“
And he leans in, so carefully. Breathing
and not breathing and hearts beating
between us and he’s so close, he’s so close and I can’t feel my legs anymore. I can’t feel my fingers or the cold or the emptiness of this room because all I feel is him, everywhere,filling everything and he whispers
“Please.”
He says “Please don’t shoot me for this.”
And he kisses me.
His lips are softer than anything I've ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. It’s sweet, it’s
so effortlessly sweet.
And then it changes.
“Oh God—”
He kisses me again, this time stronger,
desperate, like he has to have me, like he’s dying to memorize the feel of my lips against his own. The taste of him is making me crazy; he’s all heat and desire and peppermint and I want more. I've just begun reeling him in, pulling him into me when he breaks away.
He’s breathing like he’s lost his mind andhe’s looking at me like something has brokeninside of him, like he’s woken up to find that
his nightmares were just that, that they never existed, that it was all just a bad dream that felt far too real but now he’s awake and he’s safe and everything is going to be okay and
I’m falling.
I’m falling apart and into his heart and I’m a disaster.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Love, love, love, says Percy.
And hurry as fast as you can
along the shining beach, or the rubble, or the dust.
Then, go to sleep.
Give up your body heat, your beating heart.
Then, trust.
”
”
Mary Oliver
“
Books, books, books!
I had found the secret of a garret room
Piled high with cases in my father’s name;
Piled high, packed large,--where, creeping in and out
Among the giant fossils of my past,
Like some small nimble mouse between the ribs
Of a mastodon, I nibbled here and there
At this or that box, pulling through the gap,
In heats of terror, haste, victorious joy,
The first book first. And how I felt it beat
Under my pillow, in the morning’s dark,
An hour before the sun would let me read!
My books!
”
”
Elizabeth Barrett Browning (Aurora Leigh)
“
If there is passion, let me feel its heat.
I want my heart to beat fast,
my breath raspy, my skin to burn.
”
”
Susie Clevenger (Dirt Road Dreams)
“
The summer of 2019 had overstayed its welcome in Florida,
lingering well into September. As if to make a point about global
warming, the rabid sun scorched the waters of Biscayne Bay for
weeks, generating a haze of humidity that blurred the line between
the windless sea and the sky above. Not to be accused of playing
favorites, the sun’s rays beat down on the land with equal spite,
pummeling grass, palms, and bushes into limp submission. The
heat weaponized asphalt roads and cement sidewalks, the shimmery
mirages above them a clear warning to all living things to stay away
or burn.
”
”
J.K. Franko (Eye for Eye (Talion #1))
“
You first."
"No, you."
"Why?"
"I'm afraid."
"Of what, my Sassenach?" The darkness was rolling in over the fields, filling the land and rising up to meet the night. The light of the new crescent moon marked the ridges of brow and nose, crossing his face with light.
"I'm afraid if I start I shall never stop."
He cast a glance at the horizon, where the sickle moon hung low and rising. "It's nearly winter, and the nights are long, mo duinne." He leaned across the fence, reaching, and I stepped into his arms, feeling the heat of his body and the beat of his heart.
"I love you.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Yet I saw crypts when I looked at him, and I heard the beat of kettledrums. I saw torchlit fields where I had never been, heard vague incantations, felt the heat of raging fires on my face. And they didn't come out of him, these visions. Rather I drew them out on my own.
Yet I never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall.
Dear God, this is love. This is desire. And all my past amours have been but the shadow of this."
— Lestat de Lioncourt
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh.
“Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes.
“Let me,” he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. “It isn’t real,” he said. “Let me.”
I felt that rush of hunger, the steady, longing beat of desire that neither of us wanted, but that gripped us anyway. We were alone in the world, unique. We were bound together and always would be.
And it didn’t matter.
I couldn’t forget what he’d done, and I wouldn’t forgive what he was: a murderer. A monster. A man who had tortured my friends and slaughtered the people I’d tried to protect. I shoved away from him. “It’s real enough.
”
”
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
“
Rhys straightened. "You'd- make me food?"
"Heat," I said. "I can't cook."
It didn't seem to make a difference. But whatever it was, the act of offering him food... I dumped some cold soup into a pan and lit the burner. "I don't know the rules," I said, my back to him. "So you need to explain them to me."
He lingered in the center of the cabin, watching my every move. He said hoarsely, "It's an... important moment when a female offers her mate food. It goes back to whatever beats we were a long, long time ago. But it still matters. The first time matters. Some mated pairs will make an occasion of it- throwing a party just so the female can formally offer mate food... That's usually done amongst the wealthy. But it means that the female... accepts the bond."
I stared into the soup. "Tell me the story- tell me everything."
He understood my offer: tell me while I cooked, and I'd decide at the end whether or not to offer him that food.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Love, love, love, says Percy.
And run as fast as you can
along the shining beach, or the rubble, or the dust.
Then, go to sleep.
Give up your body heat, your beating heart.
Then, trust.
”
”
Mary Oliver
“
You reached into my chest with your words. When you spoke, my heart danced. Love muddled thoughts based in reason. Interest withered like a flower in dry heat then your words wrapped themselves around my heart and yanked it from my body. Now I stand bewildered by the sight of my heart beating on the cold concrete floor.
”
”
Sonya Watson (The Tide Breaker)
“
Who Am I?
I’m a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer’s heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me.
”
”
Sharon M. Draper
“
Summertime, I think, is a collective unconscious. We all remember the notes that made up the song of the ice cream man; we all know what it feels like to brand our thighs on a playground slide that's heated up like a knife in a fire; we all have lain on our backs with our eyes closed and our hearts beating across the surface of our lids, hoping that this day will stretch just a little longer than the last one, when in fact it's all going in the other direction.
”
”
Jodi Picoult (My Sister's Keeper)
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window
facing each other
your knees held in mine
the blue plates in our laps
the strawberries glistening
in the hot sunlight
we dipped them in sugar
looking at each other
not hurrying the feast
for one to come
the empty plates laid on the stone together
with the two forks crossed
and I bent towards you
sweet in that air
in my arms
abandoned like a child
from your eager mouth
the taste of strawberries
in my memory
lean back again
let me love you
let the sun beat
on our forgetfulness
one hour of all
the heat intense
and summer lightning
on the Kilpatrick hills
let the storm wash the plates.
”
”
Edwin Morgan (The Second Life: Selected Poems)
“
The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
All day long you sit and sew,
Stitch life down for fear it grow,
Stitch life down for fear we guess
At the hidden ugliness.
Dusty voice that throbs with heat,
Hoping with your steel-thin beat
To put stitches in my mind,
Make it tidy, make it kind,
You shall not: I'll keep it free
Though you turn earth, sky and sea
To a patchwork quilt to keep
Your mind snug and warm in sleep!
”
”
Edith Sitwell
“
You really want to go out to dinner?" Gabriel shot Rase a skeptical look out of the corner of his eye.
"As opposed to what?"
"Getting on your knees and begging me to beat you." There was no inflection in Gabriel's voice, no heat, and no emotion at all. He wasn't even looking at Rase.
... "I don't want one more than the other," he answered, fully aware that he was being challenged. "They're not interchangeable. I want them both."
Rase took a breath to calm the pounding in his chest and continued, even though Gabriel wouldn't look at him. "I want to go out to dinner with you, anywhere you want, on a date. And then I want to go back to your place or my place and I want you to beat me until I bleed.
”
”
Anah Crow (Uneven)
“
One day, I will wake up with a terrible longing for you. And in some corner of the world, your heart will skip several beats at the thought of my name. And you’ll finally know what I meant when I said: When you stand near a burning pyre, the heat tends to rub off on you.
”
”
Ayushee Ghoshal (4 AM Conversations (with the ghosts of old lovers))
“
Fire: the heat in your blood in the midst of a fight, the kinetic energy that makes your heart beat faster.” Jiang tapped his chest. “Water: the flowing of force from your muscles to your target, from the earth up through your waist, into your arms. Air: the breath you draw that keeps you alive. Earth: how you stay rooted to the ground, how you derive energy from the way you position yourself against the floor. And metal, for the weapons you wield. A good martial artist will possess all five of these in balance. If you can control each of these with equal skill, you will be unstoppable
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you."
Maxon took a step closer.
My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted.
Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard.
Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?"
"If you lay a single finger on me, I'll do worse!" I promised.
"What?"
"I said, if you-"
"No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?"
I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming.
The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position.
We were quiet for a while, and once Maxon was over the worst of his pain, he faced me.
"What did you think I wanted?" he asked.
I ducked my head and blushed.
"America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!"
He started to walk away but turned back.
"Why did you even offer to help if you think so little of me?"
I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
She saw night lights in the rooms of the babies who dreamed soft seersucker dreams, drugged happy with the heat, their pink baby bodies curled against worn out cotton, not fearing Hitler yet, their strong, tiny hearts beating in unison with the trees and the creeks and the bayou
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
“
When a child is born its sense-organs are brought in contact with the outer world. The waves of sound, heat and light beat upon its feeble body, its sensitive nerve-fibres quiver, the muscles contract and relax in obedience: a gasp, a breath, and in this act a marvelous little engine, of inconceivable delicacy and complexity of construction, unlike any on earth, is hitched to the wheel-work of the Universe.
”
”
Nikola Tesla
“
You are so beautiful,” he whispered. He stepped closer, but before she could touch him he took her hand and brought it to his lips.
“When I saw you tonight I think my heart stopped beating.”
“And is it now?” she whispered.
He took her hand and laid it over his heart. She could feel it pounding beneath his skin, almost hear it reverberating through her own body. He was so strong, and so solid, and so wonderfully male.
“Do you know what I wanted to do?” he murmured.
She shook her head, too entranced by the low heat of his voice to make a noise of her own.
“I wanted to turn you around and push you right back through the door before anyone else saw you. I didn’t want to share you.” He traced her lips with his finger. “I still don’t.
”
”
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
“
Her body went into meltdown, overwhelmed and unsure whether to heat up in arousal or panic under his scrutiny. Bloody hell. Nobody should be that sinful. A rich, talented, bad boy all rolled up into a package of I-don't-give-a-shit, I-know-how-good-I-look.
”
”
Eden Summers (Passionate Addiction (Reckless Beat, #2))
“
It was an amazing feeling, the coming together of two bodies, the exchange of heat and sensation. After a short period of time I swore that our hearts beat in unison.
”
”
Lily White (Asylum)
“
The ultimate work of energy production is accomplished not in any specialized organ but in every cell of the body. A living cell, like a flame, burns fuel to produce the energy on which life depends. The analogy is more poetic than precise, for the cell accomplishes its ‘burning’ with only the moderate heat of the body’s normal temperature. Yet all these billions of gently burning little fires spark the energy of life. Should they cease to burn, ‘no heart could beat, no plant could grow upward defying gravity, no amoeba could swim, no sensation could speed along a nerve, no thought could flash in the human brain,’ said the chemist Eugene Rabinowitch.
”
”
Rachel Carson (Silent Spring)
“
Dan reached out, his hand rested on the other's abs, under the blankets. Felt heat creep from the skin, feeding it back again. "How long did they have you? You look like a fair few beatings at least."
Vadim looked down at his body, tensed the muscle to keep that weight there, nice and snug. "Two days. Like weekend with in-laws, eh?" Tried a smile. "Bad food, and they hate you."
Nodding, Dan's eyes narrowed, could just about imagine what it had been like. "I don't take kindly to those who try to take away from me what is mine.
”
”
Marquesate (Special Forces - Soldiers (Special Forces, #1))
“
No one's said a word to them since they said we couldn't see you." Nathaniel's heart skipped a beat. The heat that gnawed at his chest was an ugly mix of gratitude and shame. He tried to speak but had to clear his throat before trying again. "But why? I've done nothing but lie to them. I willingly put them all in danger so I could play a little longer. They got hurt last night because of me. Why would they protect me now?" "You are a Fox," Andrew said, like it was that simple, and maybe it was. Nathaniel dropped his eyes and worked his jaw, fighting for a center he was quickly losing hold of.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
¨Hear my judgment,¨ Cardan says, authority ringing in his voice. ¨I exile Jude Duarte to the mortal world. Until and unless she is pardoned by the crown, let her not step one foot in Faerie or forfeit her life.¨ I gasp. ¨But you cant do that!¨ He looks at me for a long moment, but his gaze is mild, as though hes expecting me to be fine with exile. As though I am nothing more than one of his petitioners. As though i am nothing at all. ¨Of course I can,¨ he replies. ¨But im the Queen of Faerie,¨ I shout, and for a moment, there is silence. Then everyone around me begins to laugh. I can feel my cheeks heat. Tears of frustration and fury prick my eyes as, a beat too late, Cardan laughs with them. At that moment, knights clap their hands on my wrists, Sir Rannoch pulls me down from the horse. For a mad moment i consider fighting him as though two dozen knights arent around us. ¨Deny it, then,¨ I yell. ¨Deny me!¨ He cannot, of course, so he does not.
Page 316-317
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
What is art? Art is tar, rearranged. Art is tar on canvas or tar on tarp or tar on a naked body. Art is a bird chirping changed into something visual. Art is an image of a thousand beaks breaking into the office of a quack doctor. I know that doctor, and I've personally spoken to ten of those beaks. Art is rhythm, two hands clapping at a urinal while a third shakes off pee to the beat. Good art stays with you your whole life, especially if that good art is a tattoo. Good art is my name, written backwards, inked on your upper lip in a furry font. Art imitates life, just as life imitates Orafoura. Art can be anything from a Manet to a Monet to a painting of money to a missile. Art can save the world, or devastate it. (We could drop another big bomb on Japan, though I'm not advocating dumping Basquiat paintings on Hiroshima). Art rhymes with a bodily function, and everybody should let their creativity rip everywhere from the privacy of their bathrooms to small heated boxes with four of their closest friends. Art is thinking outside that box, and desperately trying to escape.
”
”
Jarod Kintz (This Book is Not for Sale)
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Ginsberg turned out to be depressingly prescient when, after a heated argument with Norman Podhoretz in 1958, he yelled, 'We'll get you through your children!' For countless American families, that turned out to be only too true.
”
”
Roger Kimball (The Long March: How the Cultural Revolution of the 1960s Changed America)
“
This notion of rest, it’s attractive to her, but I don’t think she would like it. They are all like that, these women. Waiting for the ease, the space that need not be filled with anything other than the drift of their own thoughts. But they wouldn’t like it. They are busy and thinking of ways to be busier because such a space of nothing pressing to do would knock them down. No fields of cowslips will rush into that opening, nor mornings free of flies and heat when the light is shy. No. Not at all. They fill their mind and hands with soap and repair and dicey confrontations because what is waiting for them, in a suddenly idle moment, is the seep of rage. Molten. Thick and slow-moving. Mindful and particular about what in its path it chooses to bury. Or else, into a beat of time, and sideways under their breasts, slips a sorrow they don’t know where from.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
I have forged me in sevenfold heats A shield from foes and lovers, And no one knows the heart that beats Beneath the shield that covers.
”
”
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
“
My heart started beating faster, and I felt my face flush with anticipation. He pulled away, just enough to look me in the eyes. I stared back into his, allowing him access to my soul, hoping he could see how desperately I needed him. I didn’t hold back at all.
Before I could even react his lips were on mine. The heat that I had felt when he kissed my cheek, was like a lit match compared to the forest fire I felt now. Every inch of my body was deliciously ignited.
”
”
Theresa M. Jones (Power (The Descendant Trilogy #1))
“
Sean grinned. “And like the pro you are, you didn’t miss a beat.”
“It takes more than a naked chest to rattle me,” she shot back. “Don’t forget, I was able to do love scenes
with Marcus and not puke.”
“You should get a reward for that."
“I did,” she said softly. “I get to work with you.
”
”
Alison Packard (Love in the Afternoon (Feeling the Heat, #1))
“
He slid inside her, his body moving over hers as she lay stretched out on her sofa, his kiss worshipping her mouth, his length embedded deep in her heat. He slid inside her, moved inside her, and there were no words. There were no words, no music, nothing but the rhythm of their hearts beating, the moans of their pleasure, the sound of their lovemaking. It was the most haunting, beautiful song Lauren had ever heard.
And it was enough. It was all she needed. For now, it was all she needed.
”
”
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
“
It was like penetrating deep into white marble with the pounding live thrust of
his chisel beating upward through the warm living marble with one ”Go!”, his whole body behind the heavy hammer, penetrating through ever deeper and deeper furrows of soft yielding living substance until he had reached the explosive climax, and all of his
fluid strength, love, passion, desire had been poured into the nascent form, and the marble block, made to love the and of the true sculptor, and responded, giving of its inner heat
and substance and fluid form, until at last the sculptor and the marble had totally coalesced, so deeply penetrating and infusing each other that they had become one, marble and man and organic unity, each fulfilling the other in the greatest act of art and love known to the human species.
”
”
Irving Stone (The Agony and the Ecstasy)
“
At the sight of the flag he tasted tears in his throat. In the Stars and Stripes all the passions of his life coalesced to produce the ache with which he loved the United States of America - with which he loved the dirty, plain, honest faces of GIs in the photographs of World War Two, with which he loved the sheets of rain rippling across the green playing field toward the end of the school year, with which he cherished the sense-memories of the summers in his childhood, the many Kansas summers, running the bases, falling harmlessly onto the grass, his head beating with heat, the stunned streets of breezeless afternoons, the thick, palpable shade of colossal elms, the muttering of radios beyond the windowsills, the whirring of redwing blackbirds, the sadness of the grown-ups at their incomprehensible pursuits, the voices carrying over the yards in the dusks that fell later and later, the trains moving through town into the sky. His love for his country, his homeland, was a love for the United States of America in the summertime.
”
”
Denis Johnson (Tree of Smoke)
“
With only those soft, secret night sounds as witness, he moved over her, kissed her deeply, then slid home.
And news sounds filled the dark.
Sharp breaths of stunning urgency.
Long sighs of immeasurable pleasure.
Humming beats of awareness of an unbreakable bond being forged.¸
In the heat of the night, without a single word spoken, she felt everything change between them. Until this moment, they'd only played at love, danced cautiously around the prospect of commitment. But as he sank in and out of her body, immersing them in sensation and a profound stream of consciousness, he sough her gaze in the dark. What she saw in his eyes brought tears to hers as it became achingly, wonderfully clear.
The biggest player of them all wasn't playing anymore.
