Shiny Morning Quotes

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It's not my fault I can't be like you, okay? I don't get up in the morning thinking the world is one big, shiny, happy place, okay? That's just not how I work. I don't think I can be fixed.
Lauren Oliver (Before I Fall)
To live with angels and chase their dreams.
James Frey (Bright Shiny Morning)
They had dreams but they called them dreams because they were unrelated to reality, they were a distant unknown, an impossibility, they would never come true.
James Frey (Bright Shiny Morning)
On the morning of the fourth day, Jamie tipped a switchblade out of his box of cornflakes.   “I think these promotional campaigns have really got out of hand,” he said, freezing with his hand on the milk carton. “One shiny free knife with every packet of cereal bought is not a good message to send out to the kiddies.
Sarah Rees Brennan (The Demon's Lexicon)
He pulled out turned west and started driving towards the glow it was thousands of miles away, he started driving towards the glow.
James Frey (Bright Shiny Morning)
It was one of those bitter mornings when the whole of nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one's feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything.
Guy de Maupassant (Bel-Ami)
But all good things come to an end, often a sad angry miserable end. The cause for such an end can usually be whittled down to one of three things: money, sickness, love lost.
James Frey (Bright Shiny Morning)
Mrs. Earwig (pronounced Ar-wige, at least by Mrs. Earwig) believed in shiny wands, and magical amulets and mystic runes and the power of the stars, while Granny Weatherwax in cups of tea, dry biscuits, washing every morning in cold water and, well...mostly she believed in Granny Weatherwax.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
The cross. He held one in his hand, gold and shiny in the morning sun. This, too, drove the vampires away. Why? Was there a logical answer, something he could accept without slipping on banana skins of mysticism?
Richard Matheson (I Am Legend)
We were sisters. We felt each other’s pain. We caused each other’s pain. We knew the smell of each other’s morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other’s clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury.
Krystal Sutherland (House of Hollow)
1954. Smog prevents airplanes from landing and ships from docking for three days.
James Frey (Bright Shiny Morning)
Every year, at 8:00 PM on the second Saturday of July, hundreds of people gather along a section of Los Angeles rail track to drop their pants and moon passing passenger trains.
James Frey (Bright Shiny Morning)
In 1970, a superior Court judge issues an order forcing the desegregation of Los Angeles schools. The judge survives an assassination attempt and loses his job in the next election.
James Frey (Bright Shiny Morning)
He smiles, even though he knows it will never be like that again, even though he knows the world no longer wants what he has, what he loves, what he has devoted his life to building and maintaining. He lies in bed and stares at the photo and smiles. His brain says let it go, sell it. His heart says no. His sense of reason and his brain tell him to do it. His heart says no. Whenever he allows himself to hear it, his heart says no, no, no. All day long, everyday, his heart screams no. (…) he lies in bed and stares at the photo and smiles. His brain says let it go, sell it. His heart says no. His heart says no.
James Frey (Bright Shiny Morning)
A contest was held in 1994 to rename the Los Angeles Convention and Exhibition Center after an extensive renovation and expansion. The winning name, chosen from over ten thousand entries, was the Los Angeles Convention Center.
James Frey (Bright Shiny Morning)
Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I wrote this book after my kids went to sleep. I wrote this book on subways and on airplanes and in between setups while I shot a television show. I wrote this book from scribbled thoughts I kept in the Notes app on my iPhone and conversations I had with myself in my own head before I went to sleep. I wrote it ugly and in pieces.
Amy Poehler (Yes Please)
One morning, very early, when the sun was up,I rose and found the shiny dew on every buttercup
Robert Louis Stevenson
he sits and waits and hopes that at some
James Frey (Bright Shiny Morning)
I just want a soft creature with shiny eyes to lay with in the dark, the glint of her eyes reflected back at mine, a last few whispers, a kiss goodnight, to calm me down but most of all … to make me feel alive when morning shines.
John Zelazny (The Sorrows of Young Mike)
That's how life works. You know it when you know it. They're nineteen and in love. Alone except for each other. Jobless and homeless, looking for something, somewhere, anywhere here. They're on a sixteen-line highway. Driving west.
James Frey (Bright Shiny Morning)
On those luminous mornings Adela returned from the market, like Pomona emerging from the flames of day, spilling from her basket the coloful beauty of the sun –the shiny pink cherries full of juice under their transparent skins, the mysterious apricots in whose golden pulp lay the core of long afternoons. And next to that pure poetry of fruit, she unloaded sides of meat with their keyboard of ribs swollen with energy and strength, and seaweeds of vegetables like dead octopuses and squids–the raw material of meals with a yet undefined taste, the vegetative and terrestrial ingredients of dinner, exuding a wild and rustic smell.
Bruno Schulz (The Street of Crocodiles)
Joe asks how long they've been there one of them says fuck off another says a week a third calls him a drunk homeless fuck and tells him to go away. Joe asks how long they will wait the singular answer is as long as it takes and somewhere inside the house five-day-old children sleep under siege because their mother has a nice smile and beautiful hair and can recite lines on camera.
James Frey (Bright Shiny Morning)
Go on, my dear," urges the snake. "Take one. Hear it? 'Pluck me,' it's saying. That big, shiny red one. 'Pluck me, pluck me now and pluck me hard.' You know you want to." "But God," quotes Eve, putting out feelers for an agent provacateur, clever girl, "expressly forbids us to eat the fruit from the Tree of Knowledge." "Ah yessssss, God ... But God gave us life, did He not? And God gave us desire, did He not? And God gave us taste, did He not? And who else but God made the damned apples in the first place? So what else is life for but to tassste the fruit we desire?" Eve folds her arms schoolgirlishly. "God expressly forbade it. Adam said." The snake grins through his fangs, admiring Eve's playacting. "God is a nice enough chap in His way. I daresay He means well. But between you and The Tree of Knowledge, He is terribly insecure." "Insecure? He made the entire bloody universe! He's omnipotent." "Exactly! Almost neurotic, isn't it? All this worshiping, morning, noon, and night. It's 'Oh Praise Him, Oh Praise Him, Oh Praise the Everlassssting Lord.' I don't call that omnipotent. I call it pathetic. Most independent authorities agree that God has never sufficiently credited the work of virtual particles in the creation of the universssse. He raises you and Adam on this diet of myths while all the really interesting information is locked up in these juicy apples. Seven days? Give me a break.
David Mitchell (Ghostwritten)
In 2001, the Southern California Institute of Architecture (SCI-arc), an avant-garde architecture school that has produced some of the prominent architects in the country, relocated to the Artists District
James Frey (Bright Shiny Morning)
In 1918, a Chinese immigrant working in a Los Angeles noodle factory invented the fortune cookie. He did so believing that a cookie with a positive message in it would raise the spirits of the city’s poor.
James Frey (Bright Shiny Morning)
A small portion of Mahatma Gandhi’s ashes are enshrined at the Self Realization Fellowship Lake Shrine Temple in Pacific Palisades. They are the only portion of Gandhi’s remains that are kept anywhere outside of India.
James Frey (Bright Shiny Morning)
We fell in love. We pursued that love sexually and emotionally. I don't think he's as comfortable or as open with his sexuality as I am with mine, so he ended the relationship. It was a beautiful thing, like the most perfect healthy colorful blooming flower, while it lasted, it was like a flower from heaven. Now it's like a bomb went off in my heart. I'll probably never be the same.
