“
There is more to sex appeal than just measurements. I don't need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain.
”
”
Audrey Hepburn
“
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.
”
”
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
“
I'll be in my bedroom, making no noise and pretending I'm not there.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Magnus, standing by the door, snapped his fingers impatiently. "Move it along, teenagers. The only person who gets to canoodle in my bedroom is my magnificent self."
"Canoodle?" repeated Clary, never having heard the word before.
"Magnificent?" repeated Jace, who was just being nasty. Magnus growled. The growl sounded like "Get out.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
”
”
Margaret Atwood (Cat's Eye)
“
Do you normally turn up in gentlemen's bedrooms in the middle of the night? If I'd known that, I would have campaigned harder to make sure Charlotte let you stay.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Isabelle tugged her tank top back down and glared at her brother. “You don’t knock now?”
“It’s my bedroom!” Alec spluttered.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Under normal circumstances, you inviting me to the bedroom would be the highlight of my day.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Really, these wizards! You'd think no one had ever had a cold before! Well, what is it?" she asked, hobbling through the bedroom door onto the filthy carpet.
"I'm dying of boredom," Howl said pathetically. "Or maybe just dying.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
Go to bed, you fool," Calcifer said sleepily. "You're drunk."
"Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
She shrieked. "Nora! What happened to the banister!"
Good thing she hadn't seen her bedroom yet.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
The morning always has a way of creeping up on me and peeking in my bedroom windows. The sunrise is such a pervert.
”
”
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
“
The best thing about the bedroom was the bed. I liked to stay in bed for hours, even during the day with covers pulled up to my chin. It was good in there, nothing ever occurred in there, no people, nothing.
”
”
Charles Bukowski (Ham on Rye)
“
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Or, if you decide you want to sleep at my place, on opposite sides of my bedroom with a Do Not Cross line drawn down the middle, I'll do it. I won't like it, but I'll do it.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Sam laughed, a funny, self-deprecating laugh. "You did read a lot. And spent too much time just inside the kitchen window, where I couldn't see you very well."
"And not enough time mostly naked in front of my bedroom window?" I teased.
Sam turned bright red. "That," he said, "is so not the point of this conversation.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Get out, Get out, get out, get out!" I do what any sane male would do in this situation; I run down the hall and lock myself in her bedroom.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Everything I've ever let go of has claw marks on it. (on the wall of a bedroom at a recovery house for alcoholics and drug addicts)
”
”
David Foster Wallace
“
Listen, Tate. I want your mess. I want your clothes on my bedroom floor. I want your toothbrush in my bathroom. I want your shoes in my closet. I want your mediocre leftovers in my fridge.
”
”
Colleen Hoover (Ugly Love)
“
Before I could cry or scream I whirled around and stalked to my bedroom,slamming the door behind me.
I hope they all drown.
"Zoey your mother and I need to speak with you."
Great. Clearly they didn't drown.
”
”
P.C. Cast (Marked (House of Night, #1))
“
We all start out so damn sure, thinking we've got the world on a string. If we ever stopped to think about the infinite number of ways we could be undone, we'd never leave our bedrooms.
”
”
Jonathan Tropper (This is Where I Leave You)
“
Seriously,” I whispered, unable to look away. “You're doing the bedroom-eyes thing again.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I have to warn you that my bedroom isn't the best place to stage an assault on me. It's where I'm at my weakest, with my bed a mere twenty feet away.
”
”
Amy Plum (Die for Me (Revenants, #1))
“
Waiting. Not waiting. One lover. A hundred lovers. There should be no judgement either way. A woman is not defined by what she does or doesn‘t do in the bedroom.
”
”
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
“
You know what, you need to stay out of my bedroom. You have your own.”
He smiled. “I know I do. I see it quite often. I just prefer your bed. It smells better.”
I made a face. “It smells better? What does your bed smell like? Regret and bad taste?
”
”
Jennifer L. Armentrout (Pure (Covenant, #2))
“
I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.
