Arcade Fire Quotes

We've searched our database for all the quotes and captions related to Arcade Fire. Here they are! All 21 of them:

My body is a cage that keeps me from dancing with the one I love, but my mind holds the key.
Arcade Fire
The Matrix has its roots in primitive arcade games,' said the voice-over, 'in early graphics programs and military experimentation with cranial jacks.' On the Sony, a two-dimensional space war faded behind a forest of mathematically generated ferns, demonstrating the spatial possibilities of logarithmic spirals; cold blue military footage burned through, lab animals wired into test systems, helmets feeding into fire control circuits of tanks and war planes. 'Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding...
William Gibson (Neuromancer (Sprawl, #1))
...The beat of her heart, the slow burning away...of the bitter fires of the devil's arcade.
Bruce Springsteen (The New Best of Bruce Springsteen for Guitar: Easy TAB Deluxe (The New Best of... for Guitar))
But by the time the first bombs fell, we were already bored.
The Arcade Fire
Our song escapes On neon silver discs
Arcade Fire
Because I have to be honest here, I don’t usually have coffee with girls who walk into my shop, and I don’t usually talk about school, and I’m a little bit nervous because I think you’re both badass and beautiful. So can we make a pact for tonight to get rid of the bullshit and just talk about stuff that matters? Like why you want to go to the beach, and how it feels to listen to Arcade Fire, and whether you love or hate New York as much as I do, and what you want out of life.
Lauren Blakely (The Start of Us (No Regrets, #0.5))
The absolute success of these two movements is such that at this stage, "indie" and "yuppie" are meaningless designators. The yuppie aesthetic of connoisseurship has infiltrated everywhere and now there is only--for many of us--either luxury gelato or food made of chemical waste. Ikea, Martha Stewart, and Whole Foods make yuppiedom no longer a chic and extravagant choice but an enforced mode. It's either that or eat at a toxic toilet such as McDonald's. The indie aesthetic is likewise de rigueur. H&M, Urban Outfitters, and American Apparel sell the floppy "Brit on a holiday" look to all Americans. Radiohead and Arcade Fire music is blasted from speakers at stadiums. For many poor souls, there is no alternative to the alternative.
Ian F. Svenonius (Censorship Now!!)
Crown Of Love They say it fades if you let it, love was made to forget it. i carved your name across my eyelids, you pray for rain i pray for blindness. if you still want me, please forgive me, the crown of love is not upon me. if you still want me, please forgive me, because the spark is not within me. i snuffed it out before my mom walked in my bedroom. the only thing that you keep changin' is your name. my love keeps growin' still the same, just like cancer, and you won't give me a straight answer! if you still want me, please forgive me, the crown of love has fallen from me. if you still want me, please forgive me, because your hands are not upon me. i shrugged them off before my mom walked in my bedroom. the pains of love, and they keep growin', in my heart there's flowers growin' on the grave of our old love, since you gave me a straight answer. if you still want me, please forgive me, the crown of love is not upon me. if you still want me, please forgive me, because the spark is not within me. it's not within me. it's not within me. you gotta be the one. you gotta be the way. your name is the only word, the only word that i can say!
Arcade Fire
Across the intersection he could see the crumbling blue-green facade of the Palace Amusements building, the grinning ten-foot-high face on its north wall smiling out on empty streets and vacant lots. The arcade entrances were covered with plywood; broken neon tubing hung from the walls. He thought of the hours he had spent there as a kid, playing pinball, firing the real .22s in the shooting gallery, riding the bumper cars. It hurt to look at it now.
Wallace Stroby (The Barbed-Wire Kiss: A Novel (Harry Rane Novels Book 1))
We became ruthless with the Arab,” a 1st Division soldier wrote. “If we found them where they were not to be, they were open game, much as rabbits in the States during hunting season.” Another soldier explained: “Here Arabs live all over. Some we shoot on sight, some we search, and some we make a deal with to buy eggs and chickens.” Soldiers boasted of using natives for marksmanship practice, daring one another to shoot an Arab coming over a hill like a target in an arcade. Others fired at camels to see the riders bucked off, or shot at the feet of Arab children “to watch them dance in fear,” as one 34th Division soldier recounted. At
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
The Suburbs In the suburbs I I learned to drive And you told me we'd never survive Grab your mother's keys we're leavin' You always seemed so sure That one day we'd fight in In a suburban world your part of town gets minor So you're standin' on the opposite shore But by the time the first bombs fell We were already bored We were already, already bored Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling again Kids wanna be so hard But in my dreams we're still screamin' and runnin' through the yard And all of the walls that they built in the seventies finally fall And all of the houses they build in the seventies finally fall Meant nothin' at all Meant nothin' at all It meant nothin Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling and into the night So can you understand? Why I want a daughter while I'm still young I wanna hold her hand And show her some beauty Before this damage is done But if it's too much to ask, it's too much to ask Then send me a son Under the overpass In the parking lot we're still waiting It's already passed So move your feet from hot pavement and into the grass Cause it's already passed It's already, already passed! Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling again I'm movin' past the feeling I'm movin' past the feeling In my dreams we're still screamin' We're still screamin' We're still screamin
Arcade Fire
she spat a single word. A long, guttural, twisting word that evoked frozen Germanic winters. The trigger to the spell she’d been weaving for days. The toxic miasma above our heads exploded with a peal of thunder and her spite-fueled power crashed down on Cesar, one man alone in a torrent of death. The paper cut on his bicep ripped open, as if someone had taken pliers to his skin and given it one brutal, wrenching tug. Blood gushed from the wound as he screamed, flowing faster than it should have, and even faster by the second. He collapsed to his knees, shrieking, and a scarlet torrent blasted from the wound like the spray from a fire hose and splashed across the arcade wall. His skin turned ashen and taut, his fingers and toes curling, crumpling. Bones cracked as his limbs folded in on themselves and the flesh on his skull stretched taut like a mummified corpse. Jennifer’s death curse slowly crushed his body like a juice box, squeezing every drop of blood from every last ragged vein. What collapsed to the floor when the spell was done, gray and bloodless and small as a child, didn’t look human anymore. “That’s what you get for fuckin’ with a witch,” Jennifer said. “My momma taught me that trick.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
Haiti Haïti, mon pays, wounded mother I'll never see. Ma famille set me free. Throw my ashes into the sea. Mes cousins jamais nés hantent les nuits de Duvalier. Rien n'arrete nos esprits. Guns can't kill what soldiers can't see. In the forest we lie hiding, unmarked graves where flowers grow. Hear the soldiers angry yelling, in the river we will go. Tous les morts-nés forment une armée, soon we will reclaim the earth. All the tears and all the bodies bring about our second birth.
