Beautiful Pathway Quotes

Life is messy. Grit and grace come at us fast, side by side. Sometimes the grit becomes overwhelming and diminishes our spirit. What’s good seems lost and gone forever. This is a story about the pathway back to what’s beautiful, when the way back seems impossible.

Through systematic meditation one can awaken the third eye and touch the cosmic awareness. Sushumna nadi is the subtle pathway in the spinal cord which passes through the main psychic centers. The awakening of these centers means a gradual expansion of awareness, until it reaches the cosmic awareness. Each center has its own beauty and gracefulness. Through generations of ignorance and unconsciousness, this channel of awareness becomes obscured and hidden. Meditation is to become aware about this internal life energy. Meditation is the procedure to rearrange, harmonize, activate, and integrate the individual life energy with the cosmic life energy.

We come to a lamp beside the pathway, and suddenly we stop walking, and we start to dance, and we glitter in the shafts of light, like stars, like flies, like flakes of dust.

In all circumstances, we must let God be in control. He is able to guide us in the best pathways.

All of us have two minds, a private one, which is usually strange, I guess, and symbolic, and a public one, a social one. Most of us stream back and forth between those two minds, drifting around in our private self and then coming forward into the public self whenever we need to. But sometimes you get a little slow making the transition, you drag out the private part of your life and people know you’re doing it. They almost always catch on, knowing that someone is standing before them thinking about things that can’t be shared, like the one monkey that knows where a freshwater pond is. And sometimes the public mind is such a total bummer and the private self is alive with beauty and danger and secrets and things that don’t make any sense but that repeat and repeat and demand to be listened to, and you find it harder and harder to come forward. The pathway between those two states of mind suddenly seems very steep, a hell of a lot of work and not really worth it. Then I think it becomes a matter of what side of the great divide you get caught on. Some people get stuck on the public, approved side and they’re all right, for what it’s worth. And some people get stuck on the completely strange and private side of the divide, and that’s what we call crazy and its not really completely wrong to call it that but it doesn’t say it as it truly is. It’s more like a lack of mobility, a transportation problem, getting stuck, being the us we are in private but not stopping…

Thou wouldst be loved?—then let thy heart From its present pathway part not; Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise. And love a simple duty.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!

I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.

[Eros is] far from being delicate and beautiful, as most people think; on the contrary it is crude and harsh, it walks barefooted, it is homeless, it always sleeps on the floor, on a hard surface, it sleeps outside at night, beside doors and pathways. . . it is always in a state of need.

When the heart stops oozing blood & the outpouring is clear as water (so to speak) then you know you've turned the corner & will be well. When you look inward & all pathways are no longer dark but clearly lighted & shine like transparent drinking straws then you know you'll find your way alone. When the gray morning has nothing to do with you & doesn't weigh you down like a heavy blanket, then you know that moving will be easy again and your body will flow through time like the river it really is, smooth & deep. no rocks, no shallows to smash or catch you, keep you from moving on. When the heart slows to its normal rhythm and the beauty of birdsong at dawn doesn't make you cry because you are alone listening, then you know that everything has happened that is going to for now, and you can get on with your life & everything about it that was yours alone and always finer than anyone could ever imagine it would be without him.

But seeking is a kind of work. I don’t mean heading off on wild road trips just to see the stars that are shining above your own roof. I mean committing to a lifetime of engagement: to noticing the world around you, to actively looking for small distillations of beauty, to making time to contemplate and reflect. To learning the names of the plants and places that surround you, or training your mind in the rich pathways of the metaphorical. To finding a way to express your interconnectedness with the rest of humanity. To putting your feet on the ground, every now and then, and feeling the tingle of life that the earth offers in return. It’s all there, waiting for our attention. Take off your shoes, because you are always on holy ground.

You can choose a love and a life that does not break you. You can claim a softer beauty and a kinder want. Even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Know that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming. Love, it doesn't have to hurt anymore.

Until recently the locus of sexual fantasy was peopled with images actually glimpsed or were sensations actually felt, or private imaginings taken from suggestions in the real world, a dream well where weightless images from it floated, transformed by imagination. It prepared children, with these hints and traces of other people's bodies, to become adults and enter the landscape of adult sexuality and meet the lover face to face. Lucky men and women are able to keep a pathway clear to that dream well, peopling it with scenes and images that meet them as they get older, created with their own bodies mingling with other bodies; they choose a lover because of a smell from a coat, a way of walking, the shape of a lip, belong in their imagined interior and resonate back in time deep into the bones that recall childhood and early adolescent imagination.

War demoralizes those who are trained for it. It brutalizes men of naturally gentle character. It outrages every beautiful canon of morality. Its path of glory is foul with the passions of lust, and red with the blood of murder. This is not the pathway to our goal

I once two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would follow on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning. How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink. In view of these things, why are ye silent, ye free men and women of the north? Why do your tongues falter in maintenance of the right? Would that I had more ability! But my heart is so full, and my pen is so weak! There are noble men and women who plead for us, striving to help those who cannot help themselves. God bless them! God give them strength and courage to go on! God bless those, every where, who are laboring to advance the cause of humanity!

Unfortunately, in seeing ourselves as we truly are, not all that we see is beautiful and attractive. This is undoubtedly part of the reason we flee silence. We do not want to be confronted with our hypocrisy, our phoniness. We see how false and fragile is the false self we project. We have to go through this painful experience to come to our true self. It is a harrowing journey, a death to self – the false self – and no one wants to die. But it is the only path to life, to freedom, to peace, to true love. And it begins with silence. We cannot give ourselves in love if we do not know and possess ourselves. This is the great value of silence. It is the pathway to all we truly want.

May God guide you along the best pathway for your life.

Stop rejecting that unique pathway that was designed exclusively for you. Embrace your destiny, respect yourself and love others.

The key to other worlds, doors to other people and experiences, pathways to understanding the world.

I have other stories just as mysterious, just as beautiful, just as sacred, but it seems good to stop here and wonder if it is possible for us to begin to let go of our expectations about the shape in which healing may arrive, to trust the treatment plan lying dormant and waiting within our people, to cultivate a gradually gathering stillness so that, in the safety of the space between, healing pathways have the possibility of revealing themselves.

