Mathematics Jokes Quotes

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I couldn't claim that I was smarter than sixty-five other guys--but the average of sixty-five other guys, certainly!
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s own taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning in…this was civilization as I saw it, colossal and jagged…
Bret Easton Ellis (American Psycho)
The apex of mathematical achievement occurs when two or more fields which were thought to be entirely unrelated turn out to be closely intertwined. Mathematicians have never decided whether they should feel excited or upset by such events.
Gian-Carlo Rota (Indiscrete Thoughts)
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
There are patterns within the dimensions,” Paul insisted, never looking up again. “Mathematical parallels. It’s plausible to hypothesize that these patterns will be reflected in events and people in each dimension. That people who have met in one quantum reality will be likely to meet in another. Certain things that happen will happen over and over, in different ways, but more often than you could explain by chance alone.” “In other words,” I said, “you’re trying to prove the existence of fate.” I was joking, but Paul nodded slowly, like I’d said something intelligent. “Yes. That’s it exactly.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
There was a seminar for advanced students in Zürich that I was teaching and von Neumann was in the class. I came to a certain theorem, and I said it is not proved and it may be difficult. Von Neumann didn’t say anything but after five minutes he raised his hand. When I called on him he went to the blackboard and proceeded to write down the proof. After that I was afraid of von Neumann.
George Pólya
We often hear that mathematics consists mainly of 'proving theorems.' Is a writer's job mainly that of 'writing sentences?
Gian-Carlo Rota
You never say what I wish you’d say, and you frequently say nothing at all when it’s clear you should say something, so it’s not entirely fantastical that you’d say a certain thing when you mean something else entirely.” He opened his mouth, shut it, and considered the ground briefly before responding. “I remember studying Fleet Admiral Starcrest’s Mathematical Probabilities Applied to Military Strategies as a young boy and finding that less confusing than what you just said.” Now it was her turn for a stunned pause before answering. “Sicarius?” She laid a tentative hand on his shoulder. “Was that a joke?” “A statement of fact.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
I noticed that the [drawing] teacher didn't tell people much... Instead, he tried to inspire us to experiment with new approaches. I thought of how we teach physics: We have so many techniques - so many mathematical methods - that we never stop telling the students how to do things. On the other hand, the drawing teacher is afraid to tell you anything. If your lines are very heavy, the teacher can't say, "Your lines are too heavy." because *some* artist has figured out a way of making great pictures using heavy lines. The teacher doesn't want to push you in some particular direction. So the drawing teacher has this problem of communicating how to draw by osmosis and not by instruction, while the physics teacher has the problem of always teaching techniques, rather than the spirit, of how to go about solving physical problems.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
I should say the summit of contemporary university knowledge in two fields, mathematics and the humanities. That’s no joke!
Boris Pasternak (Doctor Zhivago (Vintage International))
My dowry is thirty-five. A year.” His brows climbed. “You’re joking.” “I would never joke about money with a notorious thief. Just imagine, in a mere two years you’re at a profit.” “How I adore a woman who does mathematics in her head.” “I can forge signatures as well.” “Splendid. Exactly the bride I’ve been hoping for.
Shana Abe
People joke, in our field, about Pythagoras and his religious cult based on perfect geometry and other abstract mathematical forms, but if we are going to have religion at all then a religion of mathematics seems ideal, because if God exists then what is He but a mathematician?
Matt Haig (The Humans)
I started studying law, but this I could stand just for one semester. I couldn't stand more. Then I studied languages and literature for two years. After two years I passed an examination with the result I have a teaching certificate for Latin and Hungarian for the lower classes of the gymnasium, for kids from 10 to 14. I never made use of this teaching certificate. And then I came to philosophy, physics, and mathematics. In fact, I came to mathematics indirectly. I was really more interested in physics and philosophy and thought about those. It is a little shortened but not quite wrong to say: I thought I am not good enough for physics and I am too good for philosophy. Mathematics is in between.
George Pólya
Nothing was affirmative, the term "generosity of spirit" applied to nothing, was a cliché, was some kind of bad joke. Sex is mathematics. Individuality no longer and issue. What does intelligence signify? Define reason. Desire-meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in...this was civilization as I saw it, colossal and jagged.
Bret Easton Ellis (American Psycho)
Men are different. They propound mathematical theorems in beleaguered cities, conduct metaphysical arguments in condemned cells, make jokes on scaffolds, discuss the last new poem while advancing to the walls of Quebec, and comb their hair at Thermopylae. This is not panache; it is our nature.
