Beautiful Evolve Quotes

Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.

I'm with a man who's evolved enough to look at my body and see it as more beautiful because of the journey it has taken.

There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

Let us remember that animals are not mere resources for human consumption. They are splendid beings in their own right, who have evolved alongside us as co-inheritors of all the beauty and abundance of life on this planet

Thing were falling apart. We just could not slow down. We were evolving into something greater, perhaps too much for our own good. And one thing always remained as I moved on. I saved a little bit of love just in case you would ever return home.

No' is golden. 'No' is the kind of power the good witch wields. It's the way whole, healthy, emotionally evolved people manage to have relationships with jackasses while limiting the amount of jackass in their lives.

When I was just a cute little caterpillar, you loved me. So I became a butterfly so you would never leave.

The most incredible architecture Is the architecture of Self, which is ever changing, evolving, revolving and has unlimited beauty and light inside which radiates outwards for everyone to see and feel. With every in breathe you are adding to your life and every out breathe you are releasing what is not contributing to your life. Every breathe is a re-birth.

The world turns and the world spins, the tide runs in and the tide runs out, and there is nothing in the world more beautiful and more wonderful in all its evolved forms than two souls who look at each other straight on. And there is nothing more woeful and soul-saddening than when they are parted...everything in the world rejoices in the touch, and everything in the world laments in the losing.

If it’s a phase, so what? If it’s your whole life, who cares? You’re destined to evolve and understand yourself in ways you never imagined before. And you’ve got our blood running through your beautiful veins, so no matter what, you’ve been blessed with the spirit of women who know how to love.

Let's face it, the universe is messy. It is nonlinear, turbulent, and chaotic. It is dynamic. It spends its time in transient behavior on its way to somewhere else, not in mathematically neat equilibria. It self-organizes and evolves. It creates diversity, not uniformity. That's what makes the world interesting, that's what makes it beautiful, and that's what makes it work.

Vibrate higher daily.

Extrapolated, technology wants what life wants: Increasing efficiency Increasing opportunity Increasing emergence Increasing complexity Increasing diversity Increasing specialization Increasing ubiquity Increasing freedom Increasing mutualism Increasing beauty Increasing sentience Increasing structure Increasing evolvability

You can love a song, but you can form a bond with an album, a relationship that evolves as organically and beautifully as a marriage.

Life: It is better not to wrap philosophy around such an inconceivable evolving beautiful mystery. If based on perception, alone; whatever the conclusion - it is still guessing.

I don't want to be swallowed by the darkness. Nor do I want to be blinded by the beautiful facade. No, I want to be part of a people who see the darkness, know it's real, and then, then, then, light a candle anyway. And hold that candle up against the wind and pass along our light wherever it's needed from our own homes to the halls of legislation to the church pulpit to the kitchens of the world.

Science has revealed a universe that is vast, ancient, violent, strange, and beautiful, a universe of almost infinite variety and possibility one in which time can end in a black hole, and conscious beings can evolve from a soup of minerals.

There are lots of trips out there. It's even possible to become a conference groupie, going from one seminar to another and being a Beautiful Evolved Human Being until you start making the people around you want to throw up.

Please God, don't let anyone take her. If you give me this, I swear to wake her every morning with 'good morning, beautiful' and kiss her to sleep every night. I'll keep her safe and hold her tight. I'll take of her, I swear.

Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive. Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, the cocaine of good looks. Biologists call this "supernormal stimulus" [...] Our beauty receptors receive more stimulation than they were evolved to handle; we're seeing more beauty in one day than our ancestors did in a lifetime. And the result is that beauty is slowly ruining our lives. How? The way any drug becomes a problem: by interfering with our relationships with other people. We become dissatisfied with the way ordinary people look because they can't compare to supermodels.

Have faith that your child's brain is an evolving planet that rotates at its own speed. It will naturally be attracted to or repel certain subjects. Be patient. Just as there are ugly ducklings that turn into beautiful swans, there are rebellious kids and slow learners that turn into serious innovators and hardcore intellectuals.

Yangi, a philosopher, art historian and poet, had evolved a theory of why some objects - pots, baskets, cloth made by unknown craftsmen - were so beautiful. In his view, they expressed unconscious beauty because they had been made in such numbers that the craftsman had been liberated from his ego.

Simply being born female in our society is to grow up being told your worth as a person is tied to how slim and attractive you are. Even for those of us lucky enough to have evolved parents, the message is still driven home by the world at large.

The beauty of practice is that it transforms us so that we outgrow our original intentions—and keep going! Our motivations for practicing evolve as we mature.

Felix,” he whispered. “Oh, little man. Oh, Felix. That fire… the fire is beautiful.

To slaughter grand and beautiful creatures like these tuskers, whether terrestrial or marine, solely to obtain a few teeth indicates that we have not evolved very much since the days our forebears lived in caves and saught to prove their superiority by adorning themselves with teeth and claws

In a Fisherian world, animals are slaves to evolutionary fashion, evolving extravagant and arbitrary displays and tastes that are all "meaningless"; they do not involve anything other than perceived qualities.

Today, women have access to the technological capacity to do anything to our bodies in the struggle for "beauty", but we have yet to evolve a mentality beyond the old rules, to let them imagine that this combat among women is not inevitable. Surgeons can now do anything. We have not yet reached the age in which we can defend ourselves with an unwillingness to have "anything" done. This is a dangerous time. New possibilities for women quickly become new obligations.

I will not try to describe the beauty of life in a Swarm ‒ their zero-gravity globe cities and comet farms and thrust clusters, their micro-orbital forests and migrating rivers and the ten thousand colors and textures of life at Rendezvous Week. Suffice it to say that I believe the Ousters have done what Web humanity has not in the past millennia: evolved. While we live in our derivative cultures, pale reflections of Old Earth life, the Ousters have explored new dimensions of aesthetics and ethics and biosciences and art and all the things that must change and grow to reflect the human soul.

The world turns and the world spins, the tide runs in and the tide runs out, and there is nothing in the world more beautiful and more wonderful in all its evolved forms than two souls who look at each other straight on.

Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.

i'm constantly evolving i just wish you were involved and a part of this change i've been doing this without you but i'm fine

Explore, experiment and evolve your beautiful world.

It's like the prime directive on Star Trek. You have to let the planet evolve at its own pace. You can't introduce hyperspace or warp speed until they discover it for themselves.

Felix’s beauty devastates him, annihilates every fiber of his being, and the voices shout in his head, they sing to him until he thinks his head will split.

Somehow, four strangers who had been randomly assigned to the same dorm room their freshman year of college had evolved into what we were now—a beautifully messy, perfectly imperfect family that’d gone through our share of ups and downs but made it through to the other side.

An evolved Goddess is someone who has a conscious comprehension and awareness to life, a beauty in their mindful nature, and is a role model who seeks to drive forward conscious change.

True love, the good, beautiful, one-and-only kind, the kind between loving friends and family and partners who are mostly just trying hard to do their best, it manages to overlook some pieces of its story. It overlooks what he can’t give you or how she failed you or what mistakes he made when he was struggling. It stays steady at its center. It evolves, through drought and storm. It grows. It survives.

You are not alone and never will be, because you have beautiful, constantly evolving history full of ghosts who are watching over you, who are proud of you. If you ever feel lonely, just look at the sky.

According to legend, Father Earth did not originally hate life. In fact, as the lorists tell it, once upon a time Earth did everything he could to facilitate the strange emergence of life on his surface. He crafted even, predictable seasons; kept changes of wind and wave and temperature slow enough that every living being could adapt, evolve; summoned waters that purified themselves, skies that always cleared after a storm. He did not create life—that was happenstance—but he was pleased and fascinated by it, and proud to nurture such strange wild beauty upon his surface. Then people began to do horrible things to Father Earth. They poisoned waters beyond even his ability to cleanse, and killed much of the other life that lived on his surface. They drilled through the crust of his skin, past the blood of his mantle, to get at the sweet marrow of his bones. And at the height of human hubris and might, it was the orogenes who did something that even Earth could not forgive: They destroyed his only child.

But there’s more to attraction than the exterior packaging. The color of your eyes has been burned into my brain since that man ripped away your hood in Edgecomb. The feel of your body when I caught you on the wagon has tormented me in dreams ever since. I never know what is going on behind those eyes of yours.” He gave her a wicked smile and Shea’s breath caught at the sight. “You are a constantly evolving puzzle. It drives me mad, and for someone like me, who can guess an opponent’s move before they even make it, that is more attractive than a fragile thing like appearance could ever be. You ask why you. How could it be any but you?

Theologian and scholar Walter Brueggemann writes beautifully in 'The Prophetic Imagination' that real hope comes only after despair. Only if we have tasted despair, only if we have known the deep sadness of unfulfilled dreams and promises, only if we can dare to look reality in the face and name it for what it is, can we dare to begin to imagine a better way. Hope is subversive precisely because it dares to admit that all is not as it should be. And so we are holding out for, working for, creating, prophesying, and living into something better---for the kingdom to come, for oaks of righteousness to tower, for leaves to blossom for the healing of the nations, for swords to be beaten into plowshares, for joy to come in the morning, and for redemption and justice.

…each woman is a wonderful world unto herself. And monogamy? It’s like choosing to live in a single town and never traveling to experience the beauty, history, and enchantment of all the other unique, wonderful places in the world. Why does love have to limit us? Perhaps it doesn’t. Only fear is restrictive. Love is expansive. And I wonder, since fear of enmeshment impels us to avoid commitment and fear of abandonment makes us possessive, what type of evolved relationship can emerge once those wounds are healed?

A man once said of women, "Women are like roads, the more curves, the more fun, exciting and dangerous they are." While the evolved man smiles with class and confidence and says, women with more curves, twists and turns in her mind are the most beautiful, exciting, dangerous creatures alive. And the evolved woman, well, she will accept no less than the evolved man; a man with honor, dignity and depth.

In the beginning, it is difficult and even painful to see the faults in yourself, the flaws in your soul, the error of your ways. But I have come to love the moments when I see my flaws and I spot my errors! It is one of the most beautiful things, really! Because it is when we see our own flaws and our own errors that we can find the opposite of those things! It is when we see our own flaws and our own errors that we can see that there is so much more room to become better! And so I have come to actually rejoice when I find something wrong with me! And I know when it’s really wrong because I can see it and I can feel it in my heart both at the same time— it is a revelation. It’s not something that comes from any external source; but it is my own spirit and the voice of God revealing these things to me, unfolding them, rolling them out of a silken cloth at my feet. And I smile.

What a miracle, that all we have to do to be beautifully loving creatures is just relax and allow.

Life, in all its evolutionary wisdom, manages ecosystems of unfathomable beauty, ever evolving toward more wholeness, complexity, and consciousness.

Women of the thinking society are the builders of nations. Women of the sentient society are the builders of the world. And given the same honor and dignity as men, women can build a much better and more harmonious world. Harmony and conflict-solving run in their veins. Whereas men have evolved into more authoritarian creatures.

When the sound and wholesome nature of man acts as an entirety, when he feels himself in the world as in a grand, beautiful, worthy and worthwhile whole, when this harmonious comfort affords him a pure, untrammeled delight: then the universe, if it could be sensible of itself, would shout for joy at having attained its goal and wonder at the pinnacle of its own essence and evolution. For what end is served by all the expenditure of suns and planets and moons, of stars and Milky Ways, of comets and nebula, of worlds evolving and passing away, if at last a happy man does not involuntarily rejoice in his existence?

The gifts of fate come with a price. For those who have been favored by life’s indulgence, rigorous respect in matters of beauty is a non-negotiable requirement. Language is a bountiful gift and its usage, an elaboration of community and society, is a sacred work. Language and usage evolve over time: elements change, are forgotten or reborn, and while there are instances where transgression can become the source of an even greater wealth, this does not alter the fact that to be entitled to the liberties of playfulness or enlightened misusage when using language, one must first and foremost have sworn one’s total allegiance. Society’s elect, those whom fate has spared from the servitude that is the lot of the poor, must, consequently, shoulder the double burden of worshipping and respecting the splendors of language.

I want us all to grow so comfortable in our own feelings, our own knowing, our own imagination that we become more committed to our own joy, freedom, and integrity than we are to manipulating what others think of us. I want us to refuse to betray ourselves. Because what the world needs now in order to evolve is to watch one woman at a time live her truest, most beautiful life without asking for permission or offering explanation.

i have a friend who’s an artist and he’s sometimes taken a view which i don’t agree with very well. he’ll hold up a flower and say, “look how beautiful it is,” and i’ll agree, i think. and he says - “you see, i as an artist can see how beautiful this is, but you as a scientist, oh, take this all apart and it becomes a dull thing.” and i think that he’s kind of nutty. first of all, the beauty that he sees is available to other people and to me, too, i believe, although i might not be quite as refined aesthetically as he is; but i can appreciate the beauty of a flower. at the same time i see much more about the flower than he sees. i can imagine the cells in there, the complicated actions inside which also have a beauty. i mean it’s not just beauty at this dimension of one centimeter, there is also beauty at a smaller dimension, the inner structure. also the processes, the fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting - it means that insects can see the color. it adds a question: does this aesthetic sense also exist in the lower forms? why is it aesthetic? all kinds of interesting questions which shows that a science knowledge only adds to the excitement and mystery and the awe of a flower. it only adds; i don’t understand how it subtracts..

