“
The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.
”
”
Janet Fitch (White Oleander)
“
About a third of the motel was painted a sandy beige, with a tide line of rain revealing the original color: faded green, the color of old money.
”
”
Gary Clemenceau (Banker's Holiday: A Novel of Fiscal Irregularity)
“
I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?
”
”
Jeanette Winterson (Gut Symmetries)
“
Mum said earlier what a lovely dress
you’re wearing.”
Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.”
It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman.
“I think you’ve really grown into it,” Valkyrie said.
“I always thought it was a little shapeless.”
Valkyrie resisted the urge to say that was what she meant.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
You're really going to try this time, you swear it, this time you'll do everything not in shades of beige and gray but in bright, bold, brilliant, beautiful color.
”
”
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
“
I wrote a song called 'Red' and thinking about what that song means to me and all the different emotions on this album they're all pretty much about the tumultuous, crazy, insane, intense, semi-toxic relationships I've experienced in the last two years. All those emotions fanning from intense love, intense frustration, intense jealousy, confusion, all of that in my mind, all those emotions are red. There's nothing in between, there's nothing beige about those feelings and so I called my record that.
”
”
Taylor Swift
“
I feel so pouty. I am just a muggle. A beige bitch muggle.
”
”
Tarryn Fisher (F*ck Love)
“
The decor was attractive and strong, but blander than she would have thought his wealth and position afforded him. Caren couldn't see the point of having that much money if all of it led to beige.
”
”
Attica Locke (The Cutting Season)
“
People tend to consider beig vulnerable a bad thing. It's not. Vulnerability reminds us that we're human. It keeps us open to giving and receiving love. Without at least a little, we can become someone living n a prison of our own making, where the walls are so thick that no one can get in or out.
”
”
Jodee Blanco (Please Stop Laughing at Me... One Woman's Inspirational Story)
“
We live in a society and a culture and an economic model that tries to make everything look right. Look at computers. Why are they all putty-colored or off-fucking-white? You make something off-white or beige because you are afraid to use any other color – because you don’t want to offend anybody. But by definition, when you make something no one hates, no one loves it. So I am interested in imperfections, quirkiness, insanity, unpredictability. That’s what we really pay attention to anyway. We don’t talk about planes flying; we talk about them crashing.
”
”
Tibor Kalman
“
Joseph would reach out to me occasionally, the same way the desert blooms a flower every now and then. You get so used to the subtleties of beige and Brown, and then a sunshine-yellow poppy bursts from the arm of a prickly pear.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
I tried on Claire's double strand of pearls in the mirror, ran the smooth, lustrous beads through my fingers, touched the coral rose of the clasp. The pearls weren't really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart.
”
”
Janet Fitch (White Oleander)
“
Is the word ‘passionate’, or is it not, basically an obscene item of vocabulary? No, it isn’t. But is it like a small bandage placed over an item of vocabulary that is in fact obscene? Maybe, yes. A word with blood running through it, a red word. In casual conversation it’s better to use words that are grey or beige.
”
”
Sally Rooney (Intermezzo)
“
Where is it written that houses must be beige? Any dun colored house would look better if painted pineapple, cream, ochre, or even a smart sage.
”
”
Frances Mayes
“
Red is such an interesting color to correlate with emotion, because it’s on both ends of the spectrum. On one end you have happiness, falling in love, infatuation with someone, passion, all that. On the other end, you’ve got obsession, jealousy, danger, fear, anger and frustration. All those emotions — spanning from intense love, intense frustration, jealousy, confusion, all of that — in my mind, all those emotions are red. You know, there’s nothing in between. There’s nothing beige about any of those feelings, it all comes back to me, and it’s red.
”
”
Taylor Swift
“
I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.*
*When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray?
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
the Macintosh lacked a fan, another example of Jobs’s dogmatic stubbornness. Fans, he felt, detracted from the calm of a computer. This caused many component failures and earned the Macintosh the nickname “the beige toaster,” which did not enhance its popularity.
”
”
Walter Isaacson (Steve Jobs)
“
Cool is the Kevin Jonas of compliments. It’s like saying your favorite color is beige.
”
”
Rachel Lynn Solomon (The Ex Talk)
“
As much as I would really like to have saved myself heartache, embarrassment or gossip, I also know that my biggest mistakes have turned into my best lessons. And sometimes my greatest career triumphs. If my life had been turbulence-free, maybe my music would be beige, maybe the stadiums wouldn’t be full and the mantle would be a little more empty.
”
”
Taylor Swift
“
I was just as black as I had been the day that I was born. Therefore, when I faced a congregation, it began to take all the strength I had not to stammer, not to curse, not to tell them to throw away their Bibles and get off their knees and go home and organize, for example, a rent strike. When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto?
”
”
James Baldwin (The Fire Next Time (Vintage International))
“
I am just a muggle. A beige bitch muggle.
”
”
Tarryn Fisher (F*ck Love)
“
I’m in my junior year but I can’t take it anymore. The beige walls, the scent of linoleum and used lockers, the shrill bell between classes. High school is sucking the life out of me.
”
”
Diana Abu-Jaber (The Language of Baklava: A Memoir)
“
He had the look of a gazelle or an impala, one of those boring beige animals with large, round eyes on the side of its face. The kind of animal that always gets eaten by a leopard in the end.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Somewhere beyond the battening, urged sweep of three-bedroom houses rushing by their thousands across all the dark beige hills, somehow implicit in an arrogance or bite to the smog the more inland somnolence of San Narciso did lack, lurked the sea, the unimaginable Pacific, the one to which all surfers, beach pads, sewage disposal schemes, tourist incursions, sunned homosexuality, chartered fishing are irrelevant, the hole left by the moon’s tearing-free and monument to her exile; you could not hear or even smell this but it was there, something tidal began to reach feelers in past eyes and eardrums, perhaps to arouse fractions of brain current your most gossamer microelectrode is yet too gross for finding.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
A woman crossed the street below, beautifully dressed in what appeared to be a beige cashmere blazer, gray pants, and six-inch heels. She walked as surely as if she were in sneakers, head up and fully confident that no unanticipated pothole would take her down. I wanted to be that woman. I wanted to move through the world with my head up.
”
”
Annabel Monaghan (A Girl Named Digit (Digit, #1))
“
The worst thing is to have all that clout and not know your own mind. If she says her (Marilyn Monroe's)favorite color is beige, that has to be a definite possibility. Then she will be as dangerous as a Chinese Empress.
”
”
Colin Clark (The Prince, the Showgirl, and Me: Six Months on the Set With Marilyn and Olivier)
“
Because there is no such thing as people who just believe in ideas. Once people get ideas, they want to act on them. They want to share them with other people. People become idealists. And idealists are always dangerous. People who can see grey areas, who live beige lives, will always be the safe members of society. But they will never change anything.
”
”
Sam Mills (Blackout)
“
Everyone got older but forgot to grow up.
”
”
Cecil Castellucci (Beige)
“
People talk about dark moods, black moods, all the time. But depression isn’t a dark mood. It’s an ash-grey mood, or possibly some type of beige. There
”
”
Gavin Extence (The Mirror World of Melody Black)
“
A beige cat came down the stairs like caramel seeping out of a Caramilk bar.
”
”
Heather O'Neill (The Girl Who Was Saturday Night)
“
The World will be a better place when everybody's beige.
”
”
Suzanne White
“
Having spent a week seeing little other than beige throughout all of the school, the colors overwhelmed Alicia, seeming to spill into her other senses.
”
”
Rhett McLaughlin (The Lost Causes of Bleak Creek)
“
I was born in Hell. But I am no demon. I am beige and colorful. I was quiet in this room. But I am learning to be loud. Can you hear me? I will make my mark, wherever i am. It is my space. I'll make it mine. I choose. I choose.If I voice my truth, no one loses.
”
”
Cecil Castellucci
“
I liked slicing through the beige brain when it had been fixed; the texture reminded me of cooked cauliflower. It was wonderful to hold this shrunken organ in your hands, the formaldehyde running down over your wrists, and picture the billion firing synapse that for many years had made the cauliflower believe that it was Fred.
”
”
Sebastian Faulks (Where My Heart Used to Beat)
“
. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.
”
”
Josh Kilmer-Purcell (I Am Not Myself These Days)
“
The pearls weren't really white, they were a warm oyster beige, with little knots between so if they broke, you only lost one. I wished my life could be like that, knotted up so even if something broke, the whole thing wouldn't come apart.
”
”
Janet Fitch (White Oleander)
“
...the beige should not wear beige.
”
”
Margaret Atwood (Bodily Harm)
“
Underneath he has on jeans and a baggy beige jumper that’s twenty quids’ worth of knitted depression.
”
”
Tana French (The Trespasser (Dublin Murder Squad, #6))
“
The variety of our skin tones can confuse, bemuse, delight, brown and pink and beige and purple, tan and blue and white. I
”
”
Maya Angelou (The Complete Poetry)
“
Irvine’s motto, goes the joke, is “sixteen zip codes, six floor plans.” Or “Irvine: we have sixty-two words for beige.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
Stay fucking put!” Tommy froze, his eyes a little wide at the command. “Fuck you, sunshine. You drive a beige car. You can’t tell me what to do.
