Billiards Love Quotes

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Don’t you dare send me away, you c-coward. Who else would love my freckles? Who else would care that my feet were cold? Who else would ravish me in the billiards room?
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Subject: Sundown Date: June 14 2011 09:35 To: Christian Grey Dear Completely & Utterly Smitten I love waking up with you, too. But I love being in bed with you and in elevators and on pianos and billiard tables and boats and desks and showers and bathtubs and strange wooden crosses with shackles and four poster beds with red satin sheets and boathouses and childhood bedrooms. Yours Sex Mad and Insatiable xx
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Feelings can kill such good hard things as love and hate.
Heinrich Böll (Billiards at Half-Past Nine)
no no its no use jo, jo we gotta have it out I have loved you ever since I’ve known you jo I couldn’t help it, and and I tried to show you and you wouldn’t let me and I must make you here now and give me an answer because I cannot go on like this any longer, I gave up billiards I gave up everything you didn’t like I’m happy I did it’s fine and I waited and I never complained because I you know I figured you’d love me jo and I realised im not half good enough and im not this great man and
Louisa May Alcott (Little Women)
To: Christian Grey Dear Completely & Utterly Smitten I love waking up to you, too. But I love being in bed with you and in elevators and on pianos and billiard tables and boats and desks and showers and bathtubs and strange wooden crosses with shackels and four-poster beds with red satin sheets and boathouses and childhood bedrooms.
E.L. James
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Stretched and skewed Tap of the 8-ball and the cue Scratches fall through They are the scars of you
Criss Jami (Salomé: In Every Inch In Every Mile)
When she woke up crying for one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning (The only way to overcome sadness is to consume it, he said), and more than that: once her eyes closed and she fell back asleep, he was left to bear the insomnia. There was a complete transfer, like a speeding billiard ball colliding with a resting one. Should Brod feel depressed - she was always depressed - the Kolker would sit with her until he could convince her that it’s OK. It is. Really. And when she would move on with her day, he would stay behind, paralysed with a grief he couldn’t name and that wasn’t his. Should Brod become sick, it was the Kolker that would be bedridden by week’s end. Should Brod feel bored, knowing too many languages, too many facts, with too much knowledge to be happy, the Kolker would stay up all night studying her books, studying the pictures, so the next day he could try to make the kind of small talk that would please his young wife.
Jonathan Safran Foer
It was more wonderful than making love with a negro boxer on Mr Singer’s billiard table.
Sebastian Faulks (The Fatal Englishman: Three Short Lives)
The only advantage he could see in the change was that he had a small desk in his room; his capacity for isolation was thereby increased. But none of this changed his life very much. He continued his games of billiards and his reading. And was periodically overwhelmed by abominable fits of despair from which he was abruptly extricated by a ridiculous but stubborn optimism, an absurd love of life.
Raymond Queneau (The Last Days)
Feelings can even kill such good hard things as love and hate.
Heinrich Böll (Billiards at Half-Past Nine)
Rafa was seen at the karaoke bar performing a love song at a pining waitress. Rafa was seen at the billiards on 207th instructing a pretty young thing by pawing her too-large ass. Rafa was seen entering the apartment of the widow in 5D, and he emerged an hour later without his toolbox.
Elizabeth Acevedo (Family Lore)
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
Loser" "Father directed choir. When it paused on a Sunday, he liked to loiter out morning with the girls; then back to our cottage, dinner cold on the table, Mother locked in bed devouring tabloid. You should see him, white fringe about his ears, bald head more biased than a billiard ball-- he never left a party. Mother left by herself-- I threw myself from her car and broke my leg.... Years later, he said, 'How jolly of you to have jumped.' He forgot me, mother replaced his name, I miss him. When I am unhappy, I try to squeeze the hour an hour or half-hour smaller than it is; orphaned, I wake at midnight and pray for day-- the lovely ladies get me through the day
Robert Lowell
Lying in a position of classic repose, Winnifred had never been more beautiful. Her silvery gold hair cascaded over the oaken door upon which she lay. A bright waterfall, it pooled on the deep green felt of the billiard table where the door rested. Her sightless blue eyes stared up at the plastered ceiling, her face a study in serenity and peace. I had never seen violent death leave a corpse so lovely.
