Beer Die Quotes

We've searched our database for all the quotes and captions related to Beer Die. Here they are! All 100 of them:

Ludicrous? Seems like wherever you go, trouble follows you.” “Look, Deputy Lawson. I had nothing to do with all this. I was just have a beer and minding my own business until this woman sat down next to me and said, ‘Can you help me, Mr. Ludef…’ She didn’t even finish the sentence. The next thing I know she’s laying on the deck. I don’t know who she is or why she sought me out.” “Seems like I’ve heard this story before. You have a nasty reputation of people dying around you.” “You know better. That comes with the occupation.” “And you know the drill. Don’t leave town until we get to the bottom of this.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
The beer and the wurst were wonderful, but I was dying to be back in the South, where the livin' was easy, where the fish were jumpin', where the cotton grew high.
Johnny Cash (Cash)
I was lying there trying to control the fear. I did not know much about this uremic poisoning. A woman I'd known slightly in Texas had died of it after drinking a bottle of beer ever hour, night and day, for two weeks.
William S. Burroughs (Junky)
2 p.m. beer nothing matters but flopping on a mattress with cheap dreams and a beer as the leaves die and the horses die and the landladies stare in the halls; brisk the music of pulled shades, a last man's cave in an eternity of swarm and explosion; nothing but the dripping sink, the empty bottle, euphoria, youth fenced in, stabbed and shaven, taught words propped up to die.
Charles Bukowski (Burning in Water, Drowning in Flame)
One more victim sucked in by John. You get into the room with him and you just fall into a warm pool of beer and video games and penis jokes, staring at the universe with him and saying, "Do you believe this shit?
David Wong (John Dies at the End (John Dies at the End, #1))
Hey, I’ve been alive for a very, very long time. Boring,” she sang out. “Gotta do something for kicks, and a good apocalypse every now and then fills the cracks. It’s like the Super Bowl for us gods…but without the beer and everyone could die. Fun, right?
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
You have five minutes to call someone, anyone, I don't care who, and order me the finest blend of coffee that rat hole town has, and a dozen beers. If it's not sitting on this table..." a slender finger pointed furiously at the table in question,"... in one hour, you die" - Faith telling Jacob
Lora Leigh (Jacob's Faith (Breeds, #9))
I didn't want to die, but now I needed to figure out how to turn my life into one I wanted to live.
Madison Beer (The Half of It: A Memoir)
The old man had been tanned by the light of too many beer signs, and it just goes to show that you can’t live on three packs of Chesterfields and a fifth of bourbon a day without starting to drift far too fuckin’ wide in the turns.
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
Welcome to Undisclosed. Dreams Interpreted for Beer.
David Wong (John Dies at the End (John Dies at the End, #1))
I talk better when I’m drinking coffee.” “Me, too. If by coffee you mean beer, and by better you mean louder.
D.D. Barant (Dying Bites (The Bloodhound Files, #1))
At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die. You never stop waiting for the real story to start, because the only real story, in the end, is that you die.
Jonathan Franzen (The Discomfort Zone: A Personal History)
Had she really understood then that those were the best of times? That she was in heaven? She thinks she did understand, yes. Understood she had been given a great gift. Doing the crossword in a train carriage, Stephen with a can of beer ("I will only drink beer on trains, nowhere else, don't ask me why"), glasses halfway down his nose, reading out clues. The real secret was that when they looked at each other, they each thought they had the better deal.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
A real man would never cry in public unless he was watching a movie in which a heroic dog died to save its master.Or if Heidi klum unbuttoned her blouse. Or he accidently dropped a full case of beer.
Allan Pease (Why Men Want Sex and Women Need Love: Solving the Mystery of Attraction)
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
A Song I wish you were here, dear, I wish you were here. I wish you sat on the sofa and I sat near. The handkerchief could be yours, the tear could be mine, chin-bound. Though it could be, of course, the other way around. I wish you were here, dear, I wish you were here. I wish we were in my car and you'd shift the gear. We'd find ourselves elsewhere, on an unknown shore. Or else we'd repair to where we've been before. I wish you were here, dear, I wish you were here. I wish I knew no astronomy when stars appear, when the moon skims the water that sighs and shifts in its slumber. I wish it were still a quarter to dial your number. I wish you were here, dear, in this hemisphere, as I sit on the porch sipping a beer. It's evening, the sun is setting; boys shout and gulls are crying. What's the point of forgetting if it's followed by dying?
Joseph Brodsky
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
You can rock and roll all night, but when the music dies out and the beer wears off, you’re able to think. And dream big dreams.
Stephen King (The Gunslinger (The Dark Tower, #1))
White trash had a way of finding their graves. Along with wife beating and beer sucking, dying was probably their only core competency.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Albeit i may die sleep not in the coffen of gold and even beer no fruit; but my impact after depart is my particular to paradise.
oladosu feyikogbon
A new beer with sweat running down the sides slides into view and Pigpen sidles up beside me grinning like a crazy man. “Everyone’s dying to know who you’re texting with. It’s like you’re a twelve-year-old girl chained to that damn cell. Have you started your period yet?
