“
I BET YOU DIDN’T KNOW THIS, but lots of guys have a thing for Ariel. You know, from The Little Mermaid? I’ve never been into her myself, but I can understand the attraction: she fills out her shells nicely, she’s a redhead, and she spends most of the movie unable to speak.
In light of this, I’m not too disturbed about the semi I’m sporting while watching Beauty and the Beast—part of the homework Erin gave me. I like Belle. She’s hot. Well…for a cartoon, anyway. She reminds me of Kate. She’s resourceful. Smart. And she doesn’t take any shit from the Beast or that douchebag with the freakishly large arms.
I stare at the television as Belle bends over to feed a bird. Then I lean forward, hoping for a nice cleavage shot…
I’m going to hell, aren’t I?
”
”
Emma Chase (Tangled (Tangled, #1))
“
People who love horror films are people with boring lives... when a really scary movie is over, you're reassured to see that you're still alive and the world still exists as it did before. That's the real reason we have horror films - they act as shock absorbers - and if they disappeared altogether, I bet you'd see a big leap in the number of serial killers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news.
”
”
Ryū Murakami (In the Miso Soup)
“
It's not a fear.Kacey drank her wine faster."It's a scary movie!" "It's Alice in Wonderland.
”
”
Rachel Van Dyken (The Bet (The Bet, #1))
“
Bet you can't even name one romantic movie you like," she teased.
She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy.
The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line.
The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls.
Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?"
Schuyler mmm-hmmmed.
And Leia leans over the ledge and says, 'I love you.'"
That's cheesy, not romatic," Schuyler argued, although she did like that part.
Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?"
Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'"
Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic.
”
”
Melissa de la Cruz (Revelations (Blue Bloods, #3))
“
(before playing Headfirst Slide Into Cooperstown On A Bad Bet) I couldn't really come up with a short way to sum up this song, but I was watching the movie 'Adaptation' the other day and this sort of sums it up in my head. You are not who loves you. You are who you love. Always remember that.
”
”
Pete Wentz
“
If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, “She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness,” you would be right. But I bet you didn’t guess the part about an attack by a giant octopus.
”
”
James Patterson (Max (Maximum Ride, #5))
“
Don't you go to the movies?"
"Mostly just to eat popcorn in the dark.
”
”
Charles Bukowski (Betting on the Muse: Poems & Stories)
“
She slid out from under his arm, and picked up his shirt from the floor. When she put it on, it failed to meet in the middle over her chest. that always worked in the movies, she thought, disgusted, and dropped it on the floor.
”
”
Jennifer Crusie (Bet Me)
“
Christ, I'm in a Doris Day movie
”
”
Jennifer Crusie (Bet Me)
“
I know I should be able to find a story in anything. Good screenwriters can pull interesting films out of the asinine and mundane. But everything I've read about writing always begins with ‘write what you know.’ What I know is: quiet streets, topiary, moronic high school arsehats, and homework. Has anyone ever made a movie about homework? Probably. I bet it was in French.
”
”
Melissa Keil (Life in Outer Space)
“
A laugh I'd recognize anywhere
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
I don’t know. I think I’ve seen this movie, and it doesn’t turn out so well for me.”
I smiled at that, even though she hadn’t meant it to be funny. “How much you want to bet? I’m sure you’ve seen nature shows on alpha males or pack leaders or whatever—the whole flock of sheep thing, right?” I turned my smile extra confident because I know it annoys her when I act cocky. “Aves,Grayson Kennedy is at the top of the Spanish Fork High food chain. I’m the king of the jungle. My friends will like you because I like you.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right?
[Will nods]
Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
”
”
Robin Williams
“
I bet when Godzilla first came out, God was like: "Damn, that name is way cooler.
”
”
Oliver Markus Malloy (Inside The Mind of an Introvert: Comics, Deep Thoughts and Quotable Quotes (Malloy Rocks Comics Book 1))
“
Plus, I can't look at him the same since I ran into Mrs. Marino at our family reunion. It's not comforting to learn you've made out with your cousin."
"Third cousin once removed," I argued. "It's hardly incest."
"Life is like a box of chocolates, Lisa," Katie noted around a half-chewed carrot stick. "You never know what you're going to get."
Lisa narrowed her eyes, confused. "Did she just quote Forrest Gump at me?"
"It's Matt's fault," I said. "She lost a bet and now anytime his name gets mentioned, she has sixty seconds to drop a relevant movie quote."
"That's insane."
"Yup," Katie piped in, "insanity tuns in my family. Its practically gallops."
"Classic." I high-fived her.
”
”
Cecily White (Prophecy Girl (Angel Academy, #1))
“
Zach glanced out the window to what had to be the quietest town he’d ever been in. “Big gang problem around here? Lots of cow jacking?”
“We have all sorts pass through our little town, thank you very much. Bikers. Cowboys. The always dangerous rodeo clowns.”
“Rodeo clowns?”
“Don’t ask.”
Zach shrugged. “I don’t want to know.”
“Any other condescending questions about my town?”
“Oh, I’m not being condescending. I’m very interested in your tiny little town, with its tiny little people. I bet you guys even have a movie theater.”
Sara barked out a laugh. “You certainly are a charmer.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
She bit down on the inside of her cheek and-holy shit-looked like she wanted to laugh. "Are you high, Wes Bennett?
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Y’know, Buxbaum, someday you might see it differently.”
I tilted my head, crossed my arms, and said, “I was talking about you, Wes, not kissing in general.”
His lips slid up into the dirtiest of smirks. “Oh, I know, Elizabeth.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Don’t be afraid to do weird stuff, so long as you do it cheaply and cover everyone’s bets. Be bold. Be stupid, if you have to: so long as you don’t hurt anybody, what’s it matter how dopey your dream is? If I hadn’t made TUSK? If I’d let it die as a podcast? I wouldn’t have three other movies I’m now making within the span of a year. Some folks will try to shame you for trying something outside the norm; the only shame is in not trying to accomplish your dreams.
”
”
Kevin Smith
“
Wes was looking at her. "You know how I feel about weirdos."
"Yeah, well, I don't share your fondness. This one sent me to the back of the boarding line for cutting."
"No shit?" He started laughing that contagious Wes Bennett cackle and said, "No wonder you're obsessed. There's just something about a girl who hates your guts."
"I'm definitely not obsessed," I corrected him, knowing full well I was still staring at Glasses.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
I bet the only time people ever talk to him is when they ask if he’s saving that seat next to him at the movies.
”
”
Grady Hendrix (We Sold Our Souls)
“
Mess with Texas. No live human being could mess with Texas. If you succeed in messing with Texas, it's a sure bet you're as dead as a Junebug in July.
”
”
Seth Grahame-Smith (How to Survive a Horror Movie (How to Survive))
“
Because I don’t know if I’d say I’m an expert, but if you ever need any coaching, I’ve got all the tips you’ll ever need. I’m your guy—the guy—for mastering the art of the French kiss.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Wes had always been able to see through everything and just know. My thoughts, my reactions—he never missed a blush or a stammer, and he had the ability to catch any tell that my face might expose.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Her eyebrows furrowed. "What are you doing?"
"What do you mean?"
"Are you being a dick about my hair? Because I know you're not complimenting me."
"Lizzie," I said, pouring on the tease, even though I fucking loved her new hair. It was shorter and cute as hell, but no way could I give her a genuine compliment.
We didn't do that.