”
”
C.S. Lewis
“
Who knows how to make love stay?
1. Tell love you are going to Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if loves stays, it can have half. It will stay.
2. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a moustache on your face. Find love. Tell it you are someone new. It will stay.
3. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.
”
”
Tom Robbins (Still Life with Woodpecker)
“
Daemon was standing in the doorway of my bedroom. Hair messy from sleep, flannel pajama bottoms rumpled. No shirt. Three feet plus of snow outside, and he was still half naked.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
What are you doing here anyway?"
"'Here' as in your bedroom or 'here' as in the great spiritual question of our purpose here on this planet?"
-Clary & Jace, pg.306-
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I want a tattoo over my heart that reads TRY HARDER YOU LAZY PARAMEDIC SHITBAG OR I WILL HAUNT YOUR BEDROOM FOREVER
”
”
Warren Ellis
“
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him.
"Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?"
"No reason. Just no reason." Ronan slammed his door.
Gansey asked Adam, "Sorry. You still have that suit for the party?"
Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!"
Ronan's voice sang out from behind his closed door: "You're already dead!
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
She was the only thing I needed. If everything else went away tomorrow, the big house, all the cars, the money, I wouldn't care. As long as I still got to hold her every night, I would still be the luckiest guy in the world.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
Is this your bedroom?" she asked, and turned to look at him. Myrnin straightened and jammed the big red floppy hat back on his head. The feathers waved back and forth.
"Don't get any ideas," he said. "I'm far too young and innocent for that kind of thinking.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I'm touched, Rixon. A bomb. How elaborate. Why didn't you keep things simple and just march inside my bedroom one night and put a bullet between my eyes?
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Honestly, as much as I love my brother, I’m not sure how I feel about him hanging out in your bedroom.” He reached out with a muscular arm and used his fingers to brush a few strands of hair off my cheek, tucking them behind my ear. I shivered, and he smiled. “I feel like I need to mark my territory.” “Shut up.” “Oh, I love it when you get all bossy-pants. It’s sexy.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
I took a deep breath, and shut the bedroom door behind me. Even though we'd put each other through hell, we'd found heaven. Maybe that was more than a couple of sinners deserved, but I wasn't going to complain.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I was thrown into a state of sheer, mindless panic. “It’s my mother!” I whispered fiercely,
as if Bones hadn’t figured that out. “Holy shit, you have to hide!”
I literally shoved him toward the bedroom, yelling, “I—I’ll be right there, I’m not
dressed!”
He went, but with none of my hysteria. “Kitten, you still haven’t told her? Blimey, what
are you waiting for?”
The Second Coming of Christ!” I snapped. “And not a moment sooner! Here, in the
closet!
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
She drifted towards the bedroom, on her way to have a bath or take a nap or start a war.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Damnit.' Isabelle, standing in the mouth of the alley, her wet black hair like a cloak around her shoulders, kicked a trash can out of her way and glowered. 'Oh, for goodness's sake,' she said. 'I can't believe you two. Why? What's wrong with bedrooms? And pivacy?
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
It’s always been you; it’ll always be you, Angel.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped.
"Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
We don't have to go back to my place, Angel. I can take you home, if that's what you want. Or, if you decide you want to sleep at my place, on opposite sides of my bedroom with a Do Not Cross line drawn down the middle, I'll do it. I won't like it, but I'll do it.
”
”
Becca Fitzpatrick
“
And that’s why I prefer to dance in the bedroom.
”
”
Samantha Towle (The Mighty Storm (The Storm, #1))
“
Every face, every shop, bedroom window, public-house, and dark square is a picture feverishly turned--in search of what? It is the same with books. What do we seek through millions of pages?
”
”
Virginia Woolf (Jacob's Room)
“
It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try to readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies every great loss.
”
”
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
“
I had a good-talking candle last night in my bedroom. I was very tired but I wanted somebody to be with me, so I lit a candle and listened to its comfortable voice of light until I was asleep.
