Beautiful Ramblings Quotes

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If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.
Ray Bradbury
I couldn’t imagine loving someone with that kind of intensity, and knowing that the one you’re with is the only one you’ll ever want.” I realized that I was rambling so I stopped talking as Trace just looked at me. His expression was completely unreadable. He wrapped his hands around my face as he looked deeply into my eyes before he whispered, “I can...
L.A. Fiore (Beautifully Damaged (Beautifully Damaged, #1))
I never expected to feel this way about someone." She stared at me, eyes wide nad lips parted as if she couldn't believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother's antique diamond and sapphire ring, she clammed a hand over her mouth. "I want to be married," I said again. Her silence was unnerving, and fuck, I'd completely botched this with my rambling nonsense. "Married to you, I mean." Her eyes filled with tears and she held them, unblinking. "You.Are such.An ass.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
I believe the novella is the perfect form of prose fiction. It is the beautiful daughter of a rambling, bloated ill-shaven giant (but a giant who’s a genius on his best days).
Ian McEwan
Beauty is sometimes born of pain
Sheri L. Swift
Next morning I had to get outside, and so began a period of long walks in the park. Early November continued bright, with the last sun of the year shining low and coppery over the woods. Striding through heaps of rusty autumn leaves, I ached to see beauty dying all around me. I felt completely alone in that rambling wilderness, save for the crows cawing in their rookeries and the wrens bobbing from hedge to hedge. I began to make studies in my book of the delicate lines of drying grasses and frilled seed pods. I looked for some lesson on how best to live from Nature, that every year died and was renewed, but none appeared.
Martine Bailey (A Taste for Nightshade)
With her eyes closed, Sylvie placed herself on the wide expanse of her brother-in-law’s uncertainty. It resembled one of the foggy, rambling moors she and her sisters had loved in Victorian novels. Sylvie felt at home on the rough terrain, filling her lungs with murky air. Since Charlie’s death, she’d felt like she was spilling out of her edges and messily trying to scoop herself up at the same time. Her sisters and mother were safe, with their aspirations and routines; Sylvie was her heartbreak and loss.
Ann Napolitano (Hello Beautiful)
I wanted to tell Sam this. I wanted to tell him all of it, in beautiful handwritten letters or at least in long, rambling emails that we would later save and print out and that would be found in the attic of our house when we had been married fifty years for our grandchildren to coo over. But I was so tired those first few weeks that all I did was email him about how tired I was. I'm so tired. I miss you. Me too. No, like really, really tired. Like cry at TV advertisements and fall asleep while brushing my teeth and end up with toothpaste all over my chest tired. Okay, now you got me. I tried not to mind how little he emailed me. I tried to remind myself that he was doing a real, hard job, saving lives and making a difference, while I was sitting outside manicurists' studios and running around Central Park. His supervisor had changed the rota. He was working four nights on the trot and still waiting to be assigned a new permanent partner. That should have made it easier for us to talk but somehow it didn't. I would check in on my phone in the minutes I had free every evening but that was usually the time he was heading off to begin his shift. Sometimes I felt curiously disjointed, as if I had simply dreamt him up. One week, he reassured me. One more week. How hard could it be?
Jojo Moyes (Still Me (Me Before You, #3))
Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Dream House as an Exercise in Point of View You were not always just a You. I was whole—a symbiotic relationship between my best and worst parts—and then, in one sense of the definition, I was cleaved: a neat lop that took first person—that assured, confident woman, the girl detective, the adventurer—away from second, who was always anxious and vibrating like a too-small breed of dog. I left, and then lived: moved to the East Coast, wrote a book, moved in with a beautiful woman, got married, bought a rambling Victorian in Philadelphia. Learned things: how to make Manhattans and use starchy pasta water to create sauces and keep succulents alive. But you. You took a job as a standardized-test grader. You drove seven hours to Indiana every other week for a year. You churned out mostly garbage for the second half of your MFA. You cried in front of many people. You missed readings, parties, the supermoon. You tried to tell your story to people who didn’t know how to listen. You made a fool of yourself, in more ways than one. I thought you died, but writing this, I’m not sure you did.
Carmen Maria Machado (In the Dream House)
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
I cannot recommend Ellie Augsburger at Creative Digital Studios enough! She produced amazing work for my debut novel. I am NOT an artistic person...at all. Ellie took my bumbling rambling (frankly poor) ideas and translated them into beautiful representative images of my work. I would have been lost without her! Not only did she create my cover (print and eBook) but she also created the images for my section breaks, Facebook banner, Twitter page, and my website. As I write my sophomore effort, Ellie will be my go to for all of my design needs. If you are looking for a creative, inspiring, helpful, knowledgeable, FANTASTIC designer look no further than Ellie Augsburger at Creative Digital Studios.
