Perfection At Its Finest Quotes

Lily and James only made you Secret-Keeper because I suggested it,” Black hissed, so venomously that Pettigrew took a step backward. “I thought it was the perfect plan... a bluff... Voldemort would be sure to come after me, would never dream they’d use a weak, talentless thing like you... It must have been the finest moment of your miserable life, telling Voldemort you could hand him the Potters.

It’s a great art, is rowing. It’s the finest art there is. It’s a symphony of motion. And when you’re rowing well, why it’s nearing perfection. And when you near perfection, you’re touching the Divine. It touches the you of yous. Which is your soul.

Artists and artisans both demonstrate with perfect clarity that a person is least able to appropriate for himself those things which are most peculiarly his. His works leave him as birds do the best in which they were hatched. In this respect an architect's fate is the strangest of all. How often he employs his whole intellect and warmth of feeling in the creation of rooms from which he must exclude himself. Royal halls owe their splendor to him, and he may not share in the enjoyment of their finest effects. In temples he draws the line between himself and the holy of holies; the steps he built to ceremonies that lift up the heady, he may no longer climb; just as the goldsmith worships only from afar the monstrance which he wrought in the fire and set with jewels. With the keys of the palace the architect hands over all it's comforts to the wealthy man, and has not the least part in them. Surely in this way art must little by little grow away from the artist, if the work, like a child provided for, no longer teaches back to touch its father.

Now pay attention to this. God is nameless for no one can either speak of him or know him. Therefore a pagan master says that what we can know or say of the First Cause reflects ourselves more than it does the First Cause, for this transcends all speech and all understanding . . . He is being beyond being: he is a nothingness beyond being. Therefore St. Augustine says: ‘The finest thing that we can say of God is to be silent concerning him from the wisdom of inner riches.’ Be silent therefore, and do not chatter about God, for by chattering about him, you tell lies and commit a sin. If you wish to be perfect and without sin, then do not prattle about God. Also you should not wish to understand anything about God, for God is beyond all understanding. A master says: If I had a God that I could understand, I would not regard him as God. If you understand anything about him, then he is not in it, and by understanding something of him, you fall into ignorance, and by falling into ignorance, you become like an animal since the animal part in creatures is that which is unknowing. If you do not wish to become like an animal therefore, do not pretend that you understand anything of the ineffable God.

In Ranec’s eye the finest and most perfect example of anything was beautiful, and anything beautiful was the finest and most perfect example of spirit; it was the essence of it. That was his religion. Beyond that, at the core of his aesthetic soul, he felt that beauty had an intrinsic value of its own, and he believed there was a potential for beauty in everything. While some activities or objects could be simply functional, he felt that anyone who came close to achieving perfection in any activity was an artist, and the results contained the essence of beauty. But the art was as much in the activity as in the results. Works of art were not just the finished product, but the thought, the action, the process that created them.

You may feel like dwelling on your limits or your fears. Don't do it. A perfect prescription for a squandered, unfulfilled life is to accommodate self-defeating feelings while undercutting your finest, most productive ones.

You've never seen my legs, Marcus. You don't know what you're talking about. And coming from a man who takes his pick of the most beautiful women in London as if he were sampling from a tin of bonbons-" "Are you implying that I'm some shallow fool who values a woman only for her appearance?" Aline was tempted to retract her charge in the interest of maintaining peace between them. But as she considered the last few women that Marcus had carried on with... "I'm sorry to say, Marcus, that each of your recent choice of companions- the last four or five, at least- displayed all the intelligence of a turnip. And yes, they were all quite beautiful, and I doubt that you were able to to have a sensible conversation with any of them for longer than five minutes." Marcus stood back and glared at her. "How does that pertain to what we were discussing?" "It illustrates the point that even you, one of the finest and most honorable men I've ever known, place great importance on physical attractiveness. And if I ever see you consort with a woman who is less than stunningly perfect, then perhaps I'll listen to your lectures on how appearance doesn't matter.

This is a roadside attraction,” said Wednesday. “One of the finest. Which means it is a place of power.” “Come again?” “It’s perfectly simple,” said Wednesday. “In other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would just be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples, or cathedrals, or erect stone circles, or…well, you get the idea.” “There are churches all across the States, though,” said Shadow. “In every town. Sometimes on every block. And about as significant, in this context, as dentists’ offices. No, in the USA, people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere they’ve never visited, or by erecting a gigantic bat-house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.

Though critics may bow to art, and I am its own true lover, It is not art, but heart, which wins the wide world over. Though smooth be the heartless prayer, no ear in Heaven will mind it, And the finest phrase falls dead if there is no feeling behind it. Though perfect the player's touch, little, if any, he sways us, Unless we feel his heart throb through the music he plays us. Though the poet may spend his life in skilfully rounding a measure, Unless he writes from a full, warm heart he gives us little pleasure. So it is not the speech which tells, but the impulse which goes with the saying; And it is not the words of the prayer, but the yearning back of the praying. It is not the artist's skill which into our soul comes stealing With a joy that is almost pain, but it is the player's feeling. And it is not the poet's song, though sweeter than sweet bells chiming, Which thrills us through and through, but the heart which beats under the rhyming. And therefore I say again, though I am art's own true lover, That it is not art, but heart, which wins the wide world over.