”
”
Cindy Gerard (Whisper No Lies (Black Ops Inc., #3))
“
Nettie, I am making some pants for you to beat the heat in Africa. Soft, white, thin. Drawstring waist. You won't ever have to feel too hot and overdress again. I plan to make them by hand. Every stitch I sew will be a kiss.
”
”
Alice Walker (The Color Purple)
“
On cloudless days I swear the prairies are closer to the sun than anywhere else in the world. Not because of the heat. It's the size of the floating orb when nothing else is around it. Beating like a heart in a blue, blue ocean.
”
”
Jessica Johns (Bad Cree)
“
Pall-- Oh, yes, she could feel it/even though the bullet/had never stabbed her skin./ The bright white heat/ burned at her core/ where two lives/ beat, and if he'd aimed/ there and pulled the trigger,/red would have crested/ like a broken dam/ over her hands/ as her last word rushed/ up to her throat-- Paul-- / a sound that took no time and also lifetimes.
”
”
Jenny Hubbard (And We Stay)
“
Think of one of your most memorable sexual experiences. Although often sex gets stuck in one rhythm, sometimes we ride the whole wave. Sensuous and slow, gentle and tender your energies flow together. As it heats up, your passion ignites into a pulsing staccato beat. As you lose control, moving beyond all thinking and fears, you surrender to the orgasmic rhythm of chaos. And then there’s the luscious lingering of the altered lyrical state before we settle into the afterglow, the bliss of stillness.
”
”
Gabrielle Roth (Maps to Ecstasy: The Healing Power of Movement)
“
And why, exactly, was she in no danger from him? Why didn’t he want her with the fervor of a thousand over-heating engines? She ought to be constantly ogled and groped, having to beat him off with her parasol, her fan, and maybe one of her walking boots.
”
”
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
It slammed into me so hard it nearly knocked me from my feet. At the same time, it felt completely natural. Inevitable. Simple.
I loved her.
My eyes dropped closed, savoring the truth soaking my body, my nerves thrilling in excitement while my heat beat with a steady content.
I loved her.
”
”
A.L. Jackson
“
No one said anything. The midday heat beat down on them, baking their bodies within the oven of clothes long since gone stiff with sweat and dirt, their minds as tired as their expectations. Hawk couldn't remember his last real bath. None of them had done more than wash off a little dirt and cool down their faces at the end of each day's trek since they had set out. Before that, things hadn't been much better. Food was growing scarce, too. Time was as thin as hope.
”
”
Terry Brooks
“
It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado's grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
He caught her staring and waggled his eyebrows. Heat flooded her cheeks, and she worked to recover. “The minivan suits you. I think you should get one.”
“Sweetheart, I already have to beat the ladies off me with a stick. If I get one of these bad boys, I might cause a riot.”
“Do you ever stop?”
“I can go all. Night. Long.
”
”
Cindi Madsen (Resisting the Hero (Accidentally in Love, #3))
“
But still, a tragedy without a tune is like a sun that doesn’t give off heat; dead and nothing will grow from it. When men go to war, they do it to music. When they set sails for better shores and row into the vast blue, they do it to music. Even our hearts beat to some rhythm. And the director who neglects it neglects what makes us men.
”
”
Ferdia Lennon (Glorious Exploits)
“
With the one who is your brother in arms, you share both good and bad. You share the sweltering heat of summer and the burning sun that beats down on your head as you march. You share the autumn rains that turn roads, trenches and individual foxholes to mud. You share the cold and harshness of winter, and when everything is frozen around you, any source of physical or soul warmth, you share it with him. In spring, when nature comes back to life, you share the longing for loved ones, for home, for life before the war. With your comrade, you share joys and sorrows, possibly even the mass grave at the end, but above all life in the worst and most unfriendly conditions.
Simion addressing Paul
”
”
Costi Boșneag (InVoluntar în Războiul Altora)
“
I went and turned up the heat and hit the switch for the gas fireplace on the wall opposite the bed. Flames roared to life and filled the dim room with dancing orange.
"This sure beats my dorm room," she half sighed.
I laughed and turned. The breath I was taking in froze halfway to my lungs. She was sitting in the center of my bed, the blankets rumpled and piled around her. My shirt was way too large and the neck slipped down low over one of her slim shoulders, exposing a wide patch of creamy skin. Her cheeks were pink and her lips were swollen. The long thick mass of her hair was tangled and messy, falling around her face and down her back.
I'd missed her.
I'd missed her even more than I'd let myself realize. But seeing her sitting there taking up so little space in my bed but so much room in my chest was sorta something I couldn't deny.
She tilted her head and looked at me, wrinkling her nose. "Do I look a mess?" she asked.
I shook my head, unable to speak. I never thought this would happen to me. I never thought I would love someone so much. So fast.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
Some hearts strove for the mellow pleasures of kind and steady things, and some beat for the heat of passion even when they knew they'd burn. I'd choose the blaze, she thought.
”
”
Evie Dunmore (Portrait of a Scotsman (A League of Extraordinary Women, #3))
“
nothing beats a fail but a try.
”
”
Zane (The Zane Collection #2: The Heat Seekers, Shame on It All, and The Sisters of APF)
“
Like gold is tested by rubbing, cutting, heating and beating so also a man is tested by his sacrifice, moral conduct, innate qualities and his actions.
”
”
B.K. Chaturvedi (Chanakya Neeti)
“
Nothing beats a glass bottle of Coke and a trusty Moon Pie under the heat of the Alabama sun.
”
”
Joseph Carro (The Little Coffee Shop of Horrors Anthology 2)
“
I have forged me in sevenfold heats
A shield from foes and lovers,
And no one knows the heart that beats
Beneath the shield that covers.
”
”
Mary Elizabeth Coleridge
“
I stared down into his handsome face while my mouth gaped like a fish. Oh my good God. No wonder I had thought he was a stripper. I had asked him to take his clothes off. If I had been alone I would have beat my head against the wall. An image of Sam stopping his hands fluttered through my mind and my cheeks heated. I really had told him to take his clothes off.
”
”
Nichole Chase (Recklessly Royal (The Royals, #2))
“
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?
And how shall you speak of her except she be the weaver of your speech?
The aggrieved and the injured say, "Beauty is kind and gentle.
Like a young mother half-shy of her own glory she walks among us."
And the passionate say, "Nay, beauty is a thing of might and dread.
Like the tempest she shakes the earth beneath us and the sky above us."
The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit.
Her voice yields to our silences like a faint light that quivers in fear of the shadow."
But the restless say, "We have heard her shouting among the mountains,
And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions."
At night the watchmen of the city say, "Beauty shall rise with the dawn from the east."
And at noontide the toilers and the wayfarers say,
"We have seen her leaning over the earth from the windows of the sunset."
In winter say the snow-bound, "She shall come with the spring leaping upon the hills."
And in the summer heat the reapers say,
"We have seen her dancing with the autumn leaves,
and we saw a drift of snow in her hair."
All these things have you said of beauty,
Yet in truth you spoke not of her but of needs unsatisfied,
And beauty is not a need but an ecstasy.
It is not a mouth thirsting nor an empty hand stretched forth,
But rather a heart enflamed and a soul enchanted.
It is not the image you would see nor the song you would hear,
But rather an image you see though you close your eyes and a song you hear though you shut your ears.
It is not the sap within the furrowed bark, nor a wing attached to a claw,
But rather a garden for ever in bloom and a flock of angels for ever in flight.
People of Orphalese, beauty is life when life unveils her holy face.
But you are life and you are the veil.
Beauty is eternity gazing at itself in a mirror.
But you are eternity and you are the mirror.
”
”
Kahlil Gibran (The Prophet)
“
Tennis is the sport in which you talk to yourself. No athletes talk to themselves like tennis players. Pitchers, golfers, goalkeepers, they mutter to themselves, of course, but tennis players talk to themselves—and answer. In the heat of a match, tennis players look like lunatics in a public square, ranting and swearing and conducting Lincoln-Douglas debates with their alter egos. Why? Because tennis is so damned lonely. Only boxers can understand the loneliness of tennis players—and yet boxers have their corner men and managers. Even a boxer’s opponent provides a kind of companionship, someone he can grapple with and grunt at. In tennis you stand face-to-face with the enemy, trade blows with him, but never touch him or talk to him, or anyone else. The rules forbid a tennis player from even talking to his coach while on the court. People sometimes mention the track-and-field runner as a comparably lonely figure, but I have to laugh. At least the runner can feel and smell his opponents. They’re inches away. In tennis you’re on an island. Of all the games men and women play, tennis is the closest to solitary confinement, which inevitably leads to self-talk, and for me the self-talk starts here in the afternoon shower. This is when I begin to say things to myself, crazy things, over and over, until I believe them. For instance, that a quasi-cripple can compete at the U.S. Open. That a thirty-six-year-old man can beat an opponent just entering his prime. I’ve won 869 matches in my career, fifth on the all-time list, and many were won during the afternoon shower.
”
”
Andre Agassi (Open)
“
A dark, omnipresent pool of water.
It was probably always there, hidden away somewhere. But when the time comes it silently rushes out, chilling every cell in your body. You drown in that cruel flood, gasping for breath. You cling to a vent near the ceiling, struggling, but the air you manage to breathe is dry and burns your throat. Water and thirst, cold and heat – these supposedly opposite elements combine to assault you.
The world is a huge space, but the space that will take you in – and it doesn’t have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes these prophetic voice pushes a secret switch hidden deep inside your brain.
Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still, the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
”
”
Haruki Murakami
“
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-"
"It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets.
Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent."
"That makes two of us."
He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her.
"Leave," Farah ordered, unable to face him for fear she'd lost her nerve.
"Stand up and make me.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
Summertime, I think, is a collective unconscious. We all remember the notes that made up the song of the ice-cream man; we all know what it feels like to brand our thighs on a playground slide that's heated up like a knife in a fire; we all have lain on our backs with our eyes closed and our hearts beating across the surface of our lids, hoping that this day will stretch just a little longer than the last one, when in fact it's all going the other direction
”
”
Jodi Picoult (My Sister's Keeper)
“
As we reached the turning of the hall, Randall spoke behind us. “Jamie,” he said. The voice was hoarse with shock, and held a note halfway between disbelief and pleading. Jamie stopped then, and turned to look at him. Randall’s face was a ghastly white, with a small red patch livid on each cheekbone. He had taken off his wig, clenched in his hands, and sweat pasted the fine dark hair to his temples. “No.” The voice that spoke above me was soft, almost expressionless. Looking up, I could see that the face still matched it, but a quick, hot pulse beat in his neck, and the small, triangular scar above his collar flushed red with heat. “I am called Lord Broch Tuarach for formality’s sake,” the soft Scottish voice above me said. “And beyond the requirements of formality, you will never speak to me again—until you beg for your life at the point of my sword. Then, you may use my name, for it will be the last word you ever speak.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
He done his level best.
Was he a mining on the flat..
He done it with a zest..
Was he a leading of the choir..
He done his level best.
If he'd a reg'lar task to do,
He never took no rest..
Or if 'twas off and on the same..
He done his level best.
If he was preachin' on his beat,
He'd tramp from east to west,
And north to south ..in cold and heat..
He done his level best.
He'd Yank a sinner outen (Hades),
And land him with the blest;
Then snatch a prayer'n waltz in again,
And do his level best.
He'd cuss and sing and howl and pray,
And dance and drink and jest,
He done his level best.
Whate'er this man was sot to do
He done it with a zest;
No matter what his contract was,
He'd do his level best...
”
”
Mark Twain (The Complete Humorous Sketches and Tales of Mark Twain)
“
Her hands warming on tea looked like chunks of knitting a child had felted in grubby palms. Enough decades, and a body slowly twists into one great cramp, but there was a time once, where she had been sexy, and if not sexy, at least odd-looking enough to compel.
Through this clear window she could see how good it all had been. She had no regrets.
That's not true, Mathilde. The whisper in the ear. Oh, Christ, yes, there was one. Solitary, gleaming, a regret. It was that all her life she had said no. From the beginning she had let so few people in.
That first night, his young face glowing up a hers in the black light, bodies beating the air around them, and inside there was that unexpected sharp recognition, oh, this. A sudden peace arriving for her. She who hadn't been at peace since she was so little. Out of nowhere, out of this surprising night with its shatters of lightning and the stormy black campus outside, with the heat and song and sex and animal fear inside.
He had seen her and made the leap and swung through the crowd and taken her hand, this bright boy who was giving her a place to rest. He offered not only his whole laughing self, the past that build him and the warm beating body that moved her with its beauty and the future she felt compressed and waiting, but also the torch he carried before him in the dark, his understanding, dazzling, instant, that there was goodness at her core.
With the gift came the bitter seed of regret, the unbridgeable gap between the Mathilde she was and the Mathilde he had seen her to be. A question, in the end, of vision.
She wished she'd been the kind Mathilde, the good one, his idea of her. She would have looked smiling down at him, she would've heard beyond marry me to the world that spun behind the words. There would have been no pause, no hesitation. She would've laughed, touched his face for the first time, felt his warmth in the palm of her hand.
'Yes,' she would've said. 'Sure.
”
”
Lauren Groff (Fates and Furies)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
He pressed his forehead against the deck, hard, like a penitent pilgrim, and felt the beat of the waves transmitted through it from below like a pulse, and the heat of the sun. He smelled the sour salt smell of seawater, and he heard the hesitant footsteps of baffled people gathering around him, unsure of what to do. He heard all the other meaningless noises reality was always cheerfully making to itself, the squeaks and scrapes and thumps and drones, on and on, world without end.
He took a deep breath and sat up. Away from the warmth of the goddess's body he shivered in the early morning ocean air. But even the cold felt good to him. This is life, he kept saying to himself. That was being dead, and this is being alive. That was death, this is life. I will never confuse them again.
”
”
Lev Grossman (The Magician King (The Magicians, #2))
“
More truth: I have an infatuation problem. It’s not just Beardsley. It’s all of them. I’ve felt this for a hundred other men—the rush of the encounter, the way my stomach heats and bubbles, the adrenaline, the urge to run five miles and move my bowels and puke at the same time. It’s a frenzy for the story and what it could be. The ability to escape from my life, the chance at a grand renovation of self within another person. It’s the sense of possibility, so good it feels like it will salvage everything. How hard it is to beat the dream. How it traps you. It’s embarrassing. It’s lonely. It’s unsatisfying. It’s impossible. At day’s end, I just want a life where I’m laughing and eating and coming all the time. I could do this for the rest of my life—this rise and fall, defined increasingly by what I cannot have.
”
”
Kayla Rae Whitaker (The Animators)
“
Spring is sweet, the baby season; summer is the teenage season -- too much energy, too much growth and beauty and heat and late nights, none of them what they are cracked up to be. Fall is the older season, a more seasoned season. The weather surrounds you instead of beating down on you.
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
"Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life.
Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?"
"Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough."
Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ."
Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
His heart skipped a beat at the look of worry that flashed over Nia’s face. She was serene in the worst of circumstances, able to grow icy cold even as the heat of danger rose. But when the troll’s growl-moan sounded again, closer than before, her face wrinkled in a way that made her look old and
”
”
Andrew Peterson (North! or Be Eaten)
“
There are all sorts of things that look like love, that have its pleasures, that offer its heat and its tastes, and the queen enjoyed all of these things, her heart kept safe. But sometimes. Sometimes even a stone heart can beat. Love, when it is true, is a force upon which even stone can shatter.
”
”
Kat Howard (Roses and Rot)
“
The afternoon was very hot, so hot that the breaking of the waves on the shore sounded like the repeated sigh of some exhausted creature, and even on the terrace under an awning the bricks were hot, and the air danced perpetually over the short dry grass. The red flowers in the stone basins were drooping with the heat, and the white blossoms which had been so smooth and thick only a few weeks ago were now dry, and their edges were curled and yellow. Only the stiff and hostile plants of the south, whose fleshy leaves seemed to be grown upon spines, still remained standing upright and defied the sun to beat them down.
”
”
Virginia Woolf (The Voyage Out)
“
He unfixes the metal notch and slips his hand around the body of the bird. Feels its heat, its small heart beating. He stares at the bird's bright orange eyes. Like the color of the bird's wings in the painting. Or the small touch of lichen on the rock by the Japanese woman's foot. Natalia did not truly see the painting. Is it excitement of the unknown that pulled her away, or despair? He know the answer. He returns the bird to its cage, pulls out a piece of paper from his pocket, and writes, Paris Will lose, but there is a woman who will fight without fear because she believes she has already lost everything. [pp. 1722-173]
”
”
Nina Schuyler (The Painting)
“
But as she looked over toward the doors, her breath caught. Her eyes locked on the deep blue ones of a man just entering. He was tall and muscular, his hair blonde and well cut. And he was dressed impeccably in a dark grey suit and a deep blue tie. But it was his eyes that drew her focus and made her heart beat faster.
”
”
M. Tyler (Bound)
“
So… hypothetically speaking, you’d be okay with me being pregnant?” He stops to think about it. “Hypothetically speaking, I want to marry your ass and have babies with you. How’s that?” I’m smiling so wide I’m sure you can see it from outer-space. I respond the only way I can think of, by gripping his collar into my fists and crashing my lips to his for a long, heated kiss. “Hypothetically speaking, you’re crazy.” I pant. Xavier pouts. “Why?” “For starters, we’re nineteen and you’ll change your mind.” “Okay, but what if—” Xavier pecks the tip of my nose. —hypothetically speaking, I ask you in a year or two once you understand how much I could never change my fucking mind about you even if I wanted to?” My heart is beating so fast you’d think it’s trying to go into cardiac arrest. “Well, then, hypothetically, I’d say yes.” “Cool. So, hypothetically, can we go the fuck home now so I can strip you naked and—” he leans forward to whisper the rest in my ear.
”
”
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
“
eggs, buttermilk, and bacon drippings, mixing well; add to cornmeal mixture and beat until smooth. Heat a well-greased 12-inch cast-iron skillet in the preheated oven until very hot. Pour batter into hot skillet; bake for 35 to 45 minutes, or until a knife inserted in center comes out clean and top is golden brown. Yield: 6 to 10 servings.