T.D. McKinney
no no its no use jo, jo we gotta have it out i have loved you ever since i’ve known you jo i couldn’t help it, and and i tried to show you and you wouldn’t let me and i must make you here now and give me an answer because i cannot go on like this any longer, i gave up billiards i gave up everything you didn’t like i’m happy i did it’s fine and i waited and i never complained because i you know i figured you’d love me jo and i realised i'm not half good enough and i'm not this great man and
Louisa May Alcott (Little Women)
Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!
Charles Dickens (Bleak House)
This is a billiard table. An easy, flat, green billiard table. And you have hit your white ball, and it is travelling easily and quietly towards the red. The pocket is alongside. Fatally, inevitably, you are going to hit the red and the red is going into that pocket. It is the law of the billiard table, the law of the billiard room. But, outside the orbit of these things, a jet pilot has fainted, and his plane is diving straight at that billiard room, or a gas main is about to explode, or lighting is about to strike. And the building collapses on top of you and on top of the billiard table Then what has happed to that white ball that could not miss the red ball, and to the red ball that could not miss the pocket? The white ball could not miss cording to the laws of the billiard table. But the laws of the billiard table are not the only laws, and the law governing the progress of this train, and of you to your destination are also not the only laws in this particular game.
Ian Fleming (From Russia with Love)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
He sucked in a breath as her hand settled on the hot steel of him. "Penelope..." The word was lost in a groan. She wanted to touch him, to learn him, to give him all the pleasure that he was giving her. "Show me how. Teach me." His eyes were black with pleasure, and he moved his other hand to guide her, showing her just how to touch, just how to stroke. When he groaned, long and lovely, she leaned forward and kissed his cheek softly, whispering against his skin. "This is much more interesting than billiards." He laughed harshly at the words. "I couldn't agree more." "You're so smooth," she said, stroking his length, marveling at the feel of him. "So hard." He closed his eyes as she touched him, and she watched his face, enjoying the play of pleasure across it. She rubbed one thumb firmly across the tip, and he gasped, his eyes opening to slits. "Do that again." She did, and he pulled her to him to kiss her long and deep as she continued her exploration, his hands on hers, showing her how to move, where to linger, how much pressure to exert. His head tilted back, and his breath came in short, pained spurts. "Is this all right?" He groaned at the question. "It's perfect. I never want you to stop." She was not interested in stopping. She loved watching him take pleasure.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Sure, I said, still wondering over what exactly Vera's thesis had been. If there was no free will, was it even possible to give consent? And if there was no such thing as consent, was it possible to be raped? Or were human being more like billiard balls, randomly, even violently clacking against each other then re-forming in the vacuum of space, pulled into orbits around the nearest star? Possibly such a paper, while insane and even wildly offensive, could be logically consistent and, in its own perverted way, brilliant.
Rufi Thorpe (Dear Fang, With Love)
This is a billiard table. An easy, flat, green billiard table. And you have hit your white ball and it is travelling easily and quietly towards the red. The pocket is alongside. Fatally, inevitably, you are going to hit the red and the red is going into that pocket. It is the law of the billiard table, the law of the billiard room. But, outside the orbit of these things, a jet pilot has fainted and his plane is diving straight at that billiard room, or a gas main is about to explode, or lightning is about to strike. And the building collapses on top of you and on top of the billiard table. Then what has happened to that white ball that could not miss the red ball, and to the red ball that could not miss the pocket? The white ball could not miss according to the laws of the billiard table. But the laws of the billiard table are not the only laws, and the laws governing the progress of this train, and of you to your destination, are also not the only laws in this particular game.