So what is this place?” asked Shadow, as they walked through the parking lot toward a low, unimpressive wooden building. “This is a roadside attraction,” said Wednesday. “One of the finest. Which means it is a place of power.” “Come again?” “It’s perfectly simple,” said Wednesday. “In other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples or cathedrals, or erect stone circles, or…well, you get the idea.” “There are churches all across the States, though,” said Shadow. “In every town. Sometimes on every block. And about as significant, in this context, as dentists’ offices. No, in the USA people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere they’ve never visited, or by erecting a giant bat house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.

The charge that Anarchism is destructive, rather than constructive, and that, therefore, Anarchism is opposed to organization, is one of the many falsehoods spread by our opponents. They confound our present social institutions with organization; hence they fail to understand how we can oppose the former, and yet favor the latter. The fact, however, is that the two are not identical. “The State is commonly regarded as the highest form of organization. But is it in reality a true organization? Is it not rather an arbitrary institution, cunningly imposed upon the masses? “Industry, too, is called an organization; yet nothing is farther from the truth. Industry is the ceaseless piracy of the rich against the poor. “We are asked to believe that the Army is an organization, but a close investigation will show that it is nothing else than a cruel instrument of blind force. “The Public School! The colleges and other institutions of learning, are they not models of organization, offering the people fine opportunities for instruction? Far from it. The school, more than any other institution, is a veritable barrack, where the human mind is drilled and manipulated into submission to various social and moral spooks, and thus fitted to continue our system of exploitation and oppression. “Organization, as WE understand it, however, is a different thing. It is based, primarily, on freedom. It is a natural and voluntary grouping of energies to secure results beneficial to humanity. “It is the harmony of organic growth which produces variety of color and form, the complete whole we admire in the flower. Analogously will the organized activity of free human beings, imbued with the spirit of solidarity, result in the perfection of social harmony, which we call Anarchism. In fact, Anarchism alone makes non-authoritarian organization of common interests possible, since it abolishes the existing antagonism between individuals and classes. “Under present conditions the antagonism of economic and social interests results in relentless war among the social units, and creates an insurmountable obstacle in the way of a co-operative commonwealth. “There is a mistaken notion that organization does not foster individual freedom; that, on the contrary, it means the decay of individuality. In reality, however, the true function of organization is to aid the development and growth of personality. “Just as the animal cells, by mutual co-operation, express their latent powers in formation of the complete organism, so does the individual, by co-operative effort with other individuals, attain his highest form of development. “An organization, in the true sense, cannot result from the combination of mere nonentities. It must be composed of self-conscious, intelligent individualities. Indeed, the total of the possibilities and activities of an organization is represented in the expression of individual energies. “It therefore logically follows that the greater the number of strong, self-conscious personalities in an organization, the less danger of stagnation, and the more intense its life element. “Anarchism asserts the possibility of an organization without discipline, fear, or punishment, and without the pressure of poverty: a new social organism which will make an end to the terrible struggle for the means of existence,—the savage struggle which undermines the finest qualities in man, and ever widens the social abyss. In short, Anarchism strives towards a social organization which will establish well-being for all. “The germ of such an organization can be found in that form of trades unionism which has done away with centralization, bureaucracy, and discipline, and which favors independent and direct action on the part of its members.

And God did not just ask for the perfect sheep; He also wanted its wool. Deuteronomy 18:4 instructs shepherds to give the first shearing of the sheep as on offering to God. Above the crackling warmth radiating from the stove, I read the verse aloud to Lynne. "Is a first shearing a once-in-a-lifetime offering?" I asked. "Yes, everybody wants the first shearing, especially if it's from one of your best lambs. The first shearing is the finest fleese that's used to the best clothes...to ask for that is a real sacrifice." ... For the first time in a long while, maybe ever, I had felt with my own hands what God desired from sacrifice. It was nothing like what I expected...In asking for the first fleece, God isn't asking for the biggest. He wants to smallest and the softest. He doesn't want more-He wants the best." -Scouting the Divine

Man’s finest workmanship, the closer you observe it, the more imperfections it shows; as in a piece of polished steel a microscope will discover a rough surface. Whereas, what may look coarse and rough in Nature’s workmanship will show an infinitely minute perfection, the closer you look into it. The reason of the minute superiority of Nature’s work over man’s is, that the former works from the innermost germ, while the latter works merely superficially.

[Robert] Newell's recommendation of walking is also interesting: 'The best way undoubtedly of seeing a country is on foot. It is the safest, and most suited to every variety of road; it will often enable you to take a shorter track, and visit scenes (the finest perhaps) not otherwise accessible; it is healthy, and, with a little practice, easy; it is economical: a pedestrian is content with almost any accommodations; he, of all travellers, wants but little, 'Nor wants that little long'. And last, though not least, it is perfectly independent.' Newell cites independence, as do a number of the 'first generation' of Romantic walkers I have already surveyed; more striking are his commendation of walking as the safest option, which reflects a very altered perception of the security of travel from that which prevailed in the eighteenth century, and his advocacy of the practical and health benefits of pedestrianism, which against suggests its institutionalisation as a form of tourism and its extension to lower reaches of the middle classes.

They say that with the ancients dreaming was a perfectly ordinary, normal occurrence. But of course, their whole life was a dreadful whirling carousel—green, orange, Buddhas, sap. We, however, know that dreams are a serious psychic disease. And I know that until this moment my brain has been a chronometrically exact gleaming mechanism without a single speck of dust. But now . . . Yes, precisely: I feel some alien body in my brain, like the finest eyelash in the eye. You do not feel your body, but that eye with the lash in it—you can't forget it for a second. . . .