”
”
Fannie Flagg (Can't Wait to Get to Heaven (Elmwood Springs #3))
“
It was June in Maharashtra, and the monsoon would not come. The whole district lay panting in the heat, the burning sky clapped tight overhead like the lid of a tandoor oven. Lean goats stumbled down the narrow alleyways, udders hanging slack and dry beneath them; beggars cried for water in every village. Dust-devils swept over baked clay and through the dry weeds, whistling and shrieking. Hot sand blew into the eyes of torpid bullocks as they leaned into the yoke, whips snapping over their bony backs. A single stream crept along the valley floor, shrunken and muddy, and women stood ankle deep in its shallows, beating their laundry against rocks that rippled and danced in the sun.
”
”
Arinn Dembo (Monsoon and Other Stories)
“
We’ve all got a dozen or so friends, haven’t we? And when we’re drunk we philosophise well into the night on an array of subjects ranging from what happened before the Big Bang to who would win a fight between a vampire and zombie, to what’s the most compromising position to be caught in, but we’re hardly going to be extolled in 60 or 70 years’ time as the Heat Generation or the Cheat Generation or the Street Generation, are we?
The Tweet Generation, maybe, but that’s about all.
So what was it about these few guys? Well, they wrote about what they did, and what they did was quite revolutionary back then. They went On the Road, and it was Jack Kerouac’s book that turned the tide.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
Heat is lost at the surface, so the more surface area you have relative to volume, the harder you must work to stay warm. That means that little creatures have to produce heat more rapidly than large creatures. They must therefore lead completely different lifestyles. An elephant’s heart beats just thirty times a minute, a human’s sixty, a cow’s between fifty and eighty, but a mouse’s beats six hundred times a minute—ten times a second. Every day, just to survive, the mouse must eat about 50 percent of its own body weight. We humans, by contrast, need to consume only about 2 percent of our body weight to supply our energy requirements. One area where animals are curiously—almost eerily—uniform is with the number of heartbeats they have in a lifetime. Despite the vast differences in heart rates, nearly all animals have about 800 million heartbeats in them if they live an average life. The exception is humans. We pass 800 million heartbeats after twenty-five years, and just keep on going for another fifty years and 1.6 billion heartbeats or so. It is tempting to attribute this exceptional vigor to some innate superiority on our part, but in fact it is only over the last ten or twelve generations that we have deviated from the standard mammalian pattern thanks to improvements in our life expectancy. For most of our history, 800 million beats per lifetime was about the human average, too.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
This used to be a spring where women came to boil their wash clothes in iron pots. One time a woman was here they say, abeatin' a rug clean with a stick. Had he daughter along. The little girl disappeared but the woman just figured she was aplayn' hide and seek. the mother was athumpin' her rug when it commenced aturnin' red. She got vexed with the child for hidin' raspberries in the rug. SHe opened it to wash away the stain and her little girl rolled out. child was hid in the rug. Woman run off through the woods acryin'. 'I bludgeoned my baby! I BEAT MY BABY DEAD!' Next night she come here to a big oak and hung herself with a bedsheet. That sheet, they say, blowed in the trees until it rotted away. Terrified many a man acomin' through at night
”
”
William Least Heat-Moon (Blue Highways)
“
Things were different back then. Today if a woman was asked to do the things we did back then, she would revolt, declare that she wasn’t anyone’s slave, wouldn’t be put upon in that fashion. But you have to remember that this was before automatic washers and dishwashers, before blenders and electric knives. If the carpet was going to get cleaned, someone, usually a woman, would have to take a broom to it, or would have to haul it on her shoulders to the yard and beat the dirt out of it. If the wet clothes were going to get dry, someone had to hang them in the yard, take them down from the yard, heat the iron on the fire, press them, and finally fold or hang them. Food was chopped by hand, fires were stoked by hand, water was carried by hand, anything roasted, toasted, broiled, dried, beaten, pressed, packed, or pickled, was done so by hand. Our version of a laborsaving device was called a spouse. If a man had a woman by his side, he didn’t have to clean and cook for himself. If a woman had a man by her side, she didn’t have to go out, earn a living, then come home and wrestle the house to the ground in the evening.
”
”
Susan Lynn Peterson (Clare)
“
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light.
This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal.
She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it?
It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms.
His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him.
He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips.
"Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine."
Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
”
”
Anne Stuart (To Love a Dark Lord)
“
Heat stirred in Cassius’s gut. His pulse beat hard and heavy like a fist punching against his skin. He knew he should look away but could not. He struggled to make sense of this moment, each moment from the very first when the prince asked Cas to meet him. It was as if he’d stepped inside a fairy tale, a story he would make up for Emily and Elizabeth, a make-believe land where he would have something in common with someone like Prince Merrick. Where someone like the prince would look upon him as an equal. That’s what this was, he realized. In this piece of time, they were not prince and servant. They were two men who felt tied to their lives. At any moment, he expected to be roused by Valor and for all this to have been a dream, but Valor did not come, and Cassius didn’t awaken
”
”
Riley Hart (Ever After)
“
Other people's houses are right on top of this one," he said. "I think they could take one step and be in our living room."
"You haven't seen the courtyard yet, Gregori. The house opens up to a courtyard in the back, and it's immense and in quite good shape." Savannah began heading up the stairs, ignoring his grousing.
"I hate to think what you would call bad shape," he muttered as he followed her upstairs.
"I wonder why everything is so dusty," Savannah said. "I had the real estate people come in and clean and get things ready for our arrival."
"Do not touch anything," Gregori hissed softly, and very gently caught her shoulders to put her behind him.
"What is it?" Instinctively she lowered her voice and looked around, trying to see if there was some danger she had been unable to sense.
"If people came and made up the bed and prepared the house for your arrival, then they would have removed the dust too."
"Maybe they're incredibly incompetent," she suggested hopefully.
Gregori glanced at her and found the hard edge of his mouth softening. She was making him want to smile all the time, even in the most serious of situations. "I am certain any company would work overtime trying to make you happy, ma petite. I know I do."
She blushed at the memory of how he did so. "So why all the dust?" she asked, deliberately distracting him.
"I think Julian left us a message. You have remained with humans so long, you see only with your eyes."
Savannah rolled her eyes at the reprimand. "And you've lived in the hills so long,you've forgotten how to have fun."
The pale eyes slid over her, wrapping her in heat. "I have my own ideas of fun, cherie. I would be willing to show you if you like," he offered wickedly.
Her chin lifted, blue eyes challenging. "If you think you're scaring me with your big-bad-wolf routine,you're not," she said.
He could hear her heart beat. Smell her scent calling to him. "Perhaps I will think of something to change that," he cautioned her.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Snuggle up with a hot fireman! Meet Tanner West.
Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs… Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin.
”
”
Tamara Hoffa (A Special Kind of Love)
“
Everything at the party seemed to slide and smudge together. The driving beat of the music, people dancing, and the constantly changing light show of the pool. Body heat, sweat and perfume, and the sweet smell of mangoes saturated the air. Everyone who was wading in the in-ground pool—which stretched from indoors into the outdoors—was being baptised in the intoxicating elixir that was Tate’s farm.
”
”
Anni Taylor (Poison Orchids)
“
True story: Some homeowner’s burning a yard pile just like this one. And he goes inside for lemonade and opens the cabinet under the sink to toss something in the trash, and this rat’s down in the bottom, gnawing a chicken bone. The rat had been driving the guy crazy for months, living in the walls and scampering through the attic at night like it had combat boots. So the guy grabs a rolling pin and beats it to death. Then he takes it outside and throws it on the burning pile.” “Good story,” said Coleman. “What’s the problem?” “The rat’s not dead. The heat wakes him up. It jumps off the pile and makes a beeline for the house. Except now its fur’s on fire. The homeowner tries to intercept, but it zips between his legs, runs back inside and gets in the walls. Ignited the insulation. Whole place burned down.
”
”
Tim Dorsey (Atomic Lobster Free with Bonus Material)
“
But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on.
"This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Outside the wind blew by; in here there was nothing but the beating of the hot sun on the skin. He lay a while, intensely conscious of the welcome heat, in a state of self-induced voluptuousness. When he looked at the sun, his eyes closed almost tight, he saw webs of crystalline fire crawling across the narrow space between the slitted lids, and his eyelashes made the furry beams of light stretch out, recede, stretch out. It was a long time since he had lain naked in the sun. He remembered that if you stayed out long enough the rays drew every thought out of your head. That was what he wanted, to be baked dry and hard, to feel the vaporous worries evaporating one by one, to know finally that all the damp little doubts and hesitations that covered the floor of his being were curling up and expiring in the great furnace-blast of the sun.
”
”
Paul Bowles (Let It Come Down)
“
The sun beats down, and I feel my shoulders burning. I could stay in this boat all day. Time is suspended in a boat. I take a deep breath
and try to remember this moment, the heat on my face, the grit under my feet, the strength of the waves. I run my hands through the pebbles
and sand, searching for sea glass. One thing leads to another. There are tide pools between the larger rocks, tiny rivers connecting them
to the sea
”
”
Celona Marjorie
“
A morning-flowered dalliance
demured and dulcet-sweet
with ebullience and efflorescence
admiring, cozy cottages
and elixirs of eloquence
lie waiting at our feet -
We'll dance through fetching pleasantries
as we walk ephemeral roads
evocative epiphanies
ethereal, though we know
our hearts are linked with gossamer
halcyon our day
a harbinger of pretty things
infused with whispers longing still
and gamboling in sultry ways
to feelings, all ineffable
screaming with insouciance
masking labyrinthine paths
where, in our nonchalance, we walk
through the lilt of love’s new morning rays.
Mellifluous murmurings
from a babbling brook
that soothes our heated passion-songs
and panoplies perplexed with thought
of shadows carried off with clouds
in stormy summer rains…
My dear, and that I can call you 'dear'
after ripples turned to crashing waves
after pyrrhic wins, emotions drained
we find our palace sunned and rayed
with quintessential moments lit
with wildflower lanterns arrayed
on verandahs lush with mutual love,
the softest love – our preferred décor
of life's lilly-blossom gate
in white-fenced serendipity…
Twilight sunlit heavens cross
our gardens, graced with perseverance,
bliss, and thee, and thou, so splendid, delicate
as a morning dove of charm and mirth –
at least with me; our misty mornings
glide through air...
So with whippoorwill’d sweet poetry -
of moonstones, triumphs, wonder-woven
in chandliers of winglet cherubs
wrought with time immemorial,
crafted with innocence, stowed away
and brought to light upon our day
in hallelujah tapestries
of ocean-windswept galleries
in breaths of ballet kisses, light,
skipping to the breakfast room
cascading chrysalis's love
in diaphanous imaginings
delightful, fleeting, celestial-viewed
as in our eyes which come to rest
evocative, exuberant
on one another’s moon-stowed dreams
idyllic, in quiescent ways,
peaceful in their radiance
resplendent with a myriad of thought
soothing muse, rhapsodic song
until the somnolence of night
spreads out again its shaded truss
of luminescent fantasies
waiting to be loved by us…
Oh, love! Your sincerest pardons begged!
I’ve gone too long, I’ve rambled, dear,
and on and on and on and on -
as if our hours were endless here…
A morning toast, with orange-juiced lips
exalting transcendent minds
suffused with sunrise symphonies
organic-born tranquilities
sublimed sonorous assemblages
with scintillas of eternity beating
at our breasts – their embraces but
a blushing, longing glance away…
I’ll end my charms this enraptured morn'
before cacophony and chafe
coarse in crude and rough abrade
when cynical distrust is laid
by hoarse and leeching parasites,
distaste fraught with smug disgust
by hairy, smelly maladroit
mediocrities born of poisoned wells
grotesque with selfish lies -
shrill and shrieking, biting, creeping
around our love, as if they rose
from Edgar Allen’s own immortal
rumpled decomposing clothes…
Oh me, oh my! I am so sorry!
can you forgive me? I gone and kissed you
for so long, in my morning imaginings,
through these words, through this song -
‘twas supposed to be "a trifle treat,"
but little treats do sometimes last
a little longer; and, oh, but oh,
but if I could, I surly would
keep you just a little longer tarrying here,
tarrying here with me this pleasant morn
”
”
Numi Who
“
(From Chapter 8: Fox and Geese)
By this time it was hot as an oven, with grey clouds blotting out the light, although it was not yet sunset; and still as the grave, with no wind, but heat lightning flickering on the horizon, and a faint growling of thunder. When the weather is like that you can hear your own heart beat; it is like hiding, and waiting for someone to come and find you, and you don’t know who that person will be.
”
”
Margaret Atwood (Alias Grace)
“
He gently grasped her fingers. To touch her again after a week apart was bliss; heat and the faint hum of a current seemed to work its way up his arm to settle in his belly. His body recognized her immediately as need tore swiftly through him, the need to hold her against him and inhale her sweet scent, to feel the beat of her heart. The gold ring held a rose-cut emerald set in the middle of two matching diamonds with a scrollwork band.
”
”
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
“
How’d you like to hang out with me in my bus after the show?”
I drop my head back, pray for patience, and look back to find Ansel staring heatedly at my neck. “Is that code for ‘do you wanna go fuck after I get off work’? Because I gotta tell you, I’ve heard that about a thousand times too many, and hearing it again makes me want to go Lorena Bobbitt all over the nearest penis.”
Ansel’s face grows impossibly paler, and he cups his junk.
”
”
J.B. Salsbury (Skipped a Beat (Love, Hate, Rock-n-Roll, #2))
“
There’s something about sleeping in your own bed of years ago, in seeing your mom in the kitchen, in smelling zaatar2 in the streets; something to hearing the squeaky horn of the kaak3 seller’s motorcycle, to seeing familiar streets and faces, and hearing the familiar language and noises that just set your heart beating faster, get your breath coming quicker, get your smile to flash in a second and your stress to melt away into the heat… Take me home.
”
”
Kathy Shalhoub (Life as a Leb-neh Lover)
“
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.
The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.
In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.
Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
”
”
John Crowley (Novelty: Four Stories)
“
Your friend professes belief yet I’m not convinced. What about you? Are the gods real?”
“They are real,” says I, “And you’re a prick.”
“But still, a tragedy without a tune is like a sun that doesn’t give off heat; dead and nothing will grow from it. When men go to war, they do it to music. When they set sails for better shores and row into the vast blue, they do it to music. Even our hearts beat to some rhythm. And the director who neglects it neglects what makes us men.
”
”
Ferdia Lennon (Glorious Exploits)
“
The Foundry Man
All day, every day; a head
that pounds to the rhythm
of beating hammers.
Feet, numbed from the
vibrations of heavy
machinery, and skin that
glows crimson from the
blistering heat of the
furnace.
Sweat glistens on his
furrowed brow,
sweat that runs in rivulets
to eyes already sore from
black, putrid dust.
This is the lot of
the foundry man.
Not for him fresh
air, green fields,
or the sun on
his back.
He has a
heart of
gold,
strength
of steel.
He is a man
of iron.
”
”
Mrs A. Perry
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
you will need an infinite patience to learn again
to love as not long ago a fire lost in the distance
halting you at the fall of day
somewhere in the unknown of a desert —
you ask only to be able to touch
at times the heat of a gentle beating,
light as a bird’s slip-stream
which breaks the circle of sight
[…]
little by little the sea sinks in itself
in the unique trait of a brushstroke
and I hear for a long time in the darkenss
the sound of the water, my only thought —
from "Nuits
”
”
Lorand Gaspar
“
Then you've got the kids who live within a mile of the school and can walk home. Although this may not sound glamorous, it still beats my place on the totem pole: the bottom. Yes, we of the bus routes find ourselves in a general throng outside the auditorium, where all who pass may mock us.We look forward to an hour-long ride of picking up and dropping off loud middle schoolers and louder elementary kids and peeling our hamstrings off the pleather seats over and over again in the heat.
”
”
Alecia Whitaker (The Queen of Kentucky)
“
Stuck on the pane two flies buzzed, stuck.
Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me.
Me. And me now.
Stuck, the flies buzzed.
”
”
James Joyce (Ulysses)
“
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?”
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
“Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.”
She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?”
I open my mouth to demand she end the interrogation when Will’s voice stops me.
“I like your sister. A lot.”
I look at him dumbly.
He looks at me, lowers his voice to say, “I like you.”
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much.
“Jacinda,” he says.
“I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.”
Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two.
I know,” he says. “That’s what I’m trying to do now—if she’ll let me.”
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying.
His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.”
“Jeez,” Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . .
I start, jerk a little.
I think he’s sixteen.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness.
Lazily soaping himself, he gave examples.
When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity.
He slid down in the warm, foamy water until just his face and his knobby white knees were exposed.
Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
”
”
Edward Lewis Wallant (The Tenants of Moonbloom)
“
Angry heat tightens my skin. “Never took you for a coward,” I blurt.
His head snaps in my direction. “What do you mean by that?”
“You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?”
Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all.
His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him.
His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.”
He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.”
At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse.
I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs.
His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder.
“Your skin,” he whispers against my mouth,” it’s so . . .”
I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back.
He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
His many questions seemed insignificant as a vision of knowledge took form in his mind, vast, well beyond the arithmetical strictures of language, a great organic yet limitless vision that dissolved words. It was something infinitely more like music, expanding and rolling like the symphonic triumphs of Brahms. His heart was beating quietly to the mounting rhythm of his expectations, and a light was slowly breaking in on him, heated, incandescent, like the Shechinah, of the inevitable light of every dawn.
”
”
Anne Rice (The Wolf Gift (The Wolf Gift Chronicles, #1))
“
I cried for the girl whose voice remained unheard, who did her best to be good but didn’t always get it right. I cried for the girl constantly trying to forge a connection, to find someone who took her at face value and didn’t ask her to be something she wasn’t. I cried for the doors that had closed and cried for the one’s that might never open. I cried out of want, out of thirst for something nameless, my heart beating itself into a frenzy, my body completely boneless beneath the sheets, now heated and damp
”
”
Christina June (It Started With Goodbye)
“
And then the foreman told another boss to put me down in the furnace pit. "Nigger can take the heat better," he said. Well, the system wasn't going to beat me. I stood up next to that furnace, and I ate their goddamned salt tablets and just refused to pass out. They weren't going to make me quit, and I wasn't going to give them cause to fire me. I'd lean into that blazing pit until my face would sting, and when the lunch whistle blew I'd fall on the floor and vomit blood for half an hour and I'd clean it up myself.