So I said, "Your hair is the stuff of cheerleader fantasy. Of main character daydreams. Your hair runs so that young gingers' hair can walk."
She bit down on the inside of her cheek and-holy shit-looked like she wanted to laugh. "Are you high, Wes Bennett?
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
I totally feel like an FBI agent right now, with my legs spread and my arms out straight, gripping the gun. I’ll bet my butt looks awesome.
… I squint at the target, holding the gun like I’ve seen FBI guys do it in the movies. I am so badass.
”
”
Elle Casey (MacKenzie Fire (Shine Not Burn, #2))
“
Never mind that it's not owned by a black person anymore. You can still learn a lot from BET. Primarily, you will learn that black people love reruns, and if you're lucky, you'll catch the Tyler Perry movie! I know the Internet Movie Database says Perry has written over ten films, and there may be several titles and even different casts, but if you've seen one Tyler Perry movie, you've experienced the entire cannon. The man has only made one film, and you can catch it on BET, repeatedly.
”
”
Baratunde R. Thurston
“
I just want to say one thing. If I ever write a novel again, it's going to be in defense of weak women, inept and codependent women. I'm going to talk about all the great movies and songs and poetry that focus on such women. I'm going to toast Blanche DuBois. I'm going to celebrate women who aren't afraid to show their need and their vulnerabilities. To be honest about how hard it can be to plow your way through a life that offers no guarantees about anything. I'm going to get on my metaphorical knees and thank women who fall apart, who cry and carry on and wail and wring their hands because you know what, Midge? We all need to cry. Thank God for women who can articulate their vulnerabilities and express what probably a lot of other people want to say and feel they can't. Those peoples' stronghold against falling apart themselves is the disdain they feel for women who do it for them. Strong. I'm starting to think that's as much a party line as anything else ever handed to women for their assigned roles. When do we get respect for our differences from men? Our strength is our weakness. Our ability to feel is our humanity. You know what? I'll bet if you talk to a hundred strong women, 99 of them would say 'I'm sick of being strong. I would like to be cared for. I would like someone else to make the goddamn decisions, I'm sick of making decisions.' I know this one woman who's a beacon of strength. A single mother who can do everything - even more than you, Midge. I ran into her not long ago and we went and got a coffee and you know what she told me? She told me that when she goes out to dinner with her guy, she asks him to order everything for her. Every single thing, drink to dessert. Because she just wants to unhitch. All of us dependent, weak women have the courage to do all the time what she can only do in a restaurant.
”
”
Elizabeth Berg (Home Safe)
“
Finally,’ I said. ‘Something we agree on.’ ‘I bet we agree on a lot.’ He plucked a mangled maple-nut donut out and sat back, examining it in the fluorescent light. ‘Such as?’ ‘All the important stuff,’ Gus said. ‘The chemical composition of Earth’s atmosphere, whether the world needs six Pirates of the Caribbean movies, that White Russians should only be drunk you’re already sure you’re going to vomit anyway.
”
”
Emily Henry (Beach Read)
“
Basically people who love horror movies are people with boring lives. They want to be stimulated, and they need to reassure themselves, because when a really scary movie is over, you’re reassured to see that you’re still alive and the world still exists as it did before. That’s the real reason we have horror films—they act as shock absorbers—and if they disappeared altogether it would mean losing one of the few ways we have to ease the anxiety of the imagination. And I bet you’d see a big leap in the number of serial killers and mass murderers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news, right?
”
”
Ryū Murakami (In the Miso Soup)
“
Although, as I watched him sleep, it occurred to me that he was way more attractive than I'd originally thought. He was my age-we were both freshmen-so I should've noticed, but his personality had somehow distracted me from the length of his eyelashes, the thickness of his dark hair, the prominence of his Adam's apple, and the way he had the tiniest little dimple in his chin.
He was, objectively speaking, a very cute guy.
"You checking me out, Glasses?"
Gah!
His eyes remained closed as he said, "Swear to God I can hear you holding your breath. Relax and exhale, kid; it's okay to creep on me."
"As if," I growled, irritated that I'd gotten busted, because the last thing on earth I wanted to do was stroke his ego. "I just thought you might be dead."
"Worried?"
"Hopeful.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
October 17, 1946
D’Arline,
I adore you, sweetheart.
I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you.
It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing.
But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you.
I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures.
When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive.
I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real.
My darling wife, I do adore you.
I love my wife. My wife is dead.
Rich.
PS Please excuse my not mailing this — but I don't know your new address.
”
”
Richard P. Feynman
“
I’m going to bet on someone’s wife hooking up with the guy next door,’ I said. The villainous nuns would have made better TV-movie fodder, but they sounded like a pretty big stretch to me. ‘Just playing the odds.
”
”
Tana French (The Wych Elm)
“
She lowered her chin to look at me over her sunglasses. "If I hadn't covered my face in time, I'd probably have a broken nose right now."
"I'd stop the bleeding with the shirt off my back if that happened, Lizzie."
"Yeah, and I'd probably get a bacterial infection from your filthy jersey.
Why don't you just take your little toy and go?"
I really was insane, because I fucking loved going back and forth like this with her.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Pleasure died forty years ago in America, perhaps further back, in a wave of carbon monoxide, gasoline, cigarettes for dames, the belief in everything and everybody, tolerance for the intolerable, the hatred of being alone in silence for more than twenty seconds, the assurance that immortality was Americans eating all-cow franks, with speeded-up peristalsis while talking to a crowd of fifteen trillion other same-bodies eating sandwiches, gassing cokes, peristalsing, and talking, while baseball-sound-movie-TV tomorrow's trots off track betting howled roared farted choked gagged exploded reentered atmo honked bawled deafened pawed puked croaked shouted repeated repeated REPEATED, especially SAY IT AGAIN LOUDER SAY IT AGAIN, stick that product in every God-damned American's mouth and make him say I BOUGHT IT, GOD I BOUGHT IT AND IT'S GREAT IT's HOLLYWOOD IT'S MY ARSE GOING UP AND DOWN AGAIN, IT'S USA, GOD, and if you can't get it in his mouth and make him SWEAR IT SWEAR IT USA, stick it in his anal sphincter (look it up in the dictionary, college graduates, on account of you didn't have time to learn it in the College of Your Choice).
”
”
James Purdy
“
Every time you jump the fence, it looks like it's going to topple over. Would it kill you to go through the gate?"
"Your dad put a lock on it," I said, "so I can't anymore."
"Oh-five, oh-four, two-one," she said, rolling her eyes. "Just put in the number, use the gate like a civilized human, and maybe don't even talk to me when you retrieve your misdirected sports paraphernalia. Zero contact would be cool."
"But how could I tell you how much I like your new hair if I didn't speak?
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly.
Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.”
“And they said?”
“Mom said, ‘Have a nice time, dear.’ Dad just looked at me.”
“Embarrassing much?”
“Worth it.”
He walks slowly over, his eyes locked on mine, then puts his hands around my waist.
“Um. So . . . are we going to study?” My tone’s deliberately casual.
Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt.
In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor.
“Sorry!” he says, and we both freeze, even though no one’s home to hear the sound.
In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack.
In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again.
