“
But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you…don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me…please.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
how far have you walked for men who’ve never held your feet in their laps?
how often have you bartered with bone, only to sell yourself short?
why do you find the unavailable so alluring?
where did it begin? what went wrong? and who made you feel so worthless?
if they wanted you, wouldn’t they have chosen you?
all this time, you were begging for love silently, thinking they couldn’t hear you, but they smelt it on you, you must have known that they could taste the desperate on your skin?
and what about the others that would do anything for you, why did you make them love you until you could not stand it?
how are you both of these women, both flighty and needful?
where did you learn this, to want what does not want you?
where did you learn this, to leave those that want to stay?
”
”
Warsan Shire
“
It would’ve been easier to die. It’s not that I want to be dead now. I don’t. I have a lot in my life that I get satisfaction from, that I love. But some days, especially in the beginning, it was so hard. And I couldn’t help but think that it would’ve been so much simpler to go with the rest of them. But you—you asked me to stay. You begged me to stay. You stood over me and you made a promise to me, as sacred as any vow.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Once you embrace your value, talents and strengths, it neutralizes when others think less of you.
”
”
Rob Liano
“
And I remember when I met him, it was so clear that he was the only one for me. We both knew it, right away. And as the years went on, things got more difficult – we were faced with more challenges. I begged him to stay. Try to remember what we had at the beginning.
He was charismatic, magnetic, electric and everybody knew it. When he walked in every woman’s head turned, everyone stood up to talk to him. He was like this hybrid, this mix of a man who couldn’t contain himself. I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him. And in that way, I understood him and I loved him.
I loved him, I loved him, I loved him.
And I still love him. I love him.
”
”
Lana Del Rey
“
Love entered in my heart one day
A sad, unwelcome guest.
But when it begged that it might stay
I let it stay and rest
It broke my nights with sorrowing
It filled my heart with fears
And, when my soul was prone to sing,
It filled my eyes with tears.
But...now that it has gone its way,
I miss the dear ole pain.
And, sometimes, in the night I pray
That Love might come again.
”
”
J. California Cooper
“
Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I prayed all the way up that hill yesterday, he said softly. Not for you to stay; I didna think that would be right. I prayed I'd be strong enough to send ye away. He shook his head, still gazing up the hill, a faraway look in his eyes.
I said 'Lord, if I've never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.' He pulled his eyes away from the cottage and smiled briefly at me.
Hardest thing I ever did, Sassenach.
”
”
Diana Gabaldon
“
Spend your free time the way you like, not the way you think you're supposed to. Stay home on New Year's Eve if that's what makes you happy. Skip the committee meeting. Cross the street to avoid making aimless chitchat with random acquaintances. Read. Cook. Run. Write a story. Make a deal with yourself that you'll attend a set number of social events in exchange for not feeling guilty when you beg off.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
I know this simple fact to be true, for I myself have abandoned people who did not want me to go, and I myself have been abandoned by those whom I begged to stay.
”
”
Elizabeth Gilbert
“
The tears that had been threatening to overflow finally did, coursing down my cheeks. I wanted to run after him, to take back what I'd said, to beg him to stay, but I'd spent my life running after Mal. Instead, I stood in silence and let him go.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
If we were different people in different circumstances, I would get down on my knees and beg you to stay at the end of the winter. I would move heaven and earth and the Underworld itself to keep you with me.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
The love of my life is gone, and I can't just call her and say I'm sorry and have her come back. She's gone forever. So yes, Monique, that is something I do regret. I regret every second I didn't spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, 'I'm in love with Celia St. James!' and let them crucify me for it. That's what I should have done. And now that I don't have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
He would not beg Zoya to stay. It was not in his nature to plead with anyone, and that was not the pact they shared. They did not look to each other for comfort. They kept each other marching. They kept each other strong. So he would not find another excuse to get her talking again. He would not tell her he was afraid to be left alone with the thing he might become, and he would not ask her to leave the lamp burning, a child's bit of magic to ward off the dark.
But he was relieved when she did it anyway.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
Every story is the sound of a storyteller begging to stay alive.
”
”
Daniel Nayeri (Everything Sad Is Untrue)
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
The saddest part about this whole thing is that while I was in there begging you to stay, I didn't fucking realize you were already gone.
”
”
Gail McHugh (Collide (Collide, #1))
“
I watched her for a long time, memorizing her shoulders, her long-legged gait. This was how girls left. They packed up their suitcases and walked away in high heels. They pretended they weren't crying, that it wasn't the worst day of their lives. That they didn't want their mothers to come running after them, begging their forgiveness, that they wouldn't have gone down on their knees and thanked god if they could stay.
”
”
Janet Fitch (White Oleander)
“
I hid this one in hopes that you would find it long after I'm gone. I hope you find this months from now, when I'm still out there, on the road, away from you. I can't imagine what the time apart has done to us. I'm hoping we're more in love than ever. I'm hoping that when I come back, you'll move in with me. In all honesty, I'm hoping that when I come back, you'll agree to marry me someday. Because that's what I want, what I dream about. You, mine, for the rest of my life. I hope you feel the same because I don't know what I would do without you. I love you so much. But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you, don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me. Please.
”
”
S.C. Stephens
“
Just please stay. I am begging you and I don't beg, Theresa.
”
”
Anna Todd
“
On the night of our secret wedding
when he held me in his mouth like a promise
until his tongue grew tired and fell asleep,
I lay awake to keep the memory alive.
In the morning I begged him back to bed.
Running late, he kissed my ankles and left.
I stayed like a secret in his bed for days
until his mother found me.
I showed her my gold ring,
I stood in front of her naked,
waved my hands in her face.
She sank to the floor and cried.
At his funeral, no one knew my name.
I sat behind his aunts,
they sucked on dates soaked in oil.
The last thing he tasted was me.
”
”
Warsan Shire
“
Am I the only one
wishing life away?
Never caught up in the moment
busy begging the past to stay
Memories painted with much brighter ink;
they tell me I loved, teach me how to think.
”
”
Dodie Clark
“
Who else is going?" I asked.
He shrugged. "Just you and me."
My mood promptly shot up past 'cheerful' and went straight to 'estatic.' Me and Dimitri. Alone. In a car. This might very well be worth a surprise test.
"How far is it?" Silently, I begged for it to be a really long drive. Like, one that would take a week. And would involve us staying overnight in luxury hotels. Maybe we'd get stranded in a snowbank, and only body heat would keep us alive.
"Five hours"
"Oh."
A bit less than I'd hoped for. Still, five hours was better than nothing. It didn't rule out the snowbank possibility, either.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I prayed all the way up that hill yesterday,” he said softly. “Not for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes.
“I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay. He pulled his eyes away from the cottage and smiled briefly at me.
"Hardest thing I ever did, Sassenach.” He turned in the saddle, and reined the horse’s head toward the east. It was a rare bright morning, and the early sun gilded everything, drawing a thin line of fire along the edge of the reins, the curve of the horse’s neck, and the broad planes of Jamie’s face and shoulders.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.'
He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
”
”
F. Scott Fitzgerald (The Short Stories)
“
Please go, I beg you. I wish to stay as your equal. When I'm with you, my resolve weakens. -Tsukuyo to Gintoki(Gintama)
”
”
Hideaki Sorachi
“
Give people time. Give people space. Don’t beg anyone to stay. Let them roam. What’s meant for you will always be yours.
”
”
Reyna Biddy
“
I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
I’d been staying at the Holiday Inn with my girlfriend, honestly the most beautiful woman I’d even known, for three days under a phony name, shooting heroin. We made love in the bed, ate steaks at the restaurant, shot up in the john, puked, cried, accused one another, begged of one another, forgave, promised, and carried one another to heaven.
”
”
Denis Johnson (Jesus' Son)
“
Folks think it’s when they beg you to stay, but it’s when they let you go that you know they love you so goddamn much.
”
”
Tiffany McDaniel (Betty)
“
There’s smashed glass glittering everywhere like stars. It’s a Western,
Henry. It’s a downright shoot-em-up. We’ve made a graveyard
out of the bone white afternoon.
It’s another wrong-man-dies scenario, and we keep doing it Henry,
keep saying until we get it right … but we always win and we never quit.
See, we’ve won again,
here we are at the place where I get to beg for it, where I get to say Please,
for just one night, will you lie down next to me, we can leave our clothes on,
we can stay all buttoned up …
But we both know how it goes—I say I want you inside me and you hold
my head underwater. I say I want you inside me and you split me open
with a knife.
”
”
Richard Siken (Crush)
“
Tella claimed she didn’t want love—she liked to say love trapped and controlled and ripped hearts apart. But the truth was she also knew love healed and held people together, and deep down she wanted it more than anything. She enjoyed the kisses, but a part of her always wished that whenever she walked away from a boy he’d run after her, beg her to stay, and then promise he’d never leave.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Well, I'm late for something incredibly important," Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
My whole body goes heavy as the truth settles in my bones. I love this woman. I have to steel myself to keep from doing exactly what I said, from dropping to my knees and begging her to stay.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay.
”
”
Jenny Zhang (Sour Heart)
“
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground.
"You better run now, Fire Girl," says Thresh.
I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
do not beg for what does not want to stay
”
”
Rupi Kaur (Milk and honey)
“
And I remember when I met him.
It was so clear that he was the only one for me.
We both knew right away.
And as the years went on things got more difficult,
We were faced with more challenges.
I begged him to stay,
Tried to remember what we had in the beginning.
He was charismatic, magnetic, electric, and everybody knew him
When he walked in every woman's head turned.
Everyone stood up to talk to him.
He was like this hybrid, this mix of a man who couldn't contain himself.
I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him.
And in that way, I understood him.
And I loved him, I loved him, I loved him, I loved him.
And I still love him, I love him.
”
”
Lana Del Rey
“
Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
My life was pouring out my feet and seeping through cracks in the floor; yet still I knelt and did not move, for fear she'd let go my hands. Let me stay, I wanted to beg: Please don't make me go.
”
”
Sonya Hartnett (Surrender)
“
Six Wisemen came to Jhaampe-town
Climbed a hill, and never came down
Found their flesh and lost their skins
Flew away on stony wings.
Five Wisemen came to Jhaampe-town
Walked a road not up nor down
Were torn to many and turned to one,
In the end, left a task half-done
Four Wisemen came to Jhaampe-town
They spoke in words without a sound
They begged their Queen to let them go
And what became of them, no one can know.
Three Wisemen came to Jhaampe-town
They’d helped a king to keep his crown.
But when they tried to climb the hill
Down they came in a terrible spill.
Two Wisemen came to Jhaampe-town
Gentle women there they found.
Forgot their quest and lived in love
Perhaps were wiser than ones above.
One Wiseman came to Jhaampe-town.
He set aside both Queen and Crown
Did his task and fell asleep
Gave his bones to the stones to keep.
No wise men go to Jhaampe-town,
To climb the hill and never come down.
‘Tis wiser far and much more brave
To stay at home and face the grave.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
I did not beg him to stay
because I was begging God
that he would not leave.
”
”
Warsan Shire
“
Run, a voice inside me whispered. Stay, another begged.
”
”
Carissa Broadbent (Six Scorched Roses (Crowns of Nyaxia, #1.5))
“
It turns out it doesn't matter how much you beg someone to stay. If they want to go, they are going to leave regardless. All we can do-all anyone can do is learn the art of letting go.
”
”
Brittainy C. Cherry (Disgrace)
“
Here we are, at the place where I get to beg for it. Where I get to say ‘Please, for just one night, will you lay down next to me? We can leave our clothes on, we can stay all buttoned up?’ But we both know how it goes – I say I want you inside me and you hold my head underwater. I say I want you inside me and you split me open with a knife.
”
”
Richard Siken
“
The Warrior Woman Code:
A confident woman doesn't beg a man to stay, cry if they don't or need to tear down other women to be loved. She knows her value. When the person she is meant to be with finds her, that person will know it also. He won't be confused by it. He will fight for her because without her he feels incomplete. She will always be foremost in his mind above anyone else. She doesn't have to scheme to keep or entice him. She is okay walking away from him because she doesn't want to be seen as a choice or a woman that has some potential. She demands to be seen as "the one." To settle for anything less than that is an admission of insecurity and lack of self love.
”
”
Shannon L. Alder
“
I wanted to say "don't leave me," but I'm so tired of begging people to stay.
”
”
R.Y.S. Perez (I Hope You Fall in Love: Poetry Collection)
“
Just on the other side, safety- not freedom. I'm leaving freedom behind, and I can feel the earth's grief when I get out of the car. The tired weeds try to encircle my ankles. begging me to stay. They murmur stories about my ancestors. The ones who stood right where I stand. The ones whose discoveries and civilization encompassed the whole world. The one whose blood runs through my veins. My footprints sink deep into the soil where theirs have long since been washed away. They plead with me: It's your country. This earth belongs to me and my children.
