Rifles Quotes

We've searched our database for all the quotes and captions related to Rifles. Here they are! All 100 of them:

A vote is like a rifle: its usefulness depends upon the character of the user.
Theodore Roosevelt
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?
Erich Maria Remarque (All Quiet on the Western Front)
The final sound of the rifle shot bounced around the lake.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The rifle itself has no moral stature, since it has no will of its own. Naturally, it may be used by evil men for evil purposes, but there are more good men than evil, and while the latter cannot be persuaded to the path of righteousness by propaganda, they can certainly be corrected by good men with rifles.
Jeff Cooper (The Art of the Rifle)
People, particularly big men carrying big rifles, don't expect lip from a scrawny thing like me. They always look a bit dazed when they get it.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
You might get only one shot. So shoot. You know who said that?" The rifle clatters to the bloody floor. "Hanna FUCKING Donnelly. That's who.
Jay Kristoff (Gemina (The Illuminae Files, #2))
Ceres wanted a united front in the plant war." "The plant war," Percy said. "You're going to arm all the little grapes with tiny assault rifles?
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Why the rifle? Everybody knows you can’t shoot.” Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don't just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.
James D. Nicoll
That rifle on the wall of the labourer's cottage or working class flat is the symbol of democracy. It is our job to see that it stays there.
George Orwell
He’s going to get us all killed,” she said. Jesper stretched his long arms overhead and grinned, his teeth white against his dark skin. He had yet to give up his rifle, and the silhouette of it across his back made him resemble a gawky, long-limbed bird. “Statistically, he’ll probably only get some of us killed.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Born with a silver spoon in his mouth, he was going out with a rifle in his hand.
Kelly Moran (Return to Me (Covington Cove, #1))
Next time I'll try getting captured. Just to keep things interesting." He tossed Mal a rifle. "Shall we?" "I can't tell who's who!" I protested. "We're the side that's hopelessly outnumbered.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I should learn to run, to wrestle, to swim, to ride horses, to row, to drive a car, to fire a rifle. I should fill my soul with flesh. I should fill my flesh with soul. In fact, I should reconcile at last within me the two internal antagonists.
Nikos Kazantzakis (Zorba the Greek)
It’s all circling around the same problem of personal liberties,” Walter said. “People came to this country for either money or freedom. If you don’t have money, you cling to your freedoms all the more angrily. Even if smoking kills you, even if you can’t afford to feed your kids, even if your kids are getting shot down by maniacs with assault rifles. You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.
Jonathan Franzen (Freedom)
We spoke about our dreams and how we always felt safe in them, no matter how bad everthing else seemed. He told me it was one of the best days of his life and then he took out his gun. A .22 rifle. And he leaned forward and whispered, "Forgive me, Taylor Markham." Before I could ask how he knew my name and what I was to forgive him for he said, "Take care of my little girl." And then he told me to close my eyes. And I've been frightened to do just that ever since.
Melina Marchetta (On the Jellicoe Road)
I can still pick up a rifle. I was a soldier before I was a Saint.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
If you have a rifle, hanging on the wall in the first act, it should fire in the last act”.
Constantin Stanislavski
Caine tried to roll to his feet, but something was jabbing him in the crouch. He shook off the stars and saw Edilio standing over him. Edilio had the business end of his automatic rifle in a very sensitive place. "If you move, Caine, I will shoot your balls off," Edilio said. "Toto?" "He will," Toto said, "Although he's not sure it will be just your balls.
Michael Grant (Light (Gone, #6))
Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way!
Herman Melville (Moby-Dick or, The Whale)
A Winchester rifle should have a place of honor in every black home, and it should be used for that protection which the law refuses to give.
Ida B. Wells-Barnett
Neat rooms were easy to rifle through and search undetected because it was simple to put carefully placed things exactly where they'd been. But messes, on the other hand, were difficult to recreate.
