Beauty Supply Quotes

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If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen.
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
John Green (The Anthropocene Reviewed)
Clearly," Jason said, "you are not doing nothing. You are most definitely doing something. What it looks like you're doing is pouring packets of sugar on Lauren Moffat's head." Shhh," I said. "It's snowing. But only on Lauren." I shook more sugar out of the packets. "'Merry Christmas, Mr. Potter,'" I called softly down to Lauren in my best Jimmy Stewart imitation. "'Merry Christmas, you old building and Loan.'" Jason started cracking up, and I had to hush him as Becca saw my sugar supply running low and hastened to hand me more packets. Stop laughing so loud," I said to Jason. "You'll spoil this beautiful moment for them." I sprinkled more sugar over the side of the balcony. "'Merry Christmas to all, and to all a good night.
Meg Cabot (How to Be Popular)
What I love about the ministry of Jesus is that he identified the poor as blessed and the rich as needy...and then he went and ministered to them both. This, I think, is the difference between charity and justice. Justice means moving beyond the dichotomy between those who need and those who supply and confronting the frightening and beautiful reality that we desperately need one another.
Rachel Held Evans (A Year of Biblical Womanhood)
To believe in a child is to believe in the future. Through their aspirations they will save the world. With their combined knowledge the turbulent seas of hate and injustice will be calmed. They will champion the causes of life's underdogs, forging a society without class discrimination. They will supply humanity with music and beauty as it has never known. They will endure. Towards these ends I pledge my life's work. I will supply the children with tools and knowledge to overcome the obstacles. I will pass on the wisdom of my years and temper it with patience. I shall impact in each child the desire to fulfill his or her dream. I shall teach.
Henry James
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
Even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less then Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.
Oscar Wilde (The Importance of Being Earnest)
I laugh. “How exactly do you see this…” I wave between the two of us, unable to come up with a descriptor “Beautiful friendship?” he supplies with a devilish grin. “…going?” I finish, ignoring him. “Us being mortal enemies and all.” “I prefer the term ‘star-crossed lovers.’” I snort. “Regardless, it can’t end well.” “The best romances don’t.
Eliza Crewe (Crushed (Soul Eaters, #2))
I loved those little bits of luxury in my day. Dresses made to my exact measurements, exotic desserts flown in simply because it was Thursday, and an endless supply of beautiful things were all perks; and they were easily my favorite parts of the job.
Kiera Cass (The Heir (The Selection, #4))
you wondered why in the hell the world had been created in the first place. Good things were in short supply, and so much of the rest was downright rancid.
Stephen King (Sleeping Beauties)
I will never be someone's last choice, second option, narcissistic supply, doormat, ego booster, sidekick, secret, last time or after thought. I am a Daughter of God that stands for truth. I know my beauty, my talents, my accomplishments, what I have to offer and who leads my life purpose: my Heavenly Father. But, most of all I know my value and I will never let any man define my worth.
Shannon L. Alder
...We always look for Christ amid magnificence. But ... Christ has a history of showing up amide the unlovely. Born in a dirty stall. Crowned with thorns. Died gasping on a shameful cross atop a jagged rise. We don't need to be beautiful for Christ to take us in. He is equally at home when we're broken-down and dirty. It's like George Herbert wrote: 'And here in dust and dirt, O here, The lilies of God's love appear.' We think magnificence is in short supply, that dust and dirt choke out the lilies. But that's not true and never was. Lilies may root in dirt, but they reach for heaven—and in the reaching, reveal their magnificence.
Philip Gulley (Home to Harmony (Harmony, #1))
To believe in a child is to believe in the future. Through their aspirations they will save the world. With their combined knowledge the turbulent seas of hate and injustice will be calmed. They will champion the causes of life's underdogs, forging a society without class discrimination. They will supply humanity with music and beauty as it has never known. They will endure.
Henry James
The neighborhood stores are an important part of a city child's life. They are his contact with the supplies that keep life going; they hold the beauty that his soul longs for; they hold the unattainable that he can only dream and wish for.
Betty Smith (A Tree Grows in Brooklyn)
Whether we are speaking of a flower or an oak tree, of an earthworm or a beautiful bird, of an ape or a person, we will do well, I believe, to recognize that life is an active process, not a passive one. Whether the stimulus arises from within or without, whether the environment is favorable or unfavorable, the behaviors of an organism can be counted on to be in the direction of maintaining, enhancing, and reproducing itself. This is the very nature of the process we call life. This tendency is operative at all times. Indeed, only the presence or absence of this total directional process enables us to tell whether a given organism is alive or dead. The actualizing tendency can, of course, be thwarted or warped, but it cannot be destroyed without destroying the organism. I remember that in my boyhood, the bin in which we stored our winter's supply of potatoes was in the basement, several feet below a small window. The conditions were unfavorable, but the potatoes would begin to sprout—pale white sprouts, so unlike the healthy green shoots they sent up when planted in the soil in the spring. But these sad, spindly sprouts would grow 2 or 3 feet in length as they reached toward the distant light of the window. The sprouts were, in their bizarre, futile growth, a sort of desperate expression of the directional tendency I have been describing. They would never become plants, never mature, never fulfill their real potential. But under the most adverse circumstances, they were striving to become. Life would not give up, even if it could not flourish. In dealing with clients whose lives have been terribly warped, in working with men and women on the back wards of state hospitals, I often think of those potato sprouts. So unfavorable have been the conditions in which these people have developed that their lives often seem abnormal, twisted, scarcely human. Yet, the directional tendency in them can be trusted. The clue to understanding their behavior is that they are striving, in the only ways that they perceive as available to them, to move toward growth, toward becoming. To healthy persons, the results may seem bizarre and futile, but they are life's desperate attempt to become itself. This potent constructive tendency is an underlying basis of the person-centered approach.
Carl R. Rogers
the chief beauty about the constant supply of time is that you cannot waste it in advance. The next year, the next day, the next hour are lying ready for you, as perfect, as unspoilt, as if you had never wasted or misapplied a single moment in all your career.
Arnold Bennett (How to Live on 24 Hours a Day)
The heart is a treasure trove.... it is filled to the brink with beautiful Divine gifts. Whoever dives into it, finds that an endless supply, as vast as the great expanse of the Cosmic Ocean.... and even greater than this!
Angie karan
Is a PLONGEUR'S work really necessary to civilization? We have a feeling that it must be 'honest' work, because it is hard and disagreeable, and we have made a sort of fetish of manual work. We see a man cutting down a tree, and we make sure that he is filling a social need, just because he uses his muscles; it does not occur to us that he may only be cutting down a beautiful tree to make room for a hideous statue. I believe it is the same with a PLONGEUR. He earns his bread in the sweat of his brow, but it does not follow that he is doing anything useful; he may be only supplying a luxury which, very often, is no luxury at all.
George Orwell (Down and Out in Paris and London)
God will provide for you, keep trusting Him to supply your need.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
God supply my needs, one day at a time.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
John Green (The Anthropocene Reviewed)
An impersonal generation will take the place of Nature's hideous system. In vast state incubators, rows upon rows of gravid bottles will supply the world with the population it requires. The family system will disappear; society, sapped at its very base, will have to find new foundations; and Eros, beautifully and irresponsibly free, will flit like a gay butterfly from flower to flower through a sunlit world.