Peg came over with dinner tonight and told me about this dumb schmaltzy poem she heard someone read at an AA meeting.  It got me thinking.  It was about how while we are on earth, our limitations are such that we can only see the underside of the tapestry that God is weaving.  God sees the topside, the whole evolving portrait and its amazing beauty, and uses us as the pieces of thread to weave the picture.  We see the glorious colors and shadings, but we also see the knots and the threads hanging down, the think lumpy patches, the tangles.  But God and the people in heaven with him see how beautiful the portraits in the tapestry are.  The poem says in this flowery way that faith is about the willingness to be used by God wherever and however he most needs you, most needs the piece of thread that is your life.  You give him your life to put through his needle, to use as he sees fit.

Without struggles, there would be no striving to be better, to overcome, to acquire the skills and strength to evolve as people. These are struggles that make us beautiful. Without difficulty, without suffering, no one would be on the path to self-actualization.

It seemed only right that beauty was the key to the industry, and the sacrificing of beauty to buy possessions seemed only fair to her evolving mind.

Love in marriage evolves : You are beautiful! You cook beautifully! What's for lunch?!

But an ethical and evolved life also entails telling the truth about oneself and living out that truth.

What is the part that makes us want to love someone who doesn't love us back? Don't focus on that. What should I focus on, then? THat the probability of any person being around is one in a trillion, so it's almost a zero percent chance of you being here. But you're going to have, you know, eight billion people, and those eight billion people have won the lottery. And the worst part is that nobody realizes that! They don't realize what a rare opportunity they have to observe this universe, because here's this amazing universe, and if humans hadn't evolved to this stage, they wouldn't know they were living in this beautiful place.

how utterly wondrous it is that a small collection of the universe’s particles can rise up, examine themselves and the reality they inhabit, determine just how transitory they are, and with a flitting burst of activity create beauty, establish connection, and illuminate mystery.

I believe natural beauty has a necessary place in the spiritual development of any individual or any society. I believe that whenever we destroy beauty, or whenever we substitute something man-made and artificial for a natural feature of the earth, we have retarded some part of man’s spiritual growth. I believe this affinity of the human spirit for the earth and its beauties is deeply and logically rooted. As human beings, we are part of the whole stream of life. We have been human beings for perhaps a million years. But life itself — passes on something of itself to other life — that mysterious entity that moves and is aware of itself and its surroundings, and so is distinguished from rocks or senseless clay — [from which] life arose many hundreds of millions of years ago. Since then it has developed, struggled, adapted itself to its surroundings, evolved an infinite number of forms. But its living protoplasm is built of the same elements as air, water, and rock. To these the mysterious spark of life was added. Our origins are of the earth. And so there is in us a deeply seated response to the natural universe, which is part of our humanity.

My darling sweetheart, you ask me why I love you. I do not know. All I know is that I do love you, and beyond measure. Why do you love me? Surely a more inscrutable problem? You do not know. No one ever knows. ‘The heart has its reasons which the reason knows not of.’ We love in obedience to a powerful gravitation of our beings, and then try to explain it by recapitulating one another’s character just as a man forms his opinions first and then thinks out reasons in support. What delights me is to recall that our love has evolved. It did not suddenly spring into existence like some beautiful sprite. It developed slowly to perfection. It was forged in the white heat of our experiences. That is why it will always remain.

He's giving me the full Mr. Darcy treatment now. Not the evolved Darcy who meditates on the fine eyes and takes a sexy plunge in the pond at Pemberley, but the haughty, judgmental Darcy from the first half of Pride and Prejudice. Any minute now I expect him to declare that I'm tolerable, but not pretty enough to tempt him.

Rich Indians typically tried to work around a dysfunctional government. Private security was hired, city water was filtered, private school tuitions were paid. Such choices had evolved over the years into a principle: The best government is the one that gets out of the way. The attacks on the Taj and the Oberoi, in which executives and socialites died, had served as a blunt correction. The wealthy now saw that their security could not be requisitioned privately. They were dependent on the same public safety system that ill served the poor.

There is a – let us say – a machine. It evolved itself (I am severely scientific) out of a chaos of scraps of iron and behold! – it knits. I am horrified at the horrible work and stand appalled. I feel it ought to embroider – but it goes on knitting. You come and say: “this is all right; it’s only a question of the right kind of oil. Let us use this – for instance – celestial oil and the machine shall embroider a most beautiful design in purple and gold”. Will it? Alas no. You cannot by any special lubrication make embroidery with a knitting machine. And the most withering thought is that the infamous thing has made itself; made itself without thought, without conscience, without foresight, without eyes, without heart. It is a tragic accident – and it has happened. You can’t interfere with it. The last drop of bitterness is in the suspicion that you can’t even smash it. In virtue of that truth one and immortal which lurks in the force that made it spring into existence it is what it is – and it is indestructible! It knits us in and it knits us out. It has knitted time space, pain, death, corruption, despair and all the illusions – and nothing matters. I’ll admit however that to look at the remorseless process is sometimes amusing.

In one of the stranger intersections of animal and man, the feathers of brightly colored male birds, which had evolved to attract the attention of drab females, were poached so that women could attract men and demonstrate their perch in society. After millions of years, the birds had grown too beautiful to exist solely for their own species.

With your depth of field and curious soul, allowing something to evolve or to see meaning in playful accidents can make the difference between creating the same old thing, or something that is unique, valuable, lasting, beautiful.

Beauty is in the streets,” they say in Paris. We travelers know our favorites, Parisians know theirs. Jean Genet liked to stand with his friend Giacometti at the foot of rue Oberkampf, taking in its long uphill from the Marais to Belleville. Simone Weil loved walking the quays of Île Saint-Louis in her native river city. The scruffy streets of the ninth were François Truffaut’s muse and mother. As cities evolve and erupt, streets change; Parisians come and go. But the beauty remains.

So when a little girl asks her father where the moon came from, he might tell her that the moon circles around the earth and reflects light from the sun. He might tell her that the moon likes to play hide-and-seek with the sun, so sometimes the moon looks like it’s peeking out from behind a black curtain; sometimes all you can see is the top of its head, and sometimes you can’t even see it at all! He might tell her about how the moon has invisible arms that can pull the oceans back and forth, making tides rise and fall. He might tell her that astronauts have walked on the moon and played golf on the moon and collected rocks from the moon. He might tell her that the moon has dimples and craters and basins that we can see only with a telescope and that there’s a special place on the moon called the Sea of Tranquility that isn’t really a sea. Then the father might take the little girl outside, hoist her up onto his shoulders, and let her stare at the moon for a while. He might recite a poem about a cow jumping over the moon or sing a song about a dreamy-eyed kid slow-dancing with it. Soon the little girl will become so lost in her father’s beautiful stories that she will forget she ever had a question to begin with.

Dear Self, Sometimes we have to learn to love when all odds are against us. Have a discerning heart, open mind and forgiving spirit. The beautiful thing about growth is the ability to see our changes. Embrace your seasons and watch them evolve in ways you couldn’t imagine. Peace,

What most people don't realize is that when you decide to write and publish a book, it's not for stardom, or for fame, it's because you have a story that's inside of you that is dying to get out! You don't just come up with it one day, it's a thought that evolves into something unimaginable beautiful...

Hiking connects us to ourselves. A University of Michigan study found that because our senses evolved in nature, by getting back to it we connect more honestly with our sensory reactions. Which connects us with our true selves, and enhances a feeling of “oneness.” Or perhaps we could say, a Something Else.

Beauty lies in the mind, inner soul.... Beauty lies in the innocence, appreciation, understanding, warmth, expressions, caring nature, behavior towards others, the depth of understanding the situations, the kind of sufferings, struggles, losses, difficulties, sorrows, happiness- the thick n thins through which person sails throughout hi/her life. Which ultimately reflects on your face- the ultimate reflection of your mind and thus evolves a beautiful personality.

I hope I’m being clear, I didn’t say I hate feminists, that would be weird. I said I hate feminist. I’m talking about the word. I have the privilege living my life inside of words and part of being a writer is creating entire universes, and that's beautiful, but part of being a writer is also living in the very smallest part of every word. ...But the word feminist, it doesn't sit with me, it doesn't add up. I want to talk about my problem that I have with it. ...Ist in it's meaning is also a problem for me. Because you can't be born an ist. It's not natural... So feminist includes the idea that believing men and women to be equal, believing all people to be people, is not a natural state. That we don't emerge assuming that everybody in the human race is a human, that the idea of equality is just an idea that's imposed on us. That we are indoctrinated with it, that it's an agenda... ...My problem with feminist is not the word. It's the question. "Are you now, or have you ever been, a feminist?" The great Katy Perry once said—I'm paraphrasing—"I'm not a feminist but I like it when women are strong."...Don't know why she feels the need to say the first part, but listening to the word and thinking about it, I realize I do understand. This question that lies before us is one that should lie behind us. The word is problematic for me because there's another word that we're missing... ...When you say racist, you are saying that is a negative thing. That is a line that we have crossed. Anything on the side of that line is shameful, is on the wrong side of history. And that is a line that we have crossed in terms of gender but we don't have the word for it... ...I start thinking about the fact that we have this word when we're thinking about race that says we have evolved beyond something and we don't really have this word for gender. Now you could argue sexism, but I'd say that's a little specific. People feel removed from sexism. ‘I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple. ...You don’t have to hate someone to destroy them. You just have to not get it. ...My pitch is this word. ‘Genderist.’ I would like this word to become the new racist. I would like a word that says there was a shameful past before we realized that all people were created equal. And we are past that. And every evolved human being who is intelligent and educated and compassionate and to say I don't believe that is unacceptable. And Katy Perry won't say, "I'm not a feminist but I like strong women," she'll say, "I'm not a genderist but sometimes I like to dress up pretty." And that'll be fine. ...This is how we understand society. The word racism didn't end racism, it contextualized it in a way that we still haven't done with this issue. ...I say with gratitude but enormous sadness, we will never not be fighting. And I say to everybody on the other side of that line who believe that women are to be bought and trafficked or ignored...we will never not be fighting. We will go on, we will always work this issue until it doesn't need to be worked anymore. ...Is this idea of genderist going to do something? I don't know. I don't think that I can change the world. I just want to punch it up a little.

We know that whether something is considered beautiful or ugly is in the eye of the beholder. What’s more revealing is that the beholder’s determination of what is beautiful and what is ugly is a valuable insight into the soul and psyche of that person. The beauty and the beast are mirrors. It’s never actually about the object; it’s really about us. Every person, situation, and idea is an interaction between the observer and the observed, and therefore, a potential source of knowledge. Every encounter is an opportunity to learn, not just about the object but about ourselves. Every encounter is therefore an opportunity to evolve. If we pay attention!

The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.

Always praise your kid even if he/she is unresponsive to learning. By insulting them or constantly criticizing them, you will only push them away and make them feel inadequate around other kids. Have faith that your child's brain is an evolving planet that rotates at its own speed. It will naturally be attracted to or repel certain subjects. Be patient. Just as there are ugly ducklings that turn into beautiful swans, there are rebellious kids and slow learners that turn into serious innovators and hardcore intellectuals.

There is grandeur in this view of life... [in which] endless forms most beautiful and most wonderful have been, and are being, evolved.

We have within ourselves as a species, the ability to find the beauty in everything. And once we master it, we will be some of the gentlest creatures that ever evolved.

Three great actions; explore, experiment and experience.

That from so simple a beginning, endless forms most beautiful and most wonderful have been, and are being, evolved.

She is.... Quiet and observant. Provacative and witty. Humble and confident. Manifested and evolving. Art... She is Art.

That anything should live, grow, evolve, reflect, respond to beauty, reproduce its kind... or make further beauty of another kind. Oh, wonderful.

Maybe that's the point. Beauty changes as we change, doesn't it? The things we thought we were supposed to do and be once upon a time, they evolve as we do.

My instinct, of course, is to imagine us as one of many planets racing its evolution against its sun--merely one in the galactic Darwinian pursuit. But maybe we're not. Maybe all this talk of the inevitability of aliens is garbage and we're miraculously, beautifully alone in our biological success. What if we're winning? What if we're actually the most evolved intelligence in all this big bang chaos? What if other planets have bacteria and single-celled genotypes but nothing more? The precedent is all the more pressing. Humans alone could be winning the race against our giant gas time bomb and running with the universal Olympic torch. What an honor. What a responsibility. What a gift we have been given to be born in an atmosphere with oxygen and carbon dioxide and millions of years and phenotypes cheering us on with recycles of energy. The thing is, I think we can make it. I think we can shove ourselves into spaceships before things get too cold. I only hope we don't fuck things up before that. Because millions of years is a long time and I don't want to let the universe down.

Words evolve, perhaps more rapidly and tellingly than do their users, and the change in meanings reflects a society often more accurately than do the works of many historians. In he years preceding the first collapse of NorAm, the change in the meaning of one word predicted the failure of that society more immediately and accurately than did all the analysts, social scientists, and historians. That critical word? 'Discrimination.' We know it now as a term meaning 'unfounded bias against a person, group, or culture on the basis of racial, gender, or ethnic background.' Prejudice, if you will. The previous meaning of this word was: 'to draw a clear distinction between good and evil, to differentiate, to recognize as different.' Moreover, the connotations once associated with discrimination were favorable. A person of discrimination was one of taste and good judgment. With the change of the meaning into a negative term of bias, the English language was left without a single-word term for the act of choosing between alternatives wisely, and more importantly, left with a subterranean negative connotation for those who attempted to make such choices. In hindsight, the change in meaning clearly reflected and foreshadowed the disaster to come. Individuals and institutions abhorred making real choices. At one point more than three-quarters of the youthful population entered institutions of higher learning. Credentials, often paper ones, replaced meaning judgment and choices... Popularity replaced excellence... The number of disastrous cultural and political decisions foreshadowed by the change in meaning of one word is truly endless...