Attempts were made in 1941 to design a similar proximity fuze, using a tiny Radar set arranged to explode the warhead when the projectile passed near the aircraft. Successful preliminary experiments were made, but before this fuze was developed in England the Americans, to whom we imparted our knowledge, actually succeeded not only in perfecting the instrument but in reducing its size so much that the whole thing could be put into the head not merely of a rocket but of a shell. These so-called “Proximity Fuzes”, made in the United States, were used in great numbers in the last year of the war,

And it is only in its early stage. All those who believe they will remain untouched by its wrath are delusional. If Ehsan Jafri, a former member of parliament with a line to the deputy prime minister’s office, could be dragged out of his home and gashed and burned alive, what makes anyone think he or she will remain unharmed? If Aamir Khan, one of India’s biggest film stars, can be unpersoned; if Gauri Lankesh, one of its boldest journalists, can be shot dead; if Ramachandra Guha, one of its greatest historians, can be stopped from lecturing; if Naseeruddin Shah, among its finest actors, can be branded a traitor; if Manmohan Singh, the former prime minister, can be labelled an agent of Pakistan by his successor; if B.H. Loya, a perfectly healthy judge, can abruptly drop dead; if a young woman can be stalked by the police machinery of the state because Modi has displayed an interest in her—what makes the rest of us think we will remain untouched and unharmed? Unless the republic is reclaimed, the time will come when all of us will be one incorrect meal, one interfaith romance, one unfortunate misstep away from being extinguished. The mobs that slaughtered ‘bad’ Muslims will eventually come for Hindus who are not ‘good’.

My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.

Perfectionists are working not to improve the world but to keep it under control. They do everything perfectly not for the satisfaction of a job well done but as a way of camouflaging addiction’s presence in the family. By keeping everything orderly, they’re trying to make the disease less noticeable. They work tirelessly to create a perfect family life but are rarely cognizant of what motivates their obsession. Through their eyes, perfectionism is their finest quality. It’s the way they provide the ones they love with the very best. They have no idea that perfectionism is an outgrowth of fear and that it’s more about looking happy than being happy. The compulsion to have the cleanest house, cook the best meals, plant the perfect garden, and always look perfectly coiffed is, for the perfectionist, a way to stay safe. After all, when the house is well kept, the children are properly dressed, and everyone has good manners, how can

Let us suppose that this ounce of mud is left in perfect rest, and that its elements gather together, like to like, so that their atoms may get into the closest relations possible. Let the clay begin. Ridding itself of all foreign substance, it gradually becomes a white earth, already very beautiful; and fit, with help of congealing fire, to be made into finest porcelain, and painted on, and be kept in kings’ palaces. But such artificial consistence is not its best. Leave it still quiet to follow its own instinct of unity, and it becomes not only white, but clear; not only clear, but hard; not only clear and hard, but so set that it can deal with light in a wonderful way, and gather out of it the loveliest blue rays only, refusing the rest. We call it then a sapphire. Such being the consummation of the clay, we give similar permission of quiet to the sand. It also becomes, first, a white earth, then proceeds to grow clear and hard, and at last arranges itself in mysterious, infinitely fine, parallel lines, which have the power of reflecting not merely the blue rays, but the blue, green, purple, and red rays in the greatest beauty in which they can be seen through any hard material whatsoever. We call it then an opal. In next order the soot sets to work; it cannot make itself white at first, but instead of being discouraged, tries harder and harder, and comes out clear at last, and the hardest thing in the world; and for the blackness that it had, obtains in exchange the power of reflecting all the rays of the sun at once in the vividest blaze that any solid thing can shoot. We call it then a diamond. Last of all the water purifies or unites itself, contented enough if it only reach the form of a dew-drop; but if we insist on its proceeding to a more perfect consistence, it crystallizes into the shape of a star. And for the ounce of slime which we had by political economy of competition, we have by political economy of co-operation, a sapphire, an opal, and a diamond, set in the midst of a star of snow.

I could smell the rich dark scent- she uses only the finest beans, shipped from a plantation off the west coast of Africa- the chocolate infused with spices, the names of which sound like islands in a vanished archipelago. She tells me their names- Tonka. Vanilla. Saffron. Clove. Green ginger. Cardamom. Pink peppercorn. I have never travelled, père, and yet those names take me elsewhere, to undiscovered islands, where even the stars are different. I pick up the chocolate. It is perfectly round, a marble between my fingers. I used to play marbles once, long ago, when I was a boy. I used to put them to my eye and turn them round and round, to see the colors winding through the glass. I put the chocolate, whole, in my mouth. The red glaze tastes of strawberries. But the heart is dark and soft, and smells of autumn, ripe and sweet; of peaches fallen to the ground and apples baked in cinnamon. And as the taste of it fills my mouth and begins to deliver its subtleties, it tastes of oak and tamarind, metal and molasses.