”
”
Dick Gregory (Nigger)
“
It was all of this: The beat and the heat and the neat repeat of the notes which poured from the congohelium—metal never made for music, matter and anti-matter locked in a fine magnetic grid to ward off the outermost perils of space. Now a piece of it was deep in the body of Old Earth, counting out strange cadences. The churn and the burn and the hot return of music riding the living rock, accompanying itself in an air-carried echo. The surge and the urge of an erotic dirge which moaned, groaned through the heavy stone.
”
”
Cordwainer Smith (The Best of Cordwainer Smith)
“
The science fiction writer cuts out her heart. It is a thousand hearts. It is all the hearts she will ever have. It is her only child’s dead heart. It is the heart of herself when she is old and nothing she ever wrote can be revised again. It is a heart that says with its wet beating mouth: Time is the same thing as light. Both arrive long after they began, bearing sad messages. How lovely you are. I love you.
The science fiction writer steals her heart from herself to bring it into the light. She escapes her old heart through a smoke hole and becomes a self-referencing system of imperfect, but elegant, memory. She sews up her heart into her own leg and gives birth to it twenty years later on the long highway to Ohio. The heat of herself dividing echoes forward and back, and she accretes, bursts, and begins again the long process of her own super-compression until her heart is an egg containing everything. She eats of her heart and knows she is naked. She throws her heart into the abyss and it falls a long way, winking like a red star.
”
”
Catherynne M. Valente (Melancholy of Mechagirl)
“
He said, One of the Fathers has told us that joy always depends on pain. Pain is part of joy. We are hungry and then think how we enjoy our food at last. We are thirsty...He stopped suddenly, with his eyes glancing away into the shadows, expecting the cruel laugh that did not come. He said, We deny ourselves so that we can enjoy. You have heard of rich men in the north who eat salted foods, so that they can be thirsty—for what they call the cocktail. Before the marriage, too, there is the long betrothal... Again he stopped. He felt his own unworthiness like a weight at the back of the tongue. There was a smell of hot wax from where a candle drooped in the nocturnal heat; people shifted on the hard floor in the shadows. The smell of unwashed human beings warred with the wax. He cried out stubbornly in a voice of authority, That is why I tell you that heaven is here: this is a part of heaven just as pain is a part of pleasure. He said, Pray that you will suffer more and more and more. Never get tired of suffering. The police watching you, the soldiers gathering taxes, the beating you always get from the jefe because you are too poor to pay, smallpox and fever, hunger...that is all part of heaven—the preparation. Perhaps without them, who can tell, you wouldn't enjoy heaven so much. Heaven would not be complete. And heaven. What is heaven? Literary phrases form what seemed now to be another life altogether—the strict quiet life of the seminary—became confused on his tongue: the names of precious stones: Jerusalem the Golden. But these people had never seen gold.
”
”
Graham Greene (The Power and the Glory)
“
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground."
"Okay," Luce said.
"Race you to the other side?"
Her breath frosted the air. "You know I'd beat you."
"True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride."
She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him.
"We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water.
Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry.
Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu."
They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Pete’s Swedish Meatballs 3 cups diced stale bread, preferably sourdough 1/2 cup whole milk 1 pound ground beef 1 pound ground pork 1 pound ground lamb 1/2 teaspoon allspice 1/2 teaspoon garlic powder 1/4 teaspoon nutmeg 1 tablespoon ground thyme Pinch of salt 1/2 cup finely minced white onion 1 egg 1 egg yolk 3 tablespoons freshly ground black pepper 2 tablespoons flour 4 tablespoons unsalted butter 1 cup white wine 1/2 cup heavy cream 1 teaspoon soy sauce or anchovy paste Place the diced bread in a large mixing bowl, slowly add milk, and mix thoroughly, mashing until a slurry is produced. If necessary, add a dash of cream to achieve a smooth, porridge-like consistency. Add the ground beef, pork, lamb, allspice, garlic powder, nutmeg, thyme, and salt to the bowl with bread/milk mixture and stir to combine. Add the onion, egg, egg yolk, and pepper, and sprinkle on 1 tablespoon of the flour. Beat together until the texture is smooth and you can form meatballs with your hands without the mixture falling apart. Add a little more flour to bind if necessary, then refrigerate the meat mixture for 20 minutes. While the meat chills, melt 3 tablespoons of the butter in a large skillet over medium-low heat. Reduce heat to low to prevent burning. Remove the meat mixture from the refrigerator and form it into 1- to 11/2-inch meatballs, using a large baking sheet as a landing zone. Place about 10 meatballs into the skillet and cook on medium-low, rotating meatballs in the butter to ensure browning on all sides. Once meatballs are browned and retaining their shape, cover the skillet with a lid and cook for an additional 20 minutes—uncovering every 5 minutes to stir briefly and add a splash of white wine if the skillet is looking dry, then re-cover. This will help the meatballs to steam and cook all the way through. Slice a meatball in half to test for doneness. If it’s firm to the touch and lightly pink inside, remove the rest from the skillet to a serving bowl and repeat steps 4 and 5 with the remaining meatballs. Meatballs will continue cooking after being removed from the heat. Once all the meatballs are cooked and transferred to the serving bowl, reduce the heat under the skillet to low. Scrape the bottom to remove browned bits, then add the remaining white wine, remaining butter, remaining flour, the heavy cream, and the soy sauce. Stir until smooth, cooking over low to medium-low heat until the sauce coats the back of a spoon. Eat as a dinner party appetizer with lingonberry jam and plenty of toothpicks, or serve with buttered egg noodles or mashed potatoes as a main course, while listening to “I Wanna Be Loved” by the Andrews Sisters.
”
”
Kate Quinn (The Briar Club)
“
I am an ass, indeed; you may prove it by my long 'ears.
I have served him from the hour of my
nativity to this instant, and have nothing at his
hands for my service but blows.
When I am cold heats me with beating; when I am warm he cools me with beating.
I am wak' d with it when I sleep; rais'd with it when I sit; driven out of doors with it when I go from home; welcom'd home with it when I return; nay, I bear it on my shoulders, as a beggar wont her brat; and, I think, when he hath lam'd me, I shall beg with it from door to door.
”
”
William Shakespeare (The Comedy of Errors)
“
Lily Chadwick knew there was something different about the fiercely scowling gentleman the first moment she saw him.
She could feel it.
The instant their gazes met, caught, held, something skittered across her skin like a rain of white sparks. It entered her bloodstream, heating her from the inside until her breath became stilted and her knees went alarmingly weak.
He stared at her from beneath a brow drawn low in a forbidding expression. His eyes were so dark, even the light of the glittering ballroom could not be reflected there. The angles of his face were hard, his jaw sharply defined, and he held his mouth in a harsh line that attempted to harden the full curve of his lower lip but didn't quite manage it.
Lily tried to glance away demurely, but she couldn't seem to manage. She felt a flutter that became a tightening in her belly. Her heart stopped, skipped a few beats, then started up again in a frantic rhythm as he just kept watching her.
Despite his severe, aloof appearance, something about him reached out to her, touching her with an intrinsic sort of recognition. It left her feeling as though she stood in the heart of a firestorm. She sensed with a certainty beyond rational explanation that his unyielding manner was a facade, as if he were a hero in some gothic novel. There was passion in him. She felt it in every quickened, prey-like breath she took while frozen under his intent stare.
The silent interaction between them was becoming more inappropriate by the minute, yet she could not compel herself to break away. As though caught in an invisible trap, she stared back at him while her hands began to sweat and her stomach trembled.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
Queen Ariel held the nautilus and considered thoughtfully.
But the little mermaid didn't think. She acted.
Before she realized fully what she was doing Ariel had smashed the nautilus on a sharply faceted rock.
It didn't break like a normal shell. It shattered like a human vessel. Shards flew in all directions equally, unhampered by gravity or luck.
Ariel pitched forward.
She choked, no longer breathing the air of the Dry World. Her arms flailed up like a puppet's. Her torso whipped back and forth, pummeled by unseen forces. Something flew into her mouth, up her nose, and suffused her entire body with a heat that threatened to burn. It rushed into her lungs and expanded, expelling whatever breath she had left, pushing blood to her extremities, pushing everything out that wasn't it, leaving room for nothing else.
Ariel collapsed.
It was over.
It was like the thing, whatever it was, had been absorbed by her body and had now dissipated into her blood and flesh.
She took a breath. Her heart started beating again.
She hadn't been aware it had stopped.
She coughed. A few grains of sand came out.
And then she sang.
”
”
Liz Braswell (Part of Your World)
“
Note to self: “Not feeling” stuff doesn’t mean you’re not feeling it. Being unemotional and cold doesn’t mean you don’t have a pot full of emotions waiting to boil over. It means the heat hasn’t been turned up enough, and the pot just hasn’t been there long enough. It means the pot hasn’t reached capacity. But it will. And your heart will beat so fast and hard you’ll want to die. Your eyes will flush with tears, and your throat will close like a valve’s been turned. Regret will fill you on a cellular level until the very tips of your fingers tingle with self-loathing.
”
”
C.D. Reiss (Sins Duet (Sins Duet, #1-2))
“
I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon,—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain- battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night, good night!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I had the brilliant idea of making gyeranjjim, a steamed, savory egg custard usually served as a side dish at Korean restaurants bringing their A game. Nutritious with a mild and soothing flavor, it was one of my favorites growing up.
I looked up a recipe online. I cracked four eggs into a small bowl and beat them with a fork. I searched the kitchen cabinets, found one of my mother's earthenware pots, and heated it over the stove, adding the beaten eggs, salt, and three cups of water. I put the lid on and after fifteen minutes returned to find it had come out perfectly soft and jiggly, like a pale yellow, silken tofu.
”
”
Michelle Zauner (Crying in H Mart)
“
There are many ways of doing it but Mummy and I think this is the simplest for you to try. Put a cup of flour, an egg, a half cup of milk and a good shake of salt into a large bowl and beat altogether until it is the consistency of thick cream. Put in the frig for several hours. (It's best if you make it in the morning.) When you put your roast in the oven, put in an extra pan to heat. Half an hour before your roast is done, pour a bit of the roast grease into the baking pan, just enough to cover the bottom will do. The pan must be very hot. Now pour the pudding in and the roast and pudding will be ready at the same time.
”
”
Helene Hanff
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I wanted to die,” she suddenly wailed, feeling him flinch, seeing the pain that tightened his face and made his own tears run faster. “I begged them to kill me.” He rolled her to the bed, his arms wrapping tightly around her, sheltering her, holding her steady as her soul collapsed and her sobs echoed around them. “I begged them to let me die because I couldn’t face it… I couldn’t survive without you…” She was beating at his chest, her blows weak and ineffectual as the years of resounding agony poured free. “I wanted to die without you… And now, I don’t know how to accept that you’re here… I don’t know how to live…”
-sherra
”
”
Lora Leigh (Kiss of Heat (Breeds, #4))
“
Who's the Devil?"
Frances crouches down as if she were talking to Trixie.
"That's something I'll never tell you, Lily, no matter how old you get to be, because the Devil is shy. It makes him angry when someone recognizes him, so once they do the Devil gets after them. And I don't want the Devil to get after you."
"Is the Devil after you?"
"Yes."
"Jesus can beat the Devil."
"If God wants."
"God is against the Devil."
"God made the Devil."
"Why?"
"For fun."
"No, to test us."
"If you know, why are you asking me?"
"Daddy says there's no such thing as the Devil, it's just an idea."
"The Devil lives with us."
"No he doesn't."
"You see the Devil every day. The Devil hugs you and eats right next to you."
"Daddy's not the Devil."
"I never said he was. ..." Frances has got a dry look, tinder in the eye; her voice is a stack of hay heating up at the center, her mouth a stitched line. "I'm the Devil."
This is the moment Lily stops being afraid of anything Frances could ever say or do again. Stops being afraid of anything at all. She reaches out and takes Frances's hand. The white hand that always smells of small wildflowers, lily of the valley. The hand that has always done up Lily's buttons and laces, and produced wondrous objects. She holds Frances's hand and tells her,
"It's okay, Frances.
”
”
Ann-Marie MacDonald (Fall on Your Knees)
“
Beauty
And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?
And how shall you speak of her except she be the weaver of your speech?
The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror
”
”
Kahlil Gibran
“
TO MY BELOVED,
Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words.
While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you.
The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart.
Dedicated '' I don't know when and how you arrived in my life,
Don't know when my heart star beating for you, day n night....
My eyes kept staring the window pane,
Wishing one day u'll come in my lane....
Darling you're the only one whom I admire,
It's you whom my heart desperately desires...
Being with you is my only need,
You are now the medicine of my heartbeat...
I Craved your name on my heart,
The day when I decided not to loose you ever,
And I promise you sweetheart that,
I love you & i'll love you for ever, ever n ever......
It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........
Dying to have your reply.....
Truly Your's
PK
”
”
Prabhat Kumar
“
After that, we don't talk much until she brings out a ginger cake from the larder.
"An old family recipe," she says. "I've been experimenting with the quantities of cloves and Jamaica ginger. Tell me what you think." And she pushes a slice toward me. I try not to gobble for it, for I am starving.
"The most important thing with this cake is to beat in every ingredient, one by one, with the back of a wooden spoon," she says. "Simply throwing everything in together and then beating produces a most unsuccessful cake. I know because my first attempt was as heavy as a brick---quite indigestible!" She gives a rueful smile and asks if I think it needs more ginger.
I feel the crumb, dense and dark, melt on my tongue. My mouth floods with warmth and spice and sweetness. As I swallow, something sharp and clean seems to lift through my nose and throat until my head swims.
"I can see you like it." Miss Eliza watches me and smiles.
And then I blurt something out. Something I know Reverend Thorpe and his wife would not like. But it's too late, the words jump from my throat of their own accord. "I can taste an African heaven, a forest full of dark earth and heat."
The smile on Miss Eliza's face stretches a little wider and her eyes grow brighter. And this gives me the courage to ask a question that's nothing to do with my work. "What is the flavor that cuts through it so keenly, so that it sings a high note on my tongue?"
She stares at me with her forget-me-not eyes. "It's the lightly grated rinds of two fresh lemons!
”
”
Annabel Abbs (Miss Eliza's English Kitchen)
“
In one slick move, he shoves his phone in his pocket and grabs me so we’re in front of the cabinet.
His hand slides around the back of my neck, and before I can panic, he kisses me hard.
Momentarily caught off guard, I just throw my arms around his neck and press my body against his.
His kiss deepens until our tongues are twisting together, and I’m reminded of just how great a kisser he is.
The lights flicker on, and Grayson pulls away from me with a grunt. I’m so flustered, it takes me a few seconds to collect myself enough to see a man wearing a suit and a hotel name badge eyeing us.
“Excuse me, Mr. Cole, I’m afraid this office is off-limits for guests,” he says.
I glance at Grayson and have to stop myself from laughing at the shade of my lipstick he’s now wearing.
Grayson doesn’t miss a beat; he just grabs my hand and tugs me across the room.
“I won’t mention this if you don’t,” he says as we pass by the hotel porter.
I try for a sheepish smile as we walk past him. “Sorry,” I mouth.
As we make it out to the hallway, a half-smothered giggle escapes before I can stop it. “You should probably go to the men’s room before you go back to the party.”
A smile creases his lipstick-smeared mouth before he swipes his hand over it. “Yeah. This isn’t really my shade.”
I
snort a laugh and try to laugh off the kiss. But as I head back to the party, I’m well aware that kiss has only stirred a desire for another one.
Not only that but as I pull my mirror out to check my own face, I realize something I didn’t in the heat of the moment.
There was nothing fake about that kiss.
”
”
Lexi Hart (Bad Boyfriend (Bad for Me, #1))
“
GERMAN APPLE PANCAKE ••• 2 tart cooking apples (Granny Smiths are good) 1 lemon ½ stick (4 tablespoons) unsalted butter ¼ cup brown sugar ½ teaspoon cinnamon Small grating of nutmeg 3 eggs ¾ cup flour Pinch of salt 1 tablespoon sugar 1 cup milk Sugar for sprinkling Rum or cognac (optional) Peel the apples, core them, and slice them thinly. Shower them with about 2 tablespoons of lemon juice. Melt half the butter (2 tablespoons) in a medium skillet, and stir in the brown sugar, cinnamon, and nutmeg. Add the apple slices and cook over medium-high heat for about 8 minutes, until they’ve become quite darkly caramelized and smell impossibly delicious. Remove them from the heat. Meanwhile, beat the eggs. Gently whisk in the flour, salt, and sugar. Add the milk. The batter should be thin. Melt a couple of teaspoons of butter in an 8-inch skillet, and when it’s hot, pour in a third of a cup of batter, tilting the pan so that it covers the entire surface, making a thin crepe. Cook just until set, about 2 minutes. Evenly distribute a third of the apples over the crepe, pour another third of a cup of batter over the apples, then turn the pancake (this is easiest if you have two pancake turners) and allow the bottom to brown. Turn out onto a large plate, sprinkle generously with sugar, and roll the pancake up like a jelly roll. Sprinkle with a bit more sugar and, if you like, a splash of lemon juice. Repeat this until you have three plump rolled pancakes. If you want to flame your creations, lightly warm a few tablespoons of rum or cognac for each pancake in a pan, add the pancakes, spoon the liquor over the top, and set the pancakes on fire. Serves 6
”
”
Ruth Reichl (Save Me the Plums: My Gourmet Memoir)
“
Reagan,” he breathed and my chest swelled from the pure devotion of my name on his lips. I waited for him to say more but for a while he was just silent and serious. Finally, a small smirk played at the corners of his lips and in a lighter tone, he said, “It was close today, though, wasn’t it?” “Yes,” I agreed. He seemed to gather confidence and said impishly, “Makes you realize what you could have lost.” I nodded but didn’t speak- I had been thinking that for hours now. “Makes you realize that you have things to do before you die.” I laughed a little at that. I had given up all those dreams a long time ago, and I was surprised Hendrix hadn’t too. “Like what? Go sky-diving?” Without missing a beat, without taking his eyes off me, or changing his reverent tone he said, “Like kiss you.” And his soft lips were on mine and I stopped breathing. Sensation and desire flooded me as his mouth moved over mine- consuming me, breaking me, making me whole again. His beard scratched and tickled my face but I reveled in the feel of his body moving against mine. His tongue swept across my bottom lip and I opened my mouth on instinct. His lips were so perfect they were otherworldly, they didn’t even belong in the dark world we lived in. Nothing this amazing did. And yet here he was. With me. He deepened the kiss and I felt him everywhere. I felt his hands as they clutched my waist and dragged me against his firm, unyielding body. I felt his body heat as he drew me into him and wrapped his arms around me. I felt his tongue, the hot wetness of his mouth, his beard as it abraded my skin. I felt his happiness call to mine, his soul drink mine in, his essence consume me until I was entirely captivated by him and his kiss.