But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He
”
”
Jennifer Crusie (Welcome To Temptation / Bet Me)
“
But here’s the thing,” says Paul. “I would bet that if someone did a study and asked, ‘Okay, your kid’s three, rank these aspects of your life in terms of enjoyment,’ and then, five years later, asked, ‘Tell me what your life was like when your kid was three,’ you’d have totally different responses.” WITH THIS SIMPLE OBSERVATION, Paul has stumbled onto one of the biggest paradoxes in the research on human affect: we enshrine things in memory very differently from how we experience them in real time. The psychologist Daniel Kahneman has coined a couple of terms to make the distinction. He talks about the “experiencing self” versus the “remembering self.” The experiencing self is the self who moves through the world and should therefore, at least in theory, be more likely to control our daily life choices. But that’s not how it works out. Rather, it is the remembering self who plays a far more influential role in our lives, particularly when we make decisions or plan for the future, and this fact is made doubly strange when one considers that the remembering self is far more prone to error: our memories are idiosyncratic, selective, and subject to a rangy host of biases. We tend to believe that how an episode ended was how it felt as a whole (so that, alas, the entire experience of a movie, a vacation, or even a twenty-year marriage can be deformed by a bad ending, forever recalled as an awful experience rather than an enjoyable one until it turned sour). We remember milestones and significant changes more vividly than banal things we do more frequently.
”
”
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
“
Why are your cheeks red?"
He was looking at me like I was a silly child, and I kind of wanted to hurt him. "Because I'm sitting in the hot sun, dumbass."
"No need for name-calling when I'm trying to help you."
"How are you trying to help me, exactly?"
"If you're interested in Charlie, I can provide the assist."
"No offense, but I will never-in my entire life-want you anywhere near my love life."
"Never say never."
"Nevernevernevernever and oh, yeah-never."
"You wound me, Buxbaum," he said, putting his hand over his heart.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
My bad!" Charlie yelled as he jogged over. "I'll get it."
I held out a hand. "Don't you fucking dare."
"Still with that?" Charlie said, grinning and shaking his head like I was pathetic.
I was pathetic.
"I just enjoy messing with my neighbor, that's all."
"Sure it is."
I ignored him and charged over the fence, easily climbing it and dropping right into the Buxbaums' yard. The tree Liz was parked under was on the other side, bordering the other neighbors' fence, and she was facing
my direction.
The football was in the grass right beside her.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Tate practically raised you from what I hear. You love him, don’t you?”
Her face closed up. “For all the good it will ever do me, yes,” she said softly.
“He won’t have the excuse of pure Lakota blood much longer,” he advised.
“I’m not holding out for miracles anymore,” she vowed. “I’m going to stop wanting what I can never have. From now on, I’ll take what I can get from life and be satisfied with it. Tate will have to find his own way.”
“That’s sour grapes,” he observed.
“You bet it is. What do you want me to do to help?”
“It’s dangerous,” he pointed out, hesitating as he considered her youth. “I don’t know…”
“I’m a card-carrying archeologist,” she reminded him. “Haven’t you ever watched an Indiana Jones movies? We’re all like that,” she told him with a wicked grin. “Mild-mannered on the outside and veritable world-tamers inside. I can get a whip and a fedora, too, if you like,” she added.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Life is dangerous,Gary," Gregori said softly. "You are Rambo, remember?"
Savannah's laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to he, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it,a part of it. Gregori had walked unseen, and that was how he preferred it.She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal wwith half the block staring openly at them.
"I didn't know you knew who Rambo was," Savannah said, trying not to giggle. She couldn't imagine Gregori in a theater watching a Rambo movie.
"You saw a Rambo flick?" Gary was incredulous.
Gregori made a sound somewhere between contempt and derision. "I read Gary's memories on the subject. Interesting. Silly,but interesting." He glanced at Gary. "This is your hero?"
Gary's grin was as michievous as Savannah's. "Until I met you, Gregori."
Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated.
"I'll bet he's a secret Rambo fan," Savannah whispered confidentially.
Gary nodded. "He probably sneaks into movie theaters for every old showing.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I invited her over to the apartment in an attempt to recreate the club's horror movie nights. I started off with a sure bet: Scream. A perennial fave. But to my horror Saundra showed up at my apartment with her tablet loaded with the MTV series based on the movies. When I told her, ver gently, that I would rather tear my skin off than watch that abomination, she laughed and hit play.
”
”
Goldy Moldavsky (The Mary Shelley Club)
“
Zach: Are you close with your brother? He’s partially to blame for the wrong number thing, isn’t he?
* * *
Me: Kind of. Yeah, we’re close. My mom worked at the hospital so it was usually just us two fending for ourselves.
* * *
Me: Okay, so I shouldn’t say fending for ourselves. That makes me sound like a dick and unappreciative of all my mom did. We just spent many nights just the two of us because my mom was a hardworking single lady and she wasn’t searching for a man to put a ring on it because she. Is. Fierce.
* * *
Zach: I bet your mom is the shit.
* * *
Me: She really is. You should meet her sometime.
* * *
Me: Oh, awkward…I’m talking about meeting the family and we’re not even officially a couple.
* * *
Zach: We’re not?
* * *
Me: We are?
My phone lights up with a call from Zach.
“Are you saying we aren’t dating?” he says before I can say anything.
“We are…”
“Are you saying you’re wanting to see other people?”
“No…”
“So then we’re a couple.”
I’m quiet, unsure what to say. I’m so scared to label this, which is stupid, I know.
“Delia?”
“Yes, Zach?”
“Do you not want to be?”
I take a deep breath and push out the answer I know is right, even though my head is saying otherwise. “No. I want to be a couple.”
“Are you sure?”
“Yes. I’m just…scared. I know I shouldn’t put that all on you, but you’re kind of the reason I’m scared. I like you, Zach—a lot—but what if this doesn’t work out? What if we jump in too soon?”
He sighs. “Remember when we were talking about our exes? About the lack of fireworks?”
“Yeah.”
“I swear to god, someone is going to swoop in and take my man card for this shit, but I felt them with you. When we first kissed, I knew right then you were worth jumping in with both feet and taking a risk.”
I don’t let myself overthink his words, wanting to keep my head level and clear.
“What if I’m not worth the risk?”
“We’ll never know if we don’t take it.”
“Say you’re a couple already, Dalilah!” Robbie’s voice comes loud through the speaker. “He paused the movie during an epic scene!”
“How many times have I told you that her name is Delia. Deal-ya. Get it?”
“You talk about me with Robbie?” I ask.
“Sometimes.”
“Say yes! He looks like someone kicked his goat!”
“Shut the fuck up, Robbie!”
I laugh. “If I say yes, will he stop shouting?”
“YES!” Robbie shouts again.
“I’ll take the risk, Zach, but you better be worth it.”
“You’ve seen my Harry Potter underwear—you know I’m worth it.” Then he whispers, “Wink.
”
”
Teagan Hunter (Let's Get Textual (Texting, #1))
“
something? Sometimes she’d go to a movie with Honor, though she clucked about the unsanitary nature of theaters, theater staff and humans in general. Hmm. Mrs. Johnson was probably her best bet. They could bring Spike, who loved movies as well as popcorn. At that moment, her phone rang, startling her so much that she sloshed her coffee. Spike barked from her little doggy bed and began leaping up against Honor’s leg, tearing
”
”
Kristan Higgins (The Perfect Match (Blue Heron #2))
“
Are you high, Wes Bennett?”
"I'll answer that if you answer this: Were you playing Beyoncé on the piano last night?"
Her green eyes went wide, and her mouth dropped open. "You heard me?"
"The windows were open," I said, shrugging like it was the first time I'd ever heard her, "and I was having a smoke out back. So was it 'Halo'?"