”
”
E.M. Lindsey (Open Ice Hit (The Sin Bin, #1))
“
Before she leaves, my new friend tells me to look out of the big picture window at the parking lot.
"See that purple Harley out there—that big gorgeous one? That's mine. I used to ride behind my husband, and never took the road on my own. Then after the kids were grown, I put my foot down. It was hard, but we finally got to be partners. Now he says he likes it better this way. He doesn't have to worry about his bike breaking down or getting a heart attach and totaling us both. I even put 'Ms.' on my license plate—and you should see my grandkids' faces when Grandma rides up on her purple Harley!"
On my own again, I look out at the barren sand and tortured rocks of the Badlands, stretching for miles. I've walked there, and I know that, close up, the barren sand reveals layers of pale rose and beige and cream, and the rocks turn out to have intricate womblike openings. Even in the distant cliffs, caves of rescue appear.
What seems to be one thing from a distance is very different close up.
I tell you this story because it's the kind of lesson that can be learned only on the road. And also because I've come to believe that, inside, each of us has a purple motorcycle.
We have only to discover it—and ride.
”
”
Gloria Steinem (My Life on the Road)
“
Morrissey once described his teenage life as “waiting for a bus that never came”; a feeling that’s only exacerbated when you come of age in a place that feels like an all-beige waiting room.
”
”
Dolly Alderton (Everything I Know About Love)
“
I have not spent my time studying the problem of "race"—"race" itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard—usually believing himself white—proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same "race." But a great number of "black" people already are beige. And the history of civilization is littered with dead "races" (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose—the organization of people beneath, and beyond, the umbrella of rights.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
All the other children at my school are stupid. Except I'm not meant to call them stupid, even though this is what they are. I'm meant to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding relativity is difficult and also everyone has special needs, like Father, who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him from getting fat, or Mrs. Peters, who wears a beige-colored hearing aid, or Siobhan, who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs.
But Siobhan said we have to use those words because people used to call children like the children at school spaz and crip and mong, which were nasty words. But that is stupid too because sometimes the children from the school down the road see us in the street when we're getting off the bus and they shout, "Special Needs! Special Needs!" But I don't take any notice because I don't listen to what other people say and only sticks and stones can break my bones and I have a Swiss Army knife if they hit me and if I kill them it will be self-defense and I won't go to prison.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless.
”
”
Susan Hill (Howards End Is on the Landing: A Year of Reading from Home)
“
It was an excellent coat. It was long, grey, suspiciously blotched, smelt faintly of dust and old curries, went all the way down to my knees and overhung my wrists even when I stretched out my arms. It had big, smelly pockets, crunchy with crumbs, it boasted the remnants of a waterproof sheen, was missing a few buttons, and had once been beige. It was the coat that detectives down the ages had worn while trailing a beautiful, dangerous, presumably blond suspect in the rain, the coat that no one noticed, shapeless, bland and grey - it suited my purpose perfectly.
”
”
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
“
Everyone else can go ahead and live in their beige movie. I prefer mine in Technicolor. They might all look at me and they might talk about me and they might think I'm weird.
And you know what? I couldn't possibly disappoint them.
So let's not.
Instead, let's show them how it's done.
”
”
Dita Von Teese (Your Beauty Mark: The Ultimate Guide to Eccentric Glamour)
“
Apparently they died from overfeeding. Apparently I overfed them. Apparently fish are terrible glutons with absolutely no self-control who just don't know when they've had enough and will stuff themselves to death with those innocuous little beige flakes imaginatively labeled 'fish food.
”
”
Steve Toltz
“
Totally, you got this. You’re going to be fine.” Fine? I don’t like that word. It’s the linguistic equivalent of beige.
”
”
John Stamos (If You Would Have Told Me)
“
Just to be difficult, I kept on my tee and my panties (which thank God, were mocha-colored satin hipsters with a load of beige lace and not ratty old ones that sagged at the ass)
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
Still, ecru. It’s like if you couldn’t decide on white or beige and combined the two for maximum blandness.
”
”
T. Kingfisher (A House with Good Bones)
“
Beige is the color of indecision
”
”
Paula Scher
“
I lie back in bed and stare up at the beige ceiling, wishing that feelings and relationships made any kind of sense. But of course they don't. That would be too easy.
”
”
Adiba Jaigirdar (Hani and Ishu’s Guide to Fake Dating)
“
I feel so pouty. I am just a muggle. A beige bitch muggle. It’s a sad day in Helena Land.
”
”
Tarryn Fisher (F*ck Love)
“
He’s right. I should have told him how I felt forever ago. I just couldn’t. I was scared telling him I loved him would mean it would all fall apart and it would destroy me if it didn’t work out. He always tells me I color his entire world, but he did the same thing for me. If what I felt for Jimmy is beige, then what I feel for Rome is a damn box of Crayola crayons. I shouldn’t have been such a baby and just let him know. He is perfect for me, Nash.
”
”
Jay Crownover (Rome (Marked Men, #3))
“
of sickly beige flesh—none of them the same length. They wiggled and grasped for something that wasn’t there, as if the creature inside was searching to get a grip to pull itself out.
”
”
James Dashner (The Scorch Trials (Maze Runner, #2))
“
As we pulled onto the road, I noticed a black and beige shape on the sidewalk. A goose. A goose, but everything about it was wrong. Its neck broken, twisted into a spiral. It dragged its head along the ground, waddling in circles, screaming. No one seemed to notice except me.
”
”
B.R. Yeager (Negative Space)
“
They have the same relationship that all progressive middle-class women have with their cleaning ladies, although Maman really thinks she is the exception: a good old rose-colored paternalistic relationship (we offer her coffee, give her decent pay, never scold, pass on old clothes and broken furniture, and show an interest in her children, and in return she brings us roses and brown and beige crocheted bedspreads).
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Smog hung all round the horizon, the sun on the bright beige countryside was painful; she and the Chevy seemed parked at the centre of an odd, religious instant. As if, on some other frequency, or out of the eye of some whirlwind rotating too slow for her heated skin even to feel the centrifugal coolness of, words were being spoken.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
My darling, what a cat they have! Something perfectly stupendous. Siamese, in colour dark beige, or taupe, with chocolate paws and the tail the same. Moreover, his tail is comparatively short, so his croup has something of a little dog, or rather, a kangaroo, and that’s its colour, too. And that special silkiness of short fur, and some very tender white tints on its folds, and wonderful clear-blue eyes, turning transparently green towards evening, and a pensive tenderness of its walk, a sort of heavenly circumspection of movement. An amazing, sacred animal, and so quiet – it’s unclear what he is looking at with those eyes filled to the brim with sapphire water.
”
”
Vladimir Nabokov
“
Discard anything that creates visual noise. The objects I have at home are white, beige, gray, and the colors of wood, pleasing to the eye and in harmony among themselves. The balance is disrupted when I have something in a flashy neon color or a primary color that’s too bold; they stand out too much and disturb the peaceful atmosphere.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.
”
”
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
“
My mother, of course, had a different opinion.
'They're driving me crazy!' she said, swatting at them with her beige Coach handbag.
'How can you tell?' my dad asked. 'Between your menopause craziness and your turning fifty craziness and everything else?'
'Forty-eight!' my mom cried.
Dad groaned. 'Have you forgotten who you're lying to?
”
”
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
“
Tell him not to smoke in your apartment. Tell him to get out. At first he protests. But slowly, slowly, he leaves, pulling up the collar on his expensive beige raincoat, like an old and haggard Robert Culp. Slam the door like Bette Davis. Love drains from you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.
”
”
Lorrie Moore (Self-Help)
“
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Sometimes my feelings get so big that I just want to swim out into the darkness. Just jump off the end of the world. Sometimes I want to dig, right down to the bones of everything. Sometimes when you dig, you dig up stuff you might not want to find. But that’s where the good stuff lies.
”
”
Cecil Castellucci (Beige)
“
See! He likes you,” Natalie said triumphantly.
I stared down at the scrawny scrap of fur cautiously sniffing my hand.
“He doesn’t like me. He thinks I’m going to feed him.”
“Now who’s being a cynic? Anyway, every bookstore should have a cat.”
The cat -- assuming it was a cat and not some beige bug-eyed refugee from outer space -- slunk uneasily down the counter, and flinched at the flutter of Mystery Scene pages as a gust of warm air blew in from the street.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
16.00 uur: Net ontdekt dat Libby mijn laatste maandverbandjes gebruikt heeft als hangmatten voor haar poppen.
16.30 uur: Ze heeft ook al mijn foundation op haar panda gesmeerd, zijn hoofd is nu helemaal beige.
17.00 uur: Ik heb geen foundation meer en ook geen geld. Ik ben bang dat ze eraan gaat.
17.15 uur: Nee. Rust. Ohmmmmmm. Innerlijke rust.
”
”
Louise Rennison (Angus, Thongs and Full-Frontal Snogging (Confessions of Georgia Nicolson, #1))
“
Who would dare admit a longing for a White nation so full of hate that it drove its citizens of color to madness, to death or to exile? How to confess even to one's ownself, that our eyes, historically customed to granite buildings, wide paved avenues, chromed cars, and brown, black, beige, pink, and white-skinned people, often ached for those familiar sights?
”
”
Maya Angelou (All God's Children Need Traveling Shoes)
“
It’s been three days
still haven’t heard from you.
My heart lives underwater
breathing for you.
