“
Every cup that passes through a single person and eventually rejoins the world’s water supply holds enough molecules to mix 1,500 of them into every other cup of water in the world. No way around it: some of the water you just drank passed through the kidneys of Socrates, Genghis Khan, and Joan of Arc.
How about air? Also vital. A single breathful draws in more air molecules than there are breathfuls of air in Earth’s entire atmosphere. That means some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
“
App idea: in real time track trends as swarms of keywords form, and use this data to invest in the next unicorn #startup.
You'll be able to ride that #startup unicorn like you are Billy the Kid, as you watch your profits shoot up.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Worship leader George Beverly Shea kidded Billy Graham that the latter would be unemployed in Heaven -- while Shea would still have a job leading worship.
”
”
Billy Graham (Nearing Home: Life, Faith, and Finishing Well)
“
What I mean is, I didn't fall in love with you all as a whole. I fell in love with each of you because of who you are. I don't care about you because you come with Mara. I care about you because you're a good kid. You're smart. You're loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren't feelings I have to have in order to have Mara. They're feelings you earned. Now, you with me?
”
”
Kristen Ashley (Law Man (Dream Man, #3))
“
The US is about to go all Billy the Kid. Inflation is going to keep shooting up.
”
”
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
“
Who was it who said, 'The promise given was a necessity of the past: the word broken is a necessity of the present'?"
The Italian looked quickly at the American immortal and then he dipped his head in a bow. "I do believe I said that once...a long, long time ago."
"You also wrote that a prince never lacks legitimate reasons to break his promise," Billy said with a grin.
"Yes, I did say that.You're full of surprises, Billy."
Billy looked from the city to the Italian. "So what do you see-faceless masses or individuals?"
"Individuals," Machiavelli whispered.
"Reason enough to break your promise to your Elder master and a bird-tailed monster?"
Machiavelli nodded. "Reason enough," he said.
"I knew you were going to say that." The American immortal reached out and squeezed the Italian's arm. "You're a good man, Niccolo Machiavelli."
"I don't think so. Right now, my thoughts make me waerloga-an oath breaker.A warlock."
"Warlock." Billy the Kid tilted his head. "I like it. Got a nice ring to it. I'm thinking I might become a warlock too.
”
”
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
“
On blue jean day everybody in town was supposed to wear blue jeans or get thrown in the lake. I put on my only suit and necktie and slowly, like Billy the Kid, with all eyes on me, I walked slowly through the town, looking in windows, stopping for cigars. I broke that town in half like a wooden match.
”
”
Charles Bukowski (Post Office)
“
the kids of tomorrow don't need today when they live in the sins of yesterday.
”
”
Billy Talent
“
There aren’t just 2 kinds of people, good and bad, like I thought when I was a kid who got most of his ideas on how people act from TV. There are 3. The third type of people go along to get along, like Deputy F.W.S. Malkin told me to do. Those are the most people in the world and I think they are gray people. They will not hurt you (at least on purpose) but they won’t help you much, either. They will say do what you want and God help you.
”
”
Stephen King (Billy Summers)
“
When you’re a kid you have these notions about how things are goin to be, Billy said. You get a little older and you pull back some on that. I think you just wind up tryin to minimize the pain. Anyway this country aint the same. Nor anything in it. The war changed everthing. I dont think people even know it yet.
”
”
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
“
BILLY: Did you ever watch Star Trek?
MACHIAVELLI: Do I look like I watch Star Trek?
BILLY: It's hard to tell who's a Trekkie.
MACHIAVELLI: Billy, I ran one of the most sophisticated secret service organizations in the world. I did not have time for Star Trek. (pause) I was more of a Star Wars fan. Why do you ask?
BILLY: Well, when Captain Kirk and Mr. Spock beamed down to a planet, usually with Dr. McCoy and sometimes with Scotty from engineering...
MACHIAVELLI: Wait a minute--what's Mr. Spock again?
BILLY: A Vulcan.
MACHIAVELLI: His rank.
BILLY: The first officer.
MACHIAVELLI: So the captain, the first officer, the ship's doctor, and sometimes the engineer all beam down to a planet. Together. The entire complement of the senior officers?
BILLY: (nods)
MACHIAVELLI: And who has command of the ship?
BILLY: (shrug) I don't know. Junior officers, I guess.
MACHIAVELLI: If they worked for me I'd have them court-martialed. That sounds like a gross dereliction of duty.
BILLY: I know. I always thought it was a little odd myself.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
I don’t plan. Anyone in my way can either step aside or I will step over them.
”
”
Michael Scott (Billy the Kid and the Vampyres of Vegas (Secrets of the Immortal Nicholas Flamel #5.5))
“
That means some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
The man who gets Mara gets you and Billie. I’m that man. What you gotta get is, while fallin’ in love with Mara, I fell in love with you and your sister. Straight up, Bud, no lie. The feelings I feel for Mara are hers, the feelings I feel for Billie are hers and the feelings I feel for you are yours. You all have my love, not collectively, individually. Do you understand me?”
“Mitch nodded. “Right. What I mean is, I didn’t fall in love with you all as a whole. I fell in love with each of you because of who you are. I don’t care about you because you come with Mara. I care about you because you’re a good kid. You’re smart. You’re loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren’t feelings I have to have in order to have Mara. They’re feelings you earned. Now, you with me?
”
”
Kristen Ashley (Law Man (Dream Man, #3))
“
Ain’t no kinda real man in that crowd. If they’re holdin’ a gun, we shoot’em. If they’re hurtin’ anybody, we shoot’em. If they’re stealin’, we shoot’em. If they threaten any women or kids, we shoot’em. If they’re still alive, we shoot’em again. That ‘bout covers it, don’t it?
”
”
N.C. Reed (Odd Billy Todd)
“
If you ask me the man's short a hat size or two but he's harmless. Not like the Texas Kid or the Tuscon Kid. Drat, he's not even like Billy the Kid. Now those are outlaws."
His assurances did little to calm her nerves. Apparently the only bandits he took seriously were the ones belonging to a society of human goats.