James Frey (Bright Shiny Morning)
If anything, I got angry that morning because I was embarrassed. It's hard enough living with my own questionable decisions without some pillar of morality reflecting back at me. (You're the pillar, if that was not clear. And you're quite shiny.)
Gaby Dunn (I Hate Everyone But You (I Hate Everyone But You, #1))
The sleeve covered its appendages well until it reached outward to Grady. Instead of a hand, several dark green and black-splotched tentacles spilled out of the sleeve. They snaked through the air toward Grady’s face. They glistened in the early morning light and long strands of a mucous-like substance dripped from them and clung like shiny webs to its robe.
Brian Barnett (State of the Dark)
Darkness Pierces its claws Into the flesh of the evening, It’s time to withdraw, Wrap up, sleep, Till morning spreads its warm, shiny shawl To cover up the dark.
Neelam Saxena Chandra (Splinters of a Broken Mirror)
The Los Angeles Air Pollution Control Board is established in 1946 in an effort to discover the cause of the brown cloud hanging over the city and decide how to combat and disperse it. In 1949, after intense lobbying from both the automobile and oil industries, and against the recommendations and position of the Los Angeles Air Pollution Control Board, the public rail system, which at one time was the largest in the world, and still serves a majority of the city's population, is decommissioned and torn out. It is replaced by a small fleet of buses.
James Frey (Bright Shiny Morning)
He stayed up with the eye all night, staring into its shiny blueness, seeing himself within it, until the sun, rising above the tree line the next morning, seemed to him to be the shining eye of some forgotten god. T
Daniel Wallace (Big Fish)
You think a man doesn't fall down, son? A real man falls down nine times and gets up ten. You think real men don't get scared? We do, all the time, especially when the people we love can be taken away from us. The key to manhood is being there, every morning when she wakes up, every night before she goes to bed. That's what a man does. It has nothing to do with how good you are with some shiny knives. And if you let her do this thing alone, then by God—
Ann Aguirre (Restoration (Razorland, #2.5))
I recall waking up to two shiny nickels under my pillow once. What shocked me was not the transformation from tooth to silver, but the idea that I had slept through the disturbance of my mother or father sneaking in during the night, that I had been unconscious, completely unaware, vulnerable. I remember my question that morning—what else had they done to me in my sleep? I’ve often wondered about everything I may have slept through, what arguments, what secrets.
Ottessa Moshfegh (Eileen)
We were sisters. We felt each other's pain. We caused each other's pain. We knew the smell of each other's morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other's clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury. My sisters. My blood. My skin. What a gruesome bond we shared.
Krystal Sutherland (House of Hollow)
It would not be fair to say that the fire stole my faith, since in truth it has been slipping away from me all my life, flipping between my fingers like a shiny little minnow--such a far cry from the trophy salmon that dangled from my father's fist.
Elissa Janine Hoole (Kiss the Morning Star)
They live in cardbox encampments, tin shacks, they live in tents and sleeping bags, they live on the ground. They yell at each other, scream at each other, sleep with each other, do drugs and drink with each other, fuck each other, kill each other. They
James Frey (Bright Shiny Morning)
(She especially loved to see him hit the silver, sparkled button—the C major.) The accordion’s scratched yet shiny black exterior came back and forth as his arms squeezed the dusty bellows, making it suck in the air and throw it back out. In the kitchen on those mornings, Papa made the accordion live. I guess it makes sense, when you really think about it. How do you tell if something’s alive? You check for breathing.
Markus Zusak (The Book Thief)
You want worship for what? For what you give? For how you treat us? For what you allow to happen? For the hatred that exists that you don’t stop? For the violence that you don’t stop? For the death that you don’t stop? Man killing man killing women killing children that you don’t stop. And you want worship? You want us on our knees? You want devotion? You want exaltation? You want faith? A crown of thorns pressed into the skull bleeding at the tips.
James Frey (Bright Shiny Morning)
In 1935, the Los Angeles Police Department, via mayoral directive, sends a battalion of police officers to the Nevada border to stop hitchhikers, primarily Mexican nationals, from entering the state of California. They return after four days and report that they were unable to stem the flow of immigration.
James Frey (Bright Shiny Morning)
Twenty-nine cents of every tax dollar collected is spent on law enforcement. Fifteen cents of every tax dollar collected is spent on sewage collection and treatment. Eight cents of every tax dollar collected is spent on road maintenance. One-point-five cents of every tax dollar collected is spent on education.
James Frey (Bright Shiny Morning)
It's not my fault I can't be like you, okay? I don't get up in the morning thinking the world is one big, shiny, happy place, okay? That's just not how I work.
Lauren Oliver (Before I Fall)
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Happy birthday. Your thirteenth is important. Maybe your first really public day. Your thirteenth is the chance for people to recognize that important things are happening to you. Things have been happening to you for the past half year. You have seven hairs in your left armpit now. Twelve in your right. Hard dangerous spirals of brittle black hair. Crunchy, animal hair. There are now more of the hard curled hairs around your privates than you can count without losing track. Other things. Your voice is rich and scratchy and moves between octaves without any warning. Your face has begun to get shiny when you don’t wash it. And two weeks of a deep and frightening ache this past spring left you with something dropped down from inside: your sack is now full and vulnerable, a commodity to be protected. Hefted and strapped in tight supporters that stripe your buttocks red. You have grown into a new fragility. And dreams. For months there have been dreams like nothing before: moist and busy and distant, full of unyielding curves, frantic pistons, warmth and a great falling; and you have awakened through fluttering lids to a rush and a gush and a toe-curling scalp-snapping jolt of feeling from an inside deeper than you knew you had, spasms of a deep sweet hurt, the streetlights through your window blinds crackling into sharp stars against the black bedroom ceiling, and on you a dense white jam that lisps between legs, trickles and sticks, cools on you, hardens and clears until there is nothing but gnarled knots of pale solid animal hair in the morning shower, and in the wet tangle a clean sweet smell you can’t believe comes from anything you made inside you.
David Foster Wallace (Consider the Lobster and Other Essays)
But what sent his face clear down off his skull and broke him in two, though, was he said when he saw the Pam-shiny empty biscuit pan on top of the stove and the plastic rind of the peanut butter’s safety-seal wrap on top of the wastebasket’s tall pile. The little locket-picture in the back of his head swelled and became a sharp-focused scene of his wife and little girl and little unborn child eating what he now could see they must have eaten, last night and this morning, while he was out ingesting their groceries and rent. This was his cliff-edge, his personal intersection of choice, standing there loose-faced in the kitchen, running his finger around a shiny pan with not one little crumb of biscuit left in it. He sat down on the kitchen tile with his scary eyes shut tight but still seeing his little girl’s face. They’d ate some charity peanut butter on biscuits washed down with tapwater and a grimace.
David Foster Wallace (Infinite Jest)
We were sisters. We felt each other’s pain. We caused each other’s pain. We knew the smell of each other’s morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other’s clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury. My sisters. My blood. My skin. What a gruesome bond we shared.