Stephanie Garber (Legendary (Caraval, #2))
What a mind fuck it is to comfort the person who just blew your whole heart open with a rifle.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
The great body of our citizens shoot less as times goes on. We should encourage rifle practice among schoolboys, and indeed among all classes, as well as in the military services by every means in our power. Thus, and not otherwise, may we be able to assist in preserving peace in the world... The first step – in the direction of preparation to avert war if possible, and to be fit for war if it should come – is to teach men to shoot!
Theodore Roosevelt
And where were you when my mate was shooting ferals with a damn sniper rifle?" he demanded, exhaustion adding a bite to his words. Ryuu gave him a flat look. "Holding her ammunition.
Alanea Alder (My Savior (Bewitched and Bewildered, #4))
The only real power comes out of a long rifle.
Joseph Stalin
I was a girl in a land where rifles are fired in celebration of a son, while daughters are hidden away behind a curtain, their role in life simply to prepare food and give birth to children.
Malala Yousafzai (I am Malala: The Story of the Girl Who Stood Up for Education and was Shot by the Taliban)
I have a smoke grenade in my room," I said. "What?" Megan asked. "How?" "I grew up working at a munitions plant," I said. "We mostly made rifles and handguns, but we worked with other factories. I got to pick up the occasional goody from the QC reject pile." "A smoke grenade is a goody?" Cody asked. I frowned. What did he mean? Of course it was. Who wouldn't want a smoke grenade when offered one?
Brandon Sanderson (Steelheart (The Reckoners, #1))
You won't," says the Mayor, smiling again. "Everyone knows you aren't a killer, Todd." He pushes Viola forward again - She calls out from the pain of it - Viola, I think - Viola - I grit my teeth and raise the rifle - I cock it - And I say what's true - "I would kill to save her," I say.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
We're much alike, bee, you and me," I said. "You may carry your pack underneath you and your rifle may stick out of your bottom. But you and me, bee, are much alike.
Michael Morpurgo (Private Peaceful)
He held up the AK-47, the muscles in his arm bunching against the weight. “This is an assault rifle.” Then held up the handgun. “This is a semi-automatic pistol.” Then he gave a little thrust of his hips and looked down at his penis. “That is my gun. As you’ve discovered, it’s pumpaction like a shotgun , but it doesn’t fire bullets.
Pamela Clare (Breaking Point (I-Team, #5))
He just didn't look like the kind of creep that would messily murder a woman in her hotel room; he looked like the kind of creep that could line her up in the sights of an assassins rifle without a shred of emotion.
Karen Marie Moning (Darkfever (Fever, #1))
Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The rifle and handgun are 'equalizers' -- the weapons of a democracy. Tanks and bombers represent dictatorship.
Edward Abbey
You know, I'm sick and tired of people pointing rifles at me.
Carrie Vaughn (Kitty Takes a Holiday (Kitty Norville, #3))
A massive beast dashed along the mountain apex. Astamur reached for his rifle. “A demon?” “No, not a demon.” I might have preferred one . “That’s my boyfriend.” Atsany and the shepherd turned to look at me. “Boyfriend?” Astamur said. Curran saw us. He paused on a stone crag and roared. The raw declaration of strength cracked through the mountains, rolling down the cliffs like a rockslide. “Yep. Don’t worry. He’s harmless.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
In my world, you don’t get to call yourself “pro-life” and be against common-sense gun control — like banning public access to the kind of semiautomatic assault rifle, designed for warfare, that was used recently in a Colorado theater. You don’t get to call yourself “pro-life” and want to shut down the Environmental Protection Agency, which ensures clean air and clean water, prevents childhood asthma, preserves biodiversity and combats climate change that could disrupt every life on the planet. You don’t get to call yourself “pro-life” and oppose programs like Head Start that provide basic education, health and nutrition for the most disadvantaged children...The term “pro-life” should be a shorthand for respect for the sanctity of life. But I will not let that label apply to people for whom sanctity for life begins at conception and ends at birth. What about the rest of life? Respect for the sanctity of life, if you believe that it begins at conception, cannot end at birth.