You could always call her secretive, masking her feelings beautifully lest anyone intrude into her inmost realm of hidden thoughts. It was a defense Urmila had evolved since childhood.

His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy’s life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That was why she sheltered him with the side of her cloak. The child, sensitive to his mother’s mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother’s lap, but just now he gripped her hand with the fingers of one hand, and with the other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her?

Man in the misery of his illusions and unsatisfied desires, wings his flight to different religions, and doctrines, seeks redeception, a hypnotic, a palliative from which he suffers fresh miseries in exhaustion. The terms of the cure are new illusions, greater entanglement, more stagnant environment.  Having studied all ways and means to pleasure and pondered over them well again and again, this self-love has been found by me to be the only free, true and full one, nothing more sane, pure, and complete. There is no deceit: when by this all experience certainly is known, everything sublimely beautiful and exceedingly amiable: where is the necessity of other means? Like the drink to the drunkard everything should be sacrificed for it. This Self-love is now declared by me the means of evolving millions of ideas for pleasure without love, or its synonyms- self-reproach, sickness, old-age, and death. The Symposium of self and love. O! Wise Man, Please Thyself. 

Forests to the [early] Northern European peoples were dangerous and generous, domestic and wild, beautiful and terrible. And the forests were the terrain out of which fairy stories, one of our earliest and most vital cultural forms, evolved. The mysterious secrets and silences, gifts and perils of the forest are both the background to and source of these tales.... Forests are places where a person can get lost and also hide -- and losing and hiding, of things and people, are central to European fairy stories in ways that are not true of similar stories in different geographies. Landscape informs the collective imagination as much as or more than it forms the individual psyche and its imagination, but this dimension is not something to which we always pay enough attention.

October 22, 2002 Yesterday, Alma, when at last we could meet to celebrate our birthdays, I could see you were in a bad mood. You said that all of a sudden, without us realizing it, we have turned seventy. You are afraid our bodies will fail us, and of what you call the ugliness of age, even though you are more beautiful now than you were at twenty-three. We’re not old because we are seventy. We start to grow old as soon as we are born, we change every day, life is a continuous state of flux. We evolve. The only difference is that now we are a little closer to death. What’s so bad about that? Love and friendship do not age. Ichi

There was an intelligence about him (Joe Strummer) that allowed his band to change and evolve, just as Johnny Rotten and the Sex Pistols were disappearing up their own bondage trousers. And there was a generosity about Strummer, too, a warmth and humanity about the guy. He was a brilliant musician, a beautiful man, and a charismatic artist. There is a part of me that bitterly resents the fact that the Clash never replaced the Rolling Stones in rock music's hall of heroes. But the Clash were not about milking if for a lifetime...I thought they were the greatest band I had ever seen. And, half a lifetime on, in a large part of my soul, I still do...They changed lives. They certainly changed mine. Because they made me believe that, with passion and commitment and a bit of fire in your belly, you could be exactly the person you wanted to be.

No is golden. No is the kind of power the good witch wields. It’s the way whole, healthy, emotionally evolved people manage to have relationships with jackasses while limiting the amount of jackass in their lives.

native: a plant or animal that has evolved in a given place over a period of time sufficient to develop complex and essential relationships with the physical environment and other organisms in a given ecological community.

For the foreseeable future, racial and ethnic inequality will be a feature of American life. This reality is not cause for despair. The idea that we may never reach a state of perfect racial equality—a perfect racial equilibrium—is not cause for alarm. What is concerning is the real possibility that we, as a society, will choose not to care. We will choose to be blind to injustice and the suffering of others. We will look the other way and deny our public agencies the resources, data, and tools they need to solve problems. We will refuse to celebrate what is beautiful about our distinct cultures and histories, even as we blend and evolve. That is cause for despair.

Dynamical beauty transcends specific objects and phenomena, and invites us to imagine the expanse of possibilities. For example, the sizes and shapes of actual planetary orbits are not simple. They are neither the (compounded) circles of Aristotle, Ptolemy, and Nicolaus Copernicus, nor even the more nearly accurate ellipses of Kepler, but rather curves that must be calculated numerically, as functions of time, evolving in complicated ways that depend on the positions and masses of the Sun and the other planets. There is great beauty and simplicity here, but it is only fully evident when we understand the deep design. The appearance of particular objects does not exhaust the beauty of the laws.

I may enter a zone of transcendence, in which I marvel at all the accidents of fate, since the beginning of life on earth, that led to my genes being created and my standing in this particular garden in a contemplative and imagining mind. I’ve been reading recently how reflection evolved. what a fascinating solution to the rigors of survival…how amazing that a few basic ingredients- the same ones that form the mountains, plants, and rivers- when arranged differently and stressed could result in us. More and more of late, I find myself standing outside of life, with a sense of the human saga laid out before me. it is a private vision, balanced between youth and old age, a vision in which I understand how caught up in striving we humans get, and a little of why, and how difficult it is even to recognize, since it feels integral to our nature and is. but I find it interesting that, according to many religions, life and begins and ends in a garden.

n our perfection-obsessed, air-brushed society, it can be tempting to measure our self-worth against its set of impossible standards. However, organic beauty is in the flaws that make us vulnerable, human and fallible. We are here to learn, evolve and grow. We do not need to become perfect to be worthy of love, there is no such thing. We can not love others when we are withholding love and acceptance from ourselves. We can not criticize ourselves and then reach with open arms to give and receive love from others. It has to start from within, radiating outward. We need to learn how to be unconditionally loving, accepting and forgiving of ourselves, first, if we wish to forge healthy and loving relationships with others.

Is beauty a property of things out there in the world? Or is beauty to be found in our heads? Is beauty a fiction constructed by culture? Perhaps beauty is created by people of influence, who use beauty to maintain their own power or to make money by selling things.

Mythic Background Describing his approach to science, Einstein said something that sounds distinctly prescientific, and hearkens back to those ancient Greeks he admired: What really interests me is whether God had any choice in the creation of the world. Einstein's suggestion that God-or a world-making Artisan-might not have choices would have scandalized Newton or Maxwell. It fits very well, however, with the Pythagorean search for universal harmony, or with Plato's concept of a changeless Ideal. If the Artisan had no choice: Why not? What might constrain a world-making Artisan? One possibility arises if the Artisan is at heart an artist. Then the constraint is desire for beauty. I'd like to (and do) infer that Einstein thought along the line of our Question-Does the world embody beautiful ideas?-and put his faith in the answer "yes!" Beauty is a vague concept. But so, to begin with, were concepts like "force" and "energy." Through dialogue with Nature, scientists learned to refine the meaning of "force" and "energy," to bring their use into line with important aspects of reality. So too, by studying the Artisan's handiwork, we evolve refined concepts of "symmetry," and ultimately of "beauty"-concepts that reflect important aspects of reality, while remaining true to the spirit of their use in common language.

Look at the pattern this seashell makes. The dappled whorl, curving inward to infinity. That's the shape of the universe itself. There's a constant pressure, pushing toward pattern. A tendency in matter to evolve into ever more complex forms. It's a kind of pattern gravity, a holy greening power we call viriditas, and it is the driving force in the cosmos. Life, you see. … And because we are alive, the universe must be said to be alive. We are its consciousness as well as our own. We rise out of the cosmos and we see its mesh of patterns, and it strikes us as beautiful. And that feeling is the most important thing in all the universe—its culmination, like the color of a flower at first bloom on a wet morning. It’s a holy feeling, and our task in this world is to do everything we can to foster it.

In his younger days a man dreams of possessing the heart of the woman he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her. And 50, at an age when it would appear - since one seeks in love before everything else a subjective pleasure - that the taste for feminine beauty must play the larger part in its procreation, love may come into being, love of the most physical order, without any foundation in desire. At this time of life a man has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before his passive and astonished heart. We come to its aid; we falsify it by memory and by suggestion; recognising one of its symptoms we recall and recreate the rest.

Even though she’d stopped considering herself Catholic after her father’s funeral, she recognized the religion’s retributive justice in her bones. She was surprised, though, to find that she’d unconsciously kept that belief system. She would have thought that she’d evolved past the guilt that was laced through Catholicism and her childhood, past the concept of an eye for an eye. But apparently she had bought into that retaliative framework, perhaps in the pews of St. Procopius as a child. Sylvie had betrayed her sister, so her body had betrayed itself.

At one point he said "Some may not believe it, but I spent hours perfecting whatever I did." He worked not only on sculpting the body but at shaping his mind, educating himself, evolving his practices, developing his potential. He also worked at the little things, like having beautiful handwriting, writing and speaking grammatically well, developing a colloquial understanding of English through joke-telling, learning how to direct a film - the list goes on and on. And as a result, he created a legacy that continues to be relevant forty-seven years after his death.

Thankfully, the world is not constructed entirely around pain and exploitation. Competition alone does not explain the world’s abounding beauty and mutualistic interactions. And just as white people are not biologically superior to any other race, humans are not inherently “more evolved” than other species. As humans, we evolved within a consortium of organisms—bacteria, fungi, plants, and other animals—some of whom were thriving on this planet for millions and even billions of years prior to our emergence. The forces of evolution do not move in any predetermined direction.

Although science today denies race any standing as objective truth, and the U.S. census faces taxonomic meltdown, many Americans cling to race as the unschooled cling to superstition. So long as racial discrimination remains a fact of life and statistics can be arranged to support racial difference, the American belief in races will endure. But confronted with the actually existing American population—its distribution of wealth, power, and beauty—the notion of American whiteness will continue to evolve, as it has since the creation of the American Republic. THE HISTORY OF WHITE PEOPLE

In fact, Kelly evolved his own unorthodox security methods, which worked beautifully in the early days of the 1950s. We never stamped a security classification on any paperwork. That way, nobody was curious to read it. We just made damned sure that all sensitive papers stayed inside the Skunk Works.

Yet many creative spirits have found inspiration in the idea that the Creator might be, among other things, an artist whose esthetic motivations we can appreciate and share-or even, in daring speculation, that the Creator is primarily a creative artist. Such spirits have engaged our Question, in varied and evolving forms, across many centuries. Thus inspired, they have produced deep philosophy, great science, compelling literature, and striking imagery. Some have produced works that combine several, or all, of those features. These works are a vein of gold running back through our civilization.

What most people don't realize is that when you decide to write and publish a book, it's not for stardom, or for fame, it's because you have a story that's inside of you that is dying to get out! You don't just come up with it one day, it's a thought that evolves into something unimaginably beautiful...

Science is knowledge meeting humility meeting curiosity: ever-evolving, always learning. Atheism is often but knowledge meeting arrogance: a masquerade under the wing of the beauty of science. Religion is infamously a weight under the one wing; then under the other is atheism, the championed masquerade.

The belief that nature is an Other, a separate realm defiled by the unnatural mark of humans, is a denial of our own wild being. Emerging as they do from the evolved mental capacities of primates manipulating their environment, the concrete sidewalk, the spew of liquids from a paint factory, and the city documents that plan Denver’s growth are as natural as the patter of cottonwood leaves, the call of the young dipper to its kind, and the cliff swallow’s nest. Whether all these natural phenomena are wise, beautiful, just or good are different questions. Such puzzles are best resolved by beings who understand themselves to be nature. Muir said he walked “with” nature, and many conservation groups continue that narrative. Educators warn that if we spend too long on the wrong side of the divide, we’ll develop a pathology, the disorder of nature deficit. We can extend Muir’s thought and understand that we walk “within.” Nature needs no home; it is home. We can have no deficit of nature; we are nature, even when we are unaware of this nature. With the understanding that humans belong in this world, discernment of the beautiful and good can emerge from human minds networked within the community of life, not human minds peering in from the outside.

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned. We’re expected to nurture and give by the very virtue of our femaleness, to consider other people’s feelings and needs before our own. I’m not opposed to those traits. The people I most admire are in fact nurturing and generous and considerate. Certainly, an ethical and evolved life entails a whole lot of doing things one doesn’t particularly want to do and not doing things one very much does, regardless of gender.

There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

When we connect with others with their humanity, without the filters of race, nationality, gender, religion and so many other artificially constructed division, most of the world’s problem will be resolved. After all, we are all the same humans who have evolved through millions of years of evolution on this earth. All I am doing through my activism is showing the world that how we all share the same humanity regardless of our skin color, nationality or religion. Division only creates more division and inclusion is the only way we can move forward as a civilization. It is time to include North Koreans to join our beautiful and compassionate free world.

Orchids are considered the most highly evolved flowering plants on earth. They are unusual in form, uncommonly beautiful in color, often powerfully fragrant, intricate in structure, and different from any other family of plants. The reason for their unusualness has always been puzzled over. One guess is that orchids might have evolved in soil that was naturally irradiated by a meteor or mineral deposit, and that the radiation is what mutated them into thousands of amazing forms... In 1678 the botanist Jakob Breyne wrote: "The manifold shape of these flowers arouses our highest admiration. They take on the form of little birds, of lizards, of insects. They look like a man, like a woman, sometimes like an austere, sinister figure, sometimes like a clown who excites our laughter. They represent the image of a lazy tortoise, a melancholy toad, an agile, ever-chattering monkey." Orchids have always been thought of as beautiful but strange. A wildflower guide published in 1917 called them "our queer freaks.