Krystal Sutherland (House of Hollow)
The morning of the offering, NYSE officials on the floor passed out silver bells emblazoned with NYX on the handle. Traders were told to ring them with abandon at the open. While they were billed as a shiny memento, their true purpose—to drown out the expected chorus of boos and catcalls from disaffected specialists—spoke volumes about the turmoil behind the scenes.
Scott Patterson (Dark Pools: The Rise of the Machine Traders and the Rigging of the U.S. Stock Market)
The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.
James Frey (Bright Shiny Morning)
Lions in the street and roaming Dogs in heat, rabid, foaming A beast caged in the heart of a city The body of his mother Rotting in the summer ground He fled the town He went down South and crossed the border Left the chaos and disorder Back there over his shoulder One morning he awoke in a green hotel With a strange creature groaning beside him Sweat oozed from its shiny skin Is everybody in? The ceremony is about to begin
Jim Morrison
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
She’d mopped the floors that morning; they were shiny and everything smelled like lemons and clean house. The phone was ringing in the kitchen, she came running in to answer it, and she slipped. She hit her head on the floor, and she was unconscious, but then she woke up and she was fine. That was her lucid interval. That’s what they call it. A little while later she said she had a headache, she went to lie down on the couch, and then she didn’t wake up.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not.
Amy Poehler (Yes Please)
During the coming days, the wealth of America kept astonishing me. The television had programming from morning till night. I had never been in an elevator before and when I pressed a button in the elevator and the elevator “started moving, I felt powerful that it had to obey me. In our shiny brass mailbox in the lobby, we received ads on colored paper. In India colored paper could be sold to the recycler for more money than newsprint. The sliding glass doors of our apartment building would open when we approached. Each time this happened, I felt that we had been mistaken for somebody important.
Akhil Sharma (Family Life)
In mid-morning, Qwilleran set out from the barn carrying a baker’s box tied with red plaid ribbon. He said goodbye to the cats, told them where he was going, and estimated when he would return. The more you talk to cats, he believed, the smarter they become. Koko was disturbingly smart. Qwilleran called him a fine fellow and had a great deal of respect for him. Yum Yum was a dainty little female with winning ways and a fondness for laps, the contents of wastebaskets, and small shiny objects she could hide under the rug. He gave them some parting instructions. “Don’t answer the phone. Don’t pull the plug on the refrigerator. Don’t open the door to poll-takers.” They looked at him blankly.
Lilian Jackson Braun (The Cat Who Sang for the Birds (Cat Who... #20))
James wondered for a moment whether this was the first time someone had used a witchlight rune stone as stage lighting before his mind went blank. Christopher made a small noise in the back of his throat, and Thomas stared wide-eyed. The mermaid had human legs. They were long and really quite shapely, James had to admit, loosely draped in diaphanous skirts made of woven exotic seaweeds. Unfortunately, from the waist up she was the front half of a gaping, staring fish. Her scales were shiny metallic silver and reflected the light in a way that almost, but not quite, distracted from her dinner-plate-size, unblinking yellow eyes. The audience went mad, cheering and hooting twice as loudly as before. One of the werewolves howled, "CLARIBELLA!" in a mournful, yearning voice. "May I present," Matthew cried with a grin, "Claribella the Mermaid!" The crowd whistled and banged their approval. James, Christopher, and Thomas struggled to find words. "The mermaid's backwards," said James, having regained some of his vocabulary--though perhaps not all of it. "Matthew hired a reverse mermaid," Thomas agreed. "But why?" "I wonder what kind of fish she is," said Christopher. "Are mermaids a specific kind of fish? Sharks or herring, or such?" "I had kippers this morning," said Thomas sadly. The backward mermaid began to swing her hips side to side, with the ease of a practiced cabaret dancer. Her mouth bobbed open and closed in rhythm with the music. Her small fins, on either side of her body, flapped.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
Life cannot offer many places finer to stand at eight-thirty on a summery weekday morning than Circular Quay in Sydney. To begin with, it presents one of the world’s great views. To the right, almost painfully brilliant in the sunshine, stands the famous Opera House with its jaunty, severely angular roof. To the left, the stupendous and noble Harbour Bridge. Across the water, shiny and beckoning, is Luna Park, a Coney Island–style amusement park with a maniacally grinning head for an entrance. (It’s been closed for many years, but some heroic soul keeps it spruce and gleaming.) Before you the spangly water is crowded with the harbor’s stout and old-fashioned ferries, looking for all the world as if they have been plucked from the pages of a 1940s children’s book with a title like Thomas the Tugboat, disgorging streams of tanned and lightly dressed office workers to fill the glass and concrete towers that loom behind.
Bill Bryson (In a Sunburned Country)
Something is bothering you. I have sensed it all morning.” He slid his communicator back into his pocket then took her hand in his, linking their fingers together. The action took her off guard, but she welcomed it. The first time she’d held his hand he’d been confused by it, but this was the second time in the last few days he’d initiated it. She loved it. “Nothing, just… I was hoping that this evening we could talk about something.” His shoulders stiffened just the slightest fraction. She was getting good at reading the subtle changes in his body language. “What about?” “Not now. I know you need to get to one of your job sites. Or there’s an emergency at the Samio.” He raised a dark eyebrow. “How do you know this?” “Because your communicator has been buzzing like crazy since we…” Her cheeks heated up and she cleared her throat. It had started going off when she’d been sitting on his face this morning. They’d both ignored it. Then when she got out of the shower she’d found him responding to what seemed like dozens of communications, one buzz after another. The sounds had been maddening. He’d stopped responding when they left his place, but she understood how busy he was and didn’t want to get in the way of that. “Since we what?” he murmured, leaning closer as they came to a stop in front of another elevator. This one had a shiny, sleek-looking silver door. “You know what,” she whispered, glancing around. There were two males waiting at the next elevator and though they weren’t looking in their direction she wasn’t going to talk about that in public. “I want to hear you say it.” “That’s because you’re a pervert.” He gave her one of those grins that made her wonder how she’d ever lived without knowing this male. It still stunned her how much he’d come to mean to her in the past week and a half. “That’s very true where you’re concerned.” He dropped a kiss on her forehead. -Con & Leilani
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
I read a wonderful passage in an interview with Carolyn Chute, the author of The Beans of Egypt, Maine, who was discussing rewriting: “I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You’re going, Where do I put this? Then they go, Okay, you can have a tree, but we’ll blindfold you and you gotta cut it down with a spoon.” This is how I’ve arrived at my plots a number of times. I would have all these wonderful shiny bulbs, each self-contained with nothing to hang them on. But I would stay with the characters, caring for them, getting to know them better and better, suiting up each morning and working as hard as I could, and somehow, mysteriously, I would come to know what their story was. Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad. Some
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.
Liz Braswell (Straight On Till Morning)
She looked out the window, and her heart jumped: the expanse of the pie pantry and orchard shimmered in the early-morning light in front of her, the bay and LaKe Michigan glimmering in the distance. To Sam, it looked as if one of her grandmother's paintings had come to life: red apples bobbed as tree limbs swayed in the breeze; bushes thick with the bluest of blueberries shimmied; peaches, fuzzy and bright, nestled snugly against branches; shiny cars and people dressed in bright T-shirts and caps danced into the pie pantry and into the orchards; near the distance, the cornfields seemed to move as if they were doing the wave at a football game, while cherry trees dotted with the deep red fruit resembled holly bushes out of season. And yet there was an incredible uniformity to the scene despite the visual overload: everything was lined up in neat rows, as if each tree, bush, and person understood its purpose at this very moment. I've forgotten this view, Sam thought, recalling the one from her own bedroom window earlier in the morning. There is an order to life's chaos, be it the city or country, if we just stop for a moment and see it.