Aldous Huxley (Crome Yellow)
I think Skyblock at its core is the ultimate challenge in resource management. You spawn on a tiny island in an empty universe. All you have is a tree, some supplies and some dirt to stand on. You have to treasure EVERY dirt block, because if one falls into the void, there's no way to replace it and as you carefully navigate your absurd circumstance, you gain a new appreciation for the few things you have as you meticulously use them to their fullest effect. With nothing but some ice, lava and saplings you slowly transform this empty expanse into a world of your very own. Skyblock teaches us that no matter how ridiculous the odds may seem, within us resides the power to overcome these challenges and achieve something beautiful. That one day, we'll look back at where we started and be amazed by how far we've come.
Technoblade
The narcissist has to defend himself against his own premonitions, his internal sempiternal trial, his guilt, shame, and anxiety. One of the more efficacious defense mechanisms at his disposal is false modesty. The narcissist publicly chastises himself for being unworthy, unfit, lacking, not trained and not (formally) schooled, not objective, cognizant of his own shortcomings, and vain. This way, if (or, rather, when) exposed for what he is, he can always say: "But I told you so in the first place, haven't I?" False modesty is, thus, an insurance policy. The narcissist "hedges his bets" by placing a side bet on his own fallibility… Yet another function is to extract Narcissistic Supply from the listener. By contrasting his own self-deprecation with a brilliant, dazzling display of ingenuity, wit, intellect, knowledge, or beauty, the narcissist aims to secure .. protestation from the listener.
Sam Vaknin (Malignant Self-Love: Narcissism Revisited)
Liberal education is liberation from vulgarity. The Greeks had a beautiful word for “vulgarity”; they called it apeirokalia, lack of experience in things beautiful. Liberal education supplies us with experience in things beautiful.
Leo Strauss
Today, in a world with instant access to Google, we rely on the electronic web to supply everything we need, from historical facts to word definitions and spellings as well as extended quotations. All of us who use a computer are aware of the shock of inner poverty that we suddenly feel when deprived (by a virus or other disaster) of our mental crutches even just for a day or a week. Plato is right: memory has been stripped from us, and all we possess is an external reminder of what we have lost, enabling us to pretend to a wisdom and an inner life we no longer possess in ourselves.13
Stratford Caldecott (Beauty in the Word: Rethinking the Foundations of Education)
her graceful beautifully shaped legs like that, supply soft and
James Joyce (Ulysses)
God cares. He will supply all your needs.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
and you wondered why in the hell the world had been created in the first place. Good things were in short supply, and so much of the rest was downright rancid.
Stephen King (Sleeping Beauties)
Birds and periodic blood. Old recapitulations. The fox, panting, fire-eyed, gone to earth in my chest. How beautiful we are, he and I, with our auburn pelts, our trails of blood, our miracle escapes, our whiplash panic flogging us on to new miracles! They’ve supplied us with pills for bleeding, pills for panic. Wash them down the sink. This is truth, then: dull needle groping for the spinal fluid, weak acid in the bottom of the cup, foreboding, foreboding. No one tells the truth about truth, that it’s what the fox sees from his scuffled burrow: dull-jawed, onrushing killer, being that inanely single-minded will have our skins at last.
Adrienne Rich (Leaflets)
That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses.
Stephen King (Different Seasons)
The Tao, when brightest seen, seems light to lack; Who progress in it makes, seems drawing back; Its even way is like a rugged track. Its highest virtue from the vale doth rise; Its greatest beauty seems to offend the eyes; And he has most whose lot the least supplies. Its firmest virtue seems but poor and low; Its solid truth seems change to undergo; Its largest square doth yet no corner show A vessel great, it is the slowest made; Loud is its sound, but never word it said; A semblance great, the shadow of a shade.
Lao Tzu (Tao Te Ching)
How little is requisite to supply the necessities of nature? And in a view to pleasure, what comparison between the unbought satisfaction of conversation, society, study, even health and the common beauties of nature, but above all the peaceful reflection on one's own conduct: What comparison, I say, between these, and the feverish, empty amusements of luxury and expense? These natural pleasures, indeed, are really without price; both because they are below all price in their attainment, an above it in their enjoyment.
David Hume (An Enquiry Concerning the Principles of Morals)
Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful. (The Lovely Bones by Alice Sebold)
Alice Sebold
In my view, fate is like intelligence, or beauty, or type z + lymphocytes - some individuals have a greater supply than others. I, for one, suffer from a deficiency; I am a clerk in a bookstore whose life is devoid of complications or a storyline of its own. My life is governed by the attraction of books. The weak magnetic field of my fate is distorted by those thousands of fates more powerful and more interesting than my own.
Nicolas Dickner (Nikolski)
A better-constituted boy would certainly have profited under my intelligent tutors, with their scientific apparatus; and would, doubtless, have found the phenomena of electricity and magnetism as fascinating as I was, every Thursday, assured they were. As it was, I could have paired off, for ignorance of whatever was taught me, with the worst Latin scholar that was ever turned out of a classical academy. I read Plutarch, and Shakespeare, and Don Quixote by the sly, and supplied myself in that way with wandering thoughts, while my tutor was assuring me that "an improved man, as distinguished from an ignorant one, was a man who knew the reason why water ran downhill." I had no desire to be this improved man; I was glad of the running water; I could watch it and listen to it gurgling among the pebbles and bathing the bright green water-plants, by the hour together. I did not want to know why it ran; I had perfect confidence that there were good reasons for what was so very beautiful. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Here's the plain truth, at least as it has been shown to me: We are never far from wonders. I remember when my son was about two, we were walking in the woods one November morning. We were along a ridge, looking down at a forest in the valley below, where a cold haze seemed to hug the forest floor. I kept trying to get my oblivious two-year-old to appreciate the landscape. At one point, I picked him up and pointed out toward the horizon and said, "Look at that, Henry, just look at it!" And he said, "Weaf!" I said, "What?" And again he said, "Weaf," and then reached out and grabbed a single brown oak leaf from the little tree next to us. I wanted to explain to him that you can see a brown oak leaf anywhere in the eastern United States in November, that nothing in the forest was less interesting. But after watching him look at it, I began to look as well, and I soon realized it wasn't just a brown leaf. Its veins spidered out red and orange and yellow in a pattern too complex for my brain to synthesize, and the more I looked at that leaf with Henry, the more I was compelled into an aesthetic contemplation I neither understood nor desired, face-to-face with something commensurate to my capacity for wonder. Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
John Green (The Anthropocene Reviewed)
Your jokes aren't even funny. What is this thing, anyway?' 'That's the beauty of it!' Oliver crows. 'It's nothing‒just some piece of junk from he supply closet. But you're freaking out because it could be anything.' 'Which it isn't,' I remind him. 'Exactly! The nothing becomes something because of how you react to it!
Gordon Korman (The Superteacher Project)
Reality does not create the entire womb of human life. We have eyes that witness truth and beauty. We are creatures that think, plan, dream, and remember. The lambent luminescence supplied by human memory reveals that we live in a dream world. Human imagination tied to memory tells us how to live today and forevermore.