There is grandeur in this view of life, with its several powers, having been originally breathed by the Creator into a few forms or into one; and that, whilst this planet has gone circling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being evolved.

Each species with which we share the earth is a success story. Each of our cohabitants has evolved an ingenious set of life strategies, and made them work. To live on an earth without fascinating, often beautiful creatures would be to live on a lesser earth. The trick is not to let them slip away, but to understand and help them on their terms.

I am an evolutionist. I believe my great backyard Sphexes have evolved like other creatures. But watching them in the October light as one circles my head in curiosity, I can only repeat my dictum softly: in the world there is nothing to explain the world. Nothing to explain the necessity of life, nothing to explain the hunger of the elements to become life, nothing to explain why the stolid realm of rock and soil and mineral should diversify itself into beauty, terror, and uncertainty. To bring organic novelty into existence, to create pain, injustice, joy, demands more than we can discern in the nature that we analyze so completely. Worship, then, like the Maya, the unknown zero, the procession of the time-bearing gods. The equation that can explain why a mere Sphex wasp contains in its minute head the ganglionic centers of its prey has still to be written. In the world there is nothing below a certain depth that is truly explanatory. It is as if matter dreamed and muttered in its sleep. But why, and for what reason it dreams, there is no evidence.

Humanity now is on a reckless course. It is destroying its self-sufficiency in the world. It is endangering the natural balances that have given humanity such a beautiful and splendid world in which to evolve and to live. This is hazardous not only for your future in this world, but also hazardous regarding your relationships with other races in the universe.

symphony isn’t what you’re going for. Leave the conductor and the sheet music behind. Build a jazz band instead. Jazz emphasizes individual spontaneity. The musicians know the overall structure of the song but have the freedom to improvise, riffing off one another other, creating incredible music. Of course, you can’t just remove the rules and processes, tell your team to be a jazz band, and expect it to be so. Without the right conditions, chaos will ensue. But now, after reading this book, you have a map. Once you begin to hear the music, keep focused. Culture isn’t something you can build up and then ignore. At Netflix, we are constantly debating our culture and expecting it will continually evolve. To build a team that is innovative, fast, and flexible, keep things a little bit loose. Welcome constant change. Operate a little closer toward the edge of chaos. Don’t provide a musical score and build a symphonic orchestra. Work on creating those jazz conditions and hire the type of employees who long to be part of an improvisational band. When it all comes together, the music is beautiful.

As human sciences develop and the world evolves, we are called to grow into a new and deeper understanding of the Source of the universe and of life. As we participate in this, our sense of the true expands. Freedom is to be in awe of this Source, of the beauty and diversity of people, and of the universe. It is to contemplate the height and breadth of all that is true.

Men presumably always have looked at flowers and been moved by their beauty and their smell: but only since the last century has it been possible to take a flower in your hand and know that you have between your fingers a complex association of organic compounds containing carbon, hydrogen, oxygen, nitrogen, phosphorus, and a great many other elements, in a complex structure of cells, all of which have evolved from a single cell; and to know something of the internal structure of these cells, and the processes by which they evolved, and the genetic process by which this flower was begun, and will produce other flowers; to know in detail how the light from it is reflected to your eye; and to know the details of those workings of your eye, and your nose, and your neurophysiological system, which enable you to see and smell and touch the flower. These inexhaustible and almost incredible realities which are all around us and within us are recent discoveries which are still being explored, while similar new discoveries continue to be made; and we have before us an endless vista of such new possibilities stretching into the future, all of it beyond man’s wildest dreams until almost the age we ourselves are living in. Popper’s ever present and vivid sense of this, and of the fact that every discovering opens up new problems for us, informs his theoretical methodology. He knows that our ignorance grows with our knowledge, and that we shall therefore always have more questions than answers.

An inexpressible radiance suffused me. The chair was so much more beautiful than my cinematic memory that speech was inadequate. It was a haven, a refuge; I saw myself lolling in it, churchwarden poised, evolving new cosmogonies, quoting abstruse references to Occam’s razor and Paley’s watch. “Oh, God,” I choked, extracting a fistful of bills. “I—You’ve made me so happy! How much?

The golden (logarithmic) spiral. The golden rectangle is formed by two sides comprised of the golden ratio. Portioning off a square within the golden rectangle leaves a smaller golden rectangle, a pattern that can be repeated ad infinitum. Connecting the points of the successively smaller squares gives the golden spiral found in nautilus shells, rams’ horns, whirlpools, and galaxies.

If we learn not to grab, insist, manipulate, or force then the precious moments have more chance of just appearing, usually when we are not looking. They may even stay a little longer, if we do not grasp onto them insisting that they do not move. With practice, consistency, and commitment to the evolution of the partnership, something beautiful and meaningful has a chance of evolving.

A culture and its people are symbiotic—the culture attracts certain kinds of people and the people in turn either reinforce or evolve the culture based on their values and what they’re like. If you choose the right people with the right values and remain in sync with them, you will play beautiful jazz together. If you choose the wrong people, you will all go over the waterfall together.

Examining this thing called beauty that is both powerful and useless will prepare us for later discussions of pleasure and art. For many people, beauty is an essential ingredient of art. What is the relationship of beauty and pleasure? What is the relationship of beauty and art? Before we get to those questions, let’s see what we can discover by exploring beauty in people, places, and proofs.

Things evolve into other things. Emotions do the same. Forever. Your best ally in all of these shifting seas is your faith in the fact that you are exactly where you are supposed to be. Stay put. Stay soft. Stay gentle and kind. Listen to your instincts. Meditate. Pray. Laugh as much as humanly possible. Pain is okay too. Say thank you for all of it. Feel proud that you have spent most of your life's energy on cultivating a strong connection to your own soul and the will of your heart. It is leading you somewhere deeply satisfying but never perfect. Observe what is painful right now and see if you can stay courageous enough to share it wholly and honestly. Invite it into your house and be a good student. You are a patchwork quilt of all these past selves, all these wounded little girls, and they are all here too, listening in some form or another. You have grown into someone I am very proud of, and though I wish I could give you the gift of knowing we won't ever need to have this conversation... that's not really the point, and probably not true. The work is learning to love whatever it is, so for now let's do that, shall we? I love you, my beautiful girl, and I hope that's enough.

Why don't you think of him as the coming one, who has been at hand since eternity, the future one, the final fruit of a tree, with us as its leaves? What is keeping you from hurling his birth into evolving times and from living your life as though it were one painful beautiful day in the history of a great pregnancy? ... By extracting the most possible sweetness out of everything, just as the bees gather honey, we thus build him. With any insignificant thing, even with the very smallest thing -- if only it is done out of love -- we begin, with work, with a time of rest following, with keeping silent or with a small lonely joy, with everything that we do alone, without participants or supporters, we begin him: the one whom we shall not experience in this lifetime, even as our ancestors could not experience us.

If drawing had value even when practiced by those with no talent, it was, Ruskin believed, because it could teach us to see -- that is, to notice rather than to merely look. In the process of re-creating with our own hands what lies before our eyes, we seem naturally to evolve from observing beauty in a loose way to possessing a deep understanding of its constituent parts and hence more secure memories of it.

On a dangerous seacoast where shipwrecks often occur, there was once a crude little life-saving station. The building was just a hut, and there was only one boat. But the few devoted members kept a constant watch over the sea, and with no thought for themselves went out day and night tirelessly searching for the lost. Some of those who were saved, and various others in the surrounding area, wanted to become associated with the station and give their time and money and effort for the support of its work. New boats were bought and new crews trained. The little life-saving station grew. Some of the members of the life-saving were unhappy that the building was so crude and poorly equipped. They felt that a more comfortable place should be provided as the first refuge of those saved from the sea. They replaced the emergency cots with beds and put better furniture in the enlarged building. Now the life-saving station became a popular gathering place for its members, and they decorated it as sort of a club. Fewer members were now interested in going to sea on life-saving missions, so they hired lifeboat crews to do this work. The life-saving motif still prevailed in this club`s decoration, and there was a liturgical lifeboat in the room where the club initiations were held. About this time a large ship was wrecked off the coast, and the hired crews brought in boatloads of cold, wet and half-drowned people. They were dirty and sick and some had black skin and some had yellow skin. The beautiful new club was in chaos. So the property committee immediately had a shower house built outside the club where victims of shipwrecks could be cleaned up before coming inside. At the next meeting, there was a split in the club membership. Most of the members wanted to stop the club`s life-saving activities as being unpleasant and a hindrance to the normal social life of the club. Some members insisted upon life-saving as their primary purpose and pointed out that they were still called a life-saving station. But they were finally voted down and told that if they wanted to save lives of all the various kinds of people who were shipwrecked in those waters, they could begin their own life-saving station down the coast. So they did just that. As the years went by, the new station experienced the same changes that had occurred in the old. It evolved into a club, and yet another `spin-off` life saving station was founded. History continued to repeat itself, and if you visit the sea coast today, you will find a number of exclusive clubs along the shore. Shipwrecks are frequent in those waters, but most of the people drown.

the survivor learns to “follows his own bliss”. He is freer to pursue activities and interests that naturally appeal to him. He evolves into his own sense of style. He may even feel emboldened to coif and dress himself without adherence to the standards of fashion. He may extend this freedom into his home décor. In this vein, I have seen many survivors discover their own aesthetic, as well as an increased appreciation of beauty in general.

The scientist would look at a sphere, measure the surface in great detail, categorize the skin qualities and components, then predict evolving surface tensions and potentials. The use of that sphere, however, along with its beauty and potential would not be of interest. Science would count the bricks of a house, but not care about living in it, thus missing the point – but thinking that, by quantifying the physical, everything had been covered.

Evolved organs, elegant and efficient as they often are, also demonstrate revealing flaws – exactly as you’d expect if they have an evolutionary history, and exactly as you would not expect if they were designed. I have discussed examples in other books: the recurrent laryngeal nerve, for one, which betrays its evolutionary history in a massive and wasteful detour on its way to its destination. Many of our human ailments, from lower back pain to hernias, prolapsed uteruses and our susceptibility to sinus infections, result directly from the fact that we now walk upright with a body that was shaped over hundreds of millions of years to walk on all fours. Our consciousness is also raised by the cruelty and wastefulness of natural selection. Predators seem beautifully ‘designed’ to catch prey animals, while the prey animals seem equally beautifully ‘designed’ to escape them. Whose side is God on?

Within a few generations, he had explained to Rudgutter, the Weavers evolved from virtually mindless predators into aestheticians of astonishing intellectual and materio-thaumaturgic power, superintelligent alien minds who no longer used their webs to catch prey, but were attuned to them as objects of beauty disentanglable from the fabric of reality itself. Their spinnerets had become specialized extradimensional glands that Wove patterns in with the world. The world which was, for them, a web. Old stories told how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act—to Weave—was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

If the structure of the world with all its order and beauty is only an effect of matter left to its own universal laws of motion, and if the blind mechanics of the natural forces can evolve so glorious a product out of chaos, and can attain to such perfection of themselves, then the proof of the Divine Author which is drawn from the spectacle of the beauty of the universe wholly loses its force. Nature is thus sufficient for itself; the Divine government is unnecessary.…

We live on a spinning rock suspended in darkness, which evolves around a dying star. Our spinning rock was once ruled and owned by gigantic reptiles, all over! In sea, land, and air, gigantic reptiles roamed! Then a smaller rock fell from the sky and made a hole in the ground, so big that all the giant reptiles died! We live on a spinning rock we got from dragons flying through the air, and on this rock we kill each other over things like religion and money! And on this rock we make friends, we fall in love, we work hard to earn papers so we can buy things. On this rock we have dreams at night that remind us of beautiful places we have never been to, beautiful wonders we have never imagined before... we write stories and we make books, we try to travel to other rocks around us, we wonder if anyone else is out there. Our planet, and our existence as a human species, is bizarre! Our reality is bizarre! What we think is normal, when spelled out, is not normal at all. It's only normal because we are familiar with it. We are residents of a universe that is expanding at a rate of more than 5 billion meters per every few seconds, forming new realities and new substances with each expansion! We will never become familiar with even the very tip of what actually is! So why are any of us afraid of the possibilities of what could be? Why does this frighten us, why does this scare us? When we actually never know anything at all!

Life can evolve in a most positive but unexpected manner if we do not resist it and kill its tender beauty with our fears. We all have inner abilities to fulfil, a path to patiently discover, people to connect with who will become pivotal in our life, and a love of certain things which make us feel glad to be alive. Every little step in that direction, every little decision to allow that movement to happen, every brave letting go, and every open embracing will bring us what we need.

But we can expect the language history of the world to be revealing in another way. A language community is not just a group marked out by its use of a particular language: it is an evolving communion in its own right, whose particular view of the world is informed by a common language tradition. A language brings with it a mass of perceptions, cliches, judgments and inspirations. In some sense, then, when one language replaces another, a people's view of the world must also be changing.

Within Darwin’s argument for mate choice in Descent was another revolutionary idea: that animals are not merely subject to the extrinsic forces of ecological competition, predation, climate, geography, and so on that create natural selection. Rather, animals can play a distinct and vital role in their own evolution through their sexual and social choices. Whenever the opportunity evolves to enact sexual preferences through mate choice, a new and distinctively aesthetic evolutionary phenomenon occurs.

We must not oppose what is new and try to preserve a beautiful world that is inevitably perishing. Nor should we try to build a new world of the creative imagination that will show none of the damage of what is actually evolving. Rather, we must transform what is coming to be. But we can do this only if we honestly say yes to it and yet with incorruptible hearts remain aware of all that is destructive and nonhuman in it. Our age has been given to us as the soil on which to stand and the task to master.