But you break apart
my tiny heart,
giving me no chance
to start something with you.
I dove into the pool
I dove in
hoping to swim
now I’m drowning.
”
”
Cecil Castellucci (Beige)
“
You want to be French, Mary Frances, that's your problem, but instead you're just another American."
I went to the window for that one an saw a marriage disintegrate before my eyes. Poor Mary Frances in her beige beret...
"Americans," he repeated. "We don't live in in France, we live in Virginia. Vienna, Virginia. Got it?"
I looked at this guy and knew for certain that if we'd met at a party he'd claim to live in Washington, D.C. Ask for a street address, and he'd look away, mumbling, "Well, just outside D.C.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
Crayola crayons, in the familiar yellow-and-green box, labeled LIBRARY PACK. Inside were the colors of Dinsy’s world: Reference Maroon, Brown Leather, Peplum Beige, Reader’s Guide Green, World Book Red, Card Catalog Cream, Date Stamp Purple, and Palatino Black.
”
”
Ellen Klages (In the House of the Seven Librarians)
“
Across from her, Hunter devoured her meal even more completely than she had. Sinclair watched her sink sharp teeth into the chicken bone, heard it snap, then the soft grunt of satisfaction. She made soft sucking sounds then emptied her mouth of the tiny ground up remains on a corner of her dish. Hunter ate with rabbit-like intensity, biting and sucking and spitting in an even rhythm until all that was left on the plate was a small brown and beige pile of ground bones. She finally looked up and caught Sinclair staring.
”
”
Fiona Zedde (Bliss)
“
When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto? Perhaps I might have been able to reconcile myself even to this if I had been able to believe that there was any loving-kindness to be found in the haven I represented. But I had been in the pulpit too long and I had seen too many monstrous things. I don’t refer merely to the glaring fact that the minister eventually acquires houses and Cadillacs while the faithful continue to scrub floors and drop their dimes and quarters and dollars into the plate. I really mean that there was no love in the church. It was a mask for hatred and self-hatred and despair. The transfiguring power of the Holy Ghost ended when the service ended, and salvation stopped at the church door.
”
”
James Baldwin (The Fire Next Time)
“
Bay looked down at the wispy dress, her fingers trailing over it. It really was perfect. It was a faded teal green with layers of beige netting forming a sheer cowl neck. Old sequins were sewn down the side, forming the shapes of flowers, and a silk sash sat below the hips.
”
”
Sarah Addison Allen (First Frost (Waverley Family, #2))
“
My name is Lake Suck and this is my manifesto. I swear to be myself. To think for myself. I will not be led by social conventions. I will make my own way through the world. I will live on my own terms without conforming to society's expectations of who they think I should be, I will be the visible minority.
By being myself, I will help to save the world. I swear to always look, listen, learn, think, ask, act, and speak for myself.
”
”
Cecil Castellucci (Beige)
“
When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life.
”
”
James Baldwin (The Fire Next Time)
“
(T)here is no darkness, not the kind they imagine. Everything is composed of webs and lattices and upheavals of sound and texture...
Colour - that's another thing people don't expect. In her imagination, in her dreams, everything has colour. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard room projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver, pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
”
”
Anthony Doerr (All the Light We Cannot See)
“
That's the second rule of being a spy: Be beige. Be beiger than beige. Be as average as possible. Be like the cashiers in your grocery store. Could you describe them? Chances are, no. Did you see them? Of course. Do you know their names, even if they were wearing name tags? Probably not. It's like that.
”
”
Robin Benway (Also Known As (Also Known As, #1))
“
Color--that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light
”
”
Anthony Doerr (All the Light We Cannot See)
“
In 1935, not far from where we stood now, some fishermen captured a fourteen-foot beige shark and took it to a public aquarium at Coogee, where it was put on display. The shark swam around for a day or two in its new home, then abruptly, and to the certain surprise of the viewing public, regurgitated a human arm.
”
”
Bill Bryson (In a Sunburned Country)
“
It would be a safe choice, a comfortable choice that no one could fault her for, but it does mean that every day she would have to sit in her room and look at her beige walls and wonder what could have been if she had painted them bright yellow or pink. What if she had forgone paint entirely? Or better yet, what if there were no walls at all? Only sky, sunlight, salty water, fresh rain, and spring flowers and no one else around to comment on the paint color of the walls.
”
”
Sydney J. Shields (The Honey Witch)
“
A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal--and a piece of parchment.
It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed.
”
”
Diana Norman (Fitzempress' Law)
“
Joseph would reach out to me occasionally, the same way the desert blooms a flower every now and then. You get so used to the subtleties of beige and brown, and then a sunshine-yellow poppy bursts from the arm of a prickly pear. How I loved those flower moments, like when he pointed out the moon and Jupiter, but they were rare, and never to be expected.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
Women with power and authority tend to intimidate people far more than men with the same qualities, particularly if those women deserve the position they have achieved.
”
”
Helene Tursten (The Beige Man (Inspector Huss Book 7))
“
You are a miserable excuse for a boyfriend! You are, like, the safety school of boyfriends. You are the beige of boyfriends. You are the plain yogurt of boyfriends.
”
”
David Levithan (The Twelve Days of Dash & Lily (Dash & Lily, #2))
“
a beige cardigan over a white blouse, and if a prune could talk, it would probably look like her.
”
”
Rachel Hawkins (The Heiress)
“
Even a beige kind of girl could wear red sometimes.
”
”
Ann H. Gabhart (These Healing Hills)
“
We write in darkness. We love
in alleys. We breathe into beige
paper bags. Anything to mollify
the confusion. Anything to simplify
the math.
”
”
Bill Yarrow
“
If today was a flavor it would taste like beige...
”
”
Nanette L. Avery
“
From now on, get used to nude nails or monochromatic tones of beige. For special occasions, Jin Soon’s “Nostalgia” is a shade of pink beige polish that I will allow.
”
”
Kevin Kwan (China Rich Girlfriend (Crazy Rich Asians, #2))
“
Let us not close our ears to a woman in pain. Let us not shield our eyes from evidence of abuse. No woman has to become a statistic
”
”
Terri Marie (Running from Beige (The Ties That Bind, #1))
“
Lots of old guys wore beige trench coats and those flat caps that made them look like boys who sold newspapers a hundred years ago.
”
”
A.J. Cattapan (Seven Riddles to Nowhere)
“
The sun began its dip behind the horizon and the walls sunk to augmented beige, and he could feel his body in the walls forty years later.
”
”
B.R. Yeager (Amygdalatropolis)
“
At night, in the morning, I close my light beige coat, by exquisite silver buttons, I see.
”
”
Petra Hermans (Voor een betere wereld)
“
Our room overlooks the parking lot, and if I peek out from behind the stiff beige curtains
”
”
Gillian Flynn (Gone Girl)
“
She shrugs into a beige sport coat and drops the two spare magazines in its pockets.
”
”
Dean Koontz (The House at the End of the World)
“
Flappies brutale dierenbillen kleurden alarmerend beige
”
”
Gummbah (Daar gaat fout varken)
“
Run, beige ladies! You're free! Run while you can!
”
”
Helena Hunting (Pucked Love (Pucked, #6))
“
What if you believed that those characteristics that the beige army (or an 8-year-old kid) say are ‘too weird’ are the very things that deserve to be treasured?
”
”
Marianne Cantwell (Be a Free Range Human: Escape the 9-5, Create a Life You Love and Still Pay the Bills)
“
The Kelseys’ home is done up in shades of beige and beiger. There are just a few pictures scattered around: of just her and Dave, a burly guy, balding, and a gap-tooth smile.
”
”
Josie Brown (The Housewife Assassin's Handbook (Housewife Assassin, #1))
“
Mother of the groom. Wear beige and shut up.
”
”
Dorothea Benton Frank (By Invitation Only)
“
but it’s so sad how he carries around him an aura of cloudy beige.
”
”
Maddie Dawson (Matchmaking for Beginners)
“
The landing pads and stevedore platforms spread to either side behind the arrivals center, punctuated by drab warehouses and a squat control tower painted so dull a beige it was insulting.
”
”
Kate Elliott (Unconquerable Sun (The Sun Chronicles, #1))
“
Outwardly, Roy was an obvious figure. If you drew a pair of old brown loafers, two beige elbow patches, a black pipe, and two baggy eyes under heavy eyebrows, the rest was easy to fill out.
”
”
Vladimir Nabokov
“
Ten years of trying to explain Dellecher, in all its misguided magnificence, to men in beige jumpsuits who never went to college or never even finished high school has made me realize what I as a student was willfully blind to: that Dellecher was less an academic institution than a cult. When we first walked through those doors, we did so without knowing that we were now part of some strange fanatic religion where anything could be excused so long as it was offered at the altar of the Muses. Ritual madness, ecstasy, human sacrifice. Were we bewitched? brainwashed? Perhaps.
”
”
M.L. Rio (If We Were Villains)
“
Out past the pimple of Lycabettus Hill the concrete apartment blocks in shades of beige, grey and white glinted in the morning sunlight, as if shards of broken glass had been strewn in among them.
