Bee's Knees Quotes

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This man is the bee's knees, Arthur, he is the wasp's nipples. He is, I would go so far as to say, the entire set of erogenous zones of every major flying insect of the Western world.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
I've found my missin' piece So grease my knees and fleece my bees I've found my missin' piece!
Shel Silverstein
She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
Sometimes you want to fall on your knees and thank God in heaven for all the poor news reporting that goes on in the world.
Sue Monk Kidd (The Secret Life of Bees)
For this, let gardens grow, where beelines end, sighing in roses, saffron blooms, buddleia; where bees pray on their knees, sing, praise in pear trees, plum trees; bees are the batteries of orchards, gardens, guard them.
Carol Ann Duffy (The Bees)
The mistake we all make is in assuming anybody remembers anydamnthing from one day to the next. If that were true, we'd stop getting involved with approximately the same kind of wrong lover each time, we'd learn the lessons of history, the death penalty would discourage those plotting murder, and George Santayana's famous quote would be about as popular as "the bee's knees." But few of us keep accurate records of what we've learned as we hobble through life barking our shins in the dark on experiences we've already had....
Harlan Ellison (Slippage: Previously Precariously Poised, Uncollected Stories)
[Kevin and Molly's adorable banter] "I'm not carrying anything until I see what's on your panties." "It's Daphne, okay?" "I'm supposed to believe you're wearing the same underpants you had on yesterday?" "I have more than one pair" "I think you're lying. I want to see for myself." He dragged her deeper into the pines. While Roo circled them barking, he reached for the snap on her shorts. "Quiet, Godzilla! There's some serious business going on here." Roo obediently quieted. She grabbed his wrists and pushed. "Get away." "That's not what you were saying last night." "Somebody'll see." "I'll tell them a bee got you, and I'm taking out the stinger." "Don't touch my stinger!" She grabbed for her shorts, but they were already heading for her knees. "Stop that!" He peered down at her panties. "It's the badger. You lied to me." "I wasn't paying attention when I got dressed." "Hold still. I've just about found that stinger." She heard herself sigh. "Oh, yeah..." His body moved against hers. "There it is.
Susan Elizabeth Phillips (This Heart of Mine (Chicago Stars, #5))
You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation.
Norton Juster (As Silly as Knees, As Busy as Bees: An Astounding Assortment of Similes)
What does that mean?” I ask. “The bee’s knees.” “Fantastic. Excellent. The very best.” I pause with my hand on the screen door. She looks up to find me staring and I smile. “I think you’re the bee’s knees, Cassandra Sunderwell.
Pippa Grant (Hosed (Happy Cat, #1))
In a season like this, I wouldn't be held by the snow. With all these feelings of bliss, I've to put aside my ego And step out to let you know, With you, I'm well pleased And the love you show, Is to me the bee's knees.
Emmanuel Aghado (101 Short Love Poems)
There was the Bennett Cocktail (gin, lime juice, bitters), the Bee’s Knees (gin, honey, lemon juice), the Gin Fizz (gin, lemon juice, sugar, seltzer water), and the Southside (lemon juice, sugar syrup, mint leaves, gin, seltzer water).
Deborah Blum (The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York)
At the mention of children, Connor halted his steps. For a moment Beatrice thought he was going to storm off, turn away from her and never look back. Instead he fell to one knee before her. Time went momentarily still. In some dazed part of her mind Beatrice remembered Teddy, kneeling stiffly at her feet as he swore to be her liege man. This felt utterly different. Even kneeling, Connor looked like a warrior, every line of his body radiating a tensed power and strength. "It kills me that I don't have more to offer you," he said roughly. "I have no lands, no fortune, no title. All I can give you is my honor, and my heart. Which already belongs to you." She would have fallen in love with him right then, if she didn't already love him so fiercely that every cell of her body burned with it. "I love you, Bee. I've loved you for so long I've forgotten what it felt like not to love you." "I love you, too." Her eyes stung with tears. "I get that you have to marry someone before your dad dies. But you can't marry Teddy Eaton." She watched as he fumbled in his jacket for something - had he bought a ring? She thought wildly - but what he pulled out instead was a black Sharpie. Still kneeling before her, he slid the diamond engagement ring off Beatrice's finger and tucked it in the pocket of her jacket. Using the Sharpie, he traced a thin loop around the skin of Beatrice's finger, where the ring had been. "I'm sorry it isn't a real ring, but I'm improvising here." There was a nervous catch to Connor's voice that Beatrice hadn't heard before. But when he looked up and spoke his next words, his face glowed with a fierce, fervent hope. "Marry me.
