Berry Street Quotes

I understand you're a common street thief?" Peter bristled. "Hardly a common one.

And Casey said, “We could go get a pizza and a beer, maybe? If you wanted to.” And this. This was on the list. Gus was prepared for this. And before he could think it through, Gus said, “Hey, bro, I have a better idea. Let’s go try that heart-healthy vegan restaurant that just opened over on Main Street. I hear their crispy kale and tofu salad is the bomb.” Lottie dropped the smoothie she was making. It exploded as soon as it hit the ground, berry juice spraying all over her. “Sorry,” she exclaimed. “So sorry! It just slipped!” Gus didn’t pay much attention because he was in the throes of realizing two things at once: first, no new heart-healthy vegan restaurant has opened in Abby, much less on Main Street. And two, being normal was a lot harder than it looked because what the hell had he just done?

He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.

So he strode, and ran, and hurried home. He emptied into the ever-useful pocket-handkerchief the little meal remaining in the mug. Mary would have her tea at Miss Simmonds’; her food for the day was safe. Then he went upstairs for his better coat, and his one, gay red-and-yellow silk pocket-handkerchief — his jewels, his plate, his valuables, these were. He went to the pawn-shop; he pawned them for five shillings; he stopped not, nor stayed, till he was once more in London Road, within five minutes’ walk of Berry Street — then he loitered in his gait, in order to discover the shops he wanted. He bought meat, and a loaf of bread, candles, chips, and from a little retail yard he purchased a couple of hundredweights of coal. Some money still remained — all destined for them, but he did not yet know how best to spend it. Food, light, and warmth, he had instantly seen were necessary; for luxuries he would wait. Wilson’s eyes filled with tears when he saw Barton enter with his purchases. He understood it all, and longed to be once more in work that he might help in some of these material ways, without feeling that he was using his son’s money.

I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.

He thought rightly that we Americans, by inclination at least, have been divided into two kinds: “boomers” and “stickers.” Boomers, he said, are “those who pillage and run,” who want “to make a killing and end up on Easy Street,” whereas stickers are “those who settle, and love the life they have made and the place they have made it in.

I'll have a cup of coffee and one of your blueberry muffins." She sighed and looked at me. "Your grandmother was such a good cook. Her blueberry muffins were extraordinary." "Yes, they were," I said, and I was back on Steiner Street again, Gran and I taking muffins from her tins and placing them on a wire rack to cool, the smell of baked sugar hanging in the oven-warmed air, the muffin tops covered with rivers of blue where the berries had melted from the heat.

In the fall then he changed his leathers and gaiters for a decent suit of black and his crook for a walking-stick, and though he had never decided on it in so many words, he and the dog Spark (a good sheepdog whom Auberon could have sold with the flock but couldn’t part with) set out along the Harlem River till they came to a place where they could cross (near 137th Street). The aged, aged ferryman had a beautiful great-grandaughter brown as a berry and a gray, flat, knocking, groaning boat; Auberon stood up in the bows as the ferry drifted along its line downstream to a mooring on the opposite side. He paid, the dog Spark leapt out before him, and he stepped off into the Wild Wood without looking back. It was late afternoon; the sun

It’s no secret that kids with ASD can be aggressive, and people never understand that it’s not because they’re violent. It’s almost always because they’re intensely frustrated or can’t communicate what they want, but nobody ever sees it that way, and their judgment toward Mason only gets worse the older he gets. People used to be so sweet and kind to us. Back then, he was cute as a button, and his huge, half-terrified blue eyes melted your heart even if he was kicking or throwing things at you. All you wanted to do was help him feel better. But now? All that’s different. I see the way everyone looks at him. How they clutch their purses next to themselves when he comes close, like violence and stealing go hand in hand. Nobody’s kind, and they’re definitely not helpful. They turn their noses up at him like they smell something funny when he starts smacking his hands together or repeating the same sentence over and over again. People purposefully cross to the other side of the street when they see us coming. It makes me so angry and heartsick.

