“
Every time we make the decision to love someone, we open ourselves to great suffering, because those we most love cause us not only great joy but also great pain. The greatest pain comes from leaving. When the child leaves home, when the husband or wife leaves for a long period of time or for good, when the beloved friend departs to another country or dies … the pain of the leaving can tear us apart.
Still, if we want to avoid the suffering of leaving, we will never experience the joy of loving. And love is stronger than fear, life stronger than death, hope stronger than despair. We have to trust that the risk of loving is always worth taking.
”
”
Henri J.M. Nouwen
“
Like a child who saves their favourite food on the plate for last, I try to save all thoughts of you for the end of the day so I can dream with the taste of you on my tongue.
”
”
Kamand Kojouri
“
Speak to me: I will spend my lifetime trying to understand you.
”
”
Kamand Kojouri
“
I couldn’t have dreamed you into existence because I didn’t even know I needed you. You must have been sent to me.
”
”
Kamand Kojouri
“
The wars will end and the leaders will shake hands, and that old woman will remain waiting for her martyred son, and that girl will wait for her beloved husband, and the children will wait for their heroic father, I do not know who sold the homeland but I know who paid the price.
”
”
Mahmoud Darwish
“
I'm not here to grant you the extraordinary love you never had for yourself. I'm here, on my own accord, to love you. So that when you stare into my mirror eyes, you may see how extraordinary you are.
”
”
Kamand Kojouri
“
I spent all night
weaving a poem for you
to wear. You look so beautiful
when you wear my light.
”
”
Kamand Kojouri
“
How is it
that there was never you
until there was
and then all was you?
”
”
Kamand Kojouri
“
How many husbands and wives must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds!
”
”
William Peter Blatty (The Exorcist)
“
Let us remember to
always rediscover one another
because we are
forever changing.
”
”
Kamand Kojouri
“
Share yourself with me.
I will never judge you.
I am here
and I will stay here
only to love you.
”
”
Kamand Kojouri
“
The first time I heard you laugh,
I only wanted to say funny things
so you would always be laughing.
You know what happens to chocolate
when you leave it out in the sun?
I’m that unfortunate chocolate
and you, you are the laughing sun.
For this reason, I am offering myself to you
not as a martyr or some selfless fool,
but as a self-indulgent moth
who actively pursues the light
without much fear for the flame.
The moth who revels in the heat
and declares:
Burn me.
”
”
Kamand Kojouri
“
There is nothing I can do that won’t bring me back to you.
”
”
Kamand Kojouri
“
She had already learned that the worst dreams were not the ones where the flaming walls were crashing down on you, or where armed men were chasing you, or where your beloved menfolk were dying before your eyes. They were the ones when your husband lived again, when your son still smiled, when your daughter looked forward to her wedding.
”
”
Natalie Haynes (A Thousand Ships)
“
With you, I am. Without you, I am not.
”
”
Kamand Kojouri
“
All I need to do
is place my pen against paper
and your love
writes for me.
”
”
Kamand Kojouri
“
By loving you,
I learn everything
because your soul
contains the entire universe.
”
”
Kamand Kojouri
“
I’m a winner because I always bet on you.
”
”
Kamand Kojouri
“
Love, they said, burns you
and builds you.
But with you,
there’s no ash.
Just light.
”
”
Kamand Kojouri
“
I fell in love
and then
I became
love.
”
”
Kamand Kojouri
“
If I can’t be your love,
then let me be a simple brooch
so I may rest a while against your chest.
If I can’t be your love,
then let me be a forgotten coin
so I may rest a while against your thigh.
If I can’t be your love,
then let me be an unlit cigarette
so I may rest a while in between your lips.
If I can’t be your love,
then let me at least remain in these words
so I may rest a while in your thoughts.
”
”
Kamand Kojouri
“
I love you.
I love you a thousand times.
I love you an irrational number.
And I will continue to love you
long after all this has died
and been reborn
and we are nothing more
than a pair of reincarnated eyes.
”
”
Kamand Kojouri
“
The greatest thing about me isn’t even a part of me. It’s you.
”
”
Kamand Kojouri
“
Why didn't you write all this time?
Did you not remember us in a song?
A dance?
In the skies littered with stars?
Did you not get drunk?
Why didn’t you write all this time?
Did you not remember us in a film?
A book?
In idyllic dusks and dawns?
Did you not get high?
It is good that you didn't.
For all is well.
I am drunk and dazed.
I have already forgotten you
and your bewitching ways.
”
”
Kamand Kojouri
“
I will drive the world crazy
with love poems for you.
So they can know how magnificent you are
and how crazy I am.
”
”
Kamand Kojouri
“
Whenever you keep score in love, you lose.
”
”
Kamand Kojouri
“
Your omnipresence is marvellous!
I breathe and you enter me.
I exhale and enter into you.
”
”
Kamand Kojouri
“
Take me when I'm wild.
Take me when I'm free.
Take me for me
and I will take you
as you want to be.
”
”
Kamand Kojouri
“
I used to be lost in us. Blurred were the lines that separated us. But now, I see our togetherness in our separateness. I see the you in me and the me in you. We are two independent beings who complement one another like photographs that are beautiful on their own but are enhanced when juxtaposed, creating an altogether new photograph.