Thomas L. Friedman
I'm tired of the whole anti gun thing. Saying that Guns cause Murders is like saying Steering Wheels cause car wrecks
Stanley Victor Paskavich (Return to Stantasyland)
What was in the trunk?" I asked, and my eyes widened when he opened his coat and let me glimpse a big-ass rifle. "I know these people," he said, his expression going hard. "We handle their insurance.
Kim Harrison (For a Few Demons More (The Hollows, #5))
A woman tells him a pen is a sword. What’s a pen to a rifle? Another fed him a sonnet. If Shakespeare was from here he wouldn’t be writing.
Mohammed El-Kurd (Rifqa)
The mechanic had laid out two suits of their Martian-made light combat armour, a number of rifles and shotguns, and stacks of ammunition and explosives. “What,” Holden said, “is all this?” “You said to gear up for the drop.” “I meant, like, underwear and toothbrushes.
James S.A. Corey (Cibola Burn (The Expanse, #4))
You're enjoying this, aren't you?" I'd feel better if I could guard your back." You're going to do that with a rifle from the closest hill, remember." Night vision and scope, fine, but I can't kill them all from a distance." You couldn't kill them all if you were johnny on the spot, either," I said. No but I'd feel better." Worried about me?" He shrugged. I'm your bodyguard. If you die under my protection, the other bodyguards will make fun of me." It took me a second to realize he was making a joke. Harley looked back at him with an almost surprised look. I don't think either of us heard humor from Edward much.
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
As I pedal down the street ... the city blocks peel away like pages in a book I’m rifling through to find a single, highlighted sentence.
Hilary T. Smith (Wild Awake)
Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
P.J. O'Rourke
Hey! When he dug into it, rifling through her things, she snapped, "Go Yoda someone else's supplies, asshole.
Kresley Cole (Demon from the Dark (Immortals After Dark, #9))
What would my first sergeant do if he came across me and another girl getting it on? He'd want pictures. He'd want to join in. He'd want me and this other girl to double-team him right then and there. On the other hand, since most heterosexual men are homophobic and sexist, most straight guys figure gay men will treat them the way they themselves treat women- that is, like sex objects. And this freaks them the fuck out.
Kayla Williams (Love My Rifle More than You: Young and Female in the U.S. Army)
The Japanese fought to win - it was a savage, brutal, inhumane, exhausting and dirty business. Our commanders knew that if we were to win and survive, we must be trained realistically for it whether we liked it or not. In the post-war years, the U.S. Marine Corps came in for a great deal of undeserved criticism in my opinion, from well-meaning persons who did not comprehend the magnitude of stress and horror that combat can be. The technology that developed the rifle barrel, the machine gun and high explosive shells has turned war into prolonged, subhuman slaughter. Men must be trained realistically if they are to survive it without breaking, mentally and physically.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. . . . I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?
Erich Maria Remarque (All Quiet on the Western Front)
You were a soldier?" "Yes, sir." "You barely look old enough to have seen the last battle." "My father was a career army man, sir. I was there at the first engagement with Analousia, and took up my father's rifle when I was barely fifteen." "Saints preserve us," Dr. Kelling said, and squeezed Galen's shoulder. "What have we done to our youth?
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
One should not put a loaded rifle onto the stage if no one is thinking of firing it.
Anton Chekhov
So I heard the boom of my father's rifle when he shot my best friend. A bullet only costs about two cents, and anybody can afford that.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Maybe life is a process of trading hopes for memories.
