Below Her Mouth Quotes

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There is a story of a woman running away from tigers. She runs and runs and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she just takes a strawberry, puts it in her mouth, and enjoys it thoroughly. Tigers above, tigers below. This is actually the predicament that we are always in, in terms of our birth and death. Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. We could get depressed about it, or we could finally appreciate it and delight in the preciousness of every single moment of our life.
Pema Chödrön (The Wisdom of No Escape: How to Love Yourself and Your World)
It doesn't eat meat." I said. "It's a herbivore. It's like a big cow." Denna looked at me and started to laugh. Not hysterical laughter, but the helpless laughter of someone who's just heard something so funny they can't help but bubble over with it. She put her hands over her mouth and shook with it, the only sound was a low huffing that escaped through her fingers. There was another flash of blue fire from below. Denna froze midlaugh, then took her hands away from her mouth. She looked at me, her eyes wide, and spoke softly with a slight quaver in her voice, "Mooooo.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
He dipped his head, placing his mouth to the space below her ear. He nipped her there, just a tiny bite that sent a wave of heat through her veins. And then his lips moved lower, leaving a hot trail behind. “You drive me insane, absolutely freaking insane. Do you know that? I bet you do.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
We would lie on coral sand, below sugary stars, watching Cassiopeia mount her throne and the Great Bear wash its paws in the South. I would say, "I have a secret to tell you." And, folding me in your arms, boyish and sly, you would answer: "Whisper it into my mouth.
Diane Ackerman (Jaguar of Sweet Laughter: New and Selected Poems)
As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
Margaret Mitchell (Gone with the Wind)
She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.
Sarah Addison Allen (The Sugar Queen)
Lincoln closed his eyes. It seemed like the right thing to do, no matter what happened next. He closed his eyes and felt her fingertips touching his cheek, then his forehead, then his eyelids. He took a breath--ink and hand soap. "I" -- he heard her whisper, closer than he expected, and shaky and strange -- "think I might be a very stupid girl." He shook his head no. Just barely. So that only someone who was holding his cheek and his neck would notice. "Yes," she said, sounding closer. He didn't move, didn't open his eyes. What if he opened his eyes and she saw what she was doing? She kissed his cheek, and he let his head tip forward into her hands. She kissed his other cheek. And his chin. The groove below his bottom lip. "Stupid girl," she said near the corner of his mouth, sounding incredulous, "what could you possibly be thinking?" Lincoln found his mouth. "Perfect girl," he said so quietly that only someone with her hands in his hair and her lips all but touching his could possibly hear. "Pretty girl." He found her mouth. "Perfect." Kiss. "Magic." Kiss. "Only girl.
Rainbow Rowell (Attachments)
My Selection wasn’t a farce, but it wasn’t that far off. My father chose all the contestants by hand, picking young women with political alliances, influential families, or enough charm to make the entire country worship the ground they walked on. He knew he had to make it varied enough to seem legit, so there were three Fives thrown into the mix but nothing below that. The Fives were meant to be little more than throwaways to keep anyone from being suspicious.” I realized my mouth was gaping open and shut it immediately. “Mom?” “Was meant to be gone almost immediately. Truth be told, she barely made it past my father ’s attempts to sway my opinion or remove her himself. And look at her now.” His whole face changed. “Though it was hard for me to imagine, she is even more beloved as queen than my mother. She has made four beautiful, intelligent, strong children. And she has been the source of every happiness in my life.
Kiera Cass (The Heir (The Selection, #4))
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Blitz and Hearth were almost at the shore when Alex stopped abruptly. I didn't have any energy left either, but I thought I should try to sound encouraging. "We - we have to k-keep going." I looked over. We were nose-to-nose under the blankets. Her eyes glinted, amber and brown. Her scarf had dipped below her chin. Her breath was like limes. Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fitted perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away. "I wasn't going to die without doing that," she said. The world of primordial ice must not have frozen me completely, because my chest burned like a coal furnace. "Well?" She frowned. "Stop gaping and let's move." We trudged towards the shore. My mind wasn't working properly. I wondered if Alex had kissed me just to inspire me to keep going, or to distract me from our imminent deaths. It didn't seem possible she'd actually wanted to kiss me. Whatever the case, that kiss was the only reason I made it to shore.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Why did I allow the abuse to continue? Even as a teenager? I didn’t. Something that had been plaguing me for years now made sense. It was like the answer to a terrible secret. The thing is, it wasn’t me in my bed, it was Shirley who lay the wondering if that man was going to come to her room, pull back the cover and push his penis into her waiting mouth it was Shirley. I remembered watching her, a skinny little thing with no breasts and a dark resentful expression. She was angry. She didn’t want this man in her room doing the things he did, but she didn’t know how to stop it. He didn’t beat her, he didn’t threaten her. He just looked at her with black hypnotic eyes and she lay back with her legs apart thinking about nothing at all. And where was I? I stood to one side, or hovered overhead just below the ceiling, or rode on a magic carpet. I held my breath and watched my father pushing up and down inside Shirley’s skinny body.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
She forks up a little nibble and wedges it in her mouth. "Yum," she croaks. Mrs. Wong looks pleased. "It's made with tofu." I can't resist. "Free-range tofu?" My mother looks over at me sharply. Mrs. Wong takes the bait. "Now, Cassidy, tofu isn't an animal," she chides. "It's soy bean curd. Soy bean curd doesn't need to roam free." On the floor below me, Emma lets out a little snort. I nudge her again with my foot. We're both grinning at the thought of a corral somewhere with little cubes of tofu wandering around. "Home, home on the range," I sing to her under my breath. "Where the deer and the tofu roam free...
Heather Vogel Frederick
Her mouth was on his with such ferocity, it knocked him back a step. He managed to haul her back so he could gasp for air and answers. "Not that I'm complaining." "Then don't. Shut up and put out Savoie." "You are so romantic, detective." She chained rough kisses about his neck. "What if I can't perform under this unexpected pressure?" Her hand dropped below his belt for an assessing fondle. "Just my luck. Appears to be high performance all the way." He chuckled and began to nuzzle and nip at her rather roughly, his attention supercharged by her aggression. "And what kind of handling are you looking for?" "Fast and reckless
Nancy Gideon (Chased by Moonlight (By Moonlight, #2))
Dove found Flower waiting outside her apartment. Flower was staring at her Doc Martins and in a very slow-motion move; she looked up at Dove. “Jesus!” Flower’s eyes were wide and her mouth stayed open. Dove wanted to ask, “Bad Jesus or good Jesus?”, but Flower had already used almost half her allotted words on Dove’s predicament. She felt guilty asking for more.
Debra Anastasia (Fire Down Below (Gynazule #1))
There can be no question that parrots have more intellect than any other kind of bird, and it is this that makes them such favourite pets and brings upon them so many sorrows. ...Men will buy them ... and carry them off to all quarters of the native town, intending, I doubt not, to treat them kindly; but "the tender mercies of the wicked are cruel", and confinement in a solitary cell, the discipline with which we reform hardened criminals, is misery enough to a bird with an active mind, without the superadded horrors of ... life in a tin case, hung from a nail in the wall of a dark shop... Why does the Society for Prevention of Cruelty to Animals never look into the woes of parrots? ... However happy you make her captivity, imagination will carry her at times to the green field and blue sky, and she fancies herself somewhere near the sun, heading a long file of exultant companions in swift career through the whistling air. Then she opens her mouth and rings out a wild salute to all parrots in the far world below her.
E.H. Aitken
More lady-lessons. It is impossible to do all and be all a lady must be and not tie oneself in a knot. A lady must walk erect with dignity, looking straight before her with eyelids low, gazing at the ground ahead, neither trotting nor running nor looking about nor laughing nor stopping to chatter. Her hands must be folded below her cloak while at the same time lifting her dress from the floor while at the same time hiding her mouth if her smile is unattractive or her teeth yellow. A lady must have six hands!