”
”
Kamand Kojouri
“
What happens when I love,
you ask, does the world start
making sense?
No, my dear, it does not.
But it won’t matter to you then.
”
”
Kamand Kojouri
“
Okay,” I mumble, completely bemused, bewildered, and shell-shocked. He leans over my desk. What now? I am caught in his hypnotic gaze. “Love doing business with you, Mrs. Grey.” He leans in closer as I sit paralyzed, and he plants a soft tender kiss on my lips. “Laters baby,” he murmurs. He stands abruptly, winks at me, and leaves. I lay my head on my desk, feeling like I’ve been run over by a freight train – the freight train that is my beloved husband. He has to be the most frustrating, annoying, contrary man on the planet. I sit up and frantically rub my eyes. What have I just agreed to?
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
I write our names on the page.
What of it, if the paper will be burned?
I write our names in the sand.
What of it, if the shore will be washed by waves?
I write our names on trees that will be cut
and benches that will be painted,
but what of it?
I will keep on writing our names
because in this world of ephemera,
You and I are the only constant.
”
”
Kamand Kojouri
“
Can we share my eyes
so you can see what I see?
Can we share my ears
so you can hear what I hear?
Can you perch on my shoulders
so you can go where I go?
Always in my heart,
I don’t experience anything separate from you.
This shared wonderment becomes doubled.
This shared love becomes infinite.
”
”
Kamand Kojouri
“
Like a pair of old slippers,
I feel comfort and
warmth as I slip into you.
No, that is too crude.
Like the match to the wick,
I ignite when we touch.
My counterpart and
life's purpose.
Yes, as though I've known you my whole life.
Every scar,
every failure
has become an affirmation
of what should be:
You.
Yes, as though I've loved you my whole life.
”
”
Kamand Kojouri
“
We were pressed against each other, a husband and wife bound together not by marriage, but by the harmony of our hearts. Death could not undo us, I'd learned. My hamsar was with me still. He would watch over us, my beloved husband, as we made our way into tomorrow.
”
”
Nadia Hashimi (When the Moon is Low)
“
What is this love
that makes me see beauty,
and makes every beautiful thing
bring you back to me?
What is this love
that makes me declare 'I love you'
even though I uttered it
only a moment ago?
What is this love
that keeps growing even when my chest is sore
and it hurts to love you any more?
Tell me:
How am I to find what this love is
when it was the one to find you, me,
this verse, and this universe?
”
”
Kamand Kojouri
“
If love weighs you down
and casts a shadow on your life
then it isn’t love.
Love
is light
and makes you light.
”
”
Kamand Kojouri
“
I love you so much
I want to share you
with yourself.
I know you do not insist
that I do, but I love you
so much I want to share
God with you.
”
”
Kamand Kojouri
“
Julia played for them: for her husband and her beloved son. And tried to believe somewhere in her heart that, wherever they were, they could hear her.
”
”
Lucinda Riley (The Orchid House)
“
A soulmate is a direct pathway to God.
”
”
Kamand Kojouri
“
I can sense your love,
why leave me in darkness?
Beguile me for your amusement,
stealing my soul without kisses.
You are the sun and I, the moon.
Your beauty is reflected in my eyes.
When we are apart, I am extinguished
in the blackness of these skies.
”
”
Kamand Kojouri
“
Nothing belongs to itself anymore.
These trees are yours because you once looked at them.
These streets are yours because you once traversed them.
These coffee shops and bookshops, these cafés and bars, their sole owner is you.
They gave themselves so willingly, surrendering to your perfume.
You sang with the birds and they stopped to listen to you.
You smiled at the sheepish stars and they fell into your hair.
The sun and moon, the sea and mountain, they have all left from heartbreak.
Nothing belongs to itself anymore.
You once spoke to Him, and then God became yours.
He sits with us in darkness now
to plot how to make you ours.” K.K.
”
”
Kamand Kojouri
“
A sore pain troubles me day and night, and I cannot sleep; I long for the meeting with my Beloved, and my father's house gives me pleasure no more. The gates of the sky are opened, the temple is revealed: I meet my husband, and leave at His feet the offering of my body and my mind.
”
”
Kabir (Songs of Kabir)
“
There’s a fragment of some conversation, I’m remembering it. Someone is saying: “You have to understand: this is not your husband anymore, not a beloved person, but a radioactive object with a strong density of poisoning. You’re not suicidal. Get ahold of yourself.” And I’m like someone who’s lost her mind: “But I love him! I love him!” He’s sleeping, and I’m whispering: “I love you!” Walking in the hospital courtyard, “I love you.” Carrying his sanitary tray, “I love you.
”
”
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
“
I am certain,
my love,
that poetry was born
only after your birth.
”
”
Kamand Kojouri
“
You must promise me, one and all—even you, my beloved husband—that, should the time come, you will kill me.
”
”
Bram Stoker (Dracula)
“
I don’t know why we fight.
It takes much too effort to stay mad at you.