C.S. Lewis (The Weight of Glory)
This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire—meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in … this was civilization as I saw it, colossal and jagged …
Bret Easton Ellis (American Psycho)
...where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one's taking pleasure in a feeling or a look or a gesture, of receiving another person's love or kindness. Nothing was affirmative, the term "generosity of spirit" applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire - meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in... this was civilization as I saw it, colossal and jagged...
Bret Easton Ellis (American Psycho)
Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?” Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation. I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness. Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
even if it’s boring and dull and soon to be forgotten, continue to learn double-entry bookkeeping. People think I’m joking, but I’m not. You should love the mathematics of business.
Thomas R. Ittelson (Financial Statements: A Step-by-Step Guide to Understanding and Creating Financial Reports)
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other. I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone. He sat alone because he was beautifully dressed for the occasion and because he was not a civilian. We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us. Maybe he doesn’t mean a thing to me any more but I think he was like me. You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so? I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood. And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers. You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean? And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code. And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful? And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists. He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it. He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there? It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
Leonard Cohen (Parasites of Heaven)
What if one were to want to hunt for these hidden presences? You can’t just rummage around like you’re at a yard sale. You have to listen. You have to pay attention. There are certain things you can’t look at directly. You need to trick them into revealing themselves. That’s what we’re doing with Walter, Jaz. We’re juxtaposing things, listening for echoes. It’s not some silly cybernetic dream of command and control, modeling the whole world so you can predict the outcome. It’s certainly not a theory of everything. I don’t have a theory of any kind. What I have is far more profound.’ ‘What’s that?’ ‘A sense of humor.’ Jaz looked at him, trying to find a clue in his gaunt face, in the clear gray eyes watching him with such - what? Amusement? Condescension? There was something about the man which brought on a sort of hermeneutic despair. He was a forest of signs. ‘We’re hunting for jokes.’ Bachman spoke slowly, as if to a child. ‘Parapraxes. Cosmic slips of the tongue. They’re the key to the locked door. They’ll help us discover it.’ ‘Discover what?’ ‘The face of God. What else would we be looking for?
Hari Kunzru (Gods Without Men)
When people pose the question, are you “coxom”, Tom Conrad? I like to pose a question back at them: Is J.K. Rowling actually a witch? Is Thomas Harris the no. 1 serial killer in the the US, did Yann Martell really spend a lifetime eating pie? Of course, as far as I know J.K. Rowling is not a witch, but instead is a rather lovely and talented writer. As for that Thomas Harris (equally talented), I very much suspect he isn’t actually a serial killer at all, or if he is, he’s involved in the biggest case of double bluff… ever! As for Yann Martell, well, as everyone with half a brain knows his book is actually concerned with a mathematical constant, so ignore the dumb pie joke. Hm :/
Tom Conrad (Rich Pickings for Ravens (The Afterlife Crisis Trilogy #1))
Translate these numbers, which are written in base seven, to base five.” Translating from one base to another is an utterly useless thing. If you can do it, maybe it’s entertaining; if you can’t do it, forget it. There’s no point to it.
Richard P. Feynman ("Surely You're Joking, Mr. Feynman!": Adventures of a Curious Character)
Nothing was affirmative, the term 'generosity of spirit,' applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire--meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in...this was civilization as I saw it, colossal and jagged...
Bret Easton Ellis (American Psycho)
One of Lindon's amusing word-unit palindromes reads: "Girl, bathing on Bikini, eyeing boy, finds boy eyeing bikini on bathing girl." Other palindromes are symmetric with respect to back-to-front reading letter by letter-"Able was I ere I saw Elba" (attributed jokingly to Napoleon), or the title of a famous NOVA program: "A Man, a Plan, a Canal, Panama.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
So I found things that even more people believe, such as that we have some knowledge of how to educate. There are big schools of reading methods and mathematics methods, and so forth, but if you notice, you’ll see the reading scores keep going down—or hardly going up—in spite of the fact that we continually use these same people to improve the methods. There’s a witch doctor remedy that doesn’t work.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It’s difficult to describe because it’s an emotion. It’s analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there’s a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run “behind the scenes” by the same organization, the same physical laws. It’s an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It’s a feeling of awe—of scientific awe—which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Einstein was no great mathematician. He struggled with maths. He says this himself. In 1943 he replied in the following way to a nine-year-old child with the name of Barbara who wrote to him about her difficulties with the subject: ‘Don’t worry about experiencing difficulties with maths, I can assure you that my own problems are even more serious!’2 It seems like a joke, but Einstein was not kidding. With mathematics, he needed help: he had it explained to him by patient fellow students and friends, such as Marcel Grossman. It was his intuition as a physicist that was prodigious.