William T. Vollmann (The Rifles (Seven Dreams #6))
If you want to teach your children that they are the tools of God, you had better not teach them that they are God's rifles, or we will have to stand firmly opposed to you: your doctrine has no glory, no special rights, no intrinsic and inalienable merit. If you insist on teaching your children false-hoods—that the Earth is flat, that "Man" is not a product of evolution by natural selection—then you must expect, at the very least, that those of us who have freedom of speech will feel free to describe your teachings as the spreading of falsehoods, and will attempt to demonstrate this to your children at our earliest opportunity. Our future well-being—the well-being of all of us on the planet—depends on the education of our descendants.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
My dad is here," She hissed, hoping to give Gabriel enough of a head start so he could make it to the elevators before Tom took out one of his hunting rifles and shot him. "I know, I called him." She turned to Gabriel in wide-eyed disbelief. "Why would you do that? He wants to kill you." The Professor pulled himself up to his full height. "I want to marry you. That means that I need to make amends with your father. I want to be able to be in the same room without him attempting to shoot me. Or castrate me.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
The Constitution gives you the right, as a white man, to have a rifle in your home. The Constitution gives you the right to protect yourself. Why is it ‘ominous’ when black people even talk of having rifles? Why don’t we have the right to self-defense? Is it because maybe you know we’re going to have to defend ourselves against you?
James Baldwin (One Day When I Was Lost)
She stepped out of reach. “Go put on a shirt and get your mind out of bed.” “Impossible with you around.” “Pretend I’m holding a rifle. In fact, pretend I have you in the crosshairs.” Janvier sighed, rubbing at a jaw shadowed by morning stubble. “I love it when you talk dirty.
Nalini Singh (Angels' Flight (Guild Hunter, #0.4, #0.6, #0.8, #3.5))
Katrien didn't waste any time. While Elisabeth looked around, she went straight to the desk and started rifling through the drawers. "For science," she explained, which was frequently what she said right before something exploded.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one’s master. And every day without fail one should consider himself as dead
Yamamoto Tsunetomo
I do not understand exactly what you mean by fear," said Tarzan. "Like lions, fear is a different thing in different men, but to me the only pleasure in the hunt is the knowledge that the hunted thing has power to harm me as much as I have to harm him. If I went out with a couple of rifles and a gun bearer, and twenty or thirty beaters, to hunt a lion, I should not feel that the lion had much chance, and so the pleasure of the hunt would be lessened in proportion to the increased safety which I felt." "Then I am to take it that Monsieur Tarzan would prefer to go naked into the jungle, armed only with a jackknife, to kill the king of beasts," laughed the other good naturedly, but with the merest touch of sarcasm in his tone. "And a piece of rope," added Tarzan.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns)
Not the torturer will scare me, nor the body's final fall, nor the barrels of death's rifles, nor the shadows on the wall, nor the night when to the ground the last dim star of pain, is hurled but the blind indifference of a merciless, unfeeling world.
Roger Waters
Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.
Robert F. Kennedy
I had seen that look before, on the faces of tourists visiting the Texas Book Depository in Dallas where Lee Harvey Oswald took the shots at JFK. I took that tour and met some conspiracy buffs, all of us standing at the gunman’s window and looking down to the spot where the motorcade passed. It’s right there below the window, an easy shot at a slow-moving car. No mystery, just a kid and a rifle and a tragedy. They came looking for dark and terrible revelations and instead found out something even more dark and terrible: that their lives were trite and boring.
David Wong (John Dies at the End (John Dies at the End, #1))
In the colonial countries, on the contrary, the policeman and the soldier, by their immediate presence and their frequent and direct action maintain contact with the native and advise him by means of rifle butts and napalm not to budge. It is obvious here that the agents of government speak the language of pure force
Frantz Fanon (The Wretched of the Earth)
It is when one begins to lose the consciousness of freedom, and when the idea of necessity enters the world at all, when there is any hurry or strain anywhere, a letter to be written or a train to catch, when you have got to work, to make the horses of the dream gallop, or to make the rifles go off, that the dream is declining, and turning into the nightmare, which belongs to the poorest and most vulgar class of dreams.
