Bender Love Quotes

We've searched our database for all the quotes and captions related to Bender Love. Here they are! All 71 of them:

My genes, my love, are rubber bands and rope - make yourself a structure you can live inside.
Aimee Bender (Willful Creatures)
Mom loved my brother more. Not that she didn't love me - I felt the wash of her love every day, pouring over me, but it was a different kind, siphoned from a different, and tamer, body of water. I was her darling daughter; Joseph was her it.
Aimee Bender (The Particular Sadness of Lemon Cake)
To see someone you love, in a bad setting, is one of the great barometers of gratitude.
Aimee Bender (The Particular Sadness of Lemon Cake)
I am the drying meadow; you the unspoken apology; he is the fluctuating distance between mother and son; she is the first gesture that creates a quiet that is full enough to make the baby sleep. My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen.
Aimee Bender (Willful Creatures: Stories)
Sometimes, she said, mostly to herself, I feel I do not know my children... It was a fleeting statement, one I didn't think she'd hold on to; after all, she had birthed us alone, diapered and fed us, helped us with homework, kissed and hugged us, poured her love into us. That she might not actually know us seemed the humblest thing a mother could admit.
Aimee Bender (The Particular Sadness of Lemon Cake)
Men who find themselves late are never sure. They are all the things the civics books tell us the good citizen should be: partisans but never zealots, respectors of the facts which attend each situation but never benders of those facts, uncomfortable in positions of leadership but rarely unable to turn down a responsibility once it has been offered . . . or thrust upon them. They make the best leaders in a democracy because they are unlikely to fall in love with power.
Stephen King (The Stand)
When the light at Vernon turned green, we stepped into the street and George grabbed my hand and the ghosts of our younger selves crossed with us.
Aimee Bender (The Particular Sadness of Lemon Cake)
But I loved George in part because he believed me; because if I stood in a cold, plain room and yelled FIRE, he would walk over and ask me why.
Aimee Bender (The Particular Sadness of Lemon Cake)
...after all, she had birthed us alone, diapered and fed us, helped us with homework, kissed and hugged us, poured her love into us. That she might not actually know us seemed the humblest thing a mother could admit.
Aimee Bender (The Particular Sadness of Lemon Cake)
I loved my brother, but relying on him was like closing a hand around air.
Aimee Bender (The Particular Sadness of Lemon Cake)
I can’t tell you exactly what I’m looking for, but I’ll know it when it happens. I want to be breathless and weak, crumpled by the entrance of another person inside my soul. I want to be violated by insight.
Aimee Bender (The Girl in the Flammable Skirt)
My task is to simplify and then go deeper, making a commitment to what remains. That's what I've been after. To care and polish what remains till it glows and comes alive from loving care.
Sue Bender (Plain and Simple: A Woman's Journey to the Amish)
With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
Aimee Bender (The Particular Sadness of Lemon Cake)
My genes, my love, are rubber bands and rope; make yourself a structure you can live inside. Amen." — Aimee Bender (Willful Creatures: Stories)
Aimee Bender
I've noticed this: when it's the first date, and you fuck, the guy hold you much better than he does the next few times. The first date, you're sort of the stand-in for whomever he loved last, before he fully realizes that you're not her, and so you get all this nice residue emotion. I felt cherished, tucked into his belly, like we'd known each other for years and I was his wonderful girl and we both slept great.
Aimee Bender (The Girl in the Flammable Skirt)
He said, I always thought the woman I’d marry would hit me easy, in a bolt of lightning, and there is not lightning there is not even thunder there is not even rain.
Aimee Bender (Willful Creatures)
The phone is about the same size as a cigarette pack. It's no surprise to me that the traditional cigarette lighter in many cars has turned into the space we use to recharge our phones. They are kin. The phone, like the cigarette, let's the texter/former smoker drop out of any social interaction for a second to get a break and make a little love to the beautiful object. We need something, people. We can't live propless.
Aimee Bender (The Color Master: Stories)
There is no other human activity that depends so much on chance as love.
