“
...In the summer New York was the only place in which one could escape from New Yorkers...
”
”
Edith Wharton
“
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (The Art of Racing in the Rain)
“
I close my eyes. An image flashes—emerging from the van with Julian after our escape from New York City; believing, in that moment, that we had escaped the worst, that life would begin again for us.
Instead life has only grown harder.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when’s the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q—but really, it’s just construction and traffic and iPhones and humidity.
”
”
Becky Albertalli (What If It's Us (What If It's Us #1))
“
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.
”
”
Neil Gaiman
“
I’m in favor of hiding in your chamber for the remainder of the week.” A smile twitched across his lips as I raised a brow. “Drinking, kissing, debauching ourselves until we arrive in New York.” He sighed dreamily. “You must admit, we’d be safe from the murderer. Deliriously happy. And both of those options are much better than standing over cadavers.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
“
ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.
”
”
Wallace Shawn (My Dinner With André)
“
Think Snake Plissken. You know…Escape From New York? You do this job, and if you don’t fuck it up, we let you live. (Joe)
Yeah, I’ve seen that movie. At the end they try to kill him anyway. (Steele)
Good, then you’re already acquainted with our methods. Saves me a lot of training time and you a low of surprises. (Joe)
”
”
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
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This was getting uglier by the minute, I thought. There really was no easy escape, since we were sitting far from the exit and the waiters knew me from prior dinner dates with Ashley and I hadn't paid the tab yet.
From: "My Worst Valentine's Day.Ever: a Short Story
”
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Zack Love (Stories and Scripts: an Anthology)
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The ultimate test of a great team is results. And considering that tens of thousands of people escaped from the World Trade Center towers in New York City and the Pentagon in Washington, D.C., there can be no doubt that the teams who risked, and lost, their lives to save them were extraordinary.
”
”
Patrick Lencioni (The Five Dysfunctions of a Team: A Leadership Fable)
“
The hardest thing to convey is how lovely it all is and how that loveliness seems all you need. The ghosts that haunted you in New York or Pittsburgh will haunt you anywhere you go, because they’re your ghosts and the house they haunt is you. But they become disconcerted, shaken confused for half a minute, and in that moment on a December at four o’clock when you’re walking from the bus stop to the rue Saint-Dominique and the lights are twinkling across the river–only twinkling in the bateaux-mouches, luring the tourists, but still…–you feel as if you’ve escaped your ghosts if only because, being you, they’re transfixed looking at the lights in the trees on the other bank, too, which they haven’t seen before, either. It’s true that you can’t run away from yourself. But we were right: you can run away.
”
”
Adam Gopnik (Paris to the Moon)
“
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein
“
I want more from life.
I want to travel, see the world, and meet different kinds of people. I don’t want to stay locked in a small country, living my life halfheartedly the way society expects me to live it. I want to experience things and live to the fullest so I won’t have any regrets.
I want more, so much more than they do, and they simply can’t understand it.
”
”
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
“
The New York power failure was not the first time the Hell's Angels have confounded the forces of decency and got off scot-free. They are incredibly devious. Law enforcement officials have compared their guile to that of the snipe, a wily beast that many have seen but few have ever trapped. This is because the snipe has the ability to transform himself, when facing capture, into something entirely different. The only other animals capable of this are the werewolf and the Hell's Angel, which have many traits in common. The physical resemblance is obvious, but far more important is the transmogrification factor, the strange ability to alter their own physical structure, and hence "disappear." The Hell's Angels are very close-mouthed about this, but it is a well-known fact among public officials. ... About halfway through our talk I got a strong whiff of the transmogrification factor, but I was hardly prepared for the mayor's special fillip on it. There were plenty of Hell's Angels at the riot, "but they escaped, " he explained, "behind a wall of fire." While he elaborated on this I checked my calendar to make sure I hadn't lost track of the days. If it was Sunday, perhaps he had just come back from church in a high, biblical state of mind. At any moment I expected to hear that the Angels had driven their motorcycles straight into the sea, which had rolled back to let them pass. But no, it wasn't like that. The mayor was not loath to give details of the escape; he wanted law enforcement agencies everywhere to be warned of the Angels' methods. Knowledge is power, he opined.
”
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Hunter S. Thompson (Hell's Angels)
“
I don't know. Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when's the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q--but really, it's just construction and traffic and iPhones and humidity. They might as well write musicals about Milton, Georgia. We'd open with a ballad: 'Sunday at the Mall.' And then 'I Left My Heart at Target,' If Ethan were here, he'd have the whole libretto written by the time we stepped out of the car.
”
”
Becky Albertalli (What If It's Us (What If It's Us, #1))
“
I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map...Does anyone come to New York clean? I’m afraid not….Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-de-sacs? Morning of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitely forward...Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.
”
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Stephanie Danler (Sweetbitter)
“
I begin to understand that failure is its own reward. It is in the effort to close the distance between the work imagined and the work achieved wherein it is to be found that the ceaseless labor is the freedom of play, that what's at stake isn't a reflection in the mirror of fame but the escape from the prison of the self.
”
”
Lewis H. Lapham
“
The South Pacific was once the playground for ship-sick European sailors. Then it became the roistering barricade of the last great pirates. Next it was the longed-for escape from the canyons of New York. Then the unwilling theatre for an American military triumph. But now it has become the meeting ground for Asia and America.
”
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James A. Michener (Return to Paradise)
“
Interestingly, it’s possible that practices related to the observance of Passover helped to protect Jewish neighborhoods from the plague. Passover is a week-long holiday commemorating Jews’ escape from slavery in Egypt. As part of its observance, Jews do not eat leavened bread and remove all traces of it from their homes. In many parts of the world, especially Europe, wheat, grain, and even legumes are also forbidden during Passover. Dr. Martin J. Blaser, a professor of internal medicine at New York University Medical Center, thinks this “spring cleaning” of grain stores may have helped to protect Jews from the plague, by decreasing their exposure to rats hunting for food—rats that carried the plague.
