Battle Los Angeles Quotes

A menudo anhelo huir del rugido y el artificio moderno, pero es imposible, pues las doradas arenas del pasado han corrido para siempre.

The Serzone is a gift from God that frees her from the immobilising depression that would otherwise surround her and seep into her body like a poisonous fog. The drug distances the depression from her, although it is never out of sight. ... The depression she battles is not the newly acquired symptom of a young woman now living in Los Angeles on her own. It was first set in the bow in Vermont, where she grew up, and fired as a companion arrow that has travelled with her ever since.

For at the beginning of the twentieth century, the nation had been struggling to find its way. Terror had raged, a second civil war had threatened to split the nation into new feuding armies, and the inequities of industrial life had brutalized too many lives. Three men who were caught up in those traumatic times, shaped by them, found with their talents, energy, and ideals a way out of it, both for themselves and for the nation. Darrow, Billy, D.W. were all flawed - egotists, temperamental, and too often morally complacent. But as their careers and lives intersected in Los Angeles at the tail end of the first decade of the twentieth century, each in his own way helped to move America into the modern world. They were individuals willing to fight for their beliefs; and the legacy of their battles, their cultural and political brawls, remains part of our national consciousness.

According to the L.A. news, the explosion at the Santa Monica beach had been caused when a crazy kidnapper fired a shotgun at a police car. He accidentally hit a gas main that had ruptured during the earthquake. This crazy kidnapper (a.k.a. Ares) was the same man who had abducted me and two other adolescents in New York and brought us across country on a ten-day odyssey of terror. Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.

Now it is time to turn our attention to the other side of the ledger. What do we mean when we call something a disadvantage? Conventional wisdom holds that a disadvantage is something that ought to be avoided—that it is a setback or a difficulty that leaves you worse off than you would be otherwise. But that is not always the case. In the next few chapters, I want to explore the idea that there are such things as “desirable difficulties.” That concept was conceived by Robert Bjork and Elizabeth Bjork, two psychologists at the University of California, Los Angeles, and it is a beautiful and haunting way of understanding how underdogs come to excel.

In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.

They had assumed the attack would be just another barely noted, barely investigated skirmish in South Central-- in short, a typical gang case-- until word got back to them that they had killed a police officer's son. The case was eminently solvable-- once the right kind of pressure was applied. Lyle Prideaux had called Skaggs "a hard man." But he was not exactly hard. He as just unequivocal. In his hands, the murders were elevated in law to what they were in fact: Atrocities that must be answered for every single time. The world wasn't watching. The public, his superiors, and a large share of the country's thinking classes gave only glancing notice to the battle Skaggs had devoted his life to. But Skaggs didn't care; Skaggs turned his back to the parade. And just as it is impossible to imagine that things in the South would not have been different if the legal system had operated differently-- had black men's lives, for example, been afforded profound value as measured by the response of legal authorities-- it is impossible to imagine that the thousands of young men who died on the streets of Los Angeles County during Skaggs's career would have done so had their killers anticipated a "John Skaggs Special" in every case. If every murder and every serious assault against a black man on the streets were investigated with Skaggs's ceaseless vigor and determination-- investigated as if one's own child were the victim, or as if we, as a society, could not bear to lose these people-- conditions would have been different. If the system had for years produced the very high clearance rates that Skaggs was so sure were possible-- if it did not function, in the aggregate, as a "forty percenter"-- the violence could not have been so routine. The victims would not have been so anonymous, and Bryant Tennelle might not have died in the nearly invisible, commonplace way in which he did.

Named chief in 1978, Daryl Gates entered office with a choice: to buck the headwinds of America’s social revolution, or to try to accommodate it. His decision was never in doubt. The son of an alcoholic and absentee father, Gates was raised in abject poverty in Glendale—a small city adjacent to Los Angeles—during the 1930s and ’40s. It was a time when L.A., sans Hollywood, was still Peoria with Palms, still a city that billed itself as America’s pure “White Spot,” still a place where a mainstream mayoral candidate would proudly declare Los Angeles “the last stand of native-born Protestant Americans.” Though

On the ground in L.A.’s black neighborhoods, the LAPD acted as if it were an army of occupation. L.A.’s black population had skyrocketed from 62,000 in 1940 to 170,000 by 1950. Just fifteen years later, as the Watts Riots shocked L.A., Bill Parker would make the case for his army on a local television show. “It is estimated that by 1970, 45 percent of Los Angeles will be Negro,” said Parker. “If you want any protection for your home and family . . . you’re going to have to support a strong police department. If you don’t, God help you.” The

His fur caught on fire, and then he started running around like Steve Balmer during a Los Angeles Clippers rally. "Burn, baby burn!

One clear lesson from American history is that while the voices resistant to change may win delaying battles in politics, they cannot indefinitely hold back the future.

Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.

off from the same line, they were scattered peacefully across the globe for centuries, each mostly disregarding the others. But in the Middle Ages, the witches, who by nature did the most interacting with normal humans, began to be discovered. And then persecuted, and tortured, and murdered. Their leaders went to the vampires and the wolves and begged for help, but both groups turned away, the vampires from apathy and the wolves from fear of meeting the same fate. Wolves are pack animals, and look after their pack before anything else. So the witches did the only thing they could: they looked to strengthen their magic. They didn’t know about evolution and magical lines back then, but during their research, the witches managed to stumble upon a group of plants that magic had bonded itself to, just like the human conduits. They were known as nightshades: belladonna, mandragora, Lycium barbarum (which also became known as wolfberry), tomatillo, cape gooseberry flower, capsicum, and solanum. The entire subspecies was rife with magic. The latter four plants could be used in hundreds of charms and potions, many of which helped the witches to deter the human persecutors. But the former three plants were unique; they interacted with the remaining magical beings in mystifying ways. Belladonna was poisonous to vampires—it took unbelievable amounts to actually kill them, but even a sprinkle of the plant would work as a paralytic. Proximity to wolfberry caused the shifters to lose control, painfully unable to stop from changing, again and again, which was very dangerous to anyone nearby. And mandragora, also called mandrake, was the key ingredient in a spell that could grant a very powerful witch the ability to communicate between living and dead. Which is how I ended up disposing of that naked guy’s body in Culver City, all those years ago. This discovery was your classic Pandora’s box scenario. A small group of witches, furious that the vampires and the wolves had abandoned them during their darkest time, began to use wolfberry and belladonna against them—sometimes without much provocation. The balance of power shifted once again, and while the witches’ discovery didn’t cause a full-out war, it did spawn thousands of skirmishes, minor battles breaking out between the three major factions. Eventually, the use of those herbs was “outlawed” in the Old World, but it was done the way that marijuana has been outlawed in the US—basically, don’t get caught. The witches are always arguing about this among themselves; some of them think it should be open season, and others think the ban should be more strictly enforced. But while they may not be able to pull together a majority vote, in Los Angeles Kirsten has organized the witches into sort of an informal union. I know it sounds crazy, but if actors and directors can have unions in this town, why not witches? As I understand it, the real benefit to joining the union is access: to chat rooms, newsletters, support groups, spell sessions—and me. The witches’ dues pay Kirsten a small salary, and she uses the rest to organize the network and pay me. There are plenty of “non-union” witches in LA, too, ones who either haven’t