Arcade Fire
Sometimes I can't believe it, I'm moving past the feeling.
The Arcade Fire
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense.
Shelley Brown (Weird Girl Adventures from A to Z)
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense. I’ll give you a hint. A woman walked around wearing a t-shirt stating, “Data is the new bacon.” Excuse me, but fuck you, it is not! Okay, fine. Last hint. All the Mumford & Sons dudes and non-makeup wearing inked millennials are wearing the exact same shirt. Slap yourself if you get this wrong. My hell is the APPLE STORE!
Shelley Brown-Weird Girl Adventures from A to Z
In 1863, as Havana continued to grow, the need for expansion prompted the removal of the city walls. The Ten Years’ War ended with a cease fire from Spain. However, it was followed by the Cuban War of Independence, which lasted from 1895 until 1898 and prompted intervention by the United States. The American occupation of Cuba lasted until 1902. After Cuban Independence came into being, another period of expansion in Havana followed, leading to the construction of beautiful apartment buildings for the new middle class and mansions for the wealthy. During the 1920’s, Cuba developed the largest middle class per total population in all of Latin America, necessitating additional accommodations and amenities in the capital city. As ships and airplanes provided reliable transportation, visitors saw Havana as a refuge from the colder cities in the North. To accommodate the tourists, luxury hotels, including the Hotel Nacional and the Habana Riviera, were built. In the 1950’s gambling and prostitution became widespread and the city became the new playground of the Americas, bringing in more income than Las Vegas. Now that Cuba senses an end to the embargo and hopes to cultivate a new relationship with the United States, construction in Havana has taken on a new sense of urgency. Expecting that Havana will once again become a tourist destination, the French construction group “Bouygues” is busy building Havana's newest luxury hotel. This past June Starwood’s mid-market Four Points Havana, became the first U.S. hotel, owned by Marriott, to open in Cuba. The historic Manzana de Gómez building which was once Cuba's first European-style shopping arcade has now been transformed into the Swiss based Manzana Kempinski, Gran Hotel, La Habana. It has now become Cuba's first new 5-Star Hotel! Spanish resort hotels dot the beaches east of Havana and China is expected to build 108,000 new hotel rooms for the largest tourist facility in the Caribbean. On the other end of the spectrum is the 14 room Hotel Terral whch has a prime spot on the Malecón.
Hank Bracker
You're born in an Age that calls darkness light.
Arcade Fire (Arcade Fire - Scenes from the Suburbs (Picture & Lyric Book))
He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot.
Garth Risk Hallberg (City on Fire)
La cachucha, is that for us, maestro? Will it be danced across the tottering floorboards of the cavaliers' wing, between cramped walls, blackened with smoke and greasy with grime, under its low ceiling? Curse you, the way you play! La cachucha, is that for us, for us cavaliers? Outside the snowstorm howls. Do you mean to teach the snowflakes to dance in rhythm, are you playing for the light-footed children of the blizzard? Female bodies, which tremble under the pulse beat of hot blood, small sooty hands, which have thrown aside the cooking pot to grasp the castanets, naked feet under tucked-up skirts, yard coated with flakes of marble, crouching gypsies with bagpipe and tambourine, Moorish arcades, moonlight and black eyes, do you have those, maestro? If not, let the fiddle rest! Cavaliers are drying their wet clothes by the fire. Should they swirl around in their tall boots with iron-shod heels and thumb-thick soles? They have waded through the ell-deep snow the whole day to reach the bear's winter lair. Do you think they should dance in their wet, steaming homespun clothes, with the shaggy bruin as a partner? Evening sky, glittering with stars, red roses in dark female hair, tormenting sweetness in the evening air, untaught grave in the movements, love rising out of the earth, raining from the sky, hovering in the air, do you have this, maestro? If not, why force us to long for such things? Cruelest of men, are you sounding the attack for a tethered warhorse? Rutger von Orneclou is lying in his bed, imprisoned by gout pains. Spare him the torment of sweet memories, maestro! He too has worn a sombrero and a gaudy hairnet, he too has owned a velvet jacket and a sash with a dagger tucked in it. Spare old Orneclou, maestro!
Selma Lagerlöf (Gösta Berling's Saga)
If your Spotify starts playing Ted Nugent after years of Arcade Fire, your cat will surely know something is up.
Breaking Burgh (How To Tell Your Cat About Trump)