”
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Sharon Moalem (Survival of the Sickest: A Medical Maverick Discovers Why We Need Disease)
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The world we carry inside us produces answers, sometimes. A way of escape. A flight from reality. You didn’t want to live either in London or New York. The fourteenth century made an exciting, if someone gruesome, antidote to both. The trouble is that daydreams, like hallucinogenic drugs, become addictive; the more we indulge, the deeper we plunge, and then, as I said before, we end in the loony-bin.
”
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Daphne du Maurier (The House on the Strand)
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He had been the one to set the course of their lives by migrating to New York before they were born. The parts of the city that black migrants could afford—Harlem, Bedford-Stuyvesant, the Bronx—had been hard and forbidding places to raise children, especially for some of the trusting and untutored people from the small-town South. The migrants had been so relieved to have escaped Jim Crow that many underestimated or dared not think about the dangers in the big cities they were running to—the gangs, the guns, the drugs, the prostitution. They could not have fully anticipated the effects of all these things on children left unsupervised, parents off at work, no village of extended family to watch over them as might have been the case back in the South. Many migrants did not recognize the signs of trouble when they surfaced and so could not inoculate their children against them or intercede effectively when the outside world seeped into their lives.
”
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Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
“
If anyone seriously thinks by going natural, he will be escaping The Establishment, finally getting away from The Man and from the clutches of the good corporations, I have a bit of bad news. The corporations are way ahead of you. There are high-powered boards sitting around half-an-acre mahogany tables on the thirty-third floors of skyscrapers in New York City, and they are meeting right this minute, and they are making decisions on the marketing of the ponderosa pine bark chips, lightly salted. If you slice them thin enough, they approach being edible
”
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Douglas Wilson (Confessions of a Food Catholic)
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Most of the crime-ridden minority neighborhoods in New York City, especially areas like East New York, where many of the characters in Eric Garner’s story grew up, had been artificially created by a series of criminal real estate scams.
One of the most infamous had involved a company called the Eastern Service Corporation, which in the sixties ran a huge predatory lending operation all over the city, but particularly in Brooklyn.
Scam artists like ESC would first clear white residents out of certain neighborhoods with scare campaigns. They’d slip leaflets through mail slots warning of an incoming black plague, with messages like, “Don’t wait until it’s too late!” Investors would then come in and buy their houses at depressed rates. Once this “blockbusting” technique cleared the properties, a company like ESC would bring in a new set of homeowners, often minorities, and often with bad credit and shaky job profiles. They bribed officials in the FHA to approve mortgages for anyone and everyone. Appraisals would be inflated. Loans would be approved for repairs, but repairs would never be done.
The typical target homeowner in the con was a black family moving to New York to escape racism in the South. The family would be shown a house in a place like East New York that in reality was only worth about $15,000. But the appraisal would be faked and a loan would be approved for $17,000. The family would move in and instantly find themselves in a house worth $2,000 less than its purchase price, and maybe with faulty toilets, lighting, heat, and (ironically) broken windows besides. Meanwhile, the government-backed loan created by a lender like Eastern Service by then had been sold off to some sucker on the secondary market: a savings bank, a pension fund, or perhaps to Fannie Mae, the government-sponsored mortgage corporation.
Before long, the family would default and be foreclosed upon. Investors would swoop in and buy the property at a distressed price one more time. Next, the one-family home would be converted into a three- or four-family rental property, which would of course quickly fall into even greater disrepair.
This process created ghettos almost instantly. Racial blockbusting is how East New York went from 90 percent white in 1960 to 80 percent black and Hispanic in 1966.
”
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Matt Taibbi (I Can't Breathe: A Killing on Bay Street)
“
The stories we read in books, what's presented to us as being interesting - they have very little to do with real life as it's lived today. I'm not talking about straight-up escapism, your vampires, serial killers, codes hidden in paintings, and so on. I mean so-called serious literature. A boy goes hunting with his emotionally volatile father, a bereaved woman befriends an asylum seeker, a composer with a rare neurological disorder walks around New York, thinking about the nature of art. People looking back over their lives, people having revelations, people discovering meaning. Meaning, that's the big thing. The way these books have it, you trip over a rock you'll find some hidden meaning waiting there. Everyone's constantly on the verge of some soul-shaking transformation. And it's - if you'll forgive my language - it's bullshit. Modern people live in a state of distraction. They go from one distraction to the next, and that's how they like it. They don't transform, they don't stop to smell the roses, they don't sit around recollecting long passages of their childhood - Jesus, I can hardly remember what I was doing two days ago. My point is, people aren't waiting to be restored to some ineffable moment. They're not looking for meaning. That whole idea of the novel - that's finished.
”
”
Paul Murray (The Mark and the Void)
“
Girls and young women are also starving because the women’s
movement changed educational institutions and the workplace enough
to make them admit women, but not yet enough to change the maleness
of power itself. Women in “coeducational” schools and colleges are still
isolated from one another, and admitted as men manqué. Women’s
studies are kept on the margins of the curriculum, and fewer than 5
percent of professors are women; the worldview taught young women
is male. The pressure on them is to conform themselves to the masculine
atmosphere. Separated from their mothers, young women on campus
have few older role models who are not male; how can they learn how
to love their bodies? The main images of women given them to admire
and emulate are not of impressive, wise older women, but of girls their
own age or younger, who are not respected for their minds. Physically,
these universities are ordered for men or unwomaned women. They
are overhung with oil portraits of men; engraved with the rolling names
of men; designed, like the Yale Club in New York, which for twenty
years after women were admitted had no women’s changing room, for
men. They are not lit for women who want to escape rape; at Yale,
campus police maps showing the most dangerous street corners for
rape were allegedly kept from the student body so as not to alarm
parents. The colleges are only marginally concerned with the things
that happen to women’s bodies that do not happen to the bodies of the
men. Women students sense this institutional wish that the problems
of their female bodies would just fade away; responding, the bodies
themselves fade away.