”
”
Zoulfa Katouh (As Long as the Lemon Trees Grow)
“
And I remember when I met him, it was so clear that he was the only one for me. We both knew it, right away. And as the years went on, things got more difficult – we were faced with more challenges. I begged him to stay. Try to remember what we had in the beginning. He was charismatic, magnetic, electric and everybody knew it. When he walked in every woman’s head turned, everyone stood up to talk to him. He was like this hybrid, this mix of a man who couldn’t contain himself. I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him. And in that way, I understood him and I loved him.I loved him, I loved him, I loved him. And I still love him. I love him.
”
”
Lana Del Rey
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
When I started out, all I knew was that I was not going to stay where I'd been. I was going to change. I was going to make my part of the world into something that I wanted–not wait, hope, or beg for the world to start to want me.
”
”
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
“
Stay hungry. It worked for Michelangelo, it worked for Picasso, and it works for a hundred thousand artists who do it not for love (although that might play a part) but in order to put food on the table. If you want to translate the world, you need to use your appetites. Does this surprise you? It shouldn’t. There’s no creation without talent, I give you that, but talent is cheap. Talent goes begging. Hunger is the piston of art.
”
”
Stephen King (Duma Key)
“
All my most unreachable dreams were suddenly, so unbelievably, about to come true. But they were forbidden. The right thing to do would be to pull away, turn from him, run back to the house. My head screamed at me to flee, but my heart begged me to stay.
”
”
Cindy Ray Hale (Destiny (Destiny, #1))
“
I couldn’t make myself move from the bed. To reach for you. I’d known this moment was coming, and now that it had arrived I found I had no strength in my limbs.
Only my voice. Only words.
Asking you to stay.
”
”
Julio Alexi Genao (When You Were Pixels (Syntax #0.1))
“
Raffaele reaches Enzo. Flames still burn on Enzo's hands, but for some reason, he doesn't move to attack. Instead, he waits as Raffaele reaches up to curl a hand around the back of his neck, then pulls him close so that their foreheads touch. Tears streak Raffaele's face. Suddenly I remember how he had looked on the day he turned his back on me, the way he had closed his eyes when I begged him to let me stay. It is the same expression he wears now.
”
”
Marie Lu (The Rose Society (The Young Elites, #2))
“
Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Stay.”
“I can’t.” Her voice was hitching.
“Why not?”
“Because I don’t think you want this for the right reasons.”
“I love you. What’s wrong with that reason?”
“You don’t love me.”
“I. Love. You.”
“No! You used to love me.”
“I love you still. I love you again. I just love you. I’ve always loved you.” He was speaking passionately, and he wouldn’t release her cheeks.
She shook her head. “No.”
“Yes. This is not some memory. I’m not reminiscing. I loved you then, and I’ve fallen completely in love with you all over again. Stay. Please. I’m begging you to give me a chance.
”
”
Elizabeth Finn (Unforgiven (Unforgiven, #1))
“
Wich begs the question: Why am i here? To wich there is only one answer: I don't know. The choices always seem to be fight or flight, but i typically end up somewhere in between, doing exactly neither. I stay and take the beating.
”
”
Val Emmich (Dear Evan Hansen)
“
I will have you without armour, Kaz Brekker. Or I will not have you at all." (Speak). She begged silently. (Give me a reason to stay). For all of his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
There's a home for you here at North Hill, you know that, and my wife joins me in begging you to stay. Plenty to do, you know, plenty to do. There are flowers to be cut for the house, and letters to write, and the children to scold.
”
”
Daphne du Maurier (Jamaica Inn)
“
Did he think I would beg him to stay? Never. People had to want to stay, choose to be with you, or it meant nothing.
”
”
Karen Marie Moning (High Voltage (Fever, #10))
“
I have been abandoned by people I did not want to leave me and I have deserted people who begged me to stay. Yep…you definitely reap what you sow.
”
”
Joy Marino (Who Can Find Her?)
“
I love you.” Jack focused on her face, watching her pupils dilate in reaction to his words. “I love you and I’m staying here in Elliott. I’m quitting undercover work and maybe the police force altogether. We’ll do whatever you want. Date me. Move in with me. Marry me. Make me beg. I don’t care.” He pressed a kiss against her mouth with a sigh. “Whatever you want.
”
”
Robin Covington
“
Anna Petrovna: Kolya, my dearest, stay at home.
Ivanov: My love, my unhappy darling, I beg you, don't stop me going out in the evenings. It's cruel and unjust on my part, but let me commit that injustice. It's an agony for me at home. As soon as the sun disappears, my spirit begins to be weighed down by depression. What depression! Don't ask why. I myself don't know. I swear by God's truth I don't know. Here I'm in anguish, I go to the Lebedevs and there it's still worse; I return from there and here it's depression again, and so all night... Simply despair!
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
Hey Wanda! Hey Ian!" Jamie was all grins, his messy hair bouncing as he moved..."Guess what? Jared was saying at lunch that he didn't think it was fair for you to have to move out of the room you were used to. He said we weren't being good hosts. He said you should move back in with me! Isn't that great? I asked him if I could tell you right away, and he said that was a good idea. He said you would be in here."
"I'll bet he did," Ian murmured.
"So, what do you think, Wanda? We get to be roomies again!"
"But Jamie, where will Jared stay?"
"Wait - let me guess," Ian interrupted. "I bet he said the room was big enough for three. Am I right?"
"Yeah. How did you know?"
"Lucky guess"
...
"Will you come back?" Jamie begged against my shoulder..."If that's what you want, Jamie. Okay."
"Woo hoo!" Jamie crowed in my ear. "Cool! I'm gonna go tell Jared! I'll get you some food, too, okay?...You want something, Ian?"
"Sure, kid. I want you to tell Jared he's shameless.
”
”
Stephenie Meyer
“
How’s this for a punch line,” she whispered, wetting her lips as her gaze fell to my mouth. The action made me forget to breathe. “Marry me today, and I’ll stay the night again tonight, only this time instead of asking you to stop, I’ll beg you not to.
”
”
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
“
I won't beg someone to love me. I learned long ago that there is no use in hopeless pleas of trying to make someone stay. I am too good to chase someone who does not know my worth and I am too wild to keep waiting for someone who doesn't acknowledge my value. I want to be loved unconditionally. I shouldn't have to fight so hard for it. I do not have the time to prove to someone that I am worth it. I shouldn't have to prove any of that; I am worth more than that.
”
”
Ming D. Liu
“
I hate this part,” I sighed in aggravation and jerked the sunglasses from my eyes, setting them atop my head into my hair.
“What?” he said in a voice that clearly didn’t understand where I could be leading things.
“This is where the leading man tries to save the girl from herself. She is willing to give up everything for him and he, in his misguided attempt to save her, tells her he’s skipping for the hills and she has to beg him to stay and convince him that her love is real and that she is sound of mind.
”
”
Shelly Crane (Devour (Devoured, #1))
“
FUCK, SUZANNE!! Can't you handle anything sanely, for fucking once?! Don't lose it right now, PLEASE! I'm begging you to stay sane, just this once. For ME! I can't handle watching you freak out AND deal with this death too. Just stay sane- for ME- just ONCE!
”
”
Sarah Ann Walker (THIS is me... (I Am Her..., #2))
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
How could she doubt that he loved her? Neal was saying goodbye to her with that look. He was begging her to stay. He was telling her that she was doing just fine--just keep breathing, Georgie. How could she ever doubt that he loved her? When loving her was what he did better than all the things he did beautifully.
”
”
Rainbow Rowell (Landline)
“
A celebration is just a way of begging the good things to stay.
”
”
Rachel Wiley (Nothing Is Okay)
“
She enjoyed the kisses, but a part of her always wished that whenever she walked away from a boy he’d run after her, beg her to stay, and then promise he’d never leave.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
The last thing I want is for you to be afraid of me. But I want you to trust me. I need you to trust me." He sighs and I hear the pain and confusion in his voice.
"Why?"
"I don't know why and it scares the hell out of me." He swallows hard...
Part of me screams for him to run for his own safety, but I don't want him to move. My heart begs... Please stay with me. Forever.
”
”
Abi Ketner (Branded (Sinners, #1))
“
For suddenly above him far and faint his song was taken up, and a voice answering called to him. Maedhros it was that sang amid his torment. But Fingon climbed to the foot of the precipice where his kinsman hung; and then he could go no farther, and he wept when he saw the cruel device of Morgoth. Maedhros therefore, being in anguish without hope, begged Fingon to shoot him with his bow; and Fingon strung an arrow, and bent his bow. And seeing no better hope he cried to Manwe, saying: 'O King to whom birds are dear, speed now this feathered shaft, and recall some pity for the Noldor in their need!'....Now, even as Fingon bent his bow, there flew down from the high airs Thorondor, King of Eagles, mightiest of all birds that have ever been, whose outstretched wings spanned thirty fathoms; and staying Fingon's hand he took him up, and bore him to the face of the rock where Maethros hung.
”
”
J.R.R. Tolkien (The Silmarillion)
“
to do list (after the breakup)
1. take refuge in your bed
2. cry. till the tears stop (this will take a few days).
3. don’t listen to slow songs.
4. delete their number from your phone even though it is memorized on your fingertips.
5. don’t look at old photos.
6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate.
7. buy new bed sheets.
8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center.
9. plan a trip.
10. perfect the art of smiling and nodding when someone brings their name up in conversation.
11. start a new project.
12. whatever you do. do not call.
13. do not beg for what does not want to stay.
14. stop crying at some point.
15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach.
16. breathe.
”
”
Rupi Kaur (Milk and honey)
“
TROUBLED Troubled?
Then stay with me, for I’m not. Lonely?
A thousand naked amorous ones dwell in ancient caves
Beneath my eyelids. Riches?
Here’s a pick,
My whole body is an emerald that begs,
“Take me.” Write all that worries you on a piece of parchment;
Offer it to God.
Even from the distance of a millennium I can lean the flame in my heart
Into your life And turn
All that frightens you
Into holy
Incense
Ash.
”
”
Hafez (The Gift: Poems Inspired by Hafiz, the Great Sufi Master (Compass))
“
Some people will leave you. It will have everything to do with you and nothing to do with outside circumstances. You cannot sugarcoat it. You cannot dress it up and make it feel sweet or soft or warm. And it’s going to hurt you. I know your instinct will be to beg them to stay, to unpack their bags for them, to curl up by their wandering feet—but people are going to leave you. That is okay too.
”
”
Trista Mateer (Honeybee)
“
What begg’st thou then? fond woman, let me go.
Lav: ’Tis present death I beg; and one thing more That womanhood denies my tongue to tell.
O! keep me from their worse than killing lust,
And tumble me into some loathsome pit,
Where never man’s eye may behold my body:
Do this, and be a charitable murderer.
Tam: So should I rob my sweet sons of their fee:
No, let them satisfy their lust on thee.
Dem: Away! for thou hast stay’d us here too long.
Lav: No grace! no womanhood! Ah, beastly creature,
The blot and enemy to our general name.
Confusion fall—
”
”
William Shakespeare (Titus Andronicus)
“
Because it wasn't where I belonged"
"Where do you belong, Linus?"
And with the last of his courage, Linus Baker said, "Here. With you. If you'll have me. Ask me again, please. I beg you, ask me to stay again
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
Listen to me," Jordan begged urgently, somehow convinced that she would stay alive if she understood how much she meant to him. "Listen to what my life was like before you hurtled into it wearing that suit of armor— Life was empty. Colorless. And then you happened to me, and suddenly I felt feelings I never believed existed, and I saw things I'd never seen before. You don't believe that, do you, darling? But it's true, and I can prove it." His deep voice ragged with unshed tears, Jordan recited his proof: "The flowers in the meadow are blue," he told her brokenly. "The ones by the stream are white. And on the arch, by the arbor, the roses are red."
Lifting her hand to his face, he rubbed his cheek against it. "And that's not all I noticed. I noticed that the clearing by the pavilion—the one where my plaque is—looks like the very same one where we had our duel a year ago. Oh, and darling, there's something else I have to tell you: I love you, Alexandra."
Tears choked his voice and made it a tormented whisper. "I love you, and if you die I'll never be able to tell you that.
”
”
Judith McNaught (Something Wonderful (Sequels, #2))
“
Jacob caught my arm with a shivering hand. "Please, Bella. I'm begging."
His dark eyes were glistening with tears. A lump filled my throat.
"Jake, I have to―"
"You don't, though. You really don't. You could stay here with me. You could stay alive. For Charlie. For me."