You always draw your energy and inspiration from whoever is the centre of your life. In love, you become the one you love. If it’s a materialistic person, you’ll find yourself becoming increasingly materialistic too. If he or she is a spiritual person, you’ll evolve into a calmer person. If he or she is the restless or narcissistic type, you’ll feel restless and anxious yourself. If the centre of your life is beauty, divinity, compassion, God and such like, you’ll become an embodiment of that. Choose carefully.

You are a laughable incident or a terrifying one as you happen to be less powerful or more powerful than some other form of life which crosses your path; but as a rule you are of no moment whatsoever to anything but yourself. You are a comic little figure, hopping from the cradle to the grave. Yes, that is our trouble — we take ourselves too seriously; but Caprona should be a sure cure for that.” She paused and laughed. “You have evolved a beautiful philosophy,” I said. “It fills such a longing in the human breast. It is full, it is satisfying, it is ennobling. What wondrous strides toward perfection the human race might have made if the first man had evolved it and it had persisted until now as the creed of humanity.” “I don’t like irony,” she said; “it indicates a small soul.” “What other sort of soul, then, would you expect from `a comic little figure hopping from the cradle to the grave’?” I inquired. “And what difference does it make, anyway, what you like and what you don’t like? You are here for but an instant, and you mustn’t take yourself too seriously.

At this time of life one has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before our passive and astonished hearts. We come to its aid, we falsify it by memory and by suggestion. Recognising one of its symptoms, we remember and re-create the rest. Since we know its song, which is engraved on our hearts in its entirety, there is no need for a woman to repeat the opening strains—filled with the admiration which beauty inspires—for us to remember what follows.

But at the age, already a little disillusioned, which Swann was approaching, at which one knows how to content oneself with being in love for the pleasure of it without requiring too much reciprocity, this closeness of two hearts, if it is no longer, as it was in one’s earliest youth, the goal toward which love necessarily tends, still remains linked to it by an association of ideas so strong that it may become the cause of love, if it occurs first. At an earlier time one dreamed of possessing the heart of the woman with whom one was in love; later, to feel that one possesses a woman’s heart may be enough to make one fall in love with her. And so, at an age when it would seem, since what one seeks most of all in love is subjective pleasure, that the enjoyment of a woman’s beauty should play the largest part in it, love may come into being—love of the most physical kind—without there having been, underlying it, any previous desire. At this time of life, one has already been wounded many times by love; it no longer evolves solely in accordance with its own unknown and inevitable laws, before our astonished and passive heart. We come to its aid, we distort it with memory, with suggestion. Recognizing one of its symptoms, we recall and revive the others. Since we know its song, engraved in us in its entirety, we do not need a woman to repeat the beginning of it—filled with the admiration that beauty inspires—in order to find out what comes after. And if she begins in the middle—where the two hearts come together, where it sings of living only for each other—we are accustomed enough to this music to join our partner right away in the passage where she is waiting for us.

The principal aim underlying this work is to render homage where homage is due, a task which I know beforehand is impossible of accomplishment. Were I to do it properly, I would have to get down on my knees and thank each blade of grass for rearing its head. What chiefly motivates me in this vain task is the fact that in general we know all too little about the influences which shape a writer’s life and work. The critic, in his pompous conceit and arrogance, distorts the true picture beyond all recognition. The author, however truthful he may think himself to be, inevitably disguises the picture. The psychologist, with his single-track view of things, only deepens the blur. As author, I do not think myself an exception to the rule. I, too, am guilty of altering, distorting and disguising the facts — if ‘facts’ there be. My conscious effort, however, has been — perhaps to a fault– in the opposite direction. I am on the side of revelation, if not always on the side of beauty, truth, wisdom, harmony and ever-evolving perfection. In this work I am throwing out fresh data, to be judged and analyzed, or accepted and enjoyed for enjoyment’s sake. Naturally I cannot write about all the books, or even all the significant ones, which I have read in the course of my life. But I do intend to go on writing about books and authors until I have exhausted the importance (for me) of this domain of reality. To have undertaken the thankless task of listing all the books I can recall ever reading gives me extreme pleasure and satisfaction. I know of no author who has been mad enough to attempt this. Perhaps my list will give rise to more confusion — but its purpose is not that. Those who know how to read a man know how to read his books.

universe, Einstein felt, and the goal of science was to discover it. His quest began in 1895, when as a 16-year-old he imagined what it would be like to ride alongside a light beam. A decade later came his miracle year, described in the letter above, which laid the foundations for the two great advances of twentieth-century physics: relativity and quantum theory. A decade after that, in 1915, he wrested from nature his crowning glory, one of the most beautiful theories in all of science, the general theory of relativity. As with the special theory, his thinking had evolved through thought experiments. Imagine being in an enclosed elevator

This book is for any and every person who has ever felt lost in their lives. It’s for anyone whose world has been flipped upside down. For anyone who has been broken down, but didn’t give up. You deserve to find your way once more. You deserve to re-introduce your heart to your soul. You’re not broken because of a few missteps. You are not a failure because of some mistakes. You are human. You are growing, learning, evolving, and that is extraordinary. You. Are. Extraordinary. Thank you for reading. Thank you for zooming in on me. Thank you for seeing my flaws, and somehow calling them beautiful. I love each and every one of you. Always and always.

It is interesting to contemplate an entangled bank, clothed with many plants of many kinds, with birds singing on the bushes, with various insects flitting about, and with worms crawling through the damp earth, and to reflect that these elaborately constructed forms, so different from each other, and dependent on each other in so complex a manner, have all been produced by laws acting around us. These laws, taken in the largest sense, being Growth with Reproduction; Inheritance which is almost implied by reproduction; Variability from the indirect and direct action of the external conditions of life, and from use and disuse; a Ratio of Increase so high as to lead to a Struggle for Life, and as a consequence to Natural Selection, entailing Divergence of Character and the Extinction of less-improved forms. Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed by the Creator into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

All of these creatures are iridescent for a reason. But the golden mole is blind. Its eyes are covered with a layer of skin and fur, and it has never seen its own radiance. It lives almost entirely underground, in the cooler depths of earth and sand half a metre below the surface, emerging only to hunt for insects. It's currently thought that the fur evolved to be densely flattened, hard-wearing and low-friction to make burrowing easier. The iridescence is an accidental by-product. It is glory without necessary purpose, cast up by the world's slow finessing. So they burrow and breed and hunt, live and die under the African sun, unaware of their beauty, unknowingly glowing.

Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.” It would be funny if it weren’t true. And when we see that British law has evolved a legal no-win situation very close to this one, a pattern begins to emerge.

Men’s and women’s mating strategies differ profoundly. Women place a premium on commitment and all of the cues to commitment, most centrally emotional involvement and love. Men have evolved a greater desire for sexual variety, which produces tremendous conflict between the sexes, for it violates women’s desire for intimate involvement. Because youth and beauty are so strongly correlated with fertility in women, men have evolved a strong desire for women who embody these qualities. Finally, men value sexual fidelity in a partner, for any infidelity on a woman’s part puts her mate’s paternity at risk. Men’s and women’s sexual strategies provide the foundation for the psychological design of jealousy.

So get up, pretty woman! And from your beautifully shaped body don’t be ashamed For we are meant to be different, Rounded shapes and squared We come in a small, medium and a large size And to each there is still a wide range This is to create a beautiful portrait for the eyes And we are not supposed to please the “media-thinking” and change! So woman up! Whether your size is infinity-X large or infinity-X Small In love with “you” you should fall Don’t let them and their meaningless words or shallow looks Make you lose it all As to this nature you belong, The beach, the mountains, the oceans And the colorful life this mother earth has to give So embrace this with your body and soul No matter how they evolve… For as long as you live!

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned. We’re expected to nurture and give by the very virtue of our femaleness, to consider other people’s feelings and needs before our own. I’m not opposed to those traits. The people I most admire are in fact nurturing and generous and considerate. Certainly, an ethical and evolved life entails a whole lot of doing things one doesn’t particularly want to do and not doing things one very much does, regardless of gender. But an ethical and evolved life also entails telling the truth about oneself and living out that truth.

According to their sacred texts, the earth was created in seven stages. First, the sky came into being—this was an inverted bowl of beautiful stone. Second, the water was created at the bottom of the sky shell, and then third, the earth that floated on water. To this the gods added one plant, one animal, and a bull, and then in the sixth stage, man. Fire was added in the seventh stage, pervading the entire world and residing in seen and unseen places. As a final act of creation the gods assembled and performed the first sacrifice. The primordial plant, the bull, and the man were crushed and from them the vegetable, animal, and human realms were created and populated the earth. New life and death were created, and the world was set in motion.

It was this situation that led mathematician Chris Hauert and his colleagues to consider another possibility in an important evolutionary model published in Science in 2002. In Axelrod's study and in most previous theoretical models, individuals were forced to interact with each other. But what if they could choose not to interact? Rather than attempting to cooperate and risking being taken advantage of, a person could fend for herself. In other words, she could sever her connections to others in the network. Hauert called the people who adopt this strategy "loners." Using some beautiful mathematics, Hauert and his colleagues showed that in a world full of loners it is easy for cooperation to evolve because there are no people to take advantage of the cooperators that appear. The loners fend for themselves, and the cooperators form networks with other cooperators. Soon, the cooperators take over the population because they always do better together than the loners. But once the world is full of cooperators, it is very easy for free riders to evolve and enjoy the fruits of cooperation without contributing (like parasites). As the free riders become the dominant type in the population, there is no one left for them to take advantage of; then, the loners once again take over -- because they want nothing to do, as it were, with those bastards. In short, cooperating can emerge because we can do more together than we can apart. But because of the free-rider problem, cooperation is not guaranteed to succeed.

Gay men and lesbians aren’t the only people who can generally get the kinds of sexual relationships they want. Extremely, unfeasibly attractive people can usually do so as well. These annoying individuals tend not to have to compromise with prospective partners, even if they’re straight, just because they’re such prized commodities. And their romantic histories again back up the claim that men are keener on casual sex than women. Several studies indicate that ridiculously handsome men are more likely than run-of-the-mill men to rack up large numbers of sexual partners. Beautiful women, on the other hand, are not. This isn’t because the latter have trouble attracting partners; it’s because they more often opt for fewer partners and longer-lasting relationships.

Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved. Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep. Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women. Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched. Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman.

To me, an evolving faith … has proven to be about the questions, the curiosity, and the ongoing reckoning of a robust, honest faith. An evolving faith brings the new ideas and ancient paths together. It’s about rebuilding and reimagining a faith that works not only for ourselves but for the whole messy, wide, beautiful world. For me, this has proven to be deeply centered in the Good News of Jesus ... An evolving faith is a resilient and stubborn form of faithfulness that is well acquainted with the presence of God in our loneliest places and deepest questions ... Anyone who gets to the end of their life with the exact same beliefs and opinions they had at the beginning is doing it wrong. Because if we don’t change and evolve over our lifetime, then I have to wonder if we’re paying attention to the invitation of the Holy Spirit that is your life.

Certainly, an ethical and evolved life entails a whole lot of doing things one doesn’t particularly want to do and not doing things one very much does, regardless of gender. But an ethical and evolved life also entails telling the truth about oneself and living out that truth. Leaving a relationship because you want to doesn’t exempt you from your obligation to be a decent human being. You can leave and still be a compassionate friend to your partner. Leaving because you want to doesn’t mean you pack your bags the moment there’s strife or struggle or uncertainty. It means that if you yearn to be free of a particular relationship and you feel that yearning lodged within you more firmly than any of the other competing and contrary yearnings are lodged, your desire to leave is not only valid, but probably the right thing to do. Even if someone you love is hurt by that.

In order for mankind to be kinder, more love filled and more human with each other, we all have to be more intentional about being better, more transcendent in our humanness. Any human evil enough to enslave, colonize, unjustly criminalize, imperialize, slaughter or emotionally and physically brutalize other people, is not human. You can't be both inhuman and human at the same time. The two can't occupy the same human. The human animal has thus far, proven itself to be one of the worst species to have ever traversed this planet. No other species has ever shown such barbarity and anti-sentience to other sentient beings, like the human specie has. In order for our specie to further evolve. In order for our specie to work repair the damage we've done to this beautiful place we call and to the sentient family, our humanity and inhumanness, can longer walk hand in hand.

How Evolution Came to Indiana In Indianapolis they drive five hundred miles and end up where they started: survival of the fittest. In the swamps of Auburn and Elkhart, in the jungles of South Bend, one-cylinder chain-driven runabouts fall to air-cooled V-4’s, a-speed gearboxes, 16-horse flat-twin midships engines— carcasses left behind by monobloc motors, electric starters, 3-speed gears, six cylinders, 2-chain drive, overhead cams, supercharged to 88 miles an hour in second gear, the age of Leviathan ... There is grandeur in this view of life, as endless forms most beautiful and wonderful are being evolved. And then the drying up, the panic, the monsters dying: Elcar, Cord, Auburn, Duesenberg, Stutz—somewhere out there, the chassis of Studebakers, Marmons, Lafayettes, Bendixes, all rusting in high-octane smog, ashes to ashes, they end up where they started.