Viola Shipman (The Recipe Box)
[THE DAILY BREATH] Do you remember the first day of school, when your mom and dad gave you the new uniform, the shiny shoes and a little lunch box with fresh food made that morning? The mystery of your relationship with our Heavenly Father is mirrored in your relationship with your children. For the first 5-6 years of your life, you never asked nor worried about your school uniform, the shoes you will wear or the lunch box for the first day of school. Probably you didn't even know you needed them before school started and you did get them. Your parents knew you needed them, and when the moment arrived, you received them. You didn't get them before or after, but when the moment of need arrived. You might understand now what our Heavenly Father meant when He said: "I will answer them before they even call to me. While they are still talking about their needs, I will go ahead and answer their prayers." Jesus reaffirmed this message when He said: "Your Father knows you need all these even before you even ask Him." Do not worry about the future. There is perfect peace in this moment. Do not worry. Today only remember and trust your Heavenly parent, the One who breathed life into your body and spirit. He will give you all you need. When the moment arrives.
Dragos Bratasanu
And were you immediately taken with Charlotte, when you found her?" "Who wouldn't be?" Gentry parried with a bland smile. He drew a slow circle on Lottie's palm, stroking the insides of her fingers, brushed his thumb over the delicate veins of her wrist. The subtle exploration made her feel hot and breathless, her entire being focused on the fingertip that feathered along the tender flesh of her upper palm. Most disconcerting of all was the realization that Gentry didn't even know what he was doing. He fiddled lazily with her hand and talked with Sophia, while the chocolate service was brought to the parlor and set out on the table. "Isn't it charming?" Sophia asked, indicating the flowered porcelain service with a flourish. She picked up the tall, narrow pot and poured a dark, fragrant liquid into one of the small cups, filling the bottom third. "Most people use cocoa powder, but the best results are obtained by mixing the cream with chocolate liquor." Expertly she stirred a generous spoonful of sugar into the steaming liquid. "Not liquor as in wine or spirits, mind you. Chocolate liquor is pressed from the meat of the beans, after they have been roasted and hulled." "It smells quite lovely," Lottie commented, her breath catching as Gentry's fingertip investigated the plump softness at the base of her thumb. Sophia turned her attention to preparing the other cups. "Yes, and the flavor is divine. I much prefer chocolate to coffee in the morning." "Is it a st-stimulant, then?" Lottie asked, finally managing to jerk her hand away from Gentry. Deprived of his plaything, he gave her a questioning glance. "Yes, of a sort," Sophia replied, pouring a generous amount of cream into the sweetened chocolate liquor. She stirred the cups with a tiny silver spoon. "Although it is not quite as animating as coffee, chocolate is uplifting in its own way." She winked at Lottie. "Some even claim that chocolate rouses the amorous instincts." "How interesting," Lottie said, doing her best to ignore Gentry as she accepted her cup. Inhaling the rich fumes appreciatively, she took a tiny sip of the shiny, dark liquid. The robust sweetness slid along her tongue and tickled the back of her throat. Sophia laughed in delight at Lottie's expression. "You like it, I see. Good- now I have found an inducement to make you visit often." Lottie nodded as she continued to drink. By the time she reached the bottom of the cup, her head was swimming, and her nerves were tingling from the mixture of heat and sugar. Gentry set his cup aside after a swallow or two. "Too rich for my taste, Sophia, although I compliment your skill in preparing it. Besides, my amorous instincts need no encouragement." He smiled as the statement caused Lottie to choke on the last few drops of chocolate.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Honey is also an excellent moisturizer. If you notice that your face is drying out, just put some honey on it and rinse after five minutes. Immediately, your skin will be sheen and moisturized. You can even mix it with milk cream if you want your skin to stay hydrated during the cold winter season. As for your hair, you can use honey as a conditioner. Simply mix it with olive oil, and then apply it on your hair. Just make sure that you have already shampooed your hair before you apply it on. Leave the honey on your hair for an hour. When one hour has passed, wash it off and pat your hair dry with a clean towel. You will see that your hair has become silky and shiny upon conditioning with honey. You already know that honey is a natural sweetener that does not raise your blood sugar levels. If you take it with lemon juice and warm water in the morning, it can help you lose extra weight. So stop going on fad diets and starving yourself. Drink some warm honey lemon water instead. Do this on a regular basis and soon you will be a few sizes smaller. You will feel more confident with yourself. The anti-inflammatory property of honey is another good reason why you should eat it on a regular basis. It can help delay the degenerative process of your skin and make you look younger. Using honey on your food or drink daily can help you fight the symptoms of aging. With honey, you will feel and look young.
Kathy Grey (Honey: Learn The Amazing Uses of Natural Honey for Curing, Healing & Beauty Purposes)
In the white bowl, the paper caught fire, burning like a desperate flower, blooming and dying at the same time. Its scents came on tendrils of smoke, wrapping themselves around me. We missed you. I inhaled, and Victoria's kitchen disappeared around me. It was early morning in the cabin, winter; I could smell the woodstove working to keep the frost at bay. My father had fed the sourdough starter, and the tang of it played off the warm scent of coffee grounds. I could smell my own warmth in the air, rising from the blankets I'd tossed aside. I remembered that morning. It was the first time I ever saw the machine. I must have been three, maybe four years old. I'd woken up and seen my father, standing in the middle of the room, a box in his hands, bright and shiny and magical. I remembered racing across the floor, my bare feet tingling from the chill. What is it, Papa? It's wonderful. I want to know. And he'd put the shiny box aside and lifted me up high and said, You are the most wonderful thing in the world, little lark. The last of the paper crumbled to ash. I stood there, trying to remember what had happened next- but I couldn't. Did my father show me the machine, or did we go outside and chop wood? You'd think I'd remember, but I didn't. What I remembered was how it felt to be held in his arms. To be loved that way, before everything else happened. And in that moment, I felt whole. "Oh," I heard Victoria say, and when I turned to her, her eyes were filled with tears.