The engine of Carlisle's Mercedes purred; the rhythm of the thrumming spiked when Alice revved it impatiently.
I shook my head, tears spattering from my eyes with the sharp motion. I pulled my arm free, and he didn't fight me.
"Don't die Bella," he choked out. "Don't go. Don't."
What if I never saw him again?
The thought pushed me past the silent tears; a sob broke out from my chest. I threw my arms around his waist and hugged for one too-short moment, burying my tear-wet face against his chest. He put his big hand on the back of my hair, as if to hold me here.
"Bye, Jake." I pulled his hand from my hair, and kissed his palm. I couldn't bear to look at his face. "Sorry," I whispered.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I fell for you.
You fell for me.
Our friendship was just meant to be.
I asked if you loved me, and you said you did.
The next day you said that you wish you never did.
I fell apart that very day, begging you to stay.
You said no and pushed me away.
Now this very day im glad you didnt stay
”
”
Emma Taylor
“
You are not disposable. I know you feel that way when people choose to walk out of your life, but their emptiness causes space. And that vacant area of your life is desperately crying out for the one meant to take up residence. Let the angry tenant go. You don't want someone staying because you've begged and pleaded for their occupancy. You want the one who sees your quaking heart and says: "Honey I'm home".
”
”
Alfa Holden (Abandoned Breaths)
“
Come back, come back, dear friend, only friend, come back. I promise to be good.
If I was short with you, I was either kidding or just being stubborn; I regret all this more than I can express. Come back and all is forgotten. It is unbearable to think you took my joke seriously. I have been crying for two days straight. Come back. Be brave, dear friend. All is not lost. You only need to come back. We will live here once again, bravely, patiently. I’m begging you. You know it is for your own good. Come back, all of your things are here. I hope you now know that our last conversation wasn’t real. That awful moment. But you, when I waved to you to get off the boat, why didn’t you come? To have lived together for two years and to have come to that! What will you do? If you don’t want to come back here, would you want me to come to you?
Yes, I was wrong.
Tell me you haven’t forgotten me.
You couldn’t.
I always have you with me.
Listen, tell me: should we not live together anymore?
Be brave. Write immediately.
I can’t stay here much longer.
Listen to your heart.
Now, tell me if I should come join you.
My life is yours.
”
”
Arthur Rimbaud (I Promise to Be Good: The Letters of Arthur Rimbaud)
“
So what is this feeling that’s begging me to stay?”
“No doubt, it’s the exact same thing that is going to make me push you away.
”
”
A.L. Jackson (Kiss the Stars (Falling Stars, #1))
“
The thing about being selfish is that you don't care if someone is at your feet begging you to stay with him, offering you the world, his heart and soul. It doesn't matter. You'll do whatever you want to do. What you need to do for yourself. Nothing matters but what you want. What you think you need.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
Speak’, she begged silently. ‘Give me a reason to stay’. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Admit me for more than two jots and I will not be able to attend. Admit me for less and I will be here every day, while every night I will do what it takes to stay alive while I study here. I will sleep in alleys and stables, wash dishes for kitchen scraps, beg pennies to buy pens. I will do whatever it takes.” I said the last words fiercely, almost snarling them.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
He took a breath. “I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?” He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea. Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.” Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too. The sails creaked. The clouds parted for the moon then gathered back around her. Inej left Kaz with the wind howling and dawn still a long while away.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.
”
”
Jenny Zhang (Sour Heart)
“
The truth about most people: they will never accept you as you are. You'll need to change. And I'm begging you, change. But only for yourself, and even if that means by yourself. Never bend for them. Don't calm your heart, don't scale back these dreams. Stay strange, lost your mind, finger fuck the rules, burn bridges if you must, and follow your insanity. Feel everything, it's telling you something. People will love you in bits and pieces, and hate you just the same. You'll always be too much for some, and not enough for others. They will never believe in you, as much as you do. And understand that you will never be a success in the eyes of a failure. There's a magic in you that most others can't believe in, simply because they haven't made sense of themselves. But you're magic, still. You've been that way all along. And even if the world changed everything in you, that much would always be true.
”
”
J. Raymond
“
I don’t know what I even expected. A big final act kiss? A scorching rejection? It’s the kind of thing that makes sense in movies but it falls apart when it’s real. When it’s Ben. When his bedroom floor is covered with moving boxes. When he’s telling me to hang out as long as I want to but not begging me to stay. I wonder how many love stories end like this.
”
”
Becky Albertalli, Adam Silvera (Here's to Us (What If It's Us, #2))
“
I prayed all the way up that hill yesterday; not for you to stay; I didna think that would be right. I prayed I'd be strong enough to send ye away. I said, "Lord, if I've ever had courage in my life before, let me have it now. Let me be brave enough and not fall to my knees and beg her to stay.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
In pain with you, and yet I could not go. I stayed since nothing better came along. I loved you by default or just for show, My life a whistled flat unechoed song. I groped for notches in our dun abyss, And looked for more in lonely only less. I shunned the path adorned with signs to bliss, And stood the loyal ground of wait or guess. It took the tender you to shift the scene, Bold arsonist beneath our tinder stage! I then in friendly fire to earth careen And from our props and ashes disengage. I begged you long with such a silent ache In fear of, wish for mercy for my sake. What Love Feels Like
”
”
David Richo (How to Be an Adult in Relationships: The Five Keys to Mindful Loving)
“
One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.
”
”
Tana French (Broken Harbour)
“
Don’t ruin your life over somebody else’s foolishness. If they want to leave, let them leave! Manipulating, begging, or coercing someone to stay with you is an insult to SELF. Have confidence in yourself! Know your worth! Take a stand for YOU. You deserve to be loved, respected, and appreciated by someone who’s genuinely in love with you. It may hurt to let go, but trying to force someone to stay with you is more damaging than you realize. It’s VERY unhealthy. Set Yourself Free! Be a Priority to Yourself!
”
”
Stephanie Lahart
“
It gets to seem as if way back in the Garden of Eden after the Fall, Adam and Eve had begged the Lord to forgive them and He, in his boundless exasperation had said, "All right, then. Stay. Stay in the Garden. Get civilized. Procreate. Muck it up." And they did.
”
”
Diane Arbus (Diane Arbus: Monograph)
“
Behind the tough, scary act, his eyes were begging me to stay and love him unconditionally.
”
”
Kirsty Moseley (Fighting to Be Free (Fighting To Be Free, #1))
“
She wanted to reach up to the night and dig her fingers into it, beg it to stay just a little bit longer.
”
”
Adi Alsaid (Let's Get Lost (English Edition))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
He was unsure of a lot of things, but never of them. She’d built a home in his heart, and he couldn’t rid himself of any of the things she’d left behind. He wanted to go after her, beg her to stay with him, for him, but he was scared. He didn’t let her go because he loved her too much to ask her to stay, but because he couldn’t bear to hear her say that she wouldn’t.
”
”
Claire Contreras (Paper Hearts (Hearts, #2))
“
You think I would not beg to run away with you? My duty may be to the king, but my heart, Pae, is wherever you are. It is in the palm of your hands, the pad of your thumb. So if you leave, I will follow. If you stay, I will bow. Because there has never been a moment when you did not own the only piece of me that mattered—loving you made me matter. And I ache to be full again.
”
”
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
“
here we are at the place
where I get to beg for it
where I get to say Please, for just one night, will you lay down next to me, we can leave our
clothes on, we can stay all buttoned up?
or will I say
Roll over and let me fuck you till you puke, Henry, you owe me this much, you can indulge me
this at least, can’t you? but we both know how it goes. I say I want you inside me
and you hold my head underwater, I say I want you inside me
and you split me open with a knife.
”
”
Richard Siken (Crush)
“
I want to turn around, pull her from the room, tell her to stay away from me, beg her to wait for me, ruin her, exalt her. I’m at war with the most unworthy of opponents: my heart. Goddammit.
”
”
Trilina Pucci (Worship (Sinful, #2))
“
I hate this part," I sighed in aggravation and jerked the sunglasses from my eyes, setting them atop my head into my hair.
"What?" he said in a voice that clearly didn't understand where I could be leading things.
"This is where the leading man tries to save the girl from herself. She is willing to give up everything for him and he, in his misguided attempt to save her, tells her he's skipping for the hills and she has to beg him to stay and convince him that her love is real and that she is sound of mind."
(...)"Furthermore, I think it's juvenile to assume that just because a girl makes a romantic gesture that she can't possibly know what's in her own head.
”
”
Shelly Crane (Devour (Devoured, #1))
“
The right person will know how to hold your love. The right person will choose you just as deeply as you choose them. You will not have to quiet the way you care, you will never feel like you are too much. You will not have to beg for the love you deserve. One day, you will be met where you are. One day, you will be someone’s favorite thing, and you will not be confused — you will not feel like you are fighting for someone who isn’t fighting for you. One day, you will understand that it never mattered how tightly you held on to the wrong people, how intensely you tried, because the right people were always going to find you. The right people were always going to stay.
”
”
Bianca Sparacino (A Gentle Reminder)
“
Man does not stand in awe of man, nor is his genius admonished to stay at home, to put itself in communication with the internal ocean, but it goes abroad to beg a cup of water of the urns of other men.
”
”
Ralph Waldo Emerson (Self-Reliance & Other Essays)
“
You don’t have to beg people to stay. You are a gift. You are a prize. You are exceptional. Let the wrong people go and God will send people that value who you are and people that can’t wait to be with you.
”
”
Joel Osteen
“
You don’t have to beg people to stay. You are a gift. You are a prize. You are exceptional. Let the wrong people go, and God will send people that value who you are and people that can’t wait to be with you.
”
”
Joel Osteen
“
Give people time and space. Dont beg for anyone to stay. Dont beg anyone for Love. Whats meant for you will always be yours. If you are meant to be together you will be despite everything! Trust in Gods plans.
”
”
Lily Amis (Angel of Love Lily: Zak, My Sweet Inspiration)
“
Beg.” “Pardon me?” “You heard me.” Her lips don’t even twitch. She’s not joking at all. “Beg.” My cheeks heat against my will. My heart thunders in my chest. She’s got me so on my heels it’s not even funny. I can’t allow it to last. But can I suck it up for the sake of making her turn her ass around? Maybe. “Please stay.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
I cross to her and cup her face in my hands. “If we were different people in different circumstances, I would get down on my knees and beg you to stay at the end of the winter. I would move heaven and earth and the Underworld itself to keep you with me.” She blinks those big hazel eyes at me and licks her lips. “If…” She sounds so hesitant, I simultaneously want to gather her into my arms and don’t want to move in case she never finishes that sentence. She doesn’t leave me hanging long. “If we were different people, you wouldn’t have to beg. I’d plant my roots right here in this house, and it would take a catastrophic event to make me walk away.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
But now we are a mob. Man does not stand in awe of man, nor is his genius admonished to stay at home, to put itself in communication with the internal ocean, but it goes abroad to beg a cup of water of the urns of other men.
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
Once there was a queen in a palace of bread.
Sing blue, sing white, stay up all night.
She nibbled on the walls and gobbled up her bed.
Sing white, sing blue, sing ballyhoo.
The people begged a crumb from their robust queen.
Sing blue, sing white, she ate all night.
She would not share a thing until it turned green.
So white, so blue, the mold it grew.
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
I should probably be noble and tell you I’ll let you go if it’s what you want, but I’m a spoiled, selfish brat. I’ll follow you, beg you, bribe you to stay. Because you’re the first one to make it to my island. I don’t want to let you leave.
”
”
Heidi Cullinan (Lonely Hearts (Love Lessons, #3))
“
Stand,' he says against my lips.
'Xaden.' My heart thunders.
'I fucking need you, Violet. Right now. And I don't need anyone, so I'm not quite sure how to handle this feeling, but I'm giving it my best. And if you don't want this tonight, that's fine, but I'm going to need you to walk out that door right now, because if you don't, I'm going to have you naked on your back in the next two minutes.'
The intensity in his eyes and the vehemence of his words should frighten me, but they don't. Even if this man loses every ounce of his self-control, I know he'll never hurt me.
Not with his body, at least.
'Walk away or stay, but either way, I need you to stand up,' he begs.
'I think two minutes might be overestimating your skills with a corset.' I glance down at my armour.
He grins and lifts me from his lap.
My feet hit the floor. 'I'm timing you.'
'Is that-'
'One. Two.' I hold up my fingers. 'Three.'
He's on his feet in a heartbeat, and then his mouth is on mine, and I stop counting.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
NATURAL FLOW Don’t force relationships to happen, and don’t beg people to stay. Let everything flow as naturally as it can. If something doesn’t work, no matter how hard you try, chances are it isn’t meant for you. Have trust in that and move forward.