Katie McGarry (Walk the Edge (Thunder Road, #2))
They’re all over me I smell their beer breath mixed with my sweat I can’t answer all the questions, I can barely think straight Now I’m alone in the room To be hard you must be alone To withstand this shit you must be hard The logic works itself out right in front you Be alone as much as you can If you want to hit like a ton of fire You have to get to the essential number One
Henry Rollins (See A Grown Man Cry/Now Watch Him Die (Henry Rollins))
I went outside after my beer and looked down into the ocean and saw a stingray flapping in the water, a jagged C torn into his body and ribbons of blood running out, same color as mine, as anything's, and I knew that stingray had been chewed by something because that is all the ocean is -- big hole full of things chewing each other -- and it's odd that people go to the beach and stare at the waving water and feel relaxed because what they are looking at is just the blue curtain over a wild violence, lives eating lives, the unstoppable chew, and I wondered if any of those vacationing people feel all the blood rushing under the surface, and I wondered if the fleshy, dying underside of the ocean is what they're really after as they stare -- that ferocious pulse under all things placid.
Catherine Lacey (Nobody Is Ever Missing)
The Angels had fun with them. They laid the deceased out on a pool table and took turns pouring beer over him, ritualistically, you know? They stripped this embalmed figure of his wrappings before the ritual. At the end, they took Bobby and Ty—at knifepoint—and forced them to kiss the deceased’s lips and say, ‘I love you, man.’ But the worst was yet to come. Without becoming vulgar and utterly gross, let me just say the Angels gave them a choice: die slowly of knife wounds or fellate the corpse on the table.
John M Vermillion (Packfire (Simon Pack, #9))
When you're the sane brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your hands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the indifference of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap.
Wally Lamb (I Know This Much Is True)
This is where the pivotal events of my childhood unfolded, while I ate banana and root beer Popsicles, two by two, tucking the sticks neatly under the skirt of the chair. It's where Sunnybank Lad met Lady, Ken met his friend Flicka, Atlanta burned, Manderley burned, Lassie came home, Jim ran away, Alice got small, Wilbur got big, David Copperfield was born, Beth died, and, on an endless gloomy winter afternoon, Jody shot his yearling.
Jo Ann Beard (In Zanesville)
She wanted to die. No. Not really, she didn’t. That was just the beer and gin and crème de menthe talking, their liquid voices sloshing up from the depths of her uneasy stomach. What she really wanted was to already be dead.
Gretchen Felker-Martin (Manhunt)
I drink because I don't stand a chance and I know it. I couldn't drive a truck and I couldn't get on the cops with my build. I got to sling beer and sing when I just want to sing. I drink because I got responsibilities that I can't handle...I am not a happy man. I got a wife and children and I don't happen to be a hard-working man. I never wanted a family...Yes, your mother works hard. I love my wife and I love my children. But shouldn't a man have a better life? Maybe someday it will be that the Unions will arrange for a man to work and to have time for himself too. But that won't be in my time. Now, it's work hard all the time or be a bum... no in-between. When I die, nobody will remember me for long. No one will say, "He was a man who loved his family and believed in the Union." All they will say is," Too bad. But he was nothing but a drunk no matter which way you look at it." Yes they'll say that.
Betty Smith (A Tree Grows in Brooklyn)
But I still think that’s a pretty fine age. Maybe the best age. You can rock and roll all night, but when the music dies out and the beer wears off, you’re able to think. And dream big dreams. The mean Patrol Boy cuts you down to size eventually, and if you start out small, why, there’s almost nothing left but the cuffs of your pants when he’s done with you.
Stephen King (The Gunslinger (The Dark Tower, #1))
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
John Grisham (A Time to Kill (Jake Brigance, #1))
Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and widespread Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
Joyce turns her face up to the sun and closes her eyes. 'Well, isn't this lovely, Ron? I never knew I liked beer. Imagine if I'd died at seventy? I never would have known.
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
That’s why I’ve switched from beer to whiskey—fewer calories.
Erin Johnson (Tea Die For (The Magical Tea Room Mysteries #9))
Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think?
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Kant ate but once a day, and drank no beer. Of this liquor, (I mean the strong black beer,) he was, indeed, the most determined enemy. If ever a man died prematurely, Kant would say—’He has been drinking beer, I presume.
Thomas de Quincey (Biographies and Biographic Sketches (Collected Writings, Vol 4))
They were born, they grew up in the gutters, they went to work at twelve, they passed through a brief blossoming period of beauty and sexual desire, they married at twenty, they were middle-aged at thirty, they died, for the most part, at sixty. Heavy physical work, the care of home and children, petty quarrels with neighbors, films, football, beer, and above all, gambling, filled up the horizon of their minds. To keep them in control was not difficult.
George Orwell (1984)
This town has done us dirty This town has bled us dry We've been here for a long time And we'll be here 'til we die So we'll finish off the leavings Of blood and glue and beer And burn this bloody city down In the summer of the year
Shane MacGowan
It was knock or go home and die. Rase knocked. The door opened with such alacrity that Rase wondered whether Gabriel had been standing on the other side, drawn to the door by the same uncanny instinct that had inspired him to torment Rase. "You said anytime," Rase said, before Gabriel could say anything. "I did." Gabriel seemed unperturbed at having his employer show up at his door. He stepped back to let Rase in. Rase had been expecting something in keeping with the rest of the building. Instead, Gabriel's apartment was shabby but spotless. It was one main room with a niche for the kitchen and a tiny bathroom that Rase could see through a narrow door that stood ajar. He walked to the center of the room and found himself only feet from Gabriel's bed, a sizable bed with a heavy iron frame. That stopped him in his tracks, and he stood there, wondering what to do with himself. "Beer?" Gabriel was so close that Rase could feel Gabriel's breath on his hair. "This isn't a social call," Rase said, not even trying to keep his voice steady. "Then why are your clothes still on?