Texas Bix Bender Gladiola Montana
[...]when he closed his eyes, the torrent of longing waiting inside was so thick he thought he might drown in it.
Aimee Bender (Willful Creatures)
There was love to be felt, and discovered, still.
Aimee Bender (The Color Master: Stories)
When we sleep together, he holds me like he loves me. I've noticed this: when it's the first date, and you fuck, the guy holds you much better than he does the next few times. The first date, you're sort of a stand-in for whomever he loved last, before he fully realizes you're not her, so you get all this nice residue emotion.
Aimee Bender (The Girl in the Flammable Skirt)
They'd been married for years, and he wanted her to give up the last thread of cover so she would stand before him nude and he could make love to her entire skin. Well, of course that made her head fall off. Of course.
Aimee Bender (The Color Master: Stories)
We're like the couple on the sitcom that has good sparks but never get together for the sake of ratings.
Aimee Bender (The Color Master: Stories)
No matter how much he loves you, sometimes he'd just rather have an inch of rain than anything else in the world.
Texas Bix Bender and Gladiola Montana
I almost could. I could almost leave and never look back. Like Mr. Bender, I could leave everything I was behind, including my name. Leave because of Allys and all the things she says I am. Leave because of all the things I am afraid that I will never be again. Leave, because maybe I’m not enough. Leave because of Allys, Senator Harris, and half the world knows better than Father and Mother and maybe Ethan, too. Leave. Because the old Jenna was so absorbed in her own needs that she said yes when she knows she should have said no, and the shame of night could be hidden in a new place behind a new name. But friends are complicated. There is the staying. Staying because of Kara and Locke and all that they will never be except trapped. Staying because for them, time is running out and I am their their last chance. Staying for the old Jenna and all she owes Kara and Locke and maybe all the new Jenna owes them, too. Staying because of ten percent and all I hope I might be. Staying because of Mr. Bender’s erased life and regrets. Staying for connection. Staying because two me is enough to make one of me worth nothing at all. And staying because maybe Lily does love the new Jenna as much as the old one, after all. Because maybe, given time, people do change, maybe laws change. Maybe we all change.
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
He breathed in her hair, the sweet-smelling thickness of it. My father usually agreed with her requests, because stamped in his two-footed stance and jaw was the word Provider, and he loved her the way a bird-watcher's heart leaps when he hears the call of the roseate spoonbill, a fluffy pink wader, calling its lilting coo-coo from the mangroves. Check, says the bird-watcher. Sure, said my father, tapping a handful of mail against her back.
Aimee Bender (The Particular Sadness of Lemon Cake)
I think it's good to smile at everybody so that everyone knows you love everyone. It's good for human pacifism.
Aimee Bender (The Color Master: Stories)
My father usually agreed with her requests, because stamped in his two-footed stance and jaw was the word Provider, and he loved her the way a bird-watcher’s heart leaps when he hears the call of the roseate spoonbill, a fluffy pink wader, calling its lilting coo-coo from the mangroves.
Aimee Bender (The Particular Sadness of Lemon Cake)
Though loss did not pass from one person to another liker a baton; it just formed a bigger and bigger pool of carriers. And, she thought, scratching the coarseness of the horse's mane, it did not leave once lodged, did it, simply changed form and asked repeatedly for attention and care, as each year revealed a new knot to cry out and consider - smaller, sure, but never gone.
Aimee Bender (The Color Master: Stories)
The people were all busy in their cars, listening to the radio, so there was no one to smile at, so I just sent my love to the traffic lights. No one ever appreciates them, all day long, working so hard to turn red and yellow and green, right in time with us to make sure we don't crash into each other. If there was any tiny chance, even the tiniest chance, that they happened to be alive, I bet I was the first person ever to tell them they were special. You are special, I said out loud in my car, but in case they couldn't hear, I cracked my window open. "You are special," I said, to the night air. And just like that, a green light.
Aimee Bender (The Color Master: Stories)
I, like balloon animal hacks everywhere, can only make one animal so far. It is a LEGO version of the Island of Dr. Moreau, wherein I have brick-engineered a pig-camel, a dog-camel, and a camel with wheels. These monstrosities are quickly torn apart, and I wonder if I have some unresolved camel issues.