Katharine McGee (American Royals (American Royals, #1))
bee’s knees, the duck’s nuts, the cat’s pajamas, the dolphin’s earrings.
Celeste Barber (Challenge Accepted!: 253 Steps to Becoming an Anti-It Girl)
Well, and near our cottage were rocks. Eh, lasses! ye don't know what rocks are in Manchester! Gray pieces o' stone as large as a house, all covered over wi' mosses of different colors, some yellow, some brown; and the ground beneath them knee deep in purple heather, smelling sae sweet and fragrant, and the low music of the humming-bee for ever sounding among it.
Elizabeth Gaskell
Yes, all sex is good, but not all sex is created equally. I’m not just talking about hotel sex. Because I’ve just learned that sex with Natalie is in a class of its own. It’s beyond hotel sex. It’s more than the bee’s knees. It’s better than the cat’s meow. It’s heart-stoppingly magnificent. And I’m not the kind of guy who uses that word. But sex with her is indeed magnificent.
Lauren Blakely (Well Hung (Big Rock, #3))
That’s the kind of thing you want to tell a teenager: Worry a little bit less. There will always be somebody who thinks you’re just the bee’s knees and is really attracted to you... I wouldn’t have believed it. But it would have been nice to hear.
Patrick Ness
Barcelona fans labor under the touchingly innocent belief that everyone else in the world, apart from Real Madrid and Espanyol fans, is happy to accept that their club is the biggest on earth and quite simply the bees' knees of the whole footballing cosmos.
Phil Ball (Morbo - The Story of Spanish Football)
Sardar Harbans Singh passed away peacefully in a wicker rocking-chair in a Srinigar garden of spring flowers and honeybees with his favourite tartan rug across his knees and his beloved son, Yuvraj the exporter of handicrafts, by his side, and when he stopped breathing the bees stopped buzzing and the air silenced its whispers and Yuvraj understood that the story of the world he had known all his life was coming to an end, and that what followed would follow as it had to, but it would unquestionably be less graceful, less courteous and less civilized than what had gone.
Salman Rushdie (Shalimar the Clown)
In that distant beginning season, Sun Man's warm magic flowed over all the land. Whenever he raised his arms, it was day. whenever he lowered them, it was night. The Bee People and the Elephant People and the Tic People loved the rhythm of Sun Man's light. Their faces crinkled with pleasure in his heat. But inside the dreamtime, Sun Man grew old. His back grew stiff and his knee joints ached. He rose later and later each morning. He napped soon after breakfast and went to bed in the afternoon. "What's going on here?" complained Grandfather Mantis. "I'm not getting heat anymore." Grandfather Mantis sent the Bird People to find out. The Bird People returned, rumpled and solemn. Darkness was everywhere, even though it was supposed to be daytime. "Sun Man is getting old," they explained. "This shining all the time is getting too much for him." "Well, I'm old," snapped Grandfather Mantis. "Doesn't stop me." His wife raised her eyebrows but said nothing.
Carolyn McVickar Edwards (The Return of the Light: Twelve Tales from Around the World for the Winter Solstice)
Look at you child, look what he's done to you," she said. My knees had been tortured like this enough times in my life that I'd stopped thinking of it as out of the ordinary; it was just something you had to put up with from time to time, like the common cold. But suddenly the look on Rosaleen's face cut through all that. Look what he's done to you.