Erica Bauermeister (The Scent Keeper)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
My morning schedule saw me first in Cannan’s office, conferring with my advisor, but our meeting was interrupted within minutes by Narian, who entered without knocking and whose eyes were colder than I had seen them in a long time. “I thought you intended to control them,” he stated, walking toward the captain’s desk and standing directly beside the chair in which I sat.” He slammed a lengthy piece of parchment down on the wood surface, an unusual amount of tension in his movements. I glanced toward the open door and caught sight of Rava. She stood with one hand resting against the frame, her calculating eyes evaluating the scene while she awaited orders. Cannan’s gaze went to the parchment, but he did not reach for it, scanning its contents from a distance. Then he looked at Narian, unruffled. “I can think of a dozen or more men capable of this.” “But you know who is responsible.” Cannan sat back, assessing his opposition. “I don’t know with certainty any more than you do. In the absence of definitive proof of guilt on behalf of my son and his friends, I suggest you and your fellows develop a sense of humor.” Then the captain’s tone changed, becoming more forbidding. “I can prevent an uprising, Narian. This, you’ll have to get used to.” Not wanting to be in the dark, I snatched up the parchment in question. My mouth opened in shock and dismay as I silently read its contents, the men waiting for me to finish. On this Thirtieth Day of May in the First Year of Cokyrian dominance over the Province of Hytanica, the following regulations shall be put into practice in order to assist our gracious Grand Provost in her effort to welcome Cokyri into our lands--and to help ensure the enemy does not bungle the first victory it has managed in over a century. Regulation One. All Hytanican citizens must be willing to provide aid to aimlessly wandering Cokyrian soldiers who cannot on their honor grasp that the road leading back to the city is the very same road that led them away. Regulation Two. It is strongly recommended that farmers hide their livestock, lest the men of our host empire become confused and attempt to mate with them. Regulation Three. As per negotiated arrangements, crops grown on Hytanican soil will be divided with fifty percent belonging to Cokyri, and seventy-five percent remaining with the citizens of the province; Hytanicans will be bound by law to wait patiently while the Cokyrians attempt to sort the baffling deficiency in their calculations. Regulation Four. The Cokyrian envoys assigned to manage the planting and farming effort will also require Hytanican patience while they slowly but surely learn what is a crop and what is a weed, as well as left from right. Regulation Five. Though the Province Wall is a Cokyrian endeavor, it would be polite and understanding of Hytanicans to remind the enemy of the correct side on which to be standing when the final stone is laid, so no unfortunates may find themselves trapped outside with no way in. Regulation Six. When at long last foreign trade is allowed to resume, Hytanicans should strive to empathize with the reluctance of neighboring kingdoms to enter our lands, for Cokyri’s stench is sure to deter even the migrating birds. Regulation Seven. For what little trade and business we do manage in spite of the odor, the imposed ten percent tax may be paid in coins, sweets or shiny objects. Regulation Eight. It is regrettably prohibited for Hytanicans to throw jeers at Cokyrian soldiers, for fear that any man harried may cry, and the women may spit. Regulation Nine. In case of an encounter with Cokyrian dignitaries, the boy-invader and the honorable High Priestess included, let it be known that the proper way in which to greet them is with an ass-backward bow.
Cayla Kluver (Sacrifice (Legacy, #3))
pranced to her cub's side. "Lucky!" she yelled. "How many times do I have to tell you to go home and stay with your siblings? You are a tiny lion cub, not a brave adventurer!" The mother lizard smiled up at Lucky. "Actually, I'm not so sure," she said. "This little cub travelled across the entire jungle and brought my lost baby home. That makes him the bravest, greatest adventurer this jungle has ever seen!" Lucky's mother's jaw dropped. She looked at the lizard. She looked at Lucky. Then she smiled. "You have proven me wrong. You really are a great adventurer! But a tiny cub like you, traveling across the entire jungle? How did you do it?" she asked. "Roar!" Lucky cried. He stood tall, puffed up his chest and said; "Because I am Lucky!" Lucky and Pec the parrot’s great adventure! The next day, Lucky was feeling especially brave. After all he saved a little lizard from the dangers of the jungle and brought him safely home. His mother was so proud of him that she didn't even punish him for not babysitting his brothers and sisters! She even gave him the best part of their meal for dinner. And he had permission to spend 2 hours in the jungle this very morning. But he had to stay close to home and come back in time to babysit his younger brother and sisters. "There is much adventuring to be done in just 2 hours!" he said to himself, as walked under the shady green canopy, following a path into the jungle. "But I am the bravest, greatest adventurer in the jungle. Watch out jungle! Here I come! Roooaaaar! “Suddenly he saw the tall grass to his right sway, but there wasn't any wind. The grass rustled as if someone was moving around. Lucky crouched down in his stalking pose that he had practiced as part of his adventure skills. He crept forward, his golden-green eyes wide and fixed on the swaying grass. Slowly, oh so slowly he moved closer and closer. He was right in front of the tall green grass, and heard the rustling again. "ROOOOOAAAARRR!" He burst through the grass with his very best roar and his very best pounce. "AAAAACCCCCCKKKKKK" screeched a large shiny grey parrot. "What is wrong with you?! It is extremely rude to just bust into a parrot's home without knocking! I swear, kids these days just don't have any manners!" The parrot shrieked right into Lucky's ear. "Owwww. Stop it! I am a brave adventurer and I am saving you!" Lucky snapped back, "It's also rude to yell in the ear of the lion saving your life" The parrot's head feathers stood up on the back of his head like he had a mohawk, and he glared at Lucky from piercing yellow eyes. "Lions are known to eat birds like me. I am not going to let my glorious self, become your breakfast. I am a mighty warrior and if you eat me, I will give you a very upset belly. I promise". Lucky laughed a barky lion laugh, "I do not eat birds. My mother is a great hunter and brings home only the biggest and fattest of animals for us to eat. Besides, I will be a great adventurer, the greatest and bravest in the jungle". Pec's shimmering grey head feathers slowly lowered. He shook his head, stuck his beak under his wing and looked at Lucky from the corner of his yellowish eye. "A brave adventurer, hmm? You look more like a little lion cub getting into mischief" he said as he brought his head from under his wing. “My name is Pec. What is yours?" he asked. "My name is Lucky and I don't get into mischief. Just yesterday I saved a lizard from a deep, scary crack in the ground. He could have died. I even took him home and it was a long ways away" Lucky said as proudly as he could after being squawked at by a big feathery bird. Pec's eyes twinkled at him and he opened his sharply hooked beak letting out a squeaky laugh. "I believe you, young Lucky. And, since you are so good at helping others, could you
Mary Sue (Lucky The Lion Cubs Quest)
Steve knew just how and when to find them. We headed out early the next morning, before there was wind. The temperature was exactly right at eighty-six degrees Fahrenheit. Steve got a faraway look in his eye, as though he was concentrating or communicating. Then he headed off. Ten minutes later, we were on the trail of a fierce snake. “Would you like to tail one?” Steve asked. “Are you kidding?” I said. “I don’t know how to catch a fierce snake.” Steve had already “tailed” one of the snakes. Gently grabbing the end of its tail, he could hold it at arm’s length and examine it. During this procedure, snakes would often defecate, and we could get some clue about what they’d been eating. Steve would tail a snake, put it in a bag, release it, and keep what remained. “You grab the next one,” Steve said. He spotted a four- or five-foot-long fierce snake. It glistened in the sun like glass, brilliantly shiny and sleek. “It’s warming up now,” Steve said as we approached. “You’re going to have to be quick.” Yes, Terri, I said to myself, please be quick so as not to get struck by the most venomous snake on earth. If you get bitten out here, you’re in a load of trouble. We crept up behind the fierce snake. I got close enough to grab it, but the snake suddenly and violently swung its head around, directly at me, poised and ready to strike. I backed off abruptly. Time and again I approached the snake just as I’d seen Steve do it: Walk up behind the snake as it started to slither away, and grab it by the tail. I knew what to do, but I couldn’t do it. Every time I reached down, the snake would swing around and I would jump a mile. We wandered farther and farther on the trail of the snake. I could see our truck way in the distance. I sweated profusely. I kept thinking the same thought. If I get bitten by this snake, I’m dead. Then I would try to push that thought away. Stop thinking, just grab the snake. Steve wouldn’t ask you to do something that you couldn’t do. But the whole process was becoming ridiculous. “What am I doing wrong?” I wailed. “You are too bloody scared,” Steve said. “Oh,” I said. Then I reached down and picked up the snake. It was magic. Once I had the nice, soft, supple body in my hands, it was as though the snake and I had a connection. Its skin was warm to my touch from sitting in the sun. I suddenly understood exactly how to hold on so it wouldn’t get away, and yet not squeeze it so tightly that it would get angry. The snake naturally kept trying to move off. I let the front part of its body stay on the ground and held the tail up. I felt such triumph--not that I had dominated the snake, but that it had let me pick it up. Steve held out the catch bag, and I carefully dropped the snake in. He tied a knot in the bag. We looked at each other and grinned. Then we both whooped and hollered and jumped in the air. He hugged and kissed me. “I’m proud of you, Terri,” he said. Once again I marveled at Steve’s instincts. He knew that this particular snake would be okay for me to pick up. He never hesitated, he never yelled at me or coached me--until I asked for help. Then he simply told me what to do.