”
”
Naomi Wolf (The Beauty Myth)
“
I was delighted to hear that a number of people returned to see Orphée (as much as five or six times), to the amazement of the managements. This is significant, for the cinema is usually regarded as a place where one drops in for a little entertainment as one would for a glass of beer.
This is why film societies, those Courts of Appeal, have so important a part to play, and why they deserve all the support we can give them. This is why I accepted nomination as President of the fédération des Cinéclubs. But, alas, even film societies are sometimes unable to retrieve old films, which the industrial squall sweeps away in order to clear a space for new ones. We had imagined that great actresses like Greta Garbo would be granted the privilege which was denied to a Rachel or a Sarah Bernhardt. But we were wrong. Today it is impossible to show Garbo in The lady of the Camelias for instance, to the young people who could not see the film when it came out, for all the copies have been meticulously destroyed. The lady of the Camelias is to be remade with new stars and new methods, using all the latest technical inventions, colour, three dimensions, and what not. It is a real disaster. Mrs B., the head of the new York Film Library, finds herself confronted with the same difficulties as Langlois of the Cinémathèque française whenever she endeavours to save a film from oblivion. She finds that she cannot obtain a single copy. Chaplin alone escapes that terrible destruction, because he is his own firm and consequently would not fall victim to the perpetual clearing.
It is none the less true that fabulous sums are demanded for the showing of any one of his films, and if his very early films are still available it is because the present destructive legislation had not come into force when they were made. This is why René Clair demands the passing of a law of copyright deposit.
”
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Jean Cocteau (Cocteau on the Film)
“
the foot of the downhill Eighties lay the Hudson, as dense as mercury. On the points of radio towers in New Jersey red lights like small hearts beat or tingled. In midstreet, on the benches, old people: on faces, on heads, the strong marks of decay: the big legs of women and blotted eyes of men, sunken mouths and inky nostrils. It was the normal hour for bats swooping raggedly (Ludeyville), or pieces of paper (New York) to remind Herzog of bats. An escaped balloon was fleeing like a sperm, black and quick into the orange dust of the west. He crossed the street, making a detour to avoid a fog of grilled chicken and sausage. The crowd was traipsing over the broad sidewalk. Moses took a keen interest in the uptown public, its theatrical spirit, its performers—the transvestite homosexuals painted with great originality, the wigged women, the lesbians looking so male you had to wait for them to pass and see them from behind to determine their true sex, hair dyes of every shade.
”
”
Saul Bellow (Herzog)
“
It might be useful, she reminds herself, not to panic here. She imagines herself solidifying into not exactly a pillar of salt, something between that and a commemorative statue, iron and gaunt, of all the women in New York who used to annoy her standing by the curbsides “hailing a taxi,” though no taxis might be visible for ten miles in any direction—nevertheless holding their hand out toward the empty street and the oncoming traffic that isn’t there, not beseechingly but in a strangely entitled way, a secret gesture that will trigger an all-cabbie alert, “Bitch standing at corner with hand up in air! Go! Go!” Yet here, turning into some version of herself she doesn’t recognize, without deliberation she watches her own hand drift out into the wind off the river, and tries from the absence of hope, the failure of redemption, to summon a magical escape. Maybe what she saw in those women wasn’t entitlement, maybe all it is really is an act of faith. Which in New York even stepping out onto the street is, technically.
”
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Thomas Pynchon (Bleeding Edge)
“
Or maybe just his desire to escape the darkness, which in some way reminded him of his childhood and adolescence. At some point in between childhood and adolescence, he thought, he had dreamed of this landscape or one like it, less dark, less desertlike. He was in a bus with his mother and one of his mother’s sisters and they were taking a short trip, from New York to a town near New York. He was next to the window and the view never changed, just buildings and highways, until suddenly they were in the country. At that exact moment, or maybe earlier, the sun had begun to set and he watched the trees, a small wood, though in his eyes it looked bigger. And then he thought he saw a man walking along the edge of the little wood. In great strides, as if he didn’t want night to overtake him. He wondered who the man was. The only way he could tell it was a man and not a shadow was because he wore a shirt and swung his arms as he walked. The man’s loneliness was so great, Fate remembered, that he wanted to look away and cling to his mother, but instead he kept his eyes open until the bus was out of the woods, and buildings, factories, and warehouses once again lined the sides of the road. The valley he was crossing was lonelier now, and darker. He saw himself striding along the roadside. He shivered. Then he remembered the urn holding his mother’s ashes and the neighbor’s cup that he hadn’t returned, the coffee infinitely cold now, and his mother’s videotapes that no one would ever watch again. He thought about stopping the car and waiting until the sun came up.
”
”
Roberto Bolaño (2666)
“
Years before he had said and meant, “Fuck the niggers”—he had seen too many of his friends swallowed up in bitterness, and he wanted to escape, not drown. But now there was no escape and he was in the awful position of seeing his children grow toward that moment when they would know, would be shown, told, that they were niggers and not human beings. Because no matter how Billy twisted and dodged his way through life he could not get away from the central fact of his existence; whether he liked it or not, he was black, and there was nothing he could do about it, no action he could take without first thinking about it. It was just there. He could not love it or fight it or be proud of it, it was just there. He could not even hate it any more. His children were beautiful; how could anybody be so cruel? They were so affectionate and full of joy, so eager and innocent; why did somebody have to come along and with one stiff, ugly word, cut the innocence out of them? From the moment they understood that word they would proceed through life half-murdered of their ability to love; the moment their eyes became wary they would cease to be children, and Billy was certain that he himself would not love them so much. It might have been better, he thought with bitterness, if they had not been born at all; and then he saw them in his mind and knew that he could not stand their nonexistence; life without them would be life without life. And some day, a white kid, innocent himself, would tell them who they were, and there would be no path for Billy’s rage, no one for him to murder, only the emptiness of despair and frustration as he saw the hurt eyes of his children.