Kilroy J. Oldster (Dead Toad Scrolls)
Food wasn’t one of the amenities at Cooper, the five-hundred-bed hospital on which millions of poor people depended. Nor was medicine. “Out of stock today” was the nurses’ official explanation. Plundered and resold out of supply cabinets was an unofficial one. What patients needed, families had to buy on the street and bring in.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Chaol bowed low. The princess nodded, barely a dip of her chin. Celaena knew the name—she had often heard the Eyllwe slaves in Endovier boast of Nehemia’s beauty and bravery. Nehemia, the Light of Eyllwe, who would save them from their plight. Nehemia, who might someday pose a threat to the King of Adarlan’s rule over her home country when she ascended to the throne. Nehemia, they whispered, who smuggled information and supplies to the rebel groups hiding in Eyllwe. But what was she doing here?
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The Otherworld does not supply the meaning of life. Rather, the Otherworld describes being alive. Life, in all its glory - warts and all, so to speak. The Otherworld provides meaning by example, by exhibition, by illustration if you will. ... Through the Otherworld we learn what it is be be alive, to be human: good and evil, heartbreak and ecstasy, victory and defeat, everything. ... where does one first learn loyalty? Or honor? Or any higher value, for that matter? ... Where does one learn to value the beauty of a forest and to revere it?' In nature?' Not at all. This can easily be proven by the fact that so many among us do not revere the forests at all - do not even see them, in fact. You know the people I am talking about. You have seen them and their works in the world. They are the ones who rape the land, who cut down forests and despoil oceans, who oppress the poor and tyrannize the helpless, who live their lives as if nothing lay beyond the horizon of their own limited earth-bound visions. But I digress. The question before us is this: where does one first learn to see a forest as a thing of beauty, to honor it, to hold it dear for its own sake, to recognize its true value as a forest, and not just see it as a source of timber to be exploited, or a barrier to be hacked down in order to make room for a motorway? ... the mere presence of the Otherworld kindles in us the spark of higher consciousness, or imagination. It is the stories and tale and visions of the Otherworld - that magical, enchanted land just beyond the walls of the manifest world - which awaken and expand in human beings the very notion of beauty, of reverence, of love and nobility, and all the higher virtues.
Stephen R. Lawhead (The Paradise War (The Song of Albion, #1))
Make us love and obey you so that the works of our hands may always display what your hands have done, until we gaze upon the beauty of your face.
Catholic Church (Religious Supply Liturgy of The Hours - Leather)
Thus Marx begins his attack on the liberal concept of freedom. The freedom of the market is not freedom at all. It is a fetishistic illusion. Under capitalism, individuals surrender to the discipline of abstract forces (such as the hidden hand of the market made much of by Adam Smith) that effectively govern their relations and choices. I can make something beautiful and take it to market, but if I don’t manage to exchange it then it has no value. Furthermore, I won’t have enough money to buy commodities to live. Market forces, which none of us individually control, regulate us. And part of what Marx wants to do in Capital is talk about this regulatory power that occurs even “in the midst of the accidental and ever-fluctuating exchange relations between the products.” Supply and demand fluctuations generate price fluctuations around some norm but cannot explain why a pair of shoes on average trades for four shirts. Within all the confusions of the marketplace, “the labour-time socially necessary to produce [commodities] asserts itself as a regulative law of nature. In the same way, the law of gravity asserts itself when a person’s house collapses on top of him” (168). This parallel between gravity and value is interesting: both are relations and not things, and both have to be conceptualized as immaterial but objective.
David Harvey (A Companion to Marx's Capital)
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
Siddhartha Mukherjee (The Gene: An Intimate History)
Wealth is certainly a most desirable thing, but poverty has its sunny side, and one of the sweet uses of adversity is the genuine satisfaction which comes from heart work of head or hand, and to the inspiration of necessity, we own half the wise, beautiful, and useful blessings of the world. Jo enjoyed a taste of this satisfaction, and ceased to envy richer girls, taking great comfort in the knowledge that she could supply her own wants, and need ask no one for a penny.
Louisa May Alcott (Little Women)
Wealth is certainly a most desirable thing, but poverty has its sunny side, and one of the sweet uses of adversity is the genuine satisfaction which comes from hearty work of head or hand, and to the inspiration of necessity, we owe half the wise, beautiful, and useful blessings of the world. Jo enjoyed a taste of this satisfaction, and ceased to envy richer girls, taking great comfort in the knowledge that she could supply her own wants, and need ask no one for a penny.
Louisa May Alcott (Little Women)
This, I think, is the difference between charity and justice. Justice means moving beyond the dichotomy between those who need and those who supply and confronting the frightening and beautiful reality that we desperately need one another.
Rachel Held Evans (A Year of Biblical Womanhood)
I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.
John Green (The Anthropocene Reviewed)
But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.
Benjamin Franklin
A sophisticated person is a combination of analytical reasoning and the secret laws of nature. Our irrationality, the hot paroxysms of the inner life, melts away our concrete protective boarders, enabling us to encounter the beauty of nature, and its molten force supplies the poetic imaginings that fuses life with delightful fragrance.
Kilroy J. Oldster (Dead Toad Scrolls)
[Frederica[ is the best person I know!' He added with unexpected naïveté: 'I daresay that seems an odd thing to say of one's sister, but it's true, and I'm not ashamed to say so! She may not be a *beauty*, like Charis, but she's - she's -' 'Worth a dozen of Charis!' supplied his lordship. 'Yes, by Jupiter, she is!' said Jessamy, his eyes kindling.
Georgette Heyer (Frederica)
Let's press ahead a little further by sketching out a few variations among short shorts: ONE THRUST OF INCIDENT. (Examples: Paz, Mishima, Shalamov, Babel, W. C. Williams.) In these short shorts the time span is extremely brief, a few hours, maybe even a few minutes: Life is grasped in symbolic compression. One might say that these short shorts constitute epiphanies (climactic moments of high grace or realization) that have been tom out of their contexts. You have to supply the contexts yourself, since if the contexts were there, they'd no longer be short shorts. LIFE ROLLED UP. (Examples: Tolstoy's 'Alyosha the Pot,' Verga's 'The Wolf,' D. H. Lawrence's 'A Sick Collier.') In these you get the illusion of sustained narrative, since they deal with lives over an extended period of time; but actually these lives are so compressed into typicality and paradigm, the result seems very much like a single incident. Verga's 'Wolf' cannot but repeat her passions, Tolstoy's Alyosha his passivity. Themes of obsession work especially well in this kind of short short. SNAP-SHOT OR SINGLE FRAME. (Examples: Garda Marquez, Boll, Katherine Anne Porter.) In these we have no depicted event or incident, only an interior monologue or flow of memory. A voice speaks, as it were, into the air. A mind is revealed in cross-section - and the cut is rapid. One would guess that this is the hardest kind of short short to write: There are many pitfalls such as tiresome repetition, being locked into a single voice, etc. LIKE A FABLE. (Examples: Kafka, Keller, von Kleist, Tolstoy's 'Three Hermits.') Through its very concision, this kind of short short moves past realism. We are prodded into the fabulous, the strange, the spooky. To write this kind of fable-like short short, the writer needs a supreme self-confidence: The net of illusion can be cast only once. When we read such fable-like miniatures, we are prompted to speculate about significance, teased into shadowy parallels or semi allegories. There are also, however, some fables so beautifully complete (for instance Kafka's 'First Sorrow') that we find ourselves entirely content with the portrayed surface and may even take a certain pleasure in refusing interpretation. ("Introduction")
Irving Howe (Short Shorts)
Moral sense is almost completely ignored by modern society. We have, in fact, suppressed its manifestations. All are imbued with irresponsibility. Those who discern good and evil, who are industrious and provident, remain poor and are looked upon as morons. The woman who has several children, who devotes herself to their education, instead of to her own career, is considered weak-minded. If a man saves a little money for his wife and the education of his children, this money is stolen from him by enterprising financiers. Or taken by the government and distributed to those who have been reduced to want by their own improvidence and the shortsightedness of manufacturers, bankers, and economists. Artists and men of science supply the community with beauty, health, and wealth. They live and die in poverty. Robbers enjoy prosperity in peace. Gangsters are protected by politicians and respected by judges. They are the heroes whom children admire at the cinema and imitate in their games. A rich man has every right. He may discard his aging wife, abandon his old mother to penury, rob those who have entrusted their money to him, without losing the consideration of his friends. ...Ministers have rationalized religion. They have destroyed its mystical basis. But they do not succeed in attracting modern men. In their half-empty churches they vainly preach a weak morality. They are content with the part of policemen, helping in the interest of the wealthy to preserve the framework of present society. Or, like politicians, they flatter the appetites of the crowd.