The beautiful you is not the color of your skin Or the texture of your hair. The beautiful you is not how tall or short you are The beautiful you is not rather you’re skinny or overweight by society standards The beautiful you is not the degrees you have obtain Or the size of your bank accounts. The beautiful you, has nothing to do with where you’re from, or religious beliefs Nor the car you drive or the house you live in. The beautiful you is not the price tag of what you wear The beautiful you has nothing do with how eloquent you speak The beautiful you is your kindness and compassion toward others The beautiful you is your tolerance and patience The beautiful you is your ability to love and forgive The beautiful you don’t rush to judge what you don’t understand The beautiful you is always seeking to evolve into its higher self That is the beautiful you and that is what the world needs The beautiful you is what defines our Humanity The Beautiful you, Be that Always!

The law isn’t supposed to be about unspoken excuses and behind-the-scenes calculations. The beauty of the system is that judges and juries are allowed to consider only what is seen and heard in open court. In between the white lines of this arena, it’s all supposed to make sense. This is where we all get to be equal again. In the defendant’s chair, rich and poor ride the same roller coaster, face the same music. Case has to match case. Sentence should match sentence. But they don’t match anymore. They probably never did, and probably it was never even close. But at least there was the illusion of it. What’s happened now, in this new era of settlements and non prosecutions is that the state has formally surrendered to its own excuses. It has decided just to punt from the start and take the money which doesn’t become really wrong until it turns around the next day and decides to double down on the less-defended, flooring it all the way to trial against a welfare mom or some joker who sold a brick of dope in the projects. Repeat the same process a few million times, and that’s how the jails in American get the population they have. Even if every single person they sent to jail were guilty, the system would still be an epic fail—it’s the jurisprudential version of Pravda, where the facts int he paper might have all been true on any given day, but the lie was all in what was not said. That’s what nobody gets, that the two approaches to justice may individually make a kind of sense. but side by side they’re a dystopia, here common city courts become factories for turning poor people into prisoners, while federal prosecutors on the white-collar beat turn into overpriced garbage men, who behind closed doors quietly dispose of the sins of the rich for a fee. And it’s evolved this way over time and for a thousand reasons, so that almost nobody is aware of the whole picture, the two worlds so separate that they’re barely visible to each other. The usual political descriptors like “unfairness” and “injustice” don’t really apply. it’s more like a breakdown into madness.

Beautiful things grow out of shit. Nobody ever believes that. Everyone thinks that Beethoven had his string quartets completely in his head—they somehow appeared there and formed in his head—and all he had to do was write them down and they would be manifest to the world. But what I think is so interesting, and would really be a lesson that everybody should learn, is that things come out of nothing. Things evolve out of nothing. You know, the tiniest seed in the right situation turns into the most beautiful forest. And then the most promising seed in the wrong situation turns into nothing. I think this would be important for people to understand, because it gives people confidence in their own lives to know that’s how things work. If you walk around with the idea that there are some people who are so gifted—they have these wonderful things in their head but and you’re not one of them, you’re just sort of a normal person, you could never do anything like that—then you live a different kind of life. You could have another kind of life where you could say, well, I know that things come from nothing very much, start from unpromising beginnings, and I’m an unpromising beginning, and I could start something.

Like other species, we evolved in wilderness and although we are now able to satisfy many of our physical needs outside it (at least in the short term), psychologically we still need the vital diversity, complexity, grandeur, and beauty of wild places. We need to feel connected to something tangible that can be seen, smelled, tasted, that is much greater than out own fleeting existence. Call it religion. There are untold millions who believe in this religion although they may not come out and say so, mostly because its tenets are so deeply ingrained as to be taken for granted. No organized faith is therefore necessary. To me and others of this religion a wilderness made by God and/or by the mechanism of evolution is at least as, if not more, holy than a cathedral made by man, and to harm it is a desecration. I see enough glimpses of this wilderness in my forest to feel inspired by a feeling of interconnectedness with the web of life. It gives me a dream. It is a realistic dream that is not destructive, and that all can take part in and enjoy the results. Preserving and fostering the fantastic life on earth grants infinitely more practical and intellectual rewards than the expensive but trivial knowledge of whether there are microbes on Mars.

a harbinger of a third wave of computing, one that blurred the line between augmented human intelligence and artificial intelligence. “The first generation of computers were machines that counted and tabulated,” Rometty says, harking back to IBM’s roots in Herman Hollerith’s punch-card tabulators used for the 1890 census. “The second generation involved programmable machines that used the von Neumann architecture. You had to tell them what to do.” Beginning with Ada Lovelace, people wrote algorithms that instructed these computers, step by step, how to perform tasks. “Because of the proliferation of data,” Rometty adds, “there is no choice but to have a third generation, which are systems that are not programmed, they learn.”27 But even as this occurs, the process could remain one of partnership and symbiosis with humans rather than one designed to relegate humans to the dustbin of history. Larry Norton, a breast cancer specialist at New York’s Memorial Sloan-Kettering Cancer Center, was part of the team that worked with Watson. “Computer science is going to evolve rapidly, and medicine will evolve with it,” he said. “This is coevolution. We’ll help each other.”28 This belief that machines and humans will get smarter together is a process that Doug Engelbart called “bootstrapping” and “coevolution.”29 It raises an interesting prospect: perhaps no matter how fast computers progress, artificial intelligence may never outstrip the intelligence of the human-machine partnership. Let us assume, for example, that a machine someday exhibits all of the mental capabilities of a human: giving the outward appearance of recognizing patterns, perceiving emotions, appreciating beauty, creating art, having desires, forming moral values, and pursuing goals. Such a machine might be able to pass a Turing Test. It might even pass what we could call the Ada Test, which is that it could appear to “originate” its own thoughts that go beyond what we humans program it to do. There would, however, be still another hurdle before we could say that artificial intelligence has triumphed over augmented intelligence. We can call it the Licklider Test. It would go beyond asking whether a machine could replicate all the components of human intelligence to ask whether the machine accomplishes these tasks better when whirring away completely on its own or when working in conjunction with humans. In other words, is it possible that humans and machines working in partnership will be indefinitely more powerful than an artificial intelligence machine working alone?

It is interesting to contemplate an entangled bank, clothed with many plants of many kinds, with birds singing on the bushes, with various insects flitting about, and with worms crawling through the damp earth, and to reflect that these elaborately constructed forms, so different from each other, and dependent on each other in so complex a manner, have all been produced by laws acting around us. These laws, taken in the largest sense, being Growth with Reproduction; Inheritance which is almost implied by reproduction; Variability from the indirect and direct action of the external conditions of life, and from use and disuse; a Ratio of Increase so high as to lead to a Struggle for Life, and as a consequence to Natural Selection, entailing Divergence of Character and the Extinction of less-improved forms. Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.

Dopey, on my right - as usual, I'd ended up sitting on the hump in the middle of the backseat - muttered, "I don't know what you see in that headcase Meducci anyway." Doc said, "Oh, that's easy. Females of any species tend to select the male partner who is best able to provide for her and any offspring which might result from their coupling. Michael Meducci, being a good deal more intelligent than most of his classmates, amply fulfills that role, in addition to which he has what is considered, by Western standards of beauty, an outstanding physique - if what I've overheard Gina and Suze saying counts for anything. Since he is likely to pass on these favorable genetic components to his children, he is irresistible to breeding females everywhere - at least, discerning ones like Suze." There was silence in the car ... the kind of silence that usually followed one of Doc's speeches. Then Gina said reverently, "They really should move you up a grade, David." "Oh, they've offered," Doc replied, cheerfully, "but while my intellect might be evolved for a boy my age, my growth is somewhat retarded. I felt it was inadvisable to thrust myself into a population of males much larger than I, who might be threatened by my superior intelligence." "In other words," Sleepy translated for Gina's benefit, "we didn't want him getting his butt kicked by the bigger kids.

The art academies had offered a story of art as the conquest, loss, and finally reconquest of nature through the mastery of illusionistic technology, improved by a grasp of ideal beauty. Romanticism replaced this with the story of art as an acquisition and then loss of wisdom, warning us not to mistake naturalism or technical skill for such wisdom. Historicism proposed that each period expresses its view of the world through its own forms; no art form can be preferred for they are all true registrations of the evolving mind. Materialism, finally, a version of historicism, told the story of art as a series of local responses to conditions, materials, tools, and functions. The immediate purpose of Riegl's teleology was to counter the crass reductionism of the materialist version. He did this by insinuating that there was something animating the history of form, a ghost in the machine, a will to form that overrode pragmatic needs. There is a tension in Riegl's art history between the anthropomorphic concept of Kunstwollen, which locates the motor of history in the individual, and the teleological shape of history, the inexorable dematerialization and intellectualization of art, a schema inherited from Hegel and never justified philosophically by Riegl. For Riegl, all art is naturalistic; it is simply that each epoch sees nature differently. What they see is the true object of art. This transforms art history into a history of seeing, and therefore of thinking.

A lot of people want to know ‘How do I get my hair to look like so-and-so’s?’” Jeri observes. “They go to their hairdresser with a picture and say, ‘I want to look like that.’ Now, first of all, styling hair in the television industry does not necessarily have anything to do with a haircut. It’s styling, and the audience has to realize that this is a style that is maintained all day long. They don’t walk out of the trailer and never get touched again, like normal people in the regular world. They have somebody chasing behind them, making sure that every hair is in place. So to take a photograph of an actor and expect to look like that, they can cut your hair the same way, but if you don’t do the styling, all you’re stuck with is a haircut you don’t know what to do with. “I think the most important thing is that everybody needs to seek their own look, what makes them beautiful. It has nothing to do with what the actress looks like and nothing to do with wanting to be like them. You have to be yourself. I’m hoping that’s what has evolved on Buffy. She kinda looks like herself. She doesn’t try to create a hairstyle that takes hours to do. Fifteen minutes. Sometimes you have to work with what hair that you have. She is sixteen years old. I don’t want her hair to look like she came out of a salon. I’m hoping that we’re creating things that people can do, they’re not difficult to do. It’s a matter of really liking your face and being able to stand in front of the mirror and move [your hair] around until you balance your face.” Jeri Baker

North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.”5 But the “dark” or semivisibility of Caribbean same-sex sexuality can be something other than a blackout. It can also read as the “tender and beautiful” night that Ida Faubert imagines in “Tropical Night,” a space of alternative vision that nurtures both eroticism and resistance. The tactically obscured has been crucial to Caribbean and North American slave societies, in which dances, ceremonies, sexual encounters, abortions, and slave revolts all took place under the cover of night. Calling on this different understanding of the half seen, Édouard Glissant exhorts scholars engaging Caribbean cultures to leave behind desires for transparency and instead approach with respect for opacity: a mode of seeing in which the difference of the other is neither completely visible nor completely hidden, neither overexposed nor erased.6 The difference that Glissant asks us to (half ) look at is certainly not that of sexuality (since it is never mentioned) nor of gender (since he includes in his work a diatribe against feminism).

Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you

For millennia, sages have proclaimed how outer beauty reflects inner goodness. While we may no longer openly claim that, beauty-is-good still holds sway unconsciously; attractive people are judged to be more honest, intelligent, and competent; are more likely to be elected or hired, and with higher salaries; are less likely to be convicted of crimes, then getting shorter sentences. Jeez, can’t the brain distinguish beauty from goodness? Not especially. In three different studies, subjects in brain scanners alternated between rating the beauty of something (e.g., faces) or the goodness of some behavior. Both types of assessments activated the same region (the orbitofrontal cortex, or OFC); the more beautiful or good, the more OFC activation (and the less insula activation). It’s as if irrelevant emotions about beauty gum up cerebral contemplation of the scales of justice. Which was shown in another study—moral judgments were no longer colored by aesthetics after temporary inhibition of a part of the PFC that funnels information about emotions into the frontal cortex.[*] “Interesting,” the subject is told. “Last week, you sent that other person to prison for life. But just now, when looking at this other person who had done the same thing, you voted for them for Congress—how come?” And the answer isn’t “Murder is definitely bad, but OMG, those eyes are like deep, limpid pools.” Where did the intent behind the decision come from? The fact that the brain hasn’t had enough time yet to evolve separate circuits for evaluating morality and aesthetics.[6] Next, want to make someone more likely to choose to clean their hands? Have them describe something crummy and unethical they’ve done. Afterward, they’re more likely to wash their hands or reach for hand sanitizer than if they’d been recounting something ethically neutral they’d done. Subjects instructed to lie about something rate cleansing (but not noncleansing) products as more desirable than do those instructed to be honest. Another study showed remarkable somatic specificity, where lying orally (via voice mail) increased the desire for mouthwash, while lying by hand (via email) made hand sanitizers more desirable. One neuroimaging study showed that when lying by voice mail boosts preference for mouthwash, a different part of the sensory cortex activates than when lying by email boosts the appeal of hand sanitizers. Neurons believing, literally, that your mouth or hand, respectively, is dirty.