Karen Cushman (Catherine, Called Birdy)
Stephen's heart was big to bursting with the violence of his grief, yet even as he looked distractedly from side to side his mind told him that there was something amiss, the more so as the cheering had now almost entirely died away. The whaler had a huge spread of canvas aboard, far too great a press of sail for her possibly to enter the lagoon: she was tearing along with a great bow-wave and she sped past the mouth of the farther channel. A cable's length beyond the Opening her main and fore topgallantmasts carried clean away, as though brought down by a shot, and she instantly hauled to the wind, striking her colours as she did so. Her pursuer came racing into sight round the southern cape, studdingsails aloft and alow on either side—a dead silence from the motionless Norfolks below—fired a full, prodigal broadside to leeward, lowered down a boat and began to reduce sail, cheering like a ship clean out of her mind with delight. 'She is the Surprise,' said Stephen, and he whispered, 'The joyful Surprise, God and Mary be with her.
Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
Her grandmother spoke so softly that even Manon could barely hear over her own gasps for air. “As your mother labored to push you out, she confessed who your father was. She said you … you would be the one who broke the curse, who saved us. She said your father was a rare-born Crochan Prince. And she said that your mixed blood would be the key.” Her grandmother lifted her nails to her mouth and licked off Manon’s blue blood. No. No. “So you have been a Kin Slayer your whole life,” her grandmother purred. “Hunting down those Crochans—your relatives. When you were a witchling, your father searched the lands for you. He never stopped loving your mother. Loving her,” she spat. “And loving you. So I killed him.” Manon gazed at the drop below, the death that beckoned. “His despair was delicious when I told him what I’d done to her. What I would make you into. Not a child of peace—but war.” Made. Made. Made.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
With his mouth still tightly fixed to hers, their breaths mingling, he dragged her hand from around his neck and placed her palm just below her navel. Then he covered it with his own.
Arnette Lamb (Border Lord (Border, #1))
A satyr? What’s it doing here?” Brune ambled up next to her, blew on a spoonful of steaming oatmeal, and shovelled it into his mouth. “Puking,” he said, unhelpfully, and then called out to the creature below.
Nicholas Eames (Bloody Rose (The Band, #2))
They were all the same size, but when you put them on, the clothes shifted and slid until they fit. The uniforms were apparently the same, because as Jenna slipped into the skirt, the hem brushed her shins, only to slither back up her body until the skirt fell just below her knees. “I don’t know if that’s convenient or creepy,” she said, inspecting her legs. Shoving off the covers, I got out of bed and went to get my own uniform. “Let’s go with creepy, shall we?” Jenna pulled on her blazer, and I noticed she was chewing her lower lip, obviously thinking something over. “You know, that’s a dangerous habit for a vampire,” I told her, nodding at her mouth.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Vexed with herself, Cassandra took a handkerchief from the congealed pocket of her dress and pressed it hard over a new trickle of tears. After a minute or two had passed, she became aware of someone ascending the stairs in a measured tread. Embarrassed to be caught crying on the steps like a lost child, Cassandra struggled to rise. A low voice stopped her. "No... please. I only wanted to give you this." Through a blur, she saw the dark form of Tom Severin, who had come to stand a step below her, with two glasses of iced champagne in his hands. He extended one to her. Cassandra began to reach for it, but hesitated. "I'm not supposed to have champagne unless it's mixed with punch." One corner of his wide mouth tipped upward. "I won't tell." Cassandra took the glass gratefully, and drank. The cold fizz was wonderful, easing the dry tightness of her throat. "Thank you," she murmured.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
The gentleness of his mouth on hers surprised her, the slow caress of his lips and tongue not unlike the waves below them. She curved her hand around the back of his neck and let herself float on the rhythm, let her fears drift and her body take over.
Emma Jay (Her Perfect Getaway (Bridesmaids in Paradise #1))
dont get me wrong oblivion I never loved you kiddo you that was always sticking around spoiling me for everyone else telling me how it would make you nutty if I didnt let you go the distance and I gave you my breasts to feel didnt I and my mouth to kiss O I was too good to you oblivion old kid thats all and when I might have told you to go ahead and croak yourselflike you was always threatning you are are going to do I didnt I said go on you inter- est me I let you hang around and whimper and Ive been getting mine Listen theres a fellow I love like I never love anyone else thats six foot two tall with a face like any girl would die to kiss and a skin like a little kittens thats asked me to go to Murrays tonight with him and see the cab- aret and dance you know well if he asks me to take another Im going to and if he asks me to take another after that Im going to do that and if he puts me into a taxi and tells the driver to take her easy and steer for the morning Im going to let him and if he starts in right away putting it to me in the cab Im not going to whisper Oblivion do you get me not that Im tired of automats and Childss and handling out ribbon to old ladies that aint got three teeth and being followed home by pimps and stewed guys and sleeping lonely in a whitewashed room three thou- sand below Zero oh no I could stand that but its that Im O Gawd how tired of seeing the white face of you and feeling the old hands of you and being teased and jollied about you and being prayed and implored and bribed and threatened to give you my beautiful white body kiddo thats why
E.E. Cummings
Her eyebrows were plucked into thin arched lines, which gave her a permanent look of surprise, or outrage, or inquisitiveness, such as you might see on a startled child, but below them her eyelids were tired-looking. Not so her eyes, which were the flat hostile blue of a midsummer sky in bright sunlight, a blue that shuts you out. Her nose must once have been what was called cute but now was too small for her face. Her face was not fat but it was large. Two lines led downward from the corners of her mouth; between them was her chin, clenched like a fist.
Margaret Atwood (The Handmaid's Tale)
The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
And Tenar listened to the sea, a few yards below the cave mouth, crashing and sucking and booming on the rocks, and the thunder of it down the beach eastward for miles. Over and over and over it made the same sounds, yet never quite the same. It never rested. On all the shores of all the lands in all the world, it heaved itself in these unresting waves, and never ceased, and never was still. The desert, the mountains: they stood still. They did not cry out forever in a great, dull voice. The sea spoke forever, but its language was foreign to her. She did not understand.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Toraf runs to his mate. “My poor princess, who did this to you?” he says, tugging gently at a corner of the tape. She snatches her face away from him and chastises him in muffled outrage. Galen strides to them and promptly rips the tape from Rayna’s mouth. She yelps, raking him over with a scalding look. “You did that on purpose!” Galen wads the tape into a sticky ball then drops it to the floor. “What happened?” Rayna squares her shoulders. “I’m going to kill Nalia for good this time.” “Okay. But what happened?” “She poisoned me. Or something. “Triton’s trident, Rayna. Just tell me what hap-“ “Nalia kept saying she needed to go to the restroom, so I let her use the downstairs bathroom. I figured it would be okay because she seemed to have calmed down since you left, so I united her. Anyway, she was taking a long time in there.” Rayna points to the bathroom below the stairwell. “So I checked on her. I knocked and knocked but she didn’t answer. I opened the door-I should’ve known something was off since it wasn’t locked-and the bathroom was dark. Then she grabs me from behind and puts something over my face. The last thing I remember is Emma standing in the doorway screaming at Nalia. Next thing I know, I wake up in this chair, tied up like some common human.” Toraf finally frees her. She examines the red lines embedded into her wrists. Rubbing them, she winces. “I’m going to do something bad to her. I can be creative, you know.
Anna Banks (Of Triton (The Syrena Legacy, #2))
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
There is a story of a woman running away from tigers. She runs and runs, and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she takes a strawberry, puts it in her mouth, and enjoys it thoroughly.
Pema Chödrön (The Wisdom of No Escape: And the Path of Loving-Kindness)
How fucking amazing would it be to run my sharp pocketknife along her throat and puncture the skin below her right ear. I could gather up her tainted blood with the pad of my finger and smear it around her mouth to see if it really does match her whorish lipstick. Would she suck herself off of my finger? A
K. Webster (Sweet Jayne)
I’m going to take Ashleigh Li. I’m going to own her body in every way imaginable. I’m going to take her from behind. From above. From below. She’s going to beg me for more, beg for my cock in her mouth, and beg me to do it again and again and again. She will never forget me, even if she does walk out of my life tomorrow.