”
”
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
“
The World At Large
Ice-age heat wave, can't complain.
If the world's at large, why should I remain?
Walked away to another plan.
Gonna find another place, maybe one I can stand.
I move on to another day,
to a whole new town with a whole new way.
Went to the porch to have a thought.
Got to the door and again, I couldn't stop.
You don't know where and you don't know when.
But you still got your words and you got your friends.
Walk along to another day.
Work a little harder, work another way.
Well uh-uh baby I ain't got no plan.
We'll float on maybe would you understand?
Gonna float on maybe would you understand?
Well float on maybe would you understand?
The days get shorter and the nights get cold.
I like the autumn but this place is getting old.
I pack up my belongings and I head for the coast.
It might not be a lot but I feel like I'm making the most.
The days get longer and the nights smell green.
I guess it's not surprising but it's spring and I should leave.
I like songs about drifters - books about the same.
They both seem to make me feel a little less insane.
Walked on off to another spot.
I still haven't gotten anywhere that I want.
Did I want love? Did I need to know?
Why does it always feel like I'm caught in an undertow?
The moths beat themselves to death against the lights.
Adding their breeze to the summer nights.
Outside, water like air was great.
I didn't know what I had that day.
Walk a little farther to another plan.
You said that you did, but you didn't understand.
I know that starting over is not what life's about.
But my thoughts were so loud I couldn't hear my mouth.
My thoughts were so loud I couldn't hear my mouth.
My thoughts were so loud.
”
”
Modest Mouse
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell."
Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two.
"I know," he says. "That's what I'm trying to do now-if she'll let me."
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying.
His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it."
"Jeez," Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen...
I start, jerk a little.
I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him.
But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought...
Not if you have Will.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Urgent Story"
When the oracle said, ‘If you keep pigeons
you will never lose home.’ I kept pigeons.
They flicked their red eyes over me,
a deft trampling
of that humanly proud distance
by which remaining aloof
in it’s own fullness. I administered
crumbs, broke sky with them like breaking
the lemon-light of the soul's amnesia
for what It wants but will neither take
nor truh let go. How it revived me,
to release them! And at that moment of flight
to disavow the imprint, to tear
their compass, out by the roots of
some green meadow they might fly over
on the way to an immaculate freedom, meadow
in which a woman has taken off
her blouse, then taken off the man's flannel shirt
in their sky-drenched arc
of one, then the other above
each other's eyelids is a branding of daylight,
the interior of its black ambush
in which two joys lame the earth a while
with heat and cloudwork under wing-beats.
Then she was quiet with him. And he
with her. The world hummed
with crickets, with bees nudging the lupins.
It is like that when the earth counts
its riches—noisy with desire
even when desire has strengthened our bodies
and moved us into the soak of harmony.
Her nipples in sunlight have crossed his palm
wind-sweet with savor and the rest
is so knelt before
that when they stand upright
the flight-cloud of my tamed birds shapes an arm
too short for praise. Oracle, my dovecot
is an over and over nearer to myself
when its black eyes are empty.
But by nightfall I am dark
before dark if one bird is missing.
Dove left open by love in a meadow,
Dove commanding me not to know
where it sank into the almost-night—for you
I will learn to play the concertina,
to write poems full of hateful jasmine and
longing, to keep the dead alive, to sicken
at the least separation.
Dove, for whose sake
I will never reach home.
”
”
Tess Gallagher (My Black Horse: New & Selected Poems)
“
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
With orchards and gardens bursting with delicious Kentish apples, now is the time to fetch out those favourite recipes. Spiced Apple Cake is simple to make and a nice change from a pie. It works well served warm with custard, or cold with a cup of tea in place of a traditional fruit cake. 3 apples, peeled, cored and sliced 2 tsp golden syrup 1 tbsp butter 1 tsp ground cinnamon Sponge mix: 4 oz butter 2 tbsp golden syrup 4 oz caster sugar 2 eggs 4 oz self-raising flour 1 tbsp milk Simmer the apples with the syrup, butter and cinnamon for a few minutes until tender but not mushy. To prepare the topping, soften the butter and golden syrup in a bowl over a basin of hot water. Remove from the heat and beat in the sugar and eggs. Fold in the flour, adding milk to give the consistency of lightly whipped cream. Place the apple chunks in a greased tin or ovenproof dish and pour over the topping. Bake at Gas Mark 4 for 25 to 30 minutes until the sponge is golden brown and springy to touch.
”
”
Clare Chambers (Small Pleasures)
“
He raised an eyebrow. "Where did you get this? Is our Anne Boleyn suddenly from Mars?" He chuckled. "I always thought she hailed from Wiltshire."
Luce's mind raced to catch up. She was playing Anne Boleyn? She'd never read this play, but Daniel's costume suggested he was playing the king, Henry VIII.
"Mr. Shakespeare-ah,Will-thought it would look good-"
"Oh,Will did?" Daniel smirked, bot believing her at all but seeming not to care. It was strange to feel that she could do or say almost anything and Daniel would still find it charming. "You're a little bit mad, aren't you, Lucinda?"
"I-well-"
He brushed her cheek with the back of his finger. "I adore you."
"I adore you,too." The words tumbled from her mouth,feeling so real and so true after the last few stammering lies. It was like letting out a long-held breath. "I've been thinking, thinking a lot,and I wanted to tell you that-that-"
"Yes?"
"The truth is that what I feel for you is...deeper than adoration." She pressed her hands over his heart. "I trust you. I trust your love. I know how strong it is,and how beautiful." Luce knew that she couldn't come right out and say what she really meant-she was supposed to be a different version of herself,and the other times,when Daniel had figured out who she was, where she'd come from,he'd clammed up immediately and told her to leave. But maybe if she chose her words carefully, Daniel would understand. "It may seem like sometimes I-I forgot what you mean to me and what I mean to you,but deep down...I know.I know because we are meant to be together.I love you, Daniel."
Daniel looked shocked. "You-you love me?"
"Of course." Luce almost laughed at how obvious it was-but then she remembered: She had no idea which moment from her past she'd walked into.Maybe in this lifetime they'd only exchanged coy glances.
Daniel's chest rose and fell violently and his lower lip began to quiver. "I want you to come away with me," he said quickly.There was a desperate edge to his voice.
Luce wanted to cry out Yes!, but something held her back.It was so easy to get lost in Daniel when his body was pressed so close to hers and she could feel the heat coming off his skin and the beating of his heart through his shirt.She felt she could tell him anything now-from how glorious it had felt to die in his arms in Versailles to how devastated she was now that she knew the scope of his suffering. But she held back: The girl he thought she was in this lifetime wouldn't talk about those things, wouldn't know them. Neither would Daniel. So when she finally opened her mouth,her voice faltered.
Daniel put a finger over her lips. "Wait. Don't protest yet. Let me ask you properly.By and by, my love."
He peeked out the cracked wardrobe door, toward the curtain.A cheer came from the stage.The audience roared with laughter and applause. Luce hadn't even realized the play had begun.
"That's my entrance.I'll see you soon." He kissed her forehead,then dashed out and onto the stage.
”
”
Lauren Kate (Passion (Fallen, #3))
“
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees.
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her.
"Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling.
Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees.
"Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet.
Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.”
And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it."
"This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize.""
-Baby Suggs
”
”
Toni Morrison (Beloved)
“
He paused and eyed her as if she were an agate discovered in gravel. "But what a very sharp tongue you have for a housekeeper."
Bridget's heart sank- she knew better than to speak so frankly. It was never good for a servant to be noticed by a master- particularly this master.
"Come." He beckoned her closer with his forefinger and she saw the flash of a jeweled gold ring on his left thumb.
She swallowed and opened her right hand, silently dropping the miniature to the lush carpet. As she walked toward him she nudged the little painting under the enormous bed with the side of her foot.
She stopped a pace away from him.
His lips curved, sly and sensual. "Closer."
She stepped nearer until her plain, practical black linsey-woolsey skirts were crushed against his purple velvet knees. Her heart beat hard and swift, but she was confident her expression didn't show her fear.
Still smiling, he held out his hands, palms upward. His hands were long-fingered and elegant. The hands of a musician- or a swordsman.
She stared down at them a moment, confused.
He quirked an eyebrow and nodded.
Bridget placed her hands on top of his. Palm to palm. She expected searing heat or deathly cold and was a little surprised to instead feel human warmth.
She'd been hired little more than a fortnight before the duke had supposedly been banished. In that time he had never struck her as human- or humane.
"Ah," His Grace murmured, cocking his head with interest. "What feminine hands you have, despite your station in life."
His blue eyes flashed at her from under dark eyelashes, a secretive smile playing about his mouth.
She met his gaze stonily.
His lips quirked and he looked down again. "Small, plump, with neat, round nails." He turned her hands over so that they now rested palms-up in his. "I once knew a Greek girl who swore she could read a man's life story from the lines on his hands." He dropped her left hand to trace the lines on her right palm with a forefinger.
His touch sent a frisson along her nerves and Bridget couldn't hold back a shudder.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Pull out a match and light up a million notes and a million words, consume the energy on papers like its fuel, and all the long lost feelings are your coal. Set the whole thing on fire and never look back, an expert on regrets and mistakes, tell the story as easy as a philosophical theory; devils disguised as angels, angels turning into devils, and the perfectionist in between always stuck in the middle. Tired and hurt, but angry till I burn, watching a sinner blaming life and life taking his side still, anyway I took my advice and kept the things I loved from day one aside, so I'm not alone and love is also taking my side. Save the date, it's 365 days in training, and we finally reached the end of our magical tragic failure and if you are smart then it's not a surprise; you know that my sky is not raining. Take out a match and burn this house down, it took me two seconds to figure out that I deserve solid better-looking ground. So let me feel the heat in my brain blow out and my heart beating in its place safe and sound inside.
”
”
Mennah al Refaey
“
She browned onions and garlic, and from the pot on the windowsill, chopped a few winter-sad leaves of tarragon. The smell was green and strong, and she thought of spring.
Spring in Dijon, when she and Al would hike into the mountains with the Club Alpin, the old women forever chiding her tentative steps, her newborn French: la petite violette, violette américaine. She would turn back to Al, annoyed, and he would laugh. Hardly his delicate flower. When they stopped for lunch, it was Mary Frances with the soufflé of calves' brains, whatever was made liver or marrow, ordering enough strong wine that everyone was laughing. The way home, the women let her be.
If she wanted calves' brains now, she wouldn't even know where to begin to look or how to pay. She and Al seemed to be living on vegetables and books, tobacco, quiet. She blanched a bunch of spinach and chopped it. She beat eggs with the tarragon, heated the skillet once again. There was a salad of avocados and oranges. There was a cold bottle of ale and bread. Enough, for tonight.
”
”
Ashley Warlick (The Arrangement)
“
GRAHAM CRACKER CAKE Preheat oven to 350 degrees F., rack in the middle position. ½ cup salted butter, softened (1 stick, 4 ounces, ¼ pound) ¾ cup white (granulated) sugar 1 teaspoon vanilla extract 2 large eggs 2 teaspoons baking powder ¼ teaspoon salt 2 and ¼ cups graham cracker crumbs 1 cup whole milk 1 cup chopped nuts (measure after chopping—I used walnuts) 8 and ¾ ounce can crushed pineapple WITH juice ¼ cup white (granulated) sugar Hannah’s Note: You can either crush your own graham cracker crumbs by placing graham crackers in a bag and rolling the bag with a rolling pin, crushing them in the food processor by using the steel blade, or you can buy ready-made graham cracker crumbs at the store. Spray a 9-inch square baking pan with Pam or another nonstick cooking spray and sprinkle the inside with flour. Shake out excess flour. You may also use Pam spray for baking, which contains a coating of flour. Both will work well. In an electric mixer, cream the butter and the sugar, adding the sugar gradually with the mixer on MEDIUM speed. Add the vanilla extract and mix it in thoroughly. Beat in the eggs, one at a time, incorporating the first egg before you add the second. Add the baking powder and the salt, beating until they’re thoroughly mixed. Mix in half of the graham cracker crumbs with half of the milk. Beat well. Mix in the other half of the graham cracker crumbs with the remaining half of the milk. Remove the bowl from the mixer and fold in the chopped nuts by hand. Pour the Graham Cracker Cake batter into the prepared pan and smooth the top with a rubber spatula. Bake your cake at 350 degrees F. for 30 minutes. Take your cake out of the oven, turn off the oven, and place the cake on a wire rack to await its topping. In a saucepan on the stovetop, combine the contents of the can of crushed pineapple and juice with the white sugar. Cook the pineapple mixture over MEDIUM HIGH heat, stirring constantly until it boils. Turn the burner down to LOW and cook the pineapple mixture for an additional 10 minutes, stirring frequently. Pour the hot pineapple sauce over the hot cake. Cool in the pan. Serve the Graham Cracker Cake with sweetened whipped cream or vanilla ice cream.
”
”
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
“
What tempts you, Pippa?"
"I-" She hesitated. "I care a great deal for meringue."
He laughed, the sound bigger and bolder than she expected.
"It's true."
"No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage.
She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it."
A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue."
Her brow furrowed. "Therefore, I am not tempted by it?"
"No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In."
She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?"
"Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment."
The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste."
Oh, my.
Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her.
Why was he so calm and cool and utterly in control?
Why was he not riddled with similar... feelings?
He was a very frustrating man.
She sighed. "That must be a tremendous meringue."
A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us.
Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body.
The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)
“
You could put your arm around me, you know,' she said matter-of-factly. 'We are walking in the gardens, alone. In the moonlight, such as it is.' Denna looked sideways at me, the side of her mouth quirking upward. 'Such things are permitted, you realize.'
Her sudden change in manner caught me off my guard. Since we had met in Severen I had courted her with wild, hopeless pageantry, and she had matched me without missing a beat. Each flattery, each witticism, each piece of playful banter she returned to me, not in an echo but a harmony. Our back-and-forth had been like a duet.
But this was different. Her tone was less playful and more plain. It was so sudden a change that I was at a loss for words.
'Four days ago I turned my foot on that loose flagstone,' she said softly. 'Remember? We were walking on Mincet Lane. My foot slipped and you caught me almost before I knew that I was stumbling. It made me wonder how closely you must be watching me to see something like that.'
We turned a corner in the path, and Denna continued to speak without looking up at me. Her voice was soft and musing, almost as if she were talking to herself. 'You had your hands on me then, sure as anything, steadying me. You almost had your arm around me. It would have been so easy for you then. A matter of inches. But when I got my feet beneath me, you took your hands away. No hesitation. No lingering. Nothing I might take amiss.'
She started to turn her face to me, then stopped and looked down again. 'It’s quite a thing,' she said. 'There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.'
Almost shyly, she reached out. 'When I move to take your arm, you accept it easily. You even lay your hand on mine, as if to keep it there.' She explained my movement exactly as I was making it, and I fought to keep the gesture from becoming suddenly awkward. 'But that’s all. You never presume. You never push. Do you know how strange that is to me?'
We looked at each other for a moment, there, in the silent moonlight garden. I could feel the heat of her standing close to me, her hand clinging to my arm.
Inexperienced as I was with women, even I could read this cue. I tried to think of what to say, but I could only wonder at her lips. How could they be so red as this? Even the selas was dark in the faint moonlight. How were her lips so red?
”
”
Patrick Rothfuss (The Wise Man's Fear (Kingkiller Chronicles, Day 2))
“
Nothing like changing your illusions,” she said, “or you grow tired. London’s a fine place but one wants to see the elfin mountains sometimes.”
“Then you know London?” I said.
“Of course I do,” she said. “I can dream as well as you. You are not the only person that can imagine London.” Men were toiling dreadfully in her garden; it was in the heat of the day and they were digging with spades; she suddenly turned from me to beat one of them over the back with a long black stick that she carried. “Even my poets go to London sometimes,” she said to me.
“Why did you beat that man?” I said.
“To make him work,” she answered.
“But he is tired,” I said.
“Of course he is,” said she.
And I looked and saw that the earth was difficult and dry and that every spadeful that the tired men lifted was full of pearls; but some men sat quite still and watched the butterflies that flitted about the garden and the old witch did not beat them with her stick. And when I asked her who the diggers were she said, “These are my poets, they are digging for pearls.” And when I asked her what so many pearls were for she said to me: “To feed the pigs of course.”
“But do the pigs like pearls?” I said to her.
“Of course they don’t,” she said.
”
”
Lord Dunsany (Tales of Three Hemispheres)
“
Even though Jasmine was supposed to try Marcella's Stone Plum Soup tonight, she pulled at her baking cupboard. She wanted chocolate. She wanted oozing, rich, creamy, comforting chocolate. She would throw chops on the grill and toss a salad for dinner. Tonight, she was going to concentrate her efforts on dessert. She pulled out her big bowl and mixer. She took down blocks of chocolate, vanilla, sugar. Poked her head into the refrigerator to count the eggs. Ten. Just enough. Her mouth watered, her tongue repeatedly swallowing the swamp that had become her mouth. Cream? A pint poked from behind the mayonnaise. She smelled it. One day to spare. She padded to the liquor cabinet and examined her choices. Brandy, amaretto, Grand Marnier. Mmm, yes. Grand Marnier, a subtle orange swirl. The chocolate and butter wobbled over the heat of the double boiler. Unctuous and smooth. Jasmine beat the eggs and sugar until lemony light. She poured in the chocolate in a long professional sweep. A few deft turns of the spatula turned the mixture into what she really craved. She stood over the bowl tasting slabs of it from the spatula. A good dash of Grand Marnier. Another taste. And another. She had to discard a number of egg whites to fit with the reduced mixture. She finally tipped the glossy beaten whites into the chocolate.
”
”
Nina Killham (How to Cook a Tart)
“
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place.
“Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light.
She willed her voice to be her own. “I thought we could play a game.”
His dark brows drew together.
“Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.”
He used tongs to stoke the fire. “I did.”
“You implied that you could beat me.”
“I implied that there was no reason a Valorian would want to play with a Herrani.”
“No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.”
He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.”
“Not if I say you don’t.”