Norma Jeanne Karlsson
I’ve climbed the high mountains an sailed the wide seas Fair faces a-plenty I’ve gazed on But with one glance, her beauty sent me to my knees, O hard-hearted Annie I never shall please. I’ve roved an I’ve rambled all o’er the wide world And kisses a-plenty I’ve tasted But it’s her wine-sweet lips that I’m still dreaming of O hard-hearted Annie, cruel Annie my love. I’ve loved many women an wooed many girls And many soft arms have embraced me If only she’d lie with me one fleeting night With hard-hearted Annie I’d die of delight. Oh many fine beauties did beg me to stay But none until Annie did snare me Though she hurts me an shuns me an makes my heart bleed My hard-hearted Annie I never shall leave. I
Moira Young (Blood Red Road (Dust Lands, #1))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
sighed. “I can’t say that you weren’t expected.” “I’m just going to be walking around here and taking some measurements. It says here… you own eighty acres? That is one of the most gorgeous mansions I have ever seen,” he rambled on. “It must have cost you millions. I could never afford such a beauty. Well, heck, for that matter I couldn’t afford the millions of dollars in taxes a house like this would assess, let alone such a pricey property. Do you have an accountant?” Zo opened her mouth to respond, but he continued, “For an estate this size, I would definitely have one.” “I do have an accountant,” she cut in, with frustration. “Furthermore, I have invested a lot of money bringing this mansion up to speed. You can see my investment is great.” “Of course, it would be. The fact of the matter is, Mrs. Kane, a lot of people are in over their heads in property. You still have to pay up, or we take the place. Well, I’ll get busy now. Pay no mind to me.” He walked on, taking notes. “Clairrrrre!” Zo called as soon as she entered the house. “Bring your cell phone!” Two worry-filled months went by and many calls were made to lawyers, before Zoey finally picked one that made her feel confident. And then the letter came with the totals and the due date. “There is no way we can pay this, Mom, even if we sold off some of our treasures, because a lot of them are contracted to museums anyway. I am feeling awfully poor all of a sudden, and insecure.” “Yes, and I did some research, thinking I’d be forced to sell. It’s unlikely that anyone else around here can afford this place. It looks like they are going to get it all; they aren’t just charging for this year. What we have here is a value about equal to a little country. And all the new construction sites for housing developments suddenly popping up on this side of the river, does not help. Value is going up.” Zo put her head in her hands. “Ohhh, oh, oh, oh!” “Yeah, bring out the ice-cream and cake. I need comforting,” sighed Claire. The cell phone rang. “Yes, tonight? You guys have become pretty good to us, haven’t you?! You know, Bob, Mom and I thought we were just going to pig out on ice cream and cake. We found out we are losing this estate and are going to be poor again and we are bummed out.” There was a long pause. “No, that’s okay, I understand. Yeah, okay, bye.” “Well?” Zo ask dryly. “He was appropriately sorry, and he got off the phone fast, saying he remembered he had other business to take care of. Do you want to cry? I do…” “I’ll get the cake and dish the ice cream. You make our tea and we’ll cry together.” A pitter patter began to drum on the window. “Rain again. It seems softer though, dear.” “I thought you said this was going to be a softer rain!” It started to pour. “At least this is not a thunder storm… What was that?” “Thunder,” replied Claire, unmoved and resigned. An hour had gone by when there was a rapping at the door. “People rarely use the doorbell, ever notice that?” Zo asked on the way to the door. She opened it to reveal two wet guys holding a pizza, salad, soft drink, and giant chocolate chip cookies in a plastic container. In a plastic
Zoey Kane (The Riddles of Hillgate (Z & C Mysteries #1))
Tom often met Winterborne for a quick lunch at one of the cook shops or chop houses between their respective offices. It was on one of these occasions that Winterborne revealed West Ravenel had just become engaged to marry Phoebe, Lady Clare, a young widow with two small sons, Justin and Stephen. “I suspected he would,” Tom said, pleased by the revelation. “I went to Jenner’s Club with him the night before last, and she was all he wanted to talk about.” “I heard about that,” Winterborne commented. “It seems you and Ravenel encountered a bit of trouble.” Tom rolled his eyes. “Lady Clare’s former suitor came to the table with a pistol in hand. It wasn’t nearly as interesting as it sounds. He was soon disarmed and hauled off by a night porter.” He leaned back in his seat as the barmaid set plates of chilled crab salad and celery in front of them. “But before that happened, Ravenel was rambling on about Lady Clare, and how he wasn’t good enough for her because of his disreputable past, and how he was worried about setting a bad example for her children.” Winterborne’s black eyes were keen with interest. “What did you say?” Tom shrugged. “The match is to his advantage, and what else matters? Lady Clare is wealthy, beautiful, and the daughter of a duke. As for her sons … no matter what example you set, children insist on turning out how they will.” Tom took a swallow of ale before continuing. “Scruples always complicate a decision unnecessarily. They’re like those extra body parts none of us need.” Winterborne paused in the act of lifting a forkful of dressed crab to his lips. “What extra body parts?” “Things like the appendix. Male nipples. The external ears.” “I need my ears.” “Only the inner parts. The outer ear structure is superfluous in humans.” Winterborne looked sardonic. “I need them to hold up my hat.” Tom grinned and shrugged, conceding the point. “In any case, Ravenel has managed to win the hand of a fine woman. Good for him.” They lifted their glasses and clinked them in a toast.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