”
”
Charlotte Freeman (Everything You’ll Ever Need: You Can Find Within Yourself)
“
By the end of the first week, three of the women had dropped out, begging for mercy. They couldn’t stand the extreme pressure, the demanding lessons, the challenges, and the mental and physical abuse. The women who remained were determined to stay the course,
”
”
Danielle Steel (Spy)
“
They all warned me about Tristan, begging me to stay away. ‘He’s an asshole, he’s wild, and he’s broken, Liz,’ they would say. ‘He’s nothing but the ugly scars of his yesterdays,’ they swore. But what they didn’t see, what they chose to ignore was the fact that I was also a little wild, a bit crazy, and completely shattered too. I was damaged goods at best. But when I was with him, at least I remembered to breathe.
”
”
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
“
I beg for a moment of peace in this flicker,
a moment of stopping, one moment of stillness.
I beg not to feel these butterflies, not to see their
color, not to hear their rustle, I beg not to feel.
I beg not to not want them, nor to want – let them
be, as they are, let me be, as I am.
That I would not love them, for a moment I would not love
them, for a moment they would blur for me, disappear and I
would stay all alone.
I beg for a single moment, to stay all
alone – surrounded by butterflies, free without butterflies.
Oh, I train my eyesight, so I wouldn’t see. I
wake my ears, so I wouldn’t hear. And I
beg for a name, that wouldn’t be called in a name. Say that I
have silenced. Say that you have silenced. Say that it’s silent.
”
”
Imants Ziedonis (Taureņu uzbrukums)
“
In the peaceful moments of night,
Whenever i remember you..!
At that moment,
Me beg to Allah Almighty
For your eternal happiness..!
I pray to Him,
All griefs, all tears and all sorrows,
In your fate,
Shift to mine..!
And,
All possible joys of mine,
Shift to yours..!
O Aysel Stay blessed and happy..!
”
”
zia
“
You have nothing to be ashamed of, beautiful.” “Said the wolf to the lamb,” Janna whispered, feeling embarrassed by her actions. Garrett chuckled. “You are no lamb, but a beautiful, confused she-wolf, who doesn’t understand our ways.” He leaned down, kissing the corner of her mouth. “But I am patient and will give you time.” He picked her up easily and laid her gently on the bed. Janna had to fight herself from grabbing him and begging him to stay with her. “Give me time for what?” “For your human side to catch up with what your wolf already knows.” Garrett’s voice was deep and strong in the quiet room.
”
”
Teresa Gabelman (Forbidden Hunger (Lee County Wolves, #1))
“
How long are you staying?"
This time she did laugh. "Always gracious.A few days," she told him. "No more than a week.No,please." She held up her hand, palm up. "Don't beg me to extend my visit; I simply can't stay any longer." She knew he would scowl and swear and open his house to her for as long as she needed.
He finished off the last of his eggs. "Okay, you can drive into town for supplies while you're here."
"Always happy to be of service," Shelby muttered. "How do you manage to get every major newspaper in the country delivered out here?"
"I pay for it," he said simply. "They think I'm odd."
"You are odd.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
The bright sunshine sparkled on the blue water, turning the sea into a giant twinkling gemstone; the waves shushed against our small boat in loving caresses, begging us to stay out on the ocean just a little longer. I wanted to stay out on the water with Robbie forever. Today was my last day with my best friend.
”
”
Krista Lakes (Freshwater Kisses (The Kisses #3))
“
I saw how he looked at you,” he said. “I like how he looks at me!” I practically shouted. He shook his head, that bitter smile still playing on his lips. I wanted to smack it right off his face. “Just admit it,” he sneered. “He owns you.” “He owns you, too, Mal,” I lashed back. “He owns us all.” That wiped away his smile. “No he doesn’t,” Mal said fiercely. “Not me. Not ever.” “Oh really? Don’t you have someplace to be, Mal? Don’t you have orders to follow?” Mal stood up straight, his face cold. “Yes,” he said. “Yes, I do.” He turned sharply and walked out the door. For a moment, I stood there, quivering with anger, and then I ran to the doorway. I got all the way down the steps before I stopped myself. The tears that had been threatening to overflow finally did, coursing down my cheeks. I wanted to run after him, to take back what I’d said, to beg him to stay, but I’d spent my life running after Mal. Instead, I stood in silence and let him go.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
I hid this one in the hopes that you would find it long after I’m gone. I hope you find this months from now, when I’m still out there, on the road, away from you. I can’t imagine what the time apart has done to us. I’m hoping we’re closer.
I’m hoping we’re more in love than ever. I’m hoping that when I come back, you’ll move in with me. In all honesty, I’m hoping that when I come back you’ll agree to marry me someday. Because that’s what I want, what I dream about.
You, mine, for the rest of my life. I hope you feel the same…because I don’t know what I would do without you. I love you so much. But, if for some reason we’re not closer, if something has gotten between us, please, I’m begging you…don’t give up on me. Stay. Stay with me. Work it out with me. Just don’t leave me…please.
I love you, always, Kellan
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
I prayed all the way up that hill yesterday,” he said softly. “Not for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes. “I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay.’ ” He pulled his eyes away from the cottage and smiled briefly at me. “Hardest thing I ever did, Sassenach.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
The finish line comes into view and you will yourself toward it, but the wind pushes you back, and your body begs you to give up, and the whole world seems to grind into slow motion. Your determination is all that's left. It forces your muscles to fire. Forces you to stay in the race. Forces you to survive the pain of this moment.
”
”
Wendelin Van Draanen (The Running Dream)
“
Not to waste the spring
I threw down everything,
And ran into the open world
To sing what I could sing...
To dance what I could dance!
And join with everyone!
I wandered with a reckless heart
beneath the newborn sun.
First stepping through the blushing dawn,
I crossed beneath a garden bower,
counting every hermit thrush,
counting every hour.
When morning's light was ripe at last,
I stumbled on with reckless feet;
and found two nymphs engaged in play,
approaching them stirred no retreat.
With naked skin, their weaving hands,
in form akin to Calliope's maids,
shook winter currents from their hair
to weave within them vernal braids.
I grabbed the first, who seemed the stronger
by her soft and dewy leg,
and swore blind eyes,
Lest I find I,
before Diana, a hunted stag.
But the nymphs they laughed,
and shook their heads.
and begged I drop beseeching hands.
For one was no goddess, the other no huntress,
merely two girls at play in the early day.
"Please come to us, with unblinded eyes,
and raise your ready lips.
We will wash your mouth with watery sighs,
weave you springtime with our fingertips."
So the nymphs they spoke,
we kissed and laid,
by noontime's hour,
our love was made,
Like braided chains of crocus stems,
We lay entwined, I laid with them,
Our breath, one glassy, tideless sea,
Our bodies draping wearily.
We slept, I slept so lucidly,
with hopes to stay this memory.
I woke in dusty afternoon,
Alone, the nymphs had left too soon,
I searched where perched upon my knees
Heard only larks' songs in the trees.
"Be you, the larks, my far-flung maids?
With lilac feet and branchlike braids...
Who sing sweet odes to my elation,
in your larking exaltation!"
With these, my clumsy, carefree words,
The birds they stirred and flew away,
"Be I, poor Actaeon," I cried, "Be dead…
Before they, like Hippodamia, be gone astray!"
Yet these words, too late, remained unheard,
By lark, that parting, morning bird.
I looked upon its parting flight,
and smelled the coming of the night;
desirous, I gazed upon its jaunt,
as Leander gazes Hellespont.
Now the hour was ripe and dark,
sensuous memories of sunlight past,
I stood alone in garden bowers
and asked the value of my hours.
Time was spent or time was tossed,
Life was loved and life was lost.
I kissed the flesh of tender girls,
I heard the songs of vernal birds.
I gazed upon the blushing light,
aware of day before the night.
So let me ask and hear a thought:
Did I live the spring I’d sought?
It's true in joy, I walked along,
took part in dance,
and sang the song.
and never tried to bind an hour
to my borrowed garden bower;
nor did I once entreat
a day to slumber at my feet.
Yet days aren't lulled by lyric song,
like morning birds they pass along,
o'er crests of trees, to none belong;
o'er crests of trees of drying dew,
their larking flight, my hands, eschew
Thus I'll say it once and true…
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
”
”
Roman Payne (Rooftop Soliloquy)
“
My name it means nothing
my fortune is less
My future is shrouded in dark wilderness
Sunshine is far away, clouds linger on
Everything I posessed - Now they are gone
Oh where can I go to and what can I do?
Nothing can please me only thoughts are of you
You just laughed when I begged you to stay
I've not stopped crying since you went away
The world is a lonely place when you're on your own
Guess I will go home - sit down and moan.
Crying and thinking is all that I do
Memories I have remind me of you
”
”
Black Sabbath (Black Sabbath: Master of Reality | Guitar Recorded Tablature Sheet Music Songbook | Rock Electric Guitar Music Book for Intermediate Players | Hard Rock Songbook with Standard Notation and Tabs)
“
Jane.” Miss Johnson set a hand on her employer’s shoulder. “Why don’t you go speak to the staff and inform them of what is to come? I’ll talk with Lady Amanda.”
No. Amanda felt her eyes widen in panic, but she could hardly cling to Mrs. Marshall and beg her to stay. What was she to say? 'I’m afraid of your secretary. She’s too pretty'.
”
”
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
“
The sound of thunder awake me, and when I got up, my feet sank into muddy water up to my ankles. Mother took Buster and Helen to high ground to pray, but I stayed behind with Apache and Lupe. We barricaded the door with the rug and started bailing water out the window. Mother came back and begged us to go pray with her on the hilltop.
"To heck with praying!" I shouted. "Bail, dammit, bail!"
Mom look mortified. I could tell she thought I'd probably doomed us all with my blasphemy, and I was a little shocked at it myself, but with the water rising so fast, the situation was dire. We had lit the kerosene lamp, and we could see the walls of the dugout were beginning to sag inward. If Mom had pitched in and helped, there was a chance we might have been able to save the dugout - not a good chance, but a fighting chance. Apache and Lupe and I couldn't do it on our own, though, and when the ceiling started to cave, we grabbed Mom's walnut headboard and pulled it through the door just as the dugout collapsed in on itself, burying everything.
Afterward, I was pretty aggravated with Mom. She kept saying that the flood was God's will and we had to submit to it. But I didn't see things that way. Submitting seemed to me a lot like giving up. If God gave us the strength to bail - the gumption to try to save ourselves - isn't that what he wanted us to do?
”
”
Jeannette Walls (Half Broke Horses)
“
Cold, I was, like snow, like ivory.
I thought "He will not touch me",
but he did.
He kissed my stone-cool lips.
I lay still
as though I’d died.
He stayed.
He thumbed my marbled eyes.
He spoke -
blunt endearments, what he’d do and how.
His words were terrible.
My ears were sculpture,
stone-deaf shells.
I heard the sea.
I drowned him out.
I heard him shout.
He brought me presents, polished pebbles,
little bells.
I didn’t blink,
was dumb.
He brought me pearls and necklaces and rings.
He called them girly things.
He ran his clammy hands along my limbs.
I didn’t shrink,
played statue, shtum.
He let his fingers sink into my flesh,
he squeezed, he pressed.
I would not bruise.
He looked for marks,
for purple hearts,
for inky stars, for smudgy clues.
His nails were claws.
I showed no scratch, no scrape, no scar.
He propped me up on pillows,
jawed all night.
My heart was ice, was glass.
His voice was gravel, hoarse.
He talked white black.
So I changed tack,
grew warm, like candle wax,
kissed back,
was soft, was pliable,
began to moan,
got hot, got wild,
arched, coiled, writhed,
begged for his child,
and at the climax
screamed my head off -
all an act.
And haven’t seen him since.
Simple as that
”
”
Carol Ann Duffy (The World's Wife)
“
A scorpion sat on the shores of a river one day, needing to get to the other side, but the river was too wide, and there were not enough stones to jump across. He begged the various water birds—mallards and geese and herons—if he could catch a ride, but they pragmatically turned him down, knowing too well his cunning and his sting. He caught sight of the lovely swan making her way down the river and charmingly pleaded to her attributes. “Please, beautiful Swan, take me across the river. I couldn’t imagine harming something as beautiful as you, and it is not in my interest to do so. I simply want to get to the other side of the river.” The swan hesitated, but the scorpion was so charming and convincing. He was close enough to sting her right now, and yet he did not do it. What could go wrong? The trip across the river would take only a few minutes. She agreed to help him. As they traversed the river, the scorpion expressed his gratitude and continued to offer his compliments about her loveliness and kindness compared to all of the other negligent river birds. As they arrived at the other riverbank, he prepared to jump off. And right before he jumped off of her back, he lifted his tail and stung her. Crying and injured, the swan couldn’t understand why he’d done this, after all the promises, all the flattery, the logical explanations. “Why did you sting me?” she asked. He looked at her from the river bank and said, “I’m a scorpion. It’s who I am.” ♦♦♦
”
”
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
“
I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors. Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table. “Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished.