”
”
Margaret Brownley (Dawn Comes Early (The Brides of Last Chance Ranch, #1))
“
One day, Buckley came home from the second grade with a story he’d written: “Once upon a time there was a kid named Billy. He liked to explore. He saw a hole and went inside but he never came out. The End.
”
”
Alice Sebold (The Lovely Bones)
“
Blood a necklace on me all my life.
”
”
Michael Ondaatje (The Collected Works of Billy the Kid)
“
way clean over in Nebraska. He’d even showed her the pictures in his wallet of his kids, two little boys in baseball uniforms, Bobby and Billy. So no matter how many times her father asked who the man
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Some of the water you just drank passed through the kidneys of Socrates, Genghis Khan, and Joan of Arc. Some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
“
Who could blame her for wanting the baby to be alive? His Irene still cried sometimes about young Billy, and it had been twenty years since he’d drowned as a tot. They’d had five more kids since then, but it was never far away, the sadness.
”
”
M.L. Stedman (The Light Between Oceans)
“
There it was, a sign above a shop that said 221B BAKER STREET. My mouth hung open. I looked around at the ordinary street and the white-painted buildings, looking clean in the morning rain. Where were the fog, the streetlights, the gray atmosphere? The horses pulling carriages, bringing troubled clients to Watson and Holmes? I had to admit I had been impressed with Big Ben and all, but for a kid who had devoured the adventures of Sherlock Holmes, this was really something. I was on Baker Street, driving by the rooms of Holmes and Watson! I sort of wished it were all in black and white and gray, like in the movies.
”
”
James R. Benn (Billy Boyle (Billy Boyle World War II, #1))
“
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again.
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Even harder was describing his sense that Shroom’s death might have ruined him for anything else, because when he died? when I felt his soul pass through me? I loved him so much right then, I don’t think I can ever have that kind of love for anybody again. So what was the point of getting married, having kids, raising a family if you knew you couldn’t give them your very best love?
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome--the tame, the half born, the wild, the wounded.
”
”
Michael Ondaatje (The Collected Works of Billy the Kid)
“
I’d always said that I didn’t hit girls or challenged kids, and what it came to a fight between the two, I didn’t know which side I’d pick – I’d probably just stay out of it. But when it came to anybody versus Billy, there was no question whose side I was on.
”
”
Erin Jade Lange (Dead Ends)
“
Dread of returning to Iraq equals the direst poverty, and that's how he feels right now, poor, like a shabby homeless kid suddenly thrust into the company of millionaires. Mortal fear is the ghetto of the human soul, to be free of it something like the psychic equivalent of inheriting a hundred million dollars. This is what he truly envies of these people, the luxury of terror as a talking point, and at this moment he feels so sorry for himself that he could break right down and cry.
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
Interesting how some words that hold basically the same meaning can have different connotations. Take ‘outlaw’ and ‘criminal’ for instance.
‘Outlaw’ has an almost romantic, nostalgic meaning – you tend to think of Jesse James or Robin Hood when you think of outlaws. Billy the Kid has been described as both a ‘notorious outlaw’ and a ‘beloved folk hero.’
‘Criminal’ however has a completely different connotation. We think of muggers, burglars, armed robbers etc.
Nobody really wants to have a ‘criminal’ in their family tree, but the idea of having ‘outlaw blood’ is exciting and glamorous
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Corgan: ...Billy Corgan, Smashing Pumpkins.
Homer: Homer Simpson, smiling politely. You know, my kids think you're the greatest. And thanks to your gloomy music, they've finally stopped dreaming of a future I can't possibly provide.
”
”
The Simpsons
“
Don’t swear in front of my kids, Papaw,” Bill said hotly. “Daddy, hush,” Mama said. “I’ll swear anytime I goddamn want to, Billy Cantrell,” Papaw replied. “You Christians are so uptight. Every time you sit down, I hold my breath because I’m afraid you’ll suck the whole goddamn world up your asses.” “Daddy!” Mama cried. “It’s true, Martha. You should know. There’s a hole in the sofa where you’re always sitting. Probably got half the living room swirling around in your rectum. Billy’s probably got half of Tupelo up his ass. Next time something comes up missing, Shelly, just tell him to bend over and take a look in his ass because that’s probably where it is.
”
”
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
“
Are you fucking kidding me?” Joey squeals behind him. “She loves it. I love it. God damn it, Billy.
”
”
J. Daniels (Sweet Addiction (Sweet Addiction, #1))
“
Billy the Kid shooting all those people over in New Mexico has made gunfighting real popular with the public.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
He was good and bad and I loved both sides of him. God help me, I guess I still do.” “You and most kids,” Billy said. “You love your folks and hope for the best. What else can you do?
”
”
Stephen King (Doctor Sleep (The Shining, #2))
“
No way around it: some of the water you just drank passed through the kidneys of Socrates, Genghis Khan, and Joan of Arc. How about air? Also vital. A single breathful draws in more air molecules than there are breathfuls of air in Earth’s entire atmosphere. That means some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
Camila said to me, “I wish Billy didn’t love anyone else. But do you know what I decided a long time ago? I decided I don’t need perfect love and I don’t need a perfect husband and I don’t need perfect kids and a perfect life and all that. I want mine. I want my love, my husband, my kids, my life.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Was this how you were going to awaken the creatures?"
Machiavelli,clutching the bars of his cell,smiled but said nothing.
Virginia stood in front of Dee and stared into his eyes,using herwill to calm him down. "So you tried to use the pages to awaken the cratures.Tell me what happened."
Dee jabbed a finger into the nearest cell. It was empty. Virginia stepped closer and discovered the pile of white dust in the corner.
"I don't even know what was in the cell-some winged monstrosity.Giant vampire bat,I think.I said the words,and the creature opened its eyes and immediately crumbled to dust."
"Maybe you said a word wrong?" Virginia suggested. She plucked a scrap of paper from Josh's hands. "I mean,it looks difficult."
"I am fluent," Dee snapped.
"He is," Machiavelli said, "I will give him that.And his accent is very good too, though not quite as good as mine."
Dee spun back to the cell holding Machiavelli. "Tell me what went wrong."
Machiavelli seemed to be considering it; then he shook his head. "I don't think so."
