Lethal Weapon 1 Quotes

We've searched our database for all the quotes and captions related to Lethal Weapon 1. Here they are! All 28 of them:

I have a curse. I HAVE A GIFT. I'm a monster. I'M MORE THAN HUMAN. My touch Is lethal. MY TOUCH IS POWER. I am their weapon. I WILL FIGHT BACK.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice. Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it? Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it? Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
So is there any part of you that’s not a lethal weapon? (Kiara) No. Even my wits are sharpened. (Nykyrian)
Sherrilyn Kenyon (Born of the Night (The League, #1))
Yeah, I'm a thief." "Honey, that's such a turn-on." He reached for her, and she jumped away. "Stand down," Kate said. "My hands are lethal weapons." Nick backed her against the wall and leaned into her. "I've go a better lethal weapon than you do," he said. "Wanna see it?" "No!" Good lord, she could feel his lethal weapon pressing against her belly. It was big and hard. And as much as she hated to admit it, his big, hard weapon was exactly what she needed. She looked down and gasped because it was so perfect. "Is this for me?" she asked. "Absolutely," he said. "Take it if you want it." "I want it," she said. "I really, really want it." It was a Toblerone bar. Giant size.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
I’m a customer and I ask you where I can find Lethal Weapon. What do you do?”    Me: “Call the cops?”    Martin
T. Torrest (Remember When (Remember Trilogy, #1))
You're a little trickier....” Johnny Hands narrowed his eye at Ivy. “Something small like you, perhaps? Or something quick and lethal?” Lethal? Ivy couldn't believe he was saying this. She was eleven. What did she want with a lethal weapon?
Jennifer Bell (The Crooked Sixpence (The Uncommoners, #1))
I sit here with you now with one sure answer. Love is the most potent bond, the most elaborate trap, the most irresistible object, and the most lethal weapon. I am everything with it, and nothing without it.
Suenammi Richards (Sandra's Social (The W.A.R.M. Front Series #1))
She arched a brow at the clinking sound the coat had made. “Just out of curiosity, how many weapons are in that thing?” “Enough to make me happy.” Kiara was unamused by his curt reply. “So is there any part of you that’s not a lethal weapon?” He sat back down before he answered. “No. Even my wits are sharpened.
Sherrilyn Kenyon (Born of Night (The League, #1))
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Eh?" "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?" "Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword. Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Many people lay the blame at Bush’s feet for beginning weaponized drone warfare, but in reality it was President Clinton who began the U.S. weaponized drone program.1 After an aerial drone spotted bin Laden in October 2000, President Clinton was frustrated that he could not simply push a button to end the life of the man who had sullied his foreign policy and national security records. President Clinton “gave orders to create an armed drone force.”2 That program came to fruition under President Bush when on June 18th 2004, the first weaponized drone struck in Waziristan.
Andrew P. Napolitano (Suicide Pact: The Radical Expansion of Presidential Powers and the Lethal Threat to American Liberty)
[ Dr. Lois Jolyon West was cleared at Top Secret for his work on MKULTRA. ] Dr. Michael Persinger [235], another FSMF Board Member, is the author of a paper entitled “Elicitation of 'Childhood Memories' in Hypnosis-Like Settings Is Associated With Complex Partial Epileptic-Like Signs For Women But Not for Men: the False Memory Syndrome.” In the paper Perceptual and Motor Skills,In the paper, Dr. Persinger writes: On the day of the experiment each subject (not more than two were tested per day) was asked to sit quietly in an acoustic chamber and was told that the procedure was an experiment in relaxation. The subject wore goggles and a modified motorcycle helmet through which 10-milligauss (1 microTesla) magnetic fields were applied through the temporal plane. Except for a weak red (photographic developing) light, the room was dark. Dr. Persinger's research on the ability of magnetic fields to facilitate the creation of false memories and altered states of consciousness is apparently funded by the Defense Intelligence Agency through the project cryptonym SLEEPING BEAUTY. Freedom of Information Act requests concerning SLEEPING BEAUTY with a number of different intelligence agencies including the CIA and DEA has yielded denial that such a program exists. Certainly, such work would be of direct interest to BLUEBIRD, ARTICHOKE, MKULTRA and other non-lethal weapons programs. Schnabel [280] lists Dr. Persinger as an Interview Source in his book on remote viewing operations conducted under Stargate, Grill Flame and other cryptonyms at Fort Meade and on contract to the Stanford Research Institute. Schnabel states (p. 220) that, “As one of the Pentagon's top scientists, Vorona was privy to some of the strangest, most secret research projects ever conceived. Grill Flame was just one. Another was code-named Sleeping Beauty; it was a Defense Department study of remote microwave mind-influencing techniques ... [...] It appears from Schnabel's well-documented investigations that Sleeping Beauty is a real, but still classified mind control program. Schnabel [280] lists Dr. West as an Interview Source and says that West was a, “Member of medical oversight board for Science Applications International Corp. remote-viewing research in early 1990s.
