Ben Barnes Quotes

We've searched our database for all the quotes and captions related to Ben Barnes. Here they are! All 17 of them:

Asher is de aardige helft. Hij is degene die iedereen aardig vindt. Ik ben degene die dingen voor elkaar krijgt. - Emilia
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
Je bent mijn kind... Van mij, Tess... Ik ben je zus niet... Nooit je zus geweest. - Ivy
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
Zeg maar tegen haar dat ik de dochter van mijn moeder ben.
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
Cain’s hairy titties,” muttered Ben, joining me in my observation of the rural setting. “What hermit was so misguided in life that he was hanging around this peopleless landscape at the bell end of the night and happened to see a freaking goblin disappear into a hay barn? And for that matter, goblins are city denizens like me. What the shagging hell is it doing out here?
Patricia Briggs (Storm Cursed (Mercy Thompson, #11))
Il tempo però... ah, come può trascinarci alla deriva confonderci le idee. Credevamo di aver raggiunto la maturità quando ci 'eravamo soltanto messi in salvo, al sicuro. Fantasticavamo sul nostro senso di responsabilità, non riconoscendolo per quello che era, e cioè vigliaccheria. Ciò che abbiamo chiamato realismo si è rivelato un modo per evitare le cose, ben più che affrontarle. Già, il tempo ci riserva... Il tempo necessario a farci percepire le nostre più salve risoluzioni come traballanti, le nostre certezze come capricci momentanei. da "Il senso di una fine
Julian Barnes
She grabbed the knob. In the past, anger had often been her fuel. She’d been energized by it, and she realized, had depended on it to propel her over hurdles of exhaustion when Ben was an infant. Through red tape when dealing with insurance companies and physicians. Into new routines like learning sign language and coordinating treatments and surgeries with various specialists. She all but stumbled to her room. Closed the door and sank to sit on the bed, her breathing shallow. Yes, there’d been long periods of time she’d lived on anger. Now she saw she couldn’t afford it, or the way it made her behave toward her family.
Shellie Arnold (Sticks and Stones (The Barn Church #2))
Of course, we respect your decision, Farmer Ben,” he said. “I’d like to make one last request, if I may. Would you allow us cubs to sleep in the barn tomorrow night? Sort of our way of saying good-bye to the farm.” “A sleepover?” said Ben. “Why, sure. After everything you cubs have done for Mrs. Ben and me, it’s the least I can do.” “Then perhaps you’ll grant me another last request,” said Ferdy. “Would you and the cubs wait while I go home and get my camera and tripod? I’d like to take a group photo right here in the living room.” “I’d be honored,” said Farmer Ben. “Go on, son. Git!” Trudy went with Ferdy so she could carry the camera while he carried the tripod. As they headed down the drive to the front gate, Trudy said, “A sleepover and group photo are wonderful ideas, Ferd. Very sweet.” “Sweet has nothing to do with it,” said Ferdy. “I think I know how to save the Halloween Festival--and, thus, the farm!
Stan Berenstain (The Berenstain Bears and the Haunted Hayride)
Where are the cows?” asked Lizzy, looking around. “In the barn, waiting to be milked,” said Farmer Ben. “But they left plenty of cow pies out here yesterday, so watch your step.” To one side of the barn stood the chicken coop. Ben stopped in front of it and said, “Before milking the cows, we have to feed the chickens.” The chicken coop was even smellier than the fertilizer. “Pew!” said Queenie. “Go ahead, Ferdy. You’ll fit right in!” Farmer Ben picked up a large bag of chicken feed and poured the feed into a bucket. He handed the bucket to Ferdy. “Now, how hard can feeding chickens be?” he said. “Show us how to do it, my boy.” He unlatched the door to the coop and held it open. “Go on, son. Git!” Ferdy stepped inside and walked to the center of the chicken coop. He scooped a handful of feed from the bucket and said, “I believe the common phrase for such a task is ‘piece of cake.’” Then he began to scatter the feed in a circle around him. The cubs heard Farmer Ben chuckle. “That’s mighty close to your body, son!” he called to Ferdy. But it was too late. Ferdy was already surrounded by a mass of clucking, pecking chickens. What’s more, in scattering feed so close to him, he had accidentally dropped some into the cuffs of his overalls. Soon there were chickens pecking hungrily at his ankles. “Ouch!” cried Ferdy. “Ow! Stop! Back, I say!” The cubs laughed as Ferdy dropped the bucket and did an awkward dance to avoid his attackers. Lucky for him, the chickens went for the feed that had spilled from the fallen bucket. That gave Ferdy a chance to dash through the door and slam it behind him. Farmer Ben patted Ferdy on the back. “We farmers have a saying,” he chuckled. “‘He who drops chicken feed at his own feet soon finds himself in a peck of trouble.’ Get it? Peck of trouble?” “Very clever,” Ferdy grumbled as the other cubs hooted and hollered.