To dodge your skin in the hallway
and leave the kitchen without bringing you a treat.
It takes much too effort to stare at the sink
so my eyes don’t smile at you in the mirror.
It takes much too effort to look away as we undress
and lie apart in the now bigger bed.
It takes much too effort to stiffen my body
because sleepy limbs forget fights
and pride is always lost in dreams.
It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us.
I dread the light peeking through the parted curtains
and empathise with your groans —
I didn’t get any sleep either.
I really don’t know why we fight.
It takes much too effort to stay mad at one another
when it’s so easy for us to love.
”
”
Kamand Kojouri
“
I recognized the handwriting, and my heart gave a skip; when I opened it I got a turn, for it began, 'To my beloved Hector,' and I thought, by God she's cheating on me, and has sent me the wrong letter by mistake. But in the second line was a reference to Achilles, and another to Ajax, so I understood she was just addressing me in terms which she accounted fitting for a martial paladin; she knew no better. It was a common custom at that time, in the more romantic females, to see their soldier husbands and sweethearts as Greek heroes, instead of the whore-mongering, drunken clowns most of them were. However, the Greek heroes were probably no better, so it was not far off the mark.
”
”
George MacDonald Fraser (Flashman (The Flashman Papers, #1))
“
Does God know
the number of kisses
before we fall in love?
Yesterday, I was nobody
and I believed myself important.
Today,
I feel my worth
in you.
You, with your emerald eyes and ebony hair,
even your heartbeat is beautiful.
You, who is my greatest joy,
all other concerns vanish in your presence.
You swallow time
and consume space,
inspiring all my passion
with a single embrace.
I love your existence.
”
”
Kamand Kojouri
“
How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
The only path wide for us all is love.
”
”
Kamand Kojouri
“
You are my favourite part of life.
”
”
Kamand Kojouri
“
To say the least, it was inconsiderate of Diana’s almost-dead husband to show up at her engagement party.
”
”
Robin Lee Hatcher (Beloved (Where the Heart Lives, #3))
“
You just wait.
Soon,
lovers all over the world
will be reciting poems
dedicated to you.
This is my promise.
”
”
Kamand Kojouri
“
The obituary column in the Times of India, Bombay, regretted the demise of ‘D’Ocracy, DEM beloved husband of T. Ruth, loving father of L I Bertie, brother of Faith, Hope, Justice [who] expired on 26th June’. The obituary became a popular Emergency joke.
”
”
Coomi Kapoor (The Emergency: A Personal History)
“
His face searching the bus windows looked expectant, impatient, and a little anxious. It was a husband's face. Familiar, known, increasing beloved. Mary Ann, I reflected, had an awful lot to learn. And actually, I reflected, I wouldn't be in her shoes right now for all the flowers in Bermuda...having it all to learn again.
”
”
Ann Head
“
Sharply etched against the black velvet canopy, the lady in white watches as her husband awakens, his deep orange smile lighting up the ebony darkness. Casting her alabaster glow across the dark firmament, she blows a kiss to her beloved solar mate as she prepares for her own descent into sleep. “Remember,” she whispers, “remember the sweet fragrance of my words. Soft, cherishing words spoken on the currents of timelessness as one life morphs into the next. Words of love and remembrance.” Smiling contentedly, her light dims into the erupting color of the daytime sky.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
I understood why women went back to their abusers. The monster wasn't your real husband, he was a bad dream - an alien of sorts - who took over the spirit of your beloved one. He entered and left your husband. It was your real love you welcomed back in.
”
”
Joy Harjo (Crazy Brave)
“
As events would show, Cixi was indeed opposed to the foreign policy of her husband and his inner circle – but for very different reasons. Silently observing from close quarters, she in fact regarded their stubborn resistance to opening the door of China as stupid and wrong. Their hate-filled effort to shut out the West had, in her view, achieved the opposite to preserving the empire. It had brought the empire catastrophe, not least the destruction of her beloved Old Summer Palace. She herself would pursue a new route.
”
”
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
“
How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds.
”
”
William Peter Blatty (The Exorcist)
“
I've written you sixty-seven love poems.
Here’s another one for you.
But really, for me.
These poems are the candles that I light
with the fire you have ignited in me.
I place this candle here and another there
so even if the stars have argued with the moon
and are sulking away in a corner,
you can still find your way to me.
Sixty-eight poems now. What
does the future hold for us?
Joy? Disappointment? Gentle caresses? And subtle neglect?
I hope the good is more than the bad. Much more.
For what is the point of love
if by lighting these candles
our own flame loses its brightness?
I know the good is more than the bad.
Much more.
I cannot wait to write you sixty-nine.
”
”
Kamand Kojouri
“
Besides the Hawk’s own men, the men of the Wolf and the Dragon kept watch as well. Night and day, hour to hour, never eased for a moment, three warlord husbands kept guard over their beloved wives.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
We are all of us exposed to grief: the people we love die, as we shall ourselves in due course; expectations are disappointed and ambitions are thwarted by circumstance. Finally, there are some who insist upon feeling guilty over the ill they have done or simply on account of the ugliness which they perceive in their own souls. A solution of a kind has been found to this problem in the form of sedatives and anti-depressant drugs, so that many human experiences which used to be accepted as an integral part of human life are now defined and dealt with as medical problems. The widow who grieves for a beloved husband becomes a 'case', as does the man saddened by the recollection of the napalm or high explosives he has dropped on civilian populations. One had thought that guilt was a way, however indirect, in which we might perceive the nature of reality and the laws which govern our human experience; but it is now an illness that can be cured.