”
”
Richard Brautigan
“
There were no windows in my bedroom, so I had to sit up and read my clock to figure out how angry I should be at my visitor. Eight A.M. I hated whoever woke me up. Had they come an hour earlier, I would have also hated their families and any household pets.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
It is merely an accident of history that it is considered normal in our society to believe that the Creator of the universe can hear your thoughts while it is demonstrative of mental illness to believe that he is communicating with you by having the rain tap in Morse code on your bedroom window.
”
”
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
“
Dee’s hand fluttered around her as she spoke. “I was outside, and it looked as if a light show was going on in your bedroom. Daemon said you were probably mas—”
And Dee also knew no boundaries.
“Ah, no, please don’t finish that sentence.” He lowered his hands, eyes narrowing at his sister. “Don’t ever finish that sentence.
”
”
Jennifer L. Armentrout (Shadows (Lux, #0.5))
“
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I’m only marginally qualified to be giving advice at all. My body mass index is certainly not ideal, I frequently use my debit card to buy things that cost less than three dollars because I never have cash on me, and my bedroom is so untidy it looks like vandals ransacked the Anthropologie Sale section. I’m kind of a mess.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing.
I love listening to his boots clomp across my bedroom ceiling.
I love that the accent over his first name is called an acute accent, and that he has a cute accent.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
When I was a girl I would look out my bedroom window at the caterpillars; I envied them so much. No matter what they were before, no matter what happened to them, they could just hide away and turn into these beautiful creatures that could fly away completely untouched.
”
”
Patch Adams
“
Conall checked his watch. Again. Soon his personal wet fantasy would be here. He wondered if it would be inappropriate to tackle her in the hallway as soon as she arrived and drag her up to his bedroom. Probably. Damn human etiquette.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day."
I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything?
I jumped up.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
What's that Einstein quote about expecting different results from the same person? I shouldn't feel bad - I'm here, aren't I, I'm not the parent who didn't even text. Or the one who locked themselves in their bedroom half of Christmas. Talking like this, it's become clear that we are the main parts. This has all been about us, the sisters. I hadn't realised. I tell my mouth not to share these thoughts and Dana offers me another cigarette.
”
”
Sara Pascoe (Weirdo: 'Intense, also BRILLIANT, funny and forensically astute.' Marian Keyes)
“
Why are you here?"
"'Here' as in your bedroom, or 'here' as in the great, spiritual question of our purpose here on this planet? If you're asking me whether this is all some cosmic coincidence or if there's a greater meta-ethical purpose to life, well, that's a puzzler for the ages. I mean, modern-day reductionism is clearly a fallacious argument, but-,"
-"I'm going back to bed."
-"I'm here because Hodge reminded me it's your birthday.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Liam, what do you want from me ?"
"Everything.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom.
”
”
Andy Warhol
“
You talk to him about the fact that we haven't had sex?" Six says, completely embarrassed.
My father shakes his head. "No, he doesn't have to. I know because every night he comes home he goes straight to his bedroom and takes a thirty-minute shower. I was eighteen once."
Six covers her face with her hands. "Oh, my God." She peeks through her hands at my dad. "I guess I know who Daniel gets his personality from."
My father nods. "Tell me about it. His mother is terribly inappropriate.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Clary: What are you doing here, anyway?
Jace: 'Here' as in your bedroom or 'here' as in the great spiritual question of our purpose here on this planet? If you're asking whether it's all just a cosmic coincidence or there's a greater metaethical purpose to life, well, that's a puzzler for the ages. I mean, simple ontological reductionism is clearly a fallacious argument, but-
Clary: I'm going to bed.
”
”
Cassandra Clare
“
Your daughter is ugly.
She knows loss intimately,
carries whole cities in her belly.
As a child, relatives wouldn’t hold her.
She was splintered wood and sea water.
They said she reminded them of the war.
On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.
You made her gargle rosewater
and while she coughed, said
macaanto girls like you shouldn’t smell
of lonely or empty.
You are her mother.