The bust of the General was unquestionably the finest bust I ever saw. For your life you could not have found a fault with its wonderful proportion. This rare peculiarity set off to great advantage a pair of shoulders which would have called up a blush of conscious inferiority into the countenance of the marble Apollo. I have a passion for fine shoulders, and may say that I never beheld them in perfection before. The arms altogether were admirably modeled. Nor were the lower limbs less superb. These were, indeed, the ne plus ultra of good legs. Every connoisseur in such matters admitted the legs to be good. There was neither too much flesh, nor too little,—neither rudeness nor fragility. I could not imagine a more graceful curve than that of the os femoris, and there was just that due gentle prominence in the rear of the fibula which goes to the conformation of a properly proportioned calf. I wish to God my young and talented friend Chiponchipino, the sculptor, had but seen the legs of Brevet Brigadier General John A. B. C. Smith.

One thing is needful.—To "give style" to one’s character— a great and rare art! It is practiced by those who survey all the strengths and weaknesses of their nature and then fit them into an artistic plan until every one of them appears as art and reason and even weaknesses delight the eye. Here a large mass of second nature has been added; there a piece of original nature has been removed —both times through long practice and daily work at it. Here the ugly that could not be removed is concealed; there it has been reinterpreted and made sublime. Much that is vague and resisted shaping has been saved and exploited for distant views; it is meant to beckon toward the far and immeasurable. In the end, when the work is finished, it becomes evident how the constraint of a single taste governed and formed everything large and small. Whether this taste was good or bad is less important than one might suppose, if only it was a single taste! It will be the strong and domineering natures that enjoy their finest gaiety in such constraint and perfection under a law of their own; the passion of their tremendous will relaxes in the face of all stylized nature, of all conquered and serving nature. Even when they have to build palaces and design gardens they demur at giving nature freedom. Conversely, it is the weak characters without power over themselves that hate the constraint of style. They feel that if this bitter and evil constraint were imposed upon them they would be demeaned; they become slaves as soon as they serve; they hate to serve. Such spirits—and they may be of the first rank—are always out to shape and interpret their environment as free nature: wild, arbitrary, fantastic, disorderly, and surprising. And they are well advised because it is only in this way that they can give pleasure to themselves. For one thing is needful: that a human being should attain satisfaction with himself, whether it be by means of this or that poetry or art; only then is a human being at all tolerable to behold. Whoever is dissatisfied with himself is continually ready for revenge, and we others will be his victims, if only by having to endure his ugly sight. For the sight of what is ugly makes one bad and gloomy.

The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.

suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity— distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself. Arthur’s senses bobbed and spun as, traveling at the immense speed he knew the aircar attained, they climbed slowly through the open air, leaving the gateway through which they had passed an invisible pinprick in the shimmering wall behind them. The wall. The wall defied the imagination—seduced it and defeated it. The wall was so paralyzingly vast and sheer that its top, bottom and sides passed away beyond the reach of sight. The mere shock of vertigo could kill a man. The wall appeared perfectly flat. It would take the finest laser-measuring equipment to detect that as it climbed, apparently to infinity, as it dropped dizzily away, as it planed out to either side, it also curved. It met itself again thirteen light seconds away. In other words the wall formed the inside of a hollow sphere, a sphere over three million miles across and flooded with unimaginable light.

So what is this place?” asked Shadow, as they walked through the parking lot toward a low, unimpressive wooden building. “This is a roadside attraction,” said Wednesday. “One of the finest. Which means it is a place of power.” “Come again?” “It’s perfectly simple,” said Wednesday. “In other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would just be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples, or cathedrals, or erect stone circles, or…well, you get the idea.” “There are churches all across the States, though,” said Shadow. “In every town. Sometimes on every block. And about as significant, in this context, as dentists’ offices. No, in the USA, people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere they’ve never visited, or by erecting a gigantic bat-house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.

The truth is, the vanity of protective parents that I cited to the court goes beyond look-at-us-we’re-such-responsible-guardians. Our prohibitions also bulwark our self-importance. They fortify the construct that we adults are all initiates. By conceit, we have earned access to an unwritten Talmud whose soul-shattering content we are sworn to conceal from “innocents” for their own good. By pandering to this myth of the naïf, we service our own legend. Presumably we have looked the horror in the face, like staring into the naked eye of the sun, blistering into turbulent, corrupted creatures, enigmas even to ourselves. Gross with revelation, we would turn back the clock if we could, but there is no unknowing of this awful canon, no return to the blissfully insipid world of childhood, no choice but to shoulder this weighty black sagacity, whose finest purpose is to shelter our air-headed midgets from a glimpse of the abyss. The sacrifice is flatteringly tragic. The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. To this day, some of my most intense sexual memories date back to before I was ten, as I have confided to you under the sheets in better days. No, they have sex, too. In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.