In the world of fancy even the most base man's actions sometimes take on the forms of beauty. Dim pathways do sometimes open before the eyes of the man who has not killed the possibilities of beauty in himself by being too sure.

Each in His Own Tongue A fire mist and a planet, A crystal and a cell, A jellyfish and a saurian, And caves where the cave men dwell; Then a sense of law and beauty, And a face turned from the clod — Some call it Evolution, And others call it God. A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod — Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod — Some of us call it Longing, And others call it God. A picket frozen on duty, A mother starved for her brood, Socrates drinking the hemlock, And Jesus on the rood; And millions who, humble and nameless, The straight, hard pathway plod — Some call it Consecration, And others call it God.

I descended the small pathway toward the orchestra section, watching her, the long, gauzy gray costume flowing in layers around her legs and her hair flying around her as she spun and bent backward. There were no words to describe how beautiful she was.

The language of cancer is grammatical, methodical, and even—I hesitate to write—quite beautiful. Genes talk to genes and pathways to pathways in perfect pitch, producing a familiar yet foreign music that rolls faster and faster into a lethal rhythm. Underneath what might seem like overwhelming diversity is a deep genetic unity. Cancers that look vastly unlike each other superficially often have the same or similar pathways unhinged. “Cancer,” as one scientist recently put it, “really is a pathway disease.

The children left him and ran. A pathway led up through the close sapling oaks, and almost at the top of the ascent they encountered Mrs. Lewarne—Linnet. She too had a basket on her arm. Now Johnny might believe in fairies and suchlike, but to Mary Mrs. Lewarne was a vision of all things desirable in grown-up life—beauty, grace, carriage, a sweet commanding voice, the true accent, clothes, and all delicate appanages of wealth—everything in short that her own little soul aspired after. And yet not too proud to carry a basket!

I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.

Suicide. This is the exact opposite of last time, for this time I'm experiencing a kind of pleasure in life, in being alive, a pleasure in living that I've never experienced before, and I'm hopeful and confident that I can become someone with dignity. I know now why I couldn't change certain characteristics and certain things about myself, but it's not a problem anymore. Certain pathways I failed to open in the past have now opened. My whole self is radiating light. I see with clarity. I understand the cause and effect of the last year. What I had imagined I've now attained. It's as if I can see my life right in front of my eyes, and all I have to do is reach out and draw it in... Now I don't feel the acute pain I felt before; I feel enlightened, at peace. It's as if I've instantly found the secret of "Suffering", how to bear it and how to endure it... Yes, this time I've decided to kill myself not because I can't live with suffering and not because I don't enjoy being alive. I love life passionately, and my wish to die is a wish to live... Yes, I've chosen suicide. The endpoint of this process of "Forgiveness". Not to punish anyone or to protest a wrong. I've chosen suicide with a clarity I've never possessed before, with a rational resolve and sense of calm, in order to pursue the ultimate meaning of my life, act on my belief about the beauty between two people... I take complete responsibility for my life, and even if my physical body disappears upon death, I don't believe my spirit will disappear. As long as I have loved people fully, then I can be content fading into "Nothingness". If I'm using death to express my passion for life, then I still don't love her enough, don't love life enough. and I will reincarnate in a different form to love her and to be part of her life... So the death of my flesh really doesn't mean anything. Doesn't solve anything. Is this a tragedy? Will there be tragedy?

It was a garden, a walled garden. Overgrown but with beautiful bones visible still. Someone had cared for this garden once. The remains of two paths snaked back and forth, intertwined like the lacing on an Irish dancing shoe. Fruit trees had been espaliered around the sides, and wires zigzagged from the top of one wall to the top of another. Hungry, wisteria branches had woven themselves around to form a sort of canopy. Against the southern wall, an ancient and knobbled tree was growing. Cassandra went closer. It was the apple tree, she realized, the one whose bough had reached over the wall. She lifted her hand to touch one of the golden fruit. The tree was about sixteen feet high and shaped like the Japanese bonsai plant Nell had given Cassandra for her twelfth birthday.

The complex interplay of the emotions, however, is far beyond the understanding of functional neuroanatomists. Where, for example, are the representations of the id, ego, and and the superego? Through what pathway are ethical and moral judgments shepherded? What processes allow beauty to be in the eye of the beholder? These philosophical questions represent a true frontier of human discovery.

Just think! The only reason the world knows anything about them [Jesus’ Apostles] is because having met the Savior, they made Him their guide in life. If they hadn’t, nobody now would know that such men had ever lived. They would have lived and died and been forgotten just as thousands of other men in their day lived and died and nobody knows or cares anything about them; just as thousands and thousands are living today, wasting their time and energy in useless living, choosing the wrong kind of men for their ideals, turning their footsteps into the road of Pleasure and Indulgence instead of the road of Service. Soon they will reach the end of their journey in life, and nobody can say that the world is any better for their having lived in it. At the close of each day such men leave their pathway as barren as they found it—they plant no trees to give shade to others, nor rose-bushes to make the world sweeter and brighter to those who follow—no kind deeds, no noble service—just a barren, unfruitful, desert-like pathway, strewn, perhaps, with thorns and thistles. Not so with the disciples who chose Jesus for their Guide. Their lives are like gardens of roses from which the world may pluck beautiful flowers forever.

You can choose a love and a life that does not break you. You can claim a softer beauty and a kinder want. Even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Know that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming. Love, it doesn’t have to hurt anymore.

The rooted pathways offered here are not meant as a definitive list but as waymarkers and fortification for all of us seeking our unique, bewildering, awkward way through the essential question of how to live on our broken, imperiled, beloved earth. It is the question Thoreau asked. The one that Mary Oliver, who passed just before I wrote these words, has perhaps framed most beautifully: Tell me, what is it you plan to do with your one wild and precious life?

He turned immediately towards the hearth, where Silas Marner sat lulling the child. She was perfectly quiet now, but not asleep—only soothed by sweet porridge and warmth into that wide-gazing calm which makes us older human beings, with our inward turmoil, feel a certain awe in the presence of a little child, such as we feel before some quiet majesty or beauty in the earth or sky—before a steady glowing planet, or a full-flowered eglantine, or the bending trees over a silent pathway.

