Beautiful Outfits Quotes

You’re so obvious. Why didn’t you just roll in dog shit to make your outfit complete?

Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.

I didn't believe it was possible to hide a woman's beauty. I thought women were gorgeous no matter what they wore, and I didn't think they owed anyone an explanation for their sartorial choices. Different women felt comfortable in different outfits. They were all beautiful.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting

In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.

Take care of your costume and your confidence will take care of itself.

With right fashion, every female would be a flame.

Different women felt comfortable in different outfits. They were all beautiful.

Fashion doesn't make you perfect, but it makes you pretty.

It's time to shop high heels if your fiance kisses you on the forehead.

Any girl with a grin never looks grim.

Dresses don't look beautiful on hangers.

You cannot choose your face but you can choose your dress.

Over her years in LA, working in television, she’d amassed a considerable wardrobe of beautiful outfits. They were her pride and joy. Some people had kids or pets. Natasha had style.

The fact that students passed him by in uniform and he was standing there in torn jeans and faded old concert T-shirt made me smile. The rebel in me could totally relate. I stopped in front of him. "They're not going to let you stay in school dressed like that. I got a huge lecture for wearing a black shirt the other day." He glanced my outfit, which didn't really diverge from my normal fashion, and arched an eyebrow. Black cargo pants, white tank, grey zip-up hoodie, with a blade strapped to my thigh and a dagger in my boot. "What? Pants are black. Shirt is white. Blade stays." I grinned wider. "Because I'm special.

I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now

Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.

Ben felt paralyzed with shock. But she hadn't finished. In fact, she'd barely started. She went on to give him a scorching lecture about how he was a victim of this ridiculous, upside-down consumer culture in which everyone was constantly being bombarded with the pernicious promise of happiness, and even worse, being told at every turn that they had the goddamn right to be happy. And if they weren't, they could be, if they just got themselves a new car or a new dishwasher or a new outfit or a new lover. The messages were everywhere, Sally said, in every magazine you picked up. on every dumb TV show, feeling greed and envy, making people dissatisfied with what they had, persuading them they could change it and be happy and successful and beautiful, if only they had some gorgeous new thing or a new girlfriend or a new face or a new pair of silicone tits....

God in His infinite wisdom blessed humans with redundant tongues: one to outfit the mouth for speech. And a mother tongue to give it meaning... Though it wags out such inconceivable beauty, attached to the mother tongue lies one much maligned woman.

Better a character without fancy clothes than fancy clothes without character.

Because people don’t always want the truth. Like when your girlfriend asks if a particular outfit makes her look fat, you should tell her she looks beautiful.

Twice in my life now, I have buried myself in finery. Twice, I have arranged myself within a great compilation of fabric to prove that I understand the importance of a moment. It's clothing as contrition - a performance of beauty I have to put on to pay penance to the people gathered to acknowledge me. They are here to see me. And I must apologize for requesting their attention. Must make up for the weight of my demand by ensuring that looking at me will be a pleasant thing. Never mind the suffocation of the outfit, never mind the expense, never mind the impracticality. The transaction must be made. My efforts at beauty in exchange for their regard. And so, twice in my life, I have worn the cost of that recognition.

I didn’t believe it was possible to hide a woman’s beauty. I thought women were gorgeous no matter what they wore, and I didn’t think they owed anyone an explanation for their sartorial choices. Different women felt comfortable in different outfits.

Uh, hi," she said, lifting a hand in greeting. "Hi yourself," Liam said, feeling remarkably calm, under the circumstances. "Did you just walk out of that closet?" He looked her over, taking in her unusual attire, jewels, sword, and all. She looked exotic, stunningly beautiful, and in some intangible way, more herself than he'd ever seen her. "Nice outfit. Special occasion?" He was fairly certain she hadn't just come from a costume ball. Unless it was one that involved some kind of giant pumpkin and a fairy godmother.

An old fashioned outfit is not a costume, it's a comedy.

One can be posh on the outside yet potty on the inside.

Naomi Wolfe, journalist and author of The Beauty Myth, writes, “A culture fixated on female thinness is not an obsession about female beauty but an obsession about female obedience. Dieting is the most potent political sedative in history. A quietly mad population is a tractable one.”31 Wolfe strategically illustrates how body-shame social messaging is used as a means of controlling and centralizing political power. We need look no further than the 2016 U.S. presidential election to see Wolfe’s thesis in action. Candidate Hillary Clinton was exhaustingly scrutinized about her aesthetic presentation. Outfits, makeup, hairstyles were all fodder for the twenty-four-hour news cycle. Even the pro-Hillary, hundred-thousand-plus-member Facebook group Pantsuit Nation chose her penchant for eschewing skirts and dresses as the name of their collective, inadvertently directing public focus to her physical appearance rather than her decades of political experience.

I look ridiculous.” “You look like a beautiful baseball player.” He paused and grinned. “And that blush looks lovely with your outfit.” She rolled her eyes. “Have you forgotten I have a bat in my hands?” “Ah, but can you use it?

Julia had seen photos of Rose, pretty and tidy and smiling in this same garden, with Charlie at the beginning of their marriage, but her mother had eventually accepted and donned marital disappointment the same way she strapped on her ridiculous gardening outfit. All of her considerable efforts to propel her husband toward some kind of financial stability and success had died in their tracks. Now the house was Charlie’s space, and Rose’s refuge was the garden. The

For a six-year-old, she’s got some talent, and this drawing is among her better ones, in a way. The six figures actually resemble us—Patrick, Steven, the twins, me, and Sonia. We’re all standing in our garden, holding hands under a tree that’s blooming with white stars. She’s got the twins in matching outfits and she’s drawn something that looks more like a suitcase than a briefcase in Patrick’s free hand. Steven wears his new pin; my hair is pulled back into a ponytail. Around my wrist and Sonia’s are bracelets: red for her and black for me. We’re all smiling under a sun she’s decorated with orange hearts. “Beautiful,” I say, taking the drawing. But I don’t think it’s beautiful. I think it’s the ugliest fucking thing I’ve ever seen.

Oh, it's a beautiful day, it's an elegant, graceful day, and I'm sailing down the Strip in glamorous Las Vegas, on my motor scooter, in company with a certified illegal prostitute who loves poetry and remembers it. Sonofabitch, I'm a real writer! I used to worry about it, but no more. Life is good.