Jonathan Bender (LEGO: A Love Story)
Joseph would reach out to me occasionally, the same way the desert blooms a flower every now and then. You get so used to the subtleties of beige and brown, and then a sunshine-yellow poppy bursts from the arm of a prickly pear. How I loved those flower moments, like when he pointed out the moon and Jupiter, but they were rare, and never to be expected.
Aimee Bender (The Particular Sadness of Lemon Cake)
I’m a man who got out, and moved on. I’m a fucking survivor. - Oliver
Melissa Bender (Lies, Betrayal & Love)
She could not see how the love she gave and took had made her what she was.
Karen E. Bender
All during Lena's life, Ella had worried about how the world could harm her. But the world could love her as well.
Karen E. Bender
I hate everyone who loves me and they hate me too.
Bender Bending Rodriguez
I wasn’t sober for even a single minute of my three-day bender, yet I emerged with a clear head and clean spirit. That was, until the next round of threes hit.
Kandi Steiner (A Love Letter to Whiskey)
Because this is a story about loving the place that made you, even if it wasn’t the place you were raised. And whether you’re one-and-done or you’re on a bender doing a wraparound, you always come back to the ones you love.
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
When you feel alone, just look at the spaces between your fingers and remember, that's where mine fit perfectly and they will be there this whole time. I love you more than anything Mia, I’m right by your side with this. - Noah Wade
Melissa Bender (Falling in Maths)
My birthday cake was her latest project because it was not from a mix but instead built from scratch- the flour, the baking soda, lemon-flavored because at eight that had been my request; I had developed a strong love for sour. We'd looked through several cookbooks together to find just the right one, and the smell in the kitchen was overpoweringly pleasant. To be clear: the bite I ate was delicious. Warm citrus-baked batter lightness enfolded by cool deep dark swirled sugar.
Aimee Bender (The Particular Sadness of Lemon Cake)
In Murakami's short story 'The Kidney-Shaped Stone That Moves Every Day,' the main character is a writer. In describing the act of writing to a tightrope walker, he says, 'What a writer is *supposed* to do is observe and observe and observe again, and put off making judgments to the last possible moment.' I think that is a beautiful description of writing; it lets the world be, but also there is a moment, finally, of some kind of opinion. There is that moment, but to hold it off is a lovely and worthwhile goal.
Aimee Bender (The Writer's Notebook: Craft Essays from Tin House)
Louie dug out the Bible that had been issued to him by the air corps and mailed home to his mother when he was believed dead. He walked to Barnsdall Park, where he and Cynthia had gone in better days, and where Cynthia had gone, alone, when he’d been on his benders. He found a spot under a tree, sat down, and began reading. Resting in the shade and the stillness, Louie felt profound peace. When he thought of his history, what resonated with him now was not all that he had suffered but the divine love that he believed had intervened to save him. He was not the worthless, broken, forsaken man that the Bird had striven to make of him. In a single, silent moment, his rage, his fear, his humiliation and helplessness, had fallen away. That morning, he believed, he was a new creation. Softly, he wept.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
The phone is about the same size as a cigarette pack. It’s no surprise to me that the traditional cigarette lighter in many cars has turned into the space we use to recharge our phones. They are kin. The phone, like the cigarette, lets the texter/ former smoker drop out of any social interaction for a second to get a break and make a little love to the beautiful object. We need something, people. We can’t live propless.
Aimee Bender (The Color Master: Stories)
A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.
Hy Bender (The Sandman Companion)
I chose people who made me feel anxious and insecure and re-created my childhood circumstances of getting erratic attention. I gravitated toward people who were either physically or emotionally unavailable to subconsciously ensure I was getting a constant hit from my “internal drug cabinet.” Instead of heroin or cocaine, I used to be addicted to cortisol and adrenaline (which turns into dopamine! Yay!). That drove me to pick people who couldn’t give me safety or stability, which caused those chemicals to go buck wild on my brain. You live in London? Yes, please. You work until three A.M., and when you are available, you’re super tired, so every time we have the chance to connect, your eyes are half closed? Sure, let’s move in together. One day you tell me you’re in love with me, but then you disappear and go on a week-long bender on Long Island? Absolutely. You travel for four months at a time in places that have horrible cell service? Don’t mind if I do marry ya.