J.A. Huss (Taut: The Ford Book (Rook and Ronin Spinoff, #2))
M-m-master, when I was on the Quasar I had a paracoita, a doll, you see, a genicon, so beautiful with her great pupils as dark as wells, her i-irises purple like asters or pansies blooming in summer, Master, whole beds of them, I thought, had b-been gathered to make those eyes, that flesh that always felt sun-warmed. Wh-wh-where is she now, my own scopolagna, my poppet? Let h-h-hooks be buried in the hands that took her! Crush them, master, beneath stones. Where has she gone from the lemon-wood box I made for her, where she never slept at all, for she lay with me all night, not in the box, the lemon-wood box where she waited all day, watch-and-watch, Master, smiling when I laid her in so she might smile when I drew her out. How soft her hands were, her little hands. Like d-d-doves. She might have flown with them about the cabin had she not chosen instead to lie with me. W-w-wind their guts about your w-windlass, snuff their eyes into their mouths. Unman them, shave them clean below so their doxies may not know them, their lemans may rebuke them, leave them to the brazen laughter of the brazen mouths of st-st-strumpets. Work your will upon those guilty. Where was their mercy on the innocent? When did they tremble, when weep? What kind of men could do as they have done—thieves, false friends, betrayers, bad shipmates, no shipmates, murderers and kidnappers. W-without you, where are their nightmares, where are their restitutions, so long promised? Where are their abacinations, that shall leave them blind? Where are the defenestrations that shall break their bones, where is the estrapade that shall grind their joints? Where is she, the beloved whom I lost?
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
For a moment, my lights picked out like searchlights the girl’s naked body, slight as a child’s, ivory white against the dead white of the snow, her hair bright as spun glass. She did not look in my direction. Motionless, she kept her eyes fixed on the walls moving slowly towards her, a glassy, glittering circle of solid ice, of which she was the centre. Dazzling flashes came from the ice-cliffs far over her head; below, the outermost fringes of ice had already reached her, immobilised her, set hard as concrete over her feet and ankles. I watched the ice climb higher, covering knees and thighs, saw her mouth open, a black hole in the white face, heard her thin agonised scream.
Anna Kavan
[…] without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she’s dancing and she’s bored. He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows.
Milan Kundera (Identity)
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
PIPER TUMBLED THROUGH THE SKY. Far below she saw city lights glimmering in the early dawn, and several hundred yards away the body of the bronze dragon spinning out of control, its wings limp, fire flickering in its mouth like a badly wired lightbulb. A body shot past her – Leo, screaming and frantically grabbing at the clouds. ‘Not coooooool!’ She tried to call to him, but he was already too far below. Somewhere above her, Jason yelled, ‘Piper, level out! Extend your arms and legs!’ It was hard to control her fear, but she did what he said and regained some balance. She fell spread-eagle like a skydiver, the wind underneath her like a solid block of ice. Then Jason was there, wrapping his arms around her waist. Thank god, Piper thought. But part of her also thought: Great. Second time this week he’s hugged me, and both times it’s because I’m plummeting to my death. ‘We have to get Leo!’ she shouted. Their fall slowed as Jason controlled the winds, but they still lurched up and down like the winds didn’t want to cooperate. ‘Gonna get rough,’ Jason warned. ‘Hold on!’ Piper locked her arms around him, and Jason shot towards the ground. Piper
Rick Riordan (The Lost Hero (The Heroes of Olympus #1))
She turned to enter a stall, lowered to her knees, and made the familiar pattern of motions, hair pushed back and three fingers snaked into her mouth, repeating nothing in her head as she sang out her stomach. As it splashed and clouded out below her, she remembered how virtuous and light it felt to have done thing. Thought not while you did it. Then you were alone and it always hurt.
Tony Tulathimutte (Private Citizens)
Hidden under wild ferns on Howth. Below us bay sleeping sky. No sound. The sky. The bay purple by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweet and sour with spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft, warm, sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her; eyes, her lips, her stretched neck, beating, woman's breasts full in her blouse of nun's veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
The ring-tone on one of my phones is the song: "Have you been to Jesus for the cleansing Blood, are you washed in the Blood of the Lamb..." One day, I was sitting somewhere and the phone rang; before I could answer the call, a woman had started to manifest and a strange voice spoke from her mouth, screaming: "Stop that music, stop that music!" The demon in her was affected by the song, because of the power in the Blood of Jesus. 19. Virtue-restoring power. 20. Burden-removingpower. 21. Bondage-destroying power: When you plead the Blood of Jesus into any situation, it will eventually bow. Many people do not understand the overcoming weapons that they have in the word of God. The Bible says: "And they overcame him by the Blood of the Lamb, and by the word of their testimony." Today, you will watch that Blood in display, if you will pray the prayers I am suggesting below, from your heart. That Blood was not shed in vain; it was shed for forgiveness, deliverances, protection, etc. You would be cheating yourself, if you do not use that facility. A 26 year old sister, who was looking like an old woman, heard a message like this and decided to use it. She locked herself up for three days, pleading the Blood of Jesus into her situation. By the time she came out, her correct body, shape, face, had been restored to her. She now looked
D.K. Olukoya (Praying by the Blood of Jesus)
On the contrary, an airy and innocent playfulness seemed to flicker like the shadow of summer leaves over her childish face, and around her buoyant figure. She was always in motion, always with a half-smile on her rosy mouth, flying hither and thither, with an undulating and cloud-like tread, singing to herself as she moved, as in a happy dream. Her father and female guardian were incessantly busy in pursuit of her, but, when caught, she melted from them again like a summer cloud; and as no word of chiding or reproof ever fell on her ear for whatever she chose to do, she pursued her own way all over the boat. Always dressed in white, she seemed to move like a shadow through all sorts of places, without contracting spot or stain; and there was not a corner or nook, above or below, where those fairy footsteps had not glided, and that visionary, golden head, with its deep blue eyes, fleeted along.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
From down here, it was obvious what had happened to Nettle. A huge cluster of pitcher plants was gathered right below the hill, gaping maws ready to swallow any animal that tumbled down it. Each one looked like a long green sack, tipped with stripes of dark pink around the open mouth at the top. Sundew had a collection of much smaller pitcher plants growing outside her nest to catch flies before they buzzed in and bothered her. She really didn’t like this big kind, though; it was super creepy to look at a giant pitcher plant and wonder whether there might be a dragon corpse decomposing inside it. Or, in this case, a dragon that was still very much alive and spitting mad. “GET ME OUT! GET ME OUT OF THIS THING!” Nettle shrieked. One of the plants wobbled as she slammed herself into the side. “Whoa,” Cricket said, landing beside Sundew. “She’s … in there? Why doesn’t she just fly out?” “Meeebomorp,” Bumblebee added, wide-eyed.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
The two sat quietly on the park bench, and Dove liked it. If she sat perfectly still, neither could ruin the moment. He seemed to feel the change as well as they watched two squirrels bound about in front of them. The squirrels were adorable and brave, jumping close to Dove and Johnson—maybe because they were motionless. Dove wanted to comment on the Disneyesque scene in front of them but kept her words on the tip of her tongue, not wanting to spoil the quiet. The two squirrels sat side by side, each a mirror of the other, munching on acorns in their paws. With their fuzzy faces and sweet, black eyes, they reminded Dove of exactly why she loved the park. Next to her, Johnson sighed in contentment. The male squirrel dropped his nut and jumped quickly behind the female squirrel. Oh dear God! Don’t do it. You horny little bastard! The male squirrel refused to read Dove’s mind and started climbing on the female squirrel. Dove heard Johnson’s groan of disgust as the male began the motions of copulation. She shook her head. Fucking figures. The tender new feelings between Dove and this handsome man were now spoiled with the obscene visual of the hairy rodents humping. Johnson had to comment. “Wow. Squirrels usually engage in some style of MATING dance.” He looked around the park for other examples to prove his point. “Much like humans, they’re attracted to the smell of the GENITALS and fancy tail motions.” Dove tried to figure out where she belonged in this conversation that he apparently thought was acceptable small talk. The obscene, public intercourse ended with one final, furry pump. The female never even dropped her nut. “Well, I guess that was a dinner date.” Dove covered her mouth and shook her head. She prayed for a flock of hungry hawks to swoop in and eat the little Snow White porn stars so she and Mr. Gorgeouspants could just stop talking about nether regions for a minute. “This time of the year, NUTS are more important than anything else.
Debra Anastasia (Fire Down Below (Gynazule #1))
There was a scream from inside. Drawing his sword, Haung crept up to the door and slid inside, merging with the shadows. The source of the scream was illuminated by the conjured light-ball in the centre of the room. Haung took in the scene and felt all strength flee from muscles. His arms fell limp by his side and the tip of his sword struck the tiled floor with a bright clink. From the rafters, two small bodies hung, rope tight round their necks, blackened tongues swelling from their mouths and sightless eyes staring into the void. Below the bodies of the two children, a naked woman, bruised body and bloody face sat staring at him. Blood pooled from between her knees and it was clear to Haung what had happened to her, and to her young children. She screamed again and again. Her eyes were desperate and disbelieving. Her claw fingered hands tore at her cheeks again and again. Ragged lines of blood dripped down her face, tears of madness and grief. Haung stared at her, unable to move.