In spite of this newly developed media literacy, however, I’ve also noticed that it is now an increasingly sexualized ideal that younger and younger girls are beginning to feel they must live up to. The notorious Calvin Klein ad campaigns eroticized sixteen-year-olds when I was a teenager, then eroticized fourteen-year-old models in the early nineties, then twelve-year-olds in the late nineties. GUESS Jeans ads now pose what look like nine-year-olds in provocative settings. And the latest fashions for seven- and eightyear- olds re-create the outfits of pop stars who dress like sex workers. Is this progress? I doubt it.

As a teenager, I loved how I looked in the outfit of using drugs and exercising poor judgement. I had tried it on, spun around in the mirror, and decided I would choose this look, this image, this identity. But eventually and without realising it, the ability to choose had gone. I had become what at first I had only pretended to be.

I think I'll wear the Chian outfit,' he said to his body servant standing waiting for orders. Many men in Marius's position would have lain back in the bath water and demanded that they be scrubbed, scraped, and massaged by slaves, but Gaius Marius preferred to do his own dirty work, even now. Mind you, at forty-seven he was still a fine figure of a man. Nothing to be ashamed of about his physique! No matter how ostensibly inert his days might be, he got in a fair amount of exercise, worked with the dumbbells and the closhes, swam if he could several times across the Tiber in the reach called the Trigarium, then ran all the way back from the far perimeter of the Campus Martius to his house on the flanks of the Capitoline Arx. His hair was getting a bit thin on top, but he still had enough dark brown curls to brush forward into a respectable coiffure. There. That would have to do. A beauty he had never been, never would be. A good face - even an impressive one - but no rival for Gaius Julius Caesar's!

Current fashion magazines have become a form of entertainment, and in some cases bizarre art, showing women in outfits that the everyday woman would never wear. The fashion system has not and will never even attempt to teach us the skills and tools to honor our true nature and our unique physical traits so we can express our true beauty.

Breathtaking. That was the word, Liv decided, which had convinced her to wear the ludicrous outfit, because no one - not the one, solitary boyfriend she'd had during high school, or the leering frat boys she avoided at college parties - had ever spoken to her with such reverence. And with Xander beaming down at her, she did feel beautiful.

She was so ridiculously happy that most days she didn't know how to contain it. Every morning before dawn she would unwrap her long limbs reluctantly from those of her husband, drink the coffee he insisted on making for her, then walk down to open the library and get the stove going, ready for the others to arrive. Despite the cold and the brutal hour, she was almost always to be found smiling. If Peggy Van Cleve's friends chose to remark that Alice Guisler had let herself go something awful since she'd started up at that library, what with her un-set hair and her mannish outfits (and to think her so refined and well-dressed when she came, and all!), then Fred couldn't have noticed less. He was married to the most beautiful woman in the world, and every night after they had each finished work, and put away the dishes side by side, he made sure to pay homage. In the still air of Split Creek it was not unusual for those who were walking past in the darkness to shake an amused head at the breathless and joyous sounds emanating from the house behind the library. In Baileyville, in winter, there was not much to do after the sun went down, after all.

International trade seems to be the topic of the night, but there are a few differentiations—one talk is about the newest tax codes and how they can better benefit corporations. Snore. Another presents a variation on an old business model. It’s an original idea, but not practical. By the time the fifth student finishes, I’ve met my limit. I nudge Celia out of her reverie. “I’m ready to go,” I begin to say, but stop myself before I get the words out. The woman ascending the stairs to the stage has caught my eye, and all thoughts of leaving disappear. Something about the way she moves is captivating—the wiggle of her hips suggests an undercurrent of sexuality, and her back is straight with confidence. Then she turns toward the audience, and my breathe catches. Even here, twelve rows away, I can tell she’s the most beautiful woman I’ve ever seen. Her dark brown hair falls just so around her face, accentuating sharp cheekbones. Her eyes are dark. Her short dress reveals long, lean legs. The modest cleavage of her outfit can’t hide perfectly plump tits. There’s something else—something about her carriage that makes me sit up and take notice. And she hasn’t even spoken yet.

Carol wants to get some new clothes,” Nancy explained. “Want to help?” “You bet!” Bess and George answered. When the store closed that evening, the four girls left it chatting merrily and laden with bundles. Carol had been outfitted from head to toe in attractive clothes. Her hair had been trimmed and modishly combed at the beauty salon. She looked very lovely and seemed to have gained self-confidence.

We flew gracefully between the complicated lattice of trusses like a pair of nymphs. Add our sexy outfits and transparent metallite alloy spacesuits to our naturally good looks, and you can see what I mean, can't you? I was swept with an overwhelming confidence in how beautiful I must look. That's it! It wasn't that we felt things were going too easily. The fact was, we were frustrated that there wasn't anyone around to admire us.

You clean up well.” “Not half as well as you.” His glittering gaze took in her outfit, then returned to meet her eyes. “You trying to give me a stroke, countess? Because you’ve just about done it.” She laughed. “Did you just call me countess?” “You are one, right?” “I don’t believe we have any countesses here in America.” “Sure about that?” “Pretty sure.” “Well, if we had any, you’d be one. You look beautiful.” His compliment poured over her like a sunbeam. “Thank you. So do you.

Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.

Being scared and nervous means you care, and not only is caring a beautiful thing, but it also means you value the outcome of a situation. However, fear and nervousness become problematic when they affect your performance. Understanding when to adopt and abandon these feelings is an important first step in controlling them. It’s helpful to think of fear and nerves as an outfit you wear before doing something nerve-racking. Don’t try to avoid these feelings altogether; rather, get comfortable with taking the outfit off when it’s time to execute.