”
”
Paul Alkazraji (The Migrant)
“
In the same way that black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the caste system sets people at poles from one another and attaches meaning to the extremes, and to the gradations in between, and then reinforces those meanings, replicates them in the roles each caste was and is assigned and permitted or required to perform.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
I think men get nervous when women start counting the number of female senators, and whites become edgy when they hear the next Supreme Court seat will probably go to a Latino. This isn't always because they object to sharing the spoils, by the way; it just reminds us that the melting pot may not be working, and we haven't yet achieved the ambiguous national dream of becoming a nation of indistinguishable beige atheists.
”
”
Dahlia Lithwick
“
THE FORTRESS
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.
”
”
Anne Sexton (Selected Poems)
“
I love their being as bound up in their history as they are, preserving their buildings instead of razing them to the ground to make way for another big beige building with lots of windows to throw yourself screaming from.
”
”
Carrie Fisher (The Princess Diarist)
“
Usually, we think of an apple as being red.
This is not the same red as that of a cherry or tomato.
A lemon is yellow and an orange like that of its name.
Bricks vary from beige to yellow to orange,
and from ochre to brown to deep violet.
Foliage appears in innumerable shades of green.
In all these cases the colors named are surface colors.
In a very different was, distant mountains appear uniformly blue,
no matter whether covered
with green trees or consisting of earth and rocks.
The sun is glaring white in daytime, but it is full red at sunset.
The white ceiling of houses surrounded by lawns or the white-painted
eaves of a roof on a sunny day appear in bright green, which is
reflected from the grass on the ground.
All these cases present film colors.
They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.
”
”
Josef Albers (Interaction of Color)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
The hidden room was large and open, desks and tables laden throughout. Stained glass windows, depicting various scenes of evil and torture, were evenly spaced along the beige brick walls, bringing in a warm array of light over the space. The cobwebbed chandelier above them glinted as the light hit it, reminding Evie of the severed heads still hanging from the rafters below. She really hoped that scream from the torture chambers wasn’t another head about to be displayed as well.
”
”
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
“
What are your names?"
"You know our names," Violet said curtly, a word which here means "tired of Count Olaf's nonsense." "That wig and that lipstick don't fool us any more than your pale-brown dress and sensible beige shoes. You're Count Olaf.
”
”
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
“
When you have a pot belly and I have whiskers. When you are stooped and I am buckled. When it’s a Beckett play. When you wear beige anoraks and I wear bed jackets. Permanently, that is. When I am permanently wearing a bed jacket because I am permanently in a bed, and you are on the visitor’s chair listening to me witter on, and on, I will know When you are on statins and I am too bewildered to understand that this middle-aged man is my baby. —Oh, Time is coming for us, Sailor. Time will do us in— You hardly know what time is But soon you’ll find out. This nice middle-aged man whom I may or may not recognise. Because my mind may be mush by then. Mush like the food they spoon into me. I will still look at you and know Somehow
”
”
Claire Kilroy (Soldier Sailor)
“
Human skin is confined to a dull color palette of cream, beige, taupe, and brown when people are alive, but all bets are off once someone is dead. Decomposition allows skin to flower into vivid pastels and neons. This woman happened to be orange.
”
”
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
“
Slavery's fundamental offense against human rights was not that it took liberty away (which can happen in many other situations), but that it excluded a certain category of people even from the possibility of fighting for freedom—a fight possible under tyranny, and even under the desperate conditions of modern terror (but not under any conditions of concentration-camp life). Slavery's crime against humanity did not begin when one people defeated and enslaved its enemies (though of course this was bad enough), but when slavery became an institution in which some men were "born" free and others slave, when it was forgotten that it was man who had deprived his fellow-men of freedom, and when the sanction for the crime was attributed to nature. Yet in the light of recent events it is possible to say that even slaves still belonged to some sort of human community; their labor was needed, used, and exploited, and this kept them within the pale of humanity. To be a slave was after all to have a distinctive character, a place in society—more than the abstract nakedness of beig human and nothing but human. Not the loss of specific rights, then, but the loss of a community willing and able to guarantee any rights whatsoever, has been the calamity which has befallen ever-increasing numbers of people. Man, it turns out, can lose all so-called Rights of Man without losing his essential quality as man, his human dignity. Only the loss of a polity itself expels him from humanity.
”
”
Hannah Arendt (The Origins of Totalitarianism)
“
For what it’s worth, those kinds of girls are always the worst,” Nick stated after they made a quick stop in a liquor store. “I’ve been in schools with them my whole life. Scratch the surface and there’s nothing but layer after layer of beige paint.
”
”
Xóchitl González (Anita de Monte Laughs Last)
“
In the same way black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the cast system sets people at poles from one another and attaches meaning to extremes, and to the gradations in between...
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
The beige linoleum floor turned into the ocean, crashed and crashed against Lotto's shins. He sat down. How swiftly things spun. Two minutes ago he'd been a kid, thinking about his nintendo system, worried about asymptotes and signs. Now he was, heavy, adult.
”
”
Lauren Groff (Fates and Furies)
“
You will not blow our cover and won’t tell anyone about that time a balloon got stuck in my braces in eighth grade and everybody thought it was a condom.” She gave me a frustrated look. “Rhyland, it was a condom.” “It was a beige-colored balloon, Dylan.” It was a condom.
”
”
L.J. Shen (Wildest Dreams (Forbidden Love, #2))
“
Out there in the middle of the maelstrom the Eater awaits, heaving and gulping, its mouth like a giant clam’s . . . its mind a frenzy of beige-colored rapid foam. A horrifying uproar, all things considered. Imagine floating through that nonsense in a life jacket. —EDWARD ABBEY
”
”
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
“
Then he had beaten her with a hockey stick because he had objected to her nailing the paw of a beige cocker spaniel to the floor because the dog was stubborn and refused to understand the most elemental instructions to remain still when she had called out the command to do so.
”
”
Richard Condon (The Manchurian Candidate / Winter Kills / Prizzi's Honor)
“
Two long, curved feathers, one crossed over the other, stripes of creamy beige and brown blending into the grass flattened by the girl’s head. From an owl—no mistaking the comb-like flutings along the outer edge. “Fimbriae”—Jes could almost hear her father—“so its flight will be silent.
”
”
Cynthia Robinson (Birds of Wonder)
“
Roller Boogie is a relic from - when else? - the '70s. This is a tape I made for the eight-grade dance. The tape still plays, even if the cogs are a little creaky and the sound quality is dismal. It's a ninety-minute TDK Compact Cassette, and like everything else made in the '70s, it's beige. It takes me back to the fall of 1979, when I was a shy, spastic, corduroy-clad Catholic kid from the suburbs of Boston, grief-stricken over the '78 Red Sox. The words "douche" and "bag" have never coupled as passionately as they did in the person of my thirteen-yer-old self. My body, my brain, my elbows that stuck out like switchblades, my feet that got tangled in my bike spokes, but most of all my soul - these formed the waterbed where douchitude and bagness made love sweet love with all the feral intensity of Burt Reynolds and Rachel Ward in Sharkey's Machine.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
The woman with the cat complex is named Mrs. Alice Plesher, but she doesn't reveal her first name to him and Sai only finds out by accident, later. Mrs. Plesher calls the paper and is put through to Sai. He has no idea why although he could guess the new guy gets all of the reporter-on-the-beat drudgery assignments until proven worthy. Alice speaks haltingly as if hardened by age and her voice reveals a rasp. Sai pictures her in a long house dress from the fifties, wide pink and white stripes fading with age---a smock of beige over the dress, a multitude of cats clinging to the fabric like stick-ons.
”
”
Justin Bog (A Great Distance)
“
What is basic? First and foremost, it is the CUT.
Many people think that we are talking about color and picture things in black and white or maybe in beige and blue. However, the basics don’t mean a particular color; they mean the cut and the ability of every thing to work with each other thing. They can be of any color at all!
”
”
Alaya Aifel (Let’s Shop in Our Own Closet)
“
His bed was made with a beige duvet. A neat desk with an elaborate computer set up on it. Three large screens and a keypad and wireless mouse in the middle. There was a tiny dog bed next to the desk and a potted plant in the corner. Artwork on the walls. It was a nice apartment—minus the view. He was obviously clean and had good enough taste.
”
”
Abby Jimenez (Just for the Summer (Part of Your World, #3))
“
Millions of microscopic fragments of Julia now lay, invisibly, on the speckled beige linoleum tiles of the classroom floor. What was left in her chair was a phantom of Julia, which she learned to project at these moments, by sheer force of will, until she could resemble herself, a process that would take days, even weeks, and was never entirely successful.
”
”
Suzanne Berne (The Dogs of Littlefield)
“
If we take all the money away from every billionaire and divide that $6.5 trillion by the world’s population of 7.125 billion, we each get a check for $912.28. I just searched auto.com. You can get a 1998 Chevy Lumina with 180,000 miles for $999 in beige (although the door color does not seem to match the fender). But everybody knows that all the money in the world
”
”
P.J. O'Rourke (How the Hell Did This Happen?: The Election of 2016)
“
All the other children at my school are stupid. Except I'm not meant to call them stupid, even though this is what they are. I'm meant to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding relativity is difficult and also everyone has special needs, like Father, who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him from getting fat, or Mrs. Peters, who wears a beige-colored hearing aid, or Siobhan, who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
This caused many component failures and earned the Macintosh the nickname “the beige toaster,” which did not enhance its popularity. It was so seductive that it had sold well enough for the first few months, but when people became more aware of its limitations, sales fell. As Hoffman later lamented, “The reality distortion field can serve as a spur, but then reality itself hits.