Why did you not warn her,
hold her like a rotting boat
and tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island
if her thighs are borders?
What man wants to lay down
and watch the world burn
in his bedroom?
Your daughter’s face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things
but God,
doesn’t she wear
the world well.
”
”
Warsan Shire
“
Hey, do you wanna go out for..." His words melted with a sigh when he noticed Tod, but then he rallied with a smile. "Hi, Tod, I didn't realise you were here. In my daughter's bedroom. With the door closed."
"Happy to be here," Tod said, and I groaned out loud.
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
The man who alters his way of thinking to suit others is a fool.
”
”
Marquis de Sade (Justine, Philosophy in the Bedroom, and Other Writings)
“
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
”
”
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
“
Every woman who is aroused by submission is also aroused by an alpha male who can tame her. These women aren’t looking for a husband in the bedroom who will make them feel safe and loved. They already have that in their relationship. These women are looking for a man who is strong enough to conquer them. That way the woman can still feel vibrant and independent… but also feel comfortable submitting to their lover. That’s the turn-on for women. They don’t want to be submissives… they want to feel like they can’t resist submitting.
”
”
Jason Luke (Interview with a Master (Interview with a Master, #1))
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
”
”
Diane Setterfield (The Thirteenth Tale)
“
What doesn't kill you very often makes you weaker. What doesn't kill you can leave you limping for the rest of your days. What doesn't kill you can make you scared to leave your house, or even your bedroom, and have you trembling, or mumbling incoherently, or leaning with your head on a window pane, wishing you could return to the time before the thing that didn't kill you.
”
”
Matt Haig (Reasons to Stay Alive)
“
-BDB on the board-
Knitter's Anonimous
May 8, 2006
Rhage (in his bedroom posting in V's room on the board)
Hi, my name is V.
("Hi, V")
I've been knitting for 125 years now.
(*gasping noises*)
It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks.
(*sounds of sympathy*)
I've come seeking a community of people who, like me, are trying not to knit.
Can you help me?
(*We're with you*)
Thank you (*takes out hand-knitted hankie in pink*)
(*sniffles*)
("We embrace you, V")
Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother.
Rhage: Four words? Okay...lemme see... Rhage, you're so sexy.
hmmm....
Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me.
Vishous: First one starts with a "P"
Use your head for the other three.
Bastard.
Rhage: P? Hmm... Please pass the yarn
Vishous: Payback is a bitch!
Rhage: Ohhhhhhhhhhhh
I'm so scuuuuuurred.
Can you whip me up a blanket to hide under?
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
He turned to me, and do you know what he said to me ? He said in a deadly serious tone, 'Momma, am I dead?' And I said 'no honey, you're not dead', and he shook his head, looking all confused about something. Then he pointed to you dancing and said, 'if I'm not dead, then why is there an Angel in our house.'
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
If I show up at your house ten years from now and find nothing in your living room but The Readers Digest, nothing on your bedroom night table but the newest Dan Brown novel, and nothing in your bathroom but Jokes for the John, I’ll chase you down to the end of your driveway and back, screaming ‘Where are your books? You graduated college ten years ago, so how come there are no damn books in your house? Why are you living on the intellectual equivalent of Kraft Macaroni and Cheese?
”
”
Stephen King
“
Do you want me, Liam ?"
"Angel, I've wanted you forever.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
Yes. I kept the magnet Atlas gave me when we were kids. Yes. I kept the journals. No, I didn’t tell you about my tattoo. Yes, I probably should have. And yes, I still love him. And I’ll love him until I die, because he was a huge part of my life. And yes, I’m sure that hurts you. But none of that gave you the right to do what you did to me. Even if you would have walked into my bedroom and caught us in bed together, you still would not have the right to lay a hand on me, you goddamn son of a bitch!
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
Black is the color that is no color at all.
Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
It is a road. A forgotten night sky broken up by faded stars.
It is the barrel of a new gun, leveled at your heart.