How to Come Out as Gay Don’t. Don’t come out unless you want to. Don’t come out for anyone else’s sake. Don’t come out because you think society expects you to. Come out for yourself. Come out to yourself. Shout, sing it. Softly stutter. Correct those who say they knew before you did. That’s not how sexuality works, it’s yours to define. Being effeminate doesn’t make you gay. Being sensitive doesn’t make you gay. Being gay makes you gay. Be a bit gay, be very gay. Be the glitter that shows up in unexpected places. Be Typing . . . on WhatsApp but leave them waiting. Throw a party for yourself but don’t invite anyone else. Invite everyone to your party but show up late or not at all. If you’re unhappy in the closet but afraid of what’s outside, leave the door ajar and call out. If you’re happy in the closet for the time being, play dress-up until you find the right outfit. Don’t worry, it’s okay to say you’re gay and later exchange it for something else that suits you, fits, feels better. Watch movies that make it seem a little less scary: Beautiful Thing, Moonlight. Be southeast London, a daytime dance floor, his head resting on your shoulder. Be South Beach, Miami, night of water and fire, your head resting on his shoulder. Be the fabric of his shirt the muscles in his shoulder, your shoulder. Be the bricks, be the sand. Be the river, be the ocean. Remember your life is not a movie. Accept you will be coming out for your whole life. Accept advice from people and sources you trust. If your mother warns you about STDs within minutes of you coming out, try to understand that she loves you and is afraid. If you come out at fifteen, this is not a badge of honor, it doesn’t matter what age you come out. Be a beautiful thing. Be the moonlight, too. Remember you have the right to be proud. Remember you have the right to be you.

Now, beauty is not a size or a shape, an outfit or a color. Real beauty is something that shines. The rest is only glamour. This girl was both dark and luminous, like a copper beech in the sun. Luminous was her brown skin, and her eyes were every shade of leaf, from guinea gold to forest-floor black. She was wearing a yellow dress. Her hair was a crown of autumn fire. And yes, she was very beautiful. But her beauty was none of these things. And although by the time she had left, Tom could barely remember her clothes, or the shape of her face, or the color of her eyes, or the exact shade of her skin, he knew he would always remember that shine.

Sometimes I don’t know how any of us go on. Sometimes I fear there’s no way our species will survive our own self-destructive choices. Sometimes I feel so gut punched by the backward deal of the universe—that if you’re really lucky, you get people in your life to love, and then, over time, they will all either leave you or die—that I am angry at life. Actually, not sometimes. Always. I always feel that way. I don’t always actively think about it, but it’s in there. At the same time, I am always looking for some gratitude, warmth, or hope. I often have to really search for it, but when I see something that makes me feel joy—even just a tiny odd hardly anything—you’re damn right I applaud it. Way to go, adorable cat on a leash! Thank you, server who brought my hot pizza! Kudos, writers of a TV show that made me laugh! Hallelujah, sunshine after a week of storms! Yay for a good hair day, yippee for hot coffee, huzzah for an outfit that puts bounce in my step. If I can scrape up some evidence of a thing made beautifully or a gesture made kindly, then I can believe, for a few seconds, that this world is careful and kind. And if I can believe that, I can believe it is safe to let the people I love walk around out there. It’s my own attempt at foresparkling, seeking out hints of good, even planting them myself, so I can believe there’s more good to come. It might all be superstition, just mental magic, but why not try?

On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.

Patience outfits faith, guides peace, assists love, equips humility, waits for penitence, seals confession, keeps the flesh in check, preserves the spirit, bridles the tongue, restrains the hands, tramples temptation underfoot, removes what causes us to stumble, brings martyrdom to perfection; it lightens the care of the poor, teaches moderation to the rich, lifts the burdens of the sick, delights the believer, welcomes the unbeliever, commends the servant to his master and his master to God, adorns women and gives grace to men; patience is loved in children, praised in youth, admired in the elderly. It is beautiful in either sex and at every age of life.... Her countenance is tranquil and peaceful, her brow serene.... Patience sits on the throne of the most gentle and peaceful Spirit.... For where God is there is his progeny, patience. When God's Spirit descends patience is always at his side.3o

The voice of the crowd rises into one universal scream as we roll into the fading evening light, but neither one of us reacts. I simply fix my eyes on a point far in the distance and pretend there is no audience, no hysteria. I can’t help catching glimpses of us on the huge screens along the route, and we are not just beautiful, we are dark and powerful. No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favour, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last. As we curve around into the loop of the City Circle, I can see that a couple of the other stylists have tried to steal Cinna and Portia’s idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from District 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.

I took up a conversation with a gorgeous country girl wearing a low-cut cotton blouse that displayed the beautiful sun-tan on her breast tops. She was dull. She spoke of evenings in the country making popcorn on the porch. Once this would have gladdened my heart but because her heart was not glad when she said it I knew there was nothing in it but the idea of what one should do. “And what else do you do for fun?” I tried to bring up boy friends and sex. Her great dark eyes surveyed me with emptiness and a kind of chagrin that reached back generations and generations in her blood from not having done what was crying to be done—whatever it was, and everybody knows what it was. “What do you want out of life?” I wanted to take her and wring it out of her. She didn’t have the slightest idea what she wanted. She mumbled of jobs, movies, going to her grandmother’s for the summer, wishing she could go to New York and visit the Roxy, what kind of outfit she would wear—something like the one she wore last Easter, white bonnet, roses, rose pumps, and lavender gabardine coat.

Suddenly, he wanted some credit for it. He wanted someone to thank him for not crapping on the institution of love. He wanted someone to thank him for not being yet another dilettante. He wanted someone to thank him for quitting poetry. He wanted some great poet to thank him for quitting poetry instead of desecrating it with his amateurishness. He wanted some unborn child to thank him for not conceiving her and not leaving her a hope chest full of mawkish villanelles. He wanted some sort of organization of martyrs to give him an award. He wanted to be decorated for not putting up a fuss. He wanted to be the president of forgettable people. He wanted there to be a competition for the least competitive person, and he wanted to win that competition. He wanted some sort of badge or outfit or medal or key or hat. He wanted to be asked to stand. He wanted to be considered. He wanted to be considered in earnest before being ignored. He wanted all the insane and beautiful and passionate people in the world to take one moment of silence in gratitude for the ones who had ceded them the stage-- he, the unread poet, the sacrifice, the schoolteacher-- he wanted one goddamned moment of appreciation.