”
”
Walter Isaacson (Steve Jobs)
“
I have spent much of my studies searching for the right question by which I might fully understand the breach between the world and me. I have not spent my time studying the problem of 'race' - 'race' itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard - usually believing himself white - proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same 'race.' But a great number of 'black' people are already beige. And the history of civilization is littered with dead 'races' (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose - the organization of people beneath, and beyond, and the umbrella of rights.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
The North London suburbs were a vacuum for identity. It was as beige as the plush carpets that adorned its every home. There was no art, no culture, no old buildings, no parks, no independent shops or restaurants...The only form of expression was through the spending of money on homogenized assets -- conservatories, kitchen extensions, cars with built in satnav, all-inclusive holidays to Majorca.
”
”
Dolly Alderton (Everything I Know About Love)
“
It was the dress of queens in fairy tales, of a red deeper than blood. She stepped back, and pulled in the looseness of the dress behind her, so it fitted her ribs and her waist, and she looked back at her own dark-hazel eyes in the mirror. Herself meeting herself. This was she, not the girl in the dull plaid skirt and the beige sweater, not the girl who worked in the doll department at Frankenberg's.
”
”
Patricia Highsmith (The Price of Salt)
“
I, for one, thought this would be something good for Settlers to know from the get-go. With so much risk, why did SA feel the consequences of exposure were something to be concealed until there was not choice but to drag people like Monica and me into their secret beige meeting room and scare us half to death after we'd screwed up? It made about as much sense as extremely conservative parents not telling their daughters about the consequences of sex until after they were already pregnant. Shutting the barn door after the horse was loose, much?
But then, I was beginning to think SA wasn't nearly as smart as they believed themselves to be. Our remaining undiscovered for so long seemed due more to humanity's tendency not to see things they didn't want to see, rather than cleverness on the part of Settler's Affairs.
”
”
Stacey Jay
“
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.
”
”
Tara Brown (Sunder)
“
Harriet Larson had said yes all her life. To her parents. To her teachers. To Lou and the girls. To Corinne and Sophie. She'd said yes to shopkeepers, to doctors, to car salesmen, to Girl Scout leaders, to Mormons on rounds, to hairdressers who wouldn't let her go gray. She'd been raised to say yes, to agree and approve and adapt and accommodate, to step aside as the architect of her own happiness. After Lou's death she vowed to say yes only when that yes belonged to her, solely to her. And so: Yes to college. Yes to teaching. Yes to retirement. Yes without being asked; yes before being asked. Yes to Book Club. Yes to Violet. Yes to the filthy and broken Dawna-Lynn, for whom she was searching out a bright, becoming color from a closet too full of beige. These yesses felt like power, like gateways, like love.
"Frank." She laid her cheek on his chest. "Yes.
”
”
Monica Wood (How to Read a Book)
“
The tan carpet was stiff and black with stripes of dried blood, spattered like a Jackson Pollock canvas. The walls were streaked with it, handprints smearing the dingy beige surfaces. And the bodies. Dozens of bodies. People she’d seen every day since kindergarten, people whom she’d played tag with and cried over and kissed, were lying at odd angles, their bodies pale and cold, their eyes staring like rows of dolls in a shop window.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.
”
”
Sue Monk Kidd (The Invention of Wings)
“
Every square inch of the wood-paneled walls is covered with photographs of cops, some black-and-white, some in color. Red-and-white Ws and America's Dairyland, old flaking signs for Lake Monona, Lake Mendota, and the U.P. Posters, with all kinds of beer, half-nude women holding giant mugs of it. All the color, words, images, the vibrant clutter of them, such a stark contrast to the spare tans, beiges, and wood of our home, our church, the school. My life.
”
”
C.J. Leede (American Rapture)
“
When she was younger, Ellie used to believe that her invisibility was a metaphor for something else, assuming it was her awkwardness, her fear of saying or doing the wrong thing. She had thought as she grew older, more confident, wiser, she would outgrow this not being noticed. But lately, Ellie really felt like a ghost. She would be in a place, but not really there. People looked through her, past her. Her invisibility had taken on a life of its own. It wasn't a metaphor anymore, or a defense mechanism or eccentric little tic. She was actually invisible. At least, that was how it felt to her.
Ellie wondered whether her parents were to blame. They were, after all, children of the sixties who had met at a love-in or lie-down or something of that sort, about which Ellie knew little except that a lot of drugs had been involved. Could Ellie's lack of physical presence be a genetic mutation caused by acid or mushrooms? Ellie grew up on their hippie commune among the highest, densest redwoods, where they dug their hands deep into the soil and grew their own food, made their own clothes. So perhaps it is there that the mystery is solved. Ellie indeed was a child of the earth, a baby of beiges and taupes and browns and muted greens. Nature doesn't scream and shout, demanding constant attention, and neither did Ellie. Maybe her invisibility was just her blending right in.
”
”
Amy S. Foster (When Autumn Leaves)
“
You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!
”
”
Heather Dixon Wallwork (The Enchanted Sonata)
“
Joyce looks at Jasper’s tracksuit trousers, sagging and old. She looks at his eyes, pale and watery, glad of the company and sad to see it go.
Joyce knows then that she will be coming back to see Jasper again one day, and she will make sure Elizabeth will be coming too.
How many men like Jsaper sit behind beige front doors in quiet bungalows, not knowing how to dress or what to eat or where to go? Wanting above all else not to be a nuisance? Joyce wishes she could save them all.
”
”
Richard Osman (The Impossible Fortune (Thursday Murder Club, #5))
“
Why is it there’s no aisle in a grocery or department in a store or menu on a website for “average stuff” or “beige products”? FACT: People never got passionate about mediocre and average. While consumers and clients can find “best deals” and “natural foods” and “artisan goods,” one doesn’t find an aisle or a website menu tab offering “average stuff” without excelling in something (which might explain that while vanilla is necessary for the ice cream sundae, it’s the hot fudge we all crave and talk about).
”
”
David Brier (The Lucky Brand)
“
When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin - well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That's how you get from your mother to your father, from talking to one set of folks who think you're not black enough to another who figure you insufficiently white.
”
”
Zadie Smith (Changing My Mind: Occasional Essays)
“
Her true skin color was a light beige, like the skin of pencil shavings, and was soft as it was when her mother lotioned her before bed every night. Stephanie did not have the memory of those nights, but they were the reason she subconsciously pumped two servings of shea butter before she sleeps. Mothers lived in a child forever, the way their own mothers lived in them. With one mother’s kiss, a child received a recipe made by a thousand seasoned souls—a generation of love transferred in everything a woman did.
”
”
Kristian Ventura (A Happy Ghost)
“
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant.
And on these were the mermaids.
Wendy gasped at their beauty.
Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive.
The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers.
Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared.
They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did.
"Oh!" Wendy whispered. "They're-" And then she stopped.
Tinker Bell was giving her a funny look. An unhappy funny look.
The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
”
”
Liz Braswell (Straight On Till Morning)
“
Jersey was an ignoble material, considered unworthy of being used for any garment seen in public. It came only in beige or gray; it shredded easily, showed any mistake or correction in sewing, and tended to pucker. In the hierarchy of fabrics, jersey occupied the lowest rung. Jersey was working-class. But Chanel knew something about making the most of humble circumstances. She turned those yards of jersey into tubular chemise dresses and skirts—garments that hung loose and straight, requiring a minimum of stitching and draping.
”
”
Rhonda K. Garelick (Mademoiselle: Coco Chanel and the Pulse of History)
“
First-generation immigrants are a species all their own. They wear a lot of beige, grey or brown. Colours that do not stand out. Colours that whisper, never shout. There is a tendency to formality in their mannerisms, a wish to be treated with dignity. They move with a slight ungainliness, not quite at ease in their surroundings. Both eternally grateful for the chances life has given them and scarred by what it has snatched away, always out of place, separated from others by some unspoken experience, like survivors of a car accident.
”
”
Elif Shafak (The Island of Missing Trees)
“
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass
”
”
Anthony Doerr (All the Light We Cannot See)
“
Is this okay with you, Jenna? For him to stay here?"
"Yeah," I said. "It's good. You have no idea what it takes for him to ask for help."
I spent all evening in Alan's office, reading at his desk and keeping Cameron company. Mostly he slept, snoring lightly and once in a while murmuring unintelligible something into his pillow. I turned my chair so that I could look at him whenever I wanted, at his face or at the bare foot that stuck out from under the covers, or at his arm dangling off the side of the sofa bed.
Around eleven, when I was ready for bed, Cameron woke up. I brought him broth and crackers. "Hi," I said.
"Have you been here all this time?"
"Most of it."
Alan's beige pajamas looked small and uncomfortable on Cameron. "You don't have to," he said. "I can take care of myself." He reached for the broth. I watched him slurp straight from his bowl, everything about him becoming younger and more boyish by the second-rosy lips on the white rim of the bowl, wrists without enough pajama sleeve to cover them, cowlick hair and sleepy eyes.
"I know you can. But you don't have to."
"Well..." He finally looked at me. "Thanks.