She is pissed off all the time,” he mumbled and I remained silent, letting him ramble. “She wants chocolate ice cream, I go in search of chocolate, but the time I get back she’s pissed because she wants strawberry instead. I can’t win.” He looked me straight in the eyes and I swear his expression was one of desperation. “It wasn’t like this before. With Liam she was so sweet. But I swear the damn devil has possessed my wife and she might kill me in my sleep one night.” It was then I laughed. “What the hell is so funny?” he asked. “I sleep with one eye open and one leg hanging off the bed touching the floor at my side. This way if I have to move fast I feel I’m one step closer.” He didn’t smile. There was absolutely no humor in his words. “Weren’t you the one that said you wanted five kids?” I asked. “I changed my mind. After this one, we’re done. I want Trinity back.” Again, complete seriousness. Poor guy looked lost. And it was the best damn thing to witness. Within four months of having Liam, Trinity was pregnant again. And this time she was cranky as hell. Everyone noticed it, but she directed all that aggravation toward the man she said was to blame. And the rest of us loved to witness his hell. “Go home, Chase,” I told him and he looked as if he wanted to argue. “Stop at the store and pick up every flavor of ice cream they got,” I told him. “Tell her she’s beautiful and rub her feet.” “I do that already,” he whined. “I tell her she’s beautiful, and no other woman has ever looked as amazing as her. I tell her I love her and that she is my world, but she is like the exorcist.” “Well it’s your job to take it. Let her growl and complain and just take it,” I told him. “Because at the end of the day you just need to remember one thing.” He looked at me like I was about to give him the best piece of advice. I almost felt bad about the fact that I had nothing reassuring to say. “What?” he asked and I cracked a smile, almost talking myself out of taking the chance at being an asshole. Then I thought about the fact that had the roles been reversed he would have jumped at the chance. “You are to blame for the state she is in.” He narrowed his eyes at me. “And the rest of us guys are loving that it’s you and not us being tortured.” “You’re an asshole,” he mumbled as he turned around and walked off toward his truck. I laughed the entire drive home.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
I’m first up, love,” Arion says as he starts invading my space again. “I thought the only thing holding you back was your fear. Clearly the fear is absent if you’re willing to turn yourself over to the very darkest part of me. It’s amazing you’re in one piece, so clearly you played submissive very well, Violet. It’s because you were ready for me to save you and overcame your fear of me. Now we can be together.” When I say nothing and simply stare at him like he’s forever losing his mind more and more when we speak, he frowns like he’s genuinely perplexed. “Arion, no matter what you did, I couldn’t have endured another second of those cries. And you were at Abby’s mercy while in that state. You ripped my throat out and told me to put on some healing potion so you could sit down and watch the fight.” Apparently, I guess right, because his pupils widen marginally. “I held your hand when you finished,” he says like he’s defending himself. “So you could watch the fight.” “Vance was focused. It’s been ages since he focused. Thing of beauty while it happens,” he says as if that’s important information. I gesture between us. “That’s sort of the problem. I feel like the conduit for your feelings for them because you have heterosexual body parts with a homosexual mentality. I’m not sure I’m okay with simply being a conduit,” I carefully explain, causing his eyes to widen a little more, as several muffled sounds of amusement spring from somewhere else in the room. “I’m sorry, love, but you’ve really lost me,” Arion says very seriously, brow crinkling. “You want this to be a thing between you and me, even though Idun is returning, because you want them back. It looks like you’re getting that without me, so we can be friends,” I suggest, completely rambling. I don’t think I’m explaining this very well, since they’re all muffling laughter down the hall. Even Vance makes a choked sound of amusement. Or they’re just really immature about these things… That’s definitely possible. Arion scrubs a hand over his face, as someone struggles to cover a surprise laugh with a cough. “I’m so sorry. I shouldn’t be having this conversation right now. It’s inappropriate to do with an audience,” I babble. “But you’re really intense. And I’ve just survived an apocalyptic wolf storm with your mostly naked beta, whose threads are still in my bra because one set of clothes ended up being enough.” The look of frustrated confusion on his face doubles. “I could use a small break before we discuss curses, some really confusing relationship statuses, and the somewhat terrifying woman you’ve all loved rising very soon. And those wolves stole my oranges, so I need to go back and get all of them.” “I’ve already returned them to your cellar,” Emit says from somewhere behind Arion. “Then I need to go start using them while they’re useable,” I say as I quickly disentangle myself from Arion and attempt to escape. “I’ll return the shirt.” “Keep it,” he says quietly from behind me, as I finally take in the other three all standing somewhat close together, smirking at me. “I’ll drive you home,” Damien says with a slow grin. “I’m not talking to you, and if you’re a smart man, you’ll figure out why,” I state firmly. “Only when you figure it out will we discuss it.” “I’ll take you—” “I don’t want to talk to you right now, because I need to get my cool back,” I tell Emit, whose eyes immediately flick away, as his jaw tics. He’s had multiple opportunities to explain to me why he told Damien I was a monster, and yet didn’t even bother telling me what I was. All this time, I’ve been patiently waiting, refusing to get too angry. Now…I’m getting sort of freaking angry, because he still hasn’t said one word about it. “Guess that just leaves me,” Vance says as he puts his hand at the small of my back and starts guiding me out.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
Wild rambling roses had started to appear on the sides of the path; creatures of habit making their yearly bids between the bracken and the fallen logs. It was good such things existed. It was proof there really was beauty and goodness in the world, just like the poems and platitudes said.