Anah Crow (Uneven)
He's tried to explain this a couple of times to a few of his buddies after about five beers. Like listen, listen. Imagine you live in this country, right? And there's a brutal war, and you witness and maybe participate in a horrific amount of violence, and you lose absolutely everyone you care about. Then you end up in this other country, where the culture and ways of doing things are completely foreign to you, and random assholes make fun of you for how you dress and act and talk while you're still coming to grips with the fact that everyone you love is gone and you can never go home again. Meanwhile, everyone around you is like "smile, motherfucker, you're in the Land of Plenty now, where there's a Starbucks on every corner and 500 channels on TV. You should be grateful! Why aren't you acting more grateful?" So you have to pretend to be grateful while you're dying inside. Sound like an traumatized, orphaned refugee? Also sounds like Steve fucking Rogers, Captain Goddamn America. Except that most refugees were part of a community of other people who were going through the same thing. Steve is all alone, the last damn unicorn, if the last unicorn had horrible screaming nightmares about the time when it helped to liberate Buchenwald.
Spitandvinegar (Ain't No Grave (Can Keep My Body Down) (Ain't No Grave, #2))
I'm fine.My father's an arse, and my mum is dying and-oh my God,I'm so pissed." St. Clair looked at me again. His eyes were glassy like black marbles. "Pissed.Pissed.Pissed." "We know you're pissed at your dad," I said. "It's okay. You're right, he's a jerk." I mean what was I supposed to say? He just found out his mother has cancer. "Pissed is British for 'drunk,'" Mer said. "Oh," I said. "Well. You're definitely that, too." Meanwhile,The Couple was fighting. "Where have you been?" Rashmi asked. "You said you'd be home three hours ago!" Josh rolled his eyes. "Out.We've been out. Someone had to help him-" "And you call that helping? He's completely wasted. Catatonic. And you! God,you smell like car exhaust and armpits-" "He couldn't drink alone." "You were supposed to be watching out for him! What if something happened?" "Beer. Liquor. Thatsswhat happened. Don't be such a prude,Rash.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
These July nights, you get thirsty for one more beer as the Phillies struggle and then in bed feel a terrific weariness, a bliss of inactivity that leads you to understand how men can die willingly, gladly, into an eternal release from the hell of having to perform.
John Updike (Rabbit Is Rich (Rabbit Angstrom #3))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
A 1670 revision of the criminal code found yet another use for salt in France. To enforce the law against suicide, it was ordered that the bodies of people who took their own lives be salted, brought before a judge, and sentenced to public display. Nor could the accused escape their day in court by dying in the often miserable conditions of the prisons. They too would be salted and put on trial. Breton historians have discovered that in 1784 in the town of Cornouaille, Maurice LeCorre had died in prison and was ordered salted for trial. But due to some bureaucratic error, the corpse did not get a trial date and was found by a prison guard more than seven years later, not only salted but fermented in beer, at which point it was buried without trial.
Mark Kurlansky (Salt: A World History)
Probably your biggest mistake was doing funk-dance to Unchained Melody,” the dog offered earnestly. “It’s a ballad, Alf, and to be honest, it’s one of the slowest songs I can think of. You’d have been better off doing a slow waltz to something with that tempo. The other factor may have been the large amount of beer you consumed beforehand.
Mark Jackman (There's Something About Dying (Old Liston Tales #2))
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Every culture can be kind of defined by what they drink in order to avoid dying of diarrhea. In China it’s tea. In Africa it’s milk or animal blood. In Europe it was wine and beer.
Neal Stephenson (Some Remarks: Essays and Other Writing)
I didn’t want to die, but now I needed to figure out how to turn my life into one I wanted to live.
Madison Beer (The Half of It)
When you have no imagination, dying is small beer; when you do have an imagination, dying is too much.
Louis-Ferdinand Céline (Journey to the End of the Night)
Something switches in mee in this vegan mayonnaise-filled moment. All my patience is gone. I'm in a vegan dive bar, smelling beer I don't care to drink with basketball and football games I don't care to watch blaring from the excessive amount of TVs around me. I'm sitting on a bar stool with uneven legs opposite of a man I no longer love. I am numb. I am done. Look, I just am.
Jennette McCurdy (I'm Glad My Mom Died)
In September 1942, a B-17 crashed in the Pacific, stranding nine men on a raft. Within a few days, one had died and the rest had gone mad. Two heard music and baying dogs. One was convinced that a navy plane was pushing the raft from behind. Two scuffled over an imaginary case of beer. Another shouted curses at a sky that he believed was full of bombers. Seeing a delusory boat, he pitched himself overboard and drowned. On day six, when a plane flew by, the remaining men had to confer to be sure that it was real. When they were rescued on day seven, they were too weak to wave their arms.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
My mother who died young In an outlandish rhythm Would have been seventy now And perhaps dead in funeral time. So I may start to mourn As I would celebrate The first or second birthday Of a still-born baby. - Out of Season
Patricia Beer (The Survivors)
How fun it would be to bounce on the back of Lidewij Vliegenthart’s bike down the brick streets, her curly red hair blowing into my face, the smell of the canals and cigarette smoke, all the people sitting outside the cafés drinking beer, saying their r’s and g’s in a way I’d never learn. I missed the future. Obviously I knew even before his recurrence that I’d never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up that you can’t make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn’t see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again.
John Green (The Fault in Our Stars)
They were born, they grew up in the gutters, they went to work at twelve, they passed through a brief blossoming-period of beauty and sexual desire, they married at twenty, they were middle-aged at thirty, they died, for the most part, at sixty. Heavy physical work, the care of home and children, petty quarrels with neighbours, films, football, beer and, above all, gambling, filled up the horizon of their minds. To keep them in control was not difficult.