Carlo Rovelli (Reality Is Not What It Seems: The Journey to Quantum Gravity)
In an old joke, a physicist and a mathematician are asked what they would do if they needed to iron their pants, but although they are in possession of an iron, the electric outlet is in the adjacent room. Both answer that they would take the iron to the second room and plug it in there. Now they are asked what they would do if they were already in the room in which the outlet is located. They physicist answers that he would plug the iron into the outlet directly. The mathematician, on the other hand, says that he would take the iron to the room without the outlet, since that problem has already been solved.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
Germany had been united in empire for only eight years when Einstein was born in Ulm on March 14, 1879. He grew up in Munich. He was slow to speak, but he was not, as legend has it, slow in his studies; he consistently earned the highest or next-highest marks in mathematics and Latin in school and Gymnasium. At four or five the “miracle” of a compass his father showed him excited him so much, he remembered, that he “trembled and grew cold.” It seemed to him then that “there had to be something behind objects that lay deeply hidden.”624 He would look for the something which objects hid, though his particular genius was to discover that there was nothing behind them to hide; that objects, as matter and as energy, were all; that even space and time were not the invisible matrices of the material world but its attributes. “If you will not take the answer too seriously,” he told a clamorous crowd of reporters in New York in 1921 who asked him for a short explanation of relativity, “and consider it only as a kind of joke, then I can explain it as follows. It was formerly believed that if all material things disappeared out of the universe, time and space would be left. According to the relativity theory, however, time and space disappear together with the things.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
… where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one’s taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliché, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire—meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in … this was civilization as I saw it, colossal and jagged …
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
We, everyday citizens who are increasingly befuddled about what has happened to society and how it happened so quickly, regularly hear demands to “decolonize” everything from academic curricula to hairstyles to mathematics. We hear laments about cultural appropriation at the same time we hear complaints about the lack of representation of certain identity groups in the arts. We hear that only white people can be racist and that they always are so, by default. Politicians, actors, and artists pride themselves on being intersectional. Companies flaunt their respect for “diversity,” while making it clear that they are only interested in a superficial diversity of identity (not of opinions). Organizations and activist groups of all kinds announce that they are inclusive, but only of people who agree with them. American engineers have been fired from corporations like Google for saying that gender differences exist,43 and British comedians have been sacked by the BBC for repeating jokes that could be construed as racist by Americans.
Helen Pluckrose (Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody)
A more complex way to understand this is the method used by Hermann Minkowski, Einstein’s former math teacher at the Zurich Polytechnic. Reflecting on Einstein’s work, Minkowski uttered the expression of amazement that every beleaguered student wants to elicit someday from condescending professors. “It came as a tremendous surprise, for in his student days Einstein had been a lazy dog,” Minkowski told physicist Max Born. “He never bothered about mathematics at all.”63 Minkowski decided to give a formal mathematical structure to the theory. His approach was the same one suggested by the time traveler on the first page of H. G. Wells’s great novel The Time Machine, published in 1895: “There are really four dimensions, three which we call the three planes of Space, and a fourth, Time.” Minkowski turned all events into mathematical coordinates in four dimensions, with time as the fourth dimension. This permitted transformations to occur, but the mathematical relationships between the events remained invariant. Minkowski dramatically announced his new mathematical approach in a lecture in 1908. “The views of space and time which I wish to lay before you have sprung from the soil of experimental physics, and therein lies their strength,” he said. “They are radical. Henceforth space by itself, and time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality.”64 Einstein, who was still not yet enamored of math, at one point described Minkowski’s work as “superfluous learnedness” and joked, “Since the mathematicians have grabbed hold of the theory of relativity, I myself no longer understand it.” But he in fact came to admire Minkowski’s handiwork and wrote a section about it in his popular 1916 book on relativity.