Kate Morton (The Lake House)
Need some help?” He reached for the books in her arms before she could object. “Hey ...” She looked like a viper ready to strike, but then her pupils dilated as she stared up at him. “I’m sorry ... do I know you?” “No.” He offered her a smile, hoping to settle her nerves. He didn’t speak to many women, but when he did, he always got that same staggered expression. “But you looked as though you needed a third hand.” “I don’t think I could manage if I were an octopus.” He laughed. Beautiful and a sense of humor. Most of the women he knew were too serious. “Funny. Are you off to another lecture?” “No ... I’m late for work. I keep telling my boss not to schedule me on Tuesdays and Thursdays, but he doesn’t listen, and then — sorry. TMI. I tend to ramble on, something the professors keep fussing at me about. Thanks. I sent the message, so I can carry my books now. I’m not up on all these new gadgets.” She waved her phone. “This is my first cell phone. I can’t afford it, but I really needed it. ” She smacked her hand over her mouth and reached for her books. “See ... I never shut up.” Derrick couldn’t help but smile. She was so cute. “I’ll walk you to your car. That way if your boss replies, you can respond quickly.” Her eyes narrowed this time, a look he wasn’t accustomed to; the few women he talked to trusted him completely. Even the female professors said he had a wonderful bedside manner. “Umm ... it’s okay. I take the T.” “Would you like a lift, then, so you aren’t late?” She shook her head. “No. Thank you. I appreciate it ... but I don’t even know you.” “Derrick Ashton.” He offered her his hand. The young woman hesitantly extended her slender, creamy-skinned hand. Her hand looked so small and delicate in his larger, olive-skinned hand. “Nice to meet you, Derrick. I’m Janelle Heskin. But still ... ” Derrick released her after a second and lifted his hands in front of him. “I’m harmless, I swear. They wouldn’t have accepted me into medical school if I had a record, and I’m here because I want to help people, and you looked like you needed help.” She
Carmen DeSousa (Creatus (Creatus, #1))
Yesterday morning I managed briefly to escape Mamma, & passed a lovely hour in the roof garden. I thought of you, dearest, & how amazed you would be to see that such vegetation could be grown on board a ship. There are tubs at every turn, filled with green trees & the most beautiful flowers. I felt quite joyous sitting among them (no one knows better than I the healing properties of a garden) & gave myself over to all kinds of silly daydreams. (You will be able to imagine well enough the paths down which my fancies rambled...)
Kate Morton (The Forgotten Garden)
However much Grant enjoyed his Parisian rambles and glimpses of quotidian life, he was mystified about the charms American expatriates found there. "I have walked over the city so thoroughly that the streets are quite familiar to me," he told Buck, his provincial roots showing. "The city is beautiful, but I do not see the inducements for so many Americans remaining here year after year who are not engaged in business. I certainly should prefer any of our large cities as a residence."p871
Ron Chernow (Grant)
Anne’s home then was already centuries old and though beautiful as it was, I cannot say I had ever felt at ease in the great Hall. Shadows, creaks, and groans as well as whispers and growls have forever lived within its walls. Evil was part of its foundations and even then, the rambling mansion harboured many souls and secrets. This is something inevitable in a place as old as Loftus Hall.
Helena B. Scott (Loftus: The Hall of Dreams)
In an ideal world, I sit you down and tell you how I feel. as I ramble on with discomfort, you lift my chin and kiss me. we make out like lovers, for longer than we probably should. we don’t talk about the future, as we embrace the here and now. but all of this is just a beautiful fantasy.