Years later I saw a film - poignantly sad, and for me unbearably so - about a scientist who had invented a kind of total sense recorder, not just video but audio and smellio and touchio and the rest, which he set to play every afternoon in a given place a given time, for as long as the mechanism lasted. The scene he projected was that of a dozen or so young couples dancing on a terrace in the same holiday house, on the same island, where the recorder itself was kept. Then this young man comes across it while it is playing and at first is convinced he is watching a real occurrence: he sees this beautiful girl, in her slinky 1930s outfit, dancing and laughing and chattering with her friends, and he falls in love with her on the spot. Second day, same time around, he comes to the island at a slightly different time so he sees a slightly different excerpt, and still doesn't twig and falls deeper in love. And so on and so forth for various days until he happens on a duplicate bit and realises something is wrong. But by then, of course, he is irretrievably hooked. So what does he do? He digs out the machine, fiddles with its insides until he has grasped its workings, and then sets it up in recording mode and records himself into the scene in a desperate last-ditch attempt to join the dancers. Which works, and there he stays: trapped there amongst them in a virtual dimension, forever young, forever re-enacting the same little loop of life, over and over.

I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.

How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

You won’t be needing that,” a low voice said just as she was about to put it around my neck. “What?” I turned to see Victor standing there, dressed in a pair of dark slacks and a maroon shirt with a black tie. The outfit looked oddly formal on him—probably because I’d never seen him in anything but jeans before. “I said you won’t be needing that.” He stepped into the room and motioned to the necklace that Addison was still holding. “Hello, Victor,” she said, nodding at him but standing her ground by my side. “Is wearing jewelry against were customs or something?” “No. I just have something else I want… I need Taylor to wear.” He held out one large hand and I saw a single strand of elegant pearls lying across his palm. “They’re beautiful,” I breathed, looking up at him. “Where did you get them?” “They were my mother’s,” he said roughly. “She… gave them to me when I was banished from my home pack.” He cleared his throat. “They’re supposed to be for my wife to wear on formal occasions. I understand if you don’t want to—” “Of course I’ll wear them,” I said quietly. I went to stand in front of him. “Would you put them on me?” He fastened them around my neck, and I shivered at the feel of his big, warm hands brushing my nape.

In her palace at Alexandria, Cleopatra begins her final night. The last of the pharaohs, who was not as beautiful as they say, who was a better queen than they say, who spoke several languages and understood economics and other male mysteries, who astonished Rome, who challenged Rome, who shared bed and power with Julius Caesar and Mark Anthony, now dresses in her most outlandish outfit and slowly sits down on her throne, while the Roman troops advance against her. Julius Caesar is dead, Mark Anthony is dead.

One of the chairs in particular is unsettling to them. Made to look like an electric chair, it has leather straps and chains and wires hooked to a car battery. A dead rose wilts on the seat. The artist says the chair isn’t about physical death but about “how lying to each other kills beauty.” One chair is covered in bling, another in barbed wire and sculpted burnt and screaming faces. Two chairs are concealed in boxes. Another has a hole cut into the seat and a potted plant growing up from beneath. One chair is outfitted with fishbowls filled with live fish. Reassembled and painted to look like a black widow spider, one chair hangs from the wall.

Fancy exterior is indicative of a rotten interior.

It good thing to put make up on that will suit your personality and match your tone skin color,outfit for an example if you're a polite person us polite colors if you're vibrant or bubble person vibe colors is yours that will make you beautiful in a stylish way if it heppen that you want to booster apply bright colors it little touch up or lower adjust color little not with the way that will show.

It’s each one of our jobs to reject that comparison of what we think beauty is and realize we are the motherfucking beauty. What we see on the outside doesn’t always reflect what is inside, and vice versa. The only thing that matters is keeping your facts straight about how worthy you are of your own acceptance and love. Confidence is more about having courage to say you don’t always feel on and poppin’. You’re like, I’m not sure about how this outfit totally is working but damn it, I came to slay. Because I’m just so grateful for this moment.

It’s clothing as contrition, a performance of beauty I have put on to pay penance to the people gathered to acknowledge me. They are here to see me, and I must apologize for requesting their attention, must make up for the weight of my demand by ensuring that looking at me will be a pleasant thing. Never mind the suffocation of the outfit, never mind the expense, never mind the impracticality. The transaction must be made: my efforts at beauty in exchange for their regard.

Stevie evokes a raw, sensual-but-innocent power and, dressed in her black Rhiannon outfit, she cuts a surrealistic image onstage. But, really now, she’s not a witch. “I’m not a heavy psychic weirdo. I just happen to love black and I love to dance. I hate seeing rock ‘n’ roll ladies that stomp across the stage and that are so hard core. It’s so unfeminine. Being a sex symbol has never been my goal in life. I just happen to love beautiful flowing movements. You know,

Rays of sunshine beamed through the narrow slit at the top of the canyon walls and straight down into the deep shadows of the caverns. It pierced the darkness and, in some strange, fantastical way, the two seemed to make one another more beautiful. The dark and light complemented each other, not in the way that the right shoes complement an appropriately suited outfit, but in the way that life complements death. Without one, you simply can’t have the other. Maybe God was doing something like that in my life, too?

Por nuestro hilo notaba que estaba mal, pero él nunca me quería decir por qué de primeras, como si no quisiese darle presencia cuando estábamos a solas, o solo para no revivir aquellas cosas que rozaban, tocaban y retorcían lo grotesco. Al final siempre me lo decía. Me daba mucha pena. En esos momentos quería estar con él más que nunca. No para besarle ni para demostrar que me tenía colada por completo, sino para darle un hombre donde apoyarse, para darle un abrazo para comprarle un paquete de pipas y sentarme con él en su banco a comer tijuana y a escuchar Crystal Castles. Le hablaría de mi gata Virutas para que se alegrara, le enseñaría fotos suyas y nos reiríamos juntos. Le comentaría mi amor por Winnie The Pooh y su amigo Puerquito, que es así como se llama en mi cabeza. Cómo un día me pasé el día con mi familia en el Max Center, el epicentro comercial de Barakaldo, y me compraron un libro de Puerquito que me hizo feliz. Le escucharía todos los minutos y las horas que necesitase soltarlo todo, nuestros clásicos let it out. Le haría reír con mis cosas de Pringada y con sus cosas de fan. Le tumbará en un césped escucharíamos The Cure mirando al cielo. Le pasaría un rotulador para que entre entretuviese pintándome barbaridades en los brazos. Le recordaría la escena de Phiphi vs. Sharon de RuPaul's Drag Race y el fracaso que fue Serena ChaCha. Le permitiría ser pedante sobre lo mala que le parece American Beauty, mi peli favorita. Le preguntaría sobre los orígenes de PXXR GVNG, el realismo sucio de Bukowski, su descubrimiento de The Drums y el outfit que tenía pensado llevar a nuestra próxima pinchada en Razzmatazz. Le haría elegir entre Vetements y Maison Margiela. Le sacaría todas sus nuevas ideas estéticas de haute cuture, como juntar dos camisas en una y parecer la promesa de la próxima MET Gala. Le haría saber que dentro de mí hay alguien que le acepta, le admira y le quiere tal y como es, sin cambiar ni una pizca, sin miedo a que parezca un maricón o a que pierda las formas con gente que en realidad importa una mierda. Le enseñaría que hay un mundo ahí fuera con más freaks como nosotros y que él era una estrella de las cegadoras que había ahí arriba. Que vivir en un mundo pequeño no le condenaba a una vida pequeña. la aseguraría que lo arreglarían mientras me haría un nudo de la garganta, dejaría mis bloqueos y le abrazaría hasta que se le fuese toda la tristeza por los pies. Y si se nos hacía de noche le dejaría mi chaqueta para que no se congelase de frío.