Whitney Cummings (I'm Fine...And Other Lies)
At least, that is how he strikes me. Men who find themselves late are never sure. They are all the things the civics books tell us the good citizens should be: partisans but never zealots, respecters of the facts which attend each situation but never benders of those facts, uncomfortable in positions of leadership but rarely able to turn down a responsibility once it has been offered … or thrust upon them. They make the best leaders in a democracy because they are unlikely to fall in love with power.
Stephen King (The Stand)
Men who find themselves late are never sure. They are all the things the civics books tell us the good citizens should be: partisans but never zealots, respecters of the facts which attend each situation but never benders of those facts, uncomfortable in positions of leadership but rarely able to turn down a responsibility once it has been offered … or thrust upon them. They make the best leaders in a democracy because they are unlikely to fall in love with power. Quite the opposite. And when things go wrong … when a Mrs Vollman dies …
Stephen King (The Stand)
My favorite of all was still the place on Vermont, the French cafe, La Lyonnaise, that had given me the best onion soup on that night with George and my father. The two owners hailed from France, from Lyon, before the city had boomed into a culinary sibling of Paris. Inside, it had only a few tables, and the waiters served everything out of order, and it had a B rating in the window, and they usually sat me right by the swinging kitchen door, but I didn't care about any of it. There, I ordered chicken Dijon, or beef Bourguignon, or a simple green salad, or a pate sandwich, and when it came to the table, I melted into whatever arrived. I lavished in a forkful of spinach gratin on the side, at how delighted the chef had clearly been over the balance of spinach and cheese, like she was conducting a meeting of spinach and cheese, like a matchmaker who knew they would shortly fall in love. Sure, there were small distractions and preoccupations in it all, but I could find the food in there, the food was the center, and the person making the food was so connected with the food that I could really, for once, enjoy it.
Aimee Bender (The Particular Sadness of Lemon Cake)
For the weekend before, we had had a blowout of tarts, a tart bender, tart madness- even, I dare say, a Tart-a-pa-looza, if you will forgive one final usage of the construction before we at last bury that cruelly beaten dead pop-culture horse. Tarte aux Pêches, Tarte aux Limettes, Tarte aux Poires, Tarte aux Cerises. Tarte aux Fromage Frais, both with and without Pruneaux. Tarte aux Citron et aux Amandes, Tarte aux Poires à la Bourdalue, and Tarte aux Fraises, which is not "Tart with Freshes," as the name of the Tarte aux Fromage Frais ("Tart with Fresh Cheese," of course) might suggest, but rather Tart with Strawberries, which was a fine little French lesson. (Why are strawberries, in particular, named for freshness? Why not blackberries? Or say, river trout? I love playing amateur- not to say totally ignorant- etymologist....) I made two kinds of pastry in a kitchen so hot that, even with the aid of a food processor, the butter started melting before I could get it incorporated into the dough. Which work resulted in eight tart crusts, perhaps not paragons of the form, but good enough. I made eight fillings for my eight tart crusts. I creamed butter and broke eggs and beat batter until it formed "the ribbon." I poached pears and cherries and plums in red wine.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
selling it as a supplement”: In the May 2009 issue of Smithsonian, the article “Honorable Mentions: Near Misses in the Genius Department” describes one Stan Lindberg, a daringly experimental chemist who took it upon himself “to consume every single element of the periodic table.” The article notes, “In addition to holding the North American record for mercury poisoning, his gonzo account of a three-week ytterbium bender… (‘Fear and Loathing in the Lanthanides’) has become a minor classic.” I spent a half hour hungrily trying to track down “Fear and Loathing in the Lanthanides” before realizing I’d been had. The piece is pure fiction. (Although who knows? Elements are strange creatures, and ytterbium might very well get you high.)