Death however, remains incurable. Though we might be embarrassed by Victorian death-bed scenes or the practices of mourning among people less sophisticated than ourselves, the fact of death tells us so much about the realities of our condition that to ignore it or try to forget it is to be unaware of the most important thing we need to know about our situation as living creatures. Equally, to witness and participate in the dying of our fellow men and women is to learn what we are and, if we have any wisdom at all, to draw conclusions which must in their way affect our every thought and our every act.
”
”
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
“
Have you a room that you could let?"
"Yes, I have a room that I could let, but I do not want to let it. I have only two rooms, and there are six of us already, and the boys and girls are growing up. But school books cost money, and my husband is ailing, and when he is well it is only thirty-five shillings a week. And six shillings of that is for the rent, and three shillings of that is for the rent, and three shillings for travelling, and a shilling that we may all be buried decently, and a shilling for the books, and three shillings is for clothes and that is little enough, and a shilling for my husband's beer, and a shilling for his tobacco, and these I do not grudge for he is a decent man and does not gamble or spend his money on other women, and a shilling for the Church, and a shilling for sickness. And that leaves seventeen shillings for food for six, and we are always hungry. Yes I have a room but I do not want to let it. How much could you pay?"
"I could pay three shillings a week for the room."
"And I would not take it."
"Three shillings and sixpence."
"Three shillings and sixpence. You can't fill your stomach on privacy. You need privacy when your children are growing up, but you can't fill your stomach on it. Yes, I shall take three shillings and sixpence.
”
”
Alan Paton (Cry, the Beloved Country)
“
...as I lay in that dark hour, I was aghast to realize that something within me, long sickening, had quietly died, and felt as a husband might feel, who, in the fourth year of his marriage, suddenly knew that he had no longer any desire, or tenderness, or esteem, for a once-beloved wife; no pleasure in her company, no wish to please, no curiosity about anything she might ever do or say or think; no hope of setting things right, no self-reproach for the disaster. I knew it all, the whole drab compass of marital disillusion; we had been through it together, the army and I, from the first importunate courtship until now, when nothing remained to us except the chill bonds of law and duty and custom.
”
”
Evelyn Waugh (Brideshead Revisited)
“
Besides the Hawk's own men, the men of the Wolf and the Dragon kept watch as well. Night and day,hour to hour, never eased for a oment,three warlord husbands kept guard over their beloved wives.Out beyond the harbor, boats patrolled. In the hills beyond Hawkforte, sentries stood their posts. No one entered the town without being indentified. No one came near the stronghold without being approved.
At this rate,they would never catch Wolscroft.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
I have none of the usual inducements of women to marry. Were I to fall in love, indeed, it would be a different thing! but I never have been in love; it is not my way, or my nature; and I do not think I ever shall. And, without love, I am sure I should be a fool to change such a situation as mine. Fortune I do not want; employment I do not want; consequence I do not want: I believe few married women are half as much mistress of their husband’s house as I am of Hartfield; and never, never could I expect to be so truly beloved and important; so always first and always right in any man’s eyes as I am in my father’s.
”
”
Jane Austen (Emma)
“
Marrying cousins was astoundingly common into the nineteenth century, and nowhere is this better illustrated than with the Darwins and their cousins the Wedgwoods (of pottery fame). Charles married his first cousin Emma Wedgwood, daughter of his beloved Uncle Josiah. Darwin's sister Caroline, meanwhile, married Josiah Wedgwood III, Emma's brother and the Darwin siblings' joint first cousin. Another of Emma's brothers, Henry, married not a Darwin but a first cousin from another branch of his own Wedgwood family, adding another strand to the family's wondrously convoluted genetics. Finally, Charles Langton, who was not related to either family, first married Charlotte Wedgwood, another daughter of Josiah and cousin of Charles, and then upon Charlotte's death married Darwin's sister Emily, thus becoming, it seems, his sister-in-law's sister-in-law's husband and raising the possibility that any children of the union would be their own first cousins.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
ELIZABETH SIROIS WHARTON, 87, passed away peacefully on May 29, 2010, at Warsaw County Memorial Hospital. She was born on January 19, 1923, the son of Marcel and Catherine Sirois. She is survived by her brother, Henry Sirois, her sister, Charlotte Gibney, her niece, Holly Gibney, and her daughter, Janelle Patterson. Elizabeth was predeceased by her husband, Alvin Wharton, and her beloved daughter, Olivia. Private visitation will be held from 10 AM to 1 PM at Soames Funeral Home
”
”
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
In February 62, Seneca came up against an unalterable reality. Nero ceased to listen to his old tutor, he shunned his company, encouraged slander of him at court and appointed a bloodthirsty praetorian prefect, Ofonius Tigellinus, to assist him in indulging his taste for random murder and sexual cruelty. Virgins were taken off the streets of Rome and brought to the emperor’s chambers. Senators’ wives were forced to participate in orgies, and saw their husbands killed in front of them. Nero roamed the city at night disguised as an ordinary citizen and slashed the throats of passers-by in back alleys. He fell in love with a young boy who he wished could have been a girl, and so he castrated him and went through a mock wedding ceremony. Romans wryly joked that their lives would have been more tolerable if Nero’s father Domitius had married that sort of a woman. Knowing he was in extreme danger, Seneca attempted to withdraw from court and remain quietly in his villa outside Rome. Twice he offered his resignation; twice Nero refused, embracing him tightly and swearing that he would rather die than harm his beloved tutor. Nothing in Seneca’s experience could allow him to believe such promises.