”
”
Sarah J. Maas
“
The ghetto was not guarded. One could enter and leave as one pleased. Maria, our former maid, came to see us. Sobbing, she begged us to come with her to her village where she had prepared a safe shelter. My father wouldn’t hear of it. He told me and my big sisters,“If you wish, go there. I shall stay here with your mother and the little one …” Naturally, we refused to be separated.
”
”
Elie Wiesel (Night)
“
The question is not “How am I to find God?” but “How am I to let myself be found by him?”. God is not the patriarch who stays home, doesn’t move, and expects his children to come to him, apologize for their aberrant behavior, beg for forgiveness, and promise to do better. To the contrary, he leaves the house, ignoring his dignity by running toward them, pays no heed to apologies and promises of change, and brings them to the table. When I look through God’s eyes at my lost self and discover God’s joy at my coming home, then my life may become less anguished and more trusting.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
It was all I could do not to fall on my knees and weep like the bastard she always said I was, and I was a breath away from begging her to run away with me. I can’t believe I’m admitting this on tape—I was standing at that table, she hit me with that look of hers, and I swear to God all I wanted to do was grab her hand, press it into my heart and say, “Let’s get the hell out of here.”
I was even willing to ride the 6 all the way to Houston Street. No kidding, I was going to take the subway to prove my love. And if she said no, I was going to kidnap her until she agreed to stay.
”
”
Tiffanie DeBartolo
“
If only she had begged him to stay. Now everything in the house scares her: the creaking stairs, shuttered windows, empty rooms. The clutter and silence. Etienne tries performing silly experiments to cheer her: a vinegar volcano, a tornado in a bottle. “Can you hear it, Marie? Spinning in there?” She does not feign interest. Madame Manec brings her omelets, cassoulet, brochettes of fish, fabricating miracles out of ration tickets and the dregs of her cupboards, but Marie-Laure refuses to eat. “Like a snail,” she overhears Etienne say outside her door. “Curled up so tight in there.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Kiara took Syn’s arm. “You really do know your art. I’m impressed.” “Please don’t encourage him,” Darling begged. “He really will bore you with it all night if you let him.” “Shut up, all of you. Uncultured baboons.” Nykyrian led the way to the door. “All right, children. We’re going out into public now. Let’s all play nice and try to stay out of trouble.” Jayne made a kiss at him. “Yes, Dad.
”
”
Sherrilyn Kenyon (Born of Night (The League, #1))
“
I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Spend your free time the way you like, not the way you think you’re supposed to. Stay home on New Year’s Eve if that’s what makes you happy. Skip the committee meeting. Cross the street to avoid making aimless chitchat with random acquaintances. Read. Cook. Run. Write a story. Make a deal with yourself that you’ll attend a set number of social events in exchange for not feeling guilty when you beg off.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Zach finally acknowledges me when my elbow smacks against his side as I shove my way between him and Rachel. He straightens and mumbles so only I can hear, “Damn, she gives me a hard-on. Gorgeous, and she knows cars.”
“I suggest you back the f*ck off,” I mutter.
Zach smirks. > “Hey, you’re the one that left her here with me.”
“What are you guys talking about?” Rachel asks.
“Cars,” I say. “You said you needed to be home by ten. It’s nine-thirty.”
She blinks as if she just woke up. “Crap. Already?”
I step aside so Rachel can exit the driver’s seat. Because Rachel is every guy’s fantasy, Zach begs her to stay: she should see the engine, she can ride in his car, she can drive his car. Each of his attempts to lure her to stay causes me to think of one more way to hide the body parts after I kill him.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
There is nothing to describe how much I miss him. No songs. No books. No words. Only tears falling from my face as I watch him slowly walk away. Are you leaving me, love? I suppose. But what do you do when you gave your life to the person who is leaving it? Do you take it back? Do you force them to stay? No, you sit in the corner with a gaping hole where your happiness used to be. And if they come back, and they beg for forgiveness, do you throw your arms around their waist and say how much you missed them? Or do you turn them away and bid them farewell. Come back, love. Don't make me ask these questions.
”
”
Infinity E. Frazier (Previously Lillian)
“
We must go home!", said the Snork.
"Not yet!" begged the Snork Maiden. "We haven't had the time to explore the cliff on the other side properly! We haven't even bathed!"
"We can wait a little and see what happens, can't we?" said Moomintroll. "It would be such a pity to go home just when we've discovered this island!"
"But if there's a storm we shan't be able to go at all!" said the Snork, brightly.
"That would be wonderful!" burst out Sniff. "We could stay here for ever and ever."
"Quiet children, I must think," said Moominpappa. He went down to the beach and sniffed the air, turned his head in all directions and wrinkled his forehead.
”
”
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
And the money came rolling into the pockets of the two greedy aunts. But while all this excitement was going on outside, poor James was forced to stay locked in his bedroom, peeping through the bars of his window at the crowds below. “The disgusting little brute will only get in everyone’s way if we let him wander about,” Aunt Spiker had said early that morning. “Oh, please!” he had begged. “I haven’t met any other children for years and years and there are going to be lots of them down there for me to play with. And perhaps I could help you with the tickets.” “Cut it out!” Aunt Sponge had snapped. “Your Aunt Spiker and I are about to become millionaires, and the last thing we want is the likes of you messing things up and getting in the way.” Later, when the evening of the first day came and the people had all gone home, the aunts unlocked James’s door and ordered him to go outside and pick up all the banana skins and orange peel and bits of paper that the crowd had left behind. “Could I please have something to eat first?” he asked. “I haven’t had a thing all day.” “No!” they shouted, kicking him out the door. “We’re too busy to make food! We are counting our money!
”
”
Roald Dahl (James and the Giant Peach)
“
I do not think the African, Caribbean, and Blacks have studied to any degree and depth and seriousness the rise of modern Japan. Went into a war and loss. They sustained two atomic bombs. Had their country occupied. Now the people who defeated them are now begging them for commercial space. What did they do, that we have forgotten how to do?
They did some serious astute planning. Not loud mouthing, not boasting. They did not get on the radio or any platform or call them any names, but they did what they had to do.
If we are carrying out a well designed plan for liberation any literate person can contribute and share leadership. So if the leader dies while you are on page 13 move to page 14 and continue the struggle. Bury the man, continue the plan. I think any person who calls them self a leader, preacher, policy maker of any kind, should ask and answer the question in his own lifetime... How will my people stay on this earth? How will they be educated? How will they be schooled, and how will they be housed and how will they be defended.
The answers to these questions will create the concept of enduring nationhood, because it creates the concept of enduring responsibility.
”
”
John Henrik Clarke
“
You Don't Have To Say You Love Me"
When I said I needed you
You said you would always stay
It wasn't me who changed but you
And now you've gone away
Don't you see
That now you've gone
And I'm left here on my own
That I have to follow you
And beg you to come home?
You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me, believe me
I can't help but love you
But believe me
I'll never tie you down
Left alone with just a memory
Life seems dead and so unreal
All that's left is loneliness
There's nothing left to feel
You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me, believe me
You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me, believe me, believe me
”
”
Dusty Springfield
“
Are you trying to make me beg, Aurora?” Those green eyes are staring up at me so fucking innocently, like she doesn’t have my cock next to her lips. She kisses the base, keeping her eyes on me. “Nope.” Another kiss slightly higher. “You don’t need to beg me to do something I’ve been desperate to do for weeks.” Joining my fingers on top of my head, I pull on my hair as my stomach flexes, my breathing fighting to stay steady. “This is going to be the best seven seconds of my life.” “Don’t make me laugh when I’m trying to seduce you,” she groans through her laughter.
”
”
Hannah Grace (Wildfire (Maple Hills, #2))
“
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. “Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.”
Speak, she begged silently. Give me a reason to stay. For all his selfishness and cruelty, Kaz was still the boy who had saved her. She wanted to believe he was worth saving, too.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I didn’t until I was older and she was diagnosed and the possibility of her leaving us became real. But she used to tell me how the moment I was born, she knew she had found her light in the dark. That one lighthouse that, no matter what, was always up. Lighting up the night and signaling her way home. And as a kid, I thought that was either corny or very dramatic.” A low and humorless chuckle left him. My heart broke all over again for him, hurting and begging me to turn around and give him any comfort I could. But I stayed put. “You must miss her so much.” “I do, every day. When she passed and my nights got a little darker, I started to understand what she’d meant.” That was a loss I hoped I wouldn’t experience in a long time. “But what your dad said—about you having this fire inside, that lightness and life, and how it dulled for a period of time …” He paused, and I swore I heard him swallow. “It just …” He trailed off, as if he was scared of his next words. And Aaron never feared speaking his mind. Aaron was never scared. “You are all that, Catalina. You are light. And passion. Your laughter alone can lift my mood and effortlessly turn my day around in a matter of seconds. Even when it’s not aimed at me. You … can light up entire rooms, Catalina. You hold that kind of power. And it’s because of all the different things that make you who you are. Each and every one of them, even the ones that drive me crazy in ways you can’t imagine. You should never forget that.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Love is not the doe-eyed virgin you believe her to be. Love is always hungry. Love is always wanting. Love is not rational. Love does not compromise. And Love is not happy simply possessing you. It wants to own you. Control you. Be you. The first murder was because of love. And I promise you that the last of your kind will die for it. “Love is the single-minded hunter who consumes its prey, sucking it of all it’s worth and then seeks another. Love is only happy when you are on your knees, begging it to stay. And love will walk away, leaving you to your self pity just to feel your need. “Love
”
”
R.E. Vance (Gone God World)
“
As I lay there, trying to swallow a loud, obnoxious yawn, I remembered something he’d said when we first met, about life being too short. I imagined he had firsthand experience with shortened lives while he was serving. That mentality came from experience. I got that now. Could even understand it, but there was something I didn’t understand.
“Why?” I asked.
There was a beat. “Why what?”
Jax sounded tired, and I should shut up or point out that I was now tired and could sleep, so he could leave. But I didn’t. “Why are you here? You don’t know me and . . .” I trailed off, because there really wasn’t anything left to say.
A minute went by, and he hadn’t answered my question, and then I think another minute ticked on, and I was okay with him not answering because maybe he didn’t even know. Or maybe he was just bored and that was why he was here.
But then he moved.
Jax pressed against my back, and the next breath I took got stuck in my throat. My eyes shot open. The sheet and blanket were between us, but they felt like nothing.
“What are you doing?” I asked.
“Getting comfortable.” He dropped an arm over my waist, and my entire body jerked against his. “It’s time to sleep I think.”
“But—”
“You can’t sleep when you talk,” he remarked.
“You don’t need to be all up on me,” I pointed out.
His answering chuckle stirred the hair along the back of my neck. “Honey, I’m not all up on you.”
I freaking begged to differ on that point. I started to wiggle away, but the arm around my waist tightened, holding me in place.
“You’re not going anywhere,” he announced casually, as if he wasn’t holding me prisoner in the bed.
Okay. The whole prisoner thing might be melodramatic, but he wasn’t letting me up. Not when he was getting all kinds of comfy behind me.
Oh my God, this was spooning. Total spooning. I was spooning with an honorary member of the Hot Guy Brigade. Did I wake up in a parallel universe?
“Sleep,” he demanded, as if the one word carried that much power. “Go to sleep, Calla.” This time his voice was softer, quieter.
“Yeah, it doesn’t work that way, Jax. You have a nice voice, but it doesn’t hold the power to make me sleep on your command.”
He chuckled.
I rolled my eyes, but the most ridiculous thing ever was the fact that after a couple of minutes, my eyes stayed shut. I . . . I actually settled in against him. With his front pressed to my back, his long legs cradling mine, and his arm snug around my waist, I actually did feel safe. More than that, I felt something else—something I hadn’t felt in years.
I felt cared for . . . cherished.
Which was the epitome of dumb, because I barely knew him, but feeling that, recognizing what the warm, buzzing feeling was, I fell right asleep.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
But one thing I beg of you”; he continued, “shave daily, if at all possible, even if you have to use a piece of glass to do it … even if you have to give your last piece of bread for it. You will look younger and the scraping will make your cheeks look ruddier. If you want to stay alive, there is only one way: look fit for work. If you even limp, because, let us say, you have a small blister on your heel, and an SS man spots this, he will wave you aside and the next day you are sure to be gassed. Do you know what we mean by a ‘Moslem’? A man who looks miserable, down and out, sick and emaciated, and who cannot manage hard physical labor any longer … that is a ‘Moslem.’ Sooner or later, usually sooner, every ‘Moslem’ goes to the gas chambers. Therefore, remember: shave, stand and walk smartly; then you need not be afraid of gas. All of you standing here, even if you have only been here twenty-four hours, you need not fear gas, except perhaps you.” And then he pointed to me and said, “I hope you don’t mind my telling you frankly.” To the others he repeated, “Of all of you he is the only one who must fear the next selection. So, don’t worry!” And I smiled. I am now convinced that anyone in my place on that day would have done the same.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I hope you have sent your jewels to the bank,’ I said.