G.R. Matthews (The Stone Road (The Forbidden List, #1))
Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah." "Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows. He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement." A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with." His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts. "So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him. Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours." She laughed. "All right,I'm going to let you win this time." "Would you care for a shower?" he asked solicitously. When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour. Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this." "Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?" "I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast. "Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world. She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.
Christine Feehan (Dark Magic (Dark, #4))
Dove still couldn’t trust herself to speak without blubbering. But she could kiss. Not Lotsa, not a dressed-up weirdo. Just Dove. She pulled her hand from its sweet prison and touched his face. She leaned in to kiss him, and instead of worrying about which way her nose was pointing, if her armpits were sweating, or if there was a funky taste in her mouth left over from dinner, she thought about lips and touch and kissing. When Johnson moaned, Dove felt so powerful she could have head-butted a dinosaur to death.
Debra Anastasia (Fire Down Below (Gynazule #1))
Please wait here. "Annoying yet romantic," she said aloud. She sat down on the folding chair and peered inside the paper bag. A handful of tiny jam-filled donuts dusted with cinnamon and sugar sent up an intoxicating scent. The bag was warm in her hands, flecked with little bits of oil seeping through. Luce popped one into her mouth and took a sip from the tiny white cup, which contained the richest, most delightful espresso Luce had ever tasted. "Enjoying the bombolini?" Daniel called from below. Luce shot to her feet and leaned over the railing to find him standing at the back of a gondola painted with images of angels. He wore a flat straw hat bound with a thick red ribbon, and used a broad wooden paddle to steer the boat slowly toward her. Her heart surged the way it did each time she first saw Daniel in another life. But he was here. He was hers. This was happening now. "Dip them in the espresso, then tell me what it's like to be in Heaven," Daniel said, smiling up at her. "How do I get down to you?" she called. He pointed to the narrowest spiral staircase Luce had ever seen, just to the right of the railing. She grabbed the coffee and bag of donuts, slipped the peony stem behind her ear, and made for the steps. She could feel Daniel's eyes on her as she climbed over the railing and slinked down the stairs. Every time she made a full rotation on the staircase, she caught a teasing flash of his violet eyes. By the time she made it to the bottom, he had extended his hand to help her onto the boat. There was the electricity she'd been yearning for since she awoke. The spark that passed between them every time they touched. Daniel wrapped his arms around her waist and drew her in so that there was no space between their bodies. He kissed her, long and deep, until she was dizzy. "Now that's the way to start a morning." Daniel's fingers traced the petals of the peony behind her ear. A slight weight suddenly tugged at her neck and when she reached up, her hands found a find chain, which her fingers traced down to a silver locket. She held it out and looked at the red rose engraved on its face. Her locket!
Lauren Kate (Rapture (Fallen, #4))
In the Novel He described her mouth as full of ashes. So when he kissed her finally he was thinking about ashes and the blacker rim just below the edge of the ashtray, and the faint dark rim that outlined her lips, and the lips themselves, at the limit of another darkness, farther and far more interior. Then the way the red, paling, just outside those lines caught fire and the pages caught soon after that. Slowly at first, but then all at once at the scalloped brown corners of each; like the ruff of an offended and darkening bird, extended, then folded in on itself; multiple, stiffening, gone.
Susan Stewart (The Hive: Poems (Contemporary Poetry Series))
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
She hit the button again, holding her breath this time until she heard it. Soft, sibilant, as insubstantial as the breaths that came before: Shannon. The voice whispered Shannon. The blood rushed out of her head. Her heart knocked hard in her chest. Her knees buckled and she grabbed the counter to keep from falling. She was starting to hyperventilate, had to calm it down before she was taken by a full-blown panic attack. Paper bag. Think. Think! Drawer below the silverware, next to the sink. Over the nose and mouth. Breathe slowly, slowly. Holding the bag against her face, Shane slid to the floor with her back against the cabinets, legs splayed, lungs heaving. It couldn’t be him. It couldn’t be Jordan. Jordan was dead.
Jane Taylor Starwood (Shattered Blue)
But her nose is exceedingly large. It gives the impression that it has been stolen from someone else and thereafter fastened in the center of her face. It is as if a large, stone lantern from some major shrine had been moved to a tiny ten-square-meter garden. It certainly asserts its own importance, but yet looks out of place. It could almost be termed hooked: it begins by jutting sharply out, but then, halfway along its length, it suddenly turns shy so that its tip, bereft of the original vigour, hangs limply down to peer into the mouth below. Her nose is such that, when she speaks, it is the nose rather than the mouth which seems to be in action. Indeed, in homage to the enormity of that organ, I shall refer hence forward to its owner as Madam Conk.
Natsume Sōseki (I Am a Cat)
Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II
Douglas M. Laurent
In the moonlight opposite me were three young women, ladies by their dress and manner . . . All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear . . . “He is young and strong; there are kisses for us all.” The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed about to fasten on my throat.
Lydia Kang (Opium and Absinthe)
She had experienced in her early forties a sense of relief when age became visible. The nearness of beauty she had previously been acutely aware of - how it bobbed just below the surface of her face where she couldn't access it, and how it shone from her sister - stopped tormenting her. Formerly it felt akin to a personal failing, one she could overcome with an unidentified act of will or resistance never mustered. Age was something different and alien. It was separate from herself and unstoppable. it did not make her happy to see the heaviness which grew around her mouth or the slight droop of one eyelid but it was calming in its way, freeing to be looked at less as she went out in the world. When it hurt her pride she comforted herself by imagining that the varying roles of her life had been simplified, and that this was a good thing.
Megan Nolan (Ordinary Human Failings)
When she was done, the blacksmith looked her over and nodded, then reached below his table to place another object on its surface. For a heartbeat, Manon only stared at the crowned helmet. It had been forged of the same dark metal, the nose and brow guards fashioned so that most of her face would be in shadow—save for her mouth. And her iron teeth. The six lances of the crown jutted upward like small swords. A conqueror’s helm. A demon’s helm. Manon felt the eyes of her Thirteen, now armed, upon her as she tucked her braid into the neck of her armor and lifted the helmet over her head. It fitted easily, its interior cool against her hot skin. Even with the shadows that hid most of her face, she could see the blacksmith with perfect clarity as his chin dipped in approval. She had no idea why she bothered, but Manon found herself saying, “Thank you.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
The holy well was before them. If it hadn't been marked as special, the place where the water came to the surface, fresh and clean and clear, would have been easily missed. But long ago, someone had built a stone border around it and added a vertical font with a woman's worn face on it. Water poured from her open mouth into the pool below. Little white moss flowers grew all around it. A few yards away was a craggy standing stone. The stone was twice as tall as Merida and covered all over with carved spirals. On the first day of spring solstice, the sun lit up a perfect trail of light along the stone as it rose; quite magical. Merida used to ride Angus to the stone when she was first learning all the wilds of DunBroch; it was so impressive that it had taken her several visits to realize that the holy well, not the stone, was the reason this path was kept clear.