”
”
Alain de Botton (The Consolations of Philosophy)
“
The most gratifying relationship is often found between a husband and a wife. They can be a lover and a friend to each other. Often wives care for their husbands like a mother and husbands protect their wives like a father would. It is for this reason that when people fall in love, they feel elated and satisfied as they find almost all kinds of emotions present in their relationship with their beloved.
”
”
Awdhesh Singh (31 Ways to Happiness)
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
Love is when you endure pain for the sake of a beloved sister and husband, if that’s what it takes to nurture the child of their illicit union.”
Then she glanced at Gran. “Love is sometimes doing the wrong things because you’re at your wit’s end in knowing how to help your family.”
He drew her into his arms. “Love is taking chances when every rational part of you screams, ‘Don’t risk it.’ Because it’s only when your heart has been ripped open that you get a chance to find the one person capable of making it whole.”
With her own heart beating wildly, she smiled at him. “And you say you aren’t poetic.”
“Well,” he said, with a glint in his eye, “perhaps a few of us can be good at everything.”
And as he pulled her into a dark corner and kissed her with great sweetness, she acknowledged that at some things, he was very good indeed.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
The boy, Max Rüst, will later on become a tinker, father of seven more Rüsts, he will go to work for the firm of Hallis & Co., Plumbing and Roofing, in Grünau. At the age of 52 he will win a quarter of a prize in the Prussian Class Lottery, then he will retire from business and die during an adjustment suit which he has started against the firm of Hallis & Co., at the age of 55. His obituary will read as follows: On September, suddenly, from heart-disease, my beloved husband, our dear father, son, brother, brother-in-law, and uncle, Paul Rüst, in his 55th year. This announcement is made with deep grief on behalf of his sorrowing family by Marie Rüst. The notice of thanks after the funeral will read as follows: Acknowledgment. Being unable to acknowledge individually all tokens of sympathy in our bereavement, we hereby express our profound gratitude to all relatives, friends, as well as to the tenants of No. 4 Kleiststrasse and to all our acquaintances. Especially do we thank Herr Deinen for his kind words of sympathy. At present his Max Rüst is 14 years old, has just finished public school, is supposed to call by on his way there at the clinic for the defective in speech, the hard of hearing, the weak-visioned, the weak-minded, the in-corrigible, he has been there at frequent intervals, because he stutters, but he is getting better now.
”
”
Alfred Döblin (Berlin Alexanderplatz)
“
Our house was a collection of silences, each room a mute, empty frame, each of us three oscillating bodies (Mom, Dad, me) moving around in our own curved functions, from space to space, not making any noise, just waiting, waiting to wait, trying, for some reason, not to disrupt the field of silence, not to perturb the delicate equilibrium of the system. We wandered from room to room, just missing one another, on paths neither chosen by us nor random, but determined by our own particular characteristics, our own properties, unable to deviate, to break from our orbital loops, unable to do something as simple as walking into the next room where our beloved, our father, our mother, our child, our wife, our husband, was sitting, silent, waiting but not realizing it, waiting for someone to say something, anything, wanting to do it, yearning to do it, physically unable to bring ourselves to change our velocities.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
Smiling wistfully at the thought of her beloved sister, Daisy felt a wave of loneliness sweep over her. She and Lillian had always been together, arguing, laughing, getting each other into scrapes, and rescuing each other whenever possible. Naturally she was happy that Lillian had met her perfect match in the strong-willed Westcliff... but that didn't stop Daisy from missing her terribly. And now that the other wallflowers, including Evie, had found husbands, they were part of the mysterious married world that Daisy was still excluded from. She was going to have to find a husband soon. Some nice, sincere gentleman who would share her love of books. A man who wore spectacles, and liked dogs and children.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
”
”
Michel Tremblay
“
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair
of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury,
with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he
suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his
fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the
right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an
unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and
her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring"
spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing
City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd
bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when
she faced a man with thirty times her fencing experience across the razor-edged steel of their swords,
with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own
murdered steaders at her back.
But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the
Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that
moment that for all his own imposing record of victory in battle, he was not and never had been her
equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of
devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much
a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself
had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she
could have been a monster under the wrong set of circumstances.
And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last
he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty,
and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong
circumstances, she could have been the most terrifying person he had ever met.
In fact, at this moment, she was .