"You smoke?" She was looking at me like I was a puzzle, like she couldn't figure me out.
"No. Was it?"
The crinkle in her forehead grew somehow. "Yes. So ... do you or don't you?"
"Like Beyonce? Fucking love her."
She rolled her eyes. "Why do I even bother trying to have a conversation with you?"
"Because you're fascinated and want to know more."
She snorted.
"Because you find me wildly attractive and need some insight into my soul?"
"Try again."
"Because you want to reconcile the data you've entered into your diary about me with the real-life, actual facts?"
"So you are high.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Dad is probably ignoring whatever muted movie is on Channel 17 while skimming the day's paper. He never turns the sound on when he doesn't have to. I asked him once why he doesn't just turn the TV off.
"Something about it makes me feel like I'm not alone," he said.
I bet there are millions of people who'd agree with him, too. Not me. I'd rather feel something for real than pretend it's not what it is. (Which Zen guy said, "If you want to drown, do not torture yourself with shallow water"?)
”
”
A.S. King (Please Ignore Vera Dietz)
“
This mindset, known as loss aversion, the sunk-cost fallacy, and throwing good money after bad, is patently irrational, but it is surprisingly pervasive in human decision-making.65 People stay in an abusive marriage because of the years they have already put into it, or sit through a bad movie because they have already paid for the ticket, or try to reverse a gambling loss by doubling their next bet, or pour money into a boondoggle because they’ve already poured so much money into it. Though psychologists don’t fully understand why people are suckers for sunk costs, a common explanation is that it signals a public commitment. The person is announcing: “When I make a decision, I’m not so weak, stupid, or indecisive that I can be easily talked out of it.” In a contest of resolve like an attrition game, loss aversion could serve as a costly and hence credible signal that the contestant is not about to concede, preempting his opponent’s strategy of outlasting him just one more round.
”
”
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
“
Does this popcorn taste burnt to you?" Miles asked, chewing loudly.
"Don't eat that," Roland said, plucking the popcorn from Miles's palm. "Arriane got it out of the trash after Luce set the dorm room kitchen on fire."
Miles began spitting frantically, leaning over the edge of Roland's wings.
"It was my way of connecting with Luce." Arriane shrugged. "But here, if you must, have some Milk Duds."
"Is it weird that we're watching the two of them like a movie?" Shelby asked. "We should imagine them like a novel, or a poem, or a song. Sometimes I feel oppressed by how reductive the filmic medium is."
"Hey. Roland didn't have to fly you out here, Nephilim. So don't act smart, just watch. Look." Arriane clapped. "He's totally staring at her hair. I bet he goes home and sketches it tonight. How cuuute!"
"Arriane, you got way too good at being a teenager," Roland said. "How long are we going to watch for? I mean, don't you think they've earned a little privacy?"
"He's right," Arriane said. "We have other things on our celestial plates. Like..." Her smirk faded when she couldn't seem to think of anything.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
I joined a bunch of Bible studies when I started following Jesus. Everyone around me was in at least one, so I thought there must be some rule or eleventh commandment and I had just missed it. We sat in circles, and I assumed we'd either start making friendship bracelets or start talking about Jesus. We ate chips and cookies, and I heard lots of opinions about every social topic, about whether it's okay to watch rated R movies, and about what words meant in Greek and Hebrew. It wasn't long before I started to feel bored with the whole thing.
That's when some friends and I started a 'Bible Doing' group. We read what Jesus said and then schemed ways to actually go and do those things. It might sound strange, but think about it: Jesus never said, 'Study Me.' He said, 'Follow Me.' Jesus invited us to find people who don't have food and to get them something to eat. He said to hang out with people in prison. He said if you know someone who doesn’t have a place to stay, help them find one. He was all about doing things for widows and orphans, not becoming informed about them. Following Jesus is way more exciting than studying Him. Do we need to know the Scriptures? You bet. But don't stop there. Our faith can start to get confusing and boring when we exercise it by debating about it.
”
”
Bob Goff (Live in Grace, Walk in Love: A 365-Day Journey)
“
Despite having minority traditions of their own, our present poor are absolute sheep and suckers for the popular culture which they cannot afford, the movies, sharp clothes, and up to Cadillacs. Indeed, it is likely that the popular culture is aimed somewhat at them, as the lowest common denominator. I do not mean that this is not a reasonable compensation, like the Englishman’s liquor and the Irishman’s betting on the horses. Everybody has got to have something, and so poor people show off and feel big by means of the standard of living. But in these circumstances it is immensely admirable that the Beat Generation has contrived a pattern of culture that, turning against the standard culture, costs very little and gives livelier satisfaction. It is a culture communally shared, in small groups. Much of it is handmade, not canned. Some of it is communally improvised.
”
”
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized Society)
“
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he
unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty
whities and all.
Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My
eyes! They burn!”
“Put the boa constrictor back in his cage, man.”
“This is not the ass I planned on seeing tonight.”
Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite
ass out the window—mooning the gaggle of grannies in the car next to us.
I bet you thought this kind of stuff only happened in movies.
He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then
he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?”
Wow. Steven usually isn’t the type to visually assault the elderly.
Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single
strangled word.
“Grandma?”
Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor.
“No way that just happened.”
Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the
driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to
Steven.
What are the fucking odds, huh?
Loretta was always a cranky old bitch. No sense of humor. Even when I was a kid she hated me.
Thought I was a bad influence on her precious grandchild.
Don’t know where she got that idea from.
She moved out to Arizona years ago. Like a lot of women her age, she still enjoys a good tug on the
slot machine—hence her frequent trips to Sin City. Apparently this is one such trip.
Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs.
Reinhart.”
She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips
us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen.
The two of us collapse back into our seats, laughing hysterically.
”
”
Emma Chase (Tied (Tangled, #4))
“
The public offering occurred exactly one week after Toy Story’s opening. Jobs had gambled that the movie would be successful, and the risky bet paid off, big-time. As with the Apple IPO, a celebration was planned at the San Francisco office of the lead underwriter at 7 a.m., when the shares were to go on sale. The plan had originally been for the first shares to be offered at about $14, to be sure they would sell. Jobs insisted on pricing them at $22, which would give the company more money if the offering was a success. It was, beyond even his wildest hopes. It exceeded Netscape as the biggest IPO of the year. In the first half hour, the stock shot up to $45, and trading had to be delayed because there were too many buy orders. It then went up even further, to $49, before settling back to close the day at $39. Earlier that year Jobs had been hoping to find a buyer for Pixar that would let him merely recoup the $50 million he had put in. By the end of the day the shares he had retained—80% of the company—were worth more than twenty times that, an astonishing $1.2 billion. That was about five times what he’d made when Apple went public in 1980.