I was dying inside because I couldn't have the one I wanted and crying because he didn't want me and because he wasn't what I needed. But I was living inside because I had the one I needed and smiling because I was what he wanted and because I was what he needed. Once you realize that having what you need, is in what wants and needs you, and is where the real love is found, though embedded deeply in the mind body and soul of your other half ....like hidden jewels...precious stones, untrodden roads, hidden pathways, tranquil parks and undiscovered wonders of the world; by which you create bonds through life experiences, whereby the reward is happiness; you realize that you behold the beauty of what love really is. You then know that you have something preeminent in the palm of your hand. And that revelation, that ephiphamy, is a sign of growth, in that you are ordained to a horizontal equivalent, by virtue of bountifully maturing enough into a quintessential frame of mind, where you have the mental capacity and obligatory wherewithal to handle the authority of love. You've truly arrived to the most profound place, because you now know that you do have what you want- because all we want is to love and to be love. The substance is never found on the surface. Not the good substance. The only substance that sits in such a shallow place is more than likely something toxic. The real substance is at the bottom of the sea. That's where the mystery unfolds. The deepest part of your heart is like the deepest part of the ocean, and when someone is brave enough to go there, it's worth sharing the treasures buried deeply within.

O, what days and nights of fear and sorrow that man caused me! Reader, it is not to awaken sympathy for myself that I am telling you truthfully what I suffered in slavery. I do it to kindle a flame of compassion in your hearts for my sisters who are still in bondage, suffering as I once suffered. I once saw two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would fall on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning. How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink.

This is a Pathway of Sacred Tears, tears shed for the beauty, the pain and the breaking down of self in devastatingly real moments of humbly accepted personal ‘truth.’ Embracing and sticking with Divine Truth at all costs means all else pales into insignificance besides the Only Thing that really matters. There is a big difference between tears cried about the effects of a wound, and tears sobbed and released from the primal place within the soul where the causes of its deepest pains, suffering and heartbreaks dwell. The tears of crying on the surface of an emotion have little emotional impact, and are not felt by those more sensitive to truth and the deeper reality of the soul.

Books, those miraculous memories of high thoughts and golden moods; those magical shells, tremulous with the secrets of the ocean of life; those love-letters that pass from hand to hand of a thousand lovers that never meet; those honeycombs of dreams; those orchards of knowledge; those still-beating hearts of the noble dead; those mysterious signals that beckon along the darksome pathways of the past; voices through which the myriad lispings of the earth find perfect speech; oracles through which its mysteries call like voices of moonlit woods; prisms of beauty; urns stored with all the sweets of all the summers of time; immortal nightingales that sing for ever to the rose of life.

I’m not… What’s wrong with them believing?” Bea asked, a note of pleading creeping, uninvited, into her voice. “You do not sell belief, you sell belief-in. Belief in true love, as if everyone were entitled to it. Belief in a simple solution to a complex problem. Belief in one type of person, one type of future.” “No I don’t. I offer people dreams, and hope, and, and, something to organise their lives with,” Bea said, not sure why she was trying to convince him. “I don’t make them into ‘one person’.” “Oh no? Let me recall your doctrine: Kings, Princes and their ilk must marry girls whose only asset is their beauty. Not clever girls, not worthy girls, not girls who could rule. Powerful women, older women – like one day you will become – are nought but wicked creatures, consumed with jealousy and unfit to hold position. No,” he said as Bea began to speak, “I am not finished. Let us turn our attention to the men. As long as the woman is something to be won, it follows only the worthy will prevail. It matters not if they truly love the girl, nor if the man is cruel or arrogant or unfit to tie his own doublet. As long as he has wealth and completes whatever trials are decided fit, he is suitable. For what is stupidity or arrogance when compared against a crown? The good will win, and the wicked perish, and you and your stories decide what makes a person good or wicked. Not life. Not choice. Not even common sense. You.

Would there be communion at all if there were no need on this earth, no suffering on this earth? If there were no sin? No imperfection? I think there would be no such communion as we now have. We would each live in our isolated worlds. I would not need you. I would not be drawn to you. I would be self-sufficient. I would be caught up smugly and happily in my own perfection. I would simply draw my life totally from within and would never need to look at the beauty or pain on others’ faces. This is the Gnostic temptation, condemned in some form in every century. There are two things that draw us outside of ourselves: pain on other people’s faces, and the unbelievable beauty that is other human beings at their best. Or in other words: cross and resurrection.

Hasheesh is indeed an accursed drug, and the soul at last pays a most bitter price for all its ecstasies; moreover, the use of it is not the proper means of gaining any insight, yet who shall say that at that season of exaltation I did not know things as they are more truly than ever in the ordinary state? Let us not assert that the half-careless and uninterested way in which we generally look on nature is the normal mode of the soul's power of vision. There is a fathomless meaning, an intensity of delight in all our surroundings, which our eyes must be unsealed to see. In the jubilance of hasheesh, we have only arrived by an improper pathway at the secret of that infinity of beauty which shall be beheld in heaven and earth when the veil of the corporeal drops off, and we know as we are known.

As spiritual students, we need to be careful that the influence we have on other people in our conversations is for good only. We also need to be careful about what we allow into our own thoughts. We become conscious of what we do and say, and of what we see and hear. We do not engage in idle or intentional gossip which undermines someone else’s integrity or which spreads the seeds of fear by talking unthinkingly about illness, disasters, and all the other fears that run rampant in the world. We may talk lightly but never carelessly and we constantly keep at bay the flow of common, ignorant thought which runs its damaging course through the pathways of ordinary human conversation. Whenever there is an opportunity, our conversation seeks to validate, in some humble way, the beauty and love which constantly upholds us all.

At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.

Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?

A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.

Blocks of flats could change everything, thought Mma Ramotswe. They were designed for people, but people were not necessarily designed for them. These flats at the edges of the Village, though, were made more human by the washing that was hung out to dry from their balconies; by the children who congregated in their doorways, or played with skipping ropes and dogs on their pathways; by the music that the residents listened to, melodies that drifted out of the open windows and throbbed with life. All of this made it harder for large new buildings to deaden the human spirit. It was like the bush: you could clear it and build something where once there had been nothing but trees and grass and termite mounds, but if you turned your back for a moment, Africa would begin to reclaim what had always been hers. The grass would encroach, its seeds carried by the wind; birds would drop the seeds of saplings that would then send tiny shoots up out of the ground; the termites would marshal their exploratory troops to begin rebuilding their own intricate cities of mud in the very places they had claimed once before. And sooner or later the bush would have covered all your efforts and it would be as it was before, the wound on nature completely healed.