George Orwell (1984)
Amanda said, “Isn’t it interesting: people never seem to bring liquor when somebody dies, have you noticed? Why not a case of beer? Or a bottle of really good wine? Just these everlasting casseroles, and who eats casseroles nowadays?
Anne Tyler (A Spool of Blue Thread)
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Denver’s first permanent structure was said to be a saloon, and more beer is brewed here today than in any other American city, earning it the nickname the “Napa Valley of beer.” For one weekend in the fall it boasts the best selection on earth during the Great American Beer Festival, a New World Oktoberfest that gathers representatives from the nation’s best breweries to tap over 1,600 different kinds of beer—enough to get it listed in Guinness World Records for the most beers tapped in one place.
Patricia Schultz (1,000 Places to See in the United States & Canada Before You Die)
I simmer in the half-light of a stoop, raising beers under a pompadour on the first brisk night, pressure more potent than any barometer can read. To see your hand to the tramp of feet is a way to measure strangers. To feel your hair on my finger accidentally is common sense, a way of leading you to me as the watch moves. We return to our bed through the bakery smells of daybreak, sky palling, empty of jets. The schedule is suspended, then resumes like gray dead hands in the east, and I want you never to die.
John Godfrey
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
I'll be able to vote this year. And be drafted. But not drink. Legally, anyway. Weird that I'll be old enough to die for my country but not buy beer. That regulation is screwed up. If I can be taught to fly a fighter jet, I should be trusted with a six-pack of Corona.
Anonymous (The Book of David)
The fact of the matter is that when I drink, I am 100 percent certifiably insane. Hopelessly, utterly, undeniably bat shit crazy. I do things that are abhorrent to me; anathema to my nature, my morals, and my upbringing. And once I start, I cannot stop the craziness. It just spirals on and on, ever downward, until I die or hit rock bottom. And even at rock bottom, despite all evidence that I should stop, I will grab a cold beer and a pick ax and keep digging deeper. It's insane. The only way I know to not be crazy is just not to drink.
D. Randall Blythe (Dark Days: A Memoir)
I hate you," she said. I felt her hatred. I could smell it, even hear it coming out of her, but I sneered again. "I hope so," I said. "Because there must be something pretty fine about a guy who rates your hatred." Then she said a strange thing; I remember it clearly. "I hope you die of heart failure," she said. "Right there in that chair." It gave her keen satisfaction, even though I laughed. She walked away smiling. She stood at the bar again, waiting for more beer, and her eyes were fastened on me, brilliant with her strange wish, and I was unconfortable but still laughing. Now she was dancing again, gliding from table to table with her tray, and every time I looked at her she smiled her wish, until it had a mysterious effect on me, and I became conscious of my inner organism, of the beat of my heart and the flutter of my stomach. I felt that she would not come back to my table again, and I remember that I was glad of it, and that a strange restlessness came over me, so that I was anxious to get away from that place, and away from the range of her persistent smile.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
It goes like this: go to school, get brainwashed, go to college, get more brainwashed, drink beer, get a degree, get a job, get married, have kids, get promoted, get a mortgage, take a yearly vacation, buy stuff on the holidays, retire, take up golf, be a grandparent, get cancer and die. The matrix exists to make sure you follow this formula, so that you can do your part to support the very system that’s enslaving you. Except you think you’re free because you went to Maui for a week last June. That’s not freedom, my love. That’s a bone.
Shaman Durek (Spirit Hacking: Shamanic Keys to Reclaim Your Personal Power, Transform Yourself, and Light Up the World)
To love is to lose, Sam. Unfortunately, it’s just that simple. Maybe not today but someday. Maybe not when she’s too young and you’re too young, but you see that being old doesn’t help. Maybe not your wife or your girlfriend or your mother, but you see that friends die, too. I could not spare you this any more than I could spare you puberty. It is the inevitable condition of humanity. It is exacerbated by loving but also simply by leaving your front door, by seeing what’s out there in the world, by inventing computer programs that help people. You are afraid of time, Sam. Some sadness has no remedy. Some sadness you can’t make better.” “So what the hell do I do?” “Be sad.” “For how long?” “Forever.” “But then why isn’t everyone walking around miserable all the time?” “Because ice cream still tastes good. And sunny and seventy-five is still a lovely day. And funny movies make you laugh, and work is sometimes fulfilling, and a beer with a friend is nice. And other people love you too.” “And that’s enough?” “There is no enough. You are the paragon of animals, my love. You aspire to such greatness, to miracle, to newness and wonder. And that’s great. I’m so proud of you. But you forgot about the part that’s been around for time immemorial. Love, death, loss. You’ve run up against it. And there’s no getting around or over it. You stop and build your life right there at the base of that wall. But it’s okay. That’s where everyone else is too. Everyone else is either there or on their way. There is no other side, but there’s plenty of space there to build a life and plenty of company. Welcome to the wall, Sam.
Laurie Frankel (Goodbye for Now)
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
Ten derde: ze spuiten er een zoutoplossing in die zo hels smerig is dat er een bittere smaak door je mond trekt, een smaak die het resultaat lijkt van een innige samenwerking tussen Voldemort, The Joker en Satan zelf. Of nee, erger - Winnie de Poeh. Dat spoelen dan ze namelijk in een apart kamertje, en daar hangt hij, op een scherm aan het plafond: De Beer Aan Wie Je Voortaan Altijd Moet Denken Als Je Moet Kotsen, De Beer Die Je Tong Belegt Met Ellende, Hij Die De Ware Verspreider Is Van Het Kwaad, Hij Die Zo Snel Mogelijk In Een Eeuwige WInterslaap Gebracht Dient Te Worden: Winnie de fokking Poeh.