”
”
Don Carpenter (Hard Rain Falling (New York Review Books Classics))
“
Let me put the contrast in a single concrete example. The physician who finds time to give personal attention to his patients and listens to them. carefully probing inner conditions that may be more significant than any laboratory reports, has become a rarity. Where the power complex is dominant, a visit to a physician is paced, not to fit the patient's needs, but mainly to perform the succession of physical tests upon which the diagnosis will be based. Yet if there were a sufficient number of competent physicians on hand whose inner resources were as available as their laboratory aids, a more subtle diagnosis might be possible, and the patient's subjective response might in many cases effectively supplement the treatment. Thoreau expressed this to perfection when he observed in his 'Journal' that "the really efficient laborer will be found not to crowd his day with work, but will saunter to his task surrounded by a wide halo of ease and leisure."
Without this slowing of the tempo of all activities the positive advantages of plenitude could not be sufficiently enjoyed; for the congestion of time is as threatening to the good life as the congestion of space or people, and produces stresses and tensions that equally undermine human relations. The inner stability that such a slowdown brings about is essential to the highest uses of the mind, through opening up that second life which one lives in reflection and contemplation and self-scrutiny. The means to escape from the "noisy crowing up of things and whatsoever wars on the divine" was one of the vital offerings of the classic religions: hence their emphasis was not on technological productivity but on personal poise. The old slogan of New York subway guards in handling a crush of passengers applies with even greater force to the tempo of megatechnic society: "What's your hurry...Watch your step!
”
”
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
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Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
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Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
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Praise for THIS TENDER LAND “If you liked Where the Crawdads Sing, you’ll love This Tender Land by best-selling author William Kent Krueger. This story is as big-hearted as they come.” —Parade Magazine “If you’re among the millions who raced through Where the Crawdads Sing this year and are looking for another expansive, atmospheric American saga, look to the latest from Krueger.” —Entertainment Weekly “Rich with graceful writing and endearing characters… this is a book for the ages.” —The Denver Post “There are very few books (or movies, for that matter) that you can describe as ‘epic.’ But This Tender Land is just that.… This story will make you look at the world from a variety of viewpoints, as you watch these lost souls befriend one another in order to form their own unbreakable family unit.” —Suspense Magazine “[The characters’] adventures are heartstirring and their view of our complex nation, in particular the upper Midwest, is encyclopedic, if an encyclopedia could stir your heart as well as your brain.” —Sullivan County Democrat “Reminiscent of Huck and Jim and their trip down the Mississippi, the bedraggled youngsters encounter remarkable characters and learn life lessons as they escape by canoe down the Gilead River in Minnesota.” —Bookpage “Long, sprawling, and utterly captivating, readers will eat up every delicious word of it.” —New York Journal of Books “Krueger has crafted an American saga, epic in scope, a glorious and grand adventure that speaks of the heart and history of this country.” —Addison Independent (Vermont) “More than a simple journey; it is a deeply satisfying odyssey, a quest in search of self and home. Richly imagined and exceptionally well plotted and written, the novel is, most of all, a compelling, often haunting story that will captivate both adult and young adult readers.” —Booklist “Absorbing and wonderfully paced, this fictional narrative set against historical truths mesmerizes the reader with its evocations of compassion, courage, and self-discovery.… This Tender Land is a gripping, poignant tale swathed in both mythical and mystical overtones.” —Bob Drury, New York Times bestselling author of The Heart of Everything That Is “This Tender Land is a moving portrait of a time and place receding from the collective memory, but leaving its mark on the heart of what the nation has become.” —CrimeReads
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William Kent Krueger (This Tender Land)
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But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.
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Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
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I have been frequently asked how I felt when I found myself in a free State. I have never been able to answer the question with any satisfaction to myself. It was a moment of the highest excitement I ever experienced. I suppose I felt as one may imagine the unarmed mariner to feel when he is rescued by a friendly man-of-war from the pursuit of a pirate. In writing to a dear friend, immediately after my arrival at New York, I said I felt like one who had escaped a den of hungry lions. This state of mind, however, very soon subsided; and I was again seized with a feeling of great insecurity and loneliness. I was yet liable to be taken back, and subjected to all the tortures of slavery. This in itself was enough to damp the ardor of my enthusiasm. But the loneliness overcame me. There I was in the midst of thousands, and yet a perfect stranger; without home and without friends, in the midst of thousands of my own brethren--children of a common Father, and yet I dared not to unfold to any one of them my sad condition. I was afraid to speak to any one for fear of speaking to the wrong one, and thereby falling into the hands of money-loving kidnappers, whose business it was to lie in wait for the panting fugitive, as the ferocious beasts of the forest lie in wait for their prey. The motto which I adopted when I started from slavery was this--"Trust no man!" I saw in every white man an enemy, and in almost every colored man cause for distrust. It was a most painful situation; and, to understand it, one must needs experience it, or imagine himself in similar circumstances. Let him be a fugitive slave in a strange land--a land given up to be the hunting-ground for slaveholders--whose inhabitants are legalized kidnappers--where he is every moment subjected to the terrible liability of being seized upon by his fellowmen, as the hideous crocodile seizes upon his prey!--I say, let him place himself in my situation--without home or friends--without money or credit--wanting shelter, and no one to give it-- wanting bread, and no money to buy it,--and at the same time let him feel that he is pursued by merciless men-hunters, and in total darkness as to what to do, where to go, or where to stay,--perfectly helpless both as to the means of defence and means of escape,--in the midst of plenty, yet suffering the terrible gnawings of hunger,--in the midst of houses, yet having no home,--among fellow-men, yet feeling as if in the midst of wild beasts, whose greediness to swallow up the trembling and half-famished fugitive is only equalled by that with which the monsters of the deep swallow up the helpless fish upon which they subsist,--I say, let him be placed in this most trying situation,--the situation in which I was placed, --then, and not till then, will he fully appreciate the hardships of, and know how to sympathize with, the toil-worn and whip-scarred fugitive slave.