Intellectual Fascism – 3/3 To make matters still worse, intellectual fascist frequently demand of themselves, as well as others, perfect competence and universal achievement. If they are excellent mathematicians or dancers, they demand that they be the most accomplished. If they are outstanding scientists or manufacturers, they also must be first-rate painters or writers. If they are fine poets, they not only need to be the finest, but likewise must be great lovers, drawing room wits, and political experts. Naturally, only being human, they fail at many or most of these ventures. And then - O, poetic justice! - they apply to themselves the same excoriations and despisements that they apply to others when they fail to be universal geniuses. However righteous their denials, therefore - and even though readers who be now are not squirming with guilt are probably screaming with indignation, I will determinedly continue - the typical politico-social "liberals" of our day are fascistic in several significant ways. For they arbitrarily define certain human traits as "good" or "superior"; they automatically exclude most others from any possibility of achieving their "good" standards; they scorn, combat, and in many ways persecute those who do not live up to these capricious goals; and finally, in most instances they more or less fail to live up to their own definitional standards and bring down neurotic self-pity and blame on their own heads. .... What is the alternative? Assuming that intellectual fascism exists on a wide scale today, and that it does enormous harm and little good to people's relations with themselves and others, what philosophy of living are they to set up in its place? Surely, you may well ask, I am not suggesting an uncritical, sentimental equalitarianism, whereunder everyone would fully accept and hobnob with everyone else and where no one would attempt to excel or perfect himself at anything? No, I am not. On the contrary, significant human differences (as well as sameness) exists; and they add much variety and zest to living; and that one human may sensibly cultivate the company of another just because this other is different from, and perhaps in certain respects superior to, others. At the same time, "one's worth as a human being is not to be measured in terms of one's popularity, success, achievement, intelligence, or any other such trait, but solely in terms of one's Humanity".

One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.

And then she would discuss very different people whom she had been led to believe existed; hard-working, honourable men and women, not a few of them possessed of fine brains, yet lacking the courage to admit their inversion. Honourable, it seemed, in all things save this that the world had forced on them - this dishonourable lie whereby alone they could hope to find peace, could hope to stake out a claim on existence. And always these people must carry that lie like a poisonous asp pressed against their bosoms; must unworthily hide and deny their love, which might well be the finest thing about them. And what of the women who had worked in the war - those quiet, gaunt women she had seen about London? England had called them and they had come; for once, unabashed, they had faced the daylight. And now because they were not prepared to slink back and hide in their holes and corners, the very public whom they had served was the first to turn round and spit upon them; to cry: 'Away with this canker in our midst, this nest of unrighteousness and corruption!' That was the gratitude they had received for the work they had done out of love for England! And what of that curious craving for religion which so often went hand in hand with inversion? Many such people were deeply religious, and this surely was one of their bitterest problems. They believed, and believing they craved a blessing on what to some of them seemed very sacred - a faithful and deeply devoted union. But the Church's blessing was not for them. Faithful they might be, leading orderly lives, harming no one, and yet the Church turned away; her blessings were strictly reserved for the normal. Then Stephen would come to the thing of all others that to her was the most agonising question. Youth, what of youth? Where could it turn for its natural and harmless recreations? There was Dickie West and many more like her, vigorous, courageous and kind-hearted youngsters; yet shut away from so many of the pleasures that belonged by right to every young creature - and more pitiful still was the lot of a girl who, herself being normal, gave her love to an invert. The young had a right to their innocent pleasures, a right to social companionship; had a right, indeed, to resent isolation. But here, as in all the great cities of the world, they were isolated until they went under; until, in their ignorance and resentment, they turned to the only communal life that a world bent upon their destruction had left them; turned to the worst elements of their kind, to those who haunted the bars of Paris. Their lovers were helpless, for what could they do? Empty-handed they were, having nothing to offer. And even the tolerant normal were helpless - those who went to Valérie's parties, for instance. If they had sons and daughters, they left them at home; and considering all things, who could blame them? While as for themselves, they were far too old - only tolerant, no doubt, because they were ageing. They could not provide the frivolities for which youth had a perfectly natural craving.

Epic, adult and widescreen in its ambitions, the beefed-up Comeback version of 'Let Yourself Go' sounded almost violent in its execution, with Elvis's raw and desperate vocals every match for the gargantuan, aggressive horns and percussion that dominated the mix. A big, sweaty, dusty monster of a take towered over the Culver City version, and perfectly captured the tumultuous social and political strife of its era in dissonant musical form. This new version of 'Let Yourself Go' was unfailingly magnificent in its vision.

Intellectual Fascism 3/3 To make matters still worse, intellectual fascists frequently demand of themselves, as well as others, perfect competence and universal achievement. If they are excellent mathematicians or dancers, they demand that they be the most accomplished. If they are outstanding scientists or manufacturers, they also must be first-rate painters or writers. If they are fine poets, they not only need to be the finest, but likewise must be great lovers, drawing room wits, and political experts. Naturally, only being human, they fail at many or most of these ventures. And then - O, poetic justice! - they apply to themselves the same excoriations and despisements that they apply to others when they fail to be universal geniuses. However righteous their denials, therefore - and even though readers who by now are not squirming with guilt are probably screaming with indignation, I will determinedly continue - the typical politico-social "liberals" of our day are fascistic in several significant ways. For they arbitrarily define certain human traits as "good" or "superior"; they automatically exclude most others from any possibility of achieving their "good" standards; they scorn, combat, and in many ways persecute those who do not live up to these capricious goals; and finally, in most instances they more or less fail to live up to their own definitional standards and bring down neurotic self-pity and blame on their own heads. .... What is the alternative? Assuming that intellectual fascism exists on a wide scale today, and that it does enormous harm and little good to people's relations with themselves and others, what philosophy of living are they to set up in its place? Surely, you may well ask, I am not suggesting an uncritical, sentimental equalitarianism, whereunder everyone would fully accept and hobnob with everyone else and where no one would attempt to excel or perfect himself at anything? No, I am not. On the contrary, significant human differences (as well as sameness) exists; and they add much variety and zest to living; and that one human may sensibly cultivate the company of another just because this other is different from, and perhaps in certain respects superior to, others. At the same time, "one's worth as a human being is not to be measured in terms of one's popularity, success, achievement, intelligence, or any other such trait, but solely in terms of one's Humanity".