”
”
Walter Isaacson (Steve Jobs)
“
RICHARD FEYNMAN LETTER TO ARLINE FEYNMAN, 1946 Richard Feynman (1918–1988) shared the 1965 Nobel Prize in Physics for his work on quantum electrodynamics. Unrivaled in his generation for his brilliance and innovation, he was also known for being witty, warm, and unconventional. Those last three qualities were particularly evident in this letter, which he wrote to his wife Arline nearly two years after her death from tuberculosis. Feynman and Arline had been high school sweethearts and married in their twenties. Feynman’s second marriage, in 1952, ended in divorce two years later. His third marriage, in 1960, lasted until his death. D’Arline, I adore you, sweetheart. I know how much you like to hear that—but I don’t only write it because you like it—I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you—almost two years but I know you’ll excuse me because you understand how I am, stubborn and realistic; & I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead—but I still want to comfort and take care of you—and I want you to love me and care for me. I want to have problems to discuss with you—I want to do little projects with you. I never thought until just now that we can do that together. What should we do. We started to learn to make clothes together—or learn Chinese—or getting a movie projector. Can’t I do something now. No. I am alone without you and you were the “idea-woman” and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to & thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true—you can give me nothing now yet I love you so that you stand in my way of loving anyone else—but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish & that you want me to have full happiness & don’t want to be in my way. I’ll bet you are surprised that I don’t even have a girl friend (except you, sweetheart) after two years. But you can’t help it, darling, nor can I—I don’t understand it, for I have met many girls & very nice ones and I don’t want to remain alone—but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. P.S. Please excuse my not mailing this—but I don’t know your new address.
”
”
Lisa Grunwald (The Marriage Book: Centuries of Advice, Inspiration, and Cautionary Tales from Adam and Eve to Zoloft)
“
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he
unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty
whities and all.
Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My
eyes! They burn!”
“Put the boa constrictor back in his cage, man.”
“This is not the ass I planned on seeing tonight.”
Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite
ass out the window—mooning the gaggle of grannies in the car next to us.
I bet you thought this kind of stuff only happened in movies.
He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then
he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?”
Wow. Steven usually isn’t the type to visually assault the elderly.
Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single
strangled word.
“Grandma?”
Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor.
“No way that just happened.”
Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the
driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to
Steven.
What are the fucking odds, huh?
....
Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs.
Reinhart.”
She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips
us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen.
The two of us collapse back into our seats, laughing hysterically.
”
”
Emma Chase (Tied (Tangled, #4))
“
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them.
Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them.
Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity.
In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them.
Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
”
”
Kristopher Jansma (Why We Came to the City)
“
During homeroom, before first period, I start a bucket list in one of my notebooks.
First on the list?
1) Eat in the cafeteria. Sit with people. TALK TO THEM.
2)
And…that’s all I can come up with for now. But this is good. One task to work on.
No distractions. I can do this.
When my lunch period rolls around, I forgo the safety of my bag lunch and the computer
lab and slip into the pizza line, wielding my very own tray of semi-edible fare for
the first time in years.
“A truly remarkable sight.” Jensen cuts into line beside me, sliding his tray next
to mine on the ledge in front of us. He lifts his hands and frames me with his fingers,
like he’s shooting a movie. “In search of food, the elusive creature emerges from
her den and tries her luck at the watering hole."
I shake my head, smiling, moving down the line. “Wow, Peters. I never knew you were
such a huge Animal Planet fan.”
“I’m a fan of all things nature. Birds. Bees. The like.” He grabs two pudding cups
and drops one on my tray.
“Pandas?” I say.
“How did you know? The panda is my spirit animal.”
“Oh, good, because Gran has this great pattern for an embroidered panda cardigan.
It would look amazing on you.”
“Um, yeah, I know. It was on my Christmas list, but Santa totally stiffed me."
I laugh as I grab a carton of milk. So does he.
He leans in closer. “Come sit with me.”
“At the jock table? Are you kidding?” I hand the cashier my lunch card.
Jensen squints his eyes in the direction of his friends. “We’re skinny-ass basketball
players, Wayfare. We don’t really scream jock.”
“Meatheads, then?”
“I believe the correct term is Athletic Types.” We step out from the line and scan
the room. “So where were you planning on sitting?"
“I was thinking Grady and Marco were my safest bet.”
“The nerd table?”
I gesture to myself, especially my glasses. “I figure my natural camouflage will help
me blend, yo.”
He laughs, his honey-blond hair falling in front of his eyes.
“And hey,” I say, nudging him with my elbow, “last I heard, Peters was cool with nerdy.”
He claps me gently on the back. “Good luck, Wayfare. I’m pulling for ya.
”
”
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
“
The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong.
But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects.
But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood.
Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal.
This stuff generates wealth for those who practice it. It enriches the country and improves our lives.
And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist.
The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile.
What country do you want to live in?
”
”
Cory Doctorow (Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future)
“
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges.
“Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.”
She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.”
A low chuckle. “Well, this was a special circumstance, so they helped me out.”
“I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”.
“Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.”
“Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?”
“Not gonna give away my hand this early on, but I’ll take those into consideration.”
“And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.”
“What thing is that? Refresh my memory,” he said, a teasing note in his voice.
She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.”
He gave a low groan. “I loved every second of it. But think simpler.”
Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled.
“That works too, but it’s still not the key.”
“Then what?”
“You.”
She blinked, her heart squeezing at the conviction behind his answer. “Me?”
“Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable.
“So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay.
A masculine rumble filled her ears. “God, yeah.”
She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.”
“I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?”
She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.”
“Oh, baby, I’ll be so good to you, you have no idea.
”
”
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
“
The story has been told and retold about how, as a young filmmaker, in the wake of American Graffiti’s success, he was advised to demand a higher salary on his next movie, Star Wars. That would be the expected move in Hollywood: Bump up your quote. Not for George, though. He skipped the raise altogether and asked instead to retain ownership of licensing and merchandising rights to Star Wars. The studio that was distributing the film, 20th Century Fox, readily agreed to his request, thinking it was not giving up much. George would prove them wrong, setting the stage for major changes in the industry he loved. He bet on himself—and won.
”
”
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
“
Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me.
Then again, we were walking toward a barn.
Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where…
Or maybe it’s a puppy.
Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Look at this. Do you know what this says?”
“Travis and Etty, surrounded by little glittery hearts?” he answers.
“No, it says we are safe. We need to do something that is unsafe.”
The frown on Travis’s face makes me think he isn’t getting it.
“The best love stories have action… adventure!” I argue.
Also, action usually raises tension. And tension usually equals a good argument.
So, that’s it. That’s my answer. We go to the Congo; we stumble upon some drug lords and bam− if that’s not conflict I don’t know what is.
Except, I can’t go the Congo because I have to work tomorrow.
But the theory is still valid.
“I would suggest skydiving, but I know because of the height issue that’s out,” I put my finger to my mouth in concentration.
“Because that’s the only reason why that wouldn’t be a good idea,” Travis says.
“Should we go to the casino and bet it all on red?” I ask.
“Have you forgotten you’re still taking overtime shifts to pay off the inflatable day of fun?” Travis argues.
“I’ve got it!” I exclaim, shooting my arms up in victory. “Let’s go drive down to the docks and see if we can witness a crime.”
“Where are ‘the docks’?” Travis says, smiling indulgently at my new idea.
“I’ve heard people say that in movies,” I say, shrugging. “I was hoping you would know where it is.
”
”
Emily Harper (My Sort-of, Kind-of Hero)
“
I bet you look good naturally.” “Not true,” she said, shaking her head. “I spend plenty of time at the gym doing all the things that keep me looking good. I practice yoga and Pilâtes, and sometimes I starve myself to squeeze into something stunning.” “That’s ’cause you’re a movie star. You have to.
”
”
Jackie Collins (Hollywood Wives - The New Generation: The Sequel (The Hollywood Series Book 4))
“
The officers had a ghoul pool, in which they bet on how many bodies eventually would be recovered. The estimates ranged from five to twenty-four. Everyone was low. Taking a cue from a movie just opening in Chicago theaters, they got themselves T-shirts emblazoned with “The Body Snatchers, No. 803640,” the six digits referring to the case number, with large numerals “27,” signifying the body count, on the other side. (That number also proved low.)