It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or
even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply
personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space
itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy
shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those
agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew
now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a
determination which would not— couldnot—relent or rest.
"I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget,
and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we
do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
”
”
David Weber (Mission of Honor (Honor Harrington, #12))
“
For the first time the Doctor felt, now, that his suffering was strength and power. For the first time he felt that in that sharp fire, he had slowly forged the iron which could break the prison door of his daughter's husband, and deliver him. "It all tended to a good end, my friend; it was not mere waste and ruin. As my beloved child was helpful in restoring me to myself, I will be helpful now in restoring the dearest part of herself to her; by the aid of Heaven I will do it!" Thus, Doctor Manette. And when Jarvis Lorry saw the kindled eyes, the resolute face, the calm strong look and bearing of the man whose life always seemed to him to have been stopped, like a clock, for so many years, and then set going again with an energy which had lain dormant during the cessation of its usefulness, he believed.
”
”
Charles Dickens (A Tale of Two Cities)
“
Something he knew he had missed: the flower of life. But he thought of it now as a thing so unattainable and improbable that to have repined would have been like despairing because one had not drawn the first prize in a lottery. There were a hundred million tickets in his lottery, and there was only one prize; the chances had been too decidedly against him. When he thought of Ellen Olenska it was abstractly, serenely, as one might think of some imaginary beloved in a book or a picture: she had become the composite vision of all that he had missed. That vision, faint and tenuous as it was, had kept him from thinking of other women. He had been what was called a faithful husband; and when May had suddenly died—carried off by the infectious pneumonia through which she had nursed their youngest child—he had honestly mourned her. Their long years together had shown him that it did not so much matter if marriage was a dull duty, as long as it kept the dignity of a duty: lapsing from that, it became a mere battle of ugly appetites. Looking about him, he honoured his own past, and mourned for it. After all, there was good in the old ways.
”
”
Edith Wharton (The Age of Innocence)
“
That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing—the part of her that was clean. No undreamable dreams about whether the headless, feetless torso hanging in the tree with a sign on it was her husband or Paul A; whether the bubbling-hot girls in the colored-school fire set by patriots included her daughter; whether a gang of whites invaded her daughter’s private parts, soiled her daughter’s thighs and threw her daughter out of the wagon. She might have to work the slaughterhouse yard, but not her daughter.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Clutter, a young boy with his whole life before him, tied helplessly in sight of his father’s death struggle. Or young Nancy Clutter, hearing the gunshots and knowing her time was next. Nancy, begging for her life: ‘Don’t. Oh, please don’t. Please. Please.’ What agony! What unspeakable torture! And there remains the mother, bound and gagged and having to listen as her husband, her beloved children died one by one. Listen until at last the killers, these defendants before you, entered her room, focused a flashlight in her eyes, and let the blast of a shotgun end the existence of an entire household.” Pausing, Green gingerly touched a boil on
”
”
Truman Capote (In Cold Blood)
“
First ladies are modern women with modern problems, joys, careers, doubts, insecurities, and crises. They are wives, working mothers, and political advisers who are transformed into international celebrities simply because of whom they chose to marry. They are often beloved, sometimes vilified, and they are almost always their husbands’ most trusted advisers.
”
”
Kate Andersen Brower (First Women: The Grace and Power of America's Modern First Ladies)
“
Instinct told me that men didn't like wives cleverer than them. Even my beloved Peng Choon, wonderful husband that he was, liked to think of himself as the smarter of us two, which for the sake of peace I allowed. What he said told me all I needed to know - 'Ai-yahh! That is rubbish-lah! You talk just like a woman!', as if talking like a woman were such a terrible affliction.
”
”
Selina Siak Chin Yoke (The Woman Who Breathed Two Worlds (Malayan #1))
“
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own.
From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
”
”
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
“
In the land of historical romance novels, particularly the Regencies, there is no line more quoted than this: Reformed rakes make the best husbands. It's the sort of pithy one-liner a beloved character dashes off and everyone laughs a sparkling laugh, the heroine knits her brow, and the rogue in question scowls but we all know the truth: That bad boy will soon be reformed. And he will like it.
”
”
Maya Rodale (Dangerous Books for Girls: The Bad Reputation of Romance Novels Explained)
“
As Kierkegaard wrote: 'Repetition is a beloved wife of whom one never tires'. This sentence is misunderstood by almost everyone. On the basis of this misunderstanding, it is either confirmed (by those who are happily married) or criticised (by those who are happily divorced). When you read the expression, it is easy to interpret it as follows: 'The beloved wife/husband is a repetition of whom one never tires/ However, for Freud and Kierkegaard, the repetition is central, the repetition on the basis of which a partner is ascribed a particular place, and not vice versa. At the same time, repetition then had a different meaning. Nowadays, repetition has become almost synonymous with boredom. One only has to think of a children's game that is endlessly repeated and yet gives pleasure every time, in contrast with the blase adult who always wants something new, something different, something that might still rouse him from the lethargy of excess.
”
”
Paul Verheage
“
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a
very condensed version of it.
“Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as
fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted
countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a
hunger of the soul that could not be denied.”