To the untrained eye, the Wall Street people who rode from the Connecticut suburbs to Grand Central were an undifferentiated mass, but within that mass Danny noted many small and important distinctions. If they were on their BlackBerrys, they were probably hedge fund guys, checking their profits and losses in the Asian markets. If they slept on the train they were probably sell-side people—brokers, who had no skin in the game. Anyone carrying a briefcase or a bag was probably not employed on the sell side, as the only reason you’d carry a bag was to haul around brokerage research, and the brokers didn’t read their own reports—at least not in their spare time. Anyone carrying a copy of the New York Times was probably a lawyer or a back-office person or someone who worked in the financial markets without actually being in the markets. Their clothes told you a lot, too. The guys who ran money dressed as if they were going to a Yankees game. Their financial performance was supposed to be all that mattered about them, and so it caused suspicion if they dressed too well. If you saw a buy-side guy in a suit, it usually meant that he was in trouble, or scheduled to meet with someone who had given him money, or both. Beyond that, it was hard to tell much about a buy-side person from what he was wearing. The sell side, on the other hand, might as well have been wearing their business cards: The guy in the blazer and khakis was a broker at a second-tier firm; the guy in the three-thousand-dollar suit and the hair just so was an investment banker at J.P. Morgan or someplace like that. Danny could guess where people worked by where they sat on the train. The Goldman Sachs, Deutsche Bank, and Merrill Lynch people, who were headed downtown, edged to the front—though when Danny thought about it, few Goldman people actually rode the train anymore. They all had private cars. Hedge fund guys such as himself worked uptown and so exited Grand Central to the north, where taxis appeared haphazardly and out of nowhere to meet them, like farm trout rising to corn kernels. The Lehman and Bear Stearns people used to head for the same exit as he did, but they were done. One reason why, on September 18, 2008, there weren’t nearly as many people on the northeast corner of Forty-seventh Street and Madison Avenue at 6:40 in the morning as there had been on September 18, 2007.

In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)

On the Lake Street sidewalk, in front of the In the Heart of the Beast Theatre, were two big planters made of concrete and found materials, and Jim made a point for several years of trying to keep flowers alive in them: I walked over to HOBT to check on the flowers planted in the concrete sculpture constructions. As with the last two nights, several of the marigolds had been pulled out and left lying on the sidewalk. I push them back in the dirt and watered, but there is likely no winning this one. A measure of the level of alienation at large in the culture. (July 18, 1993) The sacred is everywhere, not just what has been touched by the ritual of the church and not just what is beautiful because it is untouched by human hands. Years later I found the philosophy behind Jim’s approach to this articulated with Wendell Berry’s typical clarity in his poem, “How to Be a Poet,” 2 and I called Jim immediately to read it to him. I choked up when I got to these lines: There are no unsacred places; there are only sacred places and desecrated places.

Shall I get drunk or cut myself a piece of cake, a pasty Syrian with a few words of English or the Turk who says she is a princess--she dances apparently by levitation? Or Marcelle, Parisienne always preoccupied with her dull dead lover: she has all the photographs and his letters tied in a bundle and stamped Decede in mauve ink. All this takes place in a stink of jasmin. But there are the streets dedicated to sleep stenches and the sour smells, the sour cries do not disturb their application to slumber all day, scattered on the pavement like rags afflicted with fatalism and hashish. The women offering their children brown-paper breasts dry and twisted, elongated like the skull, Holbein's signature. But his stained white town is something in accordance with mundane conventions- Marcelle drops her Gallic airs and tragedy suddenly shrieks in Arabic about the fare with the cabman, links herself so with the somnambulists and legless beggars: it is all one, all as you have heard. But by a day's travelling you reach a new world the vegetation is of iron dead tanks, gun barrels split like celery the metal brambles have no flowers or berries and there are all sorts of manure, you can imagine the dead themselves, their boots, clothes and possessions clinging to the ground, a man with no head has a packet of chocolate and a souvenir of Tripoli.

Tobacco,' Jig said. 'I used to raise tobacco once. But I quit. I was plowing one morning, and the Lord said, "Jig, how'd you like for your daughter to smoke?" And I said, "I wouldn't like it, Lord. It's a sin for a woman to smoke." And I unhitched the mule right there in the middle of the row and left.' 'You say you left?' 'Left,' Jig said. 'I went fishing then. You know that's where He called them from. From fishing. One of these mornings He'll come and stand on the riverbank and He'll say, "Jig." And I'll say, "Yes, Lord?" And He'll say, "Follow me, Jig." And I will arise and follow Him. Aw, He ain't come yet. But He's coming. He's got to get my mansion ready first, but He'll be here.' Then Jig told us about Heaven. He said it was a million miles square and a million miles high, and every street was gold and every house was a mansion. And at night every star was brighter than the sun. 'Do you know why He made the stars?' Uncle Burley said he didn't know. 'He liked to hear them sing,' Jig said.