‘Oh, darling, don’t tease, you know how I haven’t got any now. But my money,’ she said with a self-conscious giggle, ‘is sewn into my stays. Fa rang up and begged me to, and I must say it did seem quite an idea. Oh, why aren’t you coming? I do feel so terrified – think of sleeping in the train, all alone.’
‘Perhaps you won’t be alone,’ I said. ‘Foreigners are greatly given, I believe, to rape.’
‘Yes, that would be nice, so long as they didn’t find my stays. Oh, we are off – good-bye darling, do think of me,’ she said, and, clenching her suède-covered fist, she shook it out of the window in a Communist salute.
”
”
Nancy Mitford (The Pursuit of Love (Radlett & Montdore, #1))
“
Now that you’re old, cut yourself some slack, would you?
Let yourself off the hook.
Give yourself a break.
You don’t have to do it all anymore. Take it easy for a change.
It’s OK with the rest of the world. So why not you?
For the first time in your life, do what you want.
Not what everyone else thinks you should.
Not what you think everyone else thinks you should.
Do what you want.
Excuse yourself. Say no. Back out. Beg off. Stay home. Take a rain check. Take a nap. Watch the ball game on TV.
Anything but what you’d rather not do but feel you have to for everyone else's sake but your own. And then feel bad about having done it. That's plain wrong.
And ask for some help when you need it: 'It’s too heavy.' 'It's too far.' Too near. Too cold. Too hot. Too bright. Too dark.
Whatever.
It's OK because there's always going to be something you need help with anymore.
And be grateful for the helping hand. You'll find more and more people extend one to you these days. Whatever the reason for accepting you’ve got the best excuse in the world. The only one you’ll ever need:
'Hey, I’m old.
”
”
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
“
No relationship is ever a waste of your time. If it didn't bring you what you want, it taught you what you don’t want.
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The Illuminati
21 hrs ·
If someone wants to be a part of your life, they'll make an effort to be a part of it.
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The Illuminati
18 hrs ·
Stop running back to the person you need to be walking away from.
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The Illuminati
9 hrs ·
Forget those who forget you.
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The Illuminati
15 hrs ·
There's always something good coming.
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The Illuminati
Yesterday at 10:00am ·
Don't beg for anyone to stay in your life. It's pathetic. If they want to be a part of your life, they'll stay.
”
”
Illuminati
“
Could have been, mind you. And that's one big mother of a conditional. Because who's to say she wanted me in the same way? After all, she left me, didn't she? Maybe I didn't try too hard to get her to stay but what words are there for begging? Please? Don't go, honey? They're crippled halfwits, those sentences, and besides, who uses a lot of words in a friendship anyway? You run out of things to say pretty early on, that's my experience. Sure, you start off thick enough, so many words you could gag on them. The facts, and the sentences - and the sticky tears. Out it comes, out it all comes, the fat story of your life but before you know it you've talked your guts out and there's nothing left to say. You go to her, to confide, and choke up air.
”
”
Kirsty Gunn (This Place You Return To Is Home)
“
He was, he realized, comforted by her presence. They didn’t need to talk. They didn’t even need to touch (although he wasn’t about to let go just then). Simply put, he was a happier man— and quite possibly a better man— when she was near.
He buried his face in her hair, inhaling her scent, smelling . . .
Smelling . . .
He drew back. “Would you care for a bath?”
Her face turned an instant scarlet. “Oh, no,” she moaned, the words muffled into the hand she’d clapped over her mouth. “It was so filthy in jail, and I was forced to sleep on the ground, and—”
“Don’t tell me any more,” he said.
“But—”
“Please.”
If he heard more he might have to kill someone. As long as there had been no permanent damage, he didn’t want to know the details.
“I think,” he said, the first hint of a smile tugging at the left corner of his mouth, “that you should take a bath.”
“Right.” She nodded as she rose to her feet. “I’ll go straight to your mother’s—”
“Here.”
“Here?”
The smile spread to the right corner of his mouth. “Here.”
“But we told your mother—”
“That you’d be home by nine.”
“I think she said seven.”
“Did she? Funny, I heard nine.”
“Benedict . . .”
He took her hand and pulled her toward the door. “Seven sounds an awful lot like nine.”
“Benedict . . .”
“Actually, it sounds even more like eleven.”
“Benedict!”
He deposited her right by the door. “Stay here.”
“I beg your pardon?”
“Don’t move a muscle,” he said, touching his fingertip to her nose.
Sophie watched helplessly as he slipped out into the hall, only to return two minutes later.
“Where did you go?” she asked.
“To order a bath.”
“But—”
His eyes grew very, very wicked. “For two.”
She gulped.
He leaned forward. “They happened to have water heating already.”
“They did?”
He nodded. “It’ll only take a few minutes to fill the tub.”
She glanced toward the front door. “It’s nearly seven.”
“But I’m allowed to keep you until twelve.”
“Benedict!”
He pulled her close. “You want to stay.”
“I never said that.”
“You don’t have to. If you really disagreed with me, you’d have something more to say than, ‘Benedict’!”
She had to smile; he did that good an imitation of her voice.
His mouth curved into a devilish grin. “Am I wrong?”
She looked away, but she knew her lips were twitching.
“I thought not,” he murmured.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Ego or fixed identity doesn’t just mean we have a fixed idea about ourselves. It also means that we have a fixed idea about everything we perceive. I have a fixed idea about you; you have a fixed idea about me. And once there is that feeling of separation, it gives rise to strong emotions. In Buddhism, strong emotions like anger, craving, pride, and jealousy are known as kleshas—conflicting emotions that cloud the mind. The kleshas are our vehicle for escaping groundlessness, and therefore every time we give in to them, our preexisting habits are reinforced. In Buddhism, going around and around, recycling the same patterns, is called samsara. And samsara equals pain. We keep trying to get away from the fundamental ambiguity of being human, and we can’t. We can’t escape it any more than we can escape change, any more than we can escape death. The cause of our suffering is our reaction to the reality of no escape: ego clinging and all the trouble that stems from it, all the things that make it difficult for us to be comfortable in our own skin and get along with one another. If the way to deal with those feelings is to stay present with them without fueling the story line, then it begs the question: How do we get in touch with the fundamental ambiguity of being human in the first place? In fact, it’s not difficult, because underlying uneasiness is usually present in our lives. It’s pretty easy to recognize but not so easy to interrupt. We may experience this uneasiness as anything from slight edginess to sheer terror. Anxiety makes us feel vulnerable, which we generally don’t like. Vulnerability comes in many guises. We may feel off balance, as if we don’t know what’s going on, don’t have a handle on things. We may feel lonely or depressed or angry. Most of us want to avoid emotions that make us feel vulnerable, so we’ll do almost anything to get away from them. But if, instead of thinking of these feelings as bad, we could think of them as road signs or barometers that tell us we’re in touch with groundlessness, then we would see the feelings for what they really are: the gateway to liberation, an open doorway to freedom from suffering, the path to our deepest well-being and joy. We have a choice. We can spend our whole life suffering because we can’t relax with how things really are, or we can relax and embrace the open-endedness of the human situation, which is fresh, unfixated, unbiased. So the challenge is to notice the emotional tug of shenpa when it arises and to stay with it for one and a half minutes without the story line. Can you do this once a day, or many times throughout the day, as the feeling arises? This is the challenge. This is the process of unmasking, letting go, opening the mind and heart.
”
”
Pema Chödrön (Living Beautifully: with Uncertainty and Change)
“
I spin in the trail to face Kat, who raises her own walking stick to meet mine.
‘A duel to the death?’ Kat says, giggling.
I laugh, too, and we spar for a moment playfully until Kat gently presses the tip of her stick into my chest. ‘On your knees and beg for mercy.’
Oh, god. This feels silly and dangerous at the same time. I kneel. I look up at Kat, beautiful and fierce standing there with the setting sun in her hair and her face so stern. Only her eyes are full of mirth. I stare.
‘Close your eyes, prisoner.’
I giggle stupidly, my heart leaping at the point of her stick.
‘Close your eyes. And stop laughing.’
I try to obey, shaking a little.
Katy moves her makeshift lance to my neck, pressing gently. ‘Close em.’
I close my eyes, serious at last. There is a long silence, and I feel genuinely vulnerable for a moment, as though Kat really does have a sword to my neck. Then I feel the stick come down gently and touch each of my shoulders.
‘I… dub… thee… mine,’ says Kat softly. ‘Sealed with a kiss.’ The stick falls to the forest floor behind her. She kneels down in front of me and touches my face with both hands. It’s all I can do to stay here, to be here, to hold still.
”
”
Elissa Janine Hoole (Kiss the Morning Star)
“
To Begin With, the Sweet Grass
1.
Will the hungry ox stand in the field and not eat
of the sweet grass?
Will the owl bite off its own wings?
Will the lark forget to lift its body in the air or
forget to sing?
Will the rivers run upstream?
Behold, I say—behold
the reliability and the finery and the teachings
of this gritty earth gift.
2.
Eat bread and understand comfort.
Drink water, and understand delight.
Visit the garden where the scarlet trumpets
are opening their bodies for the hummingbirds
who are drinking the sweetness, who are
thrillingly gluttonous.
For one thing leads to another.
Soon you will notice how stones shine underfoot.
Eventually tides will be the only calendar you believe in.
And someone's face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper:
oh, let me, for a while longer, enter the two
beautiful bodies of your lungs.
3.
The witchery of living
is my whole conversation
with you, my darlings.
All I can tell you is what I know.
Look, and look again.
This world is not just a little thrill for the eyes.
It's more than bones.
It's more than the delicate wrist with its personal pulse.
It's more than the beating of the single heart.
It's praising.
It's giving until the giving feels like receiving.
You have a life—just imagine that!
You have this day, and maybe another, and maybe
still another.
4.
Someday I am going to ask my friend Paulus,
the dancer, the potter,
to make me a begging bowl
which I believe
my soul needs.
And if I come to you,
to the door of your comfortable house
with unwashed clothes and unclean fingernails,
will you put something into it?
I would like to take this chance.
I would like to give you this chance.
5.
We do one thing or another; we stay the same, or we
change.
Congratulations, if
you have changed.
6.
Let me ask you this.
Do you also think that beauty exists for some
fabulous reason?
And, if you have not been enchanted by this adventure—
your life—
what would do for you?
7.
What I loved in the beginning, I think, was mostly myself.
Never mind that I had to, since somebody had to.
That was many years ago.
Since then I have gone out from my confinements,
though with difficulty.
I mean the ones that thought to rule my heart.
I cast them out, I put them on the mush pile.
They will be nourishment somehow (everything is nourishment
somehow or another).
And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.
”
”
Mary Oliver
“
Is there a baby?” Her eyes went blank, as if he’d spoken the question in Apache. “A baby,” he repeated, “on the way. Is that why you hid out in my wagon? To trap me?” She gasped. Daniel heard the boys gasp, too, though he doubted they knew what he was really asking. She knew all right, because she unwound from the little ball she’d curled herself into and slapped him hard across the face. The boys all jumped, but they stayed under cover. Smart boys. She packed quite a wallop for a little thing. His face burned. His temper rose. Her chin began to quiver. The sparkle in her eyes blazed into fire. She pulled her hand back to paste him again. He caught her hand with a smart slap of flesh on flesh, surprised at how furious he was. He should have been sorry. He should have been begging her pardon for asking such a thing. But he wasn’t. And her anger might be over getting caught rather than being insulted. “Sorry, Mrs. Reeves, but that’s no answer.” The sting on his cheek came out in his voice. She jerked against his grip. He held fast. She raised her other hand—this one clenched in a fist—and he caught that, too. He leaned close. “You are well and truly trapped, Mrs. Reeves. Just like I am.
”
”
Mary Connealy (Calico Canyon (Lassoed in Texas, #2))
“
Hunting Song
THE dusky night rides down the sky,
And ushers in the morn;
The hounds all join in glorious cry,
The huntsman winds his horn:
And a hunting we will go.
The wife around her husband throws
Her arms, and begs his stay;
My dear, it rains, and hails, and snows,
You will not hunt to-day.
But a hunting we will go.
A brushing fox in yonder wood,
Secure to find we seek;
For why, I carry'd sound and good
A cartload there last week.
