Biting The Hand Quotes

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I heard every word between you. I knew you could take care of yourself, and yet … ” He went back to his pie, swallowing a bite before continuing. “And yet I found myself deciding that if you took his hand, I would find a way to live with it. It would be your choice.” I sipped from my wine. “And if he had grabbed me?” There was nothing but uncompromising will in his eyes. “Then I would have torn apart the world to get you back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You can teach a viper to eat from your hands, but you cannot take away how much it likes to bite.
Madeline Miller (Circe)
Being Jem, Tessa reflected, must be a great deal like being the owner of a thouroughbred dog that liked to bite your guests. You had to have a hand on his collar constantly.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The proverb warns that, 'You should not bite the hand that feeds you.' But maybe you should, if it prevents you from feeding yourself.
Thomas Szasz
His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I have a foreboding of an America in my children's or grandchildren's time -- when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what's true, we slide, almost without noticing, back into superstition and darkness... The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Raising one hand, he tilts his hat to that sexy slant. "You want me. Admit it." Even if he's partly right, I'll never tell him. "Why would I want you?" He lifts three fingers to countdown. "Mysterious. Rebellious. Troubled. All those qualities women find irresistible." "Such an optimist." "My cup is never empty." "Too bad your brain is." The words bite, but my smile softens with affection.
A.G. Howard (Splintered (Splintered, #1))
People who bite the hand that feeds them usually lick the boot that kicks them.
Eric Hoffer
Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet." "Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth. "No," he says, almost puzzled. "But they taste familiar. Sugar berries?" "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go. "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable. I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
He dipped his hand in, then yelped and drew back. "They bite." "Serves you right," I said. "'Oh, look, a dark lake full of something shiny. Let me put my hand in it.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
What's possible?' she asked. 'Anything,' he said absently. 'But that’s not what I was talking about. Oh, hello, Claire. You’re in good time. I need an extra pair of hands.' 'As long as I keep them attached,' she said, which earned her a startled stare. The things you say to me, you’d think I was some sort of monster.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
You think I'm pretty?" I ask. "We need to stop talking," he says a little gruffly. "We're scaring the fish off." "Okay, okay." I bite my lip, then smile.
Cynthia Hand (Unearthly (Unearthly, #1))
Butch nodded, finding as comfortable a bite as he could on the leather. He braced himself as V lifted an arm. Except when his roommate's palm landed on his bare chest all he felt was a warm weight. Butch frowned. This was it? This was fucking it? Scaring the shit out of Marissa for no good- He looked down, pissed off. Oh, wrong hand.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Well?” “Well, what?” I waved a hand at the room. “Start genuflecting. Let’s see some knee action.” “You’re serious.” I lifted my brows. He responded in kind, but finally nodded his head, then walked between the couches. He dropped to one knee, then held out his hands. “I’m monumentally sorry for the pain and humiliation that I caused you and your—” “Both knees.” “Pardon?” “I’d prefer to see both knees on the ground. I mean, if you’re going to grovel, be the best groveler you can, right?
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
No going back now,” Cassian said to Rhys, gesturing to his wings. Rhys slid his hands into his pockets. “I figure it’s time for the world to know who really has the largest wingspan.” Cassian laughed, and even Azriel smiled. Mor gave me a look that had me biting my lip to keep from howling.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Will seemed about to lunge off toward the whisperers to administer rough justice, but Jem had a firm grip on the back of his parabatai’s coat. Being Jem, Tessa reflected, must be a great deal like being the owner of a thoroughbred dog that liked to bite your guests. You had to have a hand on his collar constantly.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
His hands slid up my neck, searing hot. Pressing his thumbs gently into my throat, he tipped my head back. I felt his lips come against mine so hard he stopped whatever name I'd been about to call him from coming out. His hands dropped to my shoulders, skimmed down my arms, and came to rest at the small of my back. Little shivers of panic and pleasure shot through me. He tried to pull me against him, and I bit him on the lip. He licked his lip with the tip of his tongue. "Did you just bite me?" "Is everything a joke to you?" I asked. He dabbed his tongue to his lip again. "Not everything." "Like what?" "You.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
To allow yourself to play with another person is no small risk. It means allowing yourself to be open, to be exposed, to be hurt. It is the human equivalent of the dog rolling on its back---I know you won't hurt me, even though you can. It is the dog putting its mouth around your hand and never biting down. To play requires trust and love. Many years later, as Sam would controversially say in an interview with the gaming website Kotaku, "There is no more intimate act than play, even sex." The internet responded: no one who had had good sex would ever say that, and there must be something seriously wrong with Sam.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Well, " I began,"I've been roped into shenanigans." Without preface, Catcher muttered a curse ,then leaned over slipped his wallet from his jeans, and pulled out a twenty-dollar bill, which he handed to Mallory.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Bean finds the best apple in our tree and hands it up to me. "You know what this tastes like when you first bite into it?" she asks. "No, what?" "Blue sky." "You're zoomed." "You ever eat blue sky?" "No," I admit. "Try it sometime," she says. "It's apple-flavored.