Terri Irwin (Steve & Me)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We Pfliegmans, however, are incapable of imagining anything. From the get-go, Pliegmans were outcasts in a country of outcasts. We were then, and probably always have been, whole ages behind the progress of the company we kept. When men were bashing rocks together to make tools, Pliegmans were slithering from the ocean, coated in a greenish much; when men were grunting, sneezing, and lighting fire, hirsute Pfliegmans lay recluse in a dark musty corner of a cave, hissing; when men began wearing pelts and eating meat and painting walls, Pliegmans were stealing pelts to make fun of the pelt-wearers and would return to a cold cave hungry again, goddamnit; when men began forming languages and speaking in recognizable tongues, Pliegmans snorted and threw their heads in the mud in protest; when men began eating with forks, Pliegmans licked their dirty nails; when men were building factories to work in and homes for themselves to live in, Pliegmans rolled in the gross, deliciously; when Edison illuminated the world, Pliegmans squealed and covered their eyes; when Ford made the world go faster, Pliegmas stood at the curb, fearing for their lives, gaping at the shiny wheels, which explains why my father, János Pliegman, who, one Christmas morning in 1984, after receiving a VCR as a Christmas present from my mother, spent four minutes examining the buttons and one minute examining the manual before bashing it in the face with an elbow -- But I digress.
Jessica Anthony (The Convalescent)
I pop into Barrett's, ducking beneath the bright-red awning into the tiny shop, which is packed with fresh cuts of everything, from delicate lamb chops to meaty pork roasts covered in thick layers of fat. Mountains of fat sausages beckon from within the glass case, in more varieties than I could ever imagine---wild boar and apple, venison, chicken and sage, beef and garlic. A musty funk fills the store, giving the place an air of rustic authenticity. I order three Cornish hens (or, as the British call them, poussin) and then head back toward Pomona, the small food shop I visited this morning, remembering the fresh, crusty loaves of bread on their shelves. I grab a loaf of challah, its braided crust shiny and golden brown, along with some celery, an onion, some mushrooms, and a few spices. Before I pay, I also throw a bunch of speckled bananas, a pot of Greek yogurt, and some flour and sugar into my basket. The ingredients are slightly different here than they are back home---"self-raising flour," "caster sugar"---but I'm sure I can re-create the banana bread I developed for a famous morning-show host back in Chicago. It's one of my most popular recipes to date, and I'm sure it would taste great with a cup of tea.
Dana Bate (Too Many Cooks)
When you start to make a habit of blessing God, you will discover that daily life can begin to feel like Christmas morning. As your prayer life becomes saturated with kavanah, that deep awareness of God’s presence and his overwhelming love, you may feel as though you are wading knee-deep through shards of wrapping paper and mountains of bows to enjoy a pile of shiny new gifts.
Ann Spangler (Sitting at the Feet of Rabbi Jesus: How the Jewishness of Jesus Can Transform Your Faith)
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
I ran every day. In the morning before it got too hot. I wasn’t used to that kind of heat. Like more than half the year too. Reaching the hundreds often. Good thing there was that lake to cool off in. I came to love running in the heat. I’d run along the highway and it was scary, those two-lane highways are pretty narrow and people drive hella fast but I bought one of those shiny vests with reflectors on it to make sure people could see me. I kept building miles. Started running once in the morning and once at sunset. It stayed hard. Like I had to keep at it and make the effort every day. And then one day it felt like I needed it in a way that kind of scared me. It wasn’t not like addiction. I went to running for a feeling. How it felt after the run. But something else happened on the runs. I wasn’t running away from anything anymore. I was running at whatever in me had needed the way I needed before. I was running at whatever I’d been afraid of. And I would cry. That shit would make me emotional. Not short runs. Not the first few miles, not even five. But after seven and eight miles something else is happening. The running outruns the running. Slow as I probably looked, sweating all the way through my shirt to where there wasn’t a dry spot left on it. It could feel like flying. I got way into numbers, into when I started and ended my run, how long the run would take, I would reduce the numbers by adding them together, it was something they did in numerology, and if I was doing right inside, if things were good the numbers would boil down to four or eight or nine, those three numbers were my favorite, felt lucky to me I guess, I guess I became superstitious, or had always been without knowing it, and I shuffled all the music on my phone and felt things were most right if the songs I liked best came on during my runs and crucial moments, I guess it might sound crazy if I were to ever tell anyone, but I never would.
Tommy Orange (Wandering Stars)
Rosy cheeks gave Johanna a strangely youthful look this morning, he decided, his grin in full view. There was no way around it. The woman had bloomed during the past months. The somber female he’d married had, right before his very eyes, become a shiny-eyed girl. That
Carolyn Davidson (The Forever Man)
Tesco at the best of times is soulless – but it’s so much worse at 6 in the morning. It’s not as empty as I thought it would be. Who the fuck shops at 6 a.m.? e florescent lights flicker. e shelf upon shelf of coloured cans make my eyes go funny. Everything is hard and shiny and there’s so much fucking choice. Why do I have to choose from thirty kinds of granola? Do I want Country Crunch or Rude Health? Raisins and almonds or tropical? Goji berries and chia seeds or Strawberry Surprise? I’ll just buy the Tesco range – that’ll be easiest. No, wait, there’s Tesco finest*, Tesco Everyday Value and Tesco Free From. What can be so damn fine about granola? You eat it everyday and what could it be free from? It hasn’t got anything unhealthy in it! What could one possibly take out? Actually, we don’t need any fucking granola.