”
”
Terry Sullivan (Killer Clown:The John Wayne Gacy Murders)
“
What did it mean to be a “movie star”? He quoted an actor who explained the type of characters he wanted to play: “I don’t want to be the man who learns. I want to be the man who knows.” We are discouraged from saying “I don’t know” or “I’m not sure.” We regard those expressions as vague, unhelpful, and even evasive. But getting comfortable with “I’m not sure” is a vital step to being a better decision-maker. We have to make peace with not knowing.
”
”
Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
“
Admit it. Thunder gets you hard. It’s okay, I won’t kink shame you. God, I bet the Thor movies really got you going, huh—”
“Stop talking.”
“Please. If you wanted a silent, compliant lay, you should’ve picked someone else.
”
”
Lily Gold (Triple-Duty Bodyguards)
“
The conclusions we draw about intentions based on the impact of others’ actions on us are rarely charitable. When a friend shows up late to the movie, we don’t think, “Gee, I’ll bet he ran into someone in need.” More likely we think, “Jerk. He doesn’t care about making me miss the beginning of the movie.” When we’ve been hurt by someone else’s behavior, we assume the worst. When a customer writes “I don’t suppose you’ve gotten to my order yet . . . ,” is he being sarcastic? Is he angry? Or is he trying to tell you that he knows you’re busy? Without tone of voice to guide us, it is easy to assume the worst. We Treat Ourselves More Charitably.
”
”
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
“
Boyfriend #10
Peter Sosa, Age Twenty-Nine
What is it? You’re married, aren’t you?”
“No, no, nothing like that.” He paused, leaving Jane to imagine. “I have a girlfriend. I’m sorry. I’m not cheating, she’s right over there, at the table by the window. She made me a bet that I couldn’t make the first girl I asked out fall in love with me. Some movie she saw, thought it would be romantic, then it went too far…”
Jane’s language would have made Britney the longshoreman blush down to her boots.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
I have an inner Regina George. The manipulative, deceitful, belittling queen bee in the movie Mean Girls talks smack, giving my self-esteem Ray Rice beat downs. Don’t judge. I’ll bet you have an inner Regina George, who makes you feel like crap because of your thighs/boyfriend/job/laugh. We all do. Some are just better at silencing their Reginas before she inflicts real damage. My Regina is telling me I am going to lose my job.
”
”
Leah Marie Brown (Finding It (It Girls, #2))
“
A block from his hotel, Gary cleared his throat. “I thought you said going back to my room might be dangerous.”
“Life is dangerous, Gary,” Gregori said softly. “You are Rambo, remember?”
Savannah’s laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to her, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it, a part of it. Gregori had walked unseen, and that was how he preferred it. She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal with half the block staring openly at them.
“I didn’t know you knew who Rambo was,” Savannah said, trying not to giggle. She couldn’t imagine Gregori in a theater watching a Rambo movie.
“You saw a Rambo flick?” Gary was incredulous.
Gregori made a sound somewhere between contempt and derision. “I read Gary’s memories on the subject. Interesting. Silly, but interesting.” He glanced at Gary. “This is your hero?”
Gary’s grin was as mischievous as Savannah’s. “Until I met you, Gregori.”
Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated.
“I’ll bet he’s a secret Rambo fan,” Savannah whispered confidentially.
Gary nodded. “He probably sneaks into movie theaters for every old showing.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Mrs. Wiggins interrupted him. “Great grief, Freddy, can’t you forget your old ten cents long enough to let me finish what I started to say? What have mice in the movies got to do with this meeting? I wanted to say that the way to make life more interesting isn’t to sit around and growl about it, it is to go out and hunt up something. Look for adventures. Suppose we all start out in a different direction. I’ll bet you that not one of us would go half a mile off the farm before something interesting would turn up.
”
”
Walter Rollin Brooks (Freddy the Cowboy (Freddy the Pig))
“
Westie grinned. “First men to ever escape the Iceberg. Hell, I bet they’ll make a movie about us. George Clooney might play me.” “You don’t look anything like George Clooney,” Jake said. “Said might, not would. Don’t piss on a man’s dreams.
”
”
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
“
Failures as people: millions of Americans felt that this description fit them to a T. Seeking a solution, any solution, they eagerly forked over their cash to any huckster who promised release, the quicker and more effortlessly the better: therapies like “bioenergetics” (“The Revolutionary Therapy That Uses the Language of the Body to Heal the Problems of the Mind”); Primal Scream (which held that when patients shrieked in a therapist’s office, childhood trauma could be reexperienced, then released; John Lennon and James Earl Jones were fans); or Transcendental Meditation, which promised that deliverance could come if you merely closed your eyes and chanted a mantra (the “TM” organization sold personal mantras, each supposedly “unique,” to hundreds of thousands of devotees). Or “religions” like the Church Universal and Triumphant, or the Reverend Sun Myung Moon’s Unification Church, or “Scientology”—this last one invented by a science fiction writer, reportedly on a bet. Devotees paid cash to be “audited” by practitioners who claimed the power—if, naturally, you paid for enough sessions—to remove “trauma patterns” accreted over the 75 million years that had passed since Xenu, tyrant of the Galactic Confederacy, deposited billions of people on earth next to volcanoes and detonated hydrogen bombs inside those volcanos, thus scattering harming “body thetans” to attach to the souls of the living, which once unlatched allowed practitioners to cross the “bridge to total freedom” and “unlimited creativity.” Another religion, the story had it, promised “perfect knowledge”—though its adherents’ public meeting was held up several hours because none of them knew how to run the movie projector. Gallup reported that six million Americans had tried TM, five million had twisted themselves into yoga poses, and two million had sampled some sort of Oriental religion. And hundreds of thousands of Americans in eleven cities had plunked down $250 for the privilege being screamed at as “assholes.” “est”—Erhard Seminars Training, named after the only-in-America hustler who invented it, Werner Erhard, originally Jack Rosenberg, a former used-car and encyclopedia salesman who had tried and failed to join the Marines (this was not incidental) at the age of seventeen, and experienced a spiritual rebirth one morning while driving across the Golden Gate Bridge (“I realized that I knew nothing. . . . In the next instant—after I realized that I knew nothing—I realized that I knew everything”)—promised “to transform one’s ability to experience living so that the situations one had been trying to change or had been putting up with, clear up just in the process of life itself,” all that in just sixty hours, courtesy of a for-profit corporation whose president had been general manager of the Coca-Cola Bottling Company of California and a former member of the Harvard Business School faculty. A
”
”
Rick Perlstein (The Invisible Bridge: The Fall of Nixon and the Rise of Reagan)
“
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he
unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty
whities and all.
Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My
eyes! They burn!”
“Put the boa constrictor back in his cage, man.”
“This is not the ass I planned on seeing tonight.”
Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite
ass out the window—mooning the gaggle of grannies in the car next to us.
I bet you thought this kind of stuff only happened in movies.
He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then
he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?”
Wow. Steven usually isn’t the type to visually assault the elderly.
Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single
strangled word.
“Grandma?”
....
Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs.
Reinhart.”
She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips
us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen.
The two of us collapse back into our seats, laughing hysterically.
”
”
Emma Chase (Tied (Tangled, #4))
“
Knocking on the Ellises’ door ten minutes later with the pink horn and streamers in hand, I try to put on the I-am-a-cool-motherfucker pose.