karlee north (permission to love (permission to feel))
There is a pleasure you could allow me, Anna.” He kept using her name, she thought, using it like a caress, a reminder that he knew the taste of her. “There are many pleasures I could allow you,” she said, caution in her tone, “few that I will.” “So I’m to earn your favors?” He merely smiled. “Then, allow me this: The heat and our rambling are threatening the integrity of your coiffure. Let me brush your hair.” “Brush my…?” Anna blinked and gave him a puzzled look. “I used to brush Her Grace’s hair when I was small, then my sisters’. I’ve taken a turn or two with Rose, but she demands a certain dispatch only her step-papa and mama seem to have perfected.” “You want to brush my hair,” Anna said, as if to herself. “That is an unusual request.” “But not too unusual. It requires no removal of clothing nor touching of the hands nor lascivious glances.” “All right,” Anna said, more perplexed than alarmed, but then, she was in the company of a man who scheduled his passions. She fished inside the hamper and withdrew her reticule, producing a small bone-handled brush. “Pretty little thing,” the earl remarked, thumbing the bristles. “Now”—he sat up—“sit you here.” He thumped the blanket beside him, and Anna scooted, only to find that the earl had shifted so she sat between his bent knees. “Is this decent?” she murmured. “Have another glass of wine,” the earl suggested. “It will feel frustratingly decent.” They fell silent, and Anna felt the earl’s fingers easing through her hair to find her hairpins. He slid them free carefully and began piling them to one side. When the bun at the nape of Anna’s neck was loosened, he let her thick plait tumble down her back. “I like this part,” he said. “When you free up a braid, and a single shiny rope becomes skeins and curls and riots of silky, soft hair. How do you keep it so fragrant?” She felt him lean in for a sniff, and her heart nearly skipped a beat. “I make a shampoo scented with roses.” And ye gods, it had been a struggle to utter that single coherent sentence. His hands were lacing through her unbound hair to massage her scalp and the back of her neck. His touch was perfect—deliberate, knowing, and competent without using too much strength. He trailed her hair down her back, leaving little trickles of pleasure to skitter along her spine, and then she felt him gathering the mass of it, to move it to one side. “It’s beautiful,” he murmured, his words breathed near her ear. “I’m going to forbid you to wear those hideous caps of yours when we return to Town.” His
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Why do you love your camera, Dylan?" he asks. I sit down and think about it. I could list a million reasons. Gray sits next to me. "It helps me to see." I say. "I appreciate so much more when I have it. It widens my perspective; it makes me want to soak up every detail. It never misses a thing, it never blinks. The Whole word is crisper and brighter and clearer. It sees beauty whithout judging it. It makes me want to take every temporary moment and make it permanent." I stop rambling and look over at Gray. He's smiling. "Exactly," he says. "I'm you camera," I say, stunned. It's the greatest compliment he could ever give me.
Katie Kacvinsky (Finally, Forever (First Comes Love, #3))
Stassie calls me beautiful all the time, even when I’ve just woken up. At first, I was a bit taken aback. I’m not sure what it was in the beginning; I sort of had it ingrained in my head I was supposed to be the one complimenting her, and trust me I do, but it turns out I like hearing it. It’s not just beautiful; she calls me kind and smart, among so many other things. Hearing her ramble about how much she likes me for me, how special I am to her, is beyond what I ever thought I should expect in a relationship. But hearing her call hot while she’s got me tied up and my hard dick is rubbing between her legs is a whole other level of I fucking love my girlfriend.
Hannah Grace (Icebreaker (UCMH, #1))
Some of my pleasantest rambles have been over these hills. One is hardly content to walk over them. The pure, bracing air, the open sky, give to us such a sense of freedom and relief that we want to bound along, like merry, light-hearted children. And here I have seen and felt the glorious, wondrous ever-changing beauty of the clouds, watching them for hours, until I have been tempted to think them the grandest and most beautiful of all God’s grand and beautiful works.” Charlotte Forten Grimke, 1858, fifth generation descendant of an African slaves, Glimpses of New England
Lorraine Anderson (Sisters of the Earth: Women's Prose and Poetry About Nature)
Have you ever looked at a painting or heard a song or just been somewhere beautiful--maybe an old creaky house or a sunlit field or in front of a wild oak tree, just as the moon was rising--and felt like, yes, this is me this is me exactly, I could be looking in a mirror of my dreams? Have you ever felt anything like that at all in your life? If not, well, take it from old Buddy here--you ain't been looking hard enough. It's out there for you, the feeling of recognizing yourself in something else, and when you find it, oh it will feel so good deep inside of you. It'll change you forever.
Jimmy Cajoleas (The Rambling)
If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories—science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.
Ray Bradbury
I kind of associate people with flavors. My grandpa? He's an acquired taste, but the closest I can get is crème brûlée. A caramelized shell on the outside. Burnt, bitter notes. But crack the surface, and you find nothing but sweet custard. And Granny? She's a lemon meringue pie. A classic. Pillowy, silken-sweet egg whites, tamed with a hint of sour lemon and a snap of rich, buttery crust." Squinting at him, she stopped rambling, feeling naked under his smoldering gray gaze. She lifted her heavy twists off the spot between her shoulder blades and fanned her neck. "Told you it was weird." "It's not. It's beautiful." He looked down at the water, then met her eyes. "Do you have one for me?" "I didn't. Before. I tried to figure you out, but nothing ever fit. I think maybe because my doubts got in the way. But now...?" "Now?" She traced her finger along the veins in his arms, watched his breath catch. "A ginger cookie. Not a gingersnap. Those are brittle and grate against your teeth. You're a chewy molasses cookie, the kind that gives when you bite into it, with exciting zings of crystallized ginger and pops of raw sugar." She dipped her chin, leaning on the railing again. He moved behind her and slipped his arms around her waist, melting her to the core. He placed his mouth right by her ear, his breath tickling her neck. "What I'm hearing is, you like things a little spicy." Laughing, she craned her neck around to catch the gleam in his eyes. "That's what you got out of that?" "I heard what I heard.