Colin A. Ross (The CIA Doctors: Human Rights Violations by American Psychiatrists)
Knowledge is power, baby. Strongest weapon out there.” He takes a hit. “You know why they outlawed weed?” “Not a clue.” He props on his side, the cherry glowing brightly as he takes another pull. “Because the powers that be at the time couldn’t figure out how to regulate who grew it and tax it. So they created all this propaganda about how lethal it is. Look up Reefer Madness on YouTube when you get a chance, and you’ll see just how far they went. And people believed it because they were told to believe it.
Kate Stewart (Flock (The Ravenhood, #1))
But none of them compared to the dangerous stranger in her room. While the men she was used to were hotter than hell, what they lacked was the fierce aura of power that emanated from this man and his stern, steely features. It was as if he were the deadliest of predators. Feral. That was the only word to do him justice. Surely there wasn’t another soldier in the entire universe who could match him in terms of raw beauty or lethal demeanor. His blond hair was snow white and his features sharp and icy. He wore a pair of black shades that annoyed her since she couldn’t see the upper part of his face or the color of his eyes. Not that it mattered. She saw enough to know that in the land of gorgeous men, he had no competition. As a stark contrast to his white hair, his clothes were a black so deep they seemed to absorb all light, and they were trimmed in silver … No, not silver. Those were weapons tucked into the sleeves and lapels of his ankle-length coat. The left side of it was pulled back, exposing a holstered blaster that was strapped to his left hip. The tall flight boots had silver buckles going up the sides that were fashioned into the image of skulls. At least that’s what she saw at first glance, but as he moved closer she realized those could come off and double as weapons, too. Wow, he was either extremely paranoid or more lethal than a team of League assassins. And that said something.
Sherrilyn Kenyon (Born of Night (The League, #1))
On 1 November 1983 Secretary of State George Shultz received intelligence reports showing that Iraq was using chemical weapons almost daily. The following February, Iraq used large amounts of mustard gas and also the lethal nerve agent tabun (this was later documented by the United Nations); Reagan responded (in November) by restoring diplomatic relations with Iraq. He and Bush Sr. also authorized the sale of poisonous chemicals, anthrax, and bubonic plague. Along with French supply houses, American Type Culture Collection of Manassas, Virginia, shipped seventeen types of biological agents to Iraq that were then used in weapons programs. In 1989, ABC-TV news correspondent Charles Glass discovered what the U.S. government had been denying, that Iraq had biological warfare facilities. This was corroborated by evidence from a defecting Iraqi general. The Pentagon immediately denied the facts.
Morris Berman (Dark Ages America: The Final Phase of Empire)
FOR NEARLY five years, Oppenheimer had tried to use his prestige and status as a celebrity scientist to influence Washington’s growing national security establishment from the inside. His old friends on the left, men like Phil Morrison, Bob Serber and even his own brother had warned him that this was a futile gamble. He had failed in 1946, when the Acheson-Lilienthal plan for international control over atomic bombs was sabotaged by President Truman’s appointment of Bernard Baruch. And now, once again, he had failed to persuade the president and members of his Administration to turn their back on what Conant had described to Acheson as “the whole rotten business.” The Administration now supported a program to build a bomb 1,000 times as lethal as the Hiroshima weapon. Still, Oppenheimer would not “upset the applecart.” He would remain an insider— albeit one who was increasingly outspoken and increasingly suspect.
Kai Bird (American Prometheus)
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes.” He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. “But a sword… a sword has a voice.” “Eh?” “Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy’s ear.” He wrapped his fingers tightly round the grip. “A gentle warning. A word of caution. Do you hear it?” Logen nodded slowly. “Now,” murmured Bayaz, “compare it to the sword half drawn.” A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. “It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?” Logen nodded again, his eye fastened on that glittering edge. “Now compare it to the sword full drawn.” Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen’s face. “It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
It was, in fact, his weapon of choice—extremely accurate, with a manageable form factor, and most importantly, dependable. The thing never jammed, never malfunctioned. When an operator needed to spit a lot of lead in the bad guys’ direction, an HK416 would do it forever without complaining once. “Who the hell are you?” Trapp asked, eyeing the man with his steel-blue gaze. The shooter was dressed in dark combat fatigues and had the mark of a special operator about him—a cold, lethal tension that suggested he could snap into action with a millisecond’s notice. Out of the corner of his eye, Trapp saw that the man’s partner was dressed and armed exactly the same. Except the other shooter had his weapon raised and aimed directly at Trapp’s skull. He did the math, quickly, and decided for the time being to play it cool. In all honesty, he didn’t really have much of a choice. Either of the two operators could drop him before he moved a yard. The man ignored the question. “Get back on the helicopter!” he yelled, his voice a slow Arkansas drawl. Trapp’s brow furrowed. The hell? What was the point in dragging him halfway across the country just to send him back? And then it clicked. The operator wasn’t speaking to him. “But—” “No questions. Get back on the helicopter, and fuck off!” the shooter shouted, jerking his thumb to accentuate his point. Trapp glanced over his shoulder at the liaison officer’s dismayed frown, and a wide grin crept across his face. Maybe he didn’t mind being held at gunpoint after all.