Rodman Philbrick (The Last Book in the Universe)
I beat at him uselessly with my fists. I scream. My mind races. I'll pee on him. Puke, bite, scratch. Sure, I'll lose, but if he's going to mark me I am going to mark him, too, if such a thing is possible.
Cynthia Hand (Unearthly (Unearthly, #1))
Dinnertime!" It was Isabelle, standing framed in the door of the library. She still had the spoon in her hand, though her hair had escaped from its bun and was straggling down her neck. "Sorry if I'm interrupting," she added, as an afterthought. "Dear God," said Jace, "the dread hour is nigh." Hodge looked alarmed. "I—I—I had a very filling breakfast," he stammered. "I mean lunch. A filling lunch. I couldn't possibly eat—" "I threw out the soup," Isabelle said. "And ordered Chinese from that place downtown." Jace unhitched himself from the desk and stretched. "Great. I'm starved." "I might be able to eat a bite," admitted Hodge meekly.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The list of scars my students have sustained at the hand of your daughter grows longer each week. Poor Logan Hochspring's arm will forever carry an imprint of her dental records!" "You bit him?" Lex's father said. "He called me a wannabe vampire. What was I supposed to do?" "Oh, I don't know--maybe not bite him?
Gina Damico (Croak (Croak, #1))
Golden retrievers are not bred to be guard dogs, and considering the size of their hearts and their irrepressible joy in life, they are less likely to bite than to bark, less likely to bark than to lick a hand in greeting. In spite of their size, they think they are lap dogs, and in spite of being dogs, they think they are also human, and nearly every human they meet is judged to have the potential to be a boon companion who might, at many moment, cry, "Let's go!" and lead them on a great adventure.
Dean Koontz
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Sometimes the hand that feeds you needs a good bite.
Dan Wells (Partials (Partials Sequence, #1))
I kissed him, let him kiss me, let him clutch my hips, curl his fingers into the fabric of my shirt, slide his hands around my waist and splay them against my back, pull me infinitesimally closer. He made a sound, a growl or purr, some predatory noise that rumbled in his throat, then said my name. And this time, it wasn’t a question but a sound of victory, a claim on his prize.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
You have something on your neck," he observed. Alec's hand flew to his throat. "What?" "Looks like a bite mark," said Jace. "What have you been doing all day, anyway?" "Nothing." Beet red, his hand still clamped to his neck, Alec started down the corridor. Jace followed him. "I went walking in the park. Tried to clear my head." "And ran into a vampire?" "What? No! I fell." "On your neck?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You were so hurt,” he says, “that I’d asked you to wear a dress.” He looks at me then, eyes sparkling with amusement. “Here I was, prepared to defend my life against an uncontrollable monster who could kill,” he says, “kill a man with her bare hands—” He bites back another laugh. “And you threw tantrums over clean clothes and hot meals. Oh,” he says, shaking his head at the ceiling, “you were ridiculous. You were completely ridiculous and it was the most entertainment I’d ever had. I can’t tell you how much I enjoyed it. I loved making you mad,” he says to me, his eyes wicked. “I love making you mad.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
You look at me, you look at me closely, each time closer and then we play cyclops, we look at each other closer each time and our eyes grow, they grow closer, they overlap and the cyclops look at each other, breathing confusion, their mouths find each other and fight warmly, biting with their lips, resting their tongues lightly on their teeth, playing in their caverns where the heavy air comes and goes with the scent of an old perfume and silence. Then my hands want to hide in your hair, slowly stroke the depth of your hair while we kiss with mouths full of flowers or fish, of living movements, of dark fragrance. And if we bite each other, the pain is sweet, and if we drown in a short and terrible surge of breath, that instant death is beauty. And there is a single saliva and a single flavour of ripe fruit, and I can feel you shiver against me like a moon on the water.
