it’s your choice. Is life a big, long, tiresome slog from sadness to regret to guilt to resentment to self-pity? Or is life weird, outrageous, bizarre, ironic, and just stupid? Gotta go with stupid. It’s not the easy way out. Self-pity is the easiest thing in the world. Finding the humor, the irony, the slight justification for a skewed, skeptical optimism, that’s tough.
Katherine Applegate (The Proposal (Animorphs, #35))
The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
Roland Barthes (Camera Lucida: Reflections on Photography)
D.H. Lawrence had the impression – that psychoanalysis was shutting sexuality up in a bizarre sort of box painted with bourgeois motifs, in a kind of rather repugnant artificial triangle, thereby stifling the whole of sexuality as a production of desire so as to recast it along entirely different lines, making of it a ‘dirty little secret’, a dirty little family secret, a private theater rather than the fantastic factory of nature and production
Gilles Deleuze (Anti-Oedipus: Capitalism and Schizophrenia)
When someone insults you, even murder is forgivable? I see. What you told me is very important. You insulted that innocent old man's life. So I changed one of your guns into a banana. You should savor your last meal as best you can.
Hirohiko Araki (JoJo's Bizarre Adventure: Golden Wind, Tome 3 (Vento Aureo, #3))
This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.
Thomas Ligotti (The Nightmare Factory)
And it was funny. The silence of him had a bizarre effect on her. Normally, she was the quiet one in situations, preferring to keep her own council and not share her thoughts on anything. But with John's mute presence, she felt curiously compelled to talk. "I'm stuffed," she said, lying back against the pillows. As he cocked a brow and lifted the last Danish, she shook her head. "God...no. I couldn't manage another thing." And it was only then that he began to eat. "You waited for me ?" she said, frowning. When he ducked her gaze and shrugged, she cursed softly. " You didn't have to." Another shrug. As she watched him, she murmured, "You have beautiful table manners." His blush was the color of Valentine's Day and she had to tell her heart to calm the fuck down as it started to beat fast.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Shannon L. Alder
Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
What you're doing is building a horrible kind of logic. People read what you write and they say, 'Yes, he is talking about things that really happen,' and they keep reading, and it makes sense to them. You're explaining things that can't be defended, and the explanations themselves are mad, just bizarre — but you offer them with such confidence. It was because she kept the chain on the door; it was because he needed to let off steam after a hard day's scraping and bowing at work; it was because she was irritating and stupid; it was because she lied to him, made a fool of him; it was because she had to die, she just had to, it makes dramatic sense; it was because 'nothing is more poetic than the death of a beautiful woman'; it was because of this, it was because of that. It's obscene to make such things reasonable.
Helen Oyeyemi (Mr. Fox)
Amy was looking around the sanctum in awe. "It's...beautiful!" The girl was modest and thoughtful. How bizarre. So rarely did Ian see these qualities in others–especially during the quest for the 39 Clues. Naturally, he had been taught to avoid these behaviors at all costs and never to consort with anyone who possessed them. They were distasteful–FLO, as Papa would say. For Losers Only. And Kabras never lost. Yet she fascinated him. Her joy in running up Alistair's tiny lawn, her awe at this piddling cubbyhole–it didn't seem possible to gain so much happiness from so little. This gave him a curious feeling he'd never quite experienced. Something like indigestion but quite a bit more pleasant. Ah well. Blame it on the ripped trousers, he thought. Humiliation softened the soul.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise. Or maybe Nash's Influence was still affecting her a little. "No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list." "So, you're not...dangerous?" His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...." "Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt. "Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls." "Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all. The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven's hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.
Hermann Hesse (Narcissus and Goldmund)
The Babel fish is small, yellow and leech-like, and probably the oddest thing in the Universe. It feeds on brainwave energy received not from its own carrier but from those around it. It absorbs all unconscious mental frequencies from this brainwave energy to nourish itself with. It then excretes into the mind of its carrier a telepathic matrix formed by combining the conscious thought frequencies with the nerve signals picked up from the speech centres of the brain which has supplied them. The practical upshot of all this is that if you stick a Babel fish in your ear you can instantly understand anything said to you in any form of language. The speech patterns you actually hear decode the brainwave matrix which has been fed into your mind by your Babel fish. Now it is such a bizarrely improbable coincidence that anything so mindbogglingly useful could have evolved purely by chance that some thinkers have chosen it to see it as a final and clinching proof of the non-existence of God. The argument goes something like this: "I refuse to prove that I exist," says God, "for proof denies faith, and without faith I am nothing." "But," says Man, "the Babel fish is a dead giveaway isn't it? It could not have evolved by chance. It proves you exist, and therefore, by your own arguments, you don't. QED." "Oh dear," says God, "I hadn't thought of that," and promptly vanishes in a puff of logic. "Oh, that was easy," says Man, and for an encore goes on to prove that black is white and gets killed on the next zebra crossing.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.
Susan Sontag (On Photography)
There has been a recent rash of authors and individuals fudging evidence in an attempt to argue that women have a higher sex drive than men. We find it bizarre that someone would want to misrepresent data merely to assert that women are hornier than men. Do those concerned with this difference equate low sex drives with disempowerment? Are their missions to somehow prove that women are super frisky carried out in an effort to empower women? This would be odd, as the belief that women’s sex drives were higher than men’s sex drives used to be a mainstream opinion in Western society—during the Victorian period, an age in which women were clearly disempowered. At this time, women were seen as dominated by their sexuality as they were supposedly more irrational and sensitive—this was such a mainstream opinion that when Freud suggested a core drive behind female self-identity, he settled on a desire to have a penis, and that somehow seemed reasonable to people. (See Sex and Suffrage in Britain by Susan Kent for more information on this.) If the data doesn’t suggest that women have a higher sex drive, and if arguing that women have a higher sex drive doesn’t serve an ideological agenda, why are people so dead set on this idea that women are just as keen on sex—if not more—as male counterparts? In the abovementioned study, female variability in sex drive was found to be much greater than male variability. Hidden by the claim, “men have higher sex drives in general” is the fun reality that, in general, those with the very highest sex drives are women. To put it simply, some studies show that while the average woman has a much lower sex drive than the average man, a woman with a high sex drive has a much higher sex drive than a man with a high sex drive. Perhaps women who exist in the outlier group on this spectrum become so incensed by the normalization of the idea that women have low sex drives they feel driven to twist the facts to argue that all women have higher sex drives than men. “If I feel this high sex drive,” we imagine them reasoning, “it must mean most women secretly feel this high sex drive as well, but are socialized to hide it—I just need the data to show this to the world so they don’t have to be ashamed anymore.” We suppose we can understand this sentiment. It would be very hard to live in a world in which few people believe that someone like you exists and people always prefer to assume that everyone is secretly like them rather than think that they are atypical.
Malcolm Collins (The Pragmatist's Guide to Sexuality)
Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
Hakim Bey (TAZ: The Temporary Autonomous Zone (New Autonomy))