Maggie Stiefvater (Bravely)
Especially as something massive and slimy lurched from below, the size of two city buses. An enormous worm, gleaming with water and mud. A mouth full of rows of teeth opened wide and snapped— Bryce fell back on her ass as the worm caught three of the flying lizards between those teeth. Swallowed them all in one bite. Her starlight flared, casting the whole cavern in light and shadow. The creatures on the walls screeched—either at the worm or the light—flapping off their perches and right into the creature’s opening jaws. Another snapping bite, river water and metallic-reeking mud spraying with the movement, and more vanished down the worm’s throat. Bryce could only stare. One twist of its behemoth body and it’d be upon her. One bite and she’d be swallowed. Her starlight could do nothing against it. It had no eyes. It likely operated on smell, and there she was, a trembling treat offered up on that bridge— A strong, slim hand grabbed Bryce under the shoulder and dragged her back.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
She let herself be had. With two women in the room behind her and her staff wandering the halls, she relaxed into his hold and returned his kiss. He tasted of the tea, of the sweetness of sugar; he tasted like a very bad idea that she would soon regret, but not now. Never now, while he kissed her yet. His hand skimmed down her body, shaping her breast. She opened her eyes and discovered him watching her, so blue his eyes were, and his palm over her stiffening nipple suddenly seemed to carry a message, too. The audacity of his touch, paired with the frank boldness of his look, made her laugh from sheer delight. She felt him grin against her mouth. His hand slipped farther yet, seizing her by the waist and pulling her more solidly against him. Her joints felt like melting waxworks, incapable of supporting her. She flung her arms around him and let him have all of her weight—and hit the wall harder yet as he stepped straight into her. Now she was doubly pinned, the tight, taut planes of his body as unyielding as the plaster behind her. Again he kissed her, harder yet, as though trying to convince her of something. What? What was the aim of his persuasion? She kissed him back eagerly, for did he not see? She was already convinced. She found his hair, soft and a touch too long, where it brushed against his collar. The skin beneath was hot and smooth. Her palm wrapped around his nape, and as she gripped him, she shuddered. This need felt elemental. Like hunger or thirst. From the entry hall far below came the sound of voices. They froze. Her eyes snapped open. His were so very, very blue. Someone would see them. They stood in plain view. His face turned into her neck. She heard, felt, the great breath he drew. Very low, against her skin, the roughness of his jaw abrading her, he spoke. “Friendship is not what I want.” Her hands broke free of her caution. They found his back, gathering in handfuls the soft wool of his jacket. Think. There were reasons, very good reasons, to discourage him. Money: he had none. Power: he had too much over her. He simply didn’t realize it.
Meredith Duran (That Scandalous Summer (Rules for the Reckless, #1))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The necessary special effects are not in my possession, but what I’d like for you to imagine is Clementine’s white face coming close to mine, her sleepy eyes closing, her medicine-sweet lips puckering up, and all the other sounds of the world going silent—the rustling of our dresses, her mother counting leg lifts downstairs, the airplane outside making an exclamation mark in the sky—all silent, as Clementine’s highly educated, eight-year-old lips met mine. And then, somewhere below this, my heart reacting. Not a thump exactly. Not even a leap. But a kind of swish, like a frog kicking off from a muddy bank. My heart, that amphibian, moving that moment between two elements: one, excitement; the other, fear. I tried to pay attention. I tried to hold up my end of things. But Clementine was way ahead of me. She swiveled her head back and forth the way actresses did in the movies. I started doing the same, but out of the corner of her mouth she scolded, “You’re the man.” So I stopped. I stood stiffly with arms at my sides. Finally Clementine broke off the kiss. She looked at me blankly a moment, and then responded, “Not bad for your first time.
Jeffrey Eugenides (Middlesex)
So all in all, Nona’s worth to the children was universally agreed to be minimal. She ranked very low among them, definitely below Honesty and Beautiful Ruby and only fractionally higher than Born in the Morning. The only person Born in the Morning outranked was the seven-year-old, who was just Kevin. Those were really their names—even Kevin—but nobody ever told Nona why Hot Sauce was called Hot Sauce. Hot Sauce had no parents, so she couldn’t ask them. The other kids had thirteen people at home between them, but the numbers were skewed by Born in the Morning, who was saddled with five fathers: Eldest Father, Second Eldest Father, Brother Father, Younger Brother Father, and New Father. More importantly to Nona, Beautiful Ruby had a new baby at home, and sometimes Ruby’s mother brought the baby to the school foyer, and she could look at the baby’s fingernails, which were small. Nona explained all this to Camilla and Pyrrha and sometimes to Palamedes over dinners, usually in the hope that she could talk so much nobody would notice she wasn’t using her mouth to eat. They all agreed that whatever made Nona happy at school made Nona happy at school, but the bottom line remained that she shouldn’t buy anybody drugs.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
I” - he heard her whisper, closer than he expected, and shaky and strange – “think I might be a very stupid girl.” He shook his head no. Just barely. So that only someone who was holding his check and his neck would notice. “Yes,” she said, sounding closer. He didn’t move, didn’t open his eyes. What if he opened his eyes and she saw what she was doing? She kissed his check, and he let his head tip forward into her hands. She kissed his other check. And his chin. The groove below his bottom lip. “Stupid girl,” she said near the corner of his mouth, sounding incredulous, “what could you possibly be thinking?” Lincoln found his mouth. “Perfect girl,” he said so quietly that only someone with her hands in his hair and her lips all but touching his could possibly hear. “Pretty girl.” He found her mouth. “Perfect.” Kiss. “Magic.” Kiss. “Only girl.” There are moments when you can’t believe something wonderful is happening . And there are moments when your entire consciousness is filled with knowing absolutely that something wonderful is happening. Lincoln felt life he’d dunked his head into a sink full of Pop Rocks and turned on the water. He shook his jacket onto the floor and put his arms around her. All he could think was Beth. All he could do was let this dream come true.
Rainbow Rowell
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
He put his mouth by her ear. “Easy, now, Senna.” His thumb stroked her jaw as if he were gentling a wild thing. His sculpted body was hot behind hers. “Be easy " “Stop touching me,” she pleaded in a whisper. His thumb stopped moving. “What?” “Kiss me.” The rest of him went completely still... “What did ye say?” he asked in a low, masculine rumble… Her heart started a strange thudding. Their voices were so quiet that the breeze blowing over them nearly drowned them out. Both were held paralyzed by the riders on the highway below. No one was going anywhere. In fact, it might all be over in a matter of minutes. And all she wanted was his touch. If I am going to die, she suddenly decided, it will not be absent the touch of this Irishman.She touched his hand and slid it across the mere inch back to her lips. Shutting her eyes, she trailed the tip of her tongue over his warm flesh.His body rippled slightly, like wind over waves. She felt every muscle in his body shift, very minutely, very definitely. He brushed his thumb once over her parted lips. Her breath shuddered out. “Did ye tell me to kiss ye, Senna?” “I did.” Her whisper trembled. “Why?” “Because,” she whispered, “if I’m going to die, it will not be lacking all the things I am lacking at present.” A pause. “Ye’re lacking a kiss, then?” She nodded.