Sue Monk Kidd (The Secret Life of Bees)
What really happened was I came up here and had four miscarriages...The AIA gave me that nice honor years back, there's this 20x20x20 thing, an Artforum reporter tried to talk to me about some article...They're booby prizes because everyone knows I am an artist who couldn't overcome failure..."I can't make anything without destroying it," I'd say [when the miscarriages started]...Yes, I've hauled my sorry ass to a shrink. I went to some guy here, the best in Seattle. It took me about three sessions to fully chew the poor fucker up and spit him out. He felt terrible about failing me. "Sorry," he said, "but the psychiatrists up here aren't very good..." When I finally stayed pregnant, our daughter's heart hadn't developed completely, so it had to be rebuilt in a series of operations. Her chances for survival were minuscule, especially back then. The moment she was born, my squirming blue guppy was whisked off to the OR before I could touch her...Elgie once gave me a locket of Saint Bernadette, who had 18 visions. He said Beeber Bifocal and Twenty Mile were my first two visions. I dropped to my knees at Bee's incubator and grabbed my locket. "I will never build again," I said to God. "I will renounce my other 16 visions if you'll keep my baby alive." It worked...' 'Bernadette, Are you done? You can't honestly believe any of this nonsense. People like you must create. If you don't create, Bernadette, you will become a menace to society.
Maria Semple (Where'd You Go, Bernadette)
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
BEE’S KNEES COCKTAIL ½ ounce honey simple syrup (recipe follows) 1 ounce lemon juice (about ½ medium lemon) 2 ounces gin Lemon peel Fill a cocktail shaker with ice. Add ingredients (except peel) and shake; strain into a martini glass. Twist the lemon peel and set inside glass. HONEY SIMPLE SYRUP In a small saucepan combine ⅓ cup honey and ⅓ cup water. Over low heat stir the mixture until honey starts to dissolve. Let cool and pour into a squeeze bottle or glass container. Will keep for several weeks.
Jodi Picoult (Mad Honey)
First a Christian wades in the rivers of God his grace up to the ankles, with some good frame of spirit; yet but weakly, for a man hath strength in his ankle bones... and yet may have but feeble knees.... So farre as you walk in the waters, so far are you healed; why then in the next place, he must wade till he come to the knees, goe a thousand Cubits, a mile further, and get more strenght to pray, and to walk on in your callings with more power and strength. Secondly, but yet a man that wades but to the knees, his loynes are not drenched, for nothing is healed but what is in the water. Now the affections of a man are placed in his loynes, God tries the reines; a man may have many unruly affections, though he be padling in the wayes of grace; he may walk on in some eavennesse, and yet have of the rottennesse of his heart in the sight of God: why then, though hast waded but to the knees, and it is a mercy that thou art come so farre; but yet the loynes want healing, why, wade a mile further then; the grace of God yet comes too shallow in us, our passions are yet unmortified, so as we know not how to grieve in measure, our wrath is vehement and immoderate, you must therefore wade untill the loynes bee girt with a golden girdle; wade an-end, & think all is not well untill you be so deep, & by this you may take a scantling, what measure of grace is poured out upon you. And if thou hast gone so farre, that God hath in some meaure healed thy affections, that thou canst be angry and sin not, &c. it is well, and this we must attain to. But suppose the loyns should be in a good measure healed, yet there is more goes to it then all this; and yet when a man is come thus farre, he may laugh at all temptations, and blesse God in all changes; But yet goe another thousand Cubits, and then you shall swimme; there is such a meaure of grace in which a man may swimme as fish in water, with all readinesse and dexterity, gliding an-end, as if he had water enough to swimme in; such a Christian doth not creep or walk, but he runs the wayes of Gods Commandements; what ever he is to doe or to suffer he is ready for all, so every way drenched in grace, as let God turn him any way, he is never drawn dry.
John Cotton
That month he developed the habit every night of picking up the Bible the last thing before he went to bed and reading a few verses, and from thinking a prayer and from thinking thanksgiving, he advanced to the place where he boldly, in the silence and serenity of the little room, got down on his knees and prayed the prayer of thanksgiving. Then he followed it by the prayer of asking. He found himself asking God to take care of all the world, to help everyone who needed help; to put the spirit and courage into every heart to fare forth and to attempt the Great Adventure on its own behalf... Then he arose, in some way fortified, a trifle bigger, slightly prouder, more capable, more of a man that he had been the day before. He had asked for help and he knew that he was receiving help, and he knew that never again would he be ashamed to face any man, or any body of men, and tell them that he had asked for help and that help had been forthcoming, and that the same experience lay in the reach of every man if he would only take the Lord at His word; if he would only do what all men are so earnestly urged to do--believe.