Of course, most of us, in the service of sanity, don’t fixate on the end. We go about the world focused on worldly concerns. We accept the inevitable and direct our energies to other things. Yet the recognition that our time is finite is always with us, helping to shape the choices we make, the challenges we accept, the paths we follow. As cultural anthropologist Ernest Becker maintained, we are under a constant existential tension, pulled toward the sky by a consciousness that can soar to the heights of Shakespeare, Beethoven, and Einstein but tethered to earth by a physical form that will decay to dust. “Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.”2 According to Becker, we are impelled by such awareness to deny death the capacity to erase us. Some soothe the existential yearning through commitment to family, a team, a movement, a religion, a nation—constructs that will outlast the individual’s allotted time on earth. Others leave behind creative expressions, artifacts that extend the duration of their presence symbolically. “We fly to Beauty,” said Emerson, “as an asylum from the terrors of finite nature.”3 Others still seek to vanquish death by winning or conquering, as if stature, power, and wealth command an immunity unavailable to the common mortal. Across the millennia, one consequence has been a widespread fascination with all things, real or imagined, that touch on the timeless. From prophesies of an afterlife, to teachings of reincarnation, to entreaties of the windswept mandala, we have developed strategies to contend with knowledge of our impermanence and, often with hope, sometimes with resignation, to gesture toward eternity. What’s new in our age is the remarkable power of science to tell a lucid story not only of the past, back to the big bang, but also of the future. Eternity itself may forever lie beyond the reach of our equations, but our analyses have already revealed that the universe we have come to know is transitory. From planets to stars, solar systems to galaxies, black holes to swirling nebulae, nothing is everlasting. Indeed, as far as we can tell, not only is each individual life finite, but so too is life itself. Planet earth, which Carl Sagan described as a “mote of dust suspended on a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment. Still, here on earth we have punctuated our moment with astonishing feats of insight, creativity, and ingenuity as each generation has built on the achievements of those who have gone before, seeking clarity on how it all came to be, pursuing coherence in where it is all going, and longing for an answer to why it all matters. Such is the story of this book.

The process of receiving teaching depends upon the student giving something in return; some kind of psychological surrender is necessary, a gift of some sort. This is why we must discuss surrendering, opening, giving up expectations, before we can speak of the relationship between teacher and student. It is essential to surrender, to open yourself, to present whatever you are to the guru, rather than trying to present yourself as a worthwhile student. It does not matter how much you are willing to pay, how correctly you behave, how clever you are at saying the right thing to your teacher. It is not like having an interview for a job or buying a new car. Whether or not you will get the job depends upon your credentials, how well you are dressed, how beautifully your shoes are polished, how well you speak, how good your manners are. If you are buying a car, it is a matter of how much money you have and how good your credit is. But when it comes to spirituality, something more is required. It is not a matter of applying for a job, of dressing up to impress our potential employer. Such deception does not apply to an interview with a guru, because he sees right through us. He is amused if we dress up especially for the interview. Making ingratiating gestures is not applicable in this situation; in fact it is futile. We must make a real commitment to being open with our teacher; we must be willing to give up all our preconceptions. Milarepa expected Marpa to be a great scholar and a saintly person, dressed in yogic costume with beads, reciting mantras, meditating. Instead he found Marpa working on his farm, directing the laborers and plowing his land. I am afraid the word guru is overused in the West. It would be better to speak of one’s “spiritual friend,” because the teachings emphasize a mutual meeting of two minds. It is a matter of mutual communication, rather than a master-servant relationship between a highly evolved being and a miserable, confused one. In the master-servant relationship the highly evolved being may appear not even to be sitting on his seat but may seem to be floating, levitating, looking down at us. His voice is penetrating, pervading space. Every word, every cough, every movement that he makes is a gesture of wisdom. But this is a dream. A guru should be a spiritual friend who communicates and presents his qualities to us, as Marpa did with Milarepa and Naropa with Marpa. Marpa presented his quality of being a farmer-yogi. He happened to have seven children and a wife, and he looked after his farm, cultivating the land and supporting himself and his family. But these activities were just an ordinary part of his life. He cared for his students as he cared for his crops and family. He was so thorough, paying attention to every detail of his life, that he was able to be a competent teacher as well as a competent father and farmer. There was no physical or spiritual materialism in Marpa’s lifestyle at all. He did not emphasize spirituality and ignore his family or his physical relationship to the earth. If you are not involved with materialism, either spiritually or physically, then there is no emphasis made on any extreme. Nor is it helpful to choose someone for your guru simply because he is famous, someone who is renowned for having published stacks of books and converted thousands or millions of people. Instead the guideline is whether or not you are able actually to communicate with the person, directly and thoroughly. How much self-deception are you involved in? If you really open yourself to your spiritual friend, then you are bound to work together. Are you able to talk to him thoroughly and properly? Does he know anything about you? Does he know anything about himself, for that matter? Is the guru really able to see through your masks, communicate with you properly, directly? In searching for a teacher, this seems to be the guideline rather than fame or wisdom.

Paired - That converge meet of us is to be like, dressed with grunge fitted epic black with blood red sneakers and both of us pierced with black studs. And me with military reg cut , and she's with cute lob. The Christ cross is the testimony of us in our hand as ring , and carrying her into my hands as me protecting her. Both evolving in intended love , as witnessing each of both mummering evermore evermore....

As the physical body becomes less dense, there is an increasing sensibility and awareness to the subtle elements of the ether which were once unknown to the perceptive senses. The being then becomes knowledgeable of things that to others are not yet part of their reality. This new elevated state leads him to be seen by those others as crazy and out of touch with common sense. For the one who reaches such stage, however, there is an overwhelming sensation of lone wonder, where beauty is found in nothing but an empty garden of extraordinary flowers with different fragrances and colors. To this individual, the world has ceased to exist in its meanings for it is a world of brute ignorance and dark unconsciousness, guided by self-deceptive impulses. He is like a traveler in time stuck in the past. He has evolved but cannot escape the time-line in which he is in. He is blessed while led to think by fools that he is cursed. And the only thing he needs to do, in order to close the gap between his new self and the physical world, consists in looking inwards and appreciate the decadence around him from the perspective of the Observer. Once he can do that, he can be one with the Great Architect and start thinking like a god. In that precise moment, he is freed from any time-line and all the secrets are revealed unto him. His soul becomes boundless and his personality as fluid as water. He can be anything with a burning fire, and nothing like air, at the exact same time; he can love everyone like fertile soil for growth, and no one, as if he was just air; he can be everywhere and nowhere, like darkness, but also attach and detach at will, like light. And he can also have the power to unroot himself from any will produced by any thought that he might or not have chosen to have.

As a subject of behavioral study, nest architecture offers an appealing feature that practically no other behavior offer; namely, the nest is a perfect record of the collective digging effort of a colony, and once cast, is ready to study. By studying a series of casts of increasing size it is possible to describe the nest's growth and ontogeny, infer its species-typical characteristics, and bracket the range of variation. By doing this under different environments and soil types, possibly with transplanted colonies, it is possible to tease out the variation that the environment imposes on the architecture. The current study is only a small, initial step toward creating a field of nest architecture studies, whose ultimate goal is an understanding of how the nest emerges from self-organizing behavior, what function it serves, how it varies within and between species, and how it evolves. In addition, these casts reveal something previously unseen. The study of nest architecture is thus a true exploration of a hidden world that hold unsuspected beauty, patter, and complexity.

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Once superintelligent AI has settled another solar system or galaxy, bringing humans there is easy — if humans have succeeded in programming the AI with this goal. All the necessary information about humans can be transmitted at the speed of light, after which the AI can assemble quarks and electrons into the desired humans. This could be done either in a low-tech way by simply transmitting the 2 gigabytes of information needed to specify a person’s DNA and then incubating a baby to be raised by the AI, or the AI could assemble quarks and electrons into full-grown people who would have all the memories scanned from their originals back on Earth. This means that if there’s an intelligence explosion, the key question isn’t if intergalactic settlement is possible, but simply how fast it can proceed. Since all the ideas we've explored above come from humans, they should be viewed as merely lower limits on how fast life can expand; ambitious superintelligent life can probably do a lot better, and it will have a strong incentive to push the limits, since in the race against time and dark energy, every 1% increase in average settlement speed translates into 3% more galaxies colonized. For example, if it takes 20 years to travel 10 light-years to the next star system with a laser-sail system, and then another 10 years to settle it and build new lasers and seed probes there, the settled region will be a sphere growing in all directions at a third of the speed of light on average. In a beautiful and thorough analysis of cosmically expanding civilizations in 2014, the American physicist Jay Olson considered a high-tech alternative to the island-hopping approach, involving two separate types of probes: seed probes and expanders. The seed probes would slow down, land and seed their destination with life. The expanders, on the other hand, would never stop: they'd scoop up matter in flight, perhaps using some improved variant of the ramjet technology, and use this matter both as fuel and as raw material out of which they'd build expanders and copies of themselves. This self-reproducing fleet of expanders would keep gently accelerating to always maintain a constant speed (say half the speed of light) relative to nearby galaxies, and reproduce often enough that the fleet formed an expanding spherical shell with a constant number of expanders per shell area. Last but not least, there’s the sneaky Hail Mary approach to expanding even faster than any of the above methods will permit: using Hans Moravec’s “cosmic spam” scam from chapter 4. By broadcasting a message that tricks naive freshly evolved civilizations into building a superintelligent machine that hijacks them, a civilization can expand essentially at the speed of light, the speed at which their seductive siren song spreads through the cosmos. Since this may be the only way for advanced civilizations to reach most of the galaxies within their future light cone and they have little incentive not to try it, we should be highly suspicious of any transmissions from extraterrestrials! In Carl Sagan’s book Contact, we earthlings used blueprints from aliens to build a machine we didn’t understand — I don’t recommend doing this ... In summary, most scientists and sci-fi authors considering cosmic settlement have in my opinion been overly pessimistic in ignoring the possibility of superintelligence: by limiting attention to human travelers, they've overestimated the difficulty of intergalactic travel, and by limiting attention to technology invented by humans, they've overestimated the time needed to approach the physical limits of what's possible.

Your beauty is impossible to define. Maybe divine?

You in my eyes! You wake up in my eyes like the morning Sun, You surround my life like the day and its busy schedules, You are there when I am sitting idle or pursuing errands undone, Because thinking of you is the default part of all my schedules, Then when the day tires me, You sleep in my eyes, There in my dreams with me to be, While I wish I never opened my eyes, And in the darkness of the night that spreads everywhere, I hold my eyelids tight, To not let your dreams escape from the crevices in my eyes somewhere, And throughout the night I hold you in this dreamy delight tight, Then as the morning bird taps its beak on the glass window, I let the night cease for me as I let your beauty leave the territory of my eyes, And percolate into the morning light that flashes over the willow, Then begins the magic of recreating you in the light of the day with my open eyes, And then my darling Irma, you spread like the sunshine in every corner of my world, And wherever I go I carry my universe with me, In my eyes, your dreams your views and my entire world, And that is how I like it to be, at least for now this is me, But there are moments when dreams in closed or open eyes, Are awakened by your memories, And how I wish I could vanish into the skies, Because on Earth I miss you and our realities, How you feel I do not know, maybe you feel the same, But then a Summer without flowers is not a true Summer, And in a flowerless Summer nothing feels the same, You too could have evolved the feeling to tell me, “my darling let me be your flowery Summer!” Nevertheless, for now let me close my eyes and dream again of you, The Summer, the flowers and us together, To feel once more how I once felt with you, And maybe this time when I vanish into the skies we shall be together!

We fly to Beauty,” said Emerson, “as an asylum from the terrors of finite nature.

That's the thing, isn't it, when you grow with Time, you learn to value your Time more than anything in this world. You safeguard your peace from literally anything that seems to pull it down, even if that means transient happiness. I learnt long back that Life is a series of lessons, some bitter and well some very very bitter, but all of them assimilate into something so serene, so beautiful actually when looked from a distance. Because each time you're broken, you're made once again, some from the pieces that lay scattered on the ground while some entirely new coming from all across the Sky where He Smiles at You, knowing that your fall was nothing but a blur in the Time that would clutch you later in Life into understanding the Truest Meaning of Life, the virtue of Patience and Perseverance, the lesson on Time, that Time alone has the biggest Smile and if you evolve with it you would walk the fire with the Zeal of your Soul that never ages, you will find wrinkles and scars but those are like battle ropes that get you motivated to walk this Earth one more time, to know that you're still alive, only your core never changes, You in your heart is always that child, the one who is always eager to embrace as much colour from this moment as your senses can. I am not hushing the child but patting it with the serenity of a grey hair, knowing that Life has been kind even at the battles that were thrown along the way, and eventually letting my heart know that the biggest war I'd ever face is within, the war that demands me to hold on too tightly all while letting go too spontaneously, the least I could find is a victory of Knowing I have done it all with an Honest Heart and a Soul that thrives on Faith. If colours were hued on my Soul, let Integrity be my Sun and as for the Moon, I'd always be Kindness' arm. Thank You, Life And to every momentary transient passerby of this beautiful journey, no matter where we left off, I wish your journey finds the course it's meant to walk.

This photobook is more than just a collection of images; it is a narrative that invites viewers to break free from ageist stereotypes. It serves as a reminder that beauty is diverse, timeless, and ever-evolving. As viewers, we are compelled to admire, respect, and celebrate the ageless vitality of the silver-haired woman, who, with every image, redefines the essence of femininity for the modern age.

Only with you! Every moment spent with you appears fulfilling, Then who cares whether it is shorter or longer, For a feeling that is loving, although always evolving, Sometimes makes me wish I could love you a little longer, Every dream dreamt about you is beautiful, Then who cares whether there is someone or something else in that dream, Because with you life seems lovely and eventful, And sometimes makes me wish if it were you in reality and not just a dream, Every movement of yours appears to only invite me, To feel the embrace of love and emotions deep, Because with you my mind wishes to be, And then as my head rests in your lap it wants to enter into a sleep that is long and deep, Your every smile disarms me and makes me love you more, To be your admirer who only seeks you, Because with you I feel the rush of feelings never felt before, And how I love to feel this rush again and again, but only with you!