Sanjida Kay (The Stolen Child)
Most Saturdays, as my own middle passage approached, I accompanied my mother to a protest march of one kind or another, against South Africa, against the government, against nuclear bombs, against racism, against cuts, against the deregulation of the banks or in support of the teachers’ union, the GLC or the IRA. The purpose of all this was hard for me to grasp, given the nature of our enemy. I saw her on television most days—rigid handbag, rigid hair, unturned, unturnable—and always unmoved by however many people my mother and her cronies had managed to gather to march, the previous Saturday morning, through Trafalgar Square and right up to her shiny black front door. I remember marching for the preservation of the Greater London Council, a year earlier, walking for what felt like days—half a mile behind my mother, who was up at the front, deep in conversation with Red Ken—carrying a placard above my head, and then, after that got too heavy, carrying it over my shoulder, like Jesus at the Crucifixion, lugging it down Whitehall, until finally, we got the bus home, collapsed in the lounge, switched on the TV and learned that the GLC had been abolished earlier that same day. Still I was told there was “no time for dancing” or, in a variation, that “this was not the time for dancing,” as if the historical moment itself forbade it. I had “responsibilities,” they were tied to my “intelligence,” which had been recently confirmed by a young supply teacher up at the school who had thought to ask our class to bring in “whatever we were reading at home.” It
Zadie Smith (Swing Time)
BLAKE: You look beautiful tonight. Instead of bolting for my car like any sane person would have, I looked around until I found him. Well, running to my car wouldn’t have helped much; he was parked right next to it and leaning against the driver’s door of his shiny little Lexus. How did he know I was here? If he didn’t know I was here, what is he doing here at two in the morning? Oh my word, he’s been following me! No, that’s ridiculous; come on, Rachel, get a grip. He is not following you. Frick, I really need to stop thinking the world and everyone in it revolves around me. He just happened to be here and saw your car. That’s all. Right? Right. I took a few steps closer to the cars and took a deep breath as I dropped my phone back into my purse, trying to calm myself down. “Hi, Blake.” “I was starting to think you would never leave. I’ve been out here for hours.” Oh God, he has been waiting for me! Those words were creepy enough, but paired with the sexy, innocent smile they seemed even worse. I meant for my voice to sound strong and annoyed but it was barely a whisper. “Why are you following me?” “Following you? I’m not following you. Candice told me you were waiting for me to pick you up from the study group. Jesus, Rachel, you look like you’ve just seen a ghost; are you all right?” “Candice said what? No, I was definitely not waiting for you; I drove myself here. That should be obvious, since you’re parked next to my Jeep.” I didn’t know what was going on, but I wanted to get out of there and away from him. Now. “Yeah, but your car isn’t starting. Which is why I’m here.” He said every word slowly, like I was a child or something. “Don’t you remember, Rachel? You called her almost three hours ago, but she was busy, so you told her to call me. Are you feeling okay? Come on, get in the car. I’ll get you back to your room.” “I am not getting in your car, I’ll drive myself back!” With that I took the last few steps to my car, got in, locked the door, and put the key in the ignition. I turned it but nothing happened. There wasn’t even a click. What had happened to my car? I knew I hadn’t called Candice. And even then, if I’d wanted Blake to pick me up I would have called him myself. Someone tapped on the window and even though I knew who it was, I still jumped. “Come on, Rach, this is dumb. Just get in the car and I’ll take you back. I’ll get your car towed in a couple hours.” There was no point in trying to call someone else. It was two in the morning, everyone was asleep, and I definitely couldn’t walk back at this hour. I grimaced and opened the door. “That’s my girl. Come on, let’s go.” He helped me into his car, then got in beside me. This time he didn’t put his hand on my thigh. The
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
The day before Christmas came. Mama made her clove apple and began baking pies. Papa brought in a fresh pine tree and they decorated it with the beautiful apples. But to Katrina it just didn’t feel like Christmas. Even when she went to bed on Christmas Eve, Papa was still sawing away at the apple tree. On Christmas morning their stocking were filled with oranges, wild hickory nuts, black walnuts, and peppermint sticks. Josie gave Papa and Mama their scarves, and Katrina gave Mama the pincushion. But it still didn’t feel like Christmas to Katrina. Then Papa said, “Now my little ones, turn around and close your eyes. No peeking.” First Katrina heard Papa ask Mama to help him. Then she heard him hammering something to the beam, then he dragged something across the floor. “All right, you can look now,” said Mama. They whirled around. There, hanging from the beam, was Josie’s swing, the very same vine swing from the apple tree. Sitting on the swing was a little rag doll that Mama had made. Near the swing was a drawing board made from the very same limb that had been Katrina’s studio. On the drawing board were real charcoal paper and three sticks of willow charcoal. Katrina softly touched the drawing board. She wanted to say, How wise and wonderful you are, Papa and Thank you, Papa and I’ll always love you, Papa. But all she could say was, “Oh, Papa.” Papa didn’t say anything either. He just handed her the three sticks of charcoal. Josie began to swing with her doll and Katrina started to draw. Now she could see how beautiful Mama’s clove apple looked on the white tablecloth and how shiny red the apples were on the Christmas tree. Now she could smell the fresh winter pine tree and the warm apple pies. Now it felt like Christmas. Katrina gave her first drawing to Papa. It was a picture of the day when Papa picked the apples and Mama made apple butter and Katrina and Josie sorted the apples. In the corner Papa wrote: This picture was drawn by Katrina Ansterburg on Christmas Day 1881. Then he hung it in his woodshop and there it stayed for many long years.
Trinka Hakes Noble (Apple Tree Christmas)
It was an ordinary day - peaceful and quiet. For some reason, my wife hand-washed the Nissan bright and shiny, early that morning. I remember thanking her for it. My son had already gone to school, but my wife and daughter were still at home and saw me off in front of the house. Our white dog was wagging his tail as I drove the car past the alley. In my mind, they are forever living that day. (2009: 162)
Kim Yong
Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I
Amy Poehler (Yes Please)
After pushing the appliances into place, I emptied our hamper into the washer and started a cycle. As the remarkably quiet load finished, I observed that many of Nia’s clothes, particularly her undergarments, appeared old and worn. “Nia,” I stated, holding up a blouse with an obvious hole in it, “This is unacceptable. You need to go out right now and buy yourself some new clothes.” I didn’t have to ask her twice. The next morning, she went out shopping for a new wardrobe with her friends. While she was gone, my friend Erick and I cleaned up the flower beds in front of our house, planting fresh flowers and shrubs. When we were done, the kids and I decorated the driveway with sidewalk chalk, leaving messages of appreciation for Nia. After putting the kids to bed, I cleaned the house, intent on making everything sparkle on her return. With shopping bags draped over her shoulders, Nia approached the front, radiating a happiness and gratitude I hadn’t seen in her since the day before my confessions to her two weeks prior. Her gaze fell upon her new flower bed. “It’s beautiful,” she said. As she entered the house that smelled brand new, she turned to me with misty eyes and said something that overwhelmed me with emotion. “You’ve been so sweet to me,” she said after dropping her bags, covering her face with her hands. I didn’t deserve to hear those words; the things I was doing should have been done long ago, but they immediately brought me to tears. I walked over and wrapped her up as she sobbed into my shoulder. I reassured her of my undying love for her and reminded her that I was no longer the man I had described in my confessions. “I know you may think I’m doing this stuff just to win you back,” I said, “but I hope time will show how much I truly love you.” I wouldn’t need much time at all. An opportunity to demonstrate my physical and emotional faithfulness to her was on the horizon. 33 Shiny Boxes As the bridegroom rejoices over the bride, so shall your God rejoice over you.
Samuel Paul Rader (Sam and Nia | Live in Truth: Public Scandal | Secret Vows | Restored Hearts)
Good morning, TJ.” John looked strangely grim in a European fit shirt with a shiny Hermès tie, regarding business casual as Straight-up Communism.