There is enough treachery, hatred, violence, Absurdity in the average human being To supply any given army on any given day. AND The Best At Murder Are Those Who Preach Against It. AND The Best At Hate Are Those Who Preach LOVE AND THE BEST AT WAR —FINALLY—ARE THOSE WHO PREACH PEACE Those Who Preach GOD NEED God Those Who Preach PEACE Do Not Have Peace. THOSE WHO PREACH LOVE DO NOT HAVE LOVE BEWARE THE PREACHERS Beware The Knowers. Beware Those Who Are ALWAYS READING BOOKS Beware Those Who Either Detest Poverty Or Are Proud Of It BEWARE Those Quick To Praise For They Need PRAISE In Return BEWARE Those Quick To Censure: They Are Afraid Of What They Do Not Know Beware Those Who Seek Constant Crowds; They Are Nothing Alone Beware The Average Man The Average Woman BEWARE Their Love Their Love Is Average, Seeks Average But There Is Genius In Their Hatred There Is Enough Genius In Their Hatred To Kill You, To Kill Anybody. Not Wanting Solitude Not Understanding Solitude They Will Attempt To Destroy Anything That Differs From Their Own Not Being Able To Create Art They Will Not Understand Art They Will Consider Their Failure As Creators Only As A Failure Of The World Not Being Able To Love Fully They Will BELIEVE Your Love Incomplete AND THEN THEY WILL HATE YOU And Their Hatred Will Be Perfect Like A Shining Diamond Like A Knife Like A Mountain LIKE A TIGER LIKE Hemlock Their Finest ART

It’s soft like prime rib, but richer and leaner. Perfectly seasoned. It’s better than any meat I’ve ever tasted. Sure, in a blind taste test against the top offering from the finest New York City steakhouse this meat probably wouldn’t win. But food enjoyment is context dependent. Research shows that the exact same dish can taste better or worse depending on a variety of factors. Like where a person is eating it, who they’re eating it with, how hungry they are, and, apparently, how hard they worked for it.

It’d been thirty-six hours since my movie night with Sloane. Thirty-six hours since our dance lessons. Thirty-six hours since I’d discovered how perfectly her curves fit beneath my palms and how much more intoxicating her scent was compared to even the finest whiskey.

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The heavens proclaim the glory of God. The skies display his craftsmanship. Day after day they continue to speak; night after night they make him known. They speak without a sound or word; their voice is never heard. Yet their message has gone throughout the earth, and their words to all the world. God has made a home in the heavens for the sun. It bursts forth like a radiant bridegroom after his wedding. It rejoices like a great athlete eager to run the race. The sun rises at one end of the heavens and follows its course to the other end. Nothing can hide from its heat. The instructions of the LORD are perfect, reviving the soul. The decrees of the LORD are trustworthy, making wise the simple. The commandments of the LORD are right, bringing joy to the heart. The commands of the LORD are clear, giving insight for living. Reverence for the LORD is pure, lasting forever. The laws of the LORD are true; each one is fair. They are more desirable than gold, even the finest gold. They are sweeter than honey, even honey dripping from the comb. They are a warning to your servant, a great reward for those who obey them. How can I know all the sins lurking in my heart? Cleanse me from these hidden faults. Keep your servant from deliberate sins! Don’t let them control me. Then I will be free of guilt and innocent of great sin. May the words of my mouth and the meditation of my heart    be pleasing to you, O LORD, my rock and my redeemer.

Due to falling birth rates and a desire to promote Nazi eugenics, it became evident that Germany had to implement programs to increase the population of pure Aryan children. In 1936, Heinrich Himmler built homes where women of acceptable bloodlines were to be bred with SS officers. These homes were called Homes for the Lebensborn. Women who became pregnant out of wedlock could go to one of these establishments and receive the finest of food and care during their pregnancies, with no stigma attached. In fact, they were honored because they were bearing a child for Hitler, for the Fatherland. There was only one stipulation. Once the child was born, if the father was unwilling to raise it, it must be given over to the Home for the Lebensborn. When a woman entered the home, she signed papers to this effect, and the policy forbade mothers from taking their children without marriage to an SS officer. These breeding farms were created in the hopes of repopulating the world with a perfect Aryan race once the Nazis had cleared out all of the undesirables, such as: Jews, Gypsies, Jehovah’s Witnesses, homosexuals, the physically or mentally handicapped, and anyone else Hitler saw fit to destroy.

Frightened and horribly frustrated, Loretta sank onto a rock and hugged her knees. Think. Amy’s life depended on it. And so did hers. Lost. The word dripped into her mind, as cold as melt-off ice. Hunter had made it look easy, but he was a Comanche. She was a stupid tosi tivo. How could she hope to track Comanches out here when some of the finest scouts in the country had failed? Loretta sighed and stood up. She couldn’t turn back. The Comancheros had Amy. To admit defeat would be like signing Amy’s life away. Friend had wandered to the far side of the water hole, grazing. Loretta circled the pool to fetch him. She had walked perhaps thirty feet when she glanced down. The earth on this side of the pool was torn up with hoof marks. Unshod horses had been here. One of the prints was achingly familiar, a notched crescent. “They were here!” she screeched. Friend lifted his head and fastened bewildered brown eyes on her. Loretta started to laugh. She wasn’t just any stupid tosi tivo. She was a stupid tosi tivo on a perfectly wonderful Comanche pony. She ran her hands into her hair and closed her eyes, letting the fear flow out of her. Hunter would never have told her to come to him if he hadn’t believed she could find him. Between her and Friend, they would make it. Loretta mounted up, no longer feeling so horribly alone. As crazy as it was, she felt as if Hunter rode beside her.