Kris Kennedy (The Irish Warrior)
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
What I felt for you in Doranelle and what I feel for you now are the same. I just didn’t think I’d ever get the chance to act on it.” She knew why she needed to hear it—he knew, too. Darrow’s and Rolfe’s words danced around in her head, an endless chorus of bitter threats. But Aelin only smirked at him. “Then act away, Prince.” Rowan let out a low laugh, and said nothing else as he claimed her mouth, nudging her back against the crumbling chimney. She opened for him, and his tongue swept in, thorough, lazy. Oh, gods—this. This was what drove her out of her mind—this fire between them. They could burn the entire world to ashes with it. He was hers and she was his, and they had found each other across centuries of bloodshed and loss, across oceans and kingdoms and war. Rowan pulled back, breathing heavily, and whispered against her lips, “Even when you’re in another kingdom, Aelin, your fire is still in my blood, my mouth.” She let out a soft moan, arching into him as his hand grazed her backside, not caring if anyone spotted them in the streets below. “You said you wouldn’t take me against a tree the first time,” she breathed, sliding her hands up his arms, across the breadth of his sculpted chest. “What about a chimney?” Rowan huffed another laugh and nipped at her bottom lip. “Remind me again why I missed you.” Aelin chuckled, but the sound was quickly silenced as Rowan claimed her mouth again and kissed her deeply in the moonlight.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Stuck on the pane two flies buzzed, stuck. Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
In the second week, more people appeared. Esme met a missionary couple returning to a place called Wells-next-the-Sea. ‘It’s next to the sea,’ the lady said, and Esme smiled and thought she must remember that, to tell Kitty later. She saw them both glance at the black band round her arm, then look away. They told her about the huge beach that stretched out below the town and how Norfolk was full of houses made of pebbles. They had never been to Scotland, they said, but they had heard it was very beautiful. They bought her some lemonade and sat with her on deck-chairs while she drank it. ‘My baby brother,’ Esme found herself saying, as she swirled the ice in the bottom of the glass, ‘died of typhoid.’ The lady put her hand to her throat, then rested it on Esme’s arm. She said she was very sorry. Esme didn’t mention that her ayah had also died, or that they had buried Hugo in the churchyard in the village and that this bothered her, that he was being left behind in India while they all went to Scotland, or that her mother hadn’t spoken to her or looked at her since. ‘I didn’t die,’ Esme said, because this still puzzled her, still kept her awake in her narrow bunk. ‘Even though I was there.’ The man cleared his throat. He gazed out to the lumped, greenish line of what he’d told Esme was the coast of Africa. ‘You will have been spared,’ he said, ‘for a purpose. A special purpose.’ Esme looked up from her empty glass and studied his face in wonder. A purpose. She had a special purpose ahead of her. His dog-collar was startling white against the brown of his neck, his mouth set in a serious downturn. He said he would pray for her.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
His mouth moved along the line of her jaw to her neck, pausing only to whisper, “Where is your mother?” “Out,” Kate gasped. His teeth tugged at the edge of her bodice. “For how long?” “I don’t know.” She let out a little squeal as his tongue dipped below the muslin and traced an erotic line on her skin. “Good heavens, Anthony, what are you doing?” “How long?” he repeated. “An hour. Maybe two.” Anthony glanced up to make sure he’d shut the door when he had entered earlier. “Maybe two?” he murmured, smiling against her skin. “Really?” “M-maybe just one.” He hooked a finger under the edge of her bodice up near her shoulder, making sure to catch the edge of her chemise as well. “One,” he said, “is still quite splendid.” Then, pausing only to bring his mouth to hers so that she could not utter any protest, he swiftly pulled her dress down, taking the chemise along with it. He felt her gasp into his mouth, but he just deepened the kiss as he palmed the round fullness of her breast. She was perfect under his fingers, soft and pert, filling his hand as if she’d been made for him. When he felt the last of her resistance melt away, he moved his kiss to her ear, nibbling softly on her lobe. “Do you like this?” he whispered, squeezing gently with his hand. She nodded jerkily. “Mmmm, good,” he murmured, letting his tongue do a slow sweep of her ear. “It would make things very difficult if you did not.” “H-how?” He fought the bubble of mirth that was rising in his throat. This absolutely wasn’t the time to laugh, but she was so damned innocent. He’d never made love to a woman like her before; he was finding it surprisingly delightful. “Let’s just say,” he said, “that I like it very much.” -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The small moan she released into his mouth made him smile, and kiss her more deeply. After several moments he shifted his mount's reins to his left hand to free his right to caress her. His eager fingers went straight to her breast to knead briefly before focusing on her nipple. Much to his satisfaction, Claray gasped and arched into the caress when he pinched and teased the sensitive tip as he'd wanted to do. Her response to his touch was most gratifying. Her kiss became frantic, and she squirmed in his lap, her bottom unintentionally rubbing against him in a most exciting manner. Eager for the moans and mewls of pleasure he'd drawn from her in the river, Conall released her nipple and let his hand drift down over the swaddled fox and below to press between her legs through the plaid she wore. When Claray immediately broke their kiss on a gasp, he pressed more firmly, then claimed her lips again and thrust his tongue into her mouth as he began to rub her through the heavy cloth, eliciting those groans and mewls he'd wanted. She was so damed responsive to him it made him ache, and if it weren't for the fact that he had Payton, Roderick, Hamish and two hundred warriors at his back, he'd have ridden into the woods, dragged her to the ground, thrown up her skirts and sunk himself into her. As Payton had said, bedding her every night and filling her belly with a bairn or nine would be no hardship at all, and where before Conall had thought he wouldn't care if her father decided to break the betrothal and find her someone else to wed, the idea was now anathema to him. He wanted her for himself. He wanted to sink himself into her wet heat and stay there for a week. The only way to do that though was to claim and marry her. Oddly enough, that suddenly didn't seem a bad idea.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
And then the world stopped and there was nothing but Rose as she slipped from the crowd to stand before him. Grey forgot about Lady Devane. He forgot about everyone but her. She wore a mask, but even if he hadn’t recognized the hair and the dress he would have known it was her. He knew her scent, the shape of her mouth. He recognized her by the way his heart rejoiced at her nearness. She stared at him, her mask doing nothing to conceal her wonder. “Why are you here?” Grey smiled down at her. Did she notice that he’d pinned the rosette from the gown she’d worn their first night together to his lapel? “Because I hold you above my horse, my fortune, and my pride.” Her brow puckered. “I beg your pardon?” “Those were the traits you said you required in a husband, were they not?” Her face relaxed, and he thought he saw a glimmer of understanding in her dark eyes. “Yes. I believe they were. You came here just to tell me that?” He laughed. Her face was so bright below the edge of her mask, her eyes damp and warm. It broke is heart-and buoyed it as well-to know he was responsible for all of that. “No. I came here to dance with my wife. And to do this.” He took her face in his hands and kissed her in front of the entire ballroom. He didn’t care about the gasps or that everyone could see. He didn’t care what they said or whether or not his behavior was proper. He was a duke, damn it. A scandalous one at that. When he lifted his head, Rose’s eyes fluttered open. Her breath came in short, gentle heaves. “I’m very glad you decided that could not wait until I get home.” Grey offered his arm. “Shall we?” “There’s no music.” But she took his arm anyway. The orchestra had stopped playing shortly after he walked in. Grey turned his gaze in their direction, nodded at the leader and once again the room was filled with music.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Oliver reached past her to yank the curtains closed, then moved to sit beside her. She stiffened, but didn’t resist as he looped one arm about her waist to pull her back against his hard body. “You don’t even know what you’re giving up,” he rasped, “what it’s like to shatter beneath a man’s touch. If you knew, you wouldn’t be so eager to throw that away for the cold comfort of a respectable marriage.” She closed her eyes against his words, but they were designed to tempt her, and tempt her they did. Last night had only roused her curiosity. Now, with the spicy scent of his cologne in her nostrils and his breath warming her cheek, she wanted to know more, feel more. His voice lowered to a whisper. “Let me at least show you what you’d be missing.” She felt rather than saw him shrug off his cloak, leaving him in his shirtsleeves. That sent a wayward thrill down her spine. “Have you forgotten that I’m deplorably a virgin?” she said, attempting to regain control over the situation. “No. And you’ll still be one when I’m done.” He pressed his lips against the bit of neck below her bonnet, making her shiver deliciously. Then he untied her bonnet and tossed it onto the opposite seat so he could press a kiss into her hair. “I only want to give you a taste of passion, sweetheart. Enough for you to see what it could be like between us.” “Oliver…” she protested, turning toward him. That proved a mistake, for he caught her head in his hands and kissed her. Boldly. Deeply. And she couldn’t bring herself to stop him. Mercy, how fiercely he kissed! He scarcely allowed her breath as his mouth plundered hers over and over, startling her pulse into a wild gallop. She curled her fingers into his shirt, not sure whether she was trying to hold him closer or push him away. It didn’t matter. He had full command of her, and he knew it. His large hands held her still as his tongue tangled with hers, and his thumbs slid down to caress her throat with a tenderness at odds with the wild abandon of his kisses.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.