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
If you want to be a poet, there is no greater mistake you could make than to publish whatever work you have as soon as you can. Why? Well because your debut is the only shot you have. It should be made of dynamite. There is nothing worse - believe me - than to have an oeuvre with a mediocre debut, and likely you wont get that far at all, and you will wait for reviews that wont come, just a horrible idea really. I don't need tell this to the rare and extreme talents - they are like a force of nature - but i am talking to the rest of you. People who love their youth don't make it easy on them - making it easy for them is a way to destroy them, But the representatives of my generation have no clue,or idea about Bildung at all, which is why I am at odds with most of them.
Martijn Benders
My mother had been baking more often in general, but she took plates of desserts to the carpentry studio, where her boss, thank God, had a sweet tooth. He just loved the cheesecake, she'd tell me, shining. He ate all of my oatmeal cookies. Some charmed combination of the woodwork, and the studio people, and the splinter excising time with her son kept her going back to Silver Lake even when she hit her usual limits, and every night, tucked into bed, I would send out a thank-you prayer to the carpentry boss for taking in what I could not. But this morning I was the only one, and it was the weekend, and carpentry rested, and the whole kitchen smelled of hometown America, of Atlanta's orchards and Oregon's berry bushes, of England's pie legacy, packed with the Puritans over the Mayflower.
Aimee Bender (The Particular Sadness of Lemon Cake)
CAST: Barry Fitzgerald as Judge Bernard Fitz of the Vincent County District Court. Bill Green as Sheriff McGrath, “Vincent County’s own little Hitler,” a frequent antagonist of the kind-hearted judge. Barbara Fuller as Susan, the judge’s lovely young niece. Leo Cleary as the bailiff. Dawn Bender as little Mary Margaret McAllister. WRITER-PRODUCER-DIRECTOR: Carlton E. Morse. ANNOUNCER: Frank Martin. ORCHESTRA: Opie Cates. This show bore many of the trademarks that writer Carlton E. Morse had established on One Man’s Family: stories containing-the breath of life, realistic conflicts, and a character who, as Time put it, was “surefire for cornfed philosophizing.” Before his election to the bench, Judge Fitz had been the barber of a small (pop. 3,543) community in the county. At times, when his legal career tried his patience, he longed again for that simpler life. He was staunchly Irish (what else, with Barry Fitzgerald in the lead?) and could be painfully sentimental. One reviewer noted that “he criticizes the law as much as he enforces it, and slyly finds a loophole when he thinks a culprit needs a helping of simple kindness.” The sheriff, on the other hand, had a “lock ’em up and throw away the key” mentality.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I was playing with fire right now and I didn’t really care if I got burned. - Oliver Bailey
Melissa Bender (Lies, Betrayal & Love)
I’m smart enough to know that you feel it too. This isn’t just heat, it’s a fucking burning fire between us right now - Oliver Bailey
Melissa Bender (Lies, Betrayal & Love)
He was abused and you didn’t believe him, he came to you months ago for help and you laughed at him. This is your fault, he could have be killed tonight and then what? Would it finally click through that narrow minded skull of yours that yes, men can be emotionally and physically abused just as much as a woman can!! - Sage Mathers
Melissa Bender (Lies, Betrayal & Love)
I would do anything to protect you - Sage Mathers
Melissa Bender (Lies, Betrayal & Love)
Grieving the loss of a loved one—whether human or animal—is not only permissible, it is essential.
Linda Bender (Animal Wisdom: Learning from the Spiritual Lives of Animals (Sacred Activism))
Great teachers often come to us in humble packaging. That little dog held the wisdom of a sage in his heart. I learned from him that healing is not about the success or failure of the physical body, that physical survival is secondary. All creatures wish to live and thrive, but bodies do wear out. The number of days we walk the earth (or fly or swim or crawl on it) is not the point. Animals live in the present moment. If kindness, caring, and respect fill that moment, life is fill, no matter what came before or what might come in the future. A soul that feels loved is joyous and healed.