Walter Isaacson (Einstein: His Life and Universe)
Sometimes you don’t just want to risk making mistakes; you actually want to make them—if only to give you something clear and detailed to fix. Making mistakes is the key to making progress. Of course there are times when it is really important not to make any mistakes—ask any surgeon or airline pilot. But it is less widely appreciated that there are also times when making mistakes is the only way to go. Many of the students who arrive at very competitive universities pride themselves in not making mistakes—after all, that’s how they’ve come so much farther than their classmates, or so they have been led to believe. I often find that I have to encourage them to cultivate the habit of making mistakes, the best learning opportunities of all. They get “writer’s block” and waste hours forlornly wandering back and forth on the starting line. “Blurt it out!” I urge them. Then they have something on the page to work with. We philosophers are mistake specialists. (I know, it sounds like a bad joke, but hear me out.) While other disciplines specialize in getting the right answers to their defining questions, we philosophers specialize in all the ways there are of getting things so mixed up, so deeply wrong, that nobody is even sure what the right questions are, let alone the answers. Asking the wrongs questions risks setting any inquiry off on the wrong foot. Whenever that happens, this is a job for philosophers! Philosophy—in every field of inquiry—is what you have to do until you figure out what questions you should have been asking in the first place. Some people hate it when that happens. They would rather take their questions off the rack, all nicely tailored and pressed and cleaned and ready to answer. Those who feel that way can do physics or mathematics or history or biology. There’s plenty of work for everybody. We philosophers have a taste for working on the questions that need to be straightened out before they can be answered. It’s not for everyone. But try it, you might like it. In
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
Mathematics is a theoretic science of things apprehensible by perception and sensation for communication to others. And before this a certain person indulging in a joke, while hitting his mark, said that mathematics is that science to which Homer's description of Discord may be applied: "Small at her birth, but rising every hour, While scarce the skies her mighty head can bound, She stalks on earth and shakes the world 'round." For it begins with a point and a line, and forthwith it takes heaven itself and all things within its compass.
Anatolius of Laodicea
Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists. There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence.
Ashim Shanker
pause, tent flap in hand, and turn back to them. “And just so you both know, I’ve read Aughnot and Ellerson and studied a fair bit of the history of the Realm. And I can read simple Alfsigr. All self-taught.” Fain stares at me in rapt amazement. His eyes flick toward Vale. “I told you, you should fast to her,” he murmurs. I blow out a contemptuous breath and eye Vale with disgust. “You must be joking,” I tell Fain. “Vale can’t even manage advanced mathematics. I’d never fast to him. He’s far too ignorant.
Laurie Forest (Wandfasted (The Black Witch Chronicles, #0.5))
What this really means is that he be able to appreciate my mother, whose jokes hinge on some grammatical subtlety or a working knowledge of higher mathematics. You get the picture. Robbie is about as interesting as a pair of red high-top Converse sneakers. But Robbie points to the mattress on the floor. He grins, slowly unbuckling his belt, drops his jeans. "Lie down," says Robbie. This is interesting enough for me.
Abigail Thomas (Getting Over Tom)
It was a non-Hermian joke that any child who showed signs of interest in art, philosophy, or abstract mathematics was plowed straight back into the hydroponic farms.
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
On Mars, the joke went, a man’s hole was his castle where values of castle approached dorm room.
James S.A. Corey (Drive (The Expanse, #2.7))
This one is ready to risk his scientific credibility—and his adviser’s, no matter what he says—by arguing that destiny is real.” “Destiny?” That sounded weirdly . . . romantic from a guy like Paul. “There are patterns within the dimensions,” Paul insisted, never looking up again. “Mathematical parallels. It’s plausible to hypothesize that these patterns will be reflected in events and people in each dimension. That people who have met in one quantum reality will be likely to meet in another. Certain things that happen will happen over and over, in different ways, but more often than you could explain by chance alone.” “In other words,” I said, “you’re trying to prove the existence of fate.” I was joking, but Paul nodded slowly, like I’d said something intelligent. “Yes. That’s it exactly.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
A good mathematical joke is better, and better mathematics, than a dozen mediocre papers.
J.E. Littlewood
the Canadian-Australian mathematician Norman Wildberger has posted an essay arguing that “real numbers are a joke.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
There is a well-known joke—at least well known in mathematics—about how mathematicians work. A mathematician and a Starbucks barista are each placed in front of a stove with a kettle and a nearby faucet and told to make boiling water. Both do the same thing. They fill the kettle with water from the faucet, light the stove with a match, and place the water-filled kettle on the stove. Mission accomplished. The mathematician and the Starbucks barista are next placed in front of a stove with a kettle that they are told is filled with clean water and told to make boiling water yet again. The barista lifts the kettle off the stove for a moment, lights the stove, and puts the kettle back on. The mathematician lifts the kettle off the stove, pours out the water into a sink, puts the newly emptied kettle back on the stove and says, “The problem has been reduced to the previously solved case. Q.E.D.
Stuart Rojstaczer (The Mathematician's Shiva)
they propound mathematical theorems in beleaguered cities, conduct metaphysical arguments in condemned cells, make jokes on scaffolds.