When Brittany opens the door wearing a baggy T-shirt and shorts, I’m floored.
Her pale blue eyes open wide. “Alex, what are you doing here?”
I hold out the horn and streamers.
She snatches them from my hand. “I can’t believe you came here because of some prank.”
“We’ve got some things to discuss. Besides pranks.”
She swallows nervously. “I’m not feeling great, okay? Let’s just talk at school.” She tries to close the door.
Shit, I can’t believe I’m going to do this like a stalker guy in the movies. I push open the door. ¡Que mierdaǃ
“Alex, don’t.”
“Let me in. For a minute. Please.”
She shakes her head, those angelic curls swaying back and forth across her face. “My parents don’t like when I have people over.”
“Are they home?”
“No.” She sighs, then opens the door hesitantly.
I step inside. The house is even bigger than it looks from the outside. The walls are painted bright white, reminding me of a hospital. I swear dust wouldn’t have the nerve to land on their floors or counters. The two-story foyer boasts a staircase that rivals the one I saw in The Sound of Music, which we were forced to watch in junior high, and the floor is as shiny as water.
Brittany was right. I don’t belong here. It doesn’t matter, because even if I don’t belong in this place, she’s here and I want to be where she is.
“Well, what did you want to talk about?” she asks.
I wish her long, lean legs weren’t sticking out from her shorts. They’re a distraction. I look away from them, desperate to keep my wits. So what if she has sexy legs? So what if she has eyes as clear as glass marbles? So what if she can take a prank like a man and give it right back?
Who am I kidding? I have no reason for being here other than the fact that I want to be near her. Screw the bet.
I want to know how to make this girl laugh. I want to know what makes her cry. I want to know what it feels like to have her look at me as if I’m her knight in shining armor.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Hell. No. I’m not going to watch a movie called Bridesmaids.” “Um, actually, you will, and I’ll bet you one hundred dollars right now that you’ll willingly watch it more than once.” “I’ll bet you two hundred and a week’s worth of pancakes for breakfast that I won’t make it twenty minutes in.” Her eyes never left the screen, and her hand never stopped clicking buttons on the remote as she set up endless movies to record, but a smug grin crossed her face and she held her free hand out to shake on the bet. “Deal.” After
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
Can I get you some coffee?” Nathan had seen enough spy movies to be leery of open beverages. He didn’t think the Russian would drug him, but he wasn’t betting his life on it.
”
”
Bryan Denson (The Spy's Son: The True Story of the Highest-Ranking CIA Officer Ever Convicted of Espionage and the Son He Trained to Spy for Russia)
“
Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing,” I ask her, the phone cradled against my chest.
“Definitely sign me up for that!” Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul.
“We’re in,” I tell Gil, arranging to meet him and his date in the diner later.
“So, who is it this time?” Ari asks, resting her chin in her hands. “Anyone we know?”
Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it’ll be someone familiar. “I didn’t ask; guess we’ll find out soon enough.”
“Five bucks says it’s a blonde,” Ari quips.
“That’s one bet I’m not taking,” I admit, twirling a lock of her hair around my finger. “Gil’s penchant for blondes is world-renowned.
”
”
Siobhan Davis (Light of a Thousand Stars (True Calling #2.5))
“
Maybe, if you’re very nice, I’ll let you watch a movie with me.” He smiled at her. “I bet they’re all girl movies that make you cry.” He used his thumb to wipe a tear away from her cheek. “Cameron, everything makes me cry. Haven’t you noticed?” “It’s pretty normal. Pregnant women cry a lot, whether they need to or not.
”
”
Robyn Carr (Paradise Valley)
“
Heavy Issues (Bowen #2) : chap 9
Chapter Nine
Christy paid for her soda and looked around. Tonight was a low-key event, no fund-raising dinner or dance, just good old outdoor-movie night. And thank God for it. Alden was a small town, but boy these people knew how to party.
The whole park was packed, but she soon found Sophie at the far end and walked toward her, dropping onto a wooden chair the second she reached her, tired after a long day. She hadn’t had time to properly sit when Rose and her entourage approached them, the beautiful blonde glancing around and then focusing on Christy, disdain oozing from her.
“Where did you leave Cole? Or has he gotten tired of you already?”
Sophie snorted. “Wouldn’t you wish that.”
“He’s filling in for Mike down at the gym—karate lesson. I’m very surprised you aren’t there drooling.”
“We weren’t drooling,” Rose retorted.
Ah, so they’d been there. What a surprise.
“I still can’t believe he’s dating you. Did he lose a bet or something?” she asked, looking toward her friends.
Bitch. Christy shrugged and offered her a sweet smile. “What do you want me to say? I just want to fuck the man, but he insists on dating me. Go figure that one.”
Rose’s malicious eyes narrowed on her. “Enjoy it while it lasts. You can’t hold on to a man like that. You don’t have what it takes.”
And with that parting shot Rose strode away, all long legs and swinging hips.
“‘You don’t have what it takes,’” Sophie repeated, mocking Rose’s tone. “And what’s that, Botox and a bad case of sluttiness?
”
”
Elle Aycart (Heavy Issues (Bowen Boys, #2))
“
Ever seen a cow milked by hand in the movies?” he asked.
“Certainly,” said Ferdy.
“Then I guess you know all you need to,” said Ben with a wink at the other cubs. “Go on, son. Git!”
Ferdy sat down on the little stool behind Old Bess and placed the bucket under her bulging udder. He grasped two nipples and pulled gently. Nothing happened.
“Better pull a little harder, son,” Ben advised.
Ferdy tugged harder. But all that happened was that Old Bess looked back at Ferdy.
“Uh-oh,” said Lizzy, who had a way with animals. “She looks mad.”
Just then Old Bess lifted a hind leg and kicked the stool right out from under Ferdy. Ferdy fell forward and landed with his head in the bucket.
“You’re sure havin’ your problems with buckets this morning, son,” said Farmer Ben.
“I doubt it was my fault,” said Ferdy icily. “Old Bess seems to be working no better than her milking machine.”
“We’ll see about that,” said Farmer Ben. He took a seat on the stool and reached for Old Bess’s udder. Within minutes he had a full pail of fresh milk.
“I’ll bet Ferdy’s had enough for one day, cubs,” said Farmer Ben. “We should all thank him for being such a good sport. And a good teacher. You can learn a lot by seeing how not to do things, you know.
”
”
Stan Berenstain (The Berenstain Bears and the Haunted Hayride)
“
Doesn't your Dad give you any money?' Jacob had asked one day, as they sat on the sofa in the upstairs living room watching a movie on HBO.
'Just enough for Nina and Kakak.'
'What about your grandmother? Doesn't she have any money?'
'You bet she does,' Lyssa had said.
'Well, think about what we could do with all that cash.' He kissed her softly on the neck, before moving his hand underneath her blouse. 'We could move to a studio apartment in Hong Kong. Isn't that what you've always wanted?'
Lyssa had rolled her eyes, but sunk deeper into his arms, giggling as she kissed him.
”
”
Wan Phing Lim (Two Figures in a Car and Other Stories)
“
It was like she was stuck between caterpillar and butterfly, and I couldn’t look away.
”
”
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
“
Was it totally ridiculous for me to try and date a movie star?
Absolutely.
Was I going to do it anyway?
You bet.