Julio Cortázar
I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
...her hand closes on smooth metal. Her fingers test the sharpness of the edge. Perfect. It's a fresh blade. The girls' voices rustle in her head. Their clamoring pushes out all rational thought. She rolls up her sleeve. The bite of the blade kills the noise. It wipes out the memory of those staring faces. Willow looks at her arm, at the life springing from her. Tiny pinpricks of red that blossom into giant peonies.
Julia Hoban (Willow)
i gut fruit with my mouth push tongue into black belly of papaya peel lychee with teeth bite into ripe pear suck on stone of mango all of this, over the kitchen sink barefoot middle of winter sticky hands pushing hair away from face moaning into sweet flesh the whole time your name flat against the roof of my mouth.
Warsan Shire
So of course that was the moment my motherboard decided to do a short internal scan, throw up its hands, and screech, “Dear Lawd, a VAMPIRE has taken mah blood!” and initiate a general shutdown.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Ninja chicken isn't he?" You grinned at me, rolling your sleeves up."We'll see about that." You reached into the cage. Instantly Dick was onto your hand, clawing at you, biting chunks with his beak. "Godamn rooster!
Lucy Christopher (Stolen (Stolen, #1))
Close your eyes and picture it. Can you see it?" I nod, eyes closed. "Imagine it right there before you. See its texture, shape, and color—got it?" I smile, holding the image in my head. "Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?" I bite my lip and suppress a giggle. "Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says. So I do. I do all of those things. And when he groans, I open my eyes to see for myself. "Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close." "Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
Alyson Noel (Blue Moon (The Immortals, #2))
So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery, and the sacrifice of wealth and chastity which used to be said to be the greatest of human disasters, a mere flea-bite in comparison.
Virginia Woolf (A Room of One’s Own)
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic. She growled, more animal than sentient being. And shoved. Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared. Rowan grinned. "There you are.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
This way,” he murmurs and abruptly is inside me once more, but he doesn’t start his usual punishing rhythm straight away. He leans over, releases my hands, and pulls me upright so I am practically sitting on him. His hands move up to my breasts, and he palms them both, tugging gently on my nipples. I groan, tossing my head back against his shoulder. He nuzzles my neck, biting down, as he flexes his hips, deliciously slowly, filling me again and again. “Do you know how much you mean to me?” he breathes against my ear. “No,” I gasp. He smiles against my neck, and his fingers curl around my jaw and throat, holding me fast for a moment. “Yes, you do. I’m not going to let you go.” I groan as he picks up speed. “You are mine, Anastasia.” “Yes, yours,” I pant. “I take care of what’s mine,” he hisses and bites my ear.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Halt?" said Gilan, realization dawning. "You're not seasick are you?" No," Halt said shortly, not trusting himself beyond one syllable. Probably need a bite if breakfast to settle your stomach," Svengal said helpfully. "Gte something solid inside you." Had...breakfast." This time Halt managed three syllables-but with some difficulty, Svengal affected no notice. Cabbage is god. Especially pickled cabbage. Sits on the gut nicely," he said. "Goes well with a nice piece of greasy bacon. You should try that if you..." But before he could finish, Halt lurched toward the ship's rail and hung over it. Dreaful noises were torn from him. Svengal, still affecting a look of innocence, turned to Gilan, hands spread and eyes wide. What it the world is he looking for? Has he lost something, do you think?
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...
David Mitchell (The Bone Clocks)
I give you a week, maybe two, before you're driven to bite someone." "I don't know how to... to bite or drink! But you could teach me." "And what could you possibly do in return?" Lothaire waved a negligent hand. "Play football for me? Break in my jeans really well?