The color of Chubs's hair, Liam's bruises, Zu's eyes.
Black is a promise of tomorrow, bled dry from lies and hate.
Betrayal.
I see it in the face of a broken compass, feel it in the numbing grip of grief.
I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke.
It is the fire.
The spark.
Black is the color of memory.
It is our color.
The only one they'll use to tell our story.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Nobody tells you how those nights that stand out in your memory—levee sunset nights, hurricane nights, first kiss nights, homesick sleepover nights, nights when you stood at your bedroom window and looked at the lilies one porch over and thought they would stand out, singular and crystallized, in your memory forever—they aren't really anything. They're everything, and they're nothing. They make you who you are, and they happen at the same time a twenty-three-year-old a million miles away is warming up some leftovers, turning in early, switching off the lamp. They're so easy to lose.
”
”
Casey McQuiston (One Last Stop)
“
15. WHENEVER I WENT OUT TO PLAY, MY MOTHER WANTED TO KNOW EXACTLY WHERE I WAS GOING TO BE
When I'd come in, she'd call me into her bedroom, take me in her arms, and cover me with kisses. She'd stroke my hair and say, 'I love you so much,' and when I sneezed she'd say, 'Bless you, you know how much I love you, don't you?' and when I got up for a tissue she'd say, 'Let me get that for you I love you so much,' and when I looked for a pen to do my homework she'd say, 'Use mine, anything for you,' and when I had an itch on my leg she'd say, 'Is this the spot, let me hug you,' and when I said I was going up to my room she'd call after me, 'What can I do for you I love you so much,' and I always wanted to say, but never said: Love me less.
”
”
Nicole Krauss (The History of Love)
“
I don’t have many friends, not the living, breathing sort at any rate. And I don’t mean that in a sad and lonely way; I’m just not the type of person who accumulates friends or enjoys crowds. I’m good with words, but not spoken kind; I’ve often thought what a marvelous thing it would be if I could only conduct relationships on paper. And I suppose, in a sense, that’s what I do, for I’ve hundreds of the other sort, the friends contained within bindings, pages after glorious pages of ink, stories that unfold the same way every time but never lose their joy, that take me by the hand and lead me through doorways into worlds of great terror and rapturous delight. Exciting, worthy, reliable companions - full of wise counsel, some of them - but sadly ill-equipped to offer the use of a spare bedroom for a month or two.
”
”
Kate Morton (The Distant Hours)
“
What the—Have you been crying?" Tohrment demanded. "Are you all right? Dear God, is it the baby?"
"Tohr, relax. I'm a female, I cry at matings. It's in the job description." There was the sound of a kiss.
"I just don't want anything to upset you, leelan."
'Then tell me the brothers are ready."
"We are."
"Good. I'll bring her out."
"Leelan ? "
"What?" There were low words spoken in their beautiful language.
"Yes, Tohr," Wellsie whispered. "And after two hundred years, I'd mate you again. In spite of the fact that you snore and you leave your weapons all over our bedroom.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
You’re too good for me.”
He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?”
She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.”
“Wow,” Carmine said. “I’d like to meet that motherfucker.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
i thought maybe if i met someone else that i'd be able to stop thinking about you, but it didn't work. nothing works. when i'm with them, i wish it was you. when they laugh or talk, i can't help but compare them to your voice or your laugh. it's always been you; it'll always be you, angel.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
...it is foreign to a man's nature to go on loving a person when he is told that he must and shall be that person's lover. There would be a much likelier chance of his doing it if he were told not to love. If the marriage ceremony consisted in an oath and signed contract between the parties to cease loving from that day forward, in consideration of personal possession being given, and to avoid each other's society as much as possible in public, there would be more loving couples than there are now. Fancy the secret meetings between the perjuring husband and wife, the denials of having seen each other, the clambering in at bedroom windows, and the hiding in closets! There'd be little cooling then.