Dee jerked his thumb at the sphinx. "Right now she's absorbing your aura,ensuring that you cannot use any spells against me. But she'll be just as happy eating your flesh.Isn't that true?"he said, looking up into the crature's female face.
"Oh,I love Italian," she rumbled. She stepped away from Dee and dipped her head to look into the opposite cell. "Give me this one," she said,nodding at Billy the Kid. "He'll make a tasty snack." Her long black forked tongue flickered in the air before the outlaw, who immediately grabbed it,jerked it forward and allowed it to snap back like an elastic band. She screamed,coughed, and squawked all at the same time.
Billy grinned."I'll make sure I'll choke you on the way down."
"It might be difficult to do that if you have no arms," the sphinx said thickly,working her tongue back and forth.
"I'll still give you indigestion."
Dee looked at Machiavelli. "Tell me," he said again, "or I will feed your young American friend to the beast."
"Tell him nothing," Billy yelled.
"This is one of those occasions when I am in agreement with Billy.I am going to tell you nothing."
The Magician looked from one side of the cell to the other. Then he looked at Machiavelli."What happened to you? You were one of the Dark Elders' finest agents in this Shadowrealm. There were times you even made me look like an amateur."
"John,you were always an amateur." Machiavelli smiled."Why, look at the mess you're in now.
”
”
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
“
We tiptoe around like we’re the Frank family and the Gestapo is downstairs. The baby monitor is in our room, and the unspoken rule is that when the kids go down, so do we. So at seven P.M., I’m in bed waiting for the sandman to come. I can’t watch TV, because the noise may wake up the kids; I can’t listen to music with my iPod earbuds, because then I can’t hear the monitor; and I can’t have sex, because that could wake up Janice.
”
”
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
“
Civil Service Commissioner William Dudley Foulke recorded his interview with Pat Garrett, slayer of Billy the Kid and candidate for Customs Collectorship of El Paso, Texas: ROOSEVELT How many men have you killed? GARRETT Three. ROOSEVELT How did you come to do it? GARRETT In the discharge of my duty as a public officer. ROOSEVELT (looking pleased) Have you ever played poker? GARRETT Yes. ROOSEVELT Are you going to do it when you are in office? GARRETT No. ROOSEVELT All right, I am going to appoint you. But see you observe the civil service law. The appointment dismayed many Texans, not because of Garrett’s bloody record but because he was an agnostic. “In El Paso,” the President said approvingly, “the people are homicidal but orthodox.
”
”
Edmund Morris (Theodore Rex)
“
You bought a one-way ticket to New York with no return flight booked,” he says. “I’m flying to New York and I’m not coming back for a month or two,” I explain. “I’m not booking a round-trip flight at this point.” “I understand. No problem. We’ll be finished right after a quick thorough search.” I think he’s kidding. He’s not. I keep trying to joke with him as he frisks me a little too eagerly. “I thought you’d buy me a drink first,” I say. “I guess the only people drinking fifteen minutes before a flight are the pilots.
”
”
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
“
BILLY: When Graham and I were kids, our mom used to take us to this community pool during the summer. And this one time, Graham was sitting on the edge of the pool, toward the deep end. And this was before he could swim.
And I stood there next to him, and my brain went, I could push him in. And that terrified the hell out of me. I didn’t want to push him in. I would never push him in but…it scared me that the only thing between this moment of calm and the biggest tragedy of my life was me choosing not to do it. That really tripped me out, that everyone’s life was that precarious. That there wasn’t some all-knowing mechanism in place that stopped things that shouldn’t happen from happening.
That’s something that had always scared me.
And that’s how it felt being around Daisy Jones.
”
”
Taylor Jenkins Reid
“
It was exciting just to stand in front of the hallowed ground of Birdland that had been blessed by John Coltrane, or the Five Spot on St. Mark’s Place where Billie Holiday used to sing, where Eric Dolphy and Ornette Coleman opened the field of jazz like human can openers.
”
”
Patti Smith (Just Kids)
“
Sixty years after the battle of Little Bighorn men were still coming forth with the spurious claim that they were survivors, and several old "chiefs" said it was they who killed Custer. Many old gentlemen made late-life confessions that they were Jesse James, and still more claimed they shot Billy the Kid.
”
”
Dorsey Griffin (Who really killed Chief Paulina?: An Oregon documentary)
“
Camila knew who Billy was better than he did. A lot of women would have said, “You’ve had your fun, but we’ve got three kids now.” Camila loved Billy exactly as he was. I dug that about her so much. And I really think Billy loved her the same way she loved him. I really do. When they were in the same place at the same time, you could tell he was just so taken with her. He’d stay quiet and let her be the one to talk. And I always noticed that he used to squeeze the lime into her drink before he handed it to her whenever we were all out somewhere. He’d take his own lime and squeeze it into her glass, too. He’d squeeze the two wedges in and then throw them in with the ice. It seemed like a beautiful thing to have, somebody giving you their lime wedge. I mean, I hate lime, actually. But you get the point.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Teacher: Where is your homework? Billy: I lost it fighting this kid who said you weren't the best teacher in the school.
”
”
Various (Best Jokes 2014)
“
But do you know what I decided a long time ago? I decided I don’t need perfect love and I don’t need a perfect husband and I don’t need perfect kids and a perfect life and all that. I want mine. I want my love, my husband, my kids, my life. “I’m not perfect. I’ll never be perfect. I don’t expect anything to be perfect. But things don’t have to be perfect to be strong. So if you’re waiting around, hoping that something’s going to crack, I just…I have to tell you that it’s not gonna be me. And I can’t let it be Billy. Which means it’s gonna be you.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
What to call it - the spark of God? Survival instinct? The souped-up computer of an apex brain evolved from eons in the R&D of natural selection? You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person - Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month-old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they mean by the sanctity of life? A soft groan escaped Billy when he thought about that, the war revealed in this fresh and gruesome light. Oh. Ugh. Divine spark, image of God, suffer the little children and all that - there’s real power when words attach to actual things. Made him want to sit right down and weep, as powerful as that. He got it, yes he did, and when he came home for good he’d have to meditate on this, but for now it was best to compartmentalize, as they said, or even better not to mentalize at all.