Edward van de Vendel
My master, sooner or later, will die of his dyspepsia. Old man Goldfield is already doomed by his greed. The autumn leaves have mostly fallen. All that has life must lose it. Since there seems so little point in living, perhaps those who die young are the only creatures wise. If one heeds the sages who assembled here today, mankind has already sentenced itself to extinction by suicide. If we don't watch out, even cats may find their individualities developing along the lethal crushing pattern forecast for these two-legged loons. It's an appalling prospect. Depression weighs upon me. Perhaps a sip of Sampei's beer would cheer me up.
Natsume Sōseki (I Am a Cat)
the drug had been proven by scientists to be safer than alcohol. He wanted to prove it again. So he sat next to several large cases of beer, a fake joint in his hand and a real joint in his pocket. For every hit the mayor took of alcohol, Mason pledged, he would take a hit of marijuana—and we would see who died first.7
Johann Hari (Chasing the Scream: The Search for the Truth About Addiction)
KRÁKUMÁL [...] 25. We struck with our swords! My soul is glad, for I know that Balder’s father’s benches for a banquet are made ready. We’ll toss back toasts of ale from bent trees of the skulls; no warrior bewails his death in the wondrous house of Fjolnir. Not one word of weakness will I speak in Vidrir’s hall. 26. We struck with our swords! The sons of Aslaug all would rouse the wrath of Hild here with their ruthless sword-blades, if they fathomed fully how far I have traveled, how so many serpents stab me with their poison. My son’s hearts will help them: they have their mother’s lineage. 27. We struck with our swords! Soon my life is ended; Goinn scathes me sorely, settles in my heart’s hall; I wish the wand of Vidrir would wound Æelle, one day. My sons must feel great fury that their father is put to death; my daring swains won’t suffer in silence when they hear this. 28. We struck with our swords! I have stood in the ranks at fifty-one folk-battles, foremost in the lance-meet. Never did I dream that a different king should ever be found braver than me— I bloodied spears when young. Æsir will ask us to feast; no anguish for my death. 29. I desire my death now. The disir call me home, whom Herjan hastens onward from his hall, to take me. On the high bench, boldly, beer I’ll drink with the Gods; hope of life is lost now— laughing shall I die!
Ben Waggoner (The Sagas of Ragnar Lodbrok)
You don’t even have to wear her down. You already managed that. I don’t think you’re taking proper advantage of the situation. Dude, you died like right in front of her. That’s going to buy so many Sundays where you don’t have to run errands or go to church or do anything but sit in your chair with a beer in hand, watching whatever sport happens to be on that day. Also, I bet you could get a real increase in the amount of blowjobs offered. Don’t expect that to last though. They get super embarrassed when they have to go to the doc for jaw pain. Yeah, stick to the football plan. Every time she asks you to go grocery shopping on Sunday, kind of put your hand to your heart and wince a little as you agree. It’ll work every time.” His brother was such an ass.
Lexi Blake (Submission is Not Enough (Masters and Mercenaries #12))
Darren says his mum told him a secret recently about Australians. She said this secret would make him a rich man. She said the greatest secret about Australia is the nation's inherent misery. Bich Dang laughs at the ads on telly with Paul Hogan putting another shrimp on the barbie. She said foreign visitors should rightfully be advised about what happens five hours later at that Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and widespread Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
Time and again, when the goblets passed and seasoned fighters got flushed with beer they would pledge themselves to protect Heorot and wait for Grendel with whetted swords. But when dawn broke and day crept in over each empty, blood-spattered bench, the floor of the mead-hall where they had feasted would be slick with slaughter. And so they died, faithful retainers, and my following dwindled.
Seamus Heaney (Beowulf)
The writer found that certain freshwater crustaceans, namely Californian species of Daphnia, copepods, and Gammarus when indifferent to light can be made intensely positively heliotropic by adding some acid to the fresh water, especially the weak acid CO2. When carbonated water (or beer) to the extent of about 5 c.c. or 10 c.c. is slowly and carefully added to 50 c.c. of fresh water containing these Daphnia, the animals will become intensely positive and will collect in a dense cluster on the window side of the dish. Stronger acids act in the same way but the animals are likely to die quickly. . . Alcohols act in the same way. In the case of Gammarus the positive heliotropism lasts only a few seconds, while in Daphnia it lasts from 10 to 50 minutes and can be renewed by the further careful addition of some CO2.
Jacques Loeb
Perhaps you are repulsed by me. Well, perhaps you are the one with the problem, not I. Perhaps you are the repulsive one. Perhaps you have never cared enough about anything in your life to weep at its loss. If that is the case, it is I who pity you. You will go through your brutish existence experiencing the small pleasures of taking things that are not yours, going places you are not welcome, sticking your elbow into the legally purchased space of another. Then you will die. Congratulations: That is your life. I hope you are happy with it. I hope you don’t regret, on your deathbed, that you never felt love, or joy, or loss. Yes, loss. There is a profound sweet melancholy in the experience of loss. It is the most delectable and pungent spice on the spice rack of life. Too bad you won’t taste it, buddy. I guess it doesn’t go with burgers and beer.