Karen Blixen (Out of Africa)
Beyond them stood a far greater number of men, all dressed like human versions of classic tin soldiers; dark blue jackets, white shirts, red sashes and black top hats. Definitely not 21st century military uniform; I’d have thought that they were actors had they not, on a drum roll, unshouldered their rifles and fired into the air.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Sicarius, are you ready for a hike?” She faced him only to find he had armed himself—more so than usual. In addition to his daggers and throwing knives, he held two rifles, two pistols, two cargo belts laden with ammo pouches, and a bag of his smoke grenades. “Or a single-handed all-out assault on the forest?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifle's rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers, nor bells, Nor any voice of mourning save the choirs, The shrill demented choirs of wailing shells, And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes, Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall, Their flowers the tenderness of patient minds, And each, slow dusk a drawing down of blinds.
Wilfred Owen (The War Poems)
Free, I think. They're free. (is this why she joined them?) I feel so- So relieved. I pick up the pace as I near the opening, my hands gripping my rifle but I have a feeling I ain't gonna need it. (ah, Viola, I knew I could count-) Then I reach the opening and stop. Everything stops. My stomach falls right thru my feet. "They're all gone?" Davy says, coming up beside me. Then he see what I see. "What the-?" Davy says. The Spackle ain't all gone. They're still here. Every single one. All 1150 of them. Dead.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
Alex hopped onto the four-poster bed. He bounced up and down, grinning as the springs squeaked. "What are you doing?" I asked. "Making noise." He leaned over and rifled through Randolph's nightstand drawer. "Let's see. Cough drops. Paper clips. Some wadded-up Kleenex that I am not going to touch. And ..." He whistled. "Medication for bowel discomfort! Magnus, all this bounty belongs to you!" "You're a strange person." "I prefer the term fabulously weird.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
A man with a rifle or a club can only be stopped by a person who defends himself with a rifle or a club. That's equality. If the United States government doesn't want you and me to have rifles, then take the rifles away from those racists. If they don't want you and me to use clubs, take the clubs away from the racists. If they don't want you and me to get violent, then stop the racists from being violent. Don't teach us non-violence!!!
Malcolm X
I am cool with people. I am not the one at the top of the water tower with the rifle at all. I am cool when they are cool. I am not a people person. I live alone and don't visit much with people. I do answer all the mail and meet anyone after the show though. I have no problem with this. These people took the time out to check me out, there's no way I am blowing that off or in any way disrespecting that. The Black Flag years were turbulent and it took a lot of work to be cool with people after that. I have never been one to go to clubs or events unless I am performing or on business. It's just not me.
Henry Rollins
So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun. "You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis." Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages. "Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.
Pittacus Lore
Definition: 'Love' is making a shot to the knees of a target 120 kilometres away using an Aratech sniper rifle with a tri-light scope. Statement: This definition, I am told, is subject to interpretation. Obviously, 'love' is a matter of odds. Not many meatbags could make such a shot, and strangely enough, not many meatbags would derive love from it. Yet for me, love is knowing your target, putting them in your targeting reticle, and together, achieving a singular purpose... against statistically long odds...
HK-47
The fact is that the government, like a highwayman, says to a man: Your money, or your life...The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful. The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber...Furthermore, having taken your money, he leaves you as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful 'sovereign,' on account of the 'protection' he affords you.
Lysander Spooner
Antonio, I speak to you from beyond the grave, in seriousness. I have loved you with all my shameful heart, as much as I once loved Francisco, and I have conquered any envy that I might have felt. If a dead man may have a wish, it is that you should find your future with Pelagia. She is beautiful and sweet, there is no one who deserves you more, and no one else worthy of you. I wish that you will have children together, and I wish that once or twice you will tell them about their Uncle Carlo that they never saw. As for me, I hoist my knapsack on my shoulders and buckle the webbing, I put my arm through the sling of my rifle, and I open the veil to march into the unknown as soldiers always will. Remember me. Carlo.
Louis de Bernières (Corelli's Mandolin)
It was a strange feeling, holding the rifle. It somehow removed him from everything around him. Without the rifle he had to fit in, to be part of it all, to understand it and use it - the woods, all of it. With the rifle, suddenly, he didn't have to know, did not have to be afraid or understand. He didn't have to get close to a foolbird to kill it - didn't have to know how it would stand if he didn't look at it and moved off to the side. The rifle changed him, the minute he picked it up, and he wasn't sure he liked the change much.