Girls at Shoreline said Rich looked like L.L. Cool J. They called him Richie D., and around that time, Warren began to call himself Warren G. Erik wore his baseball cap just tilted perfectly to the side and also knew every song by Too $hort and was impressed that Warren knew the lyrics so well. Rich and Erik and D’Arcy beat him into the Crips and, after this initiation by pummeling, they said, “You’re part of the family now.” Though older boys in View Royal may have scoffed at Warren G. and “his whole gangster act,” older boys were unaware of the care and attention he brought to his outfits, which were, perhaps, both costume and disguise. He favored white. The color was distinctly his own, and it set him apart from his fellow gangsters, the members of the CMC (Crip Mafia Cartel). For the members of the CMC, blue was mandatory, red forbidden. White was Warren’s personal choice, and an unlikely one, for black may have better created the look of a badass he aspired to. At 5’4 and 115 pounds, Warren was far from a thug, and in fact could not have been cuter and, despite his knowledge of lewd song lyrics and his tempestuous domestic situation, innocent. Never has a boy looked more as if he wandered out of a fairy tale. His eyes were immense, and his eyelashes were long, and his expression was earnest and longing and always, always hopeful. He was possessed of the certain androgynous beauty that appeals so strongly to girls who have not yet turned sixteen. Like heartthrobs of past and present (that year it was Leonardo DiCaprio), Warren G. appeared neither manly nor mean, and in fact, his soft beauty suggested he might really need to be saved.

She liked knowable, comfortable things. She liked cozy reading nooks. Books that always ended the same way, characters in novels who were easily recognizable by their outfits. Beds with elaborate canopies that protected her from the world, and maybe that is the problem. Maybe this bed is too beautiful. It makes her feel grateful to be so far away from her own.

Cults of beauty have been persistently homosexual from antiquity to today's hair salons and house of couture," Camille Paglia writes in Sexual Personae. "Professional beautification of women by homosexual men is a systematic reconceptualization of the brute facts of female nature." Barbie—who doesn't bleed, kvetch, or demand to choose her own outfits— may be, for some gay arbiters, the apotheosis of female beauty.

On the surface, we may look polished and “perfect,” but hiding our true self in all its dimensions saps our life energy and robs us of the freedom to express ourselves genuinely, from the heart. Hiding leaves you with the experience of feeling splintered and having lost yourself. You can have the fabulous yoga outfit; know the name of every pose in Sanskrit; and even have a beautiful, super-flexible, strong practice. But the real question to ask is “Where are you in all of that?” And, even more, “What is hiding behind all those trappings costing you?” So

See, I have this theory that humans are just living, breathing, talking forms of art, each crafted with a different technique and carved out of different materials. Each beautiful in their own way. And sure, beauty is in the eye of the beholder, and totally subjective, and changes depending on your circumstance, yada-yada-yada… but most of the time, it’s pretty easy to classify people. Like, okay, you know those women who are gorgeous and never know it? Or the men who pass quietly through life, handsome and unnoticed, never begging for attention or crying out for recognition? Those are your watercolors. And the loud, vivacious, gorgeous-and-they-know-it creatures, with bright lipstick and closets full of bold colors and outfits they never wear twice? Acrylics. The graceful, elegant, aging beauties you pick out in the crowd, or across the cafe, the lines on their faces telling a story you just know you’d want to hear, with so many layers and smudges, twists and turns, you’re not even sure where they begin? Charcoals. Then, you’ve got the big-picture-beautiful people, with the collection of interesting features that together make a beautiful face. They’re your oil paintings — best from ten feet away and, at the end of the day, kind of funny looking if you lean closer and analyze all their elements separately. But I’m quickly learning that Chase Croft doesn’t fit any of my categories. He isn’t a brushstroke on canvas, or bumpy layers of paint on a palette, or imperfect lines scratched inside a sketchbook. His features aren’t just gorgeous as a collective — he’s one of those annoyingly attractive people whose every feature is equally stunning. He’s a sculpture.

David Sassoon For several decades, British designer David Sassoon has provided the best in evening wear for fashionable and famous customers from his high-profile store in London. His work has been featured in many international fashion shows and museums throughout the world, and his garments are in high demand at such notable stores as Sak’s Fifth Avenue, Harrods, and Neiman Marcus. The Princess of Wales would often make surprise visits to my shop, as I had made her going-away dress and many other outfits for her trousseau. In August 1982, Diana came to my shop with Lady Sarah Armstrong-Jones, the daughter of Princess Margaret, who had been a bridesmaid at Diana’s wedding. The Princess was wearing a blue-and-white-striped sailor-style two-piece outfit; Sarah wore a white shirt and a cotton skirt, as it was a very hot day. Diana said that she would like to choose a long evening dress for Sarah as a present. The dress was to be worn at a ball at Balmoral Castle. This was Sarah’s first long dress, and Diana wanted her to have her dream dress. There were lots of giggles and excitement as Diana helped Sarah try on some of the dresses, and the dressing room was full of laughter. Finally, Sarah chose a bright red strapless taffeta ball dress, which made her feel very grown up. We brought them tea while the dress was being fitted, and Sarah, who obviously adored Diana, listened to her advice about what accessories would complement the dress. Sarah was so excited about her beautiful and glamorous present when they left the shop. Diana had made a young girl’s dream come true.

tilted and her eyes crinkled with amusement, Julia gazed into the distance. Millie was looking at Julia and laughing happily. The pair were obviously enjoying a funny moment together, their pose completely natural as they focused on each other and whatever it was they had shared, the two of them completely unaware of the camera. Julia’s big brown eyes and long dark hair were set off beautifully by the pretty pink top she was wearing, while Millie’s blue T-shirt contrasted with it perfectly. It really was a gorgeous photo and gave a true impression of how close they were. Another picture showed the two of them dressed up in really cool Halloween outfits. They both looked amazing and I thought about how much fun that night must have been.  