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
And I was mad at her. I thought what did you think was going to happen. He hit us before just like he hit you so what did you think would happen. Sooner or later bad people do bad things, even a kid knows that.
”
”
Stephen King (Billy Summers)
“
them up when the other team had a runner on third. By the time the Yankees came to town—this was going on to the end of April—the whole stadium would flush orange when the Bombers had a runner on third, which they did often in that series. Because the Yankees kicked the living shit out of us and took over first place. It was no fault of the kid’s; he hit in every game and tagged out Bill Skowron between home and third when the lug got caught in a rundown.
”
”
Stephen King (Blockade Billy)
“
Maggie nodded. She was more than okay. Not only was she no longer sick, she felt as if she'd just awoken from the long, safe torpor of her childhood. The night had blasted her free of that shell, and she had emerged new and raw and ready. She felt the ticket stub folded carefully in her pocket. How many kids in Bray would be able to say they'd stood just feet from Billy Corgan, that they'd been at the Metro for the "Siamese Dream" record release show, that they'd seen Lake Shore Drive on a Sunday morning through the prism of a concert comedown, the runners looking so silly with their skinny legs and their neon shorts, chugging along the footpath with their calorie counters and Gatorade?
”
”
Jessie Ann Foley (The Carnival at Bray)
“
Uh… not sure buying the entire store for that boy is good, Chace. If he’s living on the street, the rest of the homeless population in Carnal will fall on him like vultures,” I remarked.
Then he turned to me. “Got one homeless guy in town, darlin’. He calls himself Outlaw Al. He celebrated his seven hundredth birthday this year and looks it. You talk to him, he’ll swear he was the one who shot Billy the Kid. Every feral cat in Carnal will claw you soon as look at you but of any day or night, one or a dozen of ‘em will be curled into Al like he’s their Momma. He has two teeth. And I don’t see good things for his dental future since Shambles and Sunny built a small lean-to behind La-La Land so he’ll have some protection from exposure. He was much obliged for this effort. Moved in while Shambles was still hammering in the nails. He mostly stays there except when it’s his time to howl at the moon. And Shambles gives him baked goods he doesn’t sell. I think our kid’ll be good.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
..I met two young guys from the Oregon National Guard... The lieutenant told me about their temporary barracks in an old neighborhood high school. He told me that he was disgusted that kids ever went to school there, and that in Oregon the place would have been bulldozed and rebuilt so that kids could have a proper place to learn. He seemed troubled that all of this was happening in America. He realized that many of the problems he was seeing in New Orleans existed before the storm, and he wanted to know why people had put up with it and why they hadn't voted out of office the people who had let this happen. I told him I didn't know, but maybe we could change things in New Orleans in the future. He seemed hopeful. I felt less certain.
”
”
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
“
Every cup that passes through a single person and eventually rejoins the world’s water supply holds enough molecules to mix 1,500 of them into every other cup of water in the world. No way around it: some of the water you just drank passed through the kidneys of Socrates, Genghis Khan, and Joan of Arc. How about air? Also vital. A single breathful draws in more air molecules than there are breathfuls of air in Earth’s entire atmosphere. That means some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid. Time to get cosmic. There are more stars in the universe than grains of sand on any beach, more stars than seconds have passed since Earth formed, more stars than words and sounds ever uttered by all the humans who ever lived. Want a sweeping view of the past? Our unfolding cosmic perspective takes you there. Light takes time to reach Earth’s observatories from the depths of space, and so you see objects and phenomena not as they are but as they once were, back almost to the
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
And if we really want to stay current and relevant, we have to use social media. And by that I mean Facebook. There are one billion people on Facebook. Maybe older people should have our own social media. We can call it What Did That Doctor Do to Your Face Book? In fact, we can have our own text and Facebook abbreviations. We can have our own WTF, LOL, and LMAO. GNIB: Good news, it’s benign. OMG: Oh, my gout. DMMLIMNWD: Don’t make me laugh, I’m not wearing Depends. WAI: Where am I? ITIHSBCR: I think I had sex but can’t remember. ILI: I like Ike. TKDC: The kids didn’t call. DTLSTY: Does this look swollen to you? CTDMELOFM: Call the doctor—my erection lasted over four minutes. PAMUHNASIHSB: Put a mirror under his nose and see if he’s still breathing. Bottom line: we can’t be dial-up in a Wi-Fi world.
”
”
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
“
You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person — Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they meant by the sanctity of life?
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
The word is dissociate. There is no 'a' before the 'ss'. People invariably say dis-a-ssociate, which, if you're suffering Disso-ciative Identity Disorder/Multiple Personality Disorder, can be irritating. People then want to know how many personalities I have and the answer is: I don't know. The first book about Multiple Personality Disorder to make an impact was Flora Rheta Schreiber's Sybil, published in 1973, which carries the subtitle: The True and Extraordinary Story of a Woman Possessed by Sixteen Separate Personalities. Corbett H. Thigpen and Hervey M. Cleckley published the controversial The Three Faces of Eve much earlier in 1957, and Pete Townshend from The Who wrote the song 'Four Faces'. People seem to feel safe with numbers.
