Sussex Royal Quotes

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It occurred to me then that identity is a hierarchy. We are primarily one thing, and then we're primarily another, and then another, and so on, until death- in succession. Each new identity assumes the throne of Self, but takes us further from our original self, perhaps our core self- the child. Yes, evolution, maturation, the path towards wisdom, it's all natural and healthy, but there's a purity to childhood, which is diluted with each iteration.
Prince Harry (Spare)
It demonstrates an unwillingness to truly accept, embrace, and protect what the Duchess of Sussex’s inclusion stood for beyond palace walls—how important it was for the millions of Black, Brown, and non-white people throughout Britain and the predominantly non-white Commonwealth to finally see a little of themselves represented in the monarchy because of Meghan’s presence, her background, and her union with Harry.
Omid Scobie (Endgame: Inside the Royal Family and the Monarchy's Fight for Survival)
Another interesting example of this sudden thrust into the limelight from 2010/11-2018/19 is the case of Meghan, Duchess of Sussex (Rodden Rating AA), who like Angelina also had Uranus transiting her 10th House, containing her Midheaven. Early in her career, she had difficulty getting roles as an actress until she landed the part of Rachel Zane in July 2011 in the popular Suits TV Show, a role which suddenly made her popular. As if her instant success wasn’t enough, she also dated and eventually married into royalty as is well-known. Like Angelina, her reputation in the mainstream media seems to swing either way as well. As Uranus leaves her 10th House in 2019, we may find a settling down of her career and reputation sphere, perhaps as she eases more comfortably into her royal life.
Cate East (Success Astrology: Your Celestial Map of Success)
Sussex fans and royal
Courtney Hargrove (A Royal Conspiracy: Parallels between Princess Diana and Duchess Meghan (The Split Book 2))
My penis was oscillating between extremely sensitive and borderline traumatized.
Harry Duke of Sussex
I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
The men in her life were clean-cut, well-bred, reliable, unpretentious and good company. “Diana is an Uptown girl who has never gone in for downtown men,” observes Rory Scott. If they wore a uniform or had been cast aside by Sarah so much the better. She felt rather sorry for Sarah’s rejects and often tried, unsuccessfully, to be asked out by them. So she did washing for William van Straubenzee, one of Sarah’s old boyfriends, and ironed the shirts of Rory Scott, who had then starred in a television documentary about Trooping the Colour, and Diana regularly stayed for weekends at his parents’ farm near Petworth, West Sussex. She continued caring for his wardrobe during her royal romance, on one occasion delivering a pile of freshly laundered shirts to the back entrance of St. James’s Palace, where Rory was on duty, in order to avoid the press. James Boughey was another military man who took her out to restaurants and the theatre and Diana visited Simon Berry and Adam Russell at their rented house on the Blenheim estate when they were undergraduates at Oxford. There were lots of boyfriends but none became lovers. The sense of destiny which Diana had felt from an early age shaped, albeit unconsciously, her relationships with the opposite sex. She says: “I knew I had to keep myself tidy for what lay ahead.” As Carolyn observes: “I’m not a terrible spiritual person but I do believe that she was meant to do what she is doing and she certainly believes that. She was surrounded by this golden aura which stopped men going any further, whether they would have liked to or not, it never happened. She was protected somehow by a perfect light.” It is a quality noted by her old boyfriends. Rory Scott says roguishly: “She was very sexually attractive and the relationship was not a platonic one as far as I was concerned but it remained that way. She was always a little aloof, you always felt that there was a lot you would never know about her.” In the summer of 1979 another boyfriend, Adam Russell, completed his language degree at Oxford and decided to spend a year travelling. He left unspoken the fact that he hoped the friendship between himself and Diana could be renewed and developed upon his return. When he arrived home a year later it was too late. A friend told him: “You’ve only got one rival, the Prince of Wales.
Andrew Morton (Diana: Her True Story in Her Own Words)
In fact, minimal thought ever went into race-related issues when it came to the Sussexes. This is the same institution that suggested that Lady Susan Hussey (yes, that Lady Susan Hussey) help biracial Meghan acclimate to Palace life and navigate the royal system. The duchess turned down the offer, probably having already sensed that it might not be the best idea. When Palace aides later told reporters, including myself, that they “bent over backwards” to make Meghan feel comfortable at Buckingham Palace, this included a follow-up suggestion that perhaps the Queen’s Ghanaian-born household cavalry officer Lieutenant Colonel Nana Kofi Twumasi-Ankrah should be the one to help Meghan. Though a charming and intelligent man, it stood out like a sore thumb to Meghan and her friends that, due to a lack of Black or other non-white staff, let alone women, in relevant senior roles, the Palace had to turn to someone who was the Queen’s attendant. “I doubt Kate was offered an equerry [for guidance],” a pal said to Meghan.
Omid Scobie (Endgame: Inside the Royal Family and the Monarchy's Fight for Survival)
In the first months after her wedding to Prince Harry, the Duchess of Sussex was also a shimmering ornament in the royal family tree. And with her outgoing nature and leadership potential, qualities for which Kate isn’t known, early coverage of Meghan’s royal engagements were far less about fashion choices and more about her work or her role in the Firm.
Omid Scobie (Endgame: Inside the Royal Family and the Monarchy's Fight for Survival)
And when the Telegraph accused the Duchess of Sussex of making Kate cry (front-page news that resulted in days of critical Meghan coverage), Kate watched in silence as the Palace refused to set the record straight, even though it was the other way around. She later apologized to Meghan (with flowers), but the damage from the public rift was already done.
Omid Scobie (Endgame: Inside the Royal Family and the Monarchy's Fight for Survival)
It wasn’t just that I didn’t know anything about my family’s history: I didn’t want to know anything.
Prince Harry The Duke of Sussex
Not one bullet hit the mark. Nothing could bring Victoria down.
Prince Harry The Duke of Sussex (Spare By Prince Harry The Duke of Sussex, Finding Freedom By Omid Scobie & Carolyn Durand 2 Books Collection Set)
the Sussexes found that being non-working royals takes a lot of work.
Tina Brown (The Palace Papers: Inside the House of Windsor - the Truth and the Turmoil)