Alexis Carrel (L'Homme, cet inconnu (French Edition))
Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)
Murray Pura (Legion (The Name of the Hawk, #1))
We need to know that none of us are equipped for this task. Not one. That is the beauty of God’s work. He calls us and then He equips us.  You don’t need to be organized, or a teacher, or perfect. No one is. He supplies exactly what we need to complete the tasks that we are given. If He called you to homeschool, He will equip you, but you must rely on Him and not on your own strength. Admit that you are not ultimately in charge.
Karen DeBeus (Called Home: Finding Joy in Letting God Lead Your Homeschool)
was virtually certain of that. As the coach drew into St. Giles’, the sky was an open blue, and the sunlight gleamed on the cinnamon-coloured stone along the broad tree-lined avenue. “Here we are, in St. Giles.’ ” (Ashenden slipped into over-drive now.) “You can see the plane trees on either side of us, ablaze with the beautifully golden tints of autumn—and, on the left here, St. John’s College—and Balliol just beyond. And here in front of us, the famous Martyrs’ Memorial, modelled on the Eleanor Crosses of Edward the First, and designed by Gilbert Scott to honour the great Protestant martyrs—Cranmer and Latimer and, er …” “Nicholas Ridley,” supplied Mrs. Roscoe, as the coach turned right at the traffic lights and almost immediately pulled in on the left of Beaumont Street beneath the tall neo-Gothic façade of The Randolph Hotel. “At last!” cried Laura Stratton, with what might have been
Colin Dexter (The Jewel That Was Ours (Inspector Morse, #9))
One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.
Charles Leerhsen (Ty Cobb: A Terrible Beauty)
The Oregonian published an exposé by reporter Steve Suo that reveals that the government could have contained (and could still contain) the meth epidemic. Only nine factories manufacture the bulk of the world’s supply of ephedrine and pseudoephedrine, but pharmaceutical companies—and legislators influenced by them—have stopped every move that would have effectively controlled the distribution of the chemicals so they could not be diverted to meth superlabs.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
God is the source of my supply, whether it is energy, vitality, creative ideas, inspiration, love, peace, beauty, right action or wealth that I need. I know it is as easy for the creative powers of my subconscious to become all these things as a blade of grass. I am now appropriating mentally and experiencing buoyant health, harmony, beauty, right action, abundant prosperity and all the riches of my deeper mind. I exude vibrancy and good will to all. I am giving better service every day.
Joseph Murphy (Miracle Power for Infinite Riches)
What I love about the ministry of Jesus is that he identified the poor as blessed and the rich as needy . . . and then he went and ministered to them both. This, I think, is the difference between charity and justice. Justice means moving beyond the dichotomy between those who need and those who supply and confronting the frightening and beautiful reality that we desperately need one another. That’s what I love about the Kingdom: For the poor, there is food. For the rich, there is joy. For all of us, there is grace.
Rachel Held Evans (A Year of Biblical Womanhood)
It is almost impossible to translate verbally and well at the same time; for the Latin (a most severe and compendious language) often expresses that in one word which either the barbarity or the narrowness of modern tongues cannot supply in more. ...But since every language is so full of its own proprieties that what is beautiful in one is often barbarous, nay, sometimes nonsense, in another, it would be unreasonable to limit a translator to the narrow compass of his author's words; it is enough if he choose out some expression which does not vitiate the sense.
John Dryden
It is a marvel whence this perfect flower derives its loneliness and perfume, springing as it does from the black mud over which the river sleeps, and where lurk the slimy eel, and speckled frog, and the mud turtle, whom continual washing cannot cleanse. It is the very same black mud out of which the yellow lily sucks its obscene life and noisome odor. Thus, we see, too, in the world that some persons assimilate only what is ugly and evil from the same moral circumstances which supply good and beautiful results -- the fragrance of celestial flowers -- to the daily life of others.
Nathaniel Hawthorne
It may be remarked in passing that success is an ugly thing. Men are deceived by its false resemblances to merit. To the crowd, success ears almost the features of true mastery, and the greatest dupe of this counterfeit talent is History. Juvenal and Tacitus alone mistrust it. In these days an almost official philosophy has come to dwell in the house of Success, wear its livery, receive callers in its ante-chamber. Success in principle and for its own sake. Prosperity presupposes ability. Win a lottery-prize and you are a clever man. Winners are adulated. To be born with a caul is everything; luck is what matters. Be fortunate and you will be thought great. With a handful of tremendous exceptions which constitute the glory of a century, the popular esteem is singularly short-sighted. Gilt is as good as gold. No harm in being a chance arrival provided you arrive. The populace is an aged Narcissus which worships itself and applauds the commonplace. The tremendous qualities of Moses, an Aeschylus, a Dante, a Michelangelo or a Napoleon are readily ascribed by the multitude to any man, in any sphere, who has got what he set out to get - the notary who becomes a deputy, the hack playwright who produces a mock-Corneille, the eunuch who acquires a harem, the journeyman-general who by accident wins the decisive battle of an epoch. The profiteer who supplies the army of the Sambre-et-Meuse with boot-soles of cardboard and earns himself an income of four hundred thousand a year; the huckster who espouses usury and brings her to bed of seven or eight millions; the preacher who becomes bishop by loudly braying; the bailiff of a great estate who so enriches himself that on retirement he is made Minister of Finance - all this is what men call genius, just as they call a painted face beauty and a richly attired figure majesty. The confound the brilliance of the firmament with the star-shaped footprints of a duck in the mud.