The truth is more complicated. The kids emerged over time. Billy, the boisterous five-year-old, was at first the most dominant. But he slowly stood aside for JJ, the self-confident ten-year-old who appears when Alice is under stress and handles complicated situations like travelling on the Underground and meeting new people. The first entity to visit was the external voice of the Professor. But he had a choir of accomplices without names. So, how many actual alter personalities are there? I would say more than fifteen and less than thirty, a combination of protectors, persecutors and friends - my own family tree.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
My mother told me,” the boy replied, turning a page of the catalog. “Haven’t you seen Santa at the mall and all the kids who sit on his knee and tell him what they want for Christmas?” “My mother says they’re just men in Santa suits.” “Do you get presents on Christmas morning?” “Yes.” “And you don’t think Santa brings them.” “Nope. My mother brings them.” “What about the Easter Bunny?” “There’s no such thing as the Easter Bunny.” The two little girls at the table behind them heard this and started to cry. Their parents glared at Harriman and the boy
”
”
Billy Wells (In Your Face Horror- Volume 1)
“
She pulled the headphones off and threw them down and ran out of the booth and—I kid you not—ran directly into Billy’s arms. He picked her up, just off the floor, and kind of swung her back and forth for a moment. And I could have sworn to you he smelled her hair before he put her back down.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
She pulled the headphones off and threw them down and ran out of the booth and-I kid you not-ran directly into Billy's arms. He picked her up, just off the floor, and kind of swung her back and forth for a moment. And I could have sworn to you he smelled her hair before he put her back down.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Billie wants me to stroll with her down towards the caves but I dont want to get up from the sand where I’m sitting back to boulder—She goes alone—I suddenly remember James Joyce and stare at the waves realizing “All summer you were sitting here writing the so called sound of the waves not realizing how deadly serious our life and doom is, you fool, you happy kid with a pencil, dont you realize you’ve been using words as a happy game—all those marvelous skeptical things you wrote about graves and sea death it’s ALL TRUE YOU FOOL! Joyce is dead! The sea took him! it will take YOU!
”
”
Jack Kerouac (Big Sur)
“
I wanted something they'd taken from me. People say kids always tease and that it's an innocent right of passage, but it's not. Every time an Edgar or Billie called me "chink" or "Chinaman" or "ching chong" it took a piece of me. I didn't want to talk about it, and kept it to myself. I clenched my teeth waiting to get even. Unlike others who let it eat them up and took it to their graves, I refused to be that Chinese kid walking everywhere with his head down. I wanted my dignity, my identity, and my pride back. I wanted them to know there were repercussions to the things they said.
”
”
Eddie Huang (Fresh Off the Boat)
“
She pulled the headphones off and threw them down and ran out of the booth and - I kid you not - ran directly into Billy's arms. He picked her up, just off the floor, and kind of swung her back and forth for a moment. And I could have sworn to you he smelled her hair before he put her back down.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
This is shitty to say, but there's not much pathos involved in a case like that. Think about it: Little So-and-so the Fourth drowns himself Tuesday night after receiving his midterm grades in the school of civil engineering. The body goes back to Westchester, and a lounge in the library or a nature path gets named after him, and a bunch of blue-blood kids remember him fondly. Sorry. There's about one story a year like that. Poor Billy Fuckup, Jr., in his Gap khakis, the pressure of going to classes all day really got to him. If I were a better person, I would have felt badly having seen things like that.
”
”
Cara Hoffman (So Much Pretty)
“
The truth was, I didn’t feel sorry for Billy. He teased a dog and got his fingers bitten off. Fuck him. Fuck everybody. And fuck you, Amy, for somehow getting me to tell you this. Sure, yeah, I felt bad about it, Your Honor. And that day years ago when I heard about the kids shooting up the school in Colorado I shook my head and said it was a tragedy, an awful tragedy, but inside I was thinking the look on the jocks’ faces when they saw the guns must have been fucking priceless. So, yeah, as far as you know, I felt just as bad about Billy as a good person would. And I’ll never, ever tell you otherwise. Never.
”
”
David Wong (John Dies at the End (John Dies at the End #1))
“
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
”
”
Kurt Vonnegut Jr.
“
It soon became apparent that the light of the lamp, though bestowing the doubtful privilege of a clearer view of Mr. Repetto's face, held certain disadvantages. Scarcely had the staff of Cosy Moments reached the faint yellow pool of light, in the centre of which Mr. Repetto reclined, than, with a suddenness which caused them to leap into the air, there sounded from the darkness down the road the crack-crack-crack of a revolver. Instantly from the opposite direction came other shots. Three bullets flicked grooves in the roadway almost at Billy's feet. The Kid gave a sudden howl. Psmith's hat, suddenly imbued with life, sprang into the air and vanished, whirling into the night.
”
”
P.G. Wodehouse (Psmith, Journalist (Psmith, #3))
“
Need more ego softeners? Simple comparisons of quantity, size, and scale do the job well. Take water. It’s common, and vital. There are more molecules of water in an eight-ounce cup of the stuff than there are cups of water in all the world’s oceans. Every cup that passes through a single person and eventually rejoins the world’s water supply holds enough molecules to mix 1,500 of them into every other cup of water in the world. No way around it: some of the water you just drank passed through the kidneys of Socrates, Genghis Khan, and Joan of Arc. How about air? Also vital. A single breathful draws in more air molecules than there are breathfuls of air in Earth’s entire atmosphere. That means some of the air you just breathed passed through the lungs of Napoleon, Beethoven, Lincoln, and Billy the Kid. Time to get cosmic. There are more stars in the universe than grains of sand on any beach, more stars than seconds have passed since Earth formed, more stars than words and sounds ever uttered by all the humans who ever lived. Want a sweeping view of the past? Our unfolding cosmic perspective takes you there. Light takes time to reach Earth’s observatories from the depths of space, and so you see objects and phenomena not as they are but as they once were, back almost to the beginning of time itself. Within that horizon of reckoning, cosmic evolution unfolds continuously, in full view. Want
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
so your husband's home with the little ones?—it'll be good for him, let him see what it's like with kids all day, right? men never understand until you ask them to do it and then they say, Well, the kids only act like this with me, it has to be much easier when you're with them, isn't that the truth? They're really thinking, You can't possibly put up with this day after day, can you?
”
”
Alice McDermott (Charming Billy)
“
There aren’t just 2 kinds of people, good and bad, like I thought when I was a kid who got most of his ideas on how people act from TV. There are 3. The third type of people go along to get along, like Deputy F.W.S. Malkin told me to do. Those are the most people in the world and I think they are gray people. They will not hurt you (at least on purpose) but they won’t help you much, either. They will say do what you want and God help you.
I think in this world you have to help yourself.
”
”
Stephen King (Billy Summers)
“
There aren’t just 2 kinds of people, good and bad, like I thought when I was a kid who got most of his ideas on how people act from TV. There are 3. The third type of people go along to get along, like Deputy F.W.S. Malkin told me to do. Those are the most people in the world and I think they are gray people. They will not hurt you (at least on purpose) but they won’t help you much, either. They will say do what you want and God help you. I think in this world you have to help yourself.