The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.

When you first became a disciple, your days were days of delight and joy, the words and will of the Master thrilled and comforted you, and you walked in His ways with a joy and gladness that filled the days with song. The people you touched in daily life saw the beauty of Jesus in you. Gentle, long-suffering, strong and pure, you incarnated His lessons, and your heart was glad, and other lives were influenced Godward. All has changed. Prayer is a duty. The scriptures are dull and burdensome. You have no quick sense of the Lord's will. Your Christianity has become a restriction through which you would like to break, an encumbrance of which you would fain be rid. These are confessions you never make, but they tell the true inner story of your life. Now what does this really mean ? Just this. Somewhere back in the past you will find a day when the Teacher gave you some new vision of truth that straightway revealed an opportunity for you to know the glory of that truth in the pathway of obedience. Something to be given up. Something to be done. Some word to be said. You paused, argued, disobeyed. No other lesson has been given, nor can be. Every other depended upon that. That was not final. It was preparatory, and until that is learned by obedience there can be no advancement, and so for weeks, perchance months, aye, even years, you have been a disciple making no progress, and there is no wonder that you are weary of it all.

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.

Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?

I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.

Maintain Your Driveway for Long Term There are certain points that we should take into consideration if we want to increase the life of our driveways. First of all make sure that they are constructed with waterproof material and are properly sealed with quality products. Sealing is mandatory as it protects the driveway from chemicals, rusts, harsh and fluctuating weathers or any other uncalled for conditions and damaging products. If there is even a single opening then that can be a call for immediate attention and it should be immediately restored. It has been observed that improper drain system and severe temperature fluctuations are the main reasons for gaps and fractures to occur in driveways in Hexham and Durham. But this will not be the case with Driveways Newcastle as special care is taken while constructing them. It is highly recommended that heavy vehicles be kept away from the driveways because they do not have the capacity to hold such big automobiles and plus the driveways are not only meant to be parking zones. Vehicles like, trucks and cranes can instantly ruin the look of the driveways by spoiling their structure. Next thing to keep in mind is that you keep pulling out the weeds or the shrubs that tend to grow near your driveway. Even they have the tendency of harming your driveway by loosening the blocks. This will increase the longevity of your patio or the driveway. To clean the driveway of the oil stains, you can make use of foaming water or wire brush. Never use any type of chemical for cleaning purpose; it will damage your driveways. Driveways in Newcastle and near around areas have driveways Newcastle and driveways Sunderlands and they are very sturdy and durable compared to other driveways but nevertheless, even they have to be looked after with proper maintenance at regular level. The popularity of imprinted concrete driveways has suddenly surged because of their stylish look and durability. They are much in demand in Hexham and Durham for construction of patios, pathways, garden walls, etc. To decide on which driveway to construct you need to have a basic understanding of driveways and rest you can always consult a professional company who will advise you to the best as well as construct your driveways. It is recommended that these professionals be thoroughly knowledgeable and highly experienced. You will find many such companies if you search on the internet which have exceptional experience and an urge to provide you with beautiful driveways and patios.

May your star point the best pathways for your life.

Magnificent trees, the legacy of Lord Ashbury's distant ancestors, lined the way, their highest boughs arching to meet, outermost branches lacing so that the road became a dark, whispering tunnel. As I burst into the light that afternoon, the sun had just slipped behind the roofline and the house was in eclipse, the sky behind glowing mauve and orange. I cut across the grounds, past the Eros and Psyche fountain, through Lady Violet's garden of pink cabbage roses and down into the rear entrance. The servants' hall was empty and my shoes echoed as I broke Mr. Hamilton's golden rule and ran along the stone corridor. Through the kitchen I went, past Mrs. Townsend's workbench covered with a panoply of sweet breads and cakes, and up the stairs.

You know what it is? All of us have two minds, a private one, which is usually strange, I guess, and symbolic, and a public one, a social one. Most of us stream back and forth between those two minds, drifting around in our private self and then coming forward into the public self whenever we need to. But sometimes you get a little slow making the transition, you drag out the private part of your life and people know you’re doing it. They almost always catch on, knowing that someone is standing before them thinking about things that can’t be shared, like the one monkey that knows where a freshwater pond is. And sometimes the public mind is such a total bummer and the private self is alive with beauty and danger and secrets and things that don’t make any sense but that repeat and repeat and demand to be listened to, and you find it harder and harder to come forward. The pathway between those two states of mind suddenly seems very steep, a hell of a lot of work and not really worth it. Then I think it becomes a matter of what side of the great divide you get caught on. Some people get stuck on the public, approved side and they’re all right, for what it’s worth. And some people get stuck on the completely strange and private side of the divide, and that’s what we call crazy and its not really completely wrong to call it that but it doesn’t say it as it truly is. It’s more like a lack of mobility, a transportation problem, getting stuck, being the us we are in private but not stopping, like those kids you’d know who would continue to curse and point and say the secret things even in school or in front of your parents. They wouldn’t know when to stop; they wouldn’t be the way people wanted them to be. And the thing that made it so terrible for us is that they’d be getting knocked out for doing things that we ourselves did—but we knew when not to do them, we could actually pretend we never ever did that kind of thing, and when it came down to the sticking point, we’d kick them in the ass just as hard as anyone else.

beauty of appreciative inquiry is it opens pathways for new discoveries, unlocks the dreams of an individual buried deep within the human spirit, and imparts the divine spirit of faith to believe and strategically pursue and design a roadmap to dream fulfillment.

The pathway was raw, intimate, and honest; it required breaking shame, being relentlessly self-aware, feeling big emotions - no intellectualizing or bypassing allowed - and pushing through resistance to uncover the beauty of our true Self.

This, I thought, is what it is like to follow Jesus. He offers a structure, open to the heavens, framing my pathway home in a way that adds clarity, beauty and a hint of majesty. But He still allows room for the natural growth already in progress. It’s all about the on-the-way-there moments. Around every corner, even in the aspects of our lives that are most ordinary and familiar, we may come upon surprise and delight—as if Jesus is smiling and saying, “Thanks for following Me!” —ELIZABETH BERNE DEGEAR

In times of great change [which is always], learners inherit the earth, while the learned find themselves beautifully equipped for a world that no longer exists.” Faith

Modern driveways ltd providing services of Patios to enhance beauty of your area. We give finishing touches like borders, raised flowerbeds, block paving pathways, water soakaways and raised brickwork edging at affordable prices.