And a hunting we will go.
Away he goes, he flies the rout,
Their steeds all spur and switch;
Some are thrown in, and some thrown out,
And some thrown in the ditch:
But a hunting we will go.
At length is strength to faintness worn,
Poor Reynard ceases flight;
Then hungry, homeward we return,
To feast away the night:
Then a drinking we will go.
”
”
Henry Fielding
“
Jamie cringes. “I gotta…” He chokes on the word. “Gotta just try something, okay?” When he raises his eyes again, they’re wet. Now I’m more panicked than ever. I stumble toward him and wrap my arms around him. He hugs me back, at least. My throat locks up completely. No no no no I chant inside. I’d yell it if I knew it was the right thing to do. But how do I deny him a trip to his parents? Tomorrow I’m leaving for Minnesota. It makes no sense for me to beg him to stay and then hop on the team jet for five days. Fuck. So I man up and do what is right. “Take care of yourself,” I whisper. “You’re really fucking important to me.” He hugs me a little tighter and takes a shaky breath. “You too.” Okay. I can do this. “I love you,” I say, taking half a step back. “Love you, too,” he mutters. He doesn’t look me in the eye. Fuck. Fuck. Fuck.
”
”
Sarina Bowen (Us (Him, #2))
“
Hold thy desperate hand:
Art thou a man? thy form cries out thou art:
Thy tears are womanish; thy wild acts denote
The unreasonable fury of a beast:
Unseemly woman in a seeming man!
Or ill-beseeming beast in seeming both!
Thou hast amazed me: by my holy order,
I thought thy disposition better temper’d.
Hast thou slain Tybalt? wilt thou slay thyself?
And stay thy lady too that lives in thee,
By doing damned hate upon thyself?
Why rail’st thou on thy birth, the heaven, and earth?
Since birth, and heaven, and earth, all three do meet
In thee at once; which thou at once wouldst lose.
Fie, fie, thou shamest thy shape, thy love, thy wit;
Which, like a usurer, abound’st in all,
And usest none in that true use indeed
Which should bedeck thy shape, thy love, thy wit:
Thy noble shape is but a form of wax,
Digressing from the valour of a man;
Thy dear love sworn but hollow perjury,
Killing that love which thou hast vow’d to cherish;
Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier’s flask,
Is set afire by thine own ignorance,
And thou dismember’d with thine own defence.
What, rouse thee, man! thy Juliet is alive,
For whose dear sake thou wast but lately dead;
There art thou happy: Tybalt would kill thee,
But thou slew’st Tybalt; there are thou happy too:
The law that threaten’d death becomes thy friend
And turns it to exile; there art thou happy:
A pack of blessings lights up upon thy back;
Happiness courts thee in her best array;
But, like a misbehaved and sullen wench,
Thou pout’st upon thy fortune and thy love:
Take heed, take heed, for such die miserable.
Go, get thee to thy love, as was decreed,
Ascend her chamber, hence and comfort her:
But look thou stay not till the watch be set,
For then thou canst not pass to Mantua;
Where thou shalt live, till we can find a time
To blaze your marriage, reconcile your friends,
Beg pardon of the prince, and call thee back
With twenty hundred thousand times more joy
Than thou went’st forth in lamentation.
Go before, nurse: commend me to thy lady;
And bid her hasten all the house to bed,
Which heavy sorrow makes them apt unto:
Romeo is coming.
”
”
William Shakespeare (Romeo and Juliet)
“
What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations.
The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction.
Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do.
Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”)
Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.”
No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study.
We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate.
I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements.
Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity.
Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold.
If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true.
No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written.
It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness.
Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive.
I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.
”
”
Mark Galli (Preaching that Connects)
“
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.”
“Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression.
But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.”
Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin.
Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes.
It did sound fun, and Violet did love the snow. And the woods. And Jay.
She could at least ask.
Like Chelsea said, No harm, no foul.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Not only did Jesus save Mary; He gave her a job to do. Everyone whom the Lord cleans He commissions. After Isaiah had his lips cleaned with a coal from God’s altar, the Lord commissioned him to go and preach (Isa. 6:1-9). Basically, Jesus said to Mary, “Don’t just cling to Me; go and tell others.” If we love Jesus as Mary loved Jesus, we are compelled to tell others. We can’t keep Him to ourselves. The man from whom Jesus purged an army of demons wanted to just stay at His side. “Now the man from whom the demons had departed begged Him that he might be with Him. But Jesus sent him away, saying, ‘Return to your own house, and tell what great things God has done for you’ ” (Luke 8:38, 39). Like Mary and this man, the church is saved for the purpose of telling others. Salvation involves coming and going. We come to Jesus at His great invitation, then we go for Jesus -181- with the Great Commission. “Come to Me, all you who labor and are heavy laden, and I will give you rest” (Matt. 11:28). “Go therefore and make disciples of all the nations” (Matt. 28:19). “Now therefore come, that we may go and tell the king’s household” (2 Kings 7:9, KJV). We should not go for Jesus until we first come to Jesus. God uses people to reach people. He could preach the gospel much more efficiently through angels. However, witnessing is part of our sanctification process. Mary is never identified as having an exceptional gift of communication, but the Lord chose her to communicate the good news of His resurrection. This should encourage each of us to come to Jesus that we might go for Jesus and become witnesses of His resurrection.
”
”
Doug Batchelor (At Jesus Feet)
“
The love of my life is gone, and I can’t just call her and say I’m sorry
and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I
regret every stupid thing I did that caused her an ounce of pain. I
should have chased her down the street the day she left me. I should
have begged her to stay. I should have apologized and sent roses and
stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia
St. James!’ and let them crucify me for it. That’s what I should have
done. And now that I don’t have her, and I have more money than I
could ever use in this lifetime, and my name is cemented in Hollywood
history, and I know how hollow it is, I am kicking myself for every
single second I chose it over loving her proudly. But that’s a luxury.
You can do that when you’re rich and famous. You can decide that
wealth and renown are worthless when you have them. Back then, I
still thought I had all the time I needed to do everything I wanted. That
if I just played my cards right, I could have it all.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I am sure you understand," Father began, looking past Violet at the wall, "that I cannot allow you back into my house after what you have done. I have arranged for you to be taken to a finishing school in Scotland. You will stay there for two years, and after that I will decide what is to be done with you."
Violet heard Graham clear his throat.
"No," she said, before her brother could open his mouth to speak. "That won't be acceptable, I'm afraid, Father."
His jowls slackened with shock. He looked as if she had slapped him.
"I beg your pardon?"
"I won't be going to Scotland. In fact, I won't be going anywhere. I'm staying right here." As she spoke, Violet became aware of a strange simmering sensation, as though electricity was humming beneath her skin. Images flashed in her mind---a crow cutting through the air, wings glittered with snow; the spokes of a wheel spinning. Briefly, she closed her eyes, focusing on the feeling until she could almost see it, glinting gold inside her.
"That is not for you to decide," said Father. The window was open, and a bee flitted about the room, wings a silver blur. It flew near Father's cheek and he jerked away from it.
"It's been decided." She stood up straight, her dark eyes boring into Father's watery ones. He blinked. The bee hovered about his face, dancing away from his hands, and she saw sweat break out on his nose. Soon it was joined by another, and then another and another, until it seemed like Father---shouting and swearing---had been engulfed in a cloud of tawny, glistening bodies.
"I think it would be best if you left now, Father," said Violet softly. "After all, as you said, I'm my mother's daughter.
”
”
Emilia Hart (Weyward)
“
Evelyn looks at me as if I am stupid. “She’s gone now,” Evelyn says. “The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly. But that’s a luxury. You can do that when you’re rich and famous. You can decide that wealth and renown are worthless when you have them. Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
”
”
Tommy Orange (There There)
“
Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set.
As I left the arena, people looked at me with mocking eyes.
Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.
”
”
Malak El Halabi
“
His eyes burned. His throat swelled and knotted. For the first time in his life he was faced with a situation where he had no idea what to do. She had every right to hate him.
She put a hand to her head and rubbed. She swayed and then bent over as if she was about to fall. “Kelly!”
He went forward, but she jerked upright again and thrust out a hand to ward him off.
“Just stay away,” she said in a low, desperate voice.
“Kelly, please.”
It was his turn to beg. And God, he would. He’d do anything to make her stay long enough that he could make it up to her.
“I love you. I never stopped loving you.”
She lifted her gaze again, her eyes drenched with tears—and pain. “Love isn’t supposed to hurt this much. Love isn’t this. Love is trust.”
He moved forward again, so desperate to hold her, to offer the comfort he had denied her when she’d needed him most. Anger and sorrow vied for control. Grief welled in his chest until he thought he might explode. Rage surged through his veins like acid.
She put her hand to her head again and started to walk past him. He caught at her elbow, anything to stop her, because he knew in his heart she was going to walk away. He didn’t deserve a second chance. He didn’t deserve for her to stay. He didn’t deserve her love. But he wanted it. He wanted it more than he wanted to live.
“Please don’t go.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.'
The whites of his knuckles showed.
'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you.
'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.'
My lips wobbled, and I pressed them together.
'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.'
Two tears slid down his cheeks, swift and cold.
He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.”
He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t.
“What?” she demanded adamantly.
He grinned. He was definitely keeping something from her.
“Tell me!” she insisted, glowering at him.
“I don’t know . . .” he teased her. “I’m not sure you deserve it.”
She punched him in the arm for making her beg. “Please, just tell me.”
He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?”
Violet was speechless. That wasn’t at all what she’d expected him to say.
“Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.”
“You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.”
She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen.
He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.”
They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy.
Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.”
Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
I grab one of the lanterns we’ve left in the mudroom and head toward my parents’ room, expecting Ryder to follow.
But he pauses at the bottom of the stairs. “I guess I should…you know. The guestroom. Should be safe upstairs now.”
I just stare at him, trying to decide if he’s serious. But then he reaches for the banister, and I realize he is. “You don’t have to,” I say, my cheeks flushing hotly. “I mean…I’m fine with you down here. With me.”
I can’t believe I just said that. But, jeez, everything’s so awkward now.
“You sure?” he asks, taking a step toward me.
I shift my weight from one foot to the other. “Yeah, I’m…you know, getting used to having you around. Anyway,” I say breezily, “we might get some more severe stuff tonight. Probably shouldn’t take any chances.”
Oh my God, I’m practically begging him to stay with me. What is wrong with me?
“You’re probably right,” Ryder says, relenting.
I try to think of something clever to say, but come up blank. So I turn and stalk off to my parents’ room instead.
Ryder finds me in the bathroom, brushing my teeth with bottled water. He stands in the doorway, leaning against the wooden frame, watching me. Our gazes meet in the mirror--which, of course, makes gooseflesh rise on my skin. I spit in the sink and take a swig of water to rinse.
“Jem?”
I turn, the marble countertop digging into my back. He moves toward me, closing the distance between us. I sway slightly on my feet as he reaches for me, his dark eyes filled with heat. His gaze sweeps across my face, warming my skin, making my breath catch in my throat.
Oh man.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Are you a relative of her late husband?” the woman asked.
His eyes widened. “I beg your pardon?”
“It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?”
Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!”
He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic!
As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance!
He knocked on the door and waited.
There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes.
He managed to get inside the screen door and catch her before she passed out.
She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks.
He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition.
“When did we make him?” he asked without preamble.
She felt her world dissolve. He knew about the baby. Of course. That was why he was here.
He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once.
“The baby is mine.”
“And mine.”
“Audrey is not getting her avaricious little hands on my child…!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
We were both seniors in college when we learned she had cancer. By then we weren’t at St. Thomas anymore. We’d both transferred to the University of Minnesota after that first year—she to the Duluth campus, I to the one in Minneapolis—and, much to our amusement, we shared a major. She was double majoring in women’s studies and history, I in women’s studies and English. At night, we’d talk for an hour on the phone. I was married by then, to a good man named Paul. I’d married him in the woods on our land, wearing a white satin and lace dress my mother had sewn. After she got sick, I folded my life down. I told Paul not to count on me. I would have to come and go according to my mother’s needs. I wanted to quit school, but my mother ordered me not to, begging me, no matter what happened, to get my degree. She herself took what she called a break. She only needed to complete a couple more classes to graduate, and she would, she told me. She would get her BA if it killed her, she said, and we laughed and then looked at each other darkly. She’d do the work from her bed. She’d tell me what to type and I’d type it. She would be strong enough to start in on those last two classes soon, she absolutely knew. I stayed in school, though I convinced my professors to allow me to be in class only two days each week. As soon as those two days were over, I raced home to be with my mother. Unlike Leif and Karen, who could hardly bear to be in our mother’s presence once she got sick, I couldn’t bear to be away from her. Plus, I was needed. Eddie was with her when he could be, but he had to work. Someone had to pay the bills.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
This is the definition of peace.