Charlie Kaufman (Antkind)
Live free or die,” he muttered, and it suddenly occurred to him that for the first time in his life, he was actually, totally free. Alex was a product of the public school system, and since childhood he’d been taught that America was a free country. The older he grew, however, the more he realized that American freedom was an idea more than it was an actuality. He had the right to bear arms, but only if the government let him. He had the right to protest, but only with a permit and in designated areas—even his freedom of speech was subject to the will of the courts. Small things like going camping, fishing or walking down the street with a beer were subject to constant government meddling. He wasn’t a right wing nutcase, he could entertain the notion that some restrictions were a necessary evil brought about by an increasingly complex society and a growing population, but that didn’t mean he liked it, or that he didn’t resent the lie. “Regulate this,” he said, hefting his rifle.
Michael Edelson (Seed)
Death, like so many great movies, is sad. The young fancy themselves immune to death. And why shouldn’t they? At times life can seem endless, filled with belly laughs and butterflies, passion and joy, and good, cold beer. Of course, with age comes the solemn understanding that forever is but a word. Seasons change, love withers, the good die young. These are hard truths, painful truths—inescapable but, we are told, necessary. Winter begets spring, night ushers in the dawn, and loss sows the seeds of renewal. It is, of course, easy to say these things, just as it is easy to, say, watch a lot of television. But, easy or not, we rely on such sentiment. To do otherwise would be to jump without hope into a black and endless abyss, falling through an all-enveloping void for all eternity. Really, what’s to gain from saying that the night only grows darker and that hope lies crushed under the jackboots of the wicked? What answers do we have when we arrive at the irreducible realization that there is no salvation in life, that sooner or later, despite our best hopes and most ardent dreams, no matter how good our deeds and truest virtues, no matter how much we work toward our varied ideals of immortality, inevitably the seas will boil, evil will run roughshod over the earth, and the planet will be left a playground in ruins, fit only for cockroaches and vermin. There is a saying favored by clergymen and aging ballplayers: Pray for rain. But why pray for rain when it’s raining hot, poisoned blood?
Dave Eggers (A Heartbreaking Work of Staggering Genius)
She paid rapt attention to the carpet design He did the same to his pint of beer. She wished she were ten thousand miles away He just wished she were here. He smoked a rolled-up cigarette She smoked a brand that was strong, As she dreamily savoured her newly-won life, While he wondered how things had gotten so wrong. She whispered the words of an old favourite song He joined – mistaking her meaning. She shed a few reminiscent tears He carried on – wildly dreaming. He reached for her hand. She snatched it away, Brushing invisible specks from her lap Then she endeavoured to say… “I don’t understand why you keep up this farce Why can’t you see there’s no way? I cannot revive what has long since died There’s nothing more I can say.” He cried like a baby; He pleaded and begged her to stay. She hated herself like a louse But still she got up – and walked away.
Bernie Morris (Verse for Ages)
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
And now the household took their seats, and tables were set all round the hall, and food served; dishes of meat were brought in and set before Egil and the rest. After this ale was borne in, beer of the strongest. Soon they began to drink bumpers, each man was to drink off the horn; and especial care was taken that Egil and his companions should drink hard. Egil drank without shirking a drop for a long while, but when his companions were become helpless, then he drank for them what they could not. So matters went on till the tables were removed, and by then all in the room were well drunk. But before each cup that he drank Armod said: 'I drink to you, Egil,' and the house-carles drank to Egil's companions with the same preface. A man was appointed to bear every cup to Egil's party, and he urged them to drink it off quick. Egil told his companions to drink no more, but himself drank for them what they could not avoid. Egil soon found that it would not do for him to go on so. Wherefore he stood up, went across the floor to where Armod sat, took him with his hands by the shoulders, and forced him back against the inner posts, and vomited in his face. There was an outcry and uproar, but Egil went back to his place, sate him down, and bade them serve him drink. ... Egil rose up in the morning as soon as it was day. He and his made them ready, and when ready went at once to the house to seek Armod. And when they came to the apartments where slept Armod and his wife and daughter, then Egil burst open the door and approached Armod's bed. He then drew his sword, but with the other hand grasped the beard of Armod, and forced him forward to the edge of the bed. But Armod's wife and daughter leapt up and prayed Egil not to slay Armod. Egil said he would spare him for their sakes; 'For,' said he, 'this is but meet; yet has he deserved to die.' After this Egil cut off his beard close to his chin, and put out one of his eyes.
Egill Skallagrímsson (Egil's Saga)
Peter told him that for the Incas the center of the universe wasn’t a point but a line where the two halves of the universe meet. Is this the scene unfolding before Richard’s eyes at the entrance to the asylum seekers’ residence? And are the two groups of people facing off here something like the two halves of a universe that actually belong together, but whose separation is nonetheless irrevocable? Is the rift dividing them in fact a bottomless chasm; is that why such powerful turbulences have been released? And is it a rift between Black and White? Or Poor and Rich? Stranger and Friend? Or between those whose fathers have died and those whose fathers are still alive? Or those with curly hair and those with straight? Those who call their dinner fufu and those who call it stew? Or those who like to wear yellow, red, and green t-shirts and those who prefer neckties? Or those who like to drink water and those who prefer beer? Or between speakers of one language and another? How many borders exist within a single universe?