Then there are the fully intentional pleasures, which, although in some way tied up with sensory or perceptual experience, are modes of exploration of the world. Aesthetic pleasures are like this. Aesthetic pleasures are contemplative - they involve studying an object OUTSIDE of the self, to which one is GIVING something (namely, attention and all that flows from it), and not TAKING, as in the pleasure that comes from drugs and drinks. Hence such pleasures are not addictive - there is no pathway to reward that can be short-circuited here, and a serotonin injection is not a cheap way of obtaining the experience of PARISFAL or THE MERCHANT OF VENICE.

What sets my photos in this book apart from other similar works is that all these images were taken during my daily life. No big glitzy photo shoots. No big camera. No heavy bag with lots of lenses. No tripod...I photographed things I thought were beautiful, funny, ironic, spectacular, sad, interesting...

The greatest incidence of breast cancer in american women appears within the ages of 40 to 55. These are the very years when women are portrayed in the popular media as fading and desexualized figures. Contrary to the media picture, I find myself as a woman of insight ascending into my highest powers, my greatest psychic strengths, and my fullest satisfactions. I am freer of the constraints and fears and indecisions of my younger years, and survival throughout these years has taught me how to value my own beauty, and how to look closely into the beauty of others. It has also taught me to value the lessons of survival, as well as my own perceptions. I feel more deeply, value those feelings more, and can put those feelings together with what I know in order to fashion a vision of and pathway toward true change.

They’ve seen the brokenness of the world and they’ve felt the brokenness in their own spirits. They know there must be something better. These people encounter the truth and receive the message with joy and hopefulness. They see a pathway to peace and purpose and meaning. It’s what they’ve been searching for! John Starke said, “A nominal Christian finds Christ useful. A true Christian finds Christ beautiful.”11 Sadly, stony-ground believers “have no root.” In times of temptation they fall away. Many of these people are looking for a solution rather than a Savior. They want their problems to

simple robes Rich tints of beauty rare. Soon a host of lovely flowers From vales and woodland burst; But in all that fair procession The crocuses were first. First to weave for Earth a chaplet To crown her dear old head; And to beautify the pathway Where winter still did tread. And their loved and white haired mother Smiled sweetly 'neath the touch, When she knew her faithful children Were loving her

Mary smiled and nodded. “I will see you out when you leave,” she said as she turned and walked out the door. When he was finished, Rodrigo got up and walked into the sanctuary, where Mary was waiting for him with the bundle of food. “Thank you, Sister,” said Rodrigo as he took the bundle from her. “Before I go, I would like to give something to this monastery to show my appreciation for the kindness and generosity that it has shown me and all who enter this place.” He reached into a small pouch on his belt and withdrew the stone cup. Mary took the polished stone cup from Rodrigo and turned it over in her hands. She smiled broadly at the gesture, and her eyes gleamed with delight as she admired the cup. “It is beautiful!” she exclaimed. “Thank you, and this is exactly what we need. The cup we used for the sacrament broke not long ago, so we have been using an old wooden one. This cup will be perfect! Where did it come from?” she asked, still staring at it. “It came from Jerusalem,” Rodrigo answered. “Jerusalem?” she asked with wide eyes. “Well, perhaps this is the very cup that Christ used during the Last Supper,” she said with a smile. “Perhaps it is,” said Rodrigo, returning her smile as he walked to the door of the monastery. “God be with you,” he said. Then, turning, he walked through the door and exited the monastery. “God be with you as well on your journey home!” she called out as she watched him from the doorway. Rodrigo mounted his horse and filled his lungs with the crisp mountain air. He took one final glance back at Mary standing at the front of the monastery, then spurred his horse down the pathway as he headed home.

Teaching our kids to be like the ocean… The ocean does not apologize for its ever-evolving state, It does not ask for approval when its surface is crystal glass, It does not seek to facilitate the comfort of everyone as it honors its tides, It does not feel the need to explain its unexplored depths, It will not become less when it swells and dominates within the storm in order to make others feel like they are more, It asks not if it is ‘too much’ as its waves crash and break powerfully on the surface, It does not apologize as it erodes away the old to make way for the new, It demands no approval as it penetrates through the cracks to expand its reach, It knows that a drop, relentlessly repeated over time, can carve pathways through rock, It expresses its raw beauty in every creation that it sets forth onto the world, The ocean is vast, powerful, rich with life, and is forever and unapologetically changing. Be the whole expansive ocean of who you are… forever changing, forever in motion, impossible to contain, and a force to be reckoned with.

Cobblestone pavements were an upgrade from dirt roads in ancient times. They were functional and lasted for ages. Cobblestone is derived from the word “cob” which means round and lumpy and refers to riverside cobbles that were first used to pave roads. The modern version of cobbles is available in natural stone materials, mainly in a small square format with standard thicknesses. The first cobblestones were taken from streambeds, not quarried and shaped like the ones we see today. The name “cobblestone” now refers to any natural stone paver, particularly the square shaped Belgian blocks. These are more uniform in size and shape and are simpler to install. The durability of a granite cobblestone paved surface is superior to that of nearly any other material, and the distinctive “old world” appeal it provides may add a lot of beauty and value to the home. Why Cobblestone Paving? Because cobblestones were easy to source, affordable, and easy to install, they gained popularity in Europe. These rounded stones were sourced from riverbeds and were very useful for roads. They were great for traction and decreasing muck and sludge on the roads because they were created by years of erosion through swift-moving rivers. Cobblestones are a popular option in the community of builders, architects, designers, and even with homeowners who prefer doing a DIY project. Cobblestones are durable First, they are sturdy, long-lasting stones that can withstand the test of time, as shown by the cobblestone streets throughout Europe. They are prone to extreme weathering processes, environmental changes, or high traffic. They are a naturally sturdy and robust building material that withstands wear and strain without chipping, scratching, or staining. Cobblestone suits a variety of project spaces Cobblestones are versatile and come in various colour options, which makes them suitable for an array of project requirements such as driveway, pathway, and other high traffic areas. Cobblestones enhance the look of your home and even raise its curb appeal. This will not only make your home more appealing and pleasurable, but it will also help it stand out from the rest of the houses in the neighbourhood, which adds to its overall value and makes it easier to sell. Cobblestones are easy to install Cobblestones are easy to install since they are generally supplied in mesh form. A set of cobblestones pasted on a silicone mesh. This mesh is easy to install and covers a larger surface area, saving men hours of installation time.  Cobblestones require low maintenance These cobblestone pavers are not only tough, but they are also quite simple to maintain. A quick wash every so often will keep them looking just as stunning as the day they were set. As additional maintenance, you may only need to reseal these pavers every now and then to keep them in good condition. For ages, these granite stones will retain their stunning appearance and colour with little work on your part.