Victor Hugo
Opinion polls showed that two-thirds of Greeks rejected the conditions attached to the bailout, but wanted to stay in the eurozone. Demonstrations spread throughout Greece advocating a “No” vote. So the Germans and French tried to frame the issue in a narrow way designed to get a “Yes” answer: Did voters want to be part of Europe? The aim was to avoid asking the really important question: Did Greek voters want to impose a decade of depression on themselves, cut public services, impose anti-union labor “reforms,” and sell off the Athenian water supply, its port, their beautiful islands and their gas rights in the Aegean to Germans and other creditors?
Michael Hudson (Killing the Host: How Financial Parasites and Debt Bondage Destroy the Global Economy)
To eat responsibly is to understand and enact, so far as one can, this complex relationship. What can one do? Here is a list, probably not definitive: 1. Participate in food production to the extent that you can. If you have a yard or even just a porch box or a pot in a sunny window, grow something to eat in it. Make a little compost of your kitchen scraps and use it for fertilizer. Only by growing some food for yourself can you become acquainted with the beautiful energy cycle that revolves from soil to seed to flower to fruit to food to offal to decay, and around again. You will be fully responsible for any food that you grow for yourself, and you will know all about it. You will appreciate it fully, having known it all its life. 2. Prepare your own food. This means reviving in your own mind and life the arts of kitchen and household. This should enable you to eat more cheaply, and it will give you a measure of “quality control”: You will have some reliable knowledge of what has been added to the food you eat. 3. Learn the origins of the food you buy, and buy the food that is produced closest to your home. The idea that every locality should be, as much as possible, the source of its own food makes several kinds of sense. The locally produced food supply is the most secure, the freshest, and the easiest for local consumers to know about and to influence. 4. Whenever possible, deal directly with a local farmer, gardener, or orchardist. All the reasons listed for the previous suggestion apply here. In addition, by such dealing you eliminate the whole pack of merchants, transporters, processors, packagers, and advertisers who thrive at the expense of both producers and consumers. 5. Learn, in self-defense, as much as you can of the economy and technology of industrial food production. What is added to food that is not food, and what do you pay for these additions? 6. Learn what is involved in the best farming and gardening. 7. Learn as much as you can, by direct observation and experience if possible, of the life histories of the food species. The
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie. He held the sparkler up in front of my face and said, "Wait. Wait." I was already waiting. What else was there to do? "Here you are," he said. "Look! What's this?" At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said. He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that. Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.
Jonathan Coe (The Rotters' Club)
From Lee’s extensive quotes of Edwards on page 152 we can gather that the reason some reject good thoughts that might order their minds aright is because of a disposition of the heart, or a “taste” for evil. The habit of a person’s mind is in accordance with his spiritual appetite, a good man’s mind will always suggest and supply good and holy thoughts to connect ideas and information to create a beautiful picture in one’s mind of God’s orderly universe (Himself at the helm) but the evil man’s mind is habitually disorganizing the things of this world or rather dis-integrating them from the knowledge of God, and so Edwards might say that his mind is not a cosmos but a chaos, or a conductor-less cacophony rather than a grand symphony.
Erick John Blore (The Educational Philosophy of Jonathan Edwards: An Analysis and Application of His Calvinistic Psychology)
In the blackness of the midnight sleep world, immunized from the harsh glare of daytime reality, the active imagination of the soul dances in the mind of a dream weaver. Safely shrouded in the all-encompassing blanket of darkness supplied by nighttime sleep, our secret wishes speak to us by channeling the collective mythology of the primordial mind. During the wee hours of night, right before first light, we summon our personal muse to tell us in operatic fashion what it means to be human. If we listen carefully, our muse’s heart songs shares with us what it means to experience both the tragedy and comedy of life, and encourages us to unreservedly embrace in a moral manner the banality, brutality, beauty, and splendor of nature that occurs eternally in the cosmic world that swaddles us.
Kilroy J. Oldster (Dead Toad Scrolls)
Consider the lilies of the field; they toil not, neither do they spin; yet Solomon in all of his glory was not arrayed as one of these.' I know that God is prospering me in all ways. I am now leading the abundant life, because I believe in a God of abundance. I am supplied with everything that contributes to my beauty, well-being, progress and peace. I am daily experiencing the fruits of the spirit of God within me; I accept my good now; I walk in the light that all good is mine. I am peaceful, poised, serene and calm. I am one with the source of life; all my needs are met at every moment of time and every point of space. I now bring `all the empty vessels' to the Father within. The fullness of God is made manifest in all the departments of my life. `All that the Father hath is mine.' I rejoice that this is so." CHAPTER
Joseph Murphy (Miracle Power for Infinite Riches)
Alongside this was the king who remained a conservative to his dying day. He never accepted the central Protestant doctrine of justification by faith, despite all Cranmer’s efforts to persuade him, especially in the revision of the Bishops’ Book; so he had lost his hold on purgatory while not finding his way to a coherent replacement doctrine on salvation.49 To see this is to make some sense at last of the apparently baffling twists of policy and inconsistencies in the king: he was caught between his lack of full belief in two mutually opposed ways of seeing the road to salvation. What did he have instead? A ragbag of emotional preferences. He cherished his beautiful personal rosary, which still exists; he maintained the mass in all its ancient Latin splendour and he left instructions in his will for a generous supply of requiems, in line with his new rationale for them in the King’s Book.
Diarmaid MacCulloch (All Things Made New: The Reformation and Its Legacy)
Laissez faire! Let things alone! have said the judges of the camp. Careers are open; and although the field is covered with corpses, although the conqueror stamps on the bodies of the vanquished, although by supply and demand, and the combinations and monopolies in which they result, the greater part of society becomes enslaved to the few, let things along — for thus has decreed fair play. It is by virtue of this beautiful system that a parvenu, without speaking of the great lord who receives counties as his heritage, is able to conquer with ready money thousands of acres, expel those who cultivate his domain, and replace people and their dwellings with wild animals and rare trees. It is thus that a tradesman, more cunning or intelligent, or, perhaps, more favored by luck than his fellows, is enabled to become master of an army of workers, and as often as not to starve them at his pleasure.
Élisée Reclus
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The consecration of all to our Master, far from lessening our power to impart, increases both our power and our joy in ministration. The five loaves and two fishes of the disciples, first given up to and blessed by the Lord, were abundant supply for the needy multitudes, and grew, in the act of distribution, into a store of which twelve hampers full of fragments remained when all were fully satisfied. We have, then, in this beautiful section, as we have seen, a picture of unbroken communion and its delightful issues. May our lives correspond! First, one with the King, then speaking of the King; the joy of communion leading to fellowship in service, to a being all for Jesus, ready for any experience that will fit for further service, surrendering all to Him, and willing to minister all for Him. There is no room for love of the world here, for union with Christ has filled the heart; there is nothing for the gratification of the world, for all has been sealed and is kept for the Master's use. Jesus, my life is Thine! And evermore shall be Hidden in Thee. For nothing can untwine Thy life from mine.