Gary Paulsen (Hatchet (Brian's Saga, #1))
The thing about violence, see, is that the Empire has a lot more to lose than we do. Violence disrupts the extractive economy. You wreak havoc on one supply line, and there’s a dip in prices across the Atlantic. Their entire system of trade is high-strung and vulnerable to shocks because they’ve made it thus, because the rapacious greed of capitalism is punishing. It’s why slave revolts succeed. They can’t fire on their own source of labour – it’d be like killing their own golden geese. ‘But if the system is so fragile, why do we so easily accept the colonial situation? Why do we think it’s inevitable? Why doesn’t Man Friday ever get himself a rifle, or slit Robinson Crusoe’s neck in the night? The problem is that we’re always living like we’ve lost. We’re all living like you. We see their guns, their silver-work, and their ships, and we think it’s already over for us. We don’t stop to consider how even the playing field actually might be. And we never consider what things would look like if we took the gun.
R.F. Kuang (Babel)
I remember still how full of bad magic all those spearpoints to be put on the ends of rifles seemed to be. One was like a sharpened curtain rod. Another was triangular in cross-section, so that the wound it made wouldn't close up again and keep the blood and guts from falling out. Another one had sawteeth - so it could work its way through bone, I guess. I can remember thinking that war was so horrible that, at last, thank goodness, nobody could ever be fooled by romantic pictures and fiction and history into marching to war again. Nowadays, of course, you can buy a machine gun with a plastic bayonet for your little kid at the nearest toy boutique.
Kurt Vonnegut Jr. (Bluebeard)
These kids spend a majority of their time in school, and if they’re not having a positive experience, they can become depressed. In some cases, they lash out, grabbing whatever weapon is available to them. It can be an assault rifle, a knife, a Molotov cocktail, poison, Indian burns or MMA. But if you take one weapon away, these kids are just going to grab the next thing available to them. Maybe they will use a gun with a smaller clip, limiting the amount of lives they can take. Or maybe they’ll get more creative, and think of something far more terrible. So taking a weapon away won’t really solve anything, and this is my point here.
Aaron B. Powell (Guns)
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
Is this a habit of yours?” he asks. “What?” “Dropping stuff whenever you first see me? It's kind of cute. Flattering,” he adds, straightening while easily holding all of my stuff in his giant arms. I've recovered enough to roll my eyes. “Maybe the habit is connected to your urge to rifle through my private things every time you see me?” “It's possible. Your stuff is so randomly interesting.” He eyes my science kit and then scans through the pile of papers in his hands. “You got any other lists that need checking off? College tuition aside, I'm also trying to save for a new car.” He laughs.
Anne Eliot (Almost)
Decebel could admit now that maybe he had slightly overreacted when he tore into the room and found two males rifling through her suit case. So maybe he didn't have to throw Dragos through a wall. And, yeah, he could've kept from tossing Dorian right on top of Dragos. But in that moment his wolf had taken over, and all he could think was that her scent was around unmated males, that they were touching her things – things only he should know about. Decebel had glossed over that little tidbit, about why on earth he thought he had a right to know about her underwear.He'd felt that if he didn't get her things and her scent from their room he was going to kill someone, no doubt about it. One of those pups would have died that night.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man." "You thought we would--you would-- do...that in public?" "I wasn't thinking about where we were." He said. Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time." She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms. She did not pick up the rifle and knock him on the head with it. Perhaps all was not lost. "Somewhere else then?" He said hopefully.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
That was his moment in Leningrad, on an empty street, when his life became possible—when Alexander became possible. There he stood as he was—a young Red Army officer in dissolution, all his days stamped with no future and all his appetites unrestrained, on patrol the day war started for Russia. He stood with his rifle slung on his shoulder and cast his wanton eyes on her, eating her ice cream all sunny, singing, blonde, blossoming, breathtaking. He gazed at her with his entire unknowable life in front of him, and this is what he was thinking… To cross the street or not to cross? To follow her? To hop on the bus, after her? What absolute madness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
When a power elite wants to destroy an enemy nation, it turns to propaganda experts to fashion a program of hate. What does it take for the citizens of one society to hate the citizens of another society to the degree that they want to segregate them, torment them, even kill them? It requires a “hostile imagination,” a psychological construction embedded deeply in their minds by propaganda that transforms those others into “The Enemy.” That image is a soldier’s most powerful motive, one that loads his rifle with ammunition of hate and fear. The image of a dreaded enemy threatening one’s personal well-being and the society’s national security emboldens mothers and fathers to send sons to war and empowers governments to rearrange priorities to turn plowshares into swords of destruction.