Chandra Blumberg (Digging Up Love (Taste of Love, #1))
Your dream is the mole behind your ear, that chip in your front tooth, your freckles. It's the thing that makes you special, but not the thing that makes you great. The courage in trying, the passion in living, and the acknowledgement and appreciation of the beauty happening around you does that. Dreamer, I am not fit to say much more, because I don't know much more than that. If you do, please write back. If not, please accept this as just a few words of encouragement. And if this letter means nothing to you, if it's just more pointless weight added to an already heavy life, feel free to burn it and use it for firelight for this long and often dark road. But if you somehow find truth, comfort, or anything at all within this ramble, keep it close and use it for firelight for this long and often dark road.
Jason Reynolds (For Every One)
For Marin, the city had an almost medieval look. The effect was belied by the swarms of hopjets, and Taxi-Airs, and other aircraft, large and small. But his training had sharpened his ability to shut out extraneous material and to see essentials; and so, he saw a city pattern that had a formal, oldfashioned beauty. The squares were too rigid, but their widely varying sizes provided some of the randomness so necessary to achieve what was timeless in true art. The numerous parks, perpetually green and rich with orderly growth, gave an overall air of graceful elegance. The city of the Great Judge looked prosperous and long-enduring. Ahead, the scene changed, darkened, became alien. The machine glided forward over a vast, low-built, rambling gray mass of suburb that steamed and smoked, and here and there hid itself in its own rancorous mists. Pripp City! Actually, the word was Pripps: Preliminary Restriction Indicated Pending Permanent Segregation. It was one of those alphabetical designations, and an emotional nightmare to have all other identification removed and to find yourself handed a card which advised officials that you were under the care of the Pripps organization. The crisis had been long ago now, more than a quarter of a century, but there was a line in fine print at the bottom of each card. A line that still made the identification a potent thing, a line that stated: Bearer of this card is subject to the death penalty if found outside restricted area. In the beginning it had seemed necessary. There had been a disease, virulent and deadly, perhaps too readily and too directly attributed to radiation. The psychological effects of the desperate terror of thousands of people seemed not to have been considered as a cause. The disease swept over an apathetic world and produced merciless reaction: permanent segregation, death to transgressors, and what seemed final evidence of the rightness of what had been done: people who survived the disease . . . changed.
A.E. van Vogt (The Mind Cage (Masters of Science Fiction))
David Christian, who, in March 2011, narrated the complete history of the universe for a TED audience and took all of 18 minutes to do it (17 minutes and 40 seconds, to be exact). Christian told me that he teaches a world-history course that examines the entire history of the universe—from the Big Bang 13 billion years ago to today. The Big History course is offered by The Teaching Company in a series of 48 half-hour lectures. Christian’s deep understanding of the subject helped him condense the content into just the right amount of time to grab the audience’s attention and inspire them to take better care of our fragile planet. “I’ve been teaching Big History now for over 20 years, so I have a pretty good feel for the story and that means I can tell it in many different versions,”6 Christian told me. E. F. Schumacher, economist and author of Small Is Beautiful, once said, “Any intelligent fool can make things bigger, more complex. It takes a touch of genius and a lot of courage to move in the opposite direction.” Courage is the key word. It takes courage to keep things simple. It takes courage to put one picture on a PowerPoint slide instead of filling it with tiny text that most people in the audience won’t even be able to read. It takes courage to reduce the number of the slides in a presentation. It takes courage to speak for 18 minutes instead of rambling on for much longer. Leonardo da Vinci once said, “Simplicity is the ultimate sophistication.” Be sophisticated. Keep your presentations and pitches short and simple.
Carmine Gallo (Talk Like TED: The 9 Public-Speaking Secrets of the World's Top Minds)
Diana Fox, a striking young beauty of only twenty-two. She had gotten into trouble when she was a teenager, when another student at her high school had been arrested for plotting a shooting at the school. He had been infatuated with her, and all of his social media ramblings indicated that she was part of the plan, but she had denied it. Unfortunately, she had once engaged him on instant messenger when he was ranting about how the privileged students were causing so much havoc for everyone else, and she thought he was only joking when he talked about killing them all. She had gone along with it during the chat, thinking it was only some sort of cathartic role-play, but that series of messages was enough to convict her of being a co-conspirator. Because of the severity of the threat, the sixteen-year-old girl was tried as an adult and sentenced to twenty-five years to life in prison.