Gene Stratton-Porter (The Keeper of the Bees)
Phenomenal Woman Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them, They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, The palm of my hand, The need for my care. 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou
The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
Just reason it out. What are the pros and cons with her?” “Reason! Always with your bloody reason. Do you know what I’m going to enjoy? When you meet your demoness and she shakes to tell your unflappable demeanor. I’m going to laugh when you turn enraged, horns flaring ramrod straight every time she saunters by.” “Noted. Now, begin with the pros.” “Verra well. She’s clever, she’s brave, and, by all the gods, she’s graced in form. And I’m no’ going to apologize for being a typical male—I do want the sexiest female I’ve ever laid eyes on to be mine. I’ll admit that I want her on my arm and in my bed. And I want to be smug over having her desire me, too.” “The cons . . .” “Right back to the witchery. Would you no’ be a tad unnerved if your female could unleash the force of an atomic bomb whenever she got nettled with you?” Rydstrom nodded in commiseration, then said, “Take away the fact that she’s a witch—” “I will be taking away that fact,” Bowe interrupted. “Practicing witchcraft is voluntary. I could see to it that she never—” Out of the blue, a bee stung him. “Damn it,” he muttered, slapping it away, then continued, “If I snatched her away from her coven and immersed her with the Lykae—” Another sting. “Son of a bitch!” When the odd breeze blew once more, Bowe narrowed his eyes. “The witch.” He gazed up at the sky and all around him. “Playing with me again! I’ll turn her over my knee for this.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
BEE’S KNEES COCKTAIL ½ ounce honey simple syrup (recipe follows) 1 ounce lemon juice (about ½ medium lemon) 2 ounces gin Lemon peel Fill a cocktail shaker with ice. Add ingredients (except peel) and shake; strain into a martini glass. Twist the lemon peel and set inside glass. HONEY SIMPLE SYRUP In a small saucepan combine ⅓ cup honey and ⅓ cup water. Over low heat stir the mixture until honey starts to dissolve. Let cool and pour into a squeeze bottle or glass container. Will keep for several weeks. PORK WITH HONEY-LIME MARINADE (Serves 4) Juice of two limes ¼ cup honey ¼ cup olive oil 1 garlic clove, grated 1 teaspoon hot sauce (you can use red pepper flakes for less heat) Pork tenderloin, trimmed (1 pound) Whisk first five ingredients together. Pour half of marinade into a ziplock bag and add pork tenderloin. Marinate for at least 1 hour. Preheat gas or charcoal grill for indirect grilling. Brush grate with canola or vegetable oil. Cook pork indirectly 4 to 6 minutes per side until a meat thermometer registers 145 degrees. Remove from grill and brush with remaining marinade. Let meat rest for 10 minutes before slicing.
Jodi Picoult (Mad Honey)
Soames screwed up his eyes; he seemed to see them sitting there. Ah! and the atmosphere—even now, of too many stuffs and washed lace curtains, lavender in bags, and dried bees’ wings. ‘No,’ he thought, ‘there’s nothing like it left; it ought to be preserved.’ And, by George, they might laugh at it, but for a standard of gentle life never departed from, for fastidiousness of skin and eye and nose and feeling, it beat to-day hollow—to-day with its Tubes and cars, its perpetual smoking, its cross-legged, bare-necked girls visible up to the knees and down to the waist if you took the trouble (agreeable to the satyr within each Forsyte but hardly his idea of a lady), with their feet, too, screwed round the legs of their chairs while they ate, and their “So longs,” and their “Old Beans,” and their laughter—girls who gave him the shudders whenever he thought of Fleur in contact with them; and the hard-eyed, capable, older women who managed life and gave him the shudders too. No! his old aunts, if they never opened their minds, their eyes, or very much their windows, at least had manners, and a standard, and reverence for past and future.