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
It was a chef’s knife,” I said, holding my hands about a foot apart. “And a very large one.” “That’s what she said,” Ethan murmured.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
After an awkward pause, Bast extended his hand. Chronicler hesitated for a bare moment before reaching out quickly, as if he were sticking his hand into a fire. Nothing happened, both of them seemed moderately surprised. "Amazing, isn't it?" Kvothe addressed them bitingly. "Five fingers and flesh with blood beneath. One could almost believe that on the other end of that hand lay a person of some sort.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
There are times when parenthood seems nothing more than feeding the hand that bites you.
Peter De Vries
On the other hand it was bad manners to look a gift horse in the mouth. Even if you're getting it from an overweight cracker in a fringe shirt.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
In this particular instance, he stroked her hand fondly. There was no attraction in the movement. "Sweetling," he had once said, "you are at no more risk with me in that regard than you are in danger of me unexpectedly biting you--both being equal impossibilities. In the one case, I do not possess the necessary equipment upon contact, in the other case you do not.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Eve took me to teach me how to fence," Claire said. "Not so much how to fence as how to hold a sword and not drop it," Eve said. "And then I fought Oliver to a draw." Shane fluttered his hands. "Oh, and then we were all elected as ice princesses and asked to go to Disneyland!" "Laugh all you want. I'm going to look way better in full skirts than you," Eve said.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt. God, our knees touching isn't enough. I need more. She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life. I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand. She doesn't seem fazed so I move closer. And closer. When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails. I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus. When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one. With a slight shift of my hand, I lace my fingers through hers. I'm holding hands. With Maggie Armstrong. I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them? The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.
Lewis Carroll
The little poets sing of little things: Hope, cheer, and faith, small queens and puppet kings; Lovers who kissed and then were made as one, And modest flowers waving in the sun. The mighty poets write in blood and tears And agony that, flame-like, bites and sears. They reach their mad blind hands into the night, To plumb abysses dead to human sight; To drag from gulfs where lunacy lies curled, Mad, monstrous nightmare shapes to blast the world. MUSINGS [click on the thumbnail by Jack "King" Kirby]
Robert E. Howard
If I'm going to be your bloomin' tour guide, I'm gong to do it right." He held out his hand."Do you think I'd take you somewhere dangerous?" "You bite people for a living." "Don't be a chicken." "If you push me over the edge, my parents will be seriously ticked." He grabbed my hand and pulled me along. "They'll probably send me a thank-you note.
Jenny B. Jones (There You'll Find Me)
You’re mine, Brandon. Fucking mine. If you think there’s another option out there for you other than me, I have a news flash for you.” I bite the shell of his ear and he moans, the sound muffled by my hand. “You fucking don’t. Just know that I’ll slaughter anyone you let near you and fuck you in their blood.
Rina Kent (God of Fury (Legacy of Gods, #5))
I take a deep breath, still staring out the window. “I really, really, really like you.” He doesn’t reply for a long moment. Then: “I’m pretty sure I like you more.” “I doubt it. I just want you to know, not everyone is like your family. You can be . . . you can be you with me. You can talk, say, do however you want. And I’ll never hurt you like they did.” I make myself smile at him. It’s easy now. “I promise I don’t bite.” He reaches over to take my hand, his skin warm and rough against mine. He smiles back. Just a little. “You could rip me to shreds, Bee.
Ali Hazelwood (Love on the Brain)
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split the frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you that that is beautiful, and a part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
Paul Harding
I run my hands through his hair, finally, finally, finally, then bring his head to mine and kiss him so hard our teeth collide, planets collide, kissing him now for each and every time we didn't all summer long. I know absolutely how to kiss him too, how to make his whole body tremble just from biting his lip, how to make his whole body tremble just from biting his lip, how to make him moan right inside my mouth by whispering his name, how to make his head fall back, his spine arch, how to make him groan through his teeth.