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Frederick Douglass (Narrative of the Life of Frederick Douglass)
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How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10
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Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
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Born into slavery in Ulster County, New York, in the last years of the eighteenth century, Sojourner Truth escaped from bondage and became a stirring advocate for abolition and for the rights of women. Sojourner Truth, Elizabeth Cady Stanton, Frederick Douglass: Their voices, articulating the feelings of innumerable others, ultimately prevailed in the causes of emancipation and of suffrage. It took presidential action to make things official—a Lincoln to free the slaves, a Wilson to support the women’s suffrage amendment, a Lyndon Johnson to finish the fight against Jim Crow—but without the voices from afar, there would have been no chorus of liberty. The lesson: The work of reformers—long, hard, almost unimaginably difficult work—can lead to progress and a broader understanding of who is included in the phrase “We, the People” that opened the Preamble of the Constitution. And that work unfolds still.
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Jon Meacham (The Soul of America: The Battle for Our Better Angels)
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How to become the President of Liberia from “Liberia & Beyond”
In 1973, Charles Taylor enrolled as a student at Bentley University, in Waltham, Massachusetts. A year later Taylor became chairman of the Union of Liberian Associations in America, which he founded on July 4, 1974. The mission of ULAA was meant to advance the just causes of Liberians and Liberia at home and abroad. In 1977 Taylor graduated from Bentley University with a Bachelor of Arts degree in economics.
Returning to Liberia he supported the violent coup, led by Samuel Doe, and became the Director General of the General Services Agency most likely because of his supposed loyalty. His newly acquired elevated position put him in charge of all the purchases made for the Liberian government. Taylor couldn’t resist the urge of stealing from the till, and in May of 1983, he was found out and fired for embezzling nearly a million dollars in State funds. During this time he transferred his ill-gotten money to a private bank account in the United States. On May 21, 1984, seizing the opportunity, Taylor fled to America where he was soon apprehended and charged with embezzlement by United States Federal Marshals in Somerville, Massachusetts. Taylor was held in the Plymouth, County jail until September 15, 1985, when he escaped with two of his cohorts, by sawing through the steel bars covering a window in his cell. He precariously lowered himself down 20 feet of knotted sheets and then deftly escaped into the nearby woodlands. He most likely had accomplices, since his wife Jewel Taylor conveniently met him with a car, which they then drove to Staten Island in New York City.
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Hank Bracker
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Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die.
So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right).
Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce?
Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins.
Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall.
He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it.
That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
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Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
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CHRIS GRABENSTEIN is the coauthor (with James Patterson) of the number one New York Times bestseller I Funny.
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Chris Grabenstein (Escape from Mr. Lemoncello's Library (Mr. Lemoncello's Library, #1))
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There was a summer-long gap between me and all the stuff that was supposed to happen next; I now saw, nested within that gap, possibilities without number. Infinite futures. I am a musician on a stage somewhere, my instrument singing in tones so universal that the masses howl their accord in places near and far. Reseda, New York, Japan; or else I escape through a bedroom window three minutes from now and careen through the streets, crazed, lost, locked inside the person in whose image I have remade myself; or I am no one, driving a delivery van carrying boxes of electronics from nowhere to no place, the road empty before me by day, shared by headless headlights after dark, beams increasing briefly and then gone, beyond, somewhere off in the cross-traffic, catchable in the rearview if I dare. I thrive. I fail to thrive. I fall. I rise. Too many. Too late. Not that, not those, not these: this.
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John Darnielle (Wolf in White Van)
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On 3 July, the New York Times ran a story from its correspondent in Geneva, headlined ‘Inquiry Confirms Nazi Death Camps’,
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Jonathan Freedland (The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World)
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Reid escaped eight days ago from Crosshill Psychiatric Hospital in New York State, where she was an inmate. ‘Connecticut police have warned people not to approach Reid, who is considered a danger both to the public and to herself.
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Sarah Alderson (The Cabin in the Woods)
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the Jewish Agency and they had agreed to allocate from the next immigrant ship twenty-four Moroccans to Kibbutz Makor for work at the dig. “They’ll be pretty rough diamonds,” Eliav warned. “No English. No education.” “If they speak Arabic I can handle them,” Tabari assured the leaders, and two nights later the team went to greet the large ship that plied monotonously back and forth across the Mediterranean hauling Jewish immigrants to Israel. “Before we go aboard,” Eliav summarized, “I’ve got to warn you again that these aren’t the handsome young immigrants that you accept in America, Cullinane. These are the dregs of the world, but in two years we’ll make first-class citizens of them.” Cullinane said he knew, but if he had realized how intellectually unprepared he was for the cargo of this ship, he would have stayed at the tell and allowed Tabari to choose the new hands. For the ship that came to Israel that night brought with it not the kind of people that a nation would consciously select, not the clean nor the healthy nor the educated. From Tunisia came a pitiful family of four, stricken with glaucoma and the effects of malnutrition. From Bulgaria came three old women so broken they were no longer of use to anyone; the communists had allowed them to escape, for they had no money to buy bread nor skills to earn it nor teeth to eat it with. From France came not high school graduates with productive years ahead of them, but two tragic couples, old and abandoned by their children, with only the empty days to look forward to, not hope. And from the shores of Morocco, outcast by towns in which they had lived for countless generations, came frightened, dirty, pathetic Jews, illiterate, often crippled with disease and vacant-eyed. “Jesus Christ!” Cullinane whispered. “Are these the newcomers?” He was decent enough not to worry about himself first—although he was appalled at the prospect of trying to dig with such assistance—but he did worry about Israel. How can a nation build itself strong with such material? he asked himself. It was a shocking experience, one that cut to the heart of his sensibilities: My great-grandfather must have looked like this when he came half-starved from Ireland. He thought of the scrawny Italians that had come to New York and the Chinese to San Francisco, and he began to develop that sense of companionship with Israel that comes very slowly to a Gentile: it was building itself of the same human material that America was developed upon; and suddenly he felt a little weak. Why were these people seeking a new home coming to Israel and not to America? Where had the American dream faltered? And he saw that Israel was right; it was taking people—any people—as America had once done; so that in fifty years the bright new ideas of the world would come probably from Israel and no longer from a tired America.