Ian Fleming (From Russia with Love (James Bond, #5))
What are your aptitudes? Your talents?” Their footsteps slowed as they reached the woods. His talents…he could hold his liquor, beat a man at billiards or cards, seduce a woman. He was a crack shot and an excellent rider. Then Christopher thought of the thing in his life he had most been lauded for, and showered with praise and medals. “I have one talent,” he said, taking Albert’s leash from Beatrix’s hand. He looked down into her round eyes. “I’m good at killing.” Without another word, he left her standing at the edge of the forest.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The tapestry looks valuable, so the driver turns it in to the district police, who assume it’s a cheap rug junked by a litterbug. It is colorful, though, and the officers place it on the floor of their break room, tucked beneath the billiards table, and walk on it for weeks, until they learn of the canal find and contact French authorities and Von der Mühll. The seventeenth-century tapestry is shipped to the same museum where the canal pieces are stored.
Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)
Take your cue from me. You'll love snooker.
Anthony T. Hincks
once confided to him late at night after a game of billiards and rather a lot of excellent port that his wife hated it so much that she’d only let him do it when she wanted a baby. She was a damned attractive woman, too, and a wonderful wife, as Martyn had said. In other ways. They had five children, and Martyn didn’t think she was going to wear a sixth. Rotten for him. When Edward had suggested that he find consolation elsewhere, Martyn had simply gazed at him with mournful brown eyes and said, ‘But I’m in love with her, old boy, always have been. Never looked at anyone else. You know how it is.’ And Edward, who didn’t, said of course he did. That conversation had warned him off Marcia Slocombe-Jones anyhow. It didn’t matter, because although he could have gone for her there were so many other girls to go for. How lucky he was! To have come back from France not only alive, but relatively unscathed! In winter, his chest played him up a bit due to living in trenches where the gas had hung about for weeks, but otherwise . . . Since then he’d come back, gone straight into the family firm, met Villy at a party, married her as soon as her contract with the ballet company she was with expired and as soon as she’d agreed to the Old Man’s dictate that her career should stop from then on. ‘Can’t marry a gal whose head’s full of something else. If marriage isn’t the woman’s career, it won’t be a good marriage.’ His attitude was thoroughly Victorian, of course, but all the same, there was quite a lot to be said for it. Whenever Edward looked at his own mother, which he did infrequently but with great affection, he saw her as the perfect reflection of his father’s attitude: a woman who had serenely fulfilled all her family responsibilities and at the same time retained her youthful enthusiasms – for her garden that she adored and for music. At over seventy, she was quite capable of playing double concertos with professionals. Unable to discriminate between the darker, more intricate veins of temperament that distinguish one person from another, he could not really see why Villy should not be as happy and fulfilled as the Duchy. (His mother’s Victorian reputation for plain living – nothing rich in food and no frills or pretensions about her own appearance or her household’s had long ago earned her the nickname of Duchess – shortened by her own children to
Elizabeth Jane Howard (The Light Years (Cazalet Chronicles, #1))
With as little effort as though she weighed no more than a pillow, he lifted her up and laid her on the billiards table. She was vaguely aware of the balls scattering. Leaning over her, he braced his arms on either side of her head, his gaze intent. “Don’t marry him,” he urged, his voice low and sensual until it more closely resembled a caress. “I have to.” “Because of the kiss in the garden?” Her heart slammed into her ribs. “What do you know of the garden?” “Only rumors. The rest of your life shouldn’t be determined by a kiss.” Yet here she was thinking that if she weren’t betrothed, the kiss he had just delivered would have been the guiding star for the remainder of her life. No one else’s would ever measure up. A broken betrothal . . . Litton would sue. Her father wouldn’t allow that sort of scandal to happen. “You’re being a bit hypocritical. You’re asking me to change the direction of my life because you managed to steal a kiss that left me breathless. You had your chance with me, Chetwyn. You chose another. Now so have I.” “I can explain.
Lorraine Heath (Deck the Halls With Love (The Lost Lords of Pembrook, #2.5))
Play billiards with me.” His eyes held a challenge that she knew had little to do with the actual game. He was daring her to stay, to risk being with him. Did he know how much she was drawn to him, how very dangerous he was to her? “I’ll teach you,” he said.
Lorraine Heath (Deck the Halls With Love (The Lost Lords of Pembrook, #2.5))