Jandy Nelson (I'll Give You the Sun)
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
You're going to take him on by yourself?" Curran's voice asked at my side. He sounded amused. "If I wait any longer, I won't go in," I said. My knees tembled. My teeth chattered in my mouth. He grabbed me and kissed me. The kiss sent a wave of heat from my lips all the way to my toes. Curran's eyes laughed. "For luck," he whispered, his breath a hot cloud on my ear. I broke free and wiped my mouth on the back of my hand. "When we're done with the upir," I growled, "I'll give you that fight you've been wanting." "Much better," Curran said. "If you lovebirds are done," Nick said. "Get out of my way.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I bet you have the softest pair of lips out there. And I bet you taste sweet—sweeter than one of those beignets you've got me addicted to." His hand squeezed around the back of my neck. "But you got one hell of a bite—a kick to that sweetness. It'll be rough getting in there, and you're going to fight it every step of the way, but it'll be smooth once I'm there.
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
You've always been there for me. Always. Even when I…" V "Even when you what?" B "You know." V "What?" B "Fuck. Even when I was in love with you. Or some shit." V Butch clasped his hands to his chest. "Was? Was? I can't believe you've lost interest." He threw one arm over his eyes, all Sarah Bernhardt. "My dreams of our future are shattered—" B "Shut it, cop." V Butch looked out from under his arm. "Are you kidding me? The reality show I had planned was fantastic. Was going to pitch it to VH1. Two Bites Are Better Than One. We were going to make millions ." B "Oh, for the love.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
David furrowed his brow. "I ... I don't understand half of what goes on around me. I don't get jokes or sunsets or poetry, but I know metal." His fingers flexed unconsciously as if he were physically grasping for words. "Beauty was your armor. Fragile stuff, all show. But what's inside you? That's steel. It's brave and unbreakable. And it doesn't need fixing." He drew in a deep breath then awkwardly stepped forward. He took her face in his hands and kissed her. Genya went regid. I thought she'd push him away. But then she threw her arms around him and kissed him back. Emphatically. Mal cleared his throat, and Tamar gave a low whistle. I had to bite my lip to stifle a nervous laugh. They broke apart. David was blushing furiously. Genya's grin was so dazzling it made my heart twist in my chest.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Matthias,” Nina said breathlessly, and then they were kissing again. She was sweet as the first rain, lush as new meadows. His hands curled along her back, tracing her shape, the line of her spine, the emphatic flare of her hips. “Matthias ,” she said more insistently, pulling away. He opened his eyes, certain he’d made some horrible mistake. Nina was biting her lower lip—it was pink and swollen. But she was smiling, and her eyes sparkled. “Did I do something wrong?” “Not at all, you glorious babink , but—” Zoya cleared her throat. “I’m glad you two found a way to spend the time while you waited.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You don’t have to call me that, you know,” she said, brushing her hair back from her shoulders. “There was a time when you called me Winter.” He leaned his elbows on the enclosure wall. “There was also a time when I could come visit you without feeling like I was supposed to toss bread crumbs to earn your favor.” “Bread crumbs? Do I look like a goose?” He tilted his head to the side. “You don’t look like an arctic wolf, either, but that’s what the plaque tells me I’m looking at.” Winter leaned back on her hands. “I will not play fetch,” she said, “but I might howl if you ask nicely.” He grinned. “I’ve heard your howl. It’s not very wolf-like, either.” “I’ve been practicing.” “You won’t bite me if I come in there, will you?” “I make no guarantees.” Jacin hopped over the rail and came to sit beside her. She raised an eyebrow. “You don’t look like an arctic wolf, either.” “I also don’t howl.” He considered. “Though I might play fetch, depending on the prize.” “The prize is another game of fetch.” “You drive a hard bargain.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Cassandra watched him go, slumping a little as the distance between them grew. "He was so nice." "Yeah." "And look at that butt." I considered said item. "Definitely superior. But not for Cassandra hands?" She shook her head sadly. "Another person stands between us now. He'll meet her within the month." "Is she prettier than you?" Cassandra started to smile. "Well?" "No" "Ha!" "Jaz!" "Honey, we've got to take our victories where we can find them.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me." "I do," I heard, in a voice that was barely mine. "Find steel," she advised him. We advised him. He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed. "If the only way you'll come back from this is to be bloodied by it, then so be it." He lunged.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Girl, bite. Girl, devour. Girl, don't forgive. Girl, stay angry. Girl, be selfish. Girl, walk away from him when he raises his hand. There is no place that can handle you, but you must go anyway, to the hills, the mountains, the cities. They'll call you monster, and they'll be so right. Girl, show them. Girl, run your hands along the wound and seal it with your heat. Cauterize. They thought they could get to you. They thought they could take you and make you small. There may be bruises, but you are no little thing. Girl, show them your claws. Show them your wings. Rise. Show them your army of injuries who have come to fight. Show them the others like you. Take over the city. Own the mountains. Bite the hand and the one behind their back with all the good stuff. Girl, show your teeth. Never forget what you can do with them.