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
At the sight of Ruth, singing and crying in the moonlight, they say Jacob Wyld crouched wordlessly and planted seeds at her feet, in the earth between the roots of the gum tree. What grew from that night, where Ruth's tears fell to the earth, was a heath of wild vanilla lilies, and an equally heady love affair between Ruth and Jacob. They met at the river whenever Ruth could get away. He brought her flower seeds and she brought him whatever meager food scraps she could sneak from the house. Soon Ruth had enough seeds to till a small, shaded corner of dirt near the house, where a nearly dead, lone wattle tree stood. The dirt was so dry it took her a month to soften it with whatever water she could carry from the river. Eventually, the wattle tree exploded into flower, a winter blaze of sweet yellow. Ruth fell to her knees at the sight. The scent floated all the way into town. Bees droned around the tree, drunk on its nectar. Beneath the wattle were circles of green shoots. Ruth sketched each one in her small notebook. As they bloomed, so different to the foxgloves and snowdrops of her mother's songs, Ruth noted down what they meant to her, adapting the Victorian language of flowers. The strange and beautiful native flowers, able to flourish in the harshest conditions, enchanted Ruth; none more so than the deep scarlet flowers with red centres the color of the darkest blood. Meaning, Ruth wrote in her notebook, have courage, take heart.
Holly Ringland (The Lost Flowers of Alice Hart)
Creativity is alive And thriving in my body. The energy you bring out in me Is within me infinitely. My power is overflowing. My lips are soft and welcoming To the exhale, The new Braille, The silence that persists After our moans die away, I look at myself and say, "Root down so you can burn. Beautiful girl, it's your turn To create magic within yourself. This time, without his help. Find your roots and find your fire, Be mindful of what you desire, Persist in what you know is true, Stay focused on the endless route Toward your own potential. Allow the existential Void to swallow you whole. Take on your old role: The lone seeker. Become quieter. Become meeker. Become the beauty that you seek. Embody strength if you feel weak. Find love within the walls Of this sacred temple. Let yourself shake and tremble, But keep your eyes ever fixed On the horizon Where it's rising, No revising, Fears capsizing As you sail, sail, sail Toward the wail Of your siren spirit Beckoning you to bloom The flower in your womb, The seed of creativity, Your triumphant legacy." These words, I will carry Within me as I bury Grains of wisdom In the whispers of the wind. And when I arrive To the altar of our origin, I'll be dressed in white and black, And I'll cradle that exact Feeling left on our sheets. And you'll be on your knees, Ready to receive The wholeness of my broken mind, Pried open by The sparkle gleaming in your eyes. And your hands will be full Of supple fruit and you'll Smile at me, and I will see That you have fed your hunger. You'll ooze with courage and wonder. And then, we will know That we've already lost each other A thousand times before. And I have found you As clear water after mud settles. And you have found me As a bee deep in a flower's petals. We have danced before, Pulled art out of each other's spines. We have died and birthed and died. We've already kissed a million times. This wasn't our first five act play, And it will not be the last. So when I thirst for your hands, I will sit and chant. We will meet again. We will meet again.
Vironika Tugaleva
Reading Children's Books Circa 1920 "The flea's eyebrows arched in astonishment at the sight of the cat's spanking new pajamas. The flea thought the pigeon pattern of bee's knees and canary's tusks a smidgen too much.
Beryl Dov
Mrs. Miniver made a bee-line for the fireplace, knelt down and wiggled gently. Her heart was thumping: she knew now what burglars must go through. The tile came out quite easily: the hole was still there, but the farthing was gone. She slipped the tile back, stood up, and managed to get her knees dusted just before the landlady reached the top of the stairs. Afterwards, walking down the steep street towards the beach, she thought about that farthing with an absurd and unreasonable pang. It would have made such a wonderful ending to her Mole. But she was comforted when she imagined with what incredulous delight some later child, exploring, must have found it.
Jan Struther (Mrs. Miniver)
What makes junk food so dangerous is not that it is unhealthy - though it is. It’s that it is entwined in our minds with so many other memories that are good and true and pure. memory has always been an important part of how we learn to eat, but never before have so many of us been stamped with reinforcing food memories that mostly come not from a cuisine but from a series of cartons and packets. When we hear someone suggesting that we stop eating our favourite brand of ice cream or potato crisps or sliced white bread, we feel a knee-jerk hostility. It’s hard to let go of these foods and find a better way of eating without a sense of loss. The thing you are losing is your own childhood.