”
”
Stephen King (Billy Summers)
“
There aren’t just 2 kinds of people, good and bad, like I thought when I was a kid who got most of his ideas on how people act from TV. There are 3. The third type of people go along to get along, like Deputy F.W.S. Malkin told me to do. Those are the most people in the world and I think they are gray people. They will not hurt you (at least on purpose) but they won’t help you much, either. They will say do what you want and God help you.
I think in this world you have to help yourself.
”
”
Stephen King (Billy Summers)
“
The “idea generators” were normally Emma and Billy, who were full of inspiration for organizing something cool, starting from becoming the local naturalists, and to creating the variety of explicit plans on what they can do on saving the surrounding and the world, performing as much logic as their age allowed them. Such special characteristics often got them into different types of circumstances and troubles… still, same time turning their great time spent together into an unforgettable time.
”
”
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
“
Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside.
Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried.
'This is embarrassing,' I admitted.
'It doesn't have to be.'
'It doesn't have to be, but it is,' I said.
The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter.
In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family.
I made a mental note to look up defence mechanisms, something we had touched on in psychology.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Remember that time at Freddy’s when the merry-go-round got stuck, and Marla and that mean kid Billy had to keep riding it until their parents plucked them off?” Charlie said. John laughed, and the sound made her smile. “Their faces were bright red, crying like babies.” She covered her face, guilty that it was so funny to her. There was a brief, surprised silence, then Carlton started laughing. “Then Marla puked all over him!” “Sweet justice!” Charlie said. “Actually, I think it was nachos,” John added. Jessica wrinkled her nose. “So gross. I never rode it again, not after that.” “Oh, come on, Jessica, they cleaned it,” said Carlton. “I’m pretty sure kids puked all over that place; those wet floor signs weren’t there for nothing. Right, Charlie?” “Don’t look at me,” she said. “I never puked.
”
”
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
“
Vegetarians.”
Cookie muttered something under his breath. “I ain’t cooking no tofu. I’ll quit first.”
“Fine by me. You cook what you like. I just wanted you to know.”
“Vegetarians.” Cookie washed his hands, then attacked the lettuce.
Frank walked into the kitchen. “Everything’s all set, boss. Tents, saddles, supplies. Cookie’s wagon is loaded, except for the fresh stuff. We have a schedule set up. You’ll get a delivery every afternoon.”
Zane nodded. “You get a look at the folks?”
His second in command did his best to keep his expression neutral, but Zane saw the corner of Frank’s mouth twitch.
“You mean the fact that you’ve got to deal with Maya’s mouth, some old ladies and a couple of kids?”
Cookie picked up a lethal-looking knife, then reached for several tomatoes. “You left out the good part, Zane. Tell him about the damn nut eaters.”
When Frank looked confused, Zane shrugged. “Vegetarians.”
This time Frank’s entire mouth jerked, but he controlled his humor. “Sounds interesting.”
“Tits are interesting, boy,” Cookie growled. “Vegetarians are just plain stupid. If people want to eat leaves and grubs, then they should go live in the forest. Root around with those ugly truffle pigs and get away from my table.”
“What time is supper?” Zane asked.
Cookie snarled something under his breath, then walked to the back door and stuck his head out. “Billy, you got that there barbecue ready yet, boy?”
“Yes, sir. Coals are hot and gray. You wanted them gray, didn’t you, Cookie?”
“What color gray?”
There was a pause. “Sort of medium.”
“Huh.” Cookie closed the back door and grinned at Zane. “I screw with him because he makes it so easy.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
Years before he had said and meant, “Fuck the niggers”—he had seen too many of his friends swallowed up in bitterness, and he wanted to escape, not drown. But now there was no escape and he was in the awful position of seeing his children grow toward that moment when they would know, would be shown, told, that they were niggers and not human beings. Because no matter how Billy twisted and dodged his way through life he could not get away from the central fact of his existence; whether he liked it or not, he was black, and there was nothing he could do about it, no action he could take without first thinking about it. It was just there. He could not love it or fight it or be proud of it, it was just there. He could not even hate it any more. His children were beautiful; how could anybody be so cruel? They were so affectionate and full of joy, so eager and innocent; why did somebody have to come along and with one stiff, ugly word, cut the innocence out of them? From the moment they understood that word they would proceed through life half-murdered of their ability to love; the moment their eyes became wary they would cease to be children, and Billy was certain that he himself would not love them so much. It might have been better, he thought with bitterness, if they had not been born at all; and then he saw them in his mind and knew that he could not stand their nonexistence; life without them would be life without life. And some day, a white kid, innocent himself, would tell them who they were, and there would be no path for Billy’s rage, no one for him to murder, only the emptiness of despair and frustration as he saw the hurt eyes of his children.
”
”
Don Carpenter (Hard Rain Falling (New York Review Books Classics))
“
I’m wondering what it would be like to be kissed by you.”
“Let’s not go there,” he said. “I don’t want to mess up our friendship.”
“It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.”
“Put the wrong chemicals together, and they explode.”
She frowned. “Are you saying you don’t think I’d like it? Or that I would?”
“It doesn’t matter, because I’m not going to kiss you.”
She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?”
He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning.
One she ignored.
She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.”
She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice.
She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?”
His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything.
“I’m not going to kiss you, Summer.”
He saw the disappointment flash in her eyes. Saw the determination replace it.
“All right. I’ll kiss you.”
He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs.
But he wanted that kiss.
“Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her.
Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing.
He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—”
She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.”
She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his.
His whole body went rigid.
“Billy,” she murmured against his lips. “Please. Kiss me back.”
“Summer, I don’t—”
She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it.
“Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none.