In the Khagga-Visāna-Sutta (24) of the Sutta-Nipāta, we read: One should associate with a friend who is learned, knows the teaching, has acquired and cultivates knowledge, has understood the meaning of things and has removed his doubts. The Hiri-Sutta (3) states: He who is constantly anxious and conflicted and always looks for flaws is not a friend. He who cannot be alienated from one by others, like a son from his father’s heart, is indeed a friend. Conventional friendship consolidates our conventional view of life, which is a flat perspective by contrast with the deep and unobstructed view inspired by spiritual friendship. Conventional friendship springs from and reinforces samsāra. Spiritual friendship is rooted in and promotes nirvāna. Beware also of dharma friends who bring worldliness to their spiritual practice. Their talk about spiritual matters is an occasion to brag, belittle others, or gain advantage—in other words, to cherish themselves. Their words are apparently about the path, but their mind is firmly entrenched in worldly matters. They are pretenders. Better to associate with a silent friend who is firmly on the path than a talkative friend who follows the pathways of the ego. Sat-sanga means “association with the virtuous or real.” Usually this refers to keeping the company of an adept, who embodies spiritual values, that is, connects us with that which is true, real, or virtuous (sat). In Buddhism, the word sangha or “community” suggests the same: the mutually beneficial association of those who follow the Buddha’s teachings (dharma). Members of the Sangha are by definition refuge holders, that is, they have sincerely taken refuge in the “three jewels” (tri-ratna): the Buddha, the Dharma, and the Sangha. Taking refuge implies that we not merely believe in the “three jewels” but actively endeavor to follow in the footsteps of the Buddha and other great masters who have attained liberation or at least higher realizations by virtue of their own practice of the Buddha’s teachings. The greatest spiritual friend is one’s guru (Sanskrit) or lama (Tibetan). Some Buddhist schools consider him or her the fourth worthy object of refuge. He or she only has one’s best interest in mind, namely one’s ultimate freedom and happiness. The Buddhists call such a one kalyana-mitra or “beautiful friend.” He or she is “beautiful” because of his or her capacity and intent to beautify or ennoble others. Taking refuge in the Buddha, the Dharma, and the Sangha is said to dispel all fear. Taking refuge in anyone or anything else does not have the same effect. It may postpone fear but cannot remove it altogether, because they do not lead us to our true nature, which is the Buddha nature beyond all possible worldly destinies. The Udāna-Varga (25.5) declares: People degenerate by relying on those inferior to themselves. By relying on equals, they stay the same. By relying on those superior, they attain excellence. Thus rely on those who are superior to yourself.

But seeking is a kind of work. I don’t mean heading off on wild road trips just to see the stars that are shining above your own roof. I mean committing to a lifetime of engagement: to noticing the world around you, to actively looking for small distillations of beauty, to making time to contemplate and reflect. To learning the names of the plants and places that surround you, or training your mind in the rich pathways of the metaphorical. To finding a way to express your interconnectedness with the rest of humanity. To putting your feet on the ground, every now and then, and feeling the tingle of life that the earth offers in return. It’s all there, waiting for our attention. Take off your shoes, because you are always on holy ground. • • • It

We didn’t want to waste a page of Mi-ja’s father’s book, so we looked for something unique. We entered a park, strolling the pathways until we came to a statue of a woman who looked like a goddess. Her white marble gown flowed about her, the expression on her face was serene, and she carried a flower in her hand. Her other hand was open, the palm reaching out to us. The lines across her palm were so real that they seemed to match those on my own flesh-and-blood hand. “She’s too beautiful to be Halmang Juseung,” I whispered to Mi-ja. This was the goddess who, when she touches the flower of demolition upon the forehead of a baby or child, causes its death.

There is suffering ahead of us, immense suffering, a suffering that will continue to tempt us to think that we have chosen the wrong road and that others were more shrewd than we were. But don't be surprised by pain. Be surprised by joy, be surprised by the little Flower that shows its Beauty in the midst of a barren desert, and be surprised by the immense healing power that keeps bursting forth like springs of fresh water from the depth of our pain.

O blessed Trinity, one and only God—Father, Son, and Holy Spirit! You are the eternal glory and highest beatitude of all the saints and the epitome and perfection of all heavenly powers. From you, through you, and in you alone do all things come into being, exist, and reach their end. Make known to me your ways, O Lord, and teach me your paths; for all your ways are beautiful and all your paths are of peace. You have declared that “blessed are the pure of heart” and “blessed are the peace-makers.”2 These two counsels guide us on the pathways that lead to the blessings of the contemplative life.

I think I'm beginning to understand that the quest is the point. Our sense of enchantment is not triggered only by grand things; the sublime is not hiding in distant landscapes. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. It becomes valuable when we value it. It becomes meaningful when we invest it with meaning. The magic is of our own conjuring. Hierophany - that revelation of the sacred - is something that we bring to everyday things, rather than something that is given to us. That quality of experience that reveals to us the workings of the world, that comforts and fascinates us, that ushers us towards a greater understanding of the business of being human: it is not in itself rare. What is rare is our will to pursue it. If we wait passively to become enchanted, we could wait a long time. But seeking is a kind of work. I don't mean heading off on wild road trips just to see the stars that are shining above your own roof. I mean committing to a lifetime of engagement: to noticing the world around you, to actively looking for small distillations of beauty, to making time to contemplate and reflect. To learning the names of the plants and places that surround you, or training your mind in the rich pathways of the metaphorical. To finding a way to express your interconnectedness with the rest of humanity.