The family piano’s role in the music that flowed out of the residential streets of Detroit cannot be overstated. The piano, and its availability to children of the black working class and middle class, is essential to understanding what happened in that time and place, and why it happened, not just with Berry Gordy Jr. but with so many other young black musicians who came of age there from the late forties to the early sixties. What was special then about pianos and Detroit? First, because of the auto plants and related industries, most Detroiters had steady salaries and families enjoyed a measure of disposable income they could use to listen to music in clubs and at home. Second, the economic geography of the city meant that the vast majority of residents lived in single-family houses, not high-rise apartments, making it easier to deliver pianos and find room for them. And third, Detroit had the egalitarian advantage of a remarkable piano enterprise, the Grinnell Brothers Music House.

[You Ask Me to Talk About the Interior] You ask me to talk about the interior it was all roadside flowers & grasses growing over the cities was made of wilderness & sky with God washed out of it was the foreign prayer-word it was a list of missing persons was the solid bronze charging bull on the famous street was like the Roman method for making bees was its taken-down carcass & its bed of apple-branches & thyme was a new anatomy a beaten hide a skeleton sweetening to glowing fluids & the bee born out & the grist of them born glistening as coins it was anthem was the listening the way a searchlight listens over a lake it was the prayer-word out of your mouth your thousand-noun request it goes up up to the florescent weather was hurdle & burn burning through the infinite your overbright comet was made of stones made of berries & plastic & boxtops & eggshells it was like the word having reached the ear & the words pollinated the dark there was darkness there like the afterhours inside a library

He crossed 14th Street and walked south, down Broadway, toward the Strand—four floors of overstock, used, rare, and out-of-print books. He’d chosen the location for the meeting in deference to his adversary, whom he knew loved books. Personally, he despised the things. Never read a novel in his life. Why waste time on lies? Occasionally he did consult a nonfiction volume or two, but he preferred the Internet or simply asking someone. What all the fascination was with words on paper he’d never understand. And why people would hoard the things by the ton, treasuring them as they would a precious metal, made no sense whatsoever.

Someday they would rise and fall in the world the sermon presaged, where berry picking was a higher crime than bankruptcy. If a man could fail simply by not succeeding or not striving, then ambition was not an opportunity but an obligation. Following the casket to the grave, stooping here and there to collect petals that wafted from it, the children buried more than the odd little man they had seen in the woods or on the street. Part of the American Dream of success went asunder: the part that gave them any choice in the matter.

(This was the Second Great Awakening, a massive movement for religious revival. Before it began in the 1790s, about one in ten Americans were members of churches, but by its end in the 1840s, eight in ten were.)

The key thing that our rational heritage reminds us of is not that we should be tolerant of every truth people declare, simply affirming them in our desire to embrace diversity or be understanding of others. Rather, the use of reason is a historical foundation of Unitarian Universalism, telling us that our own search for truth must be diligent and discerning and that it requires community. We must remind ourselves that not everything one feels is true. Truth is to be explored. Truth is to be tested. Truth is to be verified. And we must continue the search because new truths wait to be discovered. This is an important heritage, not to be abandoned.

Nothing seemed sacred anymore. Facebook, Twitter, and every other social media site seemed proof positive of that. What no one would have ever yelled from their front porch to neighbors across the street was now posted for billions to see for all eternity. Still, he loved the internet. So much could be learned so fast with little effort and no fingerprints.

I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.

The thing nobody tells you about grief is that time moves on. Or my personal favorite that nobody stops telling you—time heals all wounds. As if I want time to go anywhere. I want the world to stop. For every person to quit moving around me. For the screens to quit flashing and the zombies to stop walking so slowly down the streets that they almost get hit by cars.

For being so early in the season, the tables on either side of the street were heavily laden with produce. I could see English peas, asparagus, arugula, several varieties of chard, kale, rhubarb, radishes... My mouth tingled as I walked slowly from booth to booth, drinking in the knowledge that the food I was checking out had not been trucked over the Jersey Turnpike or from a far-flung spot upstate, but from somewhere nearby, where people still felt dirt in their hands and not just in their nostrils after a day of walking in the city. I paused at the end of a block, and my gaze zeroed in on a mountain of gorgeous strawberries a few stands down. Cutting in and out of the throng, I reached the stand and stood under a banner that read FORSYTHIA FARMS. I crouched to be eye level with the berries, narrowing my eyes at their color, shape, and size. The red was deep, but still bright. Shape: irregular, as they should be, and still shooting delightful stems that poked out the tops like tiny berets. The berries weren't too small, and best of all, not too large. No Costco mutants, I was pleased to note.