David Archer (Noah Wolf Series #17-19 (Noah Wolf #17-19))
To understand this, you need frist to Know some words which are formed from Arabic to English by me : 1- farcashize (V) : يُفركش 2- farcashization (N) : الفركشة 3- farcashized/farcashizational (Adj) : مُفركش 4- farcashizationally (Adv) : مُفركشآ The logic of the dating does not express the relationship, it is the relationship, otherwise the time that I spend with special someone is a neutral phenomenon and the observation of the neutral phenomenon in the term of the relationships changes its nature. Like every single Sudanese man, I know that I would like to be a one-man multinational fashion phenomenon but to be described as farcashizational man by some students is something I don't expect it at all. The phenomenon of farcashization becomes a part of Sudanese girl's speech, unfortunately it is like gossiping, I was chicken-hearted when my closed friend told me that many female students at EDC said that we were in love together and then you were farcashized by me. At that time we were laughing but deeply inside myself, an idea was rambling which was "maybe I am one of their desires" because when one has achieved the object of one's desires, it is evident that one's real desire was not the ignorant possession of the desired object but to know it as possessed as actually contemplated as within one, so maybe I was farcashizationally farcashized by my friend in thier mind as a wish that the same thing to be done with me by them and that leads to say "girls are dangerous creatures especially when they are your students". When there is both love and friendship, we dwell in the realm of the relationship and when there is neither love nor friendship, we exist in a vacuity of relationships, we can feel and we can express feelings but the more we feel, the further off we are, so what is not yet felt can't be shown and what is already desired can't be hidden so farcashization and desire are not distant, it's their principle that can't be seen. It would be a very naive sort of dogmatism to assume that every beautiful girl is an impossible creature to be got or to accept the man as he is and she is always going to embarrass and farcashize him, as if she is an indocile black wild cat, the beautiful girl is not a unique and homogeneous but she is immensely diversified, having as many different schemes and patterns as there are different ways of beauty, so the phenomenons which we find in our certain relationships such as farcashization are not transferable with all people but the attitude of the relationship, therefore the dating of two people is like the contact of two chemical substances, if there is any reaction between them depending on that attitude, both are transformed. Finally there is no relationship between any two partners looks like what we really see, yours doesn't, mine doesn't and people are much more complicated than what we imagine, then their relationships are more perplexing too, so you can't judge any relationship according the actions of the relationship's partners, it is true of every relation.
Omer Mohamed
Angry Birds by Maisie Aletha Smikle Angry birds from whence does your anger come? Who taught toothless birds to chirp like mad dogs and hiss like rattle snake? Did their anger come from the eggs from which they were hatched? Did their anger come from an envious psychotic owner? Who was envious of the birds' sweet dispensation And went on a selfish rampage Converting birds dogs chickens and cats into insanity With no regard for animals or humanity Sweet gentle toothless birds Converted into rambling mad dogs Barking and howling at nothing and at everything Annoying even the quiet ants Oh sweet gentle birds Filled with toxic angry madness Don't disturb the sleeping ants Or the living who rest in peace Ramble at the cemetery You have killed them with your rambling noise Now they lie six feet under Thanking God they are not up yonder To hear such despicable rambling Who placed angry birds in tree tops? Who placed angry birds on window sills? With the intention to kill The quiet holy spirit And things gentle and quiet Oh sweet gentle birds They have stolen your melodious melody They have envied your charm They have envied your quiet beauty And have converted you into angry birds to kill the calm And the imperishable precious beauty of quiet tranquility
Maisie Aletha Smikle
younger brother, Proteus, would take over the kingdom, and the two of them hated each other. In desperation, Acrisius took a trip to the Oracle of Delphi to get his fortune read. Now, going to the Oracle is usually what we call a bad idea. You had to take a long trip to the city of Delphi and visit this dark cave at the edge of town, where a veiled lady sat on a three-legged stool, inhaling volcanic vapour all day and seeing visions. You would leave an expensive offering with the priests at the door. Then you could ask the Oracle one question. Most likely, she’d answer you with some rambling riddle. Then you’d leave confused, terrified and poorer. But, like I said, Acrisius was desperate. He asked, ‘O Oracle, what’s the deal with me not having any sons? Who’s supposed to take the throne and carry on the family name?’ This time, the Oracle did not speak in riddles. ‘That’s easy,’ she said in a raspy voice. ‘You will never have sons. One day your daughter Danaë will have a son. That boy will kill you and become the next king of Argos. Thank you for your offering. Have a nice day.’ Stunned and angry, Acrisius returned home. When he got to the palace, his daughter came to see him. ‘Father, what’s wrong? What did the Oracle say?’ He stared at Danaë – his beautiful girl with her long dark hair and lovely brown eyes. Many men had asked to marry her. Now all Acrisius could think about was the prophecy. He could never allow Danaë to marry. She could never have a son. She wasn’t his daughter any more. She was his death sentence.
Rick Riordan (Percy Jackson's Greek Gods)
If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world. ― Ray Bradbury
Ray Bradbury
Sam was hovering right beside me, watching my face intently. "You ok, sweetie?" I looked at him with a smile. "I did it! I just asked, and she started pushing. I had no idea it would be so easy. I mean, I figured there was some mental magic you had to pull to get people to die for you, but it's so easy! And she gave me all her life, just boom." He stared at me in shock for a moment, his eyes flicking between mine as I rambled on. Gently, he pulled me away from the neon reflection of the daughter and the grey silhouette of the corpse, easing me out of the room without saying a thing. That in itself was enough to make me worried, replaying what had happened over and over in my mind as I tried to figure out where I'd made some kind of horrendous mistake. "Sia?" he finally asked when we reached the hall. "You know it's ok to be sad about this, right?" "Why would I feel bad? I didn't know her." "Because her daughter was there?" I waved that away. "Her daughter was telling her to let go. The old woman was suffering, and I found a way to make it better." "You know you killed her, right?" Those words made me finally understand the problem. "Sam, that woman was going to die. She could've rolled around in pain, groaning in misery until her heart clenched or her lungs gave out. As her body failed her, she would've panicked. It's kinda what we do. Instead, I made her smile. In her last moments on Earth, I made her feel comforted and protected, like this was just moving to the next step. She wasn't afraid." He nodded, taking that in. "Ok?" "You don't get it because you can't die. Death? It's the monster in the dark. It's the one thing we all fear the most, and in her last seconds, she wasn't afraid. She was thrilled. She knew she'd had a good life, and seeing me proved it to her. That's all we want. People pray to die in their sleep so they don't have to face that one terrifying second. We think about it our whole lives, refusing to talk about it because no one knows the answer, but now I do. I finally understand, and I made her death into something beautiful. Something her daughter will look back on and think is proof that she's in a better place.