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James A. Michener (The Source)
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New York was where I belonged,” she answered. “Three months ago. One month ago, even. But not anymore. I don’t need the escape anymore.” She shook her head. “I’m not healed. I won’t ever be healed. Childhood scars remain forever. But I am better. I’m mentally healthier. I can function in the world I live in without having to create make-believe barriers to keep it from being too hard, and most importantly . . . I want to function in the world I live in. But I want to do it in my world. My home. Here, in Montana. I want my own life. I want to love. And I want to be loved. So I’m back. For good.” He swallowed the words that rose to
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Kim Law (Montana Cherries (The Wildes of Birch Bay, #1))
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ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.
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Shawn Wallace
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When he had ate his fill, and proceeded from the urgent first cup and necessary second to the voluntary third which might be toyed with at leisure, without any particular outcry seeming to suggest he should be on his guard, he leant back, spread the city’s news before him, and, by glances between the items, took a longer survey of the room. Session of the Common Council. Vinegars, Malts, and Spirituous Liquors, Available on Best Terms. Had he been on familiar ground, he would have been able to tell at a glance what particular group of citizens in the great empire of coffee this house aspired to serve: whether it was the place for poetry or gluttony, philosophy or marine insurance, the Indies trade or the meat-porters’ burial club. Ships Landing. Ships Departed. Long Island Estate of Mr De Kyper, with Standing Timber, to be Sold at Auction. But the prints on the yellowed walls were a mixture. Some maps, some satires, some ballads, some bawdy, alongside the inevitable picture of the King: pop-eyed George reigning over a lukewarm graphical gruel, neither one thing nor t’other. Albany Letter, Relating to the Behaviour of the Mohawks. Sermon, Upon the Dedication of the Monument to the Late Revd. Vesey. Leases to be Let: Bouwerij, Out Ward, Environs of Rutgers’ Farm. And the company? River Cargos Landed. Escaped Negro Wench: Reward Offered. – All he could glean was an impression generally businesslike, perhaps intersown with law. Dramatic Rendition of the Classics, to be Performed by the Celebrated Mrs Tomlinson. Poem, ‘Hail Liberty, Sweet Succor of a Briton’s Breast’, Offered by ‘Urbanus’ on the Occasion of His Majesty’s Birthday. Over there there were maps on the table, and a contract a-signing; and a ring of men in merchants’ buff-and-grey quizzing one in advocate’s black-and-bands. But some of the clients had the wind-scoured countenance of mariners, and some were boys joshing one another. Proceedings of the Court of Judicature of the Province of New-York. Poor Law Assessment. Carriage Rates. Principal Goods at Mart, Prices Current. Here he pulled out a printed paper of his own from an inner pocket, and made comparison of certain figures, running his left and right forefingers down the columns together. Telescopes and Spy-Glasses Ground. Regimental Orders. Dinner of the Hungarian Club. Perhaps there were simply too few temples here to coffee, for them to specialise as he was used.
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Francis Spufford (Golden Hill)
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cooking with mud was rolling around in it until only our eyes weren’t caked with brown sludge. I loved him on our hour-long bike rides when we played Would You Rather until we had to pull off to the side of the road because we were laughing so hard. I loved him through high school when he was the obsession of almost every girl at our school, but he always put me first. I loved him when he became my first boyfriend and showed me what it felt like to be cherished. I loved him over our long-distance relationship when receiving his text messages would make my day. And I love him now as he gets ready to commit his life to another woman. I will love him forever, and no amount of time or varying circumstances are going to change that. Jax is my best friend. He will always hold the other half of my heart in the figurative BFF necklace that we share. He will be my friend forever. I hop onto my bed and lie back as I click my phone screen, pulling up my Favorites list. My thumb hovers over his name. I take a deep breath and touch his name. My heart thrums wildly as his phone rings twice on the other end. His voice comes through my earpiece, and I almost cry from happiness. I can move to New York tomorrow with no regrets because the world is right as long as Jax and I are friends again. “Little Love.” His voice sounds anxious, hesitant. “Hey, mister.” Another rogue tear escapes, but this tear is full of happiness.