He turned away. “I like to finish what I start.”
She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.”
He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?”
“My rooms.”
“Your rooms.” Arin shook his head disbelievingly.
“My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household.
He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy.
He was staring, she realized. He was staring at her.
“You have dirt on your face,” he said shortly.
He returned to his work.
Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Death by Chocolate Dark chocolate ganache on a chocolate with
chocolate chips cupcake. 1⅓ cups all purpose flour
2 teaspoons baking powder
¼ teaspoon baking soda
¾ cup unsweetened cocoa powder
⅛ teaspoon salt
3 tablespoons butter, softened
1½ cups white sugar
2 eggs, at room temperature
¾ teaspoon vanilla extract
1 cup milk
1 bag semisweet chocolate chips Preheat oven to 350 degrees. Sift together the flour, baking powder, baking soda, cocoa, and salt. Set aside. In a large bowl, cream together the butter and sugar until well blended. Add the eggs one at a time, beating well with each addition, then stir in the vanilla. Add the flour mixture alternately with the milk; beat well. Add the chocolate chips. Bake for 15 to 17 minutes. Makes 12. Dark Chocolate Ganache 2 cups dark chocolate chips
2 cups heavy cream
2 teaspoons vanilla extract Place chocolate chips in a large bowl. Pour the cream into a saucepan, and bring it to a boil. Once the cream boils, remove it from the heat and pour it over the chips. Let stand for a minute or two, then stir with a whisk until smooth. Be sure to scrape the bottom of the bowl occasionally. Stir in the vanilla until well blended. Place a piece of plastic wrap directly on the surface of the ganache and allow it to cool to room temperature. Dip tops of cool cupcakes into the mixture and allow it to dry.
”
”
Jenn McKinlay (Sprinkle with Murder (Cupcake Bakery Mystery #1))
“
Homie caught a body
Got a naughty shawty
Throw her in the trunk of my purple buggati
Opps on my tail damn making this a party
Firing shots man I think they might’ve got me
Bleeding and speeding on the 401
This is hood economics 101
Got that gangsta archetype like Carl Yung
Damn making me ask who am I running from?
When I know I got balls and a fuckin loaded gun
Roll out on the freeway while takin some heat
One cop two cop three’s on his feet
Yeah bullseye put one his knee
Cryin oh please don’t hurt me you know I got family
Put him to sleep with nice slick kick
As I head to his home to go meet his kids
His wife’s crying in the corner as I fire from the hip
Yeah there’s heart in this clip
I put my all in this shit
Leaving their home while unfulfilled
Got a taste for killing need more blood to spill
God looking down asking me to chill
Fire shots in the air tellin him no deal
Already dug my grave and wrote my will
Therapist tells me just stay home and masturbate man
Tell him fuck off you know I’m Patrick Bateman
Killers don’t discriminate you know I still kill women
Brutally beat them into mush on the pavement
Screaming for help with no-one here to save them
My life has purpose and I know who I am
A cold blooded killer with two glocks in his hands
Better run mothafucka you know you stand no chance
Cause it takes two to tango and damn I wanna dance
”
”
Gubba
“
Simple Twist Of Fate"
They sat together in the park
As the evening sky grew dark
She looked at him and he felt a spark tingle to his bones
It was then he felt alone and wished that he'd gone straight
And watched out for a simple twist of fate.
They walked alone by the old canal
A little confused I remember well
And stopped into a strange hotel with a neon burning bright
He felt the heat of the night hit him like a freight train
Moving with a simple twist of fate.
A saxophone someplace far off played
As she was walking on by the arcade
As the light bust through a-beat-up shade where he was waking up
She dropped a coin into the cup of a blind man at the gate
And forgot about a simple twist of fate.
He woke up the room was bare
He didn't see her anywhere
He told himself he didn't care pushed the window open wide
Felt an emptiness inside to which he just could not relate
Brought on by a simple twist of fate.
He hears the ticking of the clocks
And walks along with a parrot that talks
Hunts her down by the waterfront docks where the sailers all come in
Maybe she'll pick him out again how long must he wait
One more time for a simple twist of fate.
People tell me it's a sin
To know and feel too much within
I still believe she was my twin but I lost the ring
She was born in spring but I was born too late
Blame it on a simple twist of fate.
Bob Dylan, Blood On The Tracks (1975)
”
”
Bob Dylan
“
That afternoon I say about five thousand cars or probably three thousand passed me not one of them ever dreamed of stopping -- Which didnt bother me anyway because at first seeing that gorgeous long coast up to Monterey I thought "Well I'll just hike right in, it's only fourteen miles, I oughta do that easy" -- And on the way there's all kindsa interesting things to see anyway like the seals barking on rocks below, or quiet old farms made of logs on the hills across the highway, or sudden upstretches that go along dreamy seaside meadows where cows grace and graze in full sight of endless blue Pacific -- But because I'm wearing desert boots with their fairly thin soles, and the sun is beating hot on the tar road, the heat finally gets through the soles and I begin to deliver heat blisters inmy sockiboos -- I'm limping along wondering what's the matter with me when I realize I've got blisters -- I sit by the side of the road and look -- I take out my first aid kit from the pack and apply unguents and put on cornpads and carry on -- But the combination of the heavy pack and the heat of the road increases the pain of the blisters until finally I realize I've got to hitch hike a ride or never make it to Monterey at all. But the tourists bless their hearts after all, they couldnt know, only think I'm having a big happy hike with my rucksack and they drive on, even tho I stick out my thumb
”
”
Jack Kerouac (Big Sur)
“
When he finally pulled his mouth from hers an eternity later, their breaths were coming in mingled gasps. Feeling almost bereft, Elizabeth surfaced slightly from the sensual Eden where he had sent her, and forced her heavy eyelids to open so that she could look at him. Stretched out beside her on the sofa, he was leaning over her, his tanned face hard and dark with passion, his amber eyes smoldering. Lifting his hand, he tenderly brushed a golden lock of hair off her cheek, and he tried to smile, but his breathing was as ragged as hers. Unaware of the effort he was making to keep their passion under control, Elizabeth let her gaze drop to his finely chiseled mouth, and she watched him draw an unsteady breath. “Don’t,” he warned her in a husky, tender voice, “look at my mouth unless you want it on yours again.”
Too naïve to know how to hide her feelings, Elizabeth lifted her green eyes to his, and her longing for his kiss was in their soft depths. Ian drew a steadying breath, and yielded to temptation again, gently telling her how to show him what she wanted. “Put your hand around my neck,” he whispered tenderly.
Her long fingers lifted to his nape, and he lowered his mouth to hers, so close their breaths mingled. Understanding finally dawned, and Elizabeth put firmer pressure on his nape. And even though she was braced for it, the shock of his parted lips on hers again was wild, indescribable sweetness. This time it was Elizabeth who touched her tongue to his lips, and when she felt him shudder, instinct told her she was doing something right.
I told him the same thing, and he jerked his mouth from hers. “Don’t do this, Elizabeth,” he warned.
In answer, she tightened her hand at his nape and at the same time turned into his arms. His mouth came down hard on hers, but instead of struggling, her body arched against him and she drew his tongue into her mouth. Against her breasts, she felt his heart slam into his ribs, and he began kissing her with unleashed passion, his tongue tangling with hers, then plunging and slowly retreating in some wildly exciting, forbidden rhythm that made the blood roar in Elizabeth’s ears. His hand slid up her side to her breast, covering it possessively, and Elizabeth jumped in shocked protest.
“Don’t,” he whispered against her lips. “God, don’t. Not yet…”
Stunned into stillness by the harsh need in his voice, Elizabeth gazed up into his face as he lifted his head, his eyes moving restlessly over the bodice of her dress. Despite his protest, his hand was still, and in her befuddled senses, she finally realized he was honoring his promise to stop whenever she asked him to stop. Helpless to stop or encourage him, she looked at the masculine fingers, still and tanned against her white shirt, then she dragged her eyes to his. Heat was beating behind them, and with a silent moan, Elizabeth curled her hand behind his head and turned into his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
WITHIN A FEW HOURS of the noon announcement, people all around North Korea began converging on statues of Kim Il-sung to pay their respects. By one frequently cited figure there are 34,000 statues of the Great Leader in the country and at each of them loyal subjects prostrated themselves with grief. People didn’t want to be alone with their grief. They burst out of their homes and ran toward the statues, which were in fact the spiritual centers of each city.
Chongjin is home to some 500,000 people, but has only one twenty-five-foot bronze statue, at Pohang Square. People filled the vast square, and spilled over into the front lawn of the Revolutionary History Museum directly to the east. The crowds extended down the wide Road No. 1 all the way to the Provincial Theater and radiated out into the surrounding streets like spokes from a wheel. From above, the people looked like a line of ants streaming toward a common goal.
Hysteria and crowds make for a lethal combination. People started to surge forward, knocking down those in line, trampling people already prostrate on the ground, flattening the carefully trimmed hedges. From blocks away, the noise from the square carried through the humid air and sounded like the roar of a riot. The weather alternated between violent downpours and searing heat. No one was allowed to wear a hat or carry a parasol. The sun beat down on the bare heads and the wet sidewalks turned the streets into a roiling steambath. People looked like they were melting into a sea of tears and sweat. Many fainted.
”
”
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
“
Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans
”
”
John Berger (Hold Everything Dear: Dispatches on Survival and Resistance (Vintage International))
“
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“
“That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’”
“Fifty paces? Are you mad? It would have to be a hundred at least.”
Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.”
“Don’t remind me,” Celia grumbled.
“Gabe also said he won a kiss from you.”
“Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.”
“Perhaps he was just trying to be polite.”
Celia sighed. “Probably.
I didn’t kiss you “properly” today because I was afraid if I did I might not stop.
“The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.”
Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?”
Celia nodded.
Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?”
“Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.”
“He hasn’t mentioned marriage?”
“No.”
Concern crossed Minerva’s face. “And love? What of that?”
“That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.”
Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.”
Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.”
“Mr. Pinter doesn’t strike me as that sort.”
“Well, he didn’t strike me as having an ounce of passion until he started kissing me.”
Minerva shot her a sly glance. “How is his kissing?”
Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure.
“That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?”
“Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.”
“You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.”
I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either.
Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
I’m wondering what it would be like to be kissed by you.”
“Let’s not go there,” he said. “I don’t want to mess up our friendship.”
“It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.”
“Put the wrong chemicals together, and they explode.”
She frowned. “Are you saying you don’t think I’d like it? Or that I would?”
“It doesn’t matter, because I’m not going to kiss you.”
She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?”
He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning.
One she ignored.
She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.”
She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice.
She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?”
His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything.
“I’m not going to kiss you, Summer.”
He saw the disappointment flash in her eyes. Saw the determination replace it.
“All right. I’ll kiss you.”
He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs.
But he wanted that kiss.
“Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her.
Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing.
He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—”
She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.”
She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his.
His whole body went rigid.
“Billy,” she murmured against his lips. “Please. Kiss me back.”
“Summer, I don’t—”
She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it.
“Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none.
He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
”
”
Joan Johnston (The Texan (Bitter Creek, #2))
“
The bond, of course, shared every needy beat of my heart with Devin--- his answer through the bond was immediate and primal. It hit me as a wave, knocking my feet out from under me. I grabbed his arm tighter to keep from falling over. He took a shaky breath while his eyes roamed over me. His eyes met mine and I felt the rush of heat between my legs. "You need to let me go, darling, before we start something I intend to finish."
My eyes met Devin's and darted away. "I can't take it anymore. I know this the path we were on before... before. And this wasn't how I pictured us getting here, but I want this. That is, if you do too?"
He closed the distance and wrapped his arms around me. The air left me in a rush as he lifted me off my feet and took me to the foot of the bed. Falling on my back, I was caged in his arms as he leaned forward.
"Now, don't you feel ridiculous asking?" His low voice was playful as he looked down at me, hungry and fierce.
The heat between us was an inferno, and we were teetering on the edge of it. I knew it, he knew it, and whoever made the next move would break the dam and it would all come rushing out. Of the things I wanted to do, I picked one at random as I snaked a hand around his neck, gently pulling the tie on his hair as it fell forward.
That did it.
He leaned down, kissing my collarbone and making his way up my neck, peppering in heated words as he went. "Feel free to touch, darling. It's all yours."
He nipped at my ear and a thrilling shiver ran down my spine. A sound escaped me that only proved to spur Devin on. His hand moved to my hip, squeezing, and brushing the skin above my leggings with his thumb, leaving a trail of inferno in its wake.
”
”
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
“
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the
beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
”
”
Rafael Nicolás (Angels Before Man)
“
Mr. Edwards and the Spider"
I saw the spiders marching through the air,
Swimming from tree to tree that mildewed day
In latter August when the hay
Came creaking to the barn. But where
The wind is westerly,
Where gnarled November makes the spiders fly
Into the apparitions of the sky,
They purpose nothing but their ease and die
Urgently beating east to sunrise and the sea;
What are we in the hands of the great God?
It was in vain you set up thorn and briar
In battle array against the fire
And treason crackling in your blood;
For the wild thorns grow tame
And will do nothing to oppose the flame;
Your lacerations tell the losing game
You play against a sickness past your cure.
How will the hands be strong? How will the heart endure?
A very little thing, a little worm,
Or hourglass-blazoned spider, it is said,
Can kill a tiger. Will the dead
Hold up his mirror and affirm
To the four winds the smell
And flash of his authority? It’s well
If God who holds you to the pit of hell,
Much as one holds a spider, will destroy,
Baffle and dissipate your soul. As a small boy
On Windsor Marsh, I saw the spider die
When thrown into the bowels of fierce fire:
There’s no long struggle, no desire
To get up on its feet and fly
It stretches out its feet
And dies. This is the sinner’s last retreat;
Yes, and no strength exerted on the heat
Then sinews the abolished will, when sick
And full of burning, it will whistle on a brick.
But who can plumb the sinking of that soul?
Josiah Hawley, picture yourself cast
Into a brick-kiln where the blast
Fans your quick vitals to a coal—
If measured by a glass,
How long would it seem burning! Let there pass
A minute, ten, ten trillion; but the blaze
Is infinite, eternal: this is death,
To die and know it. This is the Black Widow, death.
”
”
Robert Lowell (Collected Poems)
“
Chocolate Cola Cupcakes with Fizzy Cola Frosting Makes approx. 12 large cupcakes 200g flour, sifted 250g superfine sugar 1/2 tsp. baking powder pinch salt 1 large free-range egg 125ml buttermilk 1 tsp. vanilla extract 125g unsalted butter 2 tbsp. cocoa powder 175ml Coca-Cola For the frosting 125g unsalted butter, softened 400g confectioners’ sugar 11/2 tbsp. cola syrup (I used Soda Stream) 40ml whole milk Pop Rocks, to taste fizzy cola bottles, candied lemon slices, striped straws or candy canes to decorate Preheat the oven to 350°F. Line two 6-cup muffin pans with paper liners. In a large bowl, combine the flour, sugar, baking powder and salt. In a separate bowl, beat together the egg, buttermilk and vanilla. Melt the butter, cocoa and Coca-Cola in a saucepan over low heat. Pour this mixture into the dry ingredients, stir well with a wooden spoon, and then add the buttermilk mixture, beating until the batter is well blended. Pour into your prepared pans and bake for 15 minutes, or until risen and a skewer comes out clean. Set aside to cool. To make the frosting, beat together the butter and confectioners’ sugar until no lumps are left—I use a free-standing mixer with the paddle attachment, but you could use a hand-held mixer instead. Stir the cola syrup and milk together in a pitcher, then pour into the butter and sugar mixture while beating slowly. Once incorporated, increase the speed to high and beat until light and fluffy. Carefully stir in your Pop Rocks to taste. It does lose its pop after a while, so the icing is best done just a few hours before eating. Spoon your icing into a piping bag and pipe over your cooled cupcakes. Decorate with fizzy cola bottles or a slice of candied lemon, a stripy straw or candy cane and an extra sprinkling of popping candy.
”
”
Jenny Colgan (Christmas at the Cupcake Cafe)
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
CHOCOLATE TRUFFLES 6 tablespoons chilled butter ( ¾ stick, 3 ounces) 12-ounce package semi-sweet chocolate chips (two cups—I used Ghirardelli’s) ½ cup firmly packed powdered sugar (confectioner’s sugar) 6 egg yolks 1 Tablespoon rum, brandy, flavored brandy, or vanilla extract Put an inch or so of water in the bottom half of a double boiler and heat it to a gentle boil. Cut the butter in chunks and place them in the top half of the double boiler. Add the chips and then the powdered sugar and set the top half over the bottom half. Put on the cover and let everything melt while you… Beat the egg yolks in a small bowl with a whisk. Whisk until they’re thoroughly combined, but stop before they get fluffy or lighter in color. Stir the chocolate until it’s completely melted. It will be thick, almost like fudge. Remove the top half of the double boiler and set it on a cold burner. Stir several spoonfuls of beaten egg yolk into the chocolate mixture. When that’s incorporated, stir in several more spoonfuls. Keep adding egg yolk in small amounts, stirring constantly, until all the egg yolks have been incorporated and the chocolate mixture is smooth and glossy. Stir in the rum, brandy, or vanilla. Put the lid back on the top of the double boiler and refrigerate the chocolate mixture for 3 hours. To Decorate Truffles: finely chopped nuts powdered (confectioner’s) sugar chocolate sprinkles shaved chocolate cocoa powder finely shredded coconut Warning: This next step is fairly messy. If you like, wear disposable plastic food-server gloves. You can also lightly grease your hands, or spray them with Pam or other non-stick cooking spray so the chocolate won’t stick to your fingers. Form small balls of chilled chocolate with your hands and roll them in bowls of the above ingredients.
”
”
Joanne Fluke (Cherry Cheesecake Murder (Hannah Swensen, #8))
“
We tend to be unaware that stars rise and set at all. This is not entirely
due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution).
I wondered what could be wrong. Our modern civilization does not ignore
the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist
in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us.
It is only the integral part of the landscape which can relate to the stars.
Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans,
and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an
almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there').
We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world.
They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
”
”
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
“
Are you sorry it happened?” Her fingers clenched as she waited tensely for his answer.
“Good Lord, no.” He brought her small fist to his mouth and kissed it open, and flattened her palm against the side of his face. “It’s what I’ve wanted most in my entire life. And the one thing I knew I could never have. I’m surprised. Shocked, even. But never sorry.”