James Hudson Taylor (Union And Communion or Thoughts on the Song of Solomon)
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
He paused as his eyes went Elsewhere. His mouth hung open uncharacteristically in an odd moment of hesitation. But then he spoke: “I dreamt one night that I stood before the Conjurer of All. I do not know if this Conjurer was God, per se , but let us entertain the possibility that there exists, at least encoded in the patterned mechanisms of the human mind, a necessary and indelible embodiment therein that is simultaneously the Creator of the Universe and the Forger of All Things Within It The Knower of All there is to Know, to say the least. I stood uncomfortably before such an entity and this Conjurer spoke thus, ‘Seeker of Truth!’ His words were oppressive, yet assuring, ‘Now it can all be told! Now you may have all the answers you seek. All the answers of the Universe!’ This proclamation only satisfied me briefly, for I almost immediately found myself responding, ‘Dear Conjurer, I do not wish to sound ungrateful, but instead of all the answers, may I not have more questions? An endless supply even? For all else would seem insufficient. I could never face a world that lacked mystery.’ The Maker laughed as though I had told the only joke in the Universe in which he could find humor. I awoke immediately, out of breath, for I, too, had been laughing.
Ashim Shanker (Inward and Toward (Migrations, #3))
From the fourteenth to the nineteenth century we have merely been expending the incalculable treasures discovered then and using up the great supply of energies gathered up to that time. Hence, modern history is the antithesis of the Middle Ages; man no longer wants to keep silent about himself: he hastens to express to others every slightest feeling and every new thought he may have through the medium of colors or sounds and, without fail, by means of the printing press. One might say that just as man studiously effaced himself up to the fourteenth century, so he becomes garrulous once he crosses into that century and all the succeeding ones. Not only what is wise, not only what is noble, but also what is ridiculous, stupid, and hideous in himself he couches in poetry and prose, sets to music, and would very much like, but he is unable, to express in marble and to fix within architectural lines. It is remarkable that architecture - that kind of impersonal art, that form of creation in which the creator is merged with his epoch and people, in which he does not rise above them, nor set apart his own I on their background - declines, as soon as we enter modern history, and not once during this period does it rise to the sublime or the beautiful. ("On Symbolists And Decadents")
Vasily Rozanov
I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?' Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard. The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.
Sarah Jio (The Last Camellia)
the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.
Nathaniel Hawthorne (Mosses from an Old Manse)
maternal love, the most successful object of the religious imagination of romantic art. For the most part real and human, it is yet entirely spiritual, without the interest and exigency of desire, not sensuous and yet present: absolutely satisfied and blissful spiritual depth. It is a love without craving, but it is not friendship; for be friendship never so rich in emotion, it yet demands a content, something essential, as a mutual end and aim. Whereas, without any reciprocity of aim and interests, maternal love has an immediate support in the natural bond of connection. But in this instance the mother’s love is not at all restricted to the natural side. In the child which she conceived and then bore in travail, Mary has the complete knowledge and feeling of herself; and the same child, blood of her blood, stands all the same high above her, and nevertheless this higher being belongs to her and is the object in which she forgets and maintains herself. The natural depth of feeling in the mother’s love is altogether spiritualized; it has the Divine as its proper content, but this spirituality remains lowly and unaware, marvellously penetrated by natural oneness and human feeling. It is the blissful maternal love, the love of the one mother alone who was the first recipient of this joy. Of course this love too is not without grief, but the grief is only the sorrow of loss, lamentation for her suffering, dying, and dead son, and does not, as we shall see at a later stage,[9] result from injustice and torment from without, or from the infinite battle against sins, or from the agony and pain brought about by the self. Such deep feeling is here spiritual beauty, the Ideal, human identification of man with God, with the spirit and with truth: a pure forgetfulness and complete self-surrender which still in this forgetfulness is from the beginning one with that into which it is merged and now with blissful satisfaction has a sense of this oneness. In such a beautiful way maternal love, the picture as it were of the Spirit, enters romantic art in place of the Spirit itself because only in the form of feeling is the Spirit made prehensible by art, and the feeling of the unity between the individual and God is present in the most original, real, and living way only in the Madonna’s maternal love. This love must enter art necessarily if, in the portrayal of this sphere, the Ideal, the affirmative satisfied reconciliation is not to be lacking. There was therefore a time when the maternal love of the blessed Virgin belonged in general to the highest and holiest [part of religion] and was worshipped and represented as this supreme fact. But when the Spirit brings itself into consciousness of itself in its own element, separated from the whole natural grounding which feeling supplies, then too it is only the spiritual mediation, free from such a grounding, that can be regarded as the free route to the truth; and so, after all, in Protestantism, in contrast to mariolatry in art and in faith, the Holy Spirit and the inner mediation of the Spirit has become the higher truth.
Georg Wilhelm Friedrich Hegel
How can I tell of the rest of creation, with all its beauty and utility, which the divine goodness has given to man to please his eye and serve his purposes, condemned though he is, and hurled into these labors and miseries?  Shall I speak of the manifold and various loveliness of sky, and earth, and sea; of the plentiful supply and wonderful qualities of the light; of sun, moon, and stars; of the shade of trees; of the colors and perfume of flowers; of the multitude of birds, all differing in plumage and in song; of the variety of animals, of which the smallest in size are often the most wonderful,--the works of ants and bees astonishing us more than the huge bodies of whales?  Shall I speak of the sea, which itself is so grand a spectacle, when it arrays itself as it were in vestures of various colors, now running through every shade of green, and again becoming purple or blue?  Is it not delightful to look at it in storm, and experience the soothing complacency which it inspires, by suggesting that we ourselves are not tossed and shipwrecked?  [1664]What shall I say of the numberless kinds of food to alleviate hunger, and the variety of seasonings to stimulate appetite which are scattered everywhere by nature, and for which we are not indebted to the art of cookery?  How many natural appliances are there for preserving and restoring health!  How grateful is the alternation of day and night!  how pleasant the breezes that cool the air!  how abundant the supply of clothing furnished us by trees and animals!  Who can enumerate all the blessings we enjoy?  If I were to attempt to detail and unfold only these few which I have indicated in the mass, such an enumeration would fill a volume.  And all these are but the solace of the wretched and condemned, not the rewards of the blessed.  What then shall these rewards be, if such be the blessings of a condemned state?
Augustine of Hippo (St. Augustine of Hippo: The City of God)
THE DEMANDS MADE by a work of this nature upon the generosity of specialists are very numerous, and the Editor would be wanting in all title to the generous treatment he has received were he not willing to make the fullest possible acknowledgment of his indebtedness. His thanks are due in the first place to the scholarly and accomplished Bahadur Shah, baggage elephant 174 on the Indian Register, who, with his amiable sister Pudmini, most courteously supplied the history of ‘Toomai of the Elephants’ and much of the information contained in ‘Servants of the Queen’. The adventures of Mowgli were collected at various times and in various places from a multitude of informants, most of whom desire to preserve the strictest anonymity. Yet, at this distance, the Editor feels at liberty to thank a Hindu gentleman of the old rock, an esteemed resident of the upper slopes of Jakko, for his convincing if somewhat caustic estimate of the national characteristics of his caste–the Presbytes. Sahi, a savant of infinite research and industry, a member of the recently disbanded Seeonee Pack, and an artist well known at most of the local fairs of Southern India, where his muzzled dance with his master attracts the youth, beauty, and culture of many villages, have contributed most valuable data on people, manners, and customs. These have been freely drawn upon, in the stories of ‘Tiger-Tiger!’ ‘Kaa’s Hunting’, and ‘Mowgli’s Brothers’. For the outlines of ‘Rikki-tikki-tavi’ the Editor stands indebted to one of the leading herpetologists of Upper India, a fearless and independent investigator who, resolving ‘not to live but know’, lately sacrificed his life through over-application to the study of our Eastern Thanatophidia. A happy accident of travel enabled the Editor, when a passenger on the Empress of India, to be of some slight assistance to a fellow-voyager. How richly his poor services were repaid, readers of the ‘White Seal’ may judge for themselves.