”
”
Thomas Hardy (Jude the Obscure)
“
When Booker first started working for her a few years ago and was living in their home, she saw him cower with apprehension every time she snapped a new order or made him redo tasks more than once, twice, or three times. Now, she knew that he understood her ways better, her need for order, cleanliness, and strict attention to details. She felt he was beginning to realize just what this fifty-seven-year-old Yankee schoolteacher expected of her thirteen-year-old house servant and pupil. He began to appreciate the books from which she taught him after his morning chores were completed. She gave him a few to start his own library and found he stored them in old dry goods boxes in his bedroom.
”
”
Sheridan Brown (The Viola Factor)
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
I trudged back to my bedroom and pushed the door open, intending to wash my face or brush my teeth or make some stab at smoothing my hair, because I thought it might make me feel a little less trampled.
Eric was sitting on my bed, his face buried in his hands. He looked up at me as I entered, and he looked shocked. Well, no wonder, what with the very thorough takeover and traumatic changing of the guard.
Sitting here on your bed, smelling your scent,” he said in a voice so low I had to strain to hear it.
Sookie . . . I remember everything.”
Oh, hell,” I said, and went in the bathroom and shut the door. I brushed my hair and my teeth and scrubbed my face, but I had to come out. I was being as cowardly as Quinn if I didn’t face the vampire.
Eric started talking the minute I emerged. “I can’t believe I—”
Yeah, yeah, I know, loved a mere human, made all those promises, was as sweet as pie and wanted to stay with me forever,” I muttered. Surely there was a shortcut we could take through this scene.
I can’t believe I felt something so strongly and was so happy for the first time in hundreds of years,” Eric said with some dignity. “Give me some credit for that, too.
”
”
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
“
Izzy, are you—” he began. His eyes flew wide, and he backed up fast enough to smack his head into the wall behind him. “What is he doing here?”
Isabelle tugged her tank top back down and glared at her brother. “You don’t knock now?”
“It—It’s my bedroom!” Alec spluttered. He seemed to be deliberately trying not to look at Izzy and Simon, who were indeed in a very compromising position. Simon rolled quickly off Isabelle, who sat up, brushing herself off as if for lint. Simon sat up more slowly, trying to hold the torn edges of his shirt together. “Why are all my clothes on the floor?” Alec said.
“I was trying to find something for Simon to wear,” Isabelle explained. “Maureen put him in leather pants and a puffy shirt because he was being her romance-novel slave.”
“He was being her what?”
“Her romance-novel slave,” Isabelle repeated, as if Alec were being particularly dense.
Alec shook his head as if he were having a bad dream. “You know what? Don’t explain. Just—put your clothes on, both of you.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
-BDB on the board-
VAMPIRES WITH ONE EYEBROW ARE SEXY
May 8, 2006
Vishous (Back in the Pit, posting in Rhage's room on the board)
Hi! My name is Rhage.....:)
I'm starting a new trend in facial hair.
Having one eyebrow is COOL.
Having one eyebrow is SEXY.
Having one eyebrow is very INTELLECTUAL.
Come. Join me.
Rhage: (In his bedroom) 1. He immobilized me, the motherfucker. Or I woud have gone to work on the goatee. AND IF HE WERE SO TOUGH HE WOULDN'T HAVE HAD TO PUT A WHAMMY ON MY ASS TO GET AT ME.
2. My hair grows back VERY fast. I should be BACK TO NORMAL in a couple of days.
3. Even if it takes me the rest of this month...he has SO got it coming for him.
Vishous: Rhage! What happened to your eyebrow?
Why...it's gone.
Did you slip while you were shaving?
Hey....lemme ask you something...Does your head feel off-kilter? You know, heavier on one side?