I think you should be punished for tormenting me for so long.” --- “Don’t be afraid,” he said. “Art is full of agony and beauty. The pen itself a sword of pleasure and pain, isn’t it, my poet?” --- “I’ve been waiting for you.” His voice sizzled with hunger. How could I respond? I’ve been thinking about you non-stop like a sex-crazed harlot since I left? “I’m here.” --- “Remind me who you are,” he said in a gentler tone, almost a please. “How we know each other.” “Okay,” she began. “I’m Savannah Evans, a grad student and teaching assistant who teaches English at a college in Cambridge. I applied to the colony to work on my poetry and arrived six weeks ago. “We’ve spoken many times. You’ve praised my work, which I find a great honor as I’m a fan of your art.” --- “A cross between two species. Doomed with the thirst of the undead for human blood, yet tormented by the gargoyle drive to protect them.” --- She ceased to breathe. When he leaned forward and his lips fluttered against hers, her footing became unsteady and she stumbled. He placed a hand on her lower back to steady her and pulled her close. Her breasts met his hard torso and she became aware at how frantically her heart beat. She wrapped her arms around his neck and lost herself in the kiss as their lips met. They explored each other with a sort of fascination, mouth and tongues claiming each other in their hunger. Delicately at first, as if not sure this was real or just a fantasy, and then strong and unyielding. Demanding this moment to never end. --- “I bought new lingerie today I wanted to show you, but I didn’t get a chance with all that happened.” “You’ll have to return tomorrow night then…. Maybe we’ll order an entire catalog.” His smile and the glint of mischievousness in his eyes reflected lascivious thoughts. “You can model all the outfits you’d like for me.” ---

Ready for bed Lil—” Baird’s voice cut off abruptly as she entered the room. Taking in the long, thick, flannel gown his eyes widened and then narrowed. “What in the seven hells have you got on?” he demanded. “My nightclothes.” Liv felt a little thrill of satisfaction at thwarting the big warrior so neatly. “Do you like them?” “Not nearly as much as that little black outfit you had on the first time I saw you.” He sighed. “But if that’s what you want to wear, well, you look beautiful, Lilenta. Always beautiful to me no matter what you’re wearing. I just wish…” He trailed off, shaking his head. Liv frowned. “You wish what?” Baird shook his head. “I guess I just wish you weren’t so afraid of me.” There was sorrow in his eyes that looked sincere. “Wish you didn’t feel you had to hide your beautiful body from me.” Liv put her hands on her hips. “I am not afraid of you.” His eyes flashed liquid gold. “Of course you are. You’re afraid of what my body would feel like against yours. Afraid of how you might react if I touch you. That’s why you’re hiding behind that…that thing.” He gestured contemptuously at the flannel nightgown. “I told you,” Liv flared. “I’m not afraid of you and I’m certainly not afraid of my reaction to you.” “Oh yeah?” he raised one eyebrow mockingly. “That robe thing you have on says otherwise.” “For

Honestly Feb! Have you taken a good look at yourself in the mirror lately? You will see a drop dead sumptuous vixen staring back at you. No excuses! Tomorrow, we are taking you shopping for some sexy outfits (Holly O'Malley talking to her cousin)

As she lifted the skirt to examine it, Hunter stepped into the lodge, sending her scurrying for cover under the buffalo robe. Flashing her a mischievous smile, he said, “Maiden sent the clothes. Next time, you will not be wrapped in so much wannup, yes? It will take us much less time to do nothing.” He turned and left the lodge before Loretta realized he had made a joke. It took even longer before she smiled. There was a promise behind the lightly spoken words. Next time, it would take them much less time to do nothing. With a new lightness in her heart, Loretta sprang from the bed and slipped into the beautiful outfit Maiden had made for her. It fit perfectly. She ran her hand over the soft supple leather that skimmed her chest, her cheeks flaming. She might as well be naked. The tail of the blouse scarcely reached past her waist, falling in a straight sweep from her bustline, loose and airy. Knowing Hunter’s penchant for reaching under her clothes, she couldn’t imagine herself wearing this around him. And she skirt wasn’t much better, hitting her at the knees, with a tease of fringe around the bottom. No underwear, not a stitch! It was scandalous.

Now, now, Mason. Don’t forget once she’s designed for you, she’s no longer your product but rather your beautiful blushing bride.” “What do you think, Bradley?” Dr. Ivory asked. “Bradley?” This time, anger laced his tone. “Yes, sir?” Bradley looked at him with defeated eyes. “Do you think product number five will look good in this for the wedding night?” He sneered, and I swore it took every ounce of willpower not to jump across the table and gauge his fucking green eyes out. “Look at it, Bradley. Look at the outfit and tell us exactly your thoughts.” Dr. Ivory knew what he was doing. He was torturing that innocent young woman’s brother. The binder slid over toward us, and I looked at the image. A black lace outfit, combined with a dog collar-looking choker and leash was on the page, and the page beside it contained a white lace outfit with the same dog collar and leash. Suddenly it all started to piece together. The ‘white-therapy’ had to be some distorted way to make these women submissive? But how? This wasn’t some kind of rehabilitation; this was molding women to be subservient wives for these disturbed men.

You’re a beautiful girl by Earth standards with glowing red eyes and a sinister looking outfit on who’s been shown on the internet gutting demons with her bare hands and going berserk,

What do you think of my outfit?” “I think you look stunning. Like the most beautiful girl I’ve ever seen.

Elena glowed in is vision, encircled by a veil of energy, as if she attracted all the light in the cellar, from the finger of daylight seeping through the crevice under the door to the unnatural flame flickering above the witch's candle. Even her odd outfit sparkled as though it had been beaded with precious stones. God, she was beautiful.