Jonathan Swift (The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin Hood (The Heirloom Collection))
Gregori approached the tiny being cautiously. The extent of the trauma was enormous. The baby was fading as blood gushed from its mother’s body. He could feel its willingness to slide away from the pain and outrage of the assault. He could only hope Shea would stop the bleeding quickly, as he had to concentrate on the child. She was so tiny, almost nonexistent, yet he could feel her pain and her puzzlement. She knew fear before she was born, knew pain, and now held forever the knowledge that life was not safe, even here in her mother’s womb. Gregori murmured softly, reassuringly, to her. He had bathed her in his light once before, and she recognized him now, moved toward him, seeking comfort. Very carefully he attended to the wound in the artery that supplied her with nourishment. Very soon he would give her his own blood, sealing her fate, binding her ever closer to him. There were several tears in the placenta, which he meticulously sealed. She was afraid as his light floated closer, so he provided waves of reassurance and warmth. There was a laceration in her right thigh. It hurt, and blood was seeping into the fluid surrounding her. With the lightest of touches he closed the wound, his touch lingering to calm her. His chant, the low pitch of his voice, echoed in her heart, in her mind, invading her soul. Gregori talked to her as he worked, the purity of his tone beguiling her, soothing her, so that she stayed with Raven rather than simply letting go, fading away with the steady trickle of blood. Gregori could feel the strength in her, the determination. Without a doubt, she was Mikhail and Raven’s daughter. If she chose to go, she would do so, but if she chose to stay, she would fight with every breath left in her body. Gregori made certain she wanted to fight. He whispered to her in his most beguiling voice, promised a fascinating future, lured her with the secrets and beauty of the universe awaiting her. He promised her she would never be left alone; he would be there to guide her, to protect her, to see to her happiness.
Christine Feehan (Dark Desire (Dark, #2))
Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)
Baz Luhrmann (Romeo & Juliet: The Contemporary Film, The Classic Play)
Lao Tze's vision is compatible with the Positive Paradigm of Change. In fact, placing the language of his passages into the levels of the Wheel serves to clarify his vision. The model is therefore shown here, along with its application to the subtitle: Common Sense. The right-brain compliment to the left-brain words of Passage One is also supplied below as a hint of what's possible. Einstein's warning, the basis of Rethinking Survival, could well have been spoken by a Chinese sage: 'Our task must be to free ourselves from the prison [of separatist thinking] by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty. . . We shall require a substantially new manner of thinking if mankind is to survive." Prominent themes which link Einstein with the Chinese yoga tradition include not only Compassion but also Unity and Survival. In addition, anticipating the Positive Paradigm, Lao Tze repeated alludes to a timeless center at life's hub encompassed by the surface rim of fluctuating events. 1. The Eternal is beyond words, undefinable and illusive, all-pervading yet mysterious. The timeless, though ungraspable, is the unfailing source of all experience. To transcend mortality, and attain sublime peace, turn inward, releasing desire and ambition. To manifest inner vision, accomplishing every goal in time, extend outward with passionate conviction. Unmanifest and manifest are two sides of a coin, seamlessly joined, though apparently opposite. Entering this paradox is the beginning of magic.
Patricia E. West (Two Sides of a Coin: Lao Tze's Common Sense Way of Change)
There is a fearful moment of reckoning before us should it ever chance that when all our trees shall have been sacrificed on the altar of the patron-fiend of news, the newspaper supply shall suddenly be cut off and we find ourselves some fine morning minus our tidbits of shame and failure and disaster, left to the companionship of our own thoughts. Dante never imagined a terror like this.
Adeline Knapp (This then is upland pastures: being some out-door essays dealing with the beautiful things that the spring and summer bring)
While at the lake yesterday evening, the following thought filled my heart ... "Loss is like a weed growing in a dry and barren land. It's beauty radiates among the ruins." There is no right or wrong to loss. It simply supplies the griever with tears for the weed to grow and the beauty to radiate among the ruins. Even the greatest pain will provide beauty.
Jennifer Ross
While at the lake yesterday evening, the following thought filled my heart ... ~ Loss is like a weed growing in a dry and barren land. It's beauty radiates among the ruins. There is no right or wrong to loss. It simply supplies the griever with tears for the weed to grow and the beauty to radiate among the ruins. Even in the greatest of pain that one can experience ... beauty can be formed among the ashes.
Jennifer Ross
Ferguson, Missouri. When riots broke out over the August shooting death of Michael Brown, armed members of the Oath Keepers took to the city’s rooftops, appearing out of the smoke and shattered glass of ransacked buildings. Their supposed duty was to secure the local businesses from looting. In the first days of the protests, demonstrators had broken out windows of storefronts, set arson fires, and torched a beauty supply store. ABC News reported that a number of business owners embraced the Oath Keepers’ armed presence. Group members boarded up storefronts and kept buckets of water and fire extinguishers handy in case nearby arson attacks escalated. This was the vigilante group’s moment in the media sun. Still, rumors flew. Some protestors thought the armed men in camouflaged fatigues were members of the Ku Klux Klan. The St. Louis County police ordered the Oath Keepers to leave the rooftops of Ferguson, threatening them with arrest for acting as a security force without a license. This only added fuel to the right-wing group’s conspiracy that the government is not protecting its people. The volunteer security force packed up and left Ferguson, leaving people wondering exactly who these heavily armed mystery men were.
Anonymous
You are it, Mollie,” he whispered. “You are exactly the sort of woman I have always wanted to find. The city can burn to the ground, but you don’t lose your head. You are passion and intelligence and beauty, and I love you to the bottom of my soul.” Mollie’s breath froze in her lungs. She wasn’t ready for this. Zack was a wild, unpredictable force of nature, while she lived in an orderly world of ticking watches and production schedules. She wasn’t ready for this, but there was no stopping Zack. “I want you out of that church and into someplace safe,” he said. “I want to marry you, Mollie. Say yes.” She couldn’t even draw a breath. Her life had been swept up into a whirlwind, smashed into pieces, and then reassembled into a wild and exciting world with which she had no experience. She risked a glance at his face. “You know this terrifies me, right?” His gaze did not waver; it only became more tender as he caressed the side of her face. “I’m betting you’ll brave it out.” She wanted to, but this wild, impulsive urge was frightening. She needed time to process the disordered jumble of feelings that were so unfamiliar to her. “I need to get back to the workshop and see about getting diamond powder.” He cocked a brow at her. “I lay my soul at your feet and you want to talk about buying supplies?” He smiled as he leaned down to touch his forehead to hers again. “I want to marry you, Mollie. Say yes. Say yes, and we’ll be one for the ages.” “I can’t. Not yet.” “When I get back from New York.” “Not then either. Zack, I’m not impulsive. You can’t rush me into something like this.” Zack winked down at her. “How about I rush you into lunch, then?” If he took offense at her refusal to budge on the proposal, he gave no sign of it as he strode down the street, whistling in good humor.