I feel sorry for you, Task.’ ‘Don’t bother.’ ‘No, not because you’ve suffered, or you’re cursed, but because you don’t realise.’ He threw her a quizzical look. Lesky reached out a hand and placed it on his stone. He tensed, but felt nothing, just the warmth of her skin. ‘You don’t realise how human you are. All of us. Alabast, Ellia, me, Huff, even you, with a mind made out of stone. We all walk around pretendin’ we’re not broken in some way. Most spend their lives hiding it. But we are broken. And you know what? That’s fine. In fact, it’s perfect because it’s imperfect. Each crack, each blemish, each scar, whether of the skin or in the mind, they make us whole. We’re made through livin’, not by bein’ born. What we learn is what shapes us. Some choose a friendly shape, others somethin’ more jagged and sharp. That is what it means to be human, Task. We can choose. You say your master made a mistake? Made you broken? I think he made the finest golem there is. One who’s more than stone, not just some mindless machine. One who can make actually make a choice for himself. One who’s got a conscience. A heart.

Appius Livius Ocella made mistakes in his whole long existence. Perhaps changing Eric was his finest hour. He created the perfect vampire. Eric’s only flaw is you.” “But …” I couldn’t think of what I’d been about to say. “Of course, that’s not how I perceive it, dearest. You are the one right impulse Eric has had in five hundred years or more. Well, Pam is all right. Even Eric’s other living child does not rival her maker.

I have said that etiquette was elaborated into the finest niceties, so much so that different schools advocating different systems came into existence. But they all united in the ultimate essential, and this was put by a great exponent of the best known school of etiquette, the Ogasawara, in the following terms: “The end of all etiquette is to so cultivate your mind that even when you are quietly seated, not the roughest ruffian can dare make onset on your person.” It means, in other words, that by constant exercise in correct manners, one brings all the parts and faculties of his body into perfect order and into such harmony with itself and its environment as to express the mastery of spirit over the flesh.

Unless you take charge of yourself in your life you will be taken charge of by people who have limited opinions about you and your things. You have to take responsibility for your life, actions, and outcomes if not, you are not in control of your life rather you are in control of life which will throw you whatever things come on to you. You can pretend, act or behave as if you are receiving everything out of life but deep down inside you know for sure things aren't right and you are not in control of your life. In order for you to become you, you need to take charge, come out of the skin which society has bought you in, shed it, become who you really are, and do what you really want. And once you come out that shell that cage without thinking what others may think, what society may think of you or any piece of sh*t may think of you. You control what you think of yourself and how you want yourself to be perceived. This is where you will shape up your real self, place yourself in a position of charge, take responsibility, having accountability and ownership of your actions. In life always in any situation see yourself, what part are you playing in your life, are you in charge of it or being charged. Am I leading or I am being led. Once you figure out these things for yourself, you will see the finest version of yourself who is real, who is authentic, and who is a person of his/her word.

Habitat for Humanity is a perfect example of the Power of Capitalism to enhance the Spirit of America and its concern for all of its people. It is simply Business at its finest with a careful balance of Power and Strength focused and committed to one common goal that the deal maker, must also be the change maker because of their profit and to use it in the lives of their community. Thank you, Millard Fuller, Habitat for Humanity Founder, for your wonderful and fruitful example of a lifelong hard-fought legacy of being the Imagineer uniting us to ‘Make America Great Again!’ I know that President Donald Trump would totally agree with your contributions.

I just can’t with him. With how handsome he is. With how perfect he looks even just in a simple T-shirt and athletic shorts. But it’s the way the shirt clings to his arms and chest but is loose around his waist, it’s the fit. And then, his ass . . . if I were a poet, I’d write sonnets about his ass. Thou art the finest ass. That’s poetry, right?

And there was a perfectly lovely room called the Browsing Room, with shelf upon shelf of books, and several tall windows looking out into the trees, and easy chairs with reading lamps, and sofas. It was far and away the finest, most comfortable room I had ever seen in my life, and I loved to sit in it.

No use,” he said. “You see, these fellows don’t know much. They aren’t like skilled laborers who need to be sharp to do their jobs. They’re just common workers, and most of them have gunpowder instead of brains. They don’t want facts or reason; what they like is Grady’s oratory. They think it’s the finest thing they have ever heard. They might all be perfectly satisfied and eager to work, but if Grady asked them if they wanted to be slaves, they’d all go on strike as fast as a freight train rolling downhill.