Bryony trembled somewhere inside. This was not their story, but her story, the determined
spinster felled by the magnificence and charm of the gorgeous young thing.
He glanced at her. “You were the moon of my existence; your moods dictated the tides of
my heart.”
The tides of her own heart surged at his words, even though his words were nothing but
lies.
“I don’t believe I had moods,” she said severely.
“No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart
only rose ever higher to crash against the levee of my self-possession. For I loved you most
intemperately, my dear Mrs. Marsden.”
Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his
facile words, and even more so at herself, for the painful pleasure that trickled into her drop
by drop.
“Our wedding was the happiest hour of my life, that we would belong to each other always.
The church was filled with hyacinths and camellias, and the crowd overflowed to the steps,
for the whole world wanted to see who had at last captured your lofty heart.
“But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And
soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a
sign I must wander far and away. Find me then, if you can. Then and only then will I be yours
again.’”
Her heart pounded again. How did he know that she had indeed taken her hair turning white
as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of
whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten
how hypnotic Leo could be, when he wished to beguile a crowd.
“And so I have searched. From the poles to the tropics, from the shores of China to the
shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red,
brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’”
He looked into her eyes, and she could not look away, as mesmerized as the hapless
Braeburns.
“And now I have found you at last.” He raised his glass. “To the beginning of the rest of
our lives.
”
”
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
“
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances.
“Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.”
She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves.
Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.”
Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn.
“My heart is happy when I see you,” she whispered in Lakota.
He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English.
She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch.
He frowned slightly at her expression. “What is it?” he asked softly.
“I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously.
He smiled back. “And now you’re covered in real ones,” he discerned.
She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.”
Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
What’s the point?” “Who can know?” answered Merrin. “Who can really hope to know? And yet I think the demon’s target is not the possessed; it is us … the observers … every person in this house. And I think—I think the point is to make us despair; to reject our own humanity, Damien: to see ourselves as ultimately bestial, vile and putrescent; without dignity; ugly; unworthy. And there lies the heart of it, perhaps: in unworthiness. For I think belief in God is not a matter of reason at all; I think it finally is a matter of love: of accepting the possibility that God could ever love us.” Merrin paused, then continued more slowly and with an air of introspection: “Again, who really knows. But it is clear—at least to me—that the demon knows where to strike. Oh, yes, he knows. Long ago I despaired of ever loving my neighbor. Certain people … repelled me. And so how could I love them? I thought. It tormented me, Damien; it led me to despair of myself and from that, very soon, to despair of my God. My faith was shattered.” Surprised, Karras turned and looked at Merrin with interest. “And what happened?” he asked. “Ah, well … at last I realized that God would never ask of me that which I know to be psychologically impossible; that the love which He asked was in my will and not meant to be felt as emotion. No. Not at all. He was asking that I act with love; that I do unto others; and that I should do it unto those who repelled me, I believe, was a greater act of love than any other.” Merrin lowered his head and spoke even more softly. “I know that all of this must seem very obvious to you, Damien. I know. But at the time I could not see it. Strange blindness. How many husbands and wives,” Merrin uttered sadly, “must believe they have fallen out of love because their hearts no longer race at the sight of their beloveds. Ah, dear God!” He shook his head. And then he nodded. “There it lies, I think, Damien … possession; not in wars, as some tend to believe; not so much; and very rarely in extraordinary interventions such as here … this girl … this poor child. No, I tend to see possession most often in the little things, Damien: in the senseless, petty spites and misunderstandings; the cruel and cutting word that leaps unbidden to the tongue between friends. Between lovers. Between husbands and wives. Enough of these and we have no need of Satan to manage our wars; these we manage for ourselves … for ourselves.
”
”
William Peter Blatty (The Exorcist)
“
All their men—brothers, uncles, fathers, husbands, sons—had been picked off one by one by one. They had a single piece of paper directing them to a preacher on DeVore Street. The War had been over four or five years then, but nobody white or black seemed to know it. Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson. Dazed but insistent, they searched each other out for word of a cousin, an aunt, a friend who once said, “Call on me. Anytime you get near Chicago, just call on me.” Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men. Forbidden public transportation, chased by debt and filthy “talking sheets,” they followed secondary routes, scanned the horizon for signs and counted heavily on each other. Silent, except for social courtesies, when they met one another they neither described nor asked about the sorrow that drove them from one place to another. The whites didn’t bear speaking on. Everybody knew.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
”
”
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
“
In men, there is the familiar distinction between the Madonna on a pedestal and the lowlife whore, in the sense that they elevate the love object to unknown—and, above all, unattainable—heights. These are the super-conventional husbands who respect their wives. They often respect them so much that they become psychologically impotent. The shadow of the for-bidden mother covers the beloved in this cloak of respect, so that any sexual approach becomes impossible. However, this impotence wholly melts away, together with the respect, when such a man goes to a whore, either in his imagination or in reality. The pendulum swings the other way, because in this case the woman, in the figure of the whore, is humiliated just as much as the wife-mother is extolled. The dimension of lust appears here, inevitably accompanied by feelings of guilt. It is in this context that we come across the typical male fantasy, well known to every prostitute, of 'saving' a woman. A large number of her clients want to 'save' her from her ruin. They want to restore to her the status of being an object of love. In other words, they want her to become a wife-mother, which brings them back to respect, and completes the circle. Interestingly, in either case, whether he saves her or humiliates her, the power lies with the man. This in itself is a rewrite of the original mother-child scenario. His position has shifted from passive to active.