Jenny Erpenbeck (Go, Went, Gone)
There are two months left to the deployment and the men devise all kinds of ways to quantify that: number of patrols, number of KOP rotations, number of mefloquine Mondays. It’s starting to dawn on them that they’ll probably never walk to the top of Honcho Hill again or get dropped onto the Abas Ghar. When they’re down at the KOP they use the communal laptops to try to arrange girlfriends for themselves when they get back. The men who already have girlfriends arrange to have them stock up on beer, steak, whatever they’ve been craving for the past year. The men will fly into Aviano Air Base, take a two-hour bus ride to Vicenza, turn in their weapons, and then form up on a parade ground called Hoekstra Field. As soon as they’re discharged they can do whatever they want. The drinking starts immediately and continues until unconsciousness and then resumes whenever and wherever the men wake up. They find themselves at train stations and on sidewalks and in police stations and occasionally at the medical facilities. In past years one drunken paratrooper was struck by a train and killed and another died of an overdose. They’d made it through the dangers of combat and died within sight of their barracks in Vicenza. “Y’all will only be remembered for the last thing you ever did,” Caldwell warned them one warm spring night.
Sebastian Junger (War)
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
Those who die in the LORD will live; their bodies will rise again! Those who sleep in the earth will rise up and sing for joy!
Ronald A. Beers (The NLT Bible Promise Book for Tough Times (NLT Bible Promise Books))
You can't give me the silent treatment all day, Janel," he said. "I can and will, Jake," she rebutted, not turning to look at him. They sat on the bridge, Janel in the command chair, Jake slightly behind her at the tactical station; he'd spun his around and propped his feet up on the arm of hers. Crossing his hands over his stomach, he smiled at her profile. "Fine, then I'll just sing to pass the time and keep your company." He drew in a deep lungful of air and began an absolutely horrible rendition of 99,000 bottles of beer on the wall...
Margaret Taylor (A First Love Never Dies (Spi-Corp #1))
I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.
James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
He says that fashion happens because people what to define themselves. He says that the desire to define oneself will last forever, not just one year. He says that the easiest way to give a definition to oneself will always be to play a role. He says, "People stop asking themselves whether they are enjoying what they are doing or wearing, and instead ask themselves whether they are supposed to be enjoying what they are doing or wearing. They ask whether they are in role." ...He says, "Think of all the human types. We all play a few dozen types at any time, giving the illusion of originality, but most of us are no more unique than a spread of tarot cards is unique. Most of us are nothing more than a recombination of the same old cards." ...He says, "But people do enjoy the sense that they are playing a role. 'Oh my god, he took me on such an amazing date!' 'Dude--a beer in a chair on the beach.' 'Oh, we just love going to the Met.'" He says, "And that's how you achieve immortality. You achieve immortality by being a cliche. Because if you are a cliche, then even though you may die, you have lived on.
Rudolph Delson (Maynard and Jennica)
In 1980, at independence, a man might expect to live to sixty and to see his children grow up strong and have children of their own, and if he was fortunate, a man might even live to see his great-grandchildren bring him gourds of beer before he died. But life expectancy dropped to fifty, and now it has collapsed, all the way down to thirty-three. It is hard to comprehend. At thirty-three, just as people should be in their prime, they suddenly sicken and die.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
When this calamity fell among the passengers who were to be left here to settle, they were hurried ashore and made to drink water, so that the sailors might have the more beer and when one sufferer in his sickness desired but a small can of beer, it was answered that if he were their own father he should have none. Then the disease began to seize the sailors also, so that almost half of the crew died
William Bradford (Of Plymouth Plantation)
* * * WHEN TOM CAME home, it was much later than he’d planned. But he’d taken the shuttle bus to school, because only bungholes drove after drinking whiskey, and Tom was a bunghole in some ways, but not that way. Drunk driving, driving while texting, walking while texting...it would not be the way he died. So he’d done some work on a demonstration he’d be showing the students about wind sheer and torque and made good use of his time at school. Might as well. Then, Droog had shown up, and he and Tom ended up getting a beer, and Tom told his boss the news that he was getting married. “Ah!” Droog cried. “You and Mees Holland have dee cleek! Yes!
Kristan Higgins (The Perfect Match (Blue Heron #2))
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
By some quirk of fate, I had been chosen—along with five others—as a candidate to be the next equerry to the Princess of Wales. I knew little about what an equerry actually did, but I did not greatly care. I already knew I wanted to do the job. Two years on loan to the royal household would surely be good for promotion, and even if it was not, it had to be better than slaving in the Ministry of Defense, which was the most likely alternative. I wondered what it would be like to work in a palace. Through friends and relatives I had an idea it was not all red carpets and footmen. Running the royal family must involve a lot of hard work for somebody, I realized, but not, surely, for the type of tiny cog that was all I expected to be. In the wardroom of the frigate, alongside in Loch Ewe, news of the signal summoning me to London for an interview had been greeted with predictable ribaldry and a swift expectation that I therefore owed everybody several free drinks. Doug, our quiet American on loan from the U.S. Navy, spoke for many. He observed me in skeptical silence for several minutes. Then he took a long pull at his beer, blew out his mustache, and said, “Let me get this straight. You are going to work for Princess Di?” I had to admit it sounded improbable. Anyway, I had not even been selected yet. I did not honestly think I would be. “Might work for her, Doug. Only might. There’re probably several smooth Army buggers ahead of me in the line. I’m just there to make it look democratic.” The First Lieutenant, thinking of duty rosters, was more practical. “Whatever about that, you’ve wangled a week ashore. Lucky bastard!” Everyone agreed with him, so I bought more drinks. While these were being poured, my eye fell on the portraits hanging on the bulkhead. There were the regulation official photographs of the Queen and Prince Philip, and there, surprisingly, was a distinctly nonregulation picture of the Princess of Wales, cut from an old magazine and lovingly framed by an officer long since appointed elsewhere. The picture had been hung so that it lay between the formality of the official portraits and the misty eroticism of some art prints we had never quite got around to throwing away. The symbolic link did not require the services of one of the notoriously sex-obsessed naval psychologists for interpretation. As she looked down at us in our off-duty moments the Princess represented youth, femininity, and a glamour beyond our gray steel world. She embodied the innocent vulnerability we were in extremis employed to defend. Also, being royal, she commanded the tribal loyalty our profession had valued above all else for more than a thousand years, since the days of King Alfred. In addition, as a matter of simple fact, this tasty-looking bird was our future Queen. Later, when that day in Loch Ewe felt like a relic from another lifetime, I often marveled at the Princess’s effect on military people. That unabashed loyalty symbolized by Arethusa’s portrait was typical of reactions in messhalls and barracks worldwide. Sometimes the men gave the impression that they would have died for her not because it was their duty, but because they wanted to. She really seemed worth it.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
Got it!" Mike announced. The GE record player slowly whirred to life, creaky as an old carousel. "Nice," John said, raising a beer in salute. "What'd you do?" "It wasn't on," Mike said.