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Ellie Wade (A Beautiful Kind of Love (Choices, #1))
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I’m delighted to make your acquaintance, Miss Griswold,” Edgar said as he sent a bow Miss Griswold’s way. “However, before more pleasantries can be exchanged, I have a matter of the utmost importance to attend to—that matter concerning the lady still trying to make what appears to be a less than stealthy attempt at escape.” He turned and set his sights on Wilhelmina once again. Interestingly enough, while he’d been conversing with the ladies who’d evidently been tasked with hiding Wilhelmina from view—the evidence of that notion being that the two ladies had taken to mumbling apologies to her under their breaths—Wilhelmina had obviously been trying to slip farther under the chair. The result of that nasty business, however, had simply led to her now appearing to be well and truly stuck. Pushing his way through the first row of chairs, he tilted his head and allowed himself the luxury of simply considering Wilhelmina for a long moment. The years they’d been apart hadn’t changed her appearance much, except that she was now a more mature lady—being almost twenty-five instead of the near infant she’d been at seventeen. Her brown hair was swept up in a simple style away from her face, and the hint of pink staining her cheeks lent her a charming air, one that suggested she was getting a bit flustered. That idea had his lips curving straight into a smile as he leaned down and caught her eye. “Honestly, Willie, in all the years we’ve been apart, I never once considered the idea that when I finally returned to New York society, you’d go to such extremes to avoid me.” Wilhelmina’s hazel eyes immediately took to flashing. “I don’t like it when you call me Willie. And who said I’m attempting to avoid you?” The flashing, an immediate reminder of Wilhelmina’s adorable temper, had his smile turning into a grin. “Since these delightful young ladies were trying their very best to distract me from seeing you—and they were doing a remarkably credible job until I caught sight of the top of that chair you’re under moving—I don’t understand why you’re arguing with me.” Wilhelmina released a dramatic sigh. “Oh, very well. You’re right. I was trying to avoid you.” She caught his eye, looked incredibly grumpy for all of five seconds, and then released another sigh before the makings of a grin spread over her face. “Since you’ve clearly caught me in my attempt to escape, and I’ve somehow managed to get stuck while in the process of that attempt, could I possibly persuade you to be a dear and help me out of this particular pickle I’ve landed myself in?” The
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Jen Turano (At Your Request (Apart from the Crowd, #0.5))
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Her most unusual assignation was a quick visit with Fred Darsey, a young man recently escaped from Milledgeville State Hospital, where he was committed by his parents during a troubled adolescence. Darsey first caught her interest with a blind letter, in March, from the mental institution, revealing his passion for bird-watching. She was startled when her reply was returned and the envelope marked “eloped.” She sympathized, when Darsey wrote her again from New York City, “When you have a friend there you feel as if you are there yourself, so you see I feel as if I have escaped too.” Carver helped arrange the date, which Flannery kept secret from Regina, in Bryant Park, at the rear of the New York Public Library, with the pen pal she had never met. “I just love to sit and look at the people in New York, or anywhere,” she told him, “even in Milledgeville.” Flannery wound up her trip north spending the
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Brad Gooch (Flannery)
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I climbed aboard a Greyhound bus and rode it to New York without telling anyone, without so much as a goodbye. What was I thinking? I wasn’t. I was young and stupid and broken. I knew from watching movies that broken people hopped on buses and disappeared. New York seemed far away, geographically, mentally.
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Ken Wheaton (Sweet as Cane, Salty as Tears)
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Grand Duchess Marie pronounced knitting a wonderful escape from life’s problems: ‘When the needles slip through the fingers, your imagination takes flight.’ —new york times, may 12, 1936
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Barbara Levine (People Knitting: A Century of Photographs)
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Caine, Philip D. Aircraft Down! Evading Capture in WWII Europe. Virginia: Potomac Books, 1997. Champlain, Héléne de. The Secret War of Helene De Champlain. Great Britain: Redwood Burn, Ltd., 1980. Chevrillon, Claire. Code Name Christiane Clouet: A Woman in the French Resistance. Texas: Texas A&M University Press, 1995. Coleman, Fred. The Marcel Network: How One French Couple Saved 527 from the Holocaust. Virginia: Potomac Books, 2013. Eisner, Peter. The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II. New York: HarperCollins, 2004. Fitzsimons, Peter. Nancy Wake: A Biography of Our Greatest War Heroine. New York: HarperCollins, 2001. Foot, M.R.D., and J.M. Langley. MI9: Escape and Evasion, 1939–1945. Boston: Little Brown, 1979. Humbert, Agnés. Résistance: A Woman’s Journal of Struggle and Defiance in Occupied France. New York: Bloomsbury USA, 2004. Jackson, Julian. France: The Dark Years, 1940–1944. New York: Oxford University Press, 2001. Litoff, Judy Barrett. An American Heroine in the French Resistance. The Diary and Memoir of Virginia d’Albert-Lake. New York: Fordham University Press, 2006. Long, Helen. Safe Houses Are Dangerous. London: William Kimber, 1985. Moorehead, Caroline. A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France. New York: HarperCollins, 2011. Neave, Airey. Little Cyclone. London: Coronet Books, 1954.
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Kristin Hannah (The Nightingale)
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On September 11, 2001, there were no more than a few hundred al Qaeda members hiding out in Afghanistan. Three months later, when the Central Intelligence Agency (CIA) paramilitaries, U.S. Army Delta Force and U.S. Air Force finished bombing them, and Osama bin Laden had escaped to Pakistan, there were not enough of the terrorists left alive to fill a 757. Now, 20 years after that brief, one-sided victory, there are tens of thousands of bin Ladenite jihadists thriving in lands from Nigeria to the Philippines. Recently, and for almost three years, some even claimed their own divinely ordained caliphate, or Islamic State, temporarily erasing the border between Iraq and Syria. Local chapters of their group keep popping up all over the region. The State Department consistently reports a vast increase in the number of global terrorism incidents compared to the pre-September 11th era. Al Qaeda, the Islamic State in Iraq and Syria (ISIS) and their “lone wolf” copycats have carried out multiple, deadly attacks in more than a dozen major Western cities in the past decade, including Brussels, Paris, Berlin, London, San Bernardino, Orlando, New York City, Pensacola and Corpus Christi. Something must be wrong. The problem is that our government is ignoring and misrepresenting the real causes of the terrorists’ war against the United States.