Tell you what, I’ll owe you an ice cream.” Nona was a bit mollified. “I don’t want ice cream, thanks,” she said, on her dignity. “You shouldn’t ask me things if you don’t want me to tell the truth about them.” “I know. I do it all the time, I’ve never learnt. It’s awful—my sister says that. I’d ask her how I looked in an outfit and she’d always say exactly what was on her mind, and sometimes all I wanted was for her to tell me I looked perfect, even if I didn’t.” Crown sighed, the picture of tragedy. “And, horribly, she was always right.” “But you always look beautiful,” said Nona. “That’s why I should ask you what I look like, and ask my sister what I’m feeling,” said Crown. “You’ll always tell me I look beautiful and she’ll always tell me what I want her to think.

Because weren’t we all beautiful in our own way? And, didn’t we have a right to be reminded when we forgot? I realised, as we stood in his kitchen and I told my heart to stop staring at his naked abs, that not one of my friends – not even Nancy – had ever said anything of the sort. I think it had been something like two years since I stopped asking Nancy her opinion on my outfits because she always agreed when I asked if I looked…somehow not right. I

It was a beautiful fall day at the soccer fields when I met Stacy for the first time. The game had just begun when she arrived carrying homemade pumpkin spice muffins with cream cheese frosting for everyone, photos of the jack-o’-lantern she had elaborately carved earlier that morning into the shape of a witch stirring a bubbling cauldron with the rising steam spelling out the word “Boo,” enough material and glue for each of the siblings not playing soccer to make adorable “easy no-sew” bat wings as a fun craft to fill their time, as well as little gift bags for every mother full of Halloween-themed wine charms and sleep masks that were embroidered with “Sleeping for a spell.” Besides her generous gifts, she also looked terrific. She was wearing the perfect fall outfit with just the right number of layers and textures and cool boots. Her hair was beautifully twisted into a loose braid casually thrown over one shoulder. While everyone sat in their lawn chair and screamed at their kid to “attack the ball,” Stacy ran up and down the sidelines taking (no doubt fabulous) photos of her son and overseeing the siblings’ craft bonanza. At this point I should also mention, in case you don’t feel bad enough about yourself, that Stacy has a full-time job outside the home. Like a really important one. I’m not sure what she does exactly, but from the thirty seconds that she slowed down long enough to talk to me, I learned that she works fifty hours a week or so and travels around the country every few days and then comes home and makes her kids pancakes in the shape of clovers for breakfast, because it’s International Clover Day or some shit like that.

Pretty's Bowtique has a huge selection of newborn baby coming home outfits. The perfect newborn coming home outfit will set the style bar for the rest of your baby's life. While you've spent all your time making your baby look adorable, there is nothing more adorable than a baby who comes home in a beautiful, stylish outfit. When you're bringing your newborn home, make sure to choose an outfit that reflects your sense of style. Here are some tips for choosing the perfect outfit.

Halfway through the day, Megan started dicking around on the internet. She made her browser window as small as she could, paused for a second, and then looked up “Carrie Wilkins.” She found Carrie’s website, and on it, this bio: Hi, my name’s Carrie. I’m 26. I make things. I paint and I write, but mostly I design. I like to make things beautiful, or creative. I make my own food and I’m trying to grow my own beets. A lot of people around me seem unhappy and I don’t understand why. I freelance because I know I’d go insane if I couldn’t make my own schedule—I believe variety is the zest of life. I know I want a dog someday soon, and sometimes I make lunch at 3 a.m. I believe in the power of collaboration, and I’d love to work with you! What a total asshole. What does she have, some kind of a pact with Satan? The picture next to Carrie’s bio had some kind of heavy filter on it that made it look vintage, and she had a friendly but aloof look on her face. She was flanked on both sides by plants and was wearing an oxford shirt with fancy shorts and had a cool necklace. It was an outfit, for sure, like all of Carrie’s clothes were outfits, which Megan always thought of as outdated or something only children did. The website linked to a blog, which was mostly photos of Carrie doing different things. It didn’t take too long to find the picture of her with the llama with a caption about how she and her boss got it from a homeless guy. And then just products. Pictures and pictures of products, and then little captions about how the products inspired her. Motherfucker, thought Megan. She doesn’t get it at all. It was like looking at an ad for deodorant or laundry soap that made you feel smelly and like you’d been doing something wrong that the person in the ad had already figured out, but since it was an ad, there was no real way to smell the person and judge for yourself whether or not the person stank, and that was what she hated, hated, hated most of all. I make things, gee-wow. You think you’re an artist? Do you really thing this blog is a representation of art, that great universalizer? That great transmigrator? This isolating schlock that makes me feel like I have to buy into you and your formula for happiness? Work as a freelance designer, grow beets, travel, have lots of people who like you, and above all have funsies! “Everything okay?” asked Jillian. “Yeah, what?” “Breathing kind of heavy over there, just making sure you were okay and everything.” “Oh, uh-huh, I’m fine,” said Megan. “It’s not . . . something I’m doing, is it?” “What? No. No, I’m fine,” said Megan. How could someone not understand that other people could be unhappy? What kind of callous, horrible bullshit was that to say to a bunch of twenty-yearolds, particularly, when this was the time in life when things were even more acutely painful than they were in high school, that nightmare fuck, because now there were actual stakes and everyone was coming to grips with the fact that they’re going to die and that life might be empty and unrewarding. Why even bring it up? Why even make it part of your mini-bio?

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There's the ego I know and love so much," I mutter, making my way to the bed, which, just like mine, is outfitted in black. "Have I told you how beautiful you look tonight?" His voice lowers. "If not, I'm a fool, because you are magnificently beautiful.