”
”
Sara Zarr (Sweethearts)
“
Often, when I looked back over my first three months as an immortal, I imagined how the thread of my life might look in the Fates’ loom—who knew but that it actually existed? I was sure my thread must have changed color; I thought it had probably started out as a nice beige, something supportive and non-confrontational, something that would look good in the background. Now it felt like it must be bright crimson, or maybe glistening gold. The tapestry of family and friends that wove together around me was a beautiful, glowing thing, full of their bright, complementary colors.
”
”
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
“
Who knows what advantages you might find in a smaller home, even beyond what you were initially hoping for, after you move in?
Maybe you'll be inspired to become a more creative person when you take up residence in a quaint older neighborhood and get out of that suburban tract where you can have a house of any color as long as it's beige.
Maybe by putting your preadolescent kids in a bedroom together, they'll socialize better and develop closer bonds.
Maybe you and your spouse will rediscover each other when you're actually spending time together instead of tag-teaming on chores.
”
”
Joshua Becker (The Minimalist Home: A Room-by-Room Guide to a Decluttered, Refocused Life)
“
Silver
The liquid ebony stretches out
and mingles with the midnight sky
where high above,
as on a throne,
is perched that perfect sphere of silver.
She looks upon the lapping waves,
the calm, all serene;
She looks upon the rocky shore,
watching dark nothing
break in two and become
tiny globs of light.
The soft white foam creeps
upon the smooth beige land
to darken it but for a moment,
only to retreat back to its
blackened home
and hide among the vastness.
The silver moon smiles openly,
casting a healthy grin
upon the rippled water below,
sending gifts of silver
to float on seas of woe.
”
”
Rebecca Harris (Bony Fingered Limbs)
“
to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding Relativity is difficult, and also everyone has special needs, like father who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him getting fat, or Mrs peters who wears a beige-coloured hearing aid, or Siobhan who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.
”
”
Christina Dalcher (Vox)
“
Ten days passed, ten days of total idleness. The novelty of our surroundings wore off and the battalion began to suffer from a spiritual disease called la cafard by the French soldiers when they were in Indochina. Its symptoms were occasional fits of depression combined with an inconquerable fatigue that made the simplest tasks, like shaving or cleaning a rifle, seem enormous. Its causes were obscure, but they had something to do with the unremitting heat, the lack of action, and the long days of staring at that alien landscape; a lovely landscape, yes, but after a while all that jungle green became as monotonous as the beige of the desert or the white of the Arctic.
”
”
Philip Caputo (A Rumor of War: The Classic Vietnam Memoir)
“
Mind Wanting More
Only a beige slat of sun
above the horizon, like a shade pulled
not quite down. Otherwise,
clouds. Sea rippled here and
there. Birds reluctant to fly.
The mind wants a shaft of sun to
stir the grey porridge of clouds,
an osprey to stitch sea to sky
with its barred wings, some dramatic
music: a symphony, perhaps
a Chinese gong.
But the mind always
wants more than it has --
one more bright day of sun,
one more clear night in bed
with the moon; one more hour
to get the words right; one
more chance for the heart in hiding
to emerge from its thicket
in dried grasses -- as if this quiet day
with its tentative light weren't enough,
as if joy weren't strewn all around.
”
”
Holly Hughes
“
I’m surprised that Phillip worked so fast,” Gwen said. “He’s never seemed all that romantic to me.” “Well, he doesn’t show that side to you, Gwen. You’re like a sister to him.” Gwen smiled. “Are you saying he’s shown that side of himself to you?” “Not directly,” Martin said, just defensively enough to make it clear he was in on the joke. “But I know it’s there. Guys like Phillip are like, hmm . . . You know those cheap frozen chicken pot pies you get from the grocery store? Phillip’s like one of those. He’s all bland and beige on the surface, a little bit flaky too, but underneath, on the inside, he’s a scalding hot, bubbling mass of passion and gravy. And peas.” “And chicken?” Gwen offered. “Less than you’d think,” Martin said.
”
”
Scott Meyer (Spell or High Water (Magic 2.0, #2))
“
They put me in jail. Holy shit. They put me in fucking jail. Call my mother and tell her I love her, call my father and tell him I can’t loan him any more money, call my grandmother and tell her she needs to stop day drinking. I am never getting out of this. All right, on the plus side, it’s not like I’m sitting in a city jail. It’s a hotel holding room, which basically means beige-colored carpet with beige walls and a beige futon. In Vegas, if they put you in beige, you are seriously fucked. No sequins or rhinestones anywhere means I must have done something abominable. Okay. I take three deep breaths, trying to achieve my zone neutrality. Or something. I don’t know! Okay, keep calm, Julia. Maybe they can help. Maybe they can help piece together whatever insane stuff you did last night. Or rather, the weird shit that your David Tennant personality did. On second thought, maybe talking about Doctor Who would be a very bad thing right now. The door opens, and Gray Suit— his name’s actually Todd, but I’m sticking with Gray Suit— enters and sits down in a chair opposite me. “Now Ms. Stevens—” “I’m not going to prison,” I blurt out. “I’m too soft. I watched Orange is the New Black. I don’t want to eat tampon sandwiches.” Gray Suit blinks slowly. “Okay. I’ll bear that in mind.” “Look, what the hell am I even doing here?” I snap. Great, Julia. Get snippy with the authorities. This’ll go down swimmingly. “What is happening?” Gray Suit sighs. “It’s about what you did last night, Ms. Stevens.
”
”
Lila Monroe (Get Lucky (Lucky in Love, #1))
“
He saw her as he would always see her, a slender girl in a simple beige dress, curled in a large wing chair by the white fireplace. The chair was a gaudy piece patterned in greens and purples, like tropical flowers, with a scrawl of cerise breaking the pattern. Her hair was the color of palest gold, a silvery gold, and she wore it pulled away from her face into a curl at the back of her neck. She had a fine face, nothing pretty-pretty about it, a strong face with high cheek bones and a straight nose. Her eyes were beautiful, sea blue, slanted like wings; and her mouth was a beautiful curve. Yet she wasn’t beautiful; you wouldn’t look at her in a room of pretty women, in a bar or night spot. You wouldn’t notice her; she’d be too quiet; she was a lady and she wouldn’t want to be noticed.
”
”
Dorothy B. Hughes (In a Lonely Place)
“
Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.
”
”
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
“
But when I closed my eyes and pictured the house in that moment, it wasn't empty. The pastel depths of my mother's swollen closet lured me back. I went inside and peeked out between her hanging silk blouses at the rough beige carpeting of her bedroom, the cream ceramic lamp on her nightstand. My mother. And then I traveled up the hall, through the French doors, into my father's study: a dried plum pit on a tea saucer, a stack of papers he'd marked in red, mechanical pencils, yellow legal pads that flared open like daffodils. Journals and magazine and newspapers and manila folders, gummy pink erasers that struck me suddenly as somehow genital. Squat glass bottles of Canada Dry a quarter full. A chipped crystal dish of oxidizing paper clips, loose change, a crumped lozenge wrapper, a button he had meant to sew back onto a shirt but never did. My father.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
The hotel was a chain, crisp and white on the outside, warm and beige on the inside, with green neon announcing its name and function. There was a small crowd in the lobby. Maybe nine people, not exactly in line for the desk, mostly just standing around, either talking on cell phones, or looking frustrated, or both. Two equipment failures earlier in the day had caused chaos. Reacher was not a frequent flier, but he recognized the signs. The clerk at the reception desk beckoned them closer. She was a young woman in a fitted jacket, with a scarf around her neck. There was some kind of secret urgency in her gesture. She said, “Sir, madam, I have one room left. If you need it, you should probably grab it now.” Chang said, “Only one room?” “Yes, ma’am, because the airlines had a problem today.” “Is there another hotel?” “Not in the airport.” Reacher said, “We’ll take the room.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
Tom, will you let me love you in your restaurant?
i will let you make me a sandwich of your
invention and i will eat it and call
it a carolyn sandwich. then you will kiss my lips
and taste the mayonnaise and
that is how you shall love me in my restaurant.
Tom, will you come up to my empty beige
apartment and help me set up my daybed?
yes, and i will put the screws in loosely so that
when we move on it, later,
it will rock like a cradle and then you will know
you are my baby
Tom, I am sitting on my dirt bike on the deck.
Will you come out from the kitchen
and watch the people with me?
yes, and then we will race to your bedroom.
i will win and we will tangle up
on your comforter while the sweat rains from your
stomachs and foreheads.
Tom, the stars are sitting in tonight like gumball
gems in a little girl’s
jewlery box. Later can we walk to the duck pond?
yes, and we can even go the long way past the
jungle gym. i will push you on
the swing, but promise me you’ll hold tight. if
you fall i might disappear.
Tom, can we make a baby together? I want to be
a big pregnant woman with a
loved face and give you a squalling red daughter.
no, but i will come inside you and you will be
my daughter
Tom, will you stay the night with me and sleep
so close that we are one person,
no, but i will lay down on your sheets and taste
you. there will be feathers
of you on my tongue and then I will never
forget you
Tom, when we are in line at the convenience
store can I put my hands in your
back pockets and my lips and nose in your
baseball shirt and feel the crook
of your shoulder blade?
no, but later you can lay against me and almost
touch me and when i go i will
leave my shirt for you to sleep in so that always
at night you will be pressed
up against the thought of me.