Caitlyn Siehl
He’s on his knees. I bite back the moan caught in my throat just before he lifts me up and carries me to the bed. He’s on top of me in an instant, kissing me with a kind of intensity that makes me wonder why I haven’t died or caught on fire or woken up from this dream yet. He’s running his hands down my body only to bring them back up to my face and he kisses me once, twice, and his teeth catch my bottom lip for just a second and I’m clinging to him, wrapping my arms around his neck and running my hands through his hair and pulling him into me. He tastes so sweet. So hot and so sweet and I keep trying to say his name but I can’t even find the time to breathe, much less to say a single word.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I cook for you because it’s how I show someone I care. I cook for you because I love the look on your face after that first bite. I cook for you because I’d rather cook for you than anyone else.” “What?” My jaw dropped. “I don’t know what the fuck I’m doing with you, woman.” My mouth was still open. Which suited Knox just fine. Because he raised his hands, framed my face. Then sealed his lips over mine.
Devney Perry (Juniper Hill (The Edens, #2))
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him. "Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away. She arched her neck farther, a silent invitation. Rowan let out a soft groan and grazed his teeth against her skin. One bite, one movement, was all it would take for him to rip out her throat. His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer. He braced one hand beside her head, his fingers twining in her hair. "No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again. He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin. She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin. She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face. "I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth. She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
Annette Curtis Klause (Blood and Chocolate)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I lift his chin with my fingertip. "I'm trying to tell you that if you keep following the good impulses, no matter how insignificant they might seem, I won't let you down like the others. I'll come back to you." I bite my tongue, careful not to show all of my hand. He can't know I've witnessed our future, only that I'm keeping a tally of his past. Morpheus laughs. "Come back to me?" "Someday." "Perhaps I won't want you then. Perhaps I'll tire of waiting." I swallow my pride. "Then it will be my turn to win YOU. I'm up for the challenge." -Unhinged, pg 353
A.G. Howard
I drop my face to my hands and scrub hard. "I wish I had your boobs," I hear Sam announce and raise my head to see who she's talking to. Of course, she's talking to Bryn. "Right," she smirks and takes another bite of brownie. "Dude, I do!" And just like that, Sam saunters across the room and cups Brynna's tit in her palm. "See? You have the perfect boobs. Stace, have you felt her boobs?" Just kill me. Put a bullet in my head and end the agony. "Oh yeah," Stacy waves her off. "She has great tits." She has amazing tits. "I wanna feel!" Jules bounces over and joins in. "Give me more chocolate and you can touch all you want." Brynna laughs and then glances over at me. "This is the most action I've had in months." "Motherfuckingsonofawhore." I grumble. "Is Brynna single?" Mark asks Will. "Keep your fucking hands off her," I growl at him before I know what's coming out of my mouth. "Hey," he holds his hands up in surrender and laughs. "It was just an innocent question.
Kristen Proby (Safe with Me (With Me in Seattle, #5))
Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
Allison." I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?" Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom. "You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came." And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom.
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
I have a foreboding of America in my children’s or grandchildren’s time–when the United States is a service and information economy; when nearly all of the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; with our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide almost without noticing, back into superstition and darkness. And when the dumbing down of America is most evident in the slow decay of substantive content in the enormously influential media, the 30-second sound bites now down to 10 seconds or less, lowest-common-denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Zane let his head loll back and lifted one hand to gently prod his split lip. "Ow." "Whine about it. It'll make it better," Ty offered as he stood in front of his locker, his back to Zane, and unwrapped the tape from his hands with jerky, irritated movements. "Bite me," Zane muttered as he dug into his locker for a towel before starting in on the tape on his own hands. He spared an evil glance for Ty. "Teaching me to advance in a fight is a bad idea." "Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as he tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear the smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin. "A for effort," Ty conceded charitably.
