Beaver Pond Quotes

A forest is a living thing like a human body...each part dependent on all the other parts. A forest needs its birds, its beaver...all its animals and plants. The forest gives shelter to the birds, but they repay the debt with the insects they eat, the droppings they leave, the seeds they carry off to plant elsewhere. The beaver builds dams for himself, but the dams keep water on the land, and although the beaver cut trees to use and to eat, their ponds provide water for the trees during the hot, dry months....Listen, and you can hear the forest breath.

Human language, for us moderns, has swung in on itself, turning its back on the beings around us. Language is a human property, suitable only for communication with other persons. We talk to people; we do not speak to the ground underfoot. We've largely forgotten the incantatory and invocational use of speech as a way of bringing ourselves into deeper rapport with the beings around us, or of calling the living land into resonance with us. It is a power we still brush up against whenever we use our words to bless and to curse, or to charm someone we're drawn to. But we wield such eloquence only to sway other people, and so we miss the greater magnetism, the gravitational power that lies within such speech. The beaver gliding across the pond, the fungus gripping a thick trunk, a boulder shattered by its tumble down a cliff or the rain splashing upon those granite fragments -- we talk about such beings, the weather and the weathered stones, but we do not talk to them. Entranced by the denotative power of words to define, to order, to represent the things around us, we've overlooked the songful dimension of language so obvious to our oral [storytelling] ancestors. We've lost our ear for the music of language -- for the rhythmic, melodic layer of speech by which earthly things overhear us.

I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter I love otter Under a muskrat: I love muskrat Beaver: I love beaver

This, as far as I can discover, was the first concrete step taken in Wales towards reintroducing an extinct mammal. Here, at Blaeneinion, at the source of the stream which runs through the stunning Cwm Einion into the Dyfi estuary, a group of volunteers had enclosed three acres of land around an old carp pond. People had been talking about returning the beaver to Wales for years. Now, at last, something was happening.

One of the reasons concealment is so important is because animals live in the woods and humans only visit the wild. Animals make their homes throughout the woods. Just like I’m alert to someone pulling up in my driveway or walking through my yard, wild animals are highly sensitive to trespassers. During one scouting trip at a beaver pond on Phil’s property, I saw the biggest beaver hut I’d ever seen. It was probably thirty feet tall! It wasn’t a very cool day, and I was kind of hot from all the walking. For whatever reason, I decided I was going to crawl into the beaver hut to see what was inside of it. I started trying to nudge my way into a bunch of different holes in the beaver dam, and I finally found one that was big enough for me on the back side of it. I was amazed at how the inside of the beaver hut looked. Compared to the chaos on the outside, it was like it was furnished on the inside. As I was breaking limbs, punching holes, and digging into it, I heard something growling! I turned around and there was a thirty-pound beaver standing about three feet from me. It was on its hind legs in the kill position. I remember thinking, Man, I’ve got to get out of here! Fortunately, I escaped from the beaver before it could get its teeth into me. It was one of the dumbest things I’ve ever done.

AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.

But the psychological change accompanying these technologies is more subtle, and perhaps more important. Consciously and unconsciously, we have gradually grown accustomed to experiencing the world through disembodied machines and instruments. As I stood in line to board an airplane recently, the young woman in front of me was primping in her mirror—straightening her hair, putting on lipstick, patting her checks with blush—a female ritual that has been repeated for several thousand years. In this case, however, her “mirror” was an iPhone in video mode, pointed at herself, and she was reacting to a digitized image of herself. I take walks in a federally protected wildlife preserve near my home in Massachusetts. A dirt trail winds for a mile around a lake teeming with beavers and fish, wild ducks and geese, aquatic frogs. Bulrushes and cattails wrap the perimeter of the pond, water lilies float here and there, rippling when a fish goes by. In the winter, the air is crisp and sharp, in the summer soft and aromatic. And a thick silence lies across the park, broken only by the honking of geese and the croaking of frogs. It is a place to smell, to see, to feel, to quietly let one’s mind wander where it wants. More and more commonly, I see people here talking on their cell phones as they walk around the trail. Their attention is focused not on the scene in front of them, but on a disembodied voice coming from a small box. And they are disembodied themselves. Where are their minds and bodies? Certainly not present in the park. Nor can they be located in the electromagnetic waves and digital signals flowing through cyberspace. Only their voices can be found at the other end of their conversations, in the offices and boardrooms and homes of the people they are talking to. They are attempting to be several places at once, like quantum waves. But I would argue that they are nowhere.

Namely, the Indians had access to a valuable interior commodity that commanded high prices in Europe: beaver skins. Universally desired by the wealthy in their target markets, beaver skins quickly became the commercial link between New England and the Old World. At the same time, the transatlantic trade created symbiotic economic bonds between the Native Americans and the early colonists. Rather than becoming alarmed at sharing territory, as the colonists seemed ill equipped to venture inland, the Indians looked at the English settlements as trading posts. Adept at hunting beaver over the ages as part of their own winter clothing, the Native Americans had a competitive advantage in procuring a valuable commodity that the colonists were willing to trade for. Tracking the remote beaver in distant ponds and rivers was a labor-intensive task that the colonists left to experts.

The weight of the pond presses water deep into the ground, recharging aquifers for use by downstream farms and ranches. Sediment and pollutants filter out in the slackwaters, cleansing flows. Floods dissipate in the ponds; wildfires hiss out in wet meadows. Wetlands capture and store spring rain and snowmelt, releasing water in delayed pulses that sustain crops through the dry summer. A report released by a consulting firm in 2011 estimated that restoring beavers to a single river basin, Utah’s Escalante, would provide tens of millions of dollars in benefits each year.4 Although you can argue with the wisdom of slapping a dollar value on nature, there’s no denying that these are some seriously important critters.