The lovers They had loved, they had cried, and they had smiled, together; Now they looked at the horizon of life and wished to gather, The moments inextricably tied to their lives, Upon which their present thrives, But they think of the future, and the moments of love in it, For they do not wish to live in the future, but a future with love in it, A feeling that rises from the bottom of their hearts, And then whether they are in the present or the future, it never departs, With these inalienable feelings of love they wish to be, For a day is lifeless when in each others eyes, their own reflections they cannot see, The boy loves the woman in her, while the girl loves the man in him, And this feeling lights up their pathways of life in moments where the light of hope is dim, So, he touches her face and kisses her wherever he could, And the girl feels everything a woman in her should, Then they endlessly look at the horizon of life and watch it turn beautiful, Because now he feels her and she feels him in ways fulfilling and full, And as the evening spreads across their amorous universe, Their feelings of love across it freely traverse, She tells him her story of her heart beats, and the boy too repeats, That how for her his heart everyday beats, Loving her, feeling her, being with her, until he feels his universe exists only because of her, And then once again he embraces her and then tenderly kisses her, And they both disappear from the worldly sight, Because they have evolved into everything now, the brightness of the day, and the beautiful secrets of the night, So whenever you see two lovers looking at the horizon of their lives, Be certain, that it is in them too, in their hopes, in their desires, that their love thrives, Maybe they have disappeared, and there is no trace of theirs left for the eyes that only see, Because the most beautiful virtues are the ones you can only feel and not see, with the eyes that feel before they see, So, they have disappeared because they felt what no lover has ever felt, And it was then I saw that even the horizon of the universe in their obeisance knelt, And now they live in each other, In the eyes of the other and forever together! And I hear the universe say, “this is true love of true lovers!” Who now love each other in the night's secrets, and their twinkling covers! As I leave the scene Irma, the night covers me too, And I escape into the world that it creates exclusively for me and for you!

I think I'm beginning to understand that the quest is the point. Our sense of enchantment is not triggered only by grand things; the sublime is not hiding in distant landscapes. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. It becomes valuable when we value it. It becomes meaningful when we invest it with meaning. The magic is of our own conjuring. Hierophany--that revelation of the sacred--is something that we bring to everyday things, rather than something that is given to us. That quality of experience that reveals to us the workings of the world, that comforts and fascinates us, that ushers us towards a greater understanding of the business of being human: it is not in itself rare. What is rare is our will to pursue it. If we wait passively to become enchanted, we could wait a long time. But seeking is a kind of work. I don't mean heading off on wild road trips just to see the stars that are shining above your own roof. I mean committing to a lifetime of engagement: to noticing the world around you, to actively looking for small distillations of beauty, to making time to contemplate and reflect. To learning the names of the plants and places that surround you, or training your mind in the rich pathways of the metaphorical. To finding a way to express your interconnectedness with the rest of humanity. To putting your feet on the ground, every now and then, and feeling the tingle of life that the earth offers in return. It's all there, waiting for our attention. Take off your shoes, because you are always on holy ground.

Aging with all my self. To my younger self, I'm not twenty-something anymore, and in just a month's time I shall walk into another decade of a whole new experience. I don't have youth on my side, but I have a heart of Life enlightened with the very spirit of Life itself, something that draws youth on its lap. Wisdom has been churned out from the mistakes and failures, and lessons have been disguised as soul fillers, and gratitude dances on my lips, waving my heart with a bunch of memories. Perhaps, the memories have been earned. Earned at the cost of those lost turns, cold betrayals, numb tears, forced smiles and a voyage walking through a rainbow of mad jest of Life. With that being said, I wouldn't go back and change even a bit. Through all of that heartache, I have unearthed a heart that is resilient, and pliant, I have met a soul that is strong and loving, and deeper than any thousand paged novel I could get lost in. I have come across beautiful souls in beautiful lands, I have soaked in different cultures and walked my way through observing hearts, listening to stories that run beyond time and tide. I have grown with each one of those smiles and tears, the sands of places that mark my soles make my soul whole in a strange but palpable tune. I have got lost in pathways and met a gypsy soul wandering in the space of infinite time, weaving moments through Life to take back a bunch of images and experiences from a journey called Life. My story has been filled with pages of ups and downs and my cup of Life has had several toxic turns, but in all of that, I have grown, along with one or two grey hair. My pages have often tasted Life in the most happy hue from voyages and dreams that kept overlapping and smiling across the tips of Time. And all of this, has helped me to nurture and nourish an invincible desire to live a life, with a passion no longer on hold, but a heart that is free forever to fly in the tunes of its own whisper. So as I open another day, walking closer to close the page of this twenty-something, I wear a smile that the youth of wisdom paints on my heart. And age, with all the grace that only Age can bring, while loving, forgiving and embracing my younger self in every air of Time. Love, a soul aging gracefully with the Smile of Life.

Tender yet poignant... the journey invites you to a gentle opening... so you will step out of the shadows and step into the reflections...thus you will recognize your journey as a pathway to transformation....for you will deepen in vulnerability.....awakened by long- forgotten dreams and desires....letting your longing come to life...so you will sense what it truly means to be human.... Along your journey,....you will feel deeply seen and felt....for what was lost will be restored...as honored you will be for your humanness.....your life will appear as unrestrainedly unfolding....where truth and beauty abide...where you are boundless freed from the shadows of fear...for this journey will gently carry you to another world...the world of a life beyond the loss and regrets.. ' Finding Momentum

Tender yet poignant... solitude invites you to a gentle opening... so you will step out of the shadows and step into the reflections...thus you will recognize your journey as a pathway to transformation....for you will deepen in vulnerability.....awakened in long- forgotten dreams and desires....letting your longing come to life...so you will sense what it truly means to be human.... Along your journey,....you will feel deeply seen and felt....for what was lost will be restored...as honored you will be for your humanness.....your life will appear as unrestrainedly unfolding....where truth and beauty abide...where you are boundless by the shadows of fear...for this journey will gently open you to another world...the world of a life beyond the loss and regrets... ...Excerpt from...'Finding Momentum

Tender yet poignant... the journey invites you to a gentle opening... so you will step out of the shadows and step into the reflections...thus you will recognize your journey as a pathway to transformation....for you will deepen in vulnerability.....awakened in long- forgotten dreams and desires....letting your longing come to life...so you will sense what it truly means to be human.... Along your journey,....you will feel deeply seen and felt....for what was lost will be restored...as honored you will be for your humanness.....your life will appear as unrestrainedly unfolding....where truth and beauty abide...where you are boundless by the shadows of fear...for this journey will gently open you to another world...the world of a life beyond the loss and regrets... ...Excerpt from..' Finding Momentum

When I can’t find my way, I pray to God to show me the way. And then, He creates the right pathways.

