Untamed Drama Quotes

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The God is wild, but his is the wildness of connection, not of domination and violence. Wildness is not the same as violence. Gentleness and tenderness do no translate into wimpiness. When men -- or women, for that matter -- begin to unleash what is untamed in us, we need to remember that the first images and impulses we encounter will often be the stereotyped paths of power we have learned in a culture of domination. To become truly wild, we must not be sidetracked by the dramas of power-over, the seduction of addictions, or the thrill of control. We must go deeper.
Starhawk (The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess)
I’ll talk to him any way I want to. Sure, you could try roughing me up, but you might want to stop and think about that, because you won’t always be in that uniform, and you won’t always have your buddies around, and this island—well, it’s an island. If you don’t know it as well as we do, and you don’t know the places to avoid, such as the beaches the pleurodons like, let’s just say a man with enemies could find life a little tricky here.” He stared the man down. “Are you threatening me, Grover?” “Not a threat. Just a warning. This planet is a wild, untamed place. It can be harsh and cruel when you least expect it.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
I retweet hot takes about bubble tea, MSG, BTS, and some drama series called The Untamed. I learn it’s important to be anti-PRC (that’s the People’s Republic of China) but pro-China (I’m not terribly sure how that’s different). I learn what “little pinks” and “tankies” are and make sure I don’t inadvertently retweet support for either. I decry what’s happening in Xinjiang. I Stand with Hong Kong. I start gaining dozens more followers a day once I’ve started vocalizing on these matters, and when I notice that many of my followers are people of color or have things like #BLM and #FreePalestine in their bios, I know I’m on the right track. And
R.F. Kuang (Yellowface)
Interpretation in terms of the parents is, however, simply a façon de parler. In reality the whole drama takes place in the individual’s own psyche, where the “parents” are not the parents at all but only their imagos: they are representations which have arisen from the conjunction of parental peculiarities with the individual disposition of the child.39 The imagos are activated and varied in every possible manner by an energy which likewise pertains to the individual; it derives from the sphere of instinct and expresses itself as instinctuality. This dynamism is represented in dreams by theriomorphic symbols. All the lions, bulls, dogs, and snakes that populate our dreams represent an undifferentiated and as yet untamed libido, which at the same time forms part of the human personality and can therefore fittingly be described as the anthropoid psyche. Like energy, the libido never manifests itself as such, but only in the form of a “force,” that is to say, in the form of something in a definite energic state, be it moving bodies, chemical or electrical tension, etc. Libido is therefore tied to definite forms or states. It appears as the intensity of impulses, affects, activities, and so on. But these phenomena are never impersonal; they manifest themselves like parts of the personality. The same is true of complexes: they too behave like parts of the personality.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
When drama hits at middle school, it doesn’t shake her badly because those hallways are not where she finds her identity. She doesn’t need to manufacture false drama in her social life because she has all the real drama—the thrill of victory and the agony of defeat—on the pitch.
Glennon Doyle (Untamed)