Philip G. Zimbardo (The Lucifer Effect: Understanding How Good People Turn Evil)
In the middle of a novel, a kind of magical thinking takes over. To clarify, the middle of the novel may not happen in the actual geographical centre of the novel. By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post—I mean when there is nothing in the world except your book, and even as your wife tells you she’s sleeping with your brother her face is a gigantic semi-colon, her arms are parentheses and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses.
Zadie Smith
He's outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard's. And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair - Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office find a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scrap of paper in the hall or on the stair - But it's useless to investigate - Mcavity's not there! And when the loss has been disclosed, the Secret Service say: 'It must have been Macavity!' - but he's a mile away. You'll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long-division sums. Macavity, Macavity, there's no one like Macavity, There never was a Cat of such deceitfulness and suavity. He always has an alibi, and one or two to spaer: At whatever time the deed took place - MACAVITY WASN'T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
T.S. Eliot (Old Possum's Book of Practical Cats)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
Libba Bray (The Diviners (The Diviners, #1))
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.
Lora Leigh (Wild Card (Elite Ops, #1))
Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
We stumbled on in the darkness, over big stones and through large puddles, along the one road leading from the camp. The accompanying guards kept shouting at us and driving us with the butts of their rifles. Anyone with very sore feet supported himself on his neighbor's arm. Hardly a word was spoken; the icy wind did not encourage talk. Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us." That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise. A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way—an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory.
Viktor E. Frankl
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
We’re loyal servants of the U.S. government. But Afghanistan involves fighting behind enemy lines. Never mind we were invited into a democratic country by its own government. Never mind there’s no shooting across the border in Pakistan, the illegality of the Taliban army, the Geneva Convention, yada, yada, yada. When we’re patrolling those mountains, trying everything we know to stop the Taliban regrouping, striving to find and arrest the top commanders and explosive experts, we are always surrounded by a well-armed, hostile enemy whose avowed intention is to kill us all. That’s behind enemy lines. Trust me. And we’ll go there. All day. Every day. We’ll do what we’re supposed to do, to the letter, or die in the attempt. On behalf of the U.S.A. But don’t tell us who we can attack. That ought to be up to us, the military. And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush. They probably would not survive. The truth is, any government that thinks war is somehow fair and subject to rules like a baseball game probably should not get into one. Because nothing’s fair in war, and occasionally the wrong people do get killed. It’s been happening for about a million years. Faced with the murderous cutthroats of the Taliban, we are not fighting under the rules of Geneva IV Article 4. We are fighting under the rules of Article 223.556mm — that’s the caliber and bullet gauge of our M4 rifle. And if those numbers don’t look good, try Article .762mm, that’s what the stolen Russian Kalashnikovs fire at us, usually in deadly, heavy volleys. In the global war on terror, we have rules, and our opponents use them against us. We try to be reasonable; they will stop at nothing. They will stoop to any form of base warfare: torture, beheading, mutilation. Attacks on innocent civilians, women and children, car bombs, suicide bombers, anything the hell they can think of. They’re right up there with the monsters of history.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))