It’s a great art, is rowing. It’s the finest art there is. It’s a symphony of motion. And when you’re rowing well, why it’s nearing perfection. And when you near perfection, you’re touching the Divine. It touches the you of yous. Which is your soul. —George Yeoman Pocock

She didn't wish to dampen his enthusiasm, yet she wanted him to remove her name and the gratuitous reference to her as an artist. He was an artist - not her. "Could you possibly make a few small changes before moving the sign to the window?" Her question brought him to a halt. "Did I spell something incorrectly?" "No, but if you could paint over my name and the wording below, it would please me." "But why? That is your name, and you are my artist-in-residence. Customers prefer knowing our names when they come into the store." She didn't want to upset him. No doubt he spent hours painting the sign, and he'd done a good job of it. "I suppose you could leave my name, but I don't think it's proper to advertise me as an artist." He waved his hand in a dismissive gesture. "Bah! You are one of the finest artists I've ever seen. Art comes in many forms. Some in sketching, some in painting, some in pottery, and some in your Scherenschnitte.

Cosima lines up all her little jars of dried herbs and flowers, then carefully picks the ones she needs. "Acacia, for secret love. Celandine, for joys to come. Bluebell," she whispers, "for constancy. Bougainvillea, for passion. And chrysanthemum, for truth." She finds her special ceramic baking bowl and begins to add the usual ingredients: flour, sugar, butter, and eggs. "And the only flavor strong enough to mask the flowers." Cosima opens the cupboard above her head and takes down two bars of the finest dark chocolate she's ever tasted. "Ninety-nine percent. Perfect." After she's grated a beetroot, for moisture, and added vanilla pods, for extra flavor, Cosima pours the dark, thick mixture into a small baking tin and slips it into the oven. An hour later, she cools the cake, then glazes its black (with a tint of purple) surface with a chocolate icing seasoned with a little dust of daffodil, passionflower, and cosmos: new beginnings, faith, joy in love and life.

Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.

A few years back, the New York Times called Shauna's pork the "finest pork in America," and she has never let anyone forget it. Admittedly, her pork is fantastic- rich and flavorful, with the perfect amount of fat. Most of the charcuterie shops in town buy her meat and turn it into pâté and prosciutto and pancetta- all of which, Shauna will remind you, are so good because they start with the "finest pork in America.

Don’t startle her,” Dr. Inglis said. “Don’t startle--?” he squeaked. “That--that’s a mountain lion.” “She has the birthmark. It’s Maya.” “I don’t care. It’s a goddamned mountain lion.” “I know. Isn’t she beautiful? A young cougar in perfect physical condition. Did you see that leap? She must have been riding on the roof earlier. She climbed the tree to get on it. Do you know what that means?” “Do I care what that--?” “She planned this. There’s no loss of cognitive function. She’s an intelligent young woman in the body of one of the world’s finest predators. This is what we’ve been working toward. This is everything we’ve dreamed--” I pounced.

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Nora felt something inside her all at once. A kind of fear, as real as the fear she had felt on the Arctic skerry, face to face with the polar bear. A fear of what she was feeling. Love. You could eat in the finest restaurants, you could partake in every sensual pleasure, you could sing on stage in São Paulo to twenty thousand people, you could soak up whole thunderstorms of applause, you could travel to the ends of the Earth, you could be followed by millions on the internet, you could win Olympic medals, but this was all meaningless without love. And when she thought of her root life, the fundamental problem with it, the thing that had left her vulnerable, really, was the absence of love. Even her brother hadn't wanted her in that life. There had been no one, once Volts had died. She had loved no one, and no one had loved her back. She had been empty, her life had been empty, walking around, faking some kind of human normality like a sentient mannequin of despair. Just the bare bones of getting through. Yet there, right there in that garden of Cambridge, under that dull grey sky, she felt the power of it, the terrifying power of caring deeply and being cared for deeply. Okay, her parents were still dead in this life but here there was Molly, there was Ash, there was Joe. There was a net of love to break her fall. And yet she sensed deep down that it would all come to an end, soon. She sensed that, for all the perfection here, there was something wrong amid the rightness. And the thing that was wrong couldn't be fixed because the flaw was the righteousness itself. Everything was right, and yet she hadn't earned this. She had joined the movie halfway. She had taken the book from the library, but truthfully, she didn't own it. She was watching her life as if from behind a window. She was, she began to feel, a fraud. She wanted this to be her life. As in her real life. And it wasn't and she just wished she could forget that fact. She really did.

He wasn't wearing a shirt. Alert, alert! August Hodges was not wearing a shirt. Her greedy eyes inhaled the wall of delicious flesh that defined his magnificent back. Muscles rippled in perfect synchronized motions as he lifted his arm. Scrumptious, delicious brown skin her lips and tongue longed to taste. Dampness instantly settled between her legs. She must have made a whimper full of intense hunger, or maybe he just sensed he was no longer alone--- and she was going to go with the second, less embarrassing option--- because he turned. Holy fuck! The front was better than the back. He was a professional athlete who took his fitness seriously (even though he owned a cupcake shop franchise), so she shouldn't be shocked by how fucking good he looked. But it was one thing to be intellectually aware of something and another to be confronted with it up close and personal. A quick perusal registered an eight-pack. A trail of hair bisected his abs and led to... She jerked her eyes upward. His eyebrows lifted. "Sloane?" His tone was amused. No doubt her tongue was hanging out her mouth like a dog eagerly tracking the bowl of water its parent carried. Dignity. She needed to find it, and soon. She lifted a hand as he reached for the teal Sugar Blitz polo on his desk. Let a mocking, flirty smile spread across her lips. "Please stop on my behalf." He shot her a look. "I do so appreciate being treated like a piece of meat." The finest, rarest cut of beef. Filet mignon.

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