When I believe, this is the right path; I fearlessly walk on the pathway.

In my darkness, my pathway was marked by the brightness of light.

My path gets more beautiful when you walk it with me.

Empirical logic achieved a signal triumph in the Old Testament, where survivals from the early proto-logical stage are very few and far between. With it man reached a point where his best judgments about his relation to God, his fellow men and the world, were in most respects not appreciably inferior to ours. In fundamental ethical and spiritual matters we have not progressed at all beyond the empirico-logical world of the Old Testament or the unrivalled fusion of proto-logical intuition, 64 [see Coomaraswamy, Review of Religion, 1942, p. 138, paragraph 3] empirico-logical wisdom and logical deduction which we find in the New Testament. In fact a very large section of modern religion, literature and art actually represents a pronounced retrogression when compared with the Old Testament. For example, astrology, spiritism and kindred divagations, which have become religion to tens of millions of Europeans and Americans, are only the outgrowth of proto-logical interpretation of nature, fed by empirico-logical data and covered with a spurious shell of Aristotelian logic and scientific induction. Plastic and graphic art has swung violently away from logical perspective and perceptual accuracy, and has plunged into primordial depths of conceptual drawing and intuitive imagery. While it cannot be denied that this swing from classical art to conceptual and impressionistic art has yielded some valuable results, it is also true that it represents a very extreme retrogression into the proto-logical past. Much of the poetry, drama and fiction which has been written during the past half-century is also a reversion from classical and logical standards of morality and beauty into primitive savagery or pathological abnormality. Some of it has reached such paralogical levels of sophistication that it has lost all power to furnish any standards at all to a generation which has deliberately tried to abandon its entire heritage from the past. All systematic attempts to discredit inherited sexual morality, to substitute dream-states for reflection, and to replace logical writing by jargon, are retreats into the jungle from which man emerged through long and painful millennia of disillusionment. With the same brains and affective reactions as those which our ancestors possessed two thousand years ago, increasing sophistication has not been able to teach us any sounder fundamental principles of life than were known at that time. . . . Unless we can continue along the pathway of personal morality and spiritual growth which was marked out for civilized man by the founders of the Judaeo-Christian tradition, more than two thousand years ago, our superior skill in modifying and even in transforming the material world about us can lead only to repeated disasters, each more terrible than its predecessor. (Archaeology and the Religion of Israel, 5th Ed. New York: Doubleday Anchor, 31-33.)

Doing the best we can manage in the present moment is the pathway to a beautiful future.

Dearest Almighty God, I don't know where he is, I don't know who he is, I don't know if I have ever met him, or if we have crossed paths, I don't even know if he exists, but what I do know is that You won't let my Heart be a Void. What I know is when You put a dream in Someone's Heart You don't let that disappear just like that, You have your reason to even let that dream shape in, and mine has always been the most simplest and the most humblest of all. It doesn't matter how archaic or regressive it seems I would always imagine the most beautiful of all pathways is the route where two hearts connect and grow old together, when two souls find a Home together and that would always be my dearest prayer, and so I know that You know how that Prayer churns my Soul. I pray before You to give me Hope, to give me the heart to wait in Patience as You work on him and send him to my path in Your way for in You I trust blindly. I pray that You bless all lone hearts and give them courage and wisdom to learn the true meaning of Togetherness, to understand the true meaning of Companionship and above all the sanctity of Home, where children are born of Love, where hearts are united in Trust and Respect, so yes I pray with all my Heart that wherever he is, whoever he is, You bless him with my aura and make him grow in ways that only You can, that You paint his dreams and bless them in Your colour of Hope and Success, that You hold his hand and let him win in life in ways that You alone can. I know I would know my deepest Happiness in his smile, for I know whoever he is, wherever he is, his soul and mine are one, and soon in Your Timing, You will find Him in my Life, for Our Home would be Your Smile of Love. Until then, I will stay in Faith, praying for Him every single moment in my Heart and Soul. - an Old Soul trusting in God, always.

i think about how we give so much credit to the heavy and hard things for how beautiful we are… how we tell others of the darkness we've pushed through and they say things like… “it's why you're so strong.” or they speak of all that depth and texture it's given our character. and i think… it's true. but i also think… of the soft places i've had to fall where i can just be like a flower and made of my wild vulnerability, or of the moments in this life that bring out my glow… and of the ones who are there to witness it, and how they tell me that it's beautiful… and of all the sparks of inspiration like little embers on my pathways that help spark my own fires that i have waiting inside of me. as much as i can see how we grow from the push of darkness… i think we also need that feeling of light to help pull us into our bloom. and maybe it matters more than we know how much a little spark we leave somewhere might be a needed light… the way it could remind someone they are made of flowers… and help pull them into their bloom.

Watch The Sky. Look how majestically it walks, it moves and shifts, it growls and screams, and sometimes sheds tears, like every drizzle or a rain droplet is a tear of either a deep melancholy or a mad ecstasy, like the clouds float along the sky drifting in a tune of their own, as if they are dancing in the Stage of this Magnificent Pathway, a string of Stars play hide and seek in its camouflage and while everything treads along this hurricane of a very Chaotic Forever Moving Wheel, there is this Calm, this innate Calm that is so breathable, so palpable, so tangible, as if the Whole Sky is a Magic weave of Something Eternal, something Extraordinarily Strangely Beautiful, something Simple yet Unfathomable, something that churns Hope and Despondency at the same time, something Smiling and Crying at the same time, something beyond our Understanding. Something that when we closely look in, we can just be, we can just float like those clouds and release the droplets of chaos from our mind in the very Silence of its mystical Majesticity, and slowly, perhaps very very distinctly in a snail's pace our Mind finally declutters its passing turmoil knowing how everything moves and shifts, growls and screams, but eventually finds a Silence of its own.