Jack Slater (Dark State (Jason Trapp #1))
Tracked Vehicles "Each war proves anew to those who may have had their doubts, the primacy of the main battle tank. Between wars, the tank is always a target for cuts. But in wartime, everyone remembers why we need it, in its most advanced, upgraded versions and in militarily significant numbers." - IDF Brigadier General Yahuda Admon (retired) Since their first appearance in the latter part of World War I, tanks have increasingly dominated military thinking. Armies became progressively more mechanised during World War II, with many infantry being carried in armoured carriers by the end of the war. The armoured personnel carrier (APC) evolved into the infantry fighting vehicle (IFV), which is able to support the infantry as well as simply transport them. Modern IFVs have a similar level of battlefield mobility to the tanks, allowing tanks and infantry to operate together and provide mutual support. Abrams Mission Provide heavy armour superiority on the battlefield. Entered Army Service 1980 Description and Specifications The Abrams tank closes with and destroys enemy forces on the integrated battlefield using mobility, firepower, and shock effect. There are three variants in service: M1A1, M1A2 and M1A2 SEP. The 120mm main gun, combined with the powerful 1,500 HP turbine engine and special armour, make the Abrams tank particularly suitable for attacking or defending against large concentrations of heavy armour forces on a highly lethal battlefield. Features of the M1A1 modernisation program include increased armour protection; suspension improvements; and an improved nuclear, biological and chemical (NBC) protection system that increases survivability in a contaminated environment. The M1A1D modification consists of an M1A1 with integrated computer and a far-target-designation capability. The M1A2 modernisation program includes a commander's independent thermal viewer, an improved commander's weapon station, position navigation equipment, a distributed data and power architecture, an embedded diagnostic system and improved fire control systems.
Russell Phillips (This We'll Defend: The Weapons & Equipment of the US Army)
An axe delivers a huge amount of force to a small area of strong, very sharp metal. It is a weapon for attack rather than defence, and good at cleaving through armour. It can break enemy shields and kill a charging horse. Since they require intense training, the users are mostly highly skilled elite soldiers, often aristocrats, e.g. the Saxon huscarls. Type of fight scene: gritty, brutal, battles, attack, historical fiction, fantasy fiction, cutting through armour Typical user: tall brawny male with broad shoulders and bulging biceps, courageous, elite soldier, Viking, Saxon Mostly used in: European Dark Ages to Middle Ages Main action: cleave, hack, chop, cut, split Main motion: downwards Typical injury: severed large limbs, split skulls, cleaved torsos Strategy for lethal fight: severe the arm which holds the sword or the shield, or cleave torso from top to bottom, or cut off a leg then split the skull Disadvantages: big and heavy Watch battle axes in action Here are three connected videos about Viking and Saxon warriors with axes:
Rayne Hall (Writing Fight Scenes: Professional Techniques for Fiction Authors (Writer's Craft Book 1))
One of the benefits of the national police force was the inception of national crime statistics. Although these represent only crimes recorded by the police, they offer real figures to work with, if only to map trends. Despite all the usual caveats about their unreliability, most historians have endorsed the official picture. The homicide rate for England and Wales was as high as 2 per 100,000 only once during the century, in 1865; otherwise it was about 1.5 per 100,000 and occasionally as low as i per 100,000, a record low.81 Between 1857 and 189o there were rarely more than 400 homicides reported each year, and in the 189os the average was below 350.82 In 1835-1837 9 percent of all English crimes were violent crimes, and from 1837 through 1845 the share declined to 8 percent.83 Even that 8 percent is inflated by the fact that of the crimes against the person some 25-33 percent were cases of infanticide, which would not have involved firearms. Crimes committed with guns were rare. Between 1878 and 1886 the average number of burglaries in London in which firearms were used was two per year; from 1887 to 18g1 this rose to 3.6 cases a year.84 "It was a rough society," David Philips concluded after examining Victorian crime, "but it was not a notably homicidal society. The manslaughter cases do not show a free use of lethal weapons."85 On the other hand, ordinary citizens were free to use lethal weapons to defend themselves. And as the difficulties of imposing restrictions on private firearms indicate, members of Parliament and their constituents were vigorously opposed to such attempts.