Elizabeth Camden (Into the Whirlwind)
Stereotyping, an inflated sense of superiority—it was why a high-tech military still struggled against insurgents dressed in rags, often going without food or basic supplies, piecing together weapons that were decades old, gathering parts to improvise explosives. The enemy was determined and patient.
Susan Froetschel (Fear of Beauty)
Be encouraged, my friend. If you are willing to use your words as an instrument of beauty, He is more than able to supply the power to do so.
Sharon Jaynes (The Power of a Woman's Words)
I’m guessing this one is about a hundred years old,” he said. “Then it’s ancient.” He nodded. “If I’m lucky, I’ll get twenty thousand feet of board out of it. Twelve feet long by an inch thick. Good solid board.” She took a step away from him, her face a mask of shock. “What’s the matter?” “How could you even think about destroying this glorious, magnificent, beautiful tree?” For a long moment he could only stare at her, baffled. “It’s my job. What did you think we’re doing out here? Digging for gold?” “Oh, I know perfectly well what you’re doing. You’ll take all you can get from this land, and then you’ll leave behind a chaotic mess.” “We parcel off the land and sell it to farmers.” “You know that’s not happening.” “Maybe not everywhere.” She planted her fists on her hips. “I’ve traveled around enough of Michigan this winter to see what the land looks like after lumber companies pull out and head somewhere else.” “Oh, come on, Lily.” Exasperation tugged at him. “What would our country do without the supply of lumber we’re providing? If we stop our operations, we’ll deprive the average family of affordable means for building homes.” She arched her brow. “Affordable?” “Compared to brick homes? Yes.” She obviously didn’t know anything about the industry. “As a matter of fact, hundreds of thousands of people in growing midwestern towns rely upon our boards and shingles for their homes. And on the other products that come from these trees.” He patted the pine. “I don’t care.” She reached for the tree, caressing it almost as if it were a living being, trailing her fingers in the deep grooves of the bark. “These trees, this land—they don’t deserve to be ravaged.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Do you have to replace the front door every day?” Smiling at him, not a big smile, but a smile nonetheless. It warmed Jack from the inside out. “What are you talking about? I told you, you’re safe here.” “Are you safe here?” “What?” He didn’t understand what she meant, but he liked her sweet smile. “Women. They must beat down that door every day to get to you.” He cracked up with laughter. “You think so, huh.” “Oh, yeah.” “I think you’re pretty damn beautiful yourself.” “Yeah, right. I hear bandages and bruises are in this year.” “You’re beautiful.” They stared at each other, that invisible but undeniable something passing between them. He wanted to touch her, but knew now wasn’t the time. As forward as she’d been joking with him about women beating down his door, she shied away from acknowledging this thing between them. He broke off the look first and dug out his supplies. He wrapped a bandage around her thigh, trying not to think about the softness of her skin or the fact she was naked under the sheet. Her eyes fluttered shut. He bent down and kissed her on the forehead. She placed her hand on his cheek. Such a simple gesture. He leaned into her palm, felt her fingers brush against his skin. How long has it been since a simple touch affected him so deeply? Reluctant to leave her, nonetheless he drew back and her eyes remained closed. He took her hand from his cheek and placed it on the pillow next to her head. He nuzzled at her ear and whispered, “Beautiful. Believe it.” -Jenna & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
we often forget to look for beauty when beauty seems to be in short supply. We become accustomed to seeing with eyes infected by a world that has lost hope. Yes, the world is imperfect … But God is not. We have hope when hope seems just a nice idea from ages past. The perfection of our God floods us with hope from heaven and glimpses of the perfection for which we were meant.
Candi Pearson-Shelton (Desperate Hope: When Faith in God Overcame My Despair)
I saw all this around me constantly, there were girls everywhere, the supply was infinite, a well, no, I was drifting in an ocean of women, I saw several hundred of them every day, all with their own individual ways of moving, standing, turning, walking, holding and twisting their heads, blinking, looking — take for example a feature such as their eyes, which expressed their utter uniqueness, everything that lived and breathed was here in this one person, was revealed, regardless of whether the gaze was meant for me or not. Oh, those sparkling eyes! Oh, those dark eyes! Oh, that glint of happiness! The alluring darkness! Or, for that matter, the unintelligent, the stupid eyes! For in them too there was an appeal, and no small appeal either: the stupid vacant eyes, the open mouth in that perfect beautiful body. All this was never far from my mind, and all of them were thirty seconds away from the only thing I wanted — but on the other side of a chasm.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
Just ahead of the Van Doren Quartet in the line is Trevor Hickey, aka ‘The Duke’, who with no visible means of making music is staring into space, mumbling a speech to himself: ‘… since the dawn of time… our oldest and most indefatigable foe…’ Geoff keeps catching snatches of this, and curiosity eventually reels him in. ‘Uh, Trevor, where’s your instrument?’ ‘Shock and amaze – oh, I’m not giving a musical performance.’ ‘Not musical…?’ Geoff repeats, and then the penny drops. ‘Here, you’re not going to do Diablos, are you?’ ‘Mmm-hmm.’ Geoff gazes at him with a mixture of awe and concern. ‘It’s just,’ he says, after a moment, ‘you know, the Automator’s in there.’ ‘Mmm-hmm.’ Trevor’s ceaseless shifting from foot to foot is only partly to do with nerves; he has eaten five cans of beans on either side of going to bed in order to build up a plentiful supply of trapped wind, or as he calls it, ‘The Power’. ‘I’m just wondering, you know, whether the Christmas concert might not be more of a family-type show?’ ‘Your family don’t fart?’ Trevor turns on him. ‘Well, they mostly wouldn’t set them on fire –’ ‘That’s the beauty of what I do, you see,’ Trevor interjects, eyes a-glimmer, already lost in his own myth. ‘Turning tedious bodily functions into a magical encounter with the elements – it’s what the whole world dreams of…
Paul Murray (Skippy Dies)
My eyes gravitated to her nails again. Seriously, how hard is it to not chew your nails? I knew many of the old beauty supplies, including the nail polishes that many movie stars wore in old films were illegal, but this was gross. She continued to read. I started chastising myself silently for my previous denigrating thoughts. After what felt like a lifetime, the papers came away from her eyes.
James W. Scott (Through the Mill: A Time for Snow)
Is something wrong?” Ivey asked. Lillian picked up a file, stared at it, and put it back down. “You could say that. This morning I found an orderly and a nurse in a closet, and they weren’t looking for supplies. Dr. Harrison has taken an ill-timed vacation, since his wife threatened that if he didn’t come along she’d go by herself and not come back. So I’m short staffed again. And then there’s this desk. Who ever heard of a desk without drawers? It’s beautiful, but why do I feel like I’m Uhura on Star Trek? I’d like to strangle the designer.
Heatherly Bell (All of Me (Starlight Hill, #1))