If Bliss Brain is so desirable and pleasurable, why is it so fragile? Why can our brains be distracted from happiness by the slightest hint of a thought? Why is the demon’s slightest whisper enough to drag us out of bliss? Why are our brains hardwired for negativity? The answer is simple: That’s how our ancestors survived. Those who were the most responsive to danger lived. If your ancestor’s brain had a genetic mutation that heard the rustle of the tiger in the grass a nanosecond earlier, he started running a moment sooner. Genes that paid close attention to threats conferred an enormous survival advantage, as I illustrate in my book The Genie in Your Genes. People who were less responsive to potential threats died, and their genes were lost to the gene pool. Those who reacted to the smallest hint of danger survived, passing their paranoid genes to the next generation. In contrast, happiness provided little or no survival value. Fail to notice a beautiful sunset, ignore the sound of children singing, walk by a rose bush without smelling the blooms? Nothing bad happens. But miss the rustle of the tiger? That’s fatal. So thousands of generations of evolution have honed our ability to respond to even the most minuscule whisper of the remotest possibility of threat, and abandon happiness at the drop of a hat. Mother Nature cares greatly about your survival—and not at all about your happiness. That’s why the DMN defaults to worry, instead of to bliss. Mentally rehearsing future stuff that might just possibly hurt us, past stuff that definitely hurt us, and present stuff that might signal danger—all these are signs of a brain that is successfully practicing the strategies that ensured our ancestors’ survival. This isn’t bad. It’s just excessive for the safe modern world in which we live. If you’re at a construction site where a skyscraper is being built, you wear a hard hat and safety goggles. Such an outfit is entirely appropriate for that context. As attire for tea with the queen? Not so much. Although the DMN interrupts meditation, it plays a useful role in our lives. It is active when we are thinking about others, considering our safety, remembering the past, and planning for the future. It is also active in self-oriented and social tasks, including memorizing the experiences we collect during task-oriented activities. The path of your inner mystic will elevate you to enlightenment. The goal of your inner demon is to keep you safe. You can’t get enlightened if you’ve been eaten by the tiger.

You and I have the most interesting jobs in the universe: We run the Intergalactic Steam Circus, a most outrageous and bizarre affair. Traveling in wildly colorful space clippers, we sail from planet to planet in a huge parade, landing just outside the major population centers, setting up our magnificent and gaudy tents, and selling the people our magic of noise, confusion, bright lights, and trickery. There are, of course, beautiful young women strutting like cats in scanty sequined outfits, and handsome young men with tanned and muscular bodies, their shirts open to the waist. But that’s not what draws the crowds, day after day, planet after planet. They come to see the machinery.

Blue high heels, a timeless and enchanting accessory, have long held a special place in fashion. These stunning footwear pieces effortlessly blend sophistication with a dash of whimsy, making them a coveted addition to any fashion-conscious individual's wardrobe. In all its shades, the color blue has always been associated with a sense of calm, serenity, and depth. When translated into high heels, this color takes on a whole new dimension, turning a pair of shoes into a fashion statement that exudes confidence and charm. One of the most remarkable aspects of blue high heels is their versatility. Whether you opt for a classic navy, a vibrant royal blue, or an ethereal pastel shade, there's a blue heel to suit every occasion. Navy blue heels, for example, are an excellent choice for corporate settings, exuding professionalism and power. On the other hand, a pair of electric blue stilettos can add a playful pop of color to your evening ensemble, making you the center of attention at any event. Blue high heels also beautifully complement a wide range of outfits. They can elevate a simple jeans-and-blouse combo, add a touch of elegance to a cocktail dress, or provide a striking contrast to an all-black ensemble. Their ability to effortlessly blend into various styles and settings is a testament to their timeless appeal. In addition to their aesthetic charm, blue high heels offer the wearer a sense of empowerment. The elevation they provide not only increases height but also boosts confidence. Walking in heels requires poise and balance, qualities that further enhance one's self-assurance. Blue high heels are a must-have for anyone looking to infuse their wardrobe with elegance and style. These captivating footwear pieces offer versatility, empowerment, and a touch of sophistication, making them an indispensable accessory for fashion enthusiasts. Whether stepping into the boardroom, hitting the town, or simply looking to turn heads, blue high heels will always rise to the occasion, leaving a lasting impression wherever you go.

The first thing I teach all of my clients is that stylish clothes and a beautiful personal style begin with stylish thoughts. You can have the cutest outfit in the world, but if your thoughts about yourself are janky, you will still feel janky. You must work on your thoughts first. The clothes will follow.

I look away when the Russian nurse comes in, holding a tray with Mom’s dinner on it. “Good evening, Mrs. Messing,” she says, her accent thick. Mom eyes her suspiciously. “I hope there’s plenty of sauce this time.” The nurse is polite and patient, even goes back to the kitchen to see if they have cracked pepper instead of the little packets. While Mom eats she talks about the parties she and Dad used to throw at the house. Those were the days, she says, sighing. Composers and producers; actresses like her and screenwriters like Dad, all of them vibrating with youth and beauty. The world was going to be ours. I readjust the napkin so that it covers a larger section of her blouse. How cute the two of you were in your matching outfits, she says about Emily and me. I refill her water cup, ask the nurse for more Parmesan cheese. Everyone said I was crazy to have daughters so close in age, but I thought one could watch out for the other. And you were always so mature, so it worked out. I dress her salad, tossing it with the flimsy plastic fork. Do you remember demanding white wine spritzers at your twelfth birthday party? Yes. I nod.

She was on the stage, busting out a performance to Shakira’s “Loca”, and making Mo, for the first time since he started with Hawk, wish he had another job. Honest to fuck, if he managed to get through the whole night, and all three of her feature sets (this was number two), without jumping off the stage and punching every motherfucker watching her in the throat, it’d be a miracle. He got why she was a headliner. He got why it was a packed house. She was graceful. She knew how to dance. She was beautiful. She had an awesome outfit on (or was taking it off). And she was sexy AF. Christ.

Her husband had done away with the white paint and wig Bastien had insisted he wear to Versailles, and yet he was still confined to an outfit of his cousin's choosing, and unused to the ruffles and lace of Parisian finery. His discomfort reminded her of the time Lumière had wrangled the Beast into something of a courtly ensemble. Even rough around the edges, Lio still looked princely standing there among them, shooting her apologetic glances when he could, knowing she was probably tallying all the absurdities she'd been made to endure thus far. He owed her. She had half a mind to demand he present her with another library for her troubles.

Our clothing becomes a part of our bodies, both reflecting and shaping our personalities and helping us fit into various social roles—or making it hard for us to do so. An obvious example of this is women’s clothing in the mid-1800s, which consisted of large full skirts, frills, and boned corsets. These outfits not only sent the message that women were decorative objects, valuable mainly for their beauty; they also made it impossible for women to move around easily or quickly and harder for them to perform many types of physical tasks, which in turn served as a visual “evidence” that women were less competent than men. Most women internalized the dress codes of the time and only felt comfortable in such clothing. This in turn led some to think of themselves as helpless and fundamentally decorative: their clothing determined their social roles and ultimately their sense of self.