Auryn Hadley (The Demons' Muse: Books 1-3)
when she turned to Orlando to speak to him, I saw she had what Pa Salt would have termed a Roman nose, which sat prominently in her striking face. She was certainly not classically beautiful and, from the look of her jeans and old sweater, did not care to make herself more so. Yet, there was something very attractive about her and I realized I wanted her to like me—an unusual feeling. “Are you coping back there?” she asked me. “Not far now.” “Yes, thank you.” I leaned my head against the windowpane as the thick hedges, their height exaggerated by the low car, flew by me, the country lanes becoming narrower. It felt so good to be out of London, with only the odd red-brick chimney stack peeping out from behind the wall of green. We turned right, through a pair of old gates that led to a drive so potholed that Marguerite’s and Orlando’s heads bumped against the roof. “I really must ask Mouse to bring the tractor and fill in these holes with gravel before the winter comes,” she commented to Orlando. “Here we are, Star,” she added as she pulled the car to a halt in front of a large, graceful house, its walls formed from mellow red brick, with ivy and wisteria fringing the uneven windows in greenery. Tall, thin chimney stacks, which emphasized the Tudor architecture, reached up into the crisp September sky. As I squeezed myself out of the back of the Fiat, I imagined the house’s interior to be rambling as opposed to impressive—it was certainly no stately home; rather, it looked as if it had gently aged and sunk slowly into the countryside surrounding it. It spoke of a bygone era, one that I loved reading about in books, and I experienced a twinge of longing. I followed Marguerite and Orlando toward the magnificent oak front door, and saw a young boy wobbling toward us on a shiny red bike. He let out a strange muffled shout, tried to wave, and promptly fell off the bike. “Rory!” Marguerite ran to him, but he had already picked himself up. He spoke again, and I wondered if he was foreign, as I couldn’t make out what he was saying. She dusted him down, then the boy picked up the bike and the two of them walked back to us. “Look who’s here,” Marguerite said, turning directly to the boy to speak to him. “It’s Orlando and his friend Star. Try saying ‘Star.’ ” She particularly enunciated the “st” in my name. “Ss-t-aahh,” the boy said as he approached me, a smile on his face, before holding up his hand and opening his fingers out like a shining star. I saw that Rory was the owner of a pair of inquisitive green eyes, framed by dark lashes. His wavy copper-colored hair glowed in the sun, and his rosy cheeks dimpled with happiness. I recognized that he was the kind of child that one would never want to say no to. “He prefers to go by the name ‘Superman,’ don’t you, Rory?” Orlando chuckled, holding up his hand in a fist like Superman taking off into the air. Rory nodded, then shook my hand with all the dignity of a superhero, and turned to Orlando for a hug. After giving him a tight squeeze and a tickle, Orlando set him down, then squatted in front of him and used his hands to sign, also speaking the words clearly. “Happy birthday! I have your present in Marguerite’s car. Would you like to come and get it with me?” “Yes please,” Rory spoke and signed, and I knew then that he was deaf. I rifled through my rusty mental catalog of what I had learned
Lucinda Riley (The Shadow Sister (The Seven Sisters #3))
The drawings are monumental not because they are good, and not just because they are first, but because of what they are. Harriot was the first person to record the Moon—or any astronomical object—through a telescope. He was also the first person to grapple with what that meant. The telescope had finally let humans slip the surly bonds of Earth[13] and see beyond it, beyond ourselves, even. What Harriot saw defied the imagination, even philosophy. For Harriot, there were no introspective ramblings on the Moon’s features, no fervent or religious embellishment of its chalky face. He did not even emulate Copernicus, his more recent forebear, and attempt to ascribe any scriptural beauty or heavenly order. Harriot was educated in the classics and he knew Plutarch’s De Facie, but even his distant Moon-watching kin could not prepare him for actually seeing literal terrestrial features on another world. It must have astounded him. At no point in human history had anyone ever seen the Moon magnified the way Harriot now could. To document it, perhaps to share it with others, Harriot rushed to record what he saw in the form of a picture. He must have known, even though he would never publish them, that his uncertain scribbles would be more valuable than any words he could jot down.
Rebecca Boyle (Our Moon: How Earth's Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are)