Stan Berenstain (The Berenstain Bears and the Haunted Hayride)
Former Texas lieutenant governor Ben Barnes confirmed that the rumors were at least partly true, revealing that he had accompanied former governor John Connally on secret missions across the Middle East to persuade the Iranians to wait until Reagan was sworn in.
George Stephanopoulos (The Situation Room: The Inside Story of Presidents in Crisis)
He’d thought he was being a good parent. By giving Sean room to learn about life on his own, when Julie rode him about taking on adult responsibilities. By cutting Rachel slack when Julie nitpicked her over her attitude and schoolwork. He’d even told himself Ben had been unaffected by the atmosphere in their home. He’d prided himself on his patience. His ability to wait and “hang in there” and approach life from a slower pace, and let Julie wear all the “bad guy” hats of discipline and planning and the tasks that came with running a household. Yet he now saw patience was simply the label he had used to cover the truth. He’d never been engaged with his family. Never been active and intentional. Before Ben he’d coasted because life had been easy, and after Ben he’d just maintained the fringes, justifying his inaction with Julie’s behavior. He’d lived reacting.
Shellie Arnold (Sticks and Stones (The Barn Church #2))
Alisa,' knarsetandde ik, 'heeft jouw kantoor een huurmoordenaar in dienst?' 'Nee.' Alisa klonk nog altijd volmaakt professioneel. 'Maar ik ben heel vindingrijk. Als je wilt, kan ik hier en daar wat navraag doen.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
Tegen de tijd dat ik klaar ben, heb je het aan die foto te danken dat je de verkiezingen wint.' ... Het bleef even stil. Daarna zwaaide Emilia haar lange paardenstaart over haar schouder. 'Zo goed ben je nou ook weer niet.' Ik glimlachte naar haar. 'Moet jij eens opletten.
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
The artist used houses and barns and land along the Connecticut River as his subjects.” Just as Ben Morrison had used the island and the brook. “Did Nason know your grandmother?” “Yes. She said he was the most poetic artist in America. She meant it literally. Some of his prints illustrated books
Luanne Rice (Last Day)
Vanaf nu ben je volwassen.' Alisa leek behoorlijk tevreden met zichzelf. 'Nu kun je je eigen testament opstellen.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
The pioneering works of writers such as Samuel R. Delany, Octavia E. Butler, Amos Tutuola, Ama Ata Aidoo, Ben Okri, Kojo Laing, Charles R. Saunders, Ngũgĩ wa Thiong’o, Steven Barnes, Jewelle Gomez, L. A. Banks, Eric Jerome Dickey, Tananarive Due, Nalo Hopkinson, Linda D. Addison, Nisi Shawl, Walter Mosley, Andrea D. Hairston, and others created a body of work that blazed a trail for new writers to come. Anthologies such as the groundbreaking volumes Dark Matter: A Century of Speculative Fiction from the African Diaspora and Dark Matter: Reading the Bones, edited by Sheree R. Thomas, as well as Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction and Mojo: Conjure Stories, edited by Nalo Hopkinson, helped challenge the assumption of invisibility and created more space for new works from a variety of communities to find their way into the publishing world.
Sheree Renée Thomas (Africa Risen: A New Era of Speculative Fiction)
You think that Ben Barnes will leave Kalos and give Stella his sole loyalty?
Lillian Lark (Married to the Devil (Monstrous Matches, #5))
Beverley Brook rises in Worcester Park in southeast London and flows through a ridiculous number of other parks, recreation grounds and golf courses before joining her mother at Barn Elms. She says that while she averages half a cubic meter of water per second, she’s had it up to six cubic meters per second a couple of times. And unless she gets some more care, attention and the occasional bottle of Junipero Gin, she’s not going to be responsible for where that surplus water’s going to end up.
Ben Aaronovitch (The Hanging Tree (Rivers of London, #6))