Charlotte McPherren (Song of the Willow)
Vim?” “Sweetheart?” The whispered endearment spoken with sleepy sensuality had Sophie’s insides fluttering. Was this what married people did? Cuddled and talked in shadowed rooms, gave each other bodily warmth as they exchanged confidences? “What troubles you about going home?” He was quiet for a long moment, his breath fanning across her neck. Sophie felt him considering his words, weighing what to tell her, if anything. “I’m not sure exactly what’s amiss, and that’s part of the problem, but my associations with the place are not at all pleasant, either.” Was that…? His lips? The glancing caress to her nape made Sophie shiver despite the cocoon of blankets. “What do you think is wrong there?” Another kiss, more definite this time. “My aunt and uncle are quite elderly, though Uncle Bert and Aunt Essie seem the type to live forever. I’ve counted on them living forever. You even taste like flowers.” Ah, God, his tongue… a slow, warm, wet swipe of his tongue below her ear, like a cat, but smoother than a cat, more deliberate. “Nobody lives forever.” The nuzzling stopped. “This is lamentably so. My aunt writes to me that a number of family heirlooms have gone missing, some valuable in terms of coin, some in terms of sentiment.” His teeth closed gently on the curve of her ear. What was this? He wasn’t kissing her, exactly, nor fondling the parts other men had tried to grope in dark corners—though Sophie wished he might try some fondling. “Do you think you might have a thief among the servants?” He slipped her earlobe into his mouth and drew on it briefly. “Perhaps, though the staff generally dates back to before the Flood. We pay excellent wages; we pension those who seek retirement, those few who seek retirement.” “Is some sneak thief in the neighborhood preying on your relations, then?” It was becoming nearly impossible to remain passively lying on her side. She wanted to be on her back, kissing him, touching his hair, his face, his chest… “Or has some doughty old retainer merely misplaced some of the silver?” Vim muttered right next to her ear. “You’ll sort it out.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
We were never introduced, ye know. I’m Mrs. Lord’s brother. You can call me Ruaidri.” “I’m not calling you anything, I’m leaving.” “And what is your name, Sunshine? Ye’re his sister, aren’t ye?” “Yes, I’m his sister, and there is no need for you to know my name, no need for you to be asking me all these questions and trying to detain me, no need for me to stay here when I must go.” He grinned, wickedly. “I won’t tell if you won’t.” “Tell what?” “Yer brother, if you let me steal a kiss.” She gasped, coloring hotly. “You—you are a rogue and a scoundrel to even suggest such a thing!” “I may indeed be a rogue and a scoundrel but if I am, it’s not for wantin’ a kiss from a pretty lass.” He straightened up from the window, his strong, perfect teeth very white in the glint of moonlight. “Oblige me?” “No!” “I’m bettin’ it’ll be far more explosive than what’s about to transpire down there in the garden. Come here, Sunshine. I’ve a mind to see if those lips of yers were made for kissin’.” Nerissa’s mouth fell open. Her face went white, then flooded with color, and she was so shocked she could not even take another step backward. Seeing it, the Irishman laughed and made a little dismissive gesture with his hand. “Ah, don’t mind me, lass. I’m just messin’ about with ye. I’d never hurt ye, not in a million years. I’m perfectly harmless.” “You—you don’t look harmless.” “No?” He arched a brow, his gaze dropping pointedly to her bosom, the nip of her waist and the flare of her hips with undisguised interest. “How do I look?” Dangerous. Virile. Predatory. Fascinating. “I can’t answer that.” “Not scared of me now, are ye?” “After what you just said to me? No, I am not scared. What I am, sir, is offended. Outraged.” “I paid ye a complement and ye’re offended? Outraged? Saint’s alive, what would your reaction be if I paid ye an insult?” “I can’t believe I’m standing here having this absurd conversation with you. You are rude and obnoxious and drunk, and I have already given you far more time and attention than you deserve. Good evening, sir.” He went back to looking down at the garden below, his gaze far more keen and watchful than his drunken state should allow. “’ Twould be a better one if ye came over here and let me give ye that kiss.” “Ohhh!” Incensed, she turned on her heel and hurried for the stairs, hearing his laughter ringing out behind her.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.
Clarissa Wild (Cruel Boy)
Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder. “I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other. The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.” “We shall soon find out.” In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?” The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon. “Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.” Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!” Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“ “Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
Judith McNaught (Almost Heaven (Sequels, #3))
Dom rose from his kneeling position, a keen hunger shining in his eyes. “Was that wicked enough for you, sweeting?” he drawled as he used his cravat to wipe his mouth. With her heart thundering loudly in her ears and her breathing staggered, it took her a moment to answer. “Not quite,” she managed, then tugged at the waistband of his drawers. “You still have these on.” That seemed to startle him. Then one corner of his lips quirked up. “I never guessed you were such a greedy little--“ “Wanton?” she asked before he could accuse her of being one. But he just shot her a smoldering smile. “Siren.” “Oh.” She liked that word much better. Feeling her oats, she gestured to his drawers. “So take them off.” With a laugh, he did so. “There, my lusty beauty. You have your wish.” “Yes…yes, I do.” Now she could study him to her heart’s content. But the reality was rather sobering. His member, jutting from a nest of dark curls, couldn’t possibly be hidden behind a tiny fig leaf like the ones on statues. “Oh my. It’s even bigger and more…er…thrusting without the drawers.” “Are you rethinking your plan for seduction now?” he asked, with a decided tension in his voice. “No.” She cast him a game smile. “Just…reassessing the…er…fit.” “It’s not as fearsome as it looks.” “Good,” she said lightly, only half joking. She looped her arms about his neck. “Because I’m not as fearless as I look.” “You’re a great deal more fearless than you realize,” he murmured. “But this may cause you some pain.” She swallowed her apprehension. “I know. You can’t protect me from everything.” “No. But I can try to make it worth your trouble.” And before she could respond to that, he was kissing her so sweetly and caressing her so deftly that within moments he had her squirming and yearning for more. Only then did he attempt to breach her fortress by sliding into her. To her immense relief, there was only a piercing pop of discomfort before he was filling her flesh with his. All ten feet of it. Or that’s what it felt like, anyway. She gripped his arms. Hard. He didn’t seem to notice, for he inched farther in, his breath beating hot against her hair. “God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
THE FIRST TIME she left the house with her sleeping son in her arms, still unsteady on her legs, gripping the railing tightly, she surveyed the yard, astonished. It was at once familiar and strange. Something was different, though she could not immediately put her finger on it. The morning sun beamed through the bushes. The leaves of the banana plants seemed greener, their fruit larger and yellower. The hibiscus and the bougainvillea had never looked so beautiful. A warm breeze caressed her skin. Maung Sein was perched on a log below her, chopping kindling. Stroke by stroke he would split branches as thick as a fist. The uniformity of his movements radiated something infinitely reassuring. Nu Nu looked at Ko Gyi in her arms. He had her nose. Her mouth. Her cinnamon skin. She cautiously took one of his little hands. It was warm. And would always remain so. Suddenly he opened one blinking eye, and then quickly the other. He had her eyes, too, without a doubt. Ko Gyi regarded his mother earnestly, intently. She smiled. His deep brown eyes did not move. They looked for a long time at each other. Then a quiet smile drifted across his face. No one had ever smiled at her that
Jan-Philipp Sendker (A Well-Tempered Heart)
Hatred and vengeance, my eternal portion, Scarce can endure delay of execution, Wait with impatient readiness to seize my Soul in a moment. Damned below Judas; more abhorred than he was, Who for a few pence sold his holy Master. Twice-betrayed Jesus me, the last delinquent, Deems the profanest. Man disavows, and Deity disowns me; Hell might afford my miseries a shelter; Therefore Hell keeps her ever-hungry mouths all Bolted against me. Hard lot! encompassed with a thousand dangers, Weary, faint, trembling with a thousand terrors, I'm called, if vanquished, to receive a sentence Worse than Abiram's: Him the vindictive rod of angry Justice Sent quick and howling to the centre headlong; I, fed with judgement, in a fleshy tomb, am Buried above ground.
William Cowper
Not so mouthy now, eh, old man?’ Sneered the elder of the two. The girl sat next to him pulled a line of chewing gum out of her mouth, winding it round her finger and then starting to chew it again. She had her other hand on the youth’s thigh, just below his crotch. ‘Yeah, stupid old fucker. Not so mouthy now?’ It was this lack of imagination that he deplored more than anything. ‘Can you boys not think of anything more original?
Pete Langman (Black Box)
Me, too.” Dove looked at him and smiled. Johnson missed his mouth when he went for a sip of wine, so Dove passed him her napkin. He began to blush, stammering, “Sorry, your smile made me forget where my intake orifice was.” All my orifices know where you are—especially the ones that grow hair.
Debra Anastasia (Fire Down Below (Gynazule #1))
She knew it was crazy. That was a given. She had a balloon-sized head covered by a scarf while rocking a uniboob. Her cat was orbiting her, while hissing, at top speed. It just figures at this point. There’s a rain cloud fucking me up the ass. Don’t panic, she told herself. Her brain ran around, scraping at her skull and trying to get out of the horror instead. Be someone else! The two men stood, stunned stupid by her elaborate costume. Both jumped when Dove opened her mouth to speak. “I’m Lotsa Vampersex!” She’d increased her volume and cranked up the pitch of her voice in an effort to disguise herself. Duke recovered first. “Hey, are you, like, hosting Voldemort’s half-dead body or are you just into freakier stuff than I thought?