Lisa Scottoline (The Truth about the Devlins)
Of course, that was nothing compared to what it was like back in downtown Los Angeles, where they’d lived until this morning. Surrounded by the asphalt and concrete and shiny skyscrapers, Jessie would often walk out of their condo into the late summer heat to face temperatures above one hundred. In comparison, this felt like a respite. She reminded herself that this was exactly the sort of perk that would justify moving away from the familiar life she’d grown
Blake Pierce (The Perfect Wife (Jessie Hunt, #1))
His diary recorded a mixture of moods: October 17: Out to Mount Vernon. . . . Bracing cool air; cloudless sky; warm autumn sunshine. Shapeless, droopy people—stuffy from Sunday morning waffles and funny papers, tired from not walking—staggered out of shiny automobiles and dragged themselves around the grounds of the old mansion.... Grasshoppers flicked themselves around before us. An occasional late bird sang from the hard, many-colored foliage. The corn was stacked in the fields.... It was very nice and encouraging, but in the distance the roar of the Sunday traffic on the big turnpike was never lost, and it was never clearer that man is a skin-disease of the earth.
John Lewis Gaddis (George F. Kennan: An American Life)
Only one who devotes himself to a cause with his whole strength and soul can be a true master. For this reason, mastery demands all of a person.’ This really is one of the most closely guarded secrets of the virtuosos and history-makers. They don’t diffuse their cognitive bandwidth. They don’t dilute their creative gifts chasing every shiny diversion and every attractive opportunity that comes their way. No, instead they exercise the fierce discipline required to do only a few things—but at an absolutely world-class level.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
Except that it was not fog but a body forming before her eyes out of a stream reflecting golden sunlight, a yellow checkered tablecloth, and the bones of two hundred goldfinches. Donkey forgot how to breathe. She opened the door wider and in doing so somehow flipped the contents of the hot pan onto the porch planks. Now the figure was fully conjured, tipping back in the chair, as Donkey was forbidden to do. There was Rose Thorn with her bare brown feet resting on the table, legs crossed at her slender ankles, her hands clasped behind her head, shiny hair as windblown as feathers. All around her, in the mid-morning haze, golden light fingered upward. Rosie was as perfect as a perfect number with all her factors adding up to make the sum of her, and the whole day felt fresh and breezy.
Bonnie Jo Campbell (The Waters)
he succumbed, falling to his knees, searching the ground like he was a starving man clutching after a food wrapper. When he found the teardrop on the tiles, a shiny little wet spot that winked up at him in the morning light, he stared at it, the ridges of his teeth bared. Unable to help himself, Ezraji pressed his senti to the kitchen floor and moaned.
Etta Pierce (Vigilance (Intersolar Union, #3))
I’m gawking at my basement. Specifically, I’m gawking at the shiny, brand-new furnace that absolutely, 110 percent was not here this morning.
Becka Mack (Consider Me (Playing For Keeps, #1))
Six thirty and I could hear the gulls coming and going over the cliff and the now familiar early-morning battle with boots and tent flaps took far too long. As soon as I stood up I was overwhelmed. Not only by the desire to sit on a white, shiny, flushing toilet, but mainly by a wave of vertigo. Somehow in the dark and fog of the night before we had pitched the tent two meters from the edge of the cliff. Tent, path, scrap of grass, hundred-meter-drop. I regained my balance and looked for somewhere slightly disguised. All I could see was an open hillside with a small clump of gorse bushes. There was no waiting; it would have to do. I frantically tried to dig a hole with the heel of my boot - we hadn't carried a trowel for this, far too much weight and anyway we'd always find a public toilet. My thumb ripped through the waist of my leggings in the rush as I squatted behind the spikey sharp gorse with as much relief as Renton in 'Trainspotting'... 'Morning. You found somewhere to camp then?
Raynor Winn (The Salt Path)
The train was moving too fast to see much beyond the pines stepping up rock walls, but she knew from memory the bird species that would be endemic. She could picture the colored plates in her textbooks- the greater roadrunner, with its shaggy pompadour crest; the yellow eyes of burrowing owls; the shiny, jet-black plumage of the phainopepla, which gobbled up hundreds of mistletoe berries a day. She'd missed the Festival of the Cranes by only a few weeks. How tempting, to find herself just hours from Bosque del Apache, and the Rio Grande. She imagined lying on her stomach, binoculars trained on the sandhill cranes and snow geese in their winter quarters, watching in wonder the mass morning liftoffs and evening fly-ins. It was an old desire, but even now, though she knew the impossibility of it, it persisted; the world as one giant aviary she ached to see, all of its feathered inhabitants in their natural environment, a thousand times better to hear their cries dampened by verdant jungle foliage or echoed across the wells of canyons than to listen to abbreviated bits of captured songs emanating from a machine.
Tracy Guzeman (The Gravity of Birds)
Eric was at the wheel, driving us to a Tuesday morning Halloween assembly at our daughter Maxwell’s school. I sat on the passenger side, absently practicing my “I have it together” face. It was seven-thirty in the morning and I’d already had a drink. I always had a glittercup in reach at home. That’s what I called the shiny tumblers filled with vodka and flavored Perrier. At that time, the flavor was mostly strawberry, but by then I didn’t care what it tasted like. I just needed a drink every morning because I had the shakes.
Jessica Simpson (Open Book)
I thought about Gobi and her sister and the way it had all come unraveled. I thought about my dad. When you’re young, you think your father can do anything. Unless he was this severely abusive person and beat you or got drunk and smashed things, you probably worshiped him. At least most of the guys I knew were like that. They might not have used those exact words, but they all have some cherished memory of something they did with their father, even if it was just a shiny, far-off moment. I remembered being eight years old and making a Pinewood Derby car for Boy Scouts. Dad had brought out a gleaming red Craftsman toolbox that I had never seen before and helped me carve the car out of a block of wood, and we sat at the kitchen table painting it silver and blue with red flames up the side. I drank Pepsi and he sipped a beer. When we finished, the car didn’t weigh enough, so we put lead weights in the bottom and sprayed lubricant on the wheels until it rolled freely from one side of the table to the other. I won third place, and he said, “I’m proud of you.” I remembered going fishing with him up in Maine, taking a little motorboat out across the foggy lake until it was too dark to see our bobbers. I remembered him teaching me how to tie a necktie on the morning of my cousin’s wedding. I remembered seeing him in the stands at my first junior high swimming tournament, standing next to my mom and cheering. I remembered waking up very early in the morning and hearing him downstairs making coffee before slipping out to work. I remembered the first time I ever heard him swear.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
As I said before, when I first started here at Everdale, I tried my hardest to fit in with Montana and her friends. People referred to them as the Shinies because everything about them was pretty and attention-grabbing. I’d bent over backward trying to be their friend, and in return, Montana played vicious pranks on me. One morning she’d nabbed my clothes while I was taking a shower and locked me in the girls’ room, leaving me completely naked. She also lied to me about a school rule which landed me in early morning detention. If I didn’t do something to stop her, she was going to make my life miserable until our graduation day. If we were going to be spending three more long years together, I was going to have to nip her behavior in the bud. The plan was simple enough. Montana
Tiffany Nicole Smith (Glam and Gossip: The Ava G Chronicles Book Three)
And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats—then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water—seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it.
Elizabeth Strout (Olive Kitteridge)