Abigail Roux (Fish & Chips (Cut & Run, #3))
I owe a debt to you," his low voice hissed at Shion's ear. "Four years ago, you saved my life. I'm paying back that debt. That's all." "Then you've paid enough. Too much, even." Shion gripped Nezumi's wrist to pry it away from his collar. But Nezumi's taut muscles showed no signs of relaxing. "Let go." "Make me, little boy." "I'll bite your nose off." Shion clicked his teeth. There was a split second of hesitation. Shion didn't miss it. He slid a hand around the back of Nezumi's neck. "Biting noses off is my specialty." "Huh? Wait a second, that's dirty―" "I forgot to mention, over these past four years, I've also learned how to fight.
Atsuko Asano (No.6, Volume 1)
This is better than a romance novel." P.J. said with a wistful sigh. "You read that stuff?" Cole demanded. "Why the hell do you ask the question like that?" P.J. said, annoyance evident in her tone and expression. "You just didn't seem the type," Cole mumbled. She flipped him the bird, and Shea had to bite her lip to keep from laughing. P.J. was easily half Cole's size but she also looked like she had the confidence to take on the much larger man. She might even kick his ass. The idea intrigued Shea greatly. "I'm tempted to shove one of my romance novels up your ass." P.J. said sharply. "But I love my books too much to desecrate them like that, I'll settle for my boot." Cole held up his hands in surrender. "I won't say another word. Romance novels are great. I love romance novels. I think everyone should read them.
Maya Banks (Whispers in the Dark (KGI, #4))
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason. Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal. Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself. Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain. Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
Anonymous.
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
John Piper
The sweet roll smelled divine, and I thanked him, prancing my way back to Mal and feeling quite pleased with myself. He grabbed my arm and pulled me down a muddy walkway between two houses. “What do you think you’re doing?” “Nobody saw me. He just thought I was another peasant girl.” “We can’t take risks like that.” “So you don’t want a bite?” He hesitated. “I didn’t say that.” “I was going to give you a bite, but since you don’t want one, I’ll just have to eat the whole thing myself.” Mal grabbed for the roll, but I danced out of reach, dodging left and right, away from his hands. I could see his surprise, and I loved it. I wasn’t the same clumsy girl he remembered. “You are a brat,” he growled and took another swipe. “Ah, but I’m a brat with a sweet roll.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
This looks good." "That's Metamucil," Bricker said with disgust, snatching it from her hand. "So?" She turned to scowl at him. "What's wrong with Metamucil?" "It's--" He glanced at the container and read, "A dietary supplement." "That sounds healthy," she said, trying to grab it back. "Eshe," he said, his disgust giving way to amusement. "It's what old mortals take to get regular." "To get regular what?" she asked, and then poked him in the stomach, hard. The moment Bricker bent over with an "oomph," she snatched the container back and repeated, "Regular what?" "Crap," he gasped, clutching his stomach. "I didn't hit you that hard," she said with some disgust of her own. "No." He sighed, straightening. "I meant that's what they get regulated. Crap." Eshe dropped the can in dismay. "They buy crap?
Lynsay Sands (Born to Bite (Argeneau, #13))
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid. "What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to. "So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
Kirsten Hubbard (Wanderlove)
Claire was just coming down the stairs, humming and thinking about how nice it was to have things getting back to normal, and how she'd tell Shane about the January thing tonight, when Myrnin sent a message through the portal--well, more of a rock with a note tied to it, which rolled across the floor and scared Eve into a scream before the portal snapped shut. Eve kicked the rock resentfully with her thick black boots and glared at it, then at the wall. Claire, who was coming down the steps, gave her a "What the hell?" kind of look. "Your boss," Eve said, and reached down the grab the rock, "needs to figure out texting. Seriously. Who does this? Is he actually from the Stone Age? And you need to figure out how to put something here that we can lock. What if this thing opens when I'm naked?" "Why would you be naked down here?" "Well--" Eve didn't have an answer for that one. She handed over the rock. "Okay, bad example. But I don't like it that he can just drop in any damn time he wants. Or throw rocks at us.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
Yuval Noah Harari (21 Lessons for the 21st Century)
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly: “You ask who I am? LISTEN WELL! ——I, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!” His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didn’t snap out of it until their companions pulled them up. “What are you doing? Are you actually kneeling?” “Th-that’s weird, I did it before I realized it…” Xie Lian proclaimed sharply: “I, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. I’VE CROSSED MORE BRIDGES THAN ALL THE ROADS YOU’VE WALKED. “I, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DON’T KNOW MY NAME, IT’S BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD! “I, DO NOT WORSHIP GODS. “I, AM GOD!” When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws. “…HUH???” Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat. “Will everyone please forget everything I just said? I’m actually only just a scrap collector!