”
”
Katherine Center (The Bodyguard)
“
Why no guilt? These people were given the opportunity to act on the basis of their feelings of concern and compassion. The amount of money required from them.each month was selected because it did not exceed what they, given their incomes and style of life, would typically spend on entertainment. Ii was a very safe bet that they each spent at least the equivalent of a hundred dollars a month on dinners out, movies, martinis or wine with dinner, summer vacation:Certainly there would be no threat at all to their economic security or that of their children were they to divert that portion of their income to rescue the miserable family from the most primitive form of deprivation and suffering. Is itpossible for these decent, concerned people to choose their own liquor and entertainment over the chance to eliminate the terrible suffering of an innocentchild? And then, after having made that choice, not be consumed with guilt?
”
”
Melvin Lerner (The Belief in a Just World: A Fundamental Delusion (Critical Issues in Social Justice))
“
For all my Ho Ho Ho’s who made the naughty list and wished that Hallmark movies came with spice. XO, Santa
”
”
Maren Moore (The Mistletoe Bet)
“
I’m here for a week, and my life is not some cliché Hallmark movie, where the corporate girl falls for the sweet, small-town guy when she comes home for Christmas to save the family business or some other contrived festive nonsense.
”
”
Maren Moore (The Mistletoe Bet)
“
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
”
”
B.R. Yeager (Negative Space)
“
In 1900, George and Clara Morris and their four children, Samuel, Selma, Marcella, and Malvina, left Bucharest, Romania, and boarded a ship for New York City. When they arrived in the United States, they stayed in New York City for a few weeks and then decided to move to Los Angeles, where George wanted to become a director in the movie business. Along the way, in St. Louis, Clara had another baby and died in childbirth. George put the children in an orphanage there before heading on to Los Angeles, where he promised to send for them. The children stayed in the orphanage until the oldest child, Marcella, was able to make enough money to get them all out. She moved them back to New York City, where she became the first Jewish female to hold a seat on the Wall Street stock exchange, where she made millions of dollars that she later gave to Brandeis University. She lived with her sisters in an apartment on Charles Street in Greenwich Village and had a house in Southampton, New York, and somewhere along the way had an affair with J. P. Morgan. Interesting? You bet. But don’t worry about remembering any of this, because it’s 90 percent wrong, which I didn’t find out until years later.
”
”
Julie Klam (The Almost Legendary Morris Sisters: A True Story of Family Fiction)
“
Still, these are very much exceptions. AI video analysis could quantify this, but if you took the top N most popular movies and TV shows over the past several decades, in terms of raw hours of footage watched, I’d bet the world has seen a >1000:1 ratio of scenes featuring evil capitalists to scenes featuring evil communists.
”
”
Balaji S. Srinivasan (The Network State: How To Start a New Country)
“
The perfect man. Excellent taste in clothes and music, no corporate types, a dimple, a respectable-looking outside wrapper with a bad boy streak. Must love puppies, travel, rain, and eighties movies. Must hate golf. He’s got to be an excellent cook, a big reader, know all my favorite podcasts, and make me laugh. Frat bros are a no.
”
”
Melanie Jacobson (Betting on the Boy Next Door (Betting on Love, #1))
“
I can't have it
and you can't have it
and we won't
get it
so don't bet on it
or even think about
it
just get out of bed
each morning
wash
shave
clothe
yourself
and go out into
it
because
outside of that
all that's left is
suicide and
madness
so you just
can't
expect too much
you can't even
expect
so what you do
is
work from a modest
minimal
base
like when you
walk outside
be glad your car
might possibly
be there
and if it is-
that the tires
aren't
flat
then you get
in
and if it
starts—you
start.
and
it's the damndest
movie
you've ever
seen
because
you're
in it—
low budget
and
4 billion
critics
and the longest
run
you ever hope
for
is
one
day.
”
”
Charles Bukowski
“
I bet you didn’t know this, but lots of guys have a thing for Ariel. You know, from The Little Mermaid? I’ve never been into her myself, but I can understand the attraction: She fills out her shells nicely, she’s a redhead, and she spends most of the movie unable to speak.
”
”
Emma Chase (Tangled (Tangled, #1))
“
He imagined a reality show host selling Los Angeles to a live audience: “Are you a surfer dude hitting the waves? You’ll fit right in. How about a hipster starting a gluten-free cookie brand or a new church? Of course. And is there a place for a young family raising small children? You bet. How about a retired couple wanting to play bingo all day? Indeed. High-powered executives? Yes! Lawyers, doctors, agents, and managers? Best place to thrive. Gym buffs, starlets, chefs, yoga teachers, students, writers, healers, misfits, trainers, nurses? Right this way, please. Are you into cosplay, improv, porn, Roller Derby, voyeurism, cemetery movie screenings, food truck drag racing, AA, relapse, rehab, open mic, plastic surgery, wine tastings, biker meetups, karaoke, clubbing, S and M, or escape rooms? Come on over!” Every race, religion, nationality, gender, sexual orientation, and food preference was well represented within Los Angeles County, and this is what Oscar loved most about his city;
”
”
María Amparo Escandón (L.A. Weather)
“
It's so easy to give up - to live in dreams with yourself instead of in stories with a friend. I distrust dreams. it's just your brain re-stirring information uselessly, fending for itself in another dimension, making movies of its own fears and you wake up horrified or calmed by something that never happened or dissatisfied and you go back down for more which is all you get. Dreaming is like getting drunk alone, the less you live the more you dream, the more fantastic and outrageous the dreams get. I bet that's all dead people do, dream endlessly, and dreams are death in training.
”
”
Eileen Myles (Chelsea Girls)
“
It’s so easy to give up – to live in dreams with yourself instead of in stories with a friend. I distrust dreams. It’s just your brain re-stirring information uselessly, fending for itself in another dimension, making movies of its own fears and you wake up horrified or calmed by something that never happened or dissatisfied and you go back down for more which is all you get. Dreaming is like getting drunk alone, the less you live the more you dream, the more fantastic and outrageous the dreams get. I bet that’s all dead people do, dream endlessly, and dreams are death in training.
”
”
Eileen Myles (Chelsea Girls)
“
I'm no good at the new games because I rarely play them. I like old things. Old books. Old movies. Old TV shows. It's not that life seemed simpler "back then." It's that it was more complicated. [...] Life was more complicated, but it was quieter, I bet. Slower. [...] The distractions then were card catalogs and dust and the smell of old paper and ink. The distractions were deep. I wonder what it would be like to go back in time, to live as long ago as the 1980s, or even further back. To know what was to come.
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Barry Lyga (Bang)
“
I'm no good at the new games because I rarely play them. I like old things. Old books. Old movies. Old TV shows. [...] Life was more complicated, but it was quieter, I bet. Slower. [...] The distractions then were card catalogs and dust and the smell of old paper and ink. The distractions were deep. I wonder what it would be like to go back in time, to live as long ago as the 1980s, or even further back. To know what was to come.
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Barry Lyga (Bang)
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In most of our decisions, we are not betting against another person. Rather, we are betting against all the future versions of ourselves that we are not choosing. We are constantly deciding among alternative futures: one where we go to the movies, one where we go bowling, one where we stay home. Or futures where we take a job in Des Moines, stay at our current job, or take some time away from work. Whenever we make a choice, we are betting on a potential future. We are betting that the future version of us that results from the decisions we make will be better off. At stake in a decision is that the return to us (measured in money, time, happiness, health, or whatever we value in that circumstance) will be greater than what we are giving up by betting against the other alternative future versions of us.
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Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)