Linda Bender (Animal Wisdom: Learning from the Spiritual Lives of Animals (Sacred Activism))
God asks husbands to love their wives enough to die for them. He asks wives to love their husbands enough to live for them.
Betty S. Bender (What's a Woman to Do)
But the fact was, Sherrie Marla trusted him already. When he took the ice off, and showed to her his new symmetry, she didn't flinch. His face was him to her now. It was not a map or an indicator of some abstract idea. Turned out it was only the first impression he needed to alter.
Aimee Bender (The Color Master: Stories)
I bought a backscrabber. One more reason to have no need for a relationship.
Martijn Benders
Facebook is a ghetto for the creative part of society. It was created so the rest of society can function without having to pay attention to these weird folks that just keep yapping about stuff no one understands. The journalists and politicians are all on Twitter, producing the sort of soundbites the media love. Hence, the division between facebook and twitter essentially is the new class division, created by the powers-that-be to enforce the world to stay exactly as it is.
Martijn Benders
A few years back, a small corporation didn’t pay them for their work. That company’s head office was a smoking hole by sunset the next day. Love, peace, and happiness, but on their terms. They’re hippies with guns. I
Ron Bender (Shadow's Fall (New White Sands City Cyberpunk, #1))
Joseph stayed in the background as Samantha toured Bender’s Breeding Kennels. Jim Bender had greeted them warmly, his smile wide with pride as he showed them his facility. He brought them inside his house, showing off the awards, medals, and certificates of his dogs and their offspring that had gone on to win at shows and competitions. The ruddy-cheeked, barrel-chested man was dressed comfortably in jeans and a denim shirt with his kennel’s logo stitched over the pocket. His hair was still dark, although hints of silver were beginning to show
Maryann Jordan (To Love Someone (Baytown Boys, #14))
Forrest Sanders loved children in the showy way people do when they are trying to hide some moral or emotional deficiencies in themselves.
Karen E. Bender (A Town of Empty Rooms)
I loved my dish towel. This one was two-toned, and had, on one side, stitchings of fat purple roses on a lavender background, and on the other side, fat lavender roses on a purple background. Which side to use? An optical-illusion namesake with which I could dry our dishes. It was soft and worn and smelled like no-nonsense laundry detergent.
Aimee Bender (The Particular Sadness of Lemon Cake)
Does it work with sandwiches? he asked. I didn't move. He handed it over. George was watching with a kind of neutral curiosity, and I wasn't sure what I was supposed to do, so I just unwrapped it and took a bite. It was a homemade ham-and-cheese-and-mustard sandwich, on white bread, with a thin piece of lettuce in the middle. Not bad, in the food part. Good ham, flat mustard from a functional factory. Ordinary bread. Tired lettuce-pickers. But in the sandwich as a whole, I tasted a kind of yelling, almost. Like the sandwich itself was yelling at me, yelling love me, love me, really loud.
Aimee Bender (The Particular Sadness of Lemon Cake)
It was not their first choice, and they did not know if they would ever feel at home there, but they could afford, finally, a small house as well as a car. They had found their own happiness, weighted by resignation: that they were who they were, that they could never truly know the thoughts of another person, that their love was bruised by the carelessness of their own parents (his mother, her father); that they would wander the world in their dreams with ghostly, intangible lovers, that their children would move from adoration of them to fury, that they and their parents would die in different cities, that they would never accomplish anything that would leave any lasting mark on the world. They had longed for this, from the first lonely moment of their childhoods when they realized they could not marry their fathers or mothers, through the burning romanticism of their teens, to the bustling search of their twenties, and there was the faint regret that this tumult and exhaustion was what they had longed for too, and soon it would be gone.
Karen E. Bender (Refund)
We fell together onto the grass. We were velvet and water and arms and lips, and we were no one, and that was what we wanted, to climb into another person and stretch out into their lovely darkness. To believe another could make room for you, could perhaps keep you safe. That had to be the answer, for I did not want to contain only myself, my rotten sadness.
Karen E. Bender (Refund)
to love our enemies, we have to treat our friends even better. A good pard won't give you away. New and improved
Texas Bix Bender (Pards (Western Mini Series))