He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
”
”
Joan Johnston (The Texan (Bitter Creek, #2))
“
American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
He's like a little boy again now for the first time in years because he's like let out of school, no job, the bills paid, nothing to do but gratefully amuse me, his eyes are shining -- In fact ever since he's come out of San Quentin there's been something hauntedly boyish about him as tho prison walls had taken all the adult dark tenseness out of him -- In fact every evening after supper in the cell he shared with the quiet gunman he'd bent his serious head to a daily letter or at least every-other-day letter full of philosophical and religious musings to his mistress Billie... And when you're in bed in jail after lights out and you're not sleepy there's ample time to just remember the world and indeed savor its sweetness if any (altho it's always sweet to remember it in jail tho harder in prison, as Genet shows) with the result that he'd not only come to a chastisement of his bashing bitternesses (and of course it's always good to get away from alcohol and excessive smoking for two years) (and all that regular sleep) he was just like a kid again, but as I say that haunting kidlikeness I think all ex cons seem to have when they've just come out -- In seeking to severely penalize criminals society by putting the criminals away behind safe walls actually provide them with the means of greater strength for future atrocities glorious and otherwise -- "Well I'll be damned" he keeps saying as he sees those bluffs and cliffs and hanging vines and dead trees, "you mean to tell me you ben alone here for three weeks, why I wouldn't dare that... must be awful at night ... looka that old mule down there... man, dig the redwood country way back in... reminds me of old Colorady b'god when I used to steal a car every day and drive out to hills like this with a fresh little high school sumptin" -- "Yum Yum, " says Dave Wain emphatically turning that big goofy look to us from his driving wheel with his big mad feverish shining eyes full of yumyum and yabyum too --
”
”
Jack Kerouac (Big Sur)
“
Soon after I arrived on the island I had a run-in with my son’s first grade teacher due to my irreverent PJ sense of humor. When Billy lost a baby tooth I arranged the traditional parentchild Tooth Fairy ritual. Only six years old, Billy already suspected I was really the Tooth Fairy and schemed to catch me in the act. With each lost tooth, he was getting harder and harder to trick. To defeat my precocious youngster I decided on a bold plan of action. When I tucked him in I made an exaggerated show of placing the tooth under his pillow. I conspicuously displayed his tooth between my thumb and forefinger and slid my hand slowly beneath his pillow. Unbeknownst to him, I hid a crumpled dollar bill in the palm of my hand. With a flourish I pretended to place the tooth under Billy’s pillow, but with expert parental sleight of hand, I kept the tooth and deposited the dollar bill instead. I issued a stern warning not to try and stay awake to see the fairy and left Billy’s room grinning slyly. I assured him I would guard against the tricky fairy creature. I knew Billy would not be able to resist checking under his pillow. Sure enough, only a few minutes later he burst from his room wide-eyed with excitement. He clutched a dollar bill tightly in his fist and bounced around the room, “Dad! Dad! The fairy took my tooth and left a dollar!” I said, “I know son. I used my ninja skills and caught that thieving fairy leaving your room. I trapped her in a plastic bag and put her in the freezer.” Billy was even more excited and begged to see the captured fairy. I opened the freezer and gave him a quick glimpse of a large shrimp I had wrapped in plastic. Viewed through multiple layers of wrap, the shrimp kind of looked like a frozen fairy. I stressed the magnitude of the occasion, “Tooth fairies are magical, elusive little things with their wings and all. I think we are the first family ever to capture one!” Billy was hopping all over the house and it took me quite awhile to finally calm him down and get him to sleep. The next day I got an unexpected phone call at work. My son’s teacher wanted to talk to me about Billy, “Now what?” I thought. When I arrived at the school, Billy’s teacher met me at the door. Once we settled into her office, she explained she was worried about him. Earlier that day, Billy told his first grade class his father had killed the tooth fairy and had her in a plastic bag in the freezer. He was very convincing. Some little kids started to cry. I explained the previous night’s fairy drama to the teacher. I was chuckling—she was not. She looked at me as if I had a giant booger hanging out of a nostril. Despite the look, I could tell she was attracted to me so I told her no thanks, I already had a girlfriend. Her sputtering red face made me uncomfortable and I quickly left. Later I swore Billy to secrecy about our fairy hunting activities. For dinner that evening, we breaded and fried up a couple dozen fairies and ate them with cocktail sauce and fava beans.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
I'm not afraid to die like a man fighting, but I would not like to be killed like a dog unarmed.” William H. Bonney (a.k.a. Billy the Kid) March 1879
”
”
Arthur T. Bradley (Anarchy Rising (The Survivalist, #2))
“
...just because a girl could kick a ball and chuck a rock didn't mean she'd grow up to be pretty and make a good supper.
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Billy Coffey (When Mockingbirds Sing)
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The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. This wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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I must have been one of the original latchkey kids…. My father worked in New York City and my mother worked the counter at a local bakery. With both of my parents working, I would let myself into the house after school. We all used a big old-fashioned key, hidden in plain sight, under the doormat. When I entered, the only one to greet me was our dog “Putzy,” a mixed breed who would jump with glee when I came in. The first thing I would do was to feed him, from his own special container left in the refrigerator. I would also open the back door and let him run around in our enclosed backyard. Billy came home about an hour after I did and since he was younger, I was responsible for him as well. There was always dried-out, day-old cake in the refrigerator that my mother had brought home from her job. Again, being the oldest, it was up to me to cut the cake into big slices, and pour two jelly jar glasses of milk for us. Afterward, my brother would go to his room to do his homework and I cleaned up, washing whatever dishes we had used.
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Hank Bracker
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Best known as Glinda, the good witch in The Wizard of Oz (and as the wife of Ziegfeld), Billie Burke had a rosy, upbeat series promoting herself as “that bright morning star.” She portrayed a woman of uncertain age who would go out of her way to aid a bum in distress or help neighborhood kids get a playground. She constantly mixed metaphors, as in “Let sleeping dogs gather no moss,” and was well placed on Saturday mornings.
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John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
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I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.
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James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
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You were not the typical kid,” Jonathan says. Billie laughs at this and tips her head backward over Jonathan’s knees to smile at him. There’s sand speckling her cheekbones, stuck in the delicate lines around her eyes, and he gently wipes it away. “Anyway, Olive is tougher than you’re giving her credit for.