Daisy turned and snuggled against him, sandwiching one of his thighs between her own.
The rain beat out a brisk song against the side of the house, some of it coming through the window. Considering the idea of getting out of bed, Daisy shivered a little, and felt Matthew draw the covers higher over her bare shoulder.
“Daisy,” he asked without heat, “where is the damn key?”
“I put it in your coat pocket,” she said helpfully. “Didn’t you see? No?…well, I suppose you were distracted at the time.” She trailed her hand over his chest, letting her palm graze the point of his nipple. “You’re probably angry with me for locking us in the bedroom.”
“Enraged,” he agreed. “I insist you do it every night after we’re married.”
“Are we going to get married?” Daisy whispered, raising her head.
His eyes were warm, but there was no hint of pleasure in his voice. “Yes, we’re going to marry. Although you’ll probably hate me for it someday.”
“Why in the world would I…oh.” Daisy remembered what he had told her about the likelihood of his past catching up to him someday. “I could never hate you,” she said. “And I’m not afraid of your secrets, Matthew. Whatever comes, I’ll face it with you. Although you should know I find it exasperating when you throw out comments like that and refuse to explain.”
There was a sudden catch of laughter in his chest. “That’s only one of many reasons you find me exasperating.”
“True.” She crawled on top of him and nuzzled his chest like an inquisitive kitten. “But I like exasperating men much more than the nice ones.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Working with chocolate always helps me find the calm centre of my life. It has been with me for so long; nothing here can surprise me. This afternoon I am making pralines, and the little pan of chocolate is almost ready on the burner.
I like to make these pralines by hand. I use a ceramic container over a shallow copper pan: an unwieldy, old-fashioned method, perhaps, but the beans demand special treatment. They have traveled far, and deserve the whole of my attention. Today I am using couverture made from the Criollo bean: its taste is subtle, deceptive; more complex than the stronger flavors of the Forastero; less unpredictable than the hybrid Trinitario. Most of my customers will not know that I am using this rarest of cacao beans; but I prefer it, even though it may be more expensive. The tree is susceptible to disease: the yield is disappointingly low; but the species dates back to the time of the Aztecs, the Olmecs, the Maya. The hybrid Trinitario has all but wiped it out, and yet there are still some suppliers who deal in the ancient currency.
Nowadays I can usually tell where a bean was grown, as well as its species. These come from South America, from a small, organic farm. But for all my skill, I have never seen a flower from the Theobroma cacao tree, which only blooms for a single day, like something in a fairytale. I have seen photographs, of course. In them, the cacao blossom looks something like a passionflower: five-petaled and waxy, but small, like a tomato plant, and without that green and urgent scent. Cacao blossoms are scentless; keeping their spirit inside a pod roughly the shape of a human heart. Today I can feel that heart beating: a quickening inside the copper pan that will soon release a secret.
Half a degree more of heat, and the chocolate will be ready. A filter of steam rises palely from the glossy surface. Half a degree, and the chocolate will be at its most tender and pliant.
”
”
Joanne Harris (The Strawberry Thief (Chocolat, #4))
“
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years.
A floorboard creaked somewhere in one of the outer chambers.
Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this.
With her caught touching his things.
Her gaze dropped. “I’m sorry,” she murmured.
“It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy.
She cleared her throat. “Do you still play?”
He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.”
“No,” Kestrel said. “You’re not. Your voice is beautiful.”
The silence after that was soft.
Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work.
“What is it, Kestrel?”
She shook her head. She set the violin back on the wall.
“Ask me.”
She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more.
“You can ask me anything,” he said.
Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?”
He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.”
Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.”
“It’s not your fault.”
It felt as if it was.
Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood.
It was newer.
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained.
She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Ell's Double Down ---
"The haze across the room conceals the faces of the patrons and gives the setting a secretive draping. Her heart is pounding and although she has done this for months now, she still becomes nervous starting out. She glances across the table, the man facing her is attractive he is dressed in a fine suit his eyes a warm brown, his stare deliberate. When he looks at her she can tell, it’s a look you don’t give a kid sister, his look is heated. She can hardly breathe when she looks into his eyes it is disarming, she can’t have this. She looks above him to her friend Sophie; she is unsure of herself and silently communicates her discomfort to her friend. Sophie gives her a smile then leans down whispering into the man’s ear his attention is suddenly diverted giving Ell the opportunity to settle in. She exhales feeling better now that the man is distracted. Later she will help Sophie untangle herself from him but now she has to focus on the business at hand. She takes a deep breath, flashing a dazzling smile at the rest of the men gathered around the table and antes up.
The truth is gambling makes her feel empowered the rush was like none other. Each hand dealt promised her a solution to her problems. Logically that alone could be the cause for her increased heart rate and butterflies but Ell knew better. She liked the mind games played as each of them attempted to psyche out opponents seated around the table. Ell herself suffered through painful lessons until she honed her own skills. Eventually Sophie taught her the most valuable ploy --using her womanly wiles as her weapon. Ell initially felt foolish but the first time she glanced through mascaraed lashes and saw the effect she turned to her friend for additional suggestions. This combined with her ability to gauge the cards each player held or what now laid in the muck. However to be honest, she simply loved soundly beating the table full of men.
”
”
Caroline Walken
“
He must have seen something in my gaze because he pushed away from the door and moved closer. He stopped in front of me, and without breaking eye contact, reached into my bag and pulled out a pair of jeans. He held them out to me and tapped his lips. I smiled widely. “A kiss for the jeans?” He nodded. I grabbed the jeans from his loose grasp and tossed them on the bed. He watched me, curious, as I stood and placed my hands on his chest for balance. “I don’t need bribes to kiss you, Clay. Come here.” His lips covered mine in a move so fast, my head spun even more. I clutched his shirt in my fists, not sure if it was his kiss or my condition that caused the current wave of dizziness. His arms circled around me. I felt safe. And so desired. I pressed myself closer, and he increased the pressure on my lips. His warm breath fanned my face. One of his hands roamed up to curve around the back of my neck. My heart skipped a beat, and my breathing became more erratic. I knew he’d hear but I didn’t care. Standing on my tiptoes, I loosened my hold on his shirt and slid my hands up and around his neck. I didn’t want him to let go just yet. Tentatively, I opened my mouth and ran my tongue across his bottom lip. He growled, and his hold tightened fractionally. A thrill shot through me, heating my limbs and tickling my stomach. I used my tongue again. His mouth opened in response. He took control of the kiss and turned it from tender-sweet to passionately melting. Our tongues touched. I stopped breathing. My world tilted then steadied. He anchored me. How could I doubt this? Us? My lungs burned for air, and he gently pulled away even though I whined in protest. He kissed my cheek, then my forehead. It took a minute for the world to right itself again while I caught my breath. Clay placed his chin on my head and held me tight. My head rested on his chest over his thundering heart. The kiss had affected him as much as it had me. It made me smile because now I knew without a doubt; I attracted him, not my strange pull. I
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.”
Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her.
“I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.”
Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer.
It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.”
She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
”
”
Eloisa James (Paris In Love)
“
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up.
"What's going on?" she asked, her eyes bright.
Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse.
"That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class."
Betty made a face. "You like poetry stuff? I thought you were into maths and science."
"I like it all," Martha replied. "I love astronomy and hip-hop-"
Betty rolled her eyes. "Not hip-hop again."
"Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture."
"No," Betty said. "You didn't make up a rap to that."
"Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle:
"At the centre of our system is the molten sun,
A star that burns hot, Fahrenheit two billion and one.
But the sun, he ain't alone in the heavenly sphere,
He's got nine homeys in orbit, some far, some near.
Old Mercury's crowding in 'bout as close as he can,
Yo, Merc's a tiny planet who loves a tan....
Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party....
"Venus is next. She's a real hot planet,
Shrouded by clouds, hot enough to melt granite.
Earth is the third planet from the sun,
Just enough light and heat to make living fun.
Then comes Mars, a planet funky and red.
Covered with sand, the place is pretty dead.
Jupiter's huge! The largest planet of all!
Saturn's big, too, but Uranus is small.
So far away, the place is almost forgotten,
Neptune's view of Earth is pretty rotten.
And last but not least, Pluto's in a fog,
Far away and named after Mickey's home dog.
Yo, that's all the planets orbiting our sun,
But the Milky Way galaxy is far from done!"
When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering.
"Whoa," said Chad. "Martha's awesome.
”
”
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
“
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Every Day Take Your Daily Doses Black Cumin (Nigella sativa) (¼ tsp) As noted in the Appetite Suppression section, a systematic review and meta-analysis of randomized, controlled weight-loss trials found that about a quarter teaspoon of black cumin powder every day appears to reduce body mass index within a span of a couple of months. Note that black cumin is different from regular cumin, for which the dosing is different. (See below.) Garlic Powder (¼ tsp) Randomized, double-blind, placebo-controlled studies have found that as little as a daily quarter teaspoon of garlic powder can reduce body fat at a cost of perhaps two cents a day. Ground Ginger (1 tsp) or Cayenne Pepper (½ tsp) Randomized controlled trials have found that ¼ teaspoon to 1½ teaspoons a day of ground ginger significantly decreased body weight for just pennies a day. It can be as easy as stirring the ground spice into a cup of hot water. Note: Ginger may work better in the morning than evening. Chai tea is a tasty way to combine the green tea and ginger tweaks into a single beverage. Alternately, for BAT activation, you can add one raw jalapeño pepper or a half teaspoon of red pepper powder (or, presumably, crushed red pepper flakes) into your daily diet. To help beat the heat, you can very thinly slice or finely chop the jalapeño to reduce its bite to little prickles, or mix the red pepper into soup or the whole-food vegetable smoothie I featured in one of my cooking videos on NutritionFacts.org.4985 Nutritional Yeast (2 tsp) Two teaspoons of baker’s, brewer’s, or nutritional yeast contains roughly the amount of beta 1,3/1,6 glucans found in randomized, double-blind, placebo-controlled clinical trials to facilitate weight loss. Cumin (Cuminum cyminum) (½ tsp with lunch and dinner) Overweight women randomized to add a half teaspoon of cumin to their lunches and dinners beat out the control group by four more pounds and an extra inch off their waists. There is also evidence to support the use of the spice saffron, but a pinch a day would cost a dollar, whereas a teaspoon of cumin costs less than ten cents. Green Tea (3 cups) Drink three cups a day between meals (waiting at least an hour after a meal so as to not interfere with iron absorption). During meals, drink water, black coffee, or hibiscus tea mixed 6:1 with lemon verbena, but never exceed three cups of fluid an hour (important given my water preloading advice). Take advantage of the reinforcing effect of caffeine by drinking your green tea along with something healthy you wish you liked more, but don’t consume large amounts of caffeine within six hours of bedtime. Taking your tea without sweetener is best, but if you typically sweeten your tea with honey or sugar, try yacon syrup instead. Stay
”
”
Michael Greger (How Not to Diet)
“
And the ladies dressed in red for my pain and with my pain latched onto my breath, clinging like the fetuses of scorpions in the deepest crook of my neck, the mothers in red who sucked out the last bit of heat that my barely beating heart could give me — I always had to learn on my own the steps you take to drink and eat and breathe, I was never taught to cry and now will never learn to do this, least of all from the great ladies latched onto the lining of my breath with reddish spit and floating veils of blood, my blood, mine alone, which I drew myself and which they drink from now after murdering the king whose body is listing in the river and who moves his eyes and smiles, though he’s dead and when you’re dead, you’re dead, for all the smiling you do, and the great ladies, the tragic ladies in red have murdered the one who is floating down the river and I stay behind like a hostage in their eternal custody.
I want to die to the letter of the law of the commonplace, where we are assured that dying is the same as dreaming. The light, the forbidden wine, the vertigo. Who is it you write for? The ruins of an abandoned temple. If only celebration were possible. A mournful vision, splintered, of a garden of broken statues.
Numb time, time like a glove upon a drum. The three who compete in me remain on a shifting point and we neither are nor is. My eyes used to find rest in humiliated, forsaken things. Nowadays I see with them; I’ve seen and approved of nothing.
Seated at the bottom of a lake. She has lost her shadow, but not the desire to be, to lose. She is alone with her images. Dressed in red, and unseeing. Who has reached this place that no one ever reaches? The lord of those dead who are dressed in red. The man who is masked in a faceless face. The one who came for her takes her without him. Dressed in black, and seeing. The one who didn’t know how to die of love and so couldn’t learn a thing. She is sad because she is not there.
There are words with hands; barely written, they search my heart. There are words condemned like the lilac in a tempest. There are words resembling some among the dead, and from these I prefer the ones that evoke the doll of some unhappy girl.
Ward 18
when I think of occupational therapy I think of poking out my eyes in a house in ruin then eating them while thinking of all my years of continuous writing,
15 or 20 hours writing without a break, whetted by the demon of analogies, trying to configure my terrible wandering verbal matter, because — oh dear old Sigmund Freud — psychoanalytic science forgot its key somewhere:
to open it opens but how to close the wound?
for other imponderables lovelier than the smile of the Virgin of the Rocks
the shadows strike blows
the black shadows
of the dead
nothing but blows
and there were cries
nothing but blows
”
”
Alejandra Pizarnik
“
I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
Kode’s older sister, Kira, was leaning over a display of jewelry, fisting a jade-green necklace in one hand. Her nose was two inches from the Braetic across the table, the two exchanging intimidating glares. Eena watched for a few seconds as Kira all but crawled over a pile of merchandise, her face scrunched up with resentment, yet enviably stunning as always.
“Hey Kode,” the young queen whispered.
“Hey, girl.”
“What’s going on?”
“Kira’s bartering.”
Eena watched the fistful of necklace come within a whisker of smacking the merchant’s nose.
“She isn’t going to hurt the guy, is she?”
Kode snorted on a chuckle. “Not if the dude’s got any sense.”
Validly concerned, Eena inched closer to the confrontation, straining to hear their growled dialogue. Kode and Niki crept closer too. Efren, however, stayed where he was, testing the flagpole’s ability to support his body weight.
They watched the feisty Mishmorat hold up a small pouch and shake it in front of the Braetic’s eyes. Kira’s fingers curled like claws around the purse. She seemed to smirk for a second when the merchant flinched. In a blink he was back in her face again, shoving aside the purse.
“What is she trying to trade?” Eena asked, her voice still hushed as though she might disturb the haggling taking place across the way.
“Viidun coins,” Kode said. “Ef gave ‘em to her.”
“Are they worth much?’
Kode grinned wryly, “He sure as hell don’t freakin’ think so.”
Eena foresaw Niki’s disapproving smack to the back of Kode’s head before he even finished his sentence. He cursed at his girlfriend for the physical abuse, an unwise response that earned him an additional thump on the head.
“Freakin’ tyrant,” Kode grumbled.
“Vulgar grogfish,” Niki retorted.
Still unable to hear well enough to satisfy her curiosity, Eena stole in closer to the scene of heated bartering. She stopped when Kira’s strong voice carried over the murmur of the crowd. Kode and his girlfriend were right on her heels.
“This purse is worth ten of those gaudy necklaces. You oughta be payin’ me to take ‘em off your hands, Braetic!”
“That alien money is worthless to me, Mishmorat. In all my life I’ve never left Moccobatran soil. And even if I were to take an interstellar trip someday, you’d never catch the likes of me on a barbarian planet like Rapador!”
Kira jerked her head, causing her black, cascading hair to ripple over her shoulder. The action made the trader flinch again. His eyes tapered, appearing to fume over what he perceived as intentional bullying.
“You ain’t gonna sell this crap to no one else,” the exotic Mishmorat said. “Be smart and take the money. Hell, you could make a dozen pieces of jewelry from these coins. Sell ’em all for ten times the worth of anything you got here.”
The Braetic shoved his finger at Kira’s chest, breathing down her throat at the same time. “Why don’t you just take your pretty little backside away from my table and make your own Viidun jewelry. Sell it yourself and then come back with a reasonable offer for my necklace.” His palm opened flat, demanding she hand over the jade stones still in her fist.
“You wanna make me?” Kira breathed.
“What do you plan to do, steal it?” The merchant challenged her in a gesture, nostrils flaring.
“I’m no thief, but I’m not above beating some sense into you ‘til you choose to barter like a respectable Braetic!”
Caught up in the intense interaction, Kode supported his sister a little too loudly. “Teach the freakin’ crook a lesson, Sis!”
Niki smacked her boyfriend upside the head without missing a beat.
”
”
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
“
They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber.
Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound.
Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner-
A hard body swung around the corner and plowed into her.
She stumbled back. Hard hands grabbed her, holding her upright.
Her heart leapt to her throat. She looked up,saw only darkness.
She opened her mouth-
A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm.
Her senses scrambled. Strength, male heat, muscled hardness engulfed her.
Then a virulent curse singed her ears.
And she realized who'd captured her.
Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again.
He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?"
His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it.
With a muted oath, he pulled the hand away.
She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?"
"Coming to fetch you-of course."
"You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!"
Even to her ears they sounded like squabbling children.
He didn't reply.
Through the dark, he looked at her.
She couldn't see his eyes, but his gaze was so intent, so intense that she could feel...
her heart started thudding, beating heavier, deeper.
Her senses expanded, alert in a wholly unfamiliar way.
he looked at her...looked at her.
Primitive instinct riffled the delicate hairs at her nape.
Abruptly he raised his head, straightened, stepped back. "Come on."
Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment.
Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here."
He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse.
She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there."
With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch.
Immediately she'd sat, he flicked out the coverlet and swathed her in it.
She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her.
He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves.
Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her.
‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
We came from many different places, had many different pasts, belonged to a variety of races and nationalities; but under the boiling summer sun, when shade temperatures often reached the century mark, the heat beating our backs like hammer until I felt like a nail myself, we were brothers sharing sweat, building our own Jerusalem in a desolate place.
”
”
David Thibodeau (A Place Called Waco: A Survivor's Story)
“
The dusk passed into dark, and the desert stars came out in the soft sky, stars stabbing and sharp, with few points and rays to them, and the sky was velvet. And the heat changed. While the sun was up, it was a beating, flailing heat, but now the heat came from below, from the earth itself, and the heat was thick and muffling.