The definition is interrupted by Toraf's ringtone. Why did Rachel get Toraf a phone? Does she hate me? Fumbling behind him in the sand, Galen puts a hand on it right before it stops ringing. He waits five seconds and...Yep, he's calling again.
"Hello?" he whispers.
"Galen, it's Toraf."
Galen snorts. "You think?"
"Rayna's ready to leave. Where are you?"
Galen sighs. “We’re on the beach. Emma’s still sleeping. We’ll walk back in a few minutes.” Emma braved her mom’s wrath by skipping curfew again last night to be with him. Grom’s mating ceremony is tomorrow, and Galen and Rayna’s attendance is required. He’ll have to leave her in Toraf’s care until he gets back.
“Sorry, Highness. I told you, Rayna’s ready to go. You have about two minutes of privacy. She’s heading your way. “The phone disconnects.
Galen leans down and sweeps his lips over her sweet neck. “Emma,” he whispers.
She sighs. “I heard him,” she groans drowsily. “You should tell Toraf that he doesn’t have to yell into the phone. And if he keeps doing it, I’m going to accidentally break it.”
Galen grins. “He’ll get the hang of it soon. He’s not a complete idiot.”
At this, Emma opens one eye.
He shrugs. “Well, three quarters maybe. But not a complete one.”
“Are you sure you don’t want me to come with you?” she says, sitting up and stretching.
“You know I do. But I think this mating ceremony will be interesting enough without introducing my Half-Breed girlfriend, don’t you think?”
Emma laughs and pulls her hair to one side, draping it over her shoulder. “This is our first time away from each other. You know, as a couple. We’ve only been really dating for two weeks now. What will I do without you?”
He pulls her to him, leaning her back against his chest. “Well, I’m hoping that this time when I come back, it won’t be to the sight of you kissing Toraf.”
The snickers beside them let them know their two minutes of privacy are up. “Yeah. Or someone’s gonna die,” Rayna says cordially.
Galen helps Emma up and swats the leftover sand out of her sundress. He takes her hands into his. “Could I please just ask one thing without you getting all mad about it?”
She scowls. “Let me guess. You don’t want me to get in the water while you’re gone.”
“But I’m not ordering you to stay out of it. I’m asking, no begging, very politely, and with all my heart for you not to get in. It’s your choice. But it would make me the happiest man-fish on the coast if you wouldn’t.” They sense the stalker almost daily now. That and the fact that Dr. Milligan blew his theory about Emma’s dad being a Half-Breed out of the water makes Galen more nervous than he can say. It means they still don’t have any answers about who could know about Emma. Or why they keep hanging around.
Emma rewards him with a breathtaking smile. “I won’t. Because you asked.”
Toraf was right. I just had to ask. He shakes his head. “Now I can sleep tonight.”
“That makes one of us. Don’t stay gone too long. Or Mark will sit by me at lunch.”
He grimaces. “I’ll hurry.” He leans down to kiss her. Behind them, he hears Rayna’s initial splash.
“She’s leaving without you,” Emma whispers on his lips.
“She could have left hours ago and I’d still catch her. Good-bye, angelfish. Be good.” He places a forceful kiss on her forehead, then gets a running start and dives in.
And he misses her already.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all
new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
”
”
Fiona Cole (Lovers (Voyeur, #2))
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed.
“What do you mean?” she asked in a trembling voice.
“I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!”
“I’ve sent word to you both nights.”
“You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!”
He has men beaten like animals, she reminded herself.
“Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him.
His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her.
“Don’t touch me!” she cried.
Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian.
“Get out of here and close that damned door behind you!” Ian snapped furiously.
“Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said.
In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was.
Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him.
“Are you ill?” he asked, frowning and minutely studying her face.
Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.”
“Is that why you went to London? To see a physician?”
She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe.
“No! He-the doctor said it is just-just-nerves.”
“You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.”
Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilet
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
I'm sorry.'
It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash.
Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted.
A lie. A lie, as Rhys had lied to me. Stay with the High Lord.
Stay.
For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer.
Stay. Stay, stay, stay.
I clung to those scraps and remnants, clawing at the voice that lurked beyond.
Stay.
I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.'
Blank faces.
I screamed at them, 'BRING HIM BACK.'
Nothing.
'You did it for me,' I said, breathing hard. 'Now do it for him.'
'You were human,' Helion said carefully. 'It is not the same-'
'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if-
Tarquin stepped forward. He slowly extended his hand toward me.
'For what he gave,' Tarquin said quietly. 'Today and for many years before.'
And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once.
Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin.
Then Kallias. And Thesan.
Until only Beron stood there.
Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said.
Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either.
I didn't know the spell, the power it came from. But I was High Lady.
I held out my palm. Willing the spark of life to appear. Nothing happened.
I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one.
Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until-
There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life.
I laid it gently on Rhys's blood-crusted throat.
And I realised, just as he appeared, what was missing.
Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty.
He studied Rhys, lifeless before me. Studied all of us- the palms still out.
There was no kindness on his face. No mercy.
'Please,' was all I said to him.
Then Tamlin glanced between us- me and my mate. His face did not change.
'Please,' I wept. 'I will- I will give you anything-'
Something shifted in his eyes at that. But not kindness. No emotion at all.
I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour.
'Anything,' I breathed to no one in particular. 'Anything.'
Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder.
The steps remained behind me for long enough that I looked.
Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place.
'Be happy, Feyre,' he said quietly.
And dropped that final kernel of light onto Rhysand.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Many other things were delivered to me out of storage, the most important being Matthew Rose Sorensen’s missing journals. They cover the period from June 2000 (when he was an undergraduate) until December 2011. As for the rest of his possessions, I am getting rid of most of them. Piranesi cannot bear to have so many possessions. I do not need this! is his constant refrain. Piranesi is always with me, but of Rose Sorensen I have only hints and shadows. I piece him together out of the objects he has left behind, from what is said about him by other people and, of course, from his journals. Without the journals I would be all at sea. I remember how this world works – more or less. I remember what Manchester is and what the police are and how to use a smartphone. I can pay for things with money – though I still find the process strange and artificial. Piranesi has a strong dislike of money. Piranesi wants to say: But I need the thing you have, so why don’t you just give it to me? And then when I have something you need, I will just give it to you. This would be a simpler system and much better! But I, who am not Piranesi – or at least not only him – realise that this probably wouldn’t go down too well. I have decided to write a book about Laurence Arne-Sayles. It is something that Matthew Rose Sorensen wanted to do and something that I want to do. After all, who knows Arne-Sayles’s work better than me? Raphael has shown me what Laurence Arne-Sayles taught her: how to find the path to the labyrinth and how to find the path out again. I can come and go as I please. Last week I took a train to Manchester. I took a bus to Miles Platting. I walked through a bleak autumn landscape to a flat in a tower block. The door was answered by a thin, ravaged-looking man who smelt strongly of cigarettes. ‘Are you James Ritter?’ I asked. He agreed that he was. ‘I’ve come to take you back,’ I said. I led him through the shadowy corridor and when the noble minotaurs of the first vestibule rose up around us, he started to cry, not for fear, but for happiness. He went immediately and sat under the great marble sweep of the staircase; the place where he used to sleep. He closed his eyes and listened to the sounds of the tides. When it was time to leave, he begged me to let him stay, but I refused. ‘You don’t know how to feed yourself,’ I told him. ‘You never learnt. You would die here unless I fed you – and I can’t take on that responsibility. But I’ll bring you back here whenever you want. And if ever I decide to come back for good, I promise I will bring you with me.’ The
”
”
Susanna Clarke (Piranesi)
“
The first stage is claiming the intention: “I am Word through this intention to do whatever you wish. Word I am Word,” “I am Word through this intention to do whatever I want. Word I am Word,” and then you fill in the blank. “I am Word through my desire to know myself more.” “I am Word through my intention to believe in my abilities.” “I am Word through my intention to create the perfect job.” “Word I am Word through these intentions. Word I am Word,” is how we present it. Now once this is stated, the energy moves and we go forward in consciousness and we create with the vibration. So the first stage is the intention. The next stage is acclimation to the frequency. Once you have stated an intention and it goes forth, then you have to acclimate to it. And that means to respect it and to believe it and to honor it. You cannot set out an intention to clean your apartment and then throw a bottle of garbage on the floor and sit back and expect it to be cleaned. You have to take the actions that correspond to the intentions. But that doesn’t mean blind action. It simply means staying conscious and present as your intention is set forth: “If I move as I am moved, I will then make the choices that are in honor of the intention I have created and set forward.” That is different than acting blindly; it is different than running around acting as if you don’t truly believe it’s so. But when we say acclimate, we simply mean you have set the intention and now you have to let it settle in, and honor it, and believe it, and trust that it is coming into fruition. That is part two. The third part is reception: “I am in my reception of my intentions, reaping the benefits of that which I have called forth into being. Word I am Word through this intention. Word I am Word.” Here we have just given you a hint that you can actually call forth your intention and then set the intention to receive the benefits of it as well, which will actually anchor it in more fully in vibration if you wish to do it this way. But you can also just trust in faith, in cosmic truth, that when you set out an intention in light it is returned to the sender in fullness. Prayer is a form of intention; however, there is a difference between begging for something and stating your own worth as the receiver of an answered prayer. However, in order to do this fully you have to believe you are supported in prayer, or in your intention, or whichever way you want to describe this process for yourself given your history and your vocabulary. If you believe that there is a God who is saying no all the time, that will be your experience.
”
”
Paul Selig (I Am the Word: A Guide to the Consciousness of Man's Self in a Transitioning Time (Mastery Trilogy/Paul Selig Series))
“
I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.
”
”
Rachel Higginson (Love and Decay Omnibus: Season Two (Episodes 1-12) (Love and Decay, A Novella Series Book 2))
“
MT: The arrival of Christ disturbs the sacrificial order, the cycle of little false periods of temporary peace following sacrifices? RG: The story of the “demons of Gerasa” in the synoptic Gospels, and notably in Mark, shows this well. To free himself from the crowd that surrounds him, Christ gets on a boat, crosses Lake Tiberias, and comes to shore in non-Jewish territory, in the land of the Gerasenes. It's the only time the Gospels venture among a people who don't read the Bible or acknowledge Mosaic law. As Jesus is getting off the boat, a possessed man blocks his way, like the Sphinx blocking Oedipus. “The man lived in the tombs and no one could secure him anymore, even with a chain. All night and all day, among the tombs and in the mountains, he would howl and gash himself with stones.” Christ asks him his name, and he replies: “My name is Legion, for there are many of us.” The man then asks, or rather the demons who speak through him ask Christ not to send them out of the area—a telling detail—and to let them enter a herd of swine that happen to be passing by. And the swine hurl themselves off the edge of the cliff into the lake. It's not the victim who throws himself off the cliff, it's the crowd. The expulsion of the violent crowd is substituted for the expulsion of the single victim. The possessed man is healed and wants to follow Christ, but Christ tells him to stay put. And the Gerasenes come en masse to beg Jesus to leave immediately. They're pagans who function thanks to their expelled victims, and Christ is subverting their system, spreading confusion that recalls the unrest in today's world. They're basically telling him: “We'd rather continue with our exorcists, because you, you're obviously a true revolutionary. Instead of reorganizing the demoniac, rearranging it a bit, like a psychoanalyst, you do away with it entirely. If you stayed, you would deprive us of the sacrificial crutches that make it possible for us to get around.” That's when Jesus says to the man he's just liberated from his demons: “You're going to explain it to them.” It's actually quite a bit like the conversion of Paul. Who's to say that historical Christianity isn't a system that, for a long time, has tempered the message and made it possible to wait for two thousand years? Of course this text is dated because of its primitive demonological framework, but it contains the capital idea that, in the sacrificial universe that is the norm for mankind, Christ always comes too early. More precisely, Christ must come when it's time, and not before. In Cana he says: “My hour has not come yet.” This theme is linked to the sacrificial crisis: Christ intervenes at the moment the sacrificial system is complete. This possessed man who keeps gashing himself with stones, as Jean Starobinski has revealed, is a victim of “auto-lapidation.” It's the crowd's role to throw stones. So, it's the demons of the crowd that are in him. That's why he's called Legion—in a way he's the embodiment of the crowd. It's the crowd that comes out of him and goes and throws itself off of the cliff. We're witnessing the birth of an individual capable of escaping the fatal destiny of collective violence. MT
”
”
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis, & Culture))
“
Evie.”
She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—”
“No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…”
“Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—”
“I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again.
“Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.”
Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises.
Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to.
He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him—
“All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips.
She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.”
To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief.
“My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.”
Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.”
Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))