Bee Wilson (First Bite: How We Learn to Eat)
Lovely to heart's enchantment is that land, Tuor, as you shall find, if ever your feet go upon the southward roads down Sirion. There is the cure of all sea-longing, save for those whom Doom will not release. There Ulmo is but the servant of Yavanna, and the earth has brought to life a wealth of fair things that is beyond the thoughts of hearts in the hard hills of the North. In that land Narog joins Sirion, and they haste no more, but flow broad and quiet through living meads; and all about the shining river are flaglillies like a blossoming forest, and the grass is filled with flowers, like gems, like bells, like flames of red and gold, like a waste of many-coloured stars in a firmament of green. Yet fairest of all are the willows of Nan-tathrin, pale green, or silver in the wind, and the rustle of their innumerable leaves is a spell of music: day and night would flicker by uncounted, while still I stood knee-deep in grass and listened. There I was enchanted, and forgot the Sea in my heart. There I wandered, naming new flowers, or lay adream amid the singing of the birds, and the humming of bees and flies; and there I might still dwell in delight, forsaking all my kin, whether the ships of the Teleri or the swords of the Noldor, but my doom would not so.
J.R.R. Tolkien (The Fall of Gondolin (Middle-Earth Universe))
all started with the bees. Not with famine, floods or fires, although they came later. No, the human race was brought to its knees for want of an insect.
B.C. Nyren (After Bees)
Mom laughs and then reaches down to pat me on the cheek. “Oh, honey, why would I kill off our little YouTube handyman?” “Please don’t call me that.” “I like the ring of it,” Dad says, still focusing on intently coloring. He has a coloring book of swear words that he thinks is the “bee’s knees,” and he’s currently coloring a purple F.
Meghan Quinn (The One Night)
Bell, book, and candle,” he said, his eyes still on my face, and not without sympathy. “What?” “Ring the bell, close the book, quench the candle,” he said quietly, and touched the paper on my knee. “It’s the rite of excommunication and anathema, Sassenach—and that’s what I have done.
Diana Gabaldon (Go Tell the Bees that I Am Gone (Outlander, #9))
She feels a tickling sensation against her hand, different from the silky touch of soil. Looking down, she sees the pink glimmer of a worm---and then another, and another. As she watches, spellbound, other insects emerge from the earth, glowing like jewels in the summer sun. The copper glint of a beetle's shell. The pale, segmented bodies of larvae. There is a buzzing in her ears, and she's not sure if it's from the roar of her pulse or the bees that have begun to circle nearby. They're getting closer. It's as if something---as if Kate---is drawing them. A beetle climbs her wrist, a worm brushes against the bare skin of her knee, a bee lands on her earlobe.
Emilia Hart (Weyward)
When you get your eyes opened up to what's wrong with the world, it does make you angrier. More bitter. More discontent. More, well, sad! Sometimes I think it would be so much easier if I wasn't a feminist. I could just concentrate on looking pretty, and turn on the TV and not feel sick with rage that there's hardly any female MPs on the news channel, and all the other women on TV don't have any clothes on. I could pick a boyfriend who's just such a macho douche, and think he's the bee's knees and shower him with blowjobs and bake him cookies and think how lucky I am that he chose me. It could be nice. But it's not the right thing to do! It won't make the world change for the better! I won't grow, if I just accept that's what. The world won't grow. The same unfair shit will just keep happening and yes it's easier to roll over and say, "That's too hard and annoying, I just want to eat some pie", but it's not the right thing.
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
They’re race dogs. But not just any ol’ race dogs. They’re the cream o’ the crop. The cat’s meow. The bee’s knees. The best thing since little apples. You can’t beat ‘em.” He looked up at Katie, who was listening intently, and went on. “Mainly ‘cause they’re part wolf. Got them long lean legs that can out outrun anythin’. But ‘specially ‘cause they’re Carolina dogs.” He said with a prideful grin.