C.S. Lewis
Science is ideologically committed to empiricism, materialism and positivism, and the Copenhagen interpretation is the most consistent with this philosophy. Science didn’t blink when this interpretation demanded the end of determinism, which had previously been the central basis of classical science (“God does not play dice.” – Einstein). It’s astounding that science underwent a 100% volte-face – saying overnight that black is in fact white – without worrying that it had thereby made itself a joke subject, a subject with a 100% range. Science has proved that what it tells you today is 100% true, it might tell you tomorrow is 100% false. What kind of madman would place any reliance on such a subject? It’s worse than religion! Science, if it wanted to save determinism, had to embrace rationalism rather than empiricism, and it refused to do. Science is now pure philosophy and even a religion, a way of thinking designed to protect at all costs the holy status, the sanctity, of the scientific method, which is a strictly antirationalist, empiricist method. Of course, the biggest problem with the scientific method is that it’s 100% irrelevant with regard to mathematics, the 100% rationalist engine that powers science, and without which science would be voodoo.
Mike Hockney (The Sam Harris Delusion (The God Series Book 22))
Rarely was Arabic used for physics, chemistry, or mathematics in any of the schools of Beirut, whose main curriculum has always been community conformity. It seems that Arabic is not considered a language for logic. A joke that used to make the rounds when I was a child, probably still going strong: the definition of parallel lines in geometry textbooks in Saudi Arabia is two straight lines that never meet unless God in all His glory wills it.
Rabih Alameddine (An Unnecessary Woman)
With a narrow and open focus of altered states, many impossibles of yesterday have become possibles of today. Many technological and scientific inventions, innovations, and mathematical equations are products of altered states of mind.
Kuldip K. Rai (Inspire, Perspire, and Go Higher, Volume 2: 111 Ways, Disciplines, Exercises, Short Bios, and Jokes with Lessons to Inspire and Motivate You)
Every savage can dance,' declared Jane Austen's Mr. Darcy in Pride and Prejudice. His antagonist's riposte now seems odd—'I doubt not that you are an adept in the science yourself, Mr Darcy.' 'Science' is among the most slippery words in the English language, because although it has been in use for hundreds of years, its meanings constantly shift and are impossible to pin down. That plural (meanings) was deliberate. In the early nineteenth century, when Austen casually mentioned the science of dancing, other writers were still using 'science' for the mediaeval subjects of grammar, logic, and rhetoric. Long afterwards, 'science' could still mean any scholarly discipline, because the modern distinction between the Arts and Sciences had not yet solidified. The Victorian art critic John Ruskin listed five subjects he thought worthwhile studying at university—the Sciences of Morals, History, Grammar, Music, and Painting—none of which feature on modern scientific syllabuses. All of them, Ruskin declared, were more intellectually demanding than chemistry, electricity, or geology. However skilfully Mr Darcy performed his science of dancing, Austen could never have called him a scientist. That word, now so common, was not even invented until twenty years later, in 1833, when the British Association for the Advancement of Science (BAAS) was holding its third annual meeting. As the conference delegates joked about needing an umbrella term to cover their diverse interests, the poet Samuel Taylor Coleridge rejected 'philosopher', and William Whewell—one of Babbage's allies, a Cambridge mathematical astronomer—suggested 'scientist' instead. The new word was very slow to catch on. Many Victorians insisted on keeping older expressions, such as 'man of science', or 'naturalist', or 'experimental philosopher'. Even men now seen as the nineteenth century's most eminent scientists—Darwin, Faraday, Lord Kelvin—refused to use the new term for describing themselves. Why, they demanded, should anyone bother to invent such an ugly word when perfectly adequate expressions already existed? Mistakenly, critics accused 'scientist' of being an American import, a trans-Atlantic neologism—one eminent geologist declared it was better to die 'than bestialize our tongue by such barbarisms'. The debate was still raging sixty years after Whewell first introduced the idea, and it was only in the early twentieth century that 'scientist' was fully accepted.
Patricia Fara
The conviction lodged in her head, that American children learned nothing in elementary school, and it hardened when he told her that his teacher sometimes gave out homework coupons; if you got a homework coupon, then you could skip one day of homework. Circles, homework coupons, what foolishness would she next hear? And so she began to teach him mathematics—she called it “maths” and he called it “math” and so they agreed not to shorten the word. She could not think, now, of that summer without thinking of long division, of Dike’s brows furrowed in confusion as they sat side by side at the dining table, of her swings from bribing him to shouting at him. Okay, try it one more time and you can have ice cream. You’re not going to play unless you get them all right. Later, when he was older, he would say that he found mathematics easy because of her summer of torturing him. “You must mean summer of tutoring,” she would say in what became a familiar joke that, like comfort food, they would reach for from time to time.
Chimamanda Ngozi Adichie (Americanah)