Tom, if I weep and want to wait until you need
me will you promise that someday
you will need me?
no, but i will sit in silence while you rage. you
can knock the chairs down
any mountain. i will always be the same and you
will always wait.
Tom, will you climb on top of the dumpster and
steal the sun for me? It’s just
hanging there and I want it.
no, it will burn my fingers. no one can have the
sun: it’s on loan from god.
but i will draw a picture of it and send it to you
from richmond and then you
can smooth out the paper and you will have a
piece of me as well as the sun
Tom, it’s so hot here, and I think I’m being
born. Will you come back from
Richmond and baptise me with sex and cool water?
i will come back from richmond. i will smooth
the damp spiky hairs from the
back of your wet neck and then i will lick the
salt off it. then i will leave
Tom, Richmond is so far away. How will I know
how you love me?
i have left you. that is how you will know
”
”
Carolyn Creedon
“
Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.
”
”
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
“
You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil.
The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
There's a faulty signal on this line, about halfway through my journey. I assume it must be faulty, in any case, because it's almost always red; we stop there most days, sometimes just for a few seconds, sometimes for minutes on end. If I sit in carriage D, which I usually do, and the train stops at this signal, which it almost always does, I have a perfect view into my favourite trackside house: number fifteen.
Number fifteen is much like the other houses along this stretch of track: a Victorian semi, two storeys high, overlooking a narrow, well-tended garden which runs around twenty feet down towards some fencing, beyond which lie a few metres of no man's land before you get to the railway track. I know this house by heart. I know every brick, I know the colour of the curtains in the upstairs bedroom (beige, with a dark-blue print), I know that the paint is peeling off the bathroom window frame and that there are four tiles missing from a section of the roof over on the right-hand side.
”
”
Paula Hawkins (The Girl on the Train)
“
As he sat he felt the outside of her thigh, firm, against his, and she felt the outside of his, likewise firm, against hers. She said, “Aren’t you going to take that off?” She meant the black robe, which he had forgotten he was wearing, and he looked down at himself and over at her, and smiled, and answered, “You first.” She laughed. “Together, then.” “Together.” They stood and pulled off their robes, facing each other, and underneath both were wearing jeans and sweaters, there being a nip in the air tonight, and his sweater was brown and loose and hers was beige and clung to her torso like a soft second skin. He attempted chivalrously not to take in the sweep of her body, his eyes holding hers, but of course, as we know often happens in such circumstances, he was unsure as to whether or not he had succeeded, one’s gaze being less than entirely conscious a phenomenon. They sat back down and she placed her fist on her thigh, palm up, and opened it. “Have you ever done psychedelic mushrooms?” she asked.
”
”
Mohsin Hamid (Exit West)
“
Since your asshole ex-husband took all his shit with him and we have nothing fun to burn, we’ll start with this pile of shitty clothes,” she tells me, kicking the stack with her toe.
“We’re not burning my clothes. Do you have any idea how expensive those pieces were?” I argue, even though the sight of all my monotone, plain clothing makes me want to reach for the closest lighter.
“Cindy, you had a breakthrough the other night. You are on the track toward recovery and the first step is admitting you have a problem. Repeat after me: I will no longer put things on my body that are golden wheat, ecru, light baby-shit tan, or anything else in the beige family unless what I’m putting on my body is an actual man with that color skin tone,” Ariel recites, putting her hands on her hips and raising one eyebrow as she waits for me to comply with her request. “And we don’t have to burn everything. Just a few pieces to make you feel better. And by you I mean me, because if I have to look at this crap any longer, I’m going to throw up in my mouth. We can sell the rest.
”
”
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
“
1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck.
2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure.
3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes.
4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins.
5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher...
5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine...
6. After powdering, take a tissue and BLOT. Then clothes won't get soiled.
7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.
”
”
Joan Crawford (My Way of Life)
“
Jackaby,” said Marlowe.
“Marlowe,” said Jackaby. “Good morning, Mayor Spade.”
Spade had doffed his jacket. It was draped over the back of his chair, and a coffee brown bow tie hung undone over his beige waistcoat. He had a full beard and a perfectly bald dome, and he wore a thick pair of spectacles. Spade was not an intimidating figure at his best, and today he looked like he was several rounds into a boxing match he had no aspirations of winning. He had seemed more vibrant the first time we met, and that had been at a funeral.
“I haven’t been up here in years,” continued Jackaby. “You’ve done something with the front garden, haven’t you?”
“Yes,” said Spade. “We’ve let it grow back. Mary still hasn’t forgiven you.”
“Is that why she’s been avoiding me? Your eyebrows have filled in nicely, by the way, and you can tell your wife the roses look healthier than ever. I’m sure being rid of that nest of pesky brownies did wonders for the roots. I understand a little ash is good for the soil, too.”
“I never saw any brownies, but there was certainly plenty of ash to go around,” Spade mumbled. “That fire spread so quickly we’re lucky we managed to snuff it out at all.”
“You should try blowing up a dragon some time,” I said. “No, scratch that. That went terribly. I don’t recommend it.”
“Impressive blast radius, though,” Jackaby confirmed.
Mayor Spade looked from me to my employer and rubbed the bridge of his nose with one hand. “Good lord, one of you was quite enough. You had to recruit?
”
”
William Ritter (Ghostly Echoes (Jackaby, #3))
“
Taking the catcher’s place, he sank to his haunches and gestured to Arthur.
“Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!”
Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically.
“Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.”
Heaving a sigh, Lillian raised the bat and faced the pitcher once more.
Arthur drew his arm back, and lunged forward as he delivered another fast ball.
Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur.
Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out?
“Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!”
“Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!”
She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter.
“You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!”
Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?”
She heard Arthur’s amused voice as he approached them. “Actually, miss—”
“Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him.
“Yes, milord.”
“Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.”
Still smiling, the earl looked up at Lillian.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Overall look: Soft and delicate Hair: Most often blonde or golden grey Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon. Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
”
”
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
“
From the outside how might our lives have appeared to strangers? I say our, which in June 2015 meant my mother and me, but I could just as easily have been referring to any number of the interchangeable bodies that populated our corner of Bedok. We still lived in the same house I grew up in, but you didn't actually have to see it to know how it looked, nor to understand the number of steps needed to cross from the bed to the bathroom - after all, it was the same prefabricated apartment everyone else lived in, too, organized and replicated within the thousands of high-rise concrete slabs across the country. If you came closer, small things might start to distinguish this neighborhood from the next-you might notice the exercise corner outfitted with new, granulated rubber flooring that stunk under the noonday sun, or realize the HDB flats had gone from blue to beige in the latest five-year paint cycle. But no matter how individual elements blinked in and out of existence, the overall physical character of the neighborhood stayed the same.
In the afternoons, the streets would flood with students released from nearby schools, rushing to various enrichment centers or back to their homes and desks, weaving in their oblivious, rowdy manner around the implements of the neighborhood, among which I counted myself. Perhaps their pace picked up a little as they hurried past me, but they never looked up and into my face. I didn't mind. It had taken me a long time to get to this point, to be able to exist unscrutinized and uninterfered with. To lift the lid of the neighborhood and look more closely at the ordinary lives swarming the earth like ants, to come close to the churning infernos of their minds, would be to realize that the nutty auntie squatting by the drain and tenderly shampooing the roots of a plant she was propagating remained constantly surprised to find herself aged, would be to realize that within the humming fish ball uncle lived the suppressed spirit of an operatic tenor weeping for the stage. How vast the legion of unrealized, contradictory, impractical ghosts crammed within each mortal body was. How it scalded one to look so closely. It was too much. Just thinking about it was enough to make me cry.
”
”
Jemimah Wei (The Original Daughter)
“
Consider, for example, a cichlid fish known as Haplochromis burtoni that comes from the lakes of East Africa.9 In this species, only a small number of males secure a breeding territory, and they are not discreet about their privileged social status. In contrast to their drably beige nonterritorial counterparts, territorial males sport bold splashes of red and orange, and intimidating black eye stripes. The typical day for a territorial male involves a busy schedule of unreconstructed masculinity: fighting off intruders, risking predation in order to woo a female into his territory, then, having inseminated her by ejaculating into her mouth, immediately setting off in pursuit of a new female. Add to this the fact that territorial males boast significantly larger testes and have higher circulating levels of testosterone than submissive nonterritorial males, and a T-Rex view of the situation seems almost irresistible. These high-T fish are kings indeed, presumably thanks to the effects of all that testosterone on their bodies, brain, and behavior. With a large dose of artistic license, we might even imagine the reaction were a group of feminist cichlid fish to start agitating for greater territorial equality between the sexes. It’s not discrimination, the feminist fish would be told, in tones of regret almost thick enough to hide the condescension, but testosterone. But even in the cichlid fish, testosterone isn’t the omnipotent player it at first seems to be. If it were, then castrating a territorial fish would be a guaranteed method of bringing about his social downfall. Yet it isn’t. When a castrated territorial fish is put in a tank with an intact nonterritorial male of a similar size, the castrated male continues to dominate (although less aggressively). Despite his flatlined T levels, the status quo persists.10 If you want to bring down a territorial male, no radical surgical operations are required. Instead, simply put him in a tank with a larger territorial male fish. Within a few days, the smaller male will lose his bold colors, neurons in a region of the brain involved in gonadal activity will reduce in size, and his testes will also correspondingly shrink. Exactly the opposite happens when a previously submissive, nonterritorial male is experimentally maneuvered into envied territorial status (by moving him into a new community with only females and smaller males): the neurons that direct gonadal growth expand, and his testes—the primary source of testosterone production—enlarge.11 In other words, the T-Rex scenario places the chain of events precisely the wrong way around. As Francis and his colleagues, who carried out these studies, conclude: “Social events regulate gonadal events.”12
”
”
Cordelia Fine (Testosterone Rex: Myths of Sex, Science, and Society)
“
Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago.
Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before.
“What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded.
Marlboro Man smiled, taking pleasure in the surprise.
“You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.”
“I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.”
I cracked up. I didn’t even know what a backhoe was.
I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy.
“Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.”
“I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said.
I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together.
“Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift.
Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore.
“Are you crying?” he asked.
“No,” I said, my lip quivering.
“Yep, you’re crying,” he said, laughing. It was something he’d gotten used to.
“I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.”
We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The bungalow was kitted out with beige walls, beige furniture and dim yellow lampshades that gave Poole the impression he was inside a giant sponge cake.
”
”
AG Barnett (An Occupied Grave (Brock & Poole #1))
“
I have spent much of my studies searching for the right question by which I might fully understand the breach between the world and me. I have not spent my time studying the problem of “race”—“race” itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard—usually believing himself white—proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same “race.” But a great number of “black” people already are beige. And the history of civilization is littered with dead “races” (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose—the organization of people beneath, and beyond, the umbrella of rights.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
Last color bleeds from the trees,
the slow drip of rain, collapsing.
The feverish maples decline.
We pause to pick mushrooms,
stick into our sacks these
squat, warty, beige and tan hammers,
these spongy plungers and rams,
these alien, faceless denizens of damp.
They are not in our book.
As we walk through this flaccid rain,
this vague sense of loss and wrong,
we don’t talk. But we wonder
about maples and mushrooms, about us:
Anything you can’t name is dangerous.
”
”
Ronald Wallace
“
Cody sat in embarrassed silence although his heart was racing and the comforting buzz of alcohol coursed through his blood stream. Home was a beige two-story ranch with a double garage, on a block lined with beige two-story homes in a new development on the north side of Helena. So new, that he could still see the seams of grass sod on the front lawns and all the cue-stick-sized tree trunks were secured with wires to T-posts so the wind wouldn’t blow them away. Justin swung into his driveway and nearly kissed bumpers with Jenny’s car, missing it by inches.
”
”
C.J. Box (The Highway (Highway Quartet #2))
“
The University of Michigan opened its new Computer Center in 1971, in a brand-new building on Beal Avenue in Ann Arbor, with beige-brick exterior walls and a dark-glass front. The university’s enormous mainframe computers stood in the middle of a vast white room, looking, as one faculty member remembers, “like one of the last scenes in the movie 2001: A Space Odyssey.” Off to the side were dozens of keypunch machines—what passed in those days for computer terminals. In 1971, this was state of the art. The University of Michigan had one of the most advanced computer science programs in the world, and over the course of the Computer Center’s life, thousands of students passed through that white room, the most famous of whom was a gawky teenager named Bill Joy.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
Not that he’s crazy,” Janice said, transferring some exact number of grams of coffee to the beige paper filter in the ceramic funnel, which she’d already wetted down to get the chemical taste out, “but that he’s tedious with it. I know he’s got reason, but I’m tired of it.
”
”
William Gibson (The Peripheral (Jackpot #1))
“
In the same way that black and white were applied to people who were literally neither, but rather gradations of brown and beige and ivory, the caste system sets people at poles from one another and attaches meaning to the extremes, and to the gradations in between, and then reinforces those meanings, replicates them in the roles each caste was and is assigned and permitted or required to perform. Caste and race are neither synonymous nor mutually exclusive. They can and do coexist in the same culture and serve to reinforce each other. Race, in the United States, is the visible agent of the unseen force of caste. Caste is the bones, race the skin. Race is what we can see, the physical traits that have been given arbitrary meaning and become shorthand for who a person is. Caste is the powerful infrastructure that holds each group in its place.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
in a colorful scarf and an oversized beige sweater that made me look like I was the guest speaker at the Yarn of the Month Club
”
”
Ashley Poston (The Dead Romantics)
“
There was wall-to-wall cotton shag carpeting in beige, holding metal-framed Van Keppel-Green lounges and chairs, a KLH stereo system, wooden walls rising to a high ceiling, a mahogany bar that separated from the rest of the room the cookerie where I could scramble up some eggs and ham for late night snacks. There were four cushioned stools in front of the bar proper, and a glass shelf display of bottles behind, that opened into the kitchen on the far side. Ferns and cactus in brass pots and barrels added a kind of outdoorsy look to the whole place.
”
”
Troy Conway (The Sex Machine (Coxeman, #18))
“
Marcus pulled in to Jules’ drive way. His car looked like one you might see an older man driving. Beige, long, some sort of Buick. He didn’t see her waiting on the rocking chair of her screened-in porch. The motion light had no reason to be on since she had been sitting out there for some time, enjoying the crisp evening air. Shaw appeared to be fidgety and nervous. He ran his hands through his tousled hair, trying to comb it through. He checked his nose for random objects and then he grabbed a water bottle and gulped down the entire thing in a matter of seconds. When he finally exited the squeaky car, he brushed down his shirt and jeans to freshen them. It was quite amusing to watch this man. The more nervous he seemed, the more confident she became. Yup, she was going to fuck him. Hard. She was going to fuck him as if her life depended on it, and in some ways it did. Without getting back in touch with this power she had found, she was a meek little girl just following people around. She did it with her parents and then she did it with her ex-husband. Maybe the way she had come to her current power wasn’t the most conventional, but Jules was never meant to be a conventional girl. She tried to fit into the conventional role with Joey for 13 years and was never this happy or strong.
”
”
Heather C. Adams
“
now that I’m lying here, waiting to be found, I can’t helping worrying that this is my lot. Perhaps the closing words of my chapter will be spoken in a room filled with beige and forgetfulness, and no one was ever meant to hear them. You never really know it’s the final page, do you, until you get there?
”
”
Joanna Cannon (Three Things About Elsie)
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Le vecchie strade e la città di Batroun hanno creato la cornice perfetta per il servizio fotografico del matrimonio tra case autentiche, romantici lampioni e monumenti storici. Quanto al tavolo da pranzo, i portici di Sayedet el Bahr erano l'ambiente perfetto sotto il quale si poteva apparecchiare la tavola. Costruita sulle rovine di una chiesa bizantina nel XIX secolo e affacciata sui resti di una muraglia fenicia, questa semplice chiesa ha un'incantevole terrazza con un gazebo ad arco che incornicia la vista sul mare. Il tavolo era l'incarnazione di elementi orientali. E dal design tradizionale e assemblato con un tocco moderno.
In cima allo specchio rotondo che riflette le pietre gialle, spessi tessuti di velluto nei toni senape e blu reale hanno creato un corridore su cui vasi di terracotta tradizionali e vasi d'oro vintage trasportavano una varietà di verdi e fiori locali. In giallo, rosa, blu e beige toni. Vasi e vassoi di frutta secca, mele e uccelli soffiati in vetro, melograni in cemento, servizi di piatti con motivi andalusi Abiti da sera anello, posate d'oro e menu stampati in velluto hanno aggiunto un tocco orientale all'ambientazione.
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gillne.it
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45. The Pyjama Question “If dressing gowns and pyjamas are so comfy why does everyone get dressed into boring clothes every single morning?... ...we should boycott smart shirts and long skirts and beige trousers. Join the Pyjama Revolution and never by uncomfortable ever again!
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James Warwood (49 Questions to Annoy Your Parents: A (delightfully mischievous) kid’s guide full of silly questions to drive your parents nuts (The Excuse Encyclopedia Series Book 4))
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Coincidentally, most of his attacks had been in beige and yellow houses, and people began painting their homes different colors, hoping that would make him pass their place.
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Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
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He was looking at her. Vibrant red curls tumbled around her face like falling petals. Their color rejected the darkness around them as if they burned with their own secret fire. Her eyes were dark, perhaps brown or green, and so deeply rooted he thought he could follow them to the center of the earth. Her skin was unevenly tanned, light beige along the top of her nose, fading to the palest sand in the slope of her cheeks.
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Natalie C. Parker (Stormbreak (Seafire, #3))
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And it's way too... not beige to come from your kitchens."
"A neutral palette is universally appropriate."
That's not how you pronounce 'dull.
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Lucy Parker (Battle Royal (Palace Insiders, #1))
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Why the beige?” I’d emailed Ray. He was surprisingly responsive to email and almost always got back to me within twenty-four hours, even though he claimed they avoided technology unless absolutely necessary. He’d explained one of their core beliefs was to eliminate all distractions and avoid any stimulus that might artificially create a spiritual experience where there was none. I had to admit, there was something inherently calming about it. Something about the nothingness quieted my mind.
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Lucinda Berry (When She Returned)
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Perhaps the closing words of my chapter will be spoken in a room filled with beige and forgetfulness, and no one was ever meant to hear them. You never really know it’s the final page, do you, until you get there?
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Joanna Cannon (Three Things About Elsie)