The lovers They had loved, they had cried, and they had smiled, together; Now they looked at the horizon of life and wished to gather, The moments inextricably tied to their lives, Upon which their present thrives, But they think of the future, and the moments of love in it, For they do not wish to live in the future, but a future with love in it, A feeling that rises from the bottom of their hearts, And then whether they are in the present or the future, it never departs, With these inalienable feelings of love they wish to be, For a day is lifeless when in each others eyes, their own reflections they cannot see, The boy loves the woman in her, while the girl loves the man in him, And this feeling lights up their pathways of life in moments where the light of hope is dim, So, he touches her face and kisses her wherever he could, And the girl feels everything a woman in her should, Then they endlessly look at the horizon of life and watch it turn beautiful, Because now he feels her and she feels him in ways fulfilling and full, And as the evening spreads across their amorous universe, Their feelings of love across it freely traverse, She tells him her story of her heart beats, and the boy too repeats, That how for her his heart everyday beats, Loving her, feeling her, being with her, until he feels his universe exists only because of her, And then once again he embraces her and then tenderly kisses her, And they both disappear from the worldly sight, Because they have evolved into everything now, the brightness of the day, and the beautiful secrets of the night, So whenever you see two lovers looking at the horizon of their lives, Be certain, that it is in them too, in their hopes, in their desires, that their love thrives, Maybe they have disappeared, and there is no trace of theirs left for the eyes that only see, Because the most beautiful virtues are the ones you can only feel and not see, with the eyes that feel before they see, So, they have disappeared because they felt what no lover has ever felt, And it was then I saw that even the horizon of the universe in their obeisance knelt, And now they live in each other, In the eyes of the other and forever together! And I hear the universe say, “this is true love of true lovers!” Who now love each other in the night's secrets, and their twinkling covers! As I leave the scene Irma, the night covers me too, And I escape into the world that it creates exclusively for me and for you!

The Pentagram, a symbol of five points, stands as an eternal testament to the profound interconnection of all things. Each point signifies the fundamental elements of existence - earth, air, fire, water, and spirit. It is a cosmic diagram reminding us that as humans, we are not separate entities in an indifferent universe, but rather integral parts of a grand, interconnected cosmic dance. The element of earth represents the physical realm, our bodies, and the tangible world around us. It reminds us of our mortal nature, our connection to the mother Earth, and the grounding force that allows us to grow and prosper. Air, the breath of life, signifies the realm of intellect, communication, and thought. It is the invisible force that fuels our creative and innovative abilities, allowing us to soar towards our highest aspirations. Fire symbolizes passion, energy, and transformation. It is the spark of life within us, the burning desire to grow, evolve, and reach beyond the realms of the possible. Yet, it also serves as a reminder of the transformative power of trials and tribulations, refining us like gold in a crucible. Water relates to emotions, intuition, and the depths of the subconscious. It is the wellspring of our feelings, our dreams, our hopes, and our fears. Water teaches us the power of adaptability, the beauty of depth, and the strength in gentleness. Finally, the fifth point, spirit, represents the divine essence that permeates all things. It is the invisible thread that weaves together the fabric of the universe, the divine spark within each of us, connecting us to each other and to the cosmos. The Pentagram, therefore, is not merely a symbol. It is a philosophical compass, a map of our spiritual journey. It reminds us to remain grounded, yet to let our thoughts soar; to burn with passion, yet to cool with compassion; to dive deep within ourselves, yet to connect to the divine within all. It is a reminder that we are born of the cosmos, and to the cosmos, we shall return - a testament to the spiritual cycle of birth, death, and rebirth. In this dance of existence, we are not solitary dancers, but part of a divine choreography, intricately woven into the fabric of the universe.

You never know until you step out the door what you're going to find. I feel like I fell in love with acting before it evolved into a beautiful romance

The Sixteen Conclusions of Reverend Kirk In the last half of the seventeenth century, a Scottish scholar gathered all the accounts he could find about the Sleagh Maith and, in 1691, wrote an amazing manuscript entitled The Secret Commonwealth of Elves, Fauns and Fairies. It was the first systematic attempt to describe the methods and organization of the strange creatures that plagued the farmers of Scotland. The author, Reverend Kirk, of Aberfoyle, studied theology at St. Andrews and took his degree of professor at Edinburgh. Later he served as minister for the parishes of Balquedder and Aberfoyle and died in 1692. Kirk invented the name "the Secret Commonwealth" to describe the organization of the elves. It is impossible to quote the entire text of his treatise, but we can summarize his findings about elves and other aerial creatures in the following way: 1. They have a nature that is intermediate between man and the angels. 2. Physically, they have very light and fluid bodies, which are comparable to a condensed cloud. They are particularly visible at dusk. They can appear and vanish at will. 3. Intellectually, they are intelligent and curious. 4. They have the power to carry away anything they like. 5. They live inside the earth in caves, which they can reach through any crevice or opening where air passes. 6. When men did not inhabit most of the world, the creatures used to live there and had their own agriculture. Their civilization has left traces on the high mountains; it was flourishing at a time when the whole countryside was nothing but woods and forests. 7. At the beginning of each three-month period, they change quarters because they are unable to stay in one place. Besides, they like to travel. It is then that men have terrible encounters with them, even on the great highways. 8. Their chameleon-like bodies allow them to swim through the air with all their household. 9. They are divided into tribes. Like us, they have children, nurses, marriages, burials, etc., unless they just do this to mock our own customsor to predict terrestrial events. 10. Their houses are said to be wonderfully large and beautiful, but under most circumstances they are invisible to human eyes. Kirk compares them to enchanted islands. The houses are equipped with lamps that burn forever and fires that need no fuel. 11. They speak very little. When they do talk among themselves, their language is a kind of whistling sound. 12. Their habits and their language when they talk to humans are similar to those of local people. 13. Their philosophical system is based on the following ideas: nothing dies; all things evolve cyclically in such a way that at every cycle they are renewed and improved. Motion is the universal law. 14. They are said to have a hierarchy of leaders, but they have no visible devotion to God, no religion. 15. They have many pleasant and light books, but also serious and complex books dealing with abstract matters. 16. They can be made to appear at will before us through magic. The similarities between these observations and the story related by Facius Cardan, which antedates Kirk's manuscript by exactly two hundred years, are clear. Both Cardan and Paracelsus write, like Kirk, that a pact can be made with these creatures and that they can be made to appear and answer questions at will. Paracelsus did not care to reveal what that pact was "because of the ills that might befall those who would try it." Kirk is equally discreet on this point. And, of course, to go deeper into this matter would open the whole field of witchcraft and ceremonial magic, which is beyond my purpose in the present book.

Who is who? In the silence that sinks into you, In the seclusion that excludes you, You begin to realise without her you are not you, And you begin to believe in her more than you do in you, Wherever you might be, her thoughts seem stubbornly pervasive, And in this state of her pervasiveness you let her memories become invasive, And now you are no more you and this happens to you in phases successive, Now everything appears yonder and so inconclusive, But you love her because now she is a part of you, You exist in her and not in you, Even your heart revolts as it begins to beat for her and not for you, You no longer exist in days or months, you just exist in moments where you wonder without her what are you? In life everything seems pertinent because you have evolved into a poker face, Because no matter how hard you try, in the mirror, in your own reflection you see her face, A sort of a purgatory for true lover’s face, Where through some intermediary grace you now kiss her face, Because now it is difficult to tell who is who, Whether it is you, it is her, and you wonder who can tell; who? After struggling to define who is who, You let her face, her memories, her feelings, her heart beats define you. Because this is who you are, the real you! So let me love you Irma with this poker face, And see if you can find the grace in this superimposed face, And when million reflections are cast in the mirror of life let me see if you can identify the face, That loved you for your beautiful heart and your inward grace!

La Revue Nègre was a bold statement, drawing from the long history of both Black American vernacular dance and the minstrel and vaudeville theater in which Baker had performed in the United States. It contained elements of the shimmy and the shake, and challenged traditional Western European ideas of dance. “All of these moves that in the European mode would have been considered awkward become beautiful, sexy, silly, and savvy at the same time,” explains Dixon Gottschild. Later, as the performance evolved, Baker incorporated her famous banana skirt and, eventually, a pet cheetah who regularly made his way into the orchestra pit—elements that played into the idea of Baker as an exotic creature and added notes of vaudeville humor. Baker’s performances were complex, as are their legacy. Some have characterized her as a twentieth-century Sarah Baartman, another Black woman put on display for the titillation of fascinated, scandalized bourgeois white spectators. But she is often also criticized for exoticizing herself, knowingly participating in her own exploitation, playing into African stereotypes with her nudity, the banana skirt, and the cheetah. Others interpret La Revue Nègre as a means of reclaiming those stereotypes: Baker enthusiastically, and freely, participated in the performances and made lots of money doing it, and she surely understood that she was engaging with, and even subverting, stereotypes of Black femininity. She was also funny, and her performances always contained elements of humor and parody. From her early days as a chorus girl, she would add an element of knowingness by feigning being a bad dancer onstage for a laugh. She may have been sexualized and objectified by her largely white audience in Paris, but she also maintained significant control over what she was doing.

In The 33 Strategies of War one of the strategies Robert Greene tackles is Defeat Them in Detail: The Divide-And-Conquer Strategy "Never be intimidated by your enemy's appearance. Instead, look at the parts that make up the whole. By separating the parts, sowing dissension and division, you can bring down even the most formidable foe. When you are facing troubles or enemies, turn a large problem into small, eminently defeatable parts." Most of us have been captivated by the beauty and often gruesome nature of big cats like lions catching their prey in the wild. These hunters are so skilled that they have evolved strategies to overcome prey that is sometimes significantly larger than themselves and outnumbers the hunters many times over. "They hunt water buffalo by stampeding them into the water where they can attack and kill the young or weak members of the herd. After the initial stampede, the lions herd the buffalo through the water and relentlessly pursue them for hours at a time " according to National Geographics. Despite appearing extreme, given the current ruling party's track record, it is difficult to find many who would disagree that it is more focused on fighting its own citizens than on serving us. In South Africa, it is quite ironic that the term "public servant" is used. The situation is such that the public themselves serve the government employees and elected officials, who are considered to be the elite benefiting from our hard-earned tax money. Who else among us is more vulnerable and weaker than our children? Is it any wonder their predatory antics are targeting children? Making formal schooling seem authorized by the Constitution and passing related laws was a big move to reduce parental authority over their kids. But it was just the beginning.

People change,” I told her. “For the better and the worse. We evolve and adjust. Learn and grow. It’s a never-ending process through the entirety of life. But the core of who we are is always the same. And you, my beautiful, funny, brilliant, clumsy, sexy woman, will always be Remi Grey.” I pressed the Remi Grey name tag on her chest again and then carefully secured it with the safety pin. “Don’t get so caught up in the search that you lose sight of the most amazing woman I’ve ever met.

Just to think that you are killing an animal to eat, just the very idea, is unaesthetic. I am not against it because the animal is killed... because that which is essential in the animal will live, it cannot be killed, and that which is nonessential, whether you kill it or not, is going to die. So that is irrelevant, that is not a point for me to consider. The question is not that you have killed the animal and killing is not good, no. The question is that you have killed the animal -- you. Just to eat? While beautiful vegetarian food is available? If vegetarian food is not available, that's one thing. But the food IS available. Then why? Then why destroy a body? And if you can kill an animal, then why not be a cannibal? What is wrong with killing a man? The meat derived from a human body will be more in tune with you. Why not start eating human beings? That too is a question of aesthetics. And the animals are brothers and sisters, because man has come from them. They are our family. To kill a man is only to kill an evolved animal, or to kill an animal is just to kill somebody who is not yet evolved but is on the way. It is the same. Whether you kill the child when he is in the first grade or whether you kill the young man when he has come to his last grade in the university, it does not make much difference. The animals are moving towards human beings, and human beings had once been animals.

To seek selfhood can be a poignant yet powerful journey for it needs you to delve into your multilayered self...The journey can tear you apart yet enrich you at the same time..But there you are, pushed by a longing for love and fulfillment... How can you even deny your primal desire?... Tormented yet pulled by the search, you come to understand who you are and what you need unquestionably....for the journey makes you embrace your multilayered self...Through it comes your self-reflection, the beautiful love affair with your tender self...The journey becomes your way to enrichment and through it evolves your own understanding of God....Someday, you learn how to overcome betrayal and loss..Through it all, you come to claim your own place in this complex world....

To seek selfhood can be a poignant yet powerful journey for it needs you to delve into your multilayered self...The journey can tear you apart yet enrich you at the same time..But there you are, pushed by a longing for love and fulfillment... How can you even deny your primal desire?... Tormented yet pulled by the search, you come to understand who you are and what you need unquestionably....for the journey makes you embrace your multilayered self...Through it comes your self-reflection, the beautiful love affair with your tender soul...The journey becomes your way to enrichment and through it evolves your own understanding of God....Someday, you learn how to overcome betrayal and loss..Through it all, you come to claim your own place in this complex world....

Quintessentially, I believe that deep spirituality involves embracing the Great Mystery in the ongoing pursuit of Love, Harmony, Beauty, and Truth throughout life.

Leap Beyond Libido (The Sonnet) Brotherhood won't do, Nor will sisterhood. What the world really needs, Is a sense of humanhood. So long as gender lingers, In the behavior of human. We'll not have a society, Free from sexualization. Genitalia have no role in society, Other than in bed. When you leap beyond libido, Even a naked body seems sacred. The body has evolved to crave for release, But a well-built character is hard to please.