Joyce Lee Malcolm (Guns and Violence: The English Experience)
The attack is launched in an avalanche of thuds and lightning. I find myself in the middle of Plantation-9 with at least a dozen weapons pointed at me – mostly tactical pulse rifles, but also two shock bows and a KA-1 Plasmer. There’s no time to think. I have to act fast. I activate my shield that covers me like a purple aura. I pull out my pulse gun and run toward the army green tents. I’m shot once, then twice. One more time and the shield will be down. Every shot will count then. I take a leap to the left and I duck just in time to avoid a lethal magnetic knife whistling right above my head. I turn and shoot three times. I hit a Sliman (or Slimy as we call them) on the shin. His body writhes in pain for a moment and then he charges at me.
Stella Fitzsimons (The Plantation Series #1-3)
all national armies by a UN military force, is available online today in “Department of State Publication 7277,” after being “unavailable” for decades due to its sensitive nature. Bowing to Rostow’s suggestion of a unilateral American disarmament, Kennedy in 1961 signed Public Law #87-297, calling for the elimination of US national forces and further declaring that “no one may possess a firearm or lethal weapon except police or military personnel.” During the following administrations, this law has been updated 18 times and is still active and “in transition,” according to ex-President George W. Bush and Admiral William Crowe. Its companion document, Publication 7277, released in 1962, describes a two-phase operation reducing the US armed forces to 2.1 million while those of China and the Soviet Union do the same.
John Scura (Battle Hymn: Revelations of the Sinister Plan for a New World Order)
It’s a throwing stake,” she told me. “A vampire once tried to escape from me. He thought it would be safe, flying off in bat form. The fool. I hit him in the wing with one of these.” She held up the throwing stake, stroking its polished, red oak point. “The metal makes it heavy, so it flies better. The oak makes it lethal. The vampire was easy to trap once I took him down.” Without a flicker of hesitation, she took aim and threw the weapon straight into the heart of the bats’ roost. One of the bats dropped to the floor like dead fruit from a tree. The cave exploded with dark, flapping shapes. My heart skipped a beat as they screeched and squealed. “That’s how you kill a vampire,” Mum whispered triumphantly.
Grayson Grave (Etty Steele: Vampire Hunter (The Hunter Series #1))
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half-drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
The Advantage of Long Range Technique and Why Close Range Is Deadly Let's be clear: you always want to maintain distance. For the long stick, long range is the optimum strategy. At long range, the opponent must reach out with his hand to hit you. At the farthest range, he can only hit you with that hand: the other hand is too far back to touch you, and his feet are planted as he stretches. If he extends to kick you, his hands can't touch you, while his other foot is planted. In either case, at this longest range only one hand or foot threatens you. With the big stick, you want to maintain a range where you can blast him, but he can't touch you. This is the safest range. As the opponent gets closer he enters a range where he can hit you with both hands and kick you with both feet, so you now have four potential weapons to contend with. At even closer range he can hit with the hands, elbows, knees, head, so the number of threats grows larger still. At this range if he has a knife, he can use one hand to hold you while he stabs with the other, which is easily a fatal attack. At close range an opponent can bring a concealed gun or knife into play, and you may not see the weapon until it is too late. While long range is the desired range, you must realize that you can't always maintain that range, so you must be prepared to fight in close. You not only want to be able to hit at very close range, but be able to drive the opponent back out into the kill zone. Countering the Closing Opponent 1) Recognize the Danger Avoid overconfidence, the delusional thinking, “If anybody tries to tackle me I'll knock him out.” It's not that easy. As long as you're standing, running is always an option, but once an opponent has clinched or tackled you, you lose that option. If you get taken to the ground spectators can very easily kick you in the head, a very powerful, inconspicuous kick that is like kicking a football off a tee. Martial artist Geoff Thompson knew two men who were killed in just such a fashion. A gang tactic is to assign one member to tie you up, sacrificing himself if necessary, so that the rest of the gang can pick you off. Against multiple opponents your primary strategy is mobility, fleeing if possible, but once you're clutched or tackled you've lost that option. A clinching assailant with a knife is your worst nightmare, posing a highly lethal threat.
Darrin Cook (Big Stick Combat: Baseball Bat, Cane, & Long Stick for Fitness and Self-Defense)
The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the panelled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. The beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young- or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes- looking the same as they had in beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line. 'You should eat something,' he said. Unlike the elegance of his mask, the dark green tunic he wore was rather plain, accented only with a leather baldric across his broad chest. It was more for fighting than style, even though he bore no weapons I could detect. Not just one of the High Fae, but... a warrior, too.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
His mouth is a wet dream, his tongue a lethal weapon, and I’m ready to let this man destroy me.
Becka Mack (Consider Me (Playing For Keeps, #1))
A question can be as lethal as a weapon. It can insinuate, humiliate, aggravate, and, yes, illuminate.
Dete Meserve (Good Sam (Kate Bradley Mystery, #1))