Debra Anastasia (Fire Down Below (Gynazule #1))
She spotted him about twenty yards away at a table that sat among a stand of river birch, its four legs submerged in an inch or two of water. Clustered around the table were ten or so of the most wild-looking, barely clothes, heavily muscled men and women she'd ever seen. And at the head, standing on a branch a foot about them all was Parish. He was barefoot and tanned, and wearing only a pair of faded jeans, which rested just below his hipbones. His hair was wild and the scar near his mouth winked in the sunlight. Julia's gaze moved covetously over every inch of him. His narrow waist and ripped stomach that widened to a broad chest, powerful shoulders and lean, muscular arms. he looked ready to spring. And the muscles in Julia's belly turned to liquid fire as she watched him watch her.
Alexandra Ivy (Raphael/Parish (Bayou Heat, #1-2))
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)
You can't stop there. Why must I drag every word out of you? If you go back to grunting, I'll pinch you." Since he wasn't wearing a shirt, she had an ample expanse of skin to choose from. Cade grunted when she picked a small piece of his back just below his armpit, and he punished her with his mouth. They were on the bed and laughing before either of them knew it. "I knew you could laugh if you wanted." Lily wiggled free of Cade's hold and sat up. She wore no more than her chemise and a blanket, and the blanket was slipping from her shoulders. In the firelight Cade could see the shadow between her breasts, She wasn't large, but well-rounded. He liked to think that his child added to that fullness. It gave him a feeling of belonging, something he hadn't known in a very long time. "Indians don't laugh," Cade told her solemnly. She didn't even give him a warning. Diving at him, Lily feathered her fingers beneath his arms and tickled until Cade was rolling with laughter as well as his attempt to hold her off without harming her. "Cry uncle," she demanded, wiggling one hand loose from his grasp to tickle his ribs. "Tio," he laughed, turning her over and trapping her spread-eagled against the robes. "It's a good thing for you that Juanita has taught me some Spanish," Lily informed him with gravity, "or I should have to continue tickling you unmercifully." Since he held her completely helpless, this was a lie of magnificent proportions, and Cade nearly doubled up with laughter at her audacity. He couldn't remember ever feeling this way, not even as a boy. He caught her in his arms and rolled over and began to lavish her with kisses. "Stop that, Cade, before you break something," Lily admonished, struggling for a position a little more dignified than sprawling across his chest. As much as she enjoyed what this would lead to, there were other things here to consider, and she wasn't the kind to give up easily. Cade instantly let her go and stared up at her worriedly. "Am I hurting you?" With a lift of her eyebrows, Lily studied Cade's rather awesome chest, down to the place where his buckskins covered his hips. "I was more concerned about you. I don't wish to wear you out too soon." Cade gave a bark of laughter and grabbed her hair, tugging her down to lie curled against his side. "If I don't nip your boldness at once, you will become impossible. You do understand I don't intend for you to be my boss lady anymore?" "Not that I ever was," Lily said, unperturbed.
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Milly could not abide the drawling humor in his tone. She got her hands on him. Sank her fingers into his every-which-way hair,plastered herself to him, and kissed his fool, blathering mouth into silence. “She wants you to have somebody to love, you idiot man,” she growled against his teeth. “Somebody to love you.” He might have argued, except Milly was not turning loose of his mouth. Something shuddered through him, a groan or a sigh, and his arms came around her slowly, then quite, quite snugly. “Better, my lord.” “My aunt has hired a madwoman.” He was a madman, but he kissed wonderfully, turning Milly’s assault into a dance, a twining of tongues, sighs, and bodies that had nothing to do with dueling pistols—at least in Milly’s mind. She would never presume to know his lordship’s. St. Clair’s hand cupped Milly’s breast from below, a lovely caress, one that inspired her to sink her fingers into the firm musculature of his backside. The urge to climb him stole into Milly’s imagination, along with a burning desire to relieve St. Clair of his remaining clothes. “I’ll just get my fich—”Lady Freddie’s voice stopped abruptly as the front door was thrown open, and cold air swirled into the foyer. “Sebastian, unhand Miss Danforth.” Four little words, but they presaged Milly’s ruin. Over her shoulder, she saw the professor intently examining the roses—or studying the scene in the mirror—while Lady Avery and Lady Covington examined Milly and Sebastian. And Sebastian did not unhand her, for which Milly’s knees were grateful.
Grace Burrowes (The Traitor (Captive Hearts, #2))
One of the crew shouted, “Man overboard!” Seeing what had happened, I instantly threw the engines into reverse, attempting to stop the vessel’s headway without backing over my floundering steward. As the ship shuttered from the unexpected reverse thrust of her engines, now running full speed astern and fighting the current, I watched helplessly as a large prehistoric reptile slithered into the muddy river. Instinctively he was followed by others. Within an instant they were underwater and out of sight, but I knew they were heading in our direction hoping for a tasty dinner. It took a while for me to actually stop the ship’s headway and start to back down. The bosun already had a ladder over the side and yelled to him to stop trashing around, but Henry was panicking and we all expected him to get pulled under. Henry quickly became aware of the imminent danger he was in and stopped floundering, thus allowing the current to carry him in our direction. Now with the ship stopped, we were at the mercy of the current. Henry, with fear painted on his face, would never be closer to us than now. This was the time for him to swim the last short distance, but his fear and knowing that splashing would attract the crocodiles caused him to freeze. With everyone shouting instructions it became confusing, so calculating the risk, I dove in and with just a few powerful strokes was next to Henry. The water was cool compared to the moist air and I thought it felt refreshing, but the only thing I should have been thinking about was getting the two of us out of there! Reaching out, I grabbed his already torn shirt and in what seemed less than a nanosecond towed him back to the ship. A push by me and a pull by the ship’s bosun landed the hapless steward on the deck like a fish out of water. Not wasting any time, I was up the ladder and onto the main deck in a shot. Looking back I half expected to see the huge mouth and glistening white teeth of a fearsome crocodilian. However, nothing stirred as we drifted with the current. Looking back to the now empty river bank I knew that just beneath the surface, they were in the murky water looking for us. Firing the engines up again, I turned the ship away from the bank and back on course in the channel. Handing the helm over to the Quartermaster, I went below to get changed since we would be approaching the treacherous sand bar in about a half hour.
Hank Bracker
We—we have to k-keep going.” I looked over. We were nose-to-nose under the blankets. Her eyes glinted, amber and brown. Her scarf had dipped below her chin. Her breath was like limes. Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fit perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away. “I wasn’t going to die without doing that,” she said. The world of primordial ice must not have frozen me completely, because my chest burned like a coal furnace. “Well?” She frowned. “Stop gaping and let’s move.” We trudged toward the shore. My mind wasn’t working properly. I wondered if Alex had kissed me just to inspire me to keep going, or to distract me from our imminent deaths. It didn’t seem possible she’d actually wanted to kiss me. Whatever the case, that kiss was the only reason I made it to shore.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.
Douglas M. Laurent
I’m going.” He glares at me. “Don’t make me call Reagan.” His face falls. “You wouldn’t do that to me.” “I would. I’ll tell her to come and get your sorry ass.” Reagan is one of the only people in the world he can’t be stubborn with. She always wins. He loves her more than his own life, and everyone knows it. He has picked up my plate and is holding it below his chin, shoveling the last of my pancakes into his mouth. “Good pancakes,” he says. “I wouldn’t know,” I reply drolly. Peck snorts. Damn, that’s a pretty sound. Pete points to her plate. “Are you going to eat those?” he asks her. She covers her plate with her hand to block his questing fork, but she’s smiling. “So
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
She stepped over the edge of the tub and eased into the water, gasping at the scalding heat. Almost immediately, though, she felt her sore muscles begin to relax. Lowering her shoulders below the water line, she tried to immerse her sore neck as much as she could. Duncan eased in beside her, stretching his legs out along the length of hers. “I think I’ll sleep ’ere tonight.” Even her mouth was relaxing, her words getting slurred, but he chuckled. “I don’t think that would be a good idea. Right now the fettuccine is weighing you down. We’ll soak for a while, then go curl up on the couch and watch a movie or something.” Alex blinked, wondering if she could keep her eyes open that long. Then Duncan’s strong arm wrapped around her chest and he tugged her in against him. “If you want to close your eyes for a few minutes, I’ll hold onto you.” He
J.M. Madden (Embattled Ever After (Lost and Found #5))