Wesley Banks (Hope in Every Raindrop)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:
William H. Gass (The Tunnel)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
The buzzing beneath my feet intensified as I neared the small pool of water. This had to be the gazing pool I'd heard about. Sheltered by tall, skinny evergreens and shrubs that held heavy clusters of small, delicate white flowers, it was shaded by the canopy of an old live oak tree that had moss growing at the base of its trunk. Curiosity drew me in. Faint ripples pulsed along the water's surface as the small pool burbled gently, peacefully, as if I relieved to be unburdened of its long-held secret about Bee. I studied the burbling, wondering what caused it, because it didn't appear that anyone had placed a running hose beneath its surface. There was no equipment at all. Just clear water. A knee-high mossy stone wall enclosed the pool, and ferns grew along its foundation, nestled snugly, their fronds rustling in the warm breeze. Suddenly I felt the urge to sit and stare into the water, and I absently smiled, thinking the gazing pool had been appropriately named.
Heather Webber (In the Middle of Hickory Lane)
When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County. In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
p. 371 – 372 Living in a paradise of magnificent meadows and forests abundant with wild game, berries, and nuts, the Utes were self-supporting and could have existed entirely without the provisions doled out to them by their agents at Los Pinos and White River. In 1875 agent F. F. Bond at Los Pinos replied to a request for a census of his Utes: “A count is quite impossible. You might as well try to count a swarm of bees when on the wing. They travel all over the country like the deer which they hunt.” Agent E. H. Danforth at White River estimated that about nine hundred Utes used his agency as a headquarters, but he admitted that he had no luck in inducing them to settle down in the valley around the agency. At both places, the Utes humoured their agents by keeping small beef herds and planting a few rows of corn, potatoes, and turnips, but there was no real need for any of these pursuits. The beginning of the end of freedom upon their own reservation came in the spring of 1878, when a new agent reported for duty at White River. The agent’s name was Nathan C. Meeker, former poet, novelist, newspaper correspondent, and organizer of cooperative agrarian colonies. Most of Meeker’s ventures failed, and although he sought the agency position because he needed the money, he was possessed of a missionary fervor and sincerely believed that it was his duty as a member of a superior race to “elevate and enlighten” the Utes. As he phrased it, he was determined to bring them out of savagery through the pastoral stage to the barbaric, and finally to “the enlightened, scientific, and religious stage.” Meeker was confident he could accomplish all this in “five, ten, or twenty years.” In his humourless and overbearing way, Meeker set out systematically to destroy everything the Utes cherished, to make them over into his image, as he believed he had been made in God’s image.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
If my diary is ever published, it can’t be called Old Sore. I have come up with the following alternatives: 1. Down the Drain 2. The Living End 3. Over and Out 4. Not the Bee’s Knees 5. The Last Hurrah 6. Smoke Signals in a Hurricane (Sounds good but doesn’t really apply here) 7. Flies on the Caviar (ditto)
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
busy with people getting off the boat, is it? It’s all one-way.’ Bee reached up to take the glass of whiskey Paddy was holding out to her. ‘I’ll be back,’ she said, but in her mind she was asking herself when. Captain Bob had secured a job as a captain, meeting the cargo ships and piloting them down the Mersey into the port of Liverpool, from where they had waited, out on the bar. He had already travelled to Liverpool and found them a house close to the docks. ‘It has a kitchen,’ he’d said to Bee. ‘The range is still there, but it was damaged in the war, and there’s a new gas cooker fitted next to it.’ Bee’s mouth had dropped. ‘A gas cooker? I have no idea how to use one of those. I’ll be sticking to the fire.’ Bob had just smiled at her indulgently. He understood why the traffic from Dublin was one-way. Bee would soon discover how quickly women who left the west coast of Ireland adapted from the life their ancestors had lived for hundreds of years to all the mod cons England and America had to offer. ‘Mammy!’ Ciaran shouted from the door. Bob and Bee swivelled round in their chairs as Ciaran came in, followed by Michael, who was carrying Finnbar in his arms and had Mary Kate at his side, holding his hand. ‘God love you, come here,’ said Bee to Mary Kate, who ran over to her and allowed her to pull her up onto her knee. ‘I’ve been waiting for you.’ Captain Bob and Michael exchanged
Nadine Dorries (Shadows in Heaven (Tarabeg #1))
It had all kinds of improvements, it would be cheaper to run, it was the bee's knees, mutt's nuts, and various wonderful bits of half a dozen other creatures.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))