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Paul Verheage
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Sitting on the poop deck with my infinitely beloved wife who has acquired an even greater weight of love. I keep on mentally looking around to make sure she's there. For why this new and massive re-affirmation of adoration and worship and a promise to myself that I shall never be nasty to her ever again? I will tell you for why. For because for about three minutes this afternoon I thought that I was about to be killed instantaneously and at once, without time to re-tell her how much I love her, to apologize for breaking my contract to look after her forever, for letting her down with a bang (hysterical pun intended) and for having no time to tell her the million things yet to be told and for not realizing and demonstrating my full potential as a husband, provider, lover, and all. (He goes on to describe how he was in a helicopter with others going to a film location in some mountainous area in Sarajevo in the fog and the came right up to some mountains and barely swerved just in time, this went of for a full three minutes of desperate danger) He goes on to say, "There was one blazing mental image that seemed to last right through the enormity. it was E lying in bed on the yacht with a book open at the page where she'd stopped reading with the title front cover and publisher's blurb on the other face up on the bed near her right hand which was out of the covers. She was wearing one of my favorite nightgowns, a blue thing and shorty which she may have been wearing this morning when I said goodbye to her. (I just asked her and she was) She had one leg bent and the other straight. On another level I was telling her over and over again that I loved her, I loved her...The mind is a remarkable instrument. If I wrote down everything I could remember from those interminable seconds it would be a million words....A shorter catastrophe of this kind happened to me before when I was perhaps 19-20 years old but I hadn't learned to love then and to love obsessively.
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Richard Burton (The Richard Burton Diaries)
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fear of death.” Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
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Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
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Fragment of the Elegy on the Death of Adonis
Prom the Greek of Bion
Published by Forman, "Poetical Works of P. B. S.", 1876.
I mourn Adonis dead—loveliest Adonis—
Dead, dead Adonis—and the Loves lament.
Sleep no more, Venus, wrapped in purple woof—
Wake violet-stoled queen, and weave the crown
Of Death,—'tis Misery calls,—for he is dead.
The lovely one lies wounded in the mountains,
His white thigh struck with the white tooth; he scarce
Yet breathes; and Venus hangs in agony there.
The dark blood wanders o'er his snowy limbs,
His eyes beneath their lids are lustreless,
The rose has fled from his wan lips, and there
That kiss is dead, which Venus gathers yet.
A deep, deep wound Adonis...
A deeper Venus bears upon her heart.
See, his beloved dogs are gathering round—
The Oread nymphs are weeping—Aphrodite
With hair unbound is wandering through the woods,
'Wildered, ungirt, unsandalled—the thorns pierce
Her hastening feet and drink her sacred blood.
Bitterly screaming out, she is driven on
Through the long vales; and her Assyrian boy,
Her love, her husband, calls—the purple blood
From his struck thigh stains her white navel now,
Her bosom, and her neck before like snow.
Alas for Cytherea—the Loves mourn—
The lovely, the beloved is gone!—and now
Her sacred beauty vanishes away.
For Venus whilst Adonis lived was fair—
Alas! her loveliness is dead with him.
The oaks and mountains cry, Ai! ai! Adonis!
The springs their waters change to tears and weep—
The flowers are withered up with grief...
Ai! ai! ... Adonis is dead
Echo resounds ... Adonis dead.
Who will weep not thy dreadful woe. O Venus?
Soon as she saw and knew the mortal wound
Of her Adonis—saw the life-blood flow
From his fair thigh, now wasting,—wailing loud
She clasped him, and cried ... 'Stay, Adonis!
Stay, dearest one,...
and mix my lips with thine—
Wake yet a while, Adonis—oh, but once,
That I may kiss thee now for the last time—
But for as long as one short kiss may live—
Oh, let thy breath flow from thy dying soul
Even to my mouth and heart, that I may suck
That...'
NOTE:
_23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
”
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Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
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Charlie, I want to get married," she said.
"Well, so do I, darling -"
"No, you don't understand," she said. "I want to get married right now."
Froggy knew from the desperate look in her eyes that Red was dead serious.
"Sweetheart, are you sure now is a good time?" he said.
"I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!"
The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do.
"Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains."
A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?"
Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony.
"I suppose I'm available," she said.
"Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!"
Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding.
"Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?"
"I do," Froggy declared.
"And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?"
"I do," Red said.
"Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!"
Red and Froggy shared their first kiss as a married couple, and their friends cheered.
"Beautiful ceremony, my dear," Merlin said.
"Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
”
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Chris Colfer (Worlds Collide (The Land of Stories, #6))
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The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
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Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
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Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people.
The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God.
I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head…
Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?
“I will.” I breathed in.
The scent of roses…the evening light coming through the stained-glass window.
Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live?
“I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)