”
”
John Steinbeck (The Grapes of Wrath)
“
225 g butter, at room temperature
[16 tablespoons (2 sticks)] 250 g granulated sugar
[1¼ cups] 150 g light brown sugar
[¼ cup tightly packed] 1 egg 2 g vanilla extract
[½ teaspoon] 240 g flour
[1½ cups] 2 g baking powder
[½ teaspoon] 1.5 g baking soda
[¼ teaspoon] 5 g kosher salt
[1¼ teaspoons] ¾ recipe Cornflake Crunch
[270 g (3 cups)] 125 g mini chocolate chips
[¼ cup] 65 g mini marshmallows
[1¼ cups] 1. Combine the butter and sugars in the bowl of a stand mixer fitted with the paddle attachment and cream together on medium-high for 2 to 3 minutes. Scrape down the sides of the bowl, add the egg and vanilla, and beat for 7 to 8 minutes. (See notes on this process.) 2. Reduce the mixer speed to low and add the flour, baking powder, baking soda, and salt. Mix just until the dough comes together, no longer than 1 minute. (Do not walk away from the machine during this step, or you will risk overmixing the dough.) Scrape down the sides of the bowl with a spatula. 3. Still on low speed, paddle in the cornflake crunch and mini chocolate chips just until they’re incorporated, no more than 30 to 45 seconds. Paddle in the mini marshmallows just until incorporated. 4. Using a 2¾-ounce ice cream scoop (or a ⅓-cup measure), portion out the dough onto a parchment-lined sheet pan. Pat the tops of the cookie dough domes flat. Wrap the sheet pan tightly in plastic wrap and refrigerate for at least 1 hour, or up to 1 week. Do not bake your cookies from room temperature—they will not hold their shape. 5. Heat the oven to 375°F. 6. Arrange the chilled dough a minimum of 4 inches apart on parchment- or Silpat-lined sheet pans. Bake for 18 minutes. The cookies will puff, crackle, and spread. At the 18-minute mark, the cookies should be
”
”
Christina Tosi (Momofuku Milk Bar: A Cookbook)
“
she wondered why she found this particular temperature so charming; and decided that it was because, on a day like this, she came nearer than usual to losing her sense of separate identity. Extremes of heat and cold she enjoyed too, but it was with a tense, belligerent enjoyment. When they beat against the irregular frontiers of the skin, with all its weak angles and vulnerable salients, they made her acutely conscious of her own boundaries in space. Here, she would find herself thinking, is where I end and the outside world begins. It was exciting, but divisive: it made for loneliness.
”
”
Jan Struther (Mrs. Miniver)
“
Maman’s Cheese Soufflé YIELD: 4 SERVINGS WHEN MY MOTHER got married, she was seventeen and my father was twenty-two. She did not know how to cook, except for a few simple dishes that she had learned from her mother. Yet she was willing and fearless. My father liked cheese soufflé, so my mother graciously obliged. She had never made a soufflé before, but a friend told her that it consisted of a white sauce (béchamel), grated cheese, and eggs—a cinch! To the béchamel, that staple of the French home cook, she added her grated Swiss cheese and then cracked and added one egg after another to the mixture, stirred it well, poured it into a gratin dish, and baked it in the oven. Voilà! No one had told her that the eggs should be separated, with the yolks added to the base sauce and the whites whipped to a firm consistency and then gently folded into the mixture. Ignorance is bliss, and in this case it was indeed: the soufflé rose to a golden height and became a family favorite. This is a great recipe; it can be assembled hours or even a day ahead, and although it is slightly less airy than a standard soufflé, it is delicious. 6 tablespoons (¾ stick) unsalted butter, plus more to butter a 6-cup gratin dish 6 tablespoons all-purpose flour 2 cups cold whole milk ½ teaspoon salt ½ teaspoon freshly ground black pepper 5 extra-large eggs 2½ cups grated Swiss cheese, preferably Gruyère (about 6 ounces) 3 tablespoons minced fresh chives Preheat the oven to 400 degrees. Butter a 6-cup gratin dish, and set it aside. Melt the butter in a saucepan, then add the flour, and mix it in well with a whisk. Cook for 10 seconds, add the milk in one stroke, and mix it in with a whisk. Keep stirring with the whisk until the mixture thickens and comes to a strong boil, which will take about 2 minutes. It should be thick and smooth. Remove from the heat, and stir in the salt and pepper. Allow about 10 minutes for the white sauce to cool. Meanwhile, break the eggs into a bowl, and beat well with a fork. Add the eggs, the cheese, and the chives to the cooled sauce, and mix well to combine. Pour into the buttered gratin dish and cook immediately, or set aside until ready to cook. Bake for 30 to 40 minutes, or until the soufflé is puffy and well browned on top. Although it will stay inflated for quite a while, it is best served immediately.
”
”
Jacques Pépin (The Apprentice: My Life in the Kitchen)
“
Locust Flower (Acacia) Fritters YIELD: 6 SERVINGS, 12 TO 15 FRITTERS THIS IS A TASTE from my youth that we still enjoy a few times each early summer. Two large locust trees next to our garden supply more fragrant flowers than we can use during the few weeks a year that these blossoms are available. The tiny white flowers have the sweet flavor of honey and a powerful spicy and musky aroma. 4 cups locust flowers, stems removed 4 tablespoons Grand Marnier ¼ cup sugar 1½ cups all-purpose flour 1 can (12 ounces) beer 1 teaspoon pure vanilla extract 2 large egg whites 2½ cups canola oil, for cooking the fritters Confectioners’ sugar, to dust the finished fritters Mix the flowers, Grand Marnier, and sugar together in a bowl, cover, and refrigerate for 1 hour. When ready to cook the fritters, place the flour, about two thirds of the beer, and the vanilla in a bowl. Mix well with a whisk until the batter is smooth, then add the remainder of the beer, and mix well. In a separate bowl beat the egg whites until they form peaks but are not too firm. Using the whisk, combine them with the beer batter. Fold in the locust flower mixture. At serving time, preferably, put enough of the oil in a large saucepan so that it is about 1 inch deep in the pan. Heat to 375 degrees. Using a large spoon or a small measuring cup, pour about ⅓ cup of the batter into the hot oil. Repeat, cooking 4 or 5 fritters at a time in the oil. Cook the fritters for about 4 minutes on one side, then turn with tongs, and cook for 4 minutes on the other side. They should be crisp and nicely browned on both sides. Lift the fritters from the oil with a slotted spoon, and place them on a wire rack. Repeat, making additional fritters with the remaining batter. Dust with confectioners’ sugar before serving. NOTE: If cooking the fritters ahead, recrisp in a 425-degree oven for 5 to 6 minutes, or until crisp and hot, then dust with the confectioners’ sugar just before serving.
”
”
Jacques Pépin (The Apprentice: My Life in the Kitchen)
“
Smoked Trout Gloria YIELD: 4 SERVINGS GLORIA BECAME PASSIONATE about trout fishing when we lived in Hunter. She would go to the river at an ungodly early morning hour, usually with Pierre Larré, and arrive back home, wet and exhilarated, with a bunch of fresh trout at about 9:00 A.M., when I was getting up. She liked them best smoked and served with creamy scrambled eggs on buttered toast, a dish that is a welcome treat for breakfast, brunch, lunch, or even dinner. You can, of course, buy smoked trout, but we smoke our own. I first soak the trout for 2 hours in a brine made of 1 cup of kosher salt, 2 cups of water, and 2 tablespoons of sugar; then I wash and pat it dry. I spread a handful of hickory chips or sawdust in an old roasting pan and add some crumpled pieces of aluminum foil to the pan to support a wire rack, on which I arrange the trout. I cover the pan tightly with a large piece of foil and place it on a small electric burner over medium heat for 10 to 15 minutes, until the trout is golden. After it rests for an hour or so, I remove the skin and head, and the moist, fragrant flesh slides off the central bone. Smoked trout is best served lukewarm or at room temperature. 8 large eggs ½ teaspoon salt ½ teaspoon freshly ground black pepper 4 large slices country bread 4 tablespoons (½ stick) unsalted butter for cooking the eggs, plus extra for spreading on the toast 2 to 3 tablespoons cream or milk 4 smoked trout, 6 to 10 ounces each, with skin and head removed and the flesh separated from the bones Beat the eggs in a bowl, and add the salt and pepper. Toast the bread, and coat it with butter. Heat the 4 tablespoons of butter in a sturdy saucepan. When it is hot, add the eggs, and mix them gently and continuously with a whisk to create a creamy mixture with small curds. Keep cooking for about 2 minutes, until the eggs are thick and creamy but still slightly runny. Do not overcook. Remove the pan from the heat, and add a few tablespoons of the cream or milk to stop the cooking and keep the mixture from becoming too tight. Place a slice of toast on each of four plates, spoon the eggs on top, and surround with pieces of smoked trout. Serve immediately.
”
”
Jacques Pépin (The Apprentice: My Life in the Kitchen)
“
Gnocchi à la Romaine (ROMAN GNOCCHI) YIELD: 4 SERVINGS ATHOUGH MOST PEOPLE associate gnocchi with the Italian kitchen, gnocchi à la parisienne (little dumplings made with choux paste) and gnocchi à la romaine, made from semoule des blé dur, called semolina in Italian, were standards on the menu of Le Plaza Athénée. I still love semolina gnocchi and make them a few times a year for family and friends. They make a great starter to a meal and are just as good as an accompaniment with poultry or veal. 2 cups whole milk ¾ teaspoon salt ¼ teaspoon freshly ground black pepper Dash of grated nutmeg ½ cup semolina (granulated hard durum wheat flour) 2 large eggs 1 teaspoon good olive oil ¾ cup grated Comté or Gruyère cheese (2 ounces) ¼ teaspoon salt ¼ teaspoon freshly ground black pepper ½ cup heavy cream Bring 1¾ cups of the milk to a boil in a medium saucepan with the salt, pepper, and nutmeg. As soon as the milk boils, pour the semolina into it in a steady stream while mixing it in with a whisk. Reduce the heat to low, and cook for 1 to 2 minutes, stirring occasionally with the whisk. The mixture should be very thick and smooth. Meanwhile, break the eggs into a small bowl, add the remaining ¼ cup milk, and beat with a fork until smooth. Add to the semolina in the pan, and mix in well with a whisk. Cook and stir for about 30 seconds, until very thick. Set aside while you line a 9-×-6-inch baking dish with plastic wrap, so the ends overhang the sides of the dish. Pour the mixture into it, and using the plastic wrap liner, press on the dough so that it is about ¾ inch thick. Let cool. Preheat the oven to 425 degrees. Cut the cold gnocchi dough into 3-inch squares (you will have 6 squares), oil a gratin dish with the teaspoon of oil, and arrange the gnocchi in the dish, leaving a little space between them. Sprinkle the grated cheese, salt, and pepper on top, and bake for about 15 minutes, until lightly browned and hot. Remove from the oven, and move the oven shelf 6 to 8 inches from the heat source. Pour the cream over the gnocchi, and return the dish to the oven. Immediately switch the oven setting to broil, and broil the gnocchi for about 5 minutes, or until nicely browned on top. Serve.
”
”
Jacques Pépin (The Apprentice: My Life in the Kitchen)
“
Hot Chocolate Cupcakes A combination to die for – hot chocolate AND cupcakes! This recipe makes 14 cupcakes. Ingredients For the chocolate cupcakes: - ½ cup unsweetened natural cocoa powder - ¾ cup all-purpose flour - 1 teaspoon baking powder - ½ teaspoon baking soda - ¼ teaspoon salt - 2 large eggs at room temperature - ½ cup granulated sugar - ½ cup packed light brown sugar - ⅓ cup vegetable oil - 2 teaspoons pure vanilla extract - ½ cup buttermilk For the frosting: - ½ cup dry hot chocolate mix (with NO marshmallows) - ⅓ cup heavy cream - ¾ cup unsalted butter at room temperature - 3 – 3 ½ cups confectioners’ sugar Instructions Make the cupcakes Preheat oven to 350 degrees Fahrenheit (175 degrees Celsius). Line muffin time with cupcake liners. In a medium bowl, whisk together cocoa powder, flour, baking soda, baking powder and salt. Set aside. Beat together the eggs, sugar, brown sugar, vegetable oil and vanilla extract until combined. Alternate adding the dry ingredients and buttermilk to batter. The batter will be somewhat thin. Pour batter into the prepared cupcake tin. Fill each paper liner halfway. Bake for 18 minutes or until a toothpick inserted in the center comes out clean. Cool before frosting. Make the frosting In a small saucepan over medium heat, whisk together the hot cocoa mix and heavy cream. Heat for 5 minutes, stirring often, until warm. Remove from heat and cool for 20 minutes or until at room temperature. Beat the butter until smooth, about 1 minute. Add confectioners’ sugar and beat until combined, about 1 minute. With the mixer on low, slowly pour in hot cocoa mixture. Once combined, increase speed to medium-high and beat for 1 minute. For a thicker frosting, add more confectioners’ sugar. Transfer frosting to a pastry bag fitted with desired tip. Pipe frosting on to cupcakes and garnish with mini marshmallows.
”
”
D.E. Haggerty (Christmas Cupcakes and a Caper (Death by Cupcake #4))
“
White Chocolate Peppermint Cupcakes Don’t be a hater like Callie! While chocolate white may not be technically chocolate, it’s still yummy. Makes 28 cupcakes Ingredients For the peppermint cupcakes: - 3 cups cake flour - 1 ¾ cups sugar - 1 tablespoon baking powder - 1 teaspoon salt - 1 cup unsalted butter at room temperature cut into small cubes - 5 egg whites - 1 ¼ cup milk at room temperature - 1 tablespoon peppermint extract - 12 crushed candy canes For the White Chocolate Swirled Buttercream: - 1 cup unsalted butter at room temperature - 1 cup vegetable shortening - 8 cups confectioners’ sugar - 2 tablespoons vanilla extract - ¼ cup milk - 4.4 ounces (125 grams) good quality white chocolate - Red gel paste food color For the white chocolate ganache & decoration: - 6 ounces (170 grams) white chocolate - 2 ounces (57 grams) heavy cream - 28 soft peppermint candy balls Instructions Make the cupcakes Preheat oven to 350 degrees Fahrenheit (175 degrees Celsius) and line muffin tin with cupcake liners. Combine milk and peppermint extract. Set aside. Combine cake flour, sugar, baking powder, and salt in a bowl and mix on low for 2-3 minutes. Add butter a few cubes at a time and mix on low until mixture resembles coarse sand. Add egg whites and beat on medium until combined. Gradually add milk mixture and beat for 1-2 minutes until batter is smooth. Fold in crushed candy canes. Fill cupcake liners ¾ full. Bake for 16-18 minutes, or until toothpick inserted comes out with a few crumbs. Allow cupcakes to cool in the pan for 5 minutes, then remove to wire racks to finish cooling. Make the White Chocolate Buttercream Cream butter, vegetable shortening, and vanilla in bowl and mix on medium speed for 2 minutes until smooth. Reduce mixer speed to low and slowly add confectioners’ sugar 1 cup at a time while mixer is running. Once all the sugar is incorporated, add the milk and mix for 30 seconds. Melt white chocolate in microwave in 30-second intervals, stirring after each turn until melted. Incorporate melted chocolate into buttercream and mix until fluffy. Reserve ¼ cup buttercream and add a small amount of red color get to tint. Prepare a small piping bag with the red buttercream and snip the tip off. Prepare a large piping bag fitted with a large round tip. Streak the inside of the large piping bag with six stripes of red buttercream. Fill the rest of the bag with the White Chocolate Buttercream. Squeeze a swirled dollop of buttercream on top of each cupcake. Place cupcakes in the refrigerator to chill while preparing the ganache. Make the White Chocolate Ganache and Assemble Combine cream and white chocolate in bowl and heat on 30-second intervals, stirring after each turn, for about 1 minute. Stir until chocolate melts, allow to cool and thicken slightly for five minutes. Transfer to a squeeze bottle and drizzle ganache on top of buttercream. Garnish each cupcake with a peppermint candy.
”
”
D.E. Haggerty (Christmas Cupcakes and a Caper (Death by Cupcake #4))
“
She stepped forward, until the distance between them evanesced and he could see the freckles fanning across her nose. Jack drew in a sharp breath, because there was fire in her eyes, and he was captivated by it, as well as slightly fearful of such heat. Especially when she raised a fist at him.
“You foolish”— she shoved him once with her hands— “insufferable “— then nudged him again, just over his pounding heart— infuriating bard!” She pushed him a third time, forcing Jack to take a step back.
Fury spun from fear, he realized as he saw tears well up in her eyes. And he would gladly let her pound her fists on his chest if she needed to. She could call him whatever she felt like, because he was with her and that was all that mattered to him. He was breathing the same air as her, standing in the same moment with her.
Jack waited for her to shove him again, welcoming her to do so with his eyes and his hands, held palms up at his sides.
Yes, let it all go, Adaira, he thought, waiting. Let yourself unravel with me.
“I almost watched you die!” she shouted at him, and this time her fist pounded her own chest. Once, twice. A third time. As if she needed to command her own heart to keep beating
”
”
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
“
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.”
I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion.
“Oh sweet onion balls!” she gasped as she rushed towards us.
“Congratulations!” I said enthusiastically as I placed the medal over her head.
She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears.
“And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon.
The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration.
A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him.
Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all...
Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them.
The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget.
I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again.
The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own.
“Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone.
“Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond.
I frowned at him but his gaze was locked on Quentin.
To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?”
I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap.
“Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.”
Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.”
Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground.
Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me.
Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them.
“Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
She stepped forward, until the distance between them evanesced and he could see the freckles fanning across her nose. Jack drew in a sharp breath, because there was fire in her eyes, and he was captivated by it, as well as slightly fearful of such heat. Especially when she raised a fist at him.
“You foolish”— she shoved him once with her hands— “insufferable “— then nudged him again, just over his pounding heart— infuriating bard!” She pushed him a third time, forcing Jack to take a step back.
Fury spun from fear, he realized as he saw tears well up in her eyes. And he would gladly let her pound her fists on his chest if she needed to. She could call him whatever she felt like, because he was with her and that was all that mattered to him. He was breathing the same air as her, standing in the same moment with her.
Jack waited for her to shove him again, welcoming her to do so with his eyes and his hands, held palms up at his sides.
Yes, let it all go, Adaira, he thought, waiting. Let yourself unravel with me.
“I almost watched you die!” she shouted at him, and this time her fist pounded her own chest. Once, twice. A third time. As if she needed to command her own heart to keep beating.
”
”
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))