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Janelle Brown (Watch Me Disappear)
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Leigh was amazed to uncover all this. She explains: “When I was a police officer nobody ever trained me on the collateral consequences of marijuana arrests. I had no idea . . . It’s not something they’re made aware of. It’s—go out and get numbers. Do your job.” Just as Jimmy Fletcher—the agent sent by Harry Anslinger to break Billie Holiday—never forgave himself for what he ended up doing to her, Leigh Maddox never forgave herself for what she had done to all the kids she arrested over the years. It was not enough, Leigh decided, for her to say she’s sorry. You have to make amends. So she completed her retraining as a lawyer, quit her job as a cop, and started providing services in Baltimore to help the very people she had been busting and breaking before. She set up a low-cost legal clinic called Just Advice, where she and her students fight to have the arrest records of accused drug offenders expunged any way they can. She writes to universities imploring them to provide access to scholarships to students with drug convictions. She defends drug users in court. This is Leigh’s life now.
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Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
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The next few days went really well. Lenny came to visit me at school again and he didn’t fart once. I was really happy. Miss Light was happy and all the kids in the class were happy. One day after school, I was in the living room doing my homework. My little brother Billy was watching TV. Lenny was sleeping on the sofa. His big belly and feet were sticking up in the air. My mom had a big pile of clean clothes in a basket. Billy went over to the basket. He took out some underwear and pulled it over his head. “Mom!” he wailed. Then he shouted, “Stop it, Zach! Leave me alone!” I knew what Billy was up to. He was trying to get me in trouble again. Before I could say anything, Mom was in the living room. “Stop that, Zach!” she said. “Leave your little brother alone! Why are you putting underwear on Billy’s head?” She went over to Billy and pulled the underwear off his head. He pretended to be upset.
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Kate Clary (My Monster Farts)
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While men like Garfield strolled the aisles of Machinery Hall in Philadelphia, marveling at the greatest inventions of the industrial age, George Armstrong Custer and his entire regiment were being slaughtered in Montana by the Northern Plains Indians they had tried to force back onto reservations. As fairgoers stared in amazement at Remington’s typewriter and Thomas Edison’s automatic telegraph system, Wild Bill Hickok was shot to death in a saloon in Deadwood, leaving outlaws like Jesse James and Billy the Kid to terrorize the West. As middle-class families waited patiently in line for their chance to marvel at the Statue of Liberty’s hand, freed slaves throughout the country still faced each day in fear and abject poverty.
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Candice Millard (Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President)
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with an Excel spreadsheet?” I made a face like that was ridiculous, but of course there had been an Excel spreadsheet. As soon as everyone was ready, we set off. Joni tramped away in one direction with my seven-year-old, Maggie, whose foghorn voice sent birds skittering into the sky as she harangued her aunt to hurry so they could get back first. “It’s not a race,” Joni said, fading into the tree line. “I want to get the biggest log,” Maggie bellowed. Joni’s own kid, Lola, refused to leave the camp. With the infinite disdain of a teenager, she said there was no need to fatigue ourselves. Fatigue ourselves. Lola went gliding in her slow-motion gait to pluck dead twigs from the trees, like a nymph picking enchanted fruit for a heartsick knight. She high-stepped off into the undergrowth and, for all I knew, changed into a deer, such was the inscrutable nature of my niece, the Lady Lola. By contrast, the all too scrutable Billy was screaming to go with the big boys, who I knew would abandon him up a tree given half a chance. “Carry me,” he said no more than five feet from the camp. So he scrambled onto my shoulders, his arms clamped in a fierce little
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Jo Furniss (All the Little Children)
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That’s good to hear, Billy. Kids have enough shit to deal with without somebody who is supposed to love them beating the crap out of them.
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David Baldacci (The Guilty (Will Robie, #4))
Dustin Stevens (The Kid (Reed & Billie #3))
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Instead, his emotion was a contorted mass of competing feelings, each just as strong as the others, all demanding to be realized and acknowledged. Anger, hatred, vengeance, even
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Dustin Stevens (The Kid (Reed & Billie #3))
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A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story –
Say, it’s only a paper moon
Sailing over a cardboard sea
But it wouldn’t be make-believe
If you believed in me
– the last two words of the title also seemed to me a damn good movie title.
Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly.
The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title!
Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house.
… After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
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Peter Bogdanovich (Paper Moon)
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Do you mean like when I went to the mall with you to do Christmas shopping and I said please and thank you when you bought me that hot chocolate?” asked Scott. “Yes,” said Mom. “Those were your special Christmas manners.” “What about when I said thank you to Billy yesterday at school when he gave me back my book,” said Scott. “Was that my special
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Uncle Amon (Christmas Stories: Cute Stories for Kids Ages 4-8)
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For a time, she alternates sipping her coffee and staring out the window. “Bee-lee would have been the kind of father to spoil a child.” She smiles. “But it would have brought out the best in him.”
“Just like you did,” I am bold to say. “He told me that himself.”
Showing no surprise, she nods. “Yes, I know. He told me many times, and yet I knew it even before he realized it.” She shrugs her head to one side. “I know he had other girls. They all loved him. How could they not? But I knew what we had was the gift that God gives only once.
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Mark Warren (A Last Serenade for Billy Bonney)
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The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. • • • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed. • • •
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Kurt Vonnegut Jr. (Slaughterhouse-Five)
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For the rest of my life I will remember that red-brown blur, like a stain of dried blood, standing against the road with a thin screen of blown snow suspended between it and me, the full weight of the vehicle and the thirty-four children in it bearing down on me like a wall of water. And I will remember the formal clarity of my mind, beyond thinking or choosing now, for I had made my choice, as I wrenched the steering wheel to the right and slapped my foot against the brake pedal, and I wasn't the driver anymore, so I hunched my shoulders and ducked my head, as if the bus were a huge wave about to break over me. There was Bear Otto, and the Lamston kids, and the Walkers, the Hamiltons, and the Prescotts, and the teenaged boys and girls from Bartlett Hill, and Risa and Wendell Walker's sad little boy, Sean, and sweet Nichole Burnell, and all the kids from the valley, and the children from Wilmot Flats, and Billy Ansel's twins, Jessica and Mason-the children of my town-their wide eyed faces and fragile bodies swirling and tumbling in a tangled mess as the bus went over and the sky tipped and veered away and the ground lurched brutally forward.
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Russell Banks (The Sweet Hereafter)