Eric Spitznagel (Old Records Never Die: One Man's Quest for His Vinyl and His Past)
It would be nice, after this was over, to take a long raft trip. Maybe Jen and I could paddle through Westwater and its ass-clenching rapids, then lounge on the banks in Moab for a week or two. That would be heaven: a raft trip with a beer in my hand instead of a rifle. I
Erik Storey (Nothing Short of Dying (Clyde Barr, #1))
Emil believed that beer was not only noble – the drink of the old Moravians – but positively beneficial for running. ‘This gives me power,’ he once said to Jaromír Konůpka, quaffing from the bottle on the day of a race.
Richard Askwith (Today We Die a Little: Emil Zátopek, Olympic Legend to Cold War Hero)
Darren says his mum told him a secret recently about Australians. She said this secret would make him a rich man. She said the greatest secret about Australia is the nation’s inherent misery. Bich Dang laughs at the ads on telly with Paul Hogan putting another shrimp on the barbie. She said foreign visitors should rightfully be advised about what happens five hours later at that Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
People are sitting out on the terrace drinking beer, taking it easy; some are in the shade, some in the sunshine. For them it’s summer; they are not dying.
Antti Tuomainen (The Man Who Died)
It…hurt me to suspect him, but that wasn’t the worst of it. The worst was his drinking. He started drinking after dinner—on the nights he came home. You girls probably didn’t even notice. A few beers, a scotch and soda here and there. By ten o’clock he was wobbly, and by eleven he was stumbling drunk. And he got…mean. All his insecurities—you remember how hard Grandpa was on him—and his disappointments came tumbling out, and everything was my fault. Every time he yelled at me, I heard my dad’s voice, and though Rand never hit me, I started expecting it, flinching away from him, and that only made him madder. How could I think he’d hit me, he’d scream, stomping out of the house.” She looked up at Ruby. “So, you see, I was at least half of the problem. I couldn’t separate my past from my present, and the harder I tried, the more the two braided together. I was terrified I’d become like my mother—a woman who never spoke more than two words at a time and died too young.
Kristin Hannah (Summer Island)
Humans evolved out of pond scum, but it doesn’t mean that the humans have to be loyal to pond scum, or invite pond scum over for a beer.
Timothy J. Gawne (NeoLiberal Economists Must Die! (Cybertank Adventure, #3))
He told him a long story about how Jake was fated to die, got his Bloodline, so fate doesn’t matter, how William was the true main character, and most essentially about how gods can steal beer from other people’s fridges. Just the essentials.
Zogarth (The Primal Hunter 3 (The Primal Hunter, #3))
see his greatgrandchildren bring him gourds of beer before he died. But life expectancy dropped to fifty, and now it has collapsed, all the way down to thirty-three. It is hard to comprehend. At thirty-three, just as people should be in their prime, they suddenly sicken and die. And the managers of the mines and the factories and the farms have begun training three people to fill every job, because they know two will not live to do the work. I can
Peter Godwin (When A Crocodile Eats the Sun)
Before 1800 the word “light,” apart from its use as a verb and an adjective, referred just to visible light. But early that year the English astronomer William Herschel observed some warming that could only have been caused by a form of light invisible to the human eye. Already an accomplished observer, Herschel had discovered the planet Uranus in 1781 and was now exploring the relation between sunlight, color, and heat. He began by placing a prism in the path of a sunbeam. Nothing new there. Sir Isaac Newton had done that back in the 1600s, leading him to name the familiar seven colors of the visible spectrum: red, orange, yellow, green, blue, indigo, and violet. (Yes, the colors do indeed spell Roy G. Biv.) But Herschel was inquisitive enough to wonder what the temperature of each color might be. So he placed thermometers in various regions of the rainbow and showed, as he suspected, that different colors registered different temperatures.† Well-conducted experiments require a “control”—a measurement where you expect no effect at all, and which serves as a kind of idiot-check on what you are measuring. For example, if you wonder what effect beer has on a tulip plant, then also nurture a second tulip plant, identical to the first, but give it water instead. If both plants die—if you killed them both—then you can’t blame the alcohol. That’s the value of a control sample. Herschel knew this, and laid a thermometer outside of the spectrum, adjacent to the red, expecting to read no more than room temperature throughout the experiment. But that’s not what happened. The temperature of his control thermometer rose even higher than in the red. Herschel wrote: [I] conclude, that the full red falls still short of the maximum of heat; which perhaps lies even a little beyond visible refraction. In this case, radiant heat will at least partly, if not chiefly, consist, if I may be permitted the expression, of invisible light; that is to say, of rays coming from the sun, that have such a momentum as to be unfit for vision.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))