As Jasper, Major Craven, and Old Tug skirt the pond toward the beaver dam, Becky says to me, “I must be a better cook than I thought!” I blink. “It must be from all the practice.” I step forward to grab the table, just like I’ve done hundreds of times, but I stop short, laughing. “What’s so funny?” Becky asks. “I was about to put the table away in the wagon. Then I remembered we don’t have a wagon anymore.” She grins.

Thoreau could speculate that even a slight shift in natural processes—a little colder winter, a little higher flood—might put an end to humanity, so dependent are we on a wild nature that gives us no guarantees. Hence he emphasized living "deliberately"; that is, living so as to perceive and weigh the moral consequence of our choices. "Civil Disobedience" insists that the choices we make create our environment, both political and natural—all the choices, even the least and most seemingly trivial. The sum of those choices is weighed on the scales of the planet itself, a planet that is, like Walden Pond, sensitive and alive, quick to measure the least change and register it in sound and form. To Thoreau this was cause for tremendous optimism: as the village expanded and the old trees fell, he planted new ones and reveled in the young forest. If the English settlers had wiped out many of New England's animals—beaver, wolf, bear and cougar, moose and deer, wild turkey—still there was much remaining, enough to assure him the wild was everywhere, ready to reseed and reclaim what it had lost. His last, unfinished works, Wild Fruits and The Dispersion of Seeds, emphasize how the smallest of seeds, let loose on the winds or carried by the least of beings, could transform the world. All humans need to do is learn to work with instead of against the vital currents of life. The Books Thoreau didn't live to finish are about building a community of life, and he died in the faith his words, like seeds, would take root and grow. Exactly insofar as we, today, share his belief in the future of life and act on it, will he continue to speak to us.

By felling poplars and willows to build dams, beavers single-handedly transform temperate forests into wetlands, which then attract and support a remarkable array of neighbors: pileated woodpeckers drilling nesting cavities into dead trees; wood ducks and Canada geese settling in abandoned beaver lodges; herons and kingfishers and swallows enjoying the benefits of the “artificial” pond, along with frogs, lizards, and other slow-water species like dragonflies, mussels, and aquatic beetles. As do those underwater colonies of coral, the beaver creates a platform that sustains an amazingly diverse assemblage of life.

Twice nightly they went flying with Mother to the long wet valley through the timber, and though at first they wearied before they had covered thrice the length of the Beaver ponds, their strength grew quickly, and the late Thunder Moon saw them nearly full grown, strong on the wing, and rejoicing in the power of flight. Oh what a joy it was, when the last streak of light was gone from the western world rim, to scramble to the hole and launch into the air – one, two, three- Mother, Brother, and Little Brother to go kiting, scooting, circling, sailing, diving, and soaring – with flutter, wheel, and downward plunge. Then sharp with huger they would dart for the big abounding game – great fat Luna moths, roaring June-bugs, luscious cecropias, and a thousand smaller gave were whizzing and flitting on every side, a plenteous feast for those of wings of speed.

Yet beavers are as balletic in water as they are clumsy out of it. They can hold their breath for up to fifteen minutes, and their underwater gymnastics are powered by webbed hind feet. Transparent eyelids allow them to see below the surface, while a second set of fur-lined lips close behind their teeth, permitting them to chew and drag wood without drowning. Building dams expands the extent of beavers’ watery domains, submerges lodge entrances to repel predators, and gives them a place to stash their food caches. Ponds also serve to irrigate water-loving trees like willow, allowing beavers to operate as rotational farmers: They’ll chew down vegetation in one corner of their compound while cultivating their next crop in another.

TRAIL DESCRIPTION Segment 7 begins at the Gold Hill Trailhead on the west side of CO Hwy 9, mile 0.0 (9,197 feet). Leave the parking lot on single-track to the west and begin climbing where trees killed by pine beetles have been cut down. The trail ascends moderate slopes on the fall line here, though authorities have contemplated minor reroutes (traverses and switchbacks) to mitigate tread erosion and be more sustainable. The trail climbs to mile 1.0 (9,659), where there is a well-marked, three-way logging road intersection. Bear to the left. At mile 1.2 (9,748) continue straight ignoring trail on the left. Cross a logging road at mile 1.6 (9,990), passing an old clear-cut area that recently has been replanted. At mile 2.0 (10,158) the CT turns to the right through a colonnade of young trees at another well-marked intersection. At mile 3.2 (9,952) the trail turns left at the intersection with the Peaks Trail near some beaver ponds. There is water here and good camping. At mile 3.4 (10,018), turn right on the Miners Creek Trail. The trail sign here does not identify The Colorado Trail, but there are confidence markers on trees on both sides of the intersection. Over the next mile, cross and recross a small tributary to Miners Creek several times. There are good campsites in the vicinity of the crossings. At mile 4.8 (10,555), the Miners Creek Trail reaches a parking area for jeep access to the trail. Continue on the Miners Creek Trail by bearing to the left after passing most of the parking area. There are campsites on both sides of the parking area. Cross Miners Creek at mile 4.9 (10,583) and several more times in the next mile, most with potential campsites. The last crossing of Miners Creek before entering the tundra is at mile 6.1 (11,120).