In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)

i say i want the loud street noises, chatter down the sidewalks, and access to quicky get my favorite iced coffee. but i also want the slow life on acreage with berry bushes, apple trees, and no close access- making for intentional ventures only. i say i want to stay off the internet and social media. be unknown to the world. but i also want to share my words and hear the stories of others i may never get the chance to physically meet. but maybe what my mind and body are telling me is that i need a balance of these things. to honor the moments i want to be alone and also when i want to be loud and seen. to be more intentional but also be open to what adventure brings.

buckthorn berries 500mlwater 10 g gelatin

Acknowledgments You hold this book in your hands ◆ because Bonnie Nadell and Austen Rachlis, no matter how many bananas drafts they read (and boy were they bananas), saw what this book could be, and helped me to see it too. Because Naomi Gibbs saw it and brought it fully into itself, and was a joy to work with, like everyone at Houghton Mifflin Harcourt: Larry Cooper, Chrissy Kurpeski, Liz Anderson, Michelle Triant, among others, who took my weird visions and made them manifest, and beautiful. And because Andrea Schulz, years ago, when she first heard about my day job, said, Oh, you should definitely write about that. Thank you, Kayla Rae Whitaker and Amber Sparks, for your words and your kindness. You hold this book because I lived in Boston for eleven years and worked in both fundraising and finance, and had a LOT to process. Thank you, MGH and the Prospect Research Team (2010–2014), especially Angie Morey. I loved the work, but I loved working with you all even more. You are an astounding group of human beings. Thank you, Michael and Deanna Sheridan, Wendy Price, Barry Abrams, Heather Heald, and Eddie Miller, for the years before MGH, the days of RFPs and BlackBerrys (those who know, know). I didn’t always love the work itself, but working with you was a gift, and it changed my life. Thank you, Grub Street, which I am thrilled to work for still; thank you to Michelle Hoover, Alison Murphy, and Chris Castellani, and to all the thoughtful, visionary, funny, and immensely talented writers and people in the Grub universe.

Mind you, the Victorians also tried to claim that the rampant prostitution in the streets was just an epidemic of nymphomania. The poor dears.

An old man sat down next to me on the bus and noticed that I wasn’t from around there. “Who are you looking for?” “Well,” I began, “there used to be a camp here.” “Oh, the barracks? They dismantled the last of those buildings two years ago. People built themselves sheds and saunas out of the bricks. Took the soil back to their dachas for planting. Put camp wire around their gardens. My son’s place is out there. It’s so, you know, unpleasant…In the spring, the snows and rains leave bones sticking out of their potato patches. No one is squeamish about that sort of thing around here because they’re so used to it. There are as many bones as stones in this soil. People just toss them out to the edge of their property, stamp them down with their boots. Cover them up. It happens all the time. Just stick your hand in the dirt, run your fingers through it…” It felt like the wind had been knocked out of me. Like I had passed out. Meanwhile, the old man turned to the window and pointed: “Over there, behind that store, they covered over the old cemetery. Behind that bathhouse, too.” I sat there, unable to breathe. What had I expected? That they had erected pyramids? Mounds of Glory?*4 The first line is now the street named after someone or other…Then the second line…I looked out the window, but I couldn’t see anything, I was blinded by tears. Kazakh women were selling their cucumbers and tomatoes at every bus stop…pails of blackcurrants. “Fresh from the berry patch. From my own garden.” Lord! My God…I have to say that…It was physically difficult for me to breathe, something was going on with me out there. In a matter of just a few days, my skin dried out, my nails started chipping off. Something was happening to my entire body. I wanted to fall down on the ground and lie there. And never get up. The steppe…it’s like the sea…I walked and walked until finally, I collapsed. I fell next to a small metal cross that was up to the crossbeam in the earth. Screaming, in hysterics. There was no one around…just the birds.

she found that two organizational “perks”—dinner and a free ride home—were central to the long hours synonymous with banking culture. If workers stayed at the office until seven p.m., they could order dinner on the company dime. “With no time to shop for groceries or cook, they soon become dependent on this service and even on the occasional day when they can leave before seven p.m., they stay in order to have dinner,” she writes in Liquidated: An Ethnography of Wall Street. Then, if bankers reached the nine p.m. milestone, the company paid for their ride home. While complimentary dinners and rides home might keep bankers working late, another device, the BlackBerry, kept them “chained to the office while at home or ‘on vacation,’ ” according to Ho.