Mò Xiāng Tóng Xiù
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
He was biting his lower lip and clenching his hands. He looked like he was about to cry. I threw my arms around him instinctively, wrapping them around his waist and pressing my face against his chest. He was so big, I flet like I was a child hugging a grown-up. "Oh, Jake, it'll be okay!" I promised. "If it gets worse you can come live with me and Charlie. Don't be scared, we'll think of something!" He was frozen for a second, and then his long arms wrapped hesitantly around me. "Thanks, Bella." His voice was huskier than usual. We stood like that for a moment, and it didn't upset me; in fact, I felt comforted by the contact. This didn't feel anything like the last time someone had embraced me this way. This was friendship. And Jacob was very warm. It was strange for me, being this close--emotionally rather physically, though the physical was strange for me, too--to another human being. It wasn't my usual style. I didn't normally relate to people so easily, on such a basic level. Not human beings. "If this is how you're going to react, I'll freak out more often." Jacob's voice was light, normal again, and his laughter rumbled against my ear. His fingers touched my hair, soft and tentative. Well, it was friendship for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
Samuel Rutherford
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!
Victor Hugo (Les Misérables)
I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING
Henri Michaux
Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
If anyone attempted to rule the world by the gospel and to abolish all temporal law and sword on the plea that all are baptized and Christian, and that, according to the gospel, there shall be among them no law or sword - or need for either - pray tell me, friend, what would he be doing? He would be loosing the ropes and chains of the savage wild beasts and letting them bite and mangle everyone, meanwhile insisting that they were harmless, tame, and gentle creatures; but I would have the proof in my wounds. Just so would the wicked under the name of Christian abuse evangelical freedom, carry on their rascality, and insist that they were Christians subject neither to law nor sword, as some are already raving and ranting. To such a one we must say: Certainly it is true that Christians, so far as they themselves are concerned, are subject neither to law nor sword, and have need of neither. But take heed and first fill the world with real Christians before you attempt to rule it in a Christian and evangelical manner. This you will never accomplish; for the world and the masses are and always will be unchristian, even if they are all baptized and Christian in name. Christians are few and far between (as the saying is). Therefore, it is out of the question that there should be a common Christian government over the whole world, or indeed over a single country or any considerable body of people, for the wicked always outnumber the good. Hence, a man who would venture to govern an entire country or the world with the gospel would be like a shepherd who should put together in one fold wolves, lions, eagles, and sheep, and let them mingle freely with one another, saying, “Help yourselves, and be good and peaceful toward one another. The fold is open, there is plenty of food. You need have no fear of dogs and clubs.” The sheep would doubtless keep the peace and allow themselves to be fed and governed peacefully, but they would not live long, nor would one beast survive another. For this reason one must carefully distinguish between these two governments. Both must be permitted to remain; the one to produce righteousness, the other to bring about external peace and prevent evil deeds. Neither one is sufficient in the world without the other. No one can become righteous in the sight of God by means of the temporal government, without Christ's spiritual government. Christ's government does not extend over all men; rather, Christians are always a minority in the midst of non-Christians. Now where temporal government or law alone prevails, there sheer hypocrisy is inevitable, even though the commandments be God's very own. For without the Holy Spirit in the heart no one becomes truly righteous, no matter how fine the works he does. On the other hand, where the spiritual government alone prevails over land and people, there wickedness is given free rein and the door is open for all manner of rascality, for the world as a whole cannot receive or comprehend it.
Martin Luther (Luther and Calvin on Secular Authority (Cambridge Texts in the History of Political Thought))