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
The cold buried deep inside the bones of her hands, her feet, her head, her back…everywhere. Viola felt old, chilled, and exflunctified. She brushed away her snow-white hair and with gnarled fingers tried tucking it under the black, lacy, silk nightcap that her great niece Annie had sewn for her. Each day, her clothes consisted of a long, white, embroidered nightgown, and a soft, warm, lavender sontag with the hair brooch secured upon her left shoulder. The few pleasures she had since she could no longer see were those of having mail or newspaper stories read to her by relatives who took turns caring for her. She could not tolerate people or activity. Food and drink were tasteless. Although the family made many attempts at a tray of concoctions for her each day, she had just quit eating. She remained closed in her bedroom in this dizzy age, propped in bed, eyes shut with her memories. “Who knew I would live this long?
”
”
Sheridan Brown (The Viola Factor)
“
Reyes. Alexander. Farrow," I said.
Seconds after I spoke his name, Reyes walked into his bedroom, and I looked across the open space directly from my room into his.
He waited for me to continue.
"I feel like there's something missing from my bedroom."
A dimple appeared at the corner of his mouth. "You don't say."
"Any idea what that might be?"
He glanced around my room as well, then shrugged. "I can't imagine."
"Oh, wait," I said, stepping from my room into his, "wasn't there something here? Like, I don't know, a wall or something?"
He looked up. "You could be right. I do seem to remember a barrier of some kind here."
"Yep," I said, stepping closer, "I definitely remember a partition separating our apartments." When his only response was a mischievous tilt of his full mouth, I asked, "Where did you put my wall?"
He crossed his arms over his chest and leaned against his doorframe. "What makes you think I took it?"
"It was there this morning."
"And that means I took it? Maybe you just misplaced it. Where exactly did you see it last?"
I pressed my lips together. "You tore down my wall."
The smile he wore could've charmed the panties off a nun. Completely unrepentant, he admitted, "I tore down your wall.
”
”
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
“
From then on, Matilda would visit the library only once a week in order to take out new books and return the old ones. Her own small bedroom now became her reading-room and there she would sit and read most afternoons, often with a mug of hot chocolate beside her. She was not quite tall enough to reach things around in the kitchen, but she kept a small box in the outhouse which she brought in and stood on in order to get whatever she wanted. Mostly it was hot chocolate she made, warming the milk in a saucepan on the stove before mixing it. Occasionally she made Bovril or Ovaltine. It was pleasant to take a hot drink up to her room and have it beside her as she sat in her silent room reading in the empty house in the afternoons. The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She traveled all over the world while sitting in her little room in an English village.
”
”
Roald Dahl (Matilda)
“
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
”
”
Ali Hazelwood (Love on the Brain)
“
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
She took me to her room and stood me in front of her dresser, which was covered in a pillowcase with pretty colors. She lifted off the pillowcase, and there I was, standing in my old suit, looking at an old typewriter with a fresh ribbon. Inside the typewriter was a piece of white paper.
On that piece of white paper, Sam wrote, "Write about me sometime." And I typed something back to her, standing right there in her bedroom. I just typed.
"I will."
And I felt good that those were the first two words that I ever typed on my new old typewriter that Sam gave me. We just sat there quiet for a moment, and she smiled. And I moved to the typewriter again, and I wrote something.
"I love you, too."
And Sam looked at the paper, and she looked at me.
"Charlie . . . have you ever kissed a girl?"
I shook my head no. It was so quiet.
"Not even when you were little?"
I shook my head no again. And she looked very sad.
She told me about the first time she was kissed. She told me that it was with one of her dad's friends. She was seven. And she told nobody about it except for Mary Elizabeth and then Patrick a year ago. And she started to cry. And she said something that I won't forget. Ever.
"I know that you know that I like Craig. And I know that I told you not to think of me that way. And I know that we can't be together like that. But I want to forget all those things for a minute. Okay?"
"Okay."
"I want to make sure that the first person you kiss loves you. Okay?"
Okay." She was crying harder now. And I was, too, because when I hear something like that I just can't help it.
"I just want to make sure of that. Okay?"
"Okay."
And she kissed me. It was the kind of kiss that I could never tell my friends about out loud. It was the kind of kiss that made me know that I was never so happy in my whole life.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe.
I felt infinite wonder, infinite pity.
”
”
Jorge Luis Borges