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Scott Horton (Enough Already: Time to End the War on Terrorism)
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The night before flying to New York, I watched Bowie's brief performance as a serene, pragmatic Pontius Pilate in Martin Scorsese's The Last Temptation of Christ. 'That's a strange movie to watch before going on a plane flight,' Bowie laughs. 'It's like, shall we find out—is there a God?' Then, as if moving on to the next logical topic, Bowie says, 'I can't wait to see the other 10 percent of the Dead Sea Scrolls. They're in fragments, of course, kind of a Bill Burroughs effect...' and he recounts for me a certain conspiracy theory ('a '70s thing') about a secret section of the Dead Sea Scrolls supposedly written by a Jesus who'd escaped from the cross and ended up dying a revolutionary at Masada. This secret stuff is, according to the theory, held in the Vatican and shown only to each new Pope on the day of election. But what on earth, I ask, could the big secret be anyway? 'Oh,' laughs Bowie, 'that there really was a Brian.
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David Bowie (David Bowie: The Last Interview and Other Conversations)
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There is no escape from us. She knows that too. But it is so much fun chasing her down.
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Sadie Kincaid (A Ryan Recollection (New York Ruthless, #6))
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Samsāra was one name for the wheel of life and death, the stupidity we wander through, lost, until we find enlightenment and get to join with the divine. All the shit that hurts so much. The big things like death and loss and pain and also just the everyday grind of eating and sleeping and wanting and wanting and wanting—that was samsāra. You were supposed to want to get out of it. You were supposed to look for the exit, the golden ticket that could take you to the chocolate factory. Escape from New York. This way to the egress.
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Sara Gran (Claire DeWitt and the Bohemian Highway (Claire DeWitt Mysteries, #2))
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He could sink down and go under in this bog before he’d even be able to get away from here. The dry brush resisted his fingers, which by now were bloodless, slippery, and icy cold. He felt as if he were sinking ever more quickly and deeper; it seemed to him that he should already have been swallowed up. Although he had escaped to avoid certain death—there was no doubt that they would have killed all of them within the next few days—dying in the swamp seemed to him quite simple and not frightening.
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Anna Seghers (The Seventh Cross (New York Review Books classics))
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A part war drama, part coming-of-age story, part spiritual pilgrimage, Surviving Hitler, Evading Stalin is the story of a young woman who experienced more hardships before graduating high school than most people do in a lifetime. Yet her heartaches are only half the story; the other half is a story of resilience, of leaving her lifelong home in Germany to find a new home, a new life, and a new love in America. Mildred Schindler Janzen has given us a time capsule of World War II and the years following it, filled with pristinely preserved memories of a bygone era.
Ken Gire
New York Times bestselling author of All the Gallant Men
The memoir of Mildred Schindler Janzen will inform and inspire all who read it. This is a work that pays tribute to the power and resiliency of the human spirit to endure, survive, and overcome in pursuit of the freedom and liberty that all too many take for granted.
Kirk Ford, Jr., Professor Emeritus, History
Mississippi College
Author of OSS and the Yugoslav Resistance,
1943-1945
A compelling first-person account of life in Germany during the rise of Adolph Hitler and the Nazi Party. A well written, true story of a young woman overcoming the odds and rising above the tragedies of loss of family and friends during a savage and brutal war, culminating in her triumph in life through sheer determination and will. A life lesson for us all.
Col. Frank Janotta (Retired),
Mississippi Army National Guard
Mildred Schindler Janzen’s touching memoir is a testimony to God’s power to deliver us from the worst evil that men can devise. The vivid details of Janzen’s amazing life have been lovingly mined and beautifully wrought by Sherye Green into a tender story of love, gratitude, and immeasurable hope. Janzen’s rich, post-war life in Kansas serves as a powerful reminder of the great promise of America.
Troy Matthew Carnes,
Author of Rasputin’s Legacy and Dudgeons and Daggers
World War II was horrific, and we must never forget. Surviving Hitler, Evading Stalin is a must-read that sheds light on the pain the Nazis and then the Russians inflicted on the German Jews and the German people. Mildred Schindler Janzen’s story, of how she and her mother and brother survived the war and of the special document that allowed Mildred to come to America, is compelling. Mildred’s faith sustained her during the war's horrors and being away from her family, as her faith still sustains her today. Surviving Hitler, Evading Stalin is a book worth buying for your library, so we never forget.
Cynthia Akagi, Ph.D.
Northcentral University
I wish all in the world could read Mildred’s story about this loving steel magnolia of a woman who survived life under Hitler’s reign. Mildred never gave up, but with each suffering, grew stronger in God’s strength and eternal hope. Beautifully written, this life story will captivate, encourage, and empower its readers to stretch themselves in life, in love, and with God, regardless of their circumstances. I will certainly recommend this book.
Renae Brame, Author of Daily Devotions with Our Beloved, God’s Peaceful Waters Flow, and
Snow and the Eternal Hope
How utterly inspiring to read the life story of a woman whose every season reflects God’s safe protection and unfailing love. When young Mildred Schindler escaped Nazi Germany, only to have her father taken by Russians and her mother and brother hidden behind Eastern Europe’s Iron Curtain, she courageously found a new life in America. Surviving Hitler, Evading Stalin is her personal witness to God’s guidance and provision at every step of that perilous journey. How refreshing to view a full life from beginning to remarkable end – always validating that nothing is impossible with God. Read this book and you will discover the author’s secret to life: “My story is a declaration that choosing joy and thankfulness over bitterness and anger, even amid difficult circumsta
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MILDRED SCHINDLER JANZEN
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By early afternoon the Carpathia had passed the last of the ice and could begin to pick up speed, but at 4:00 p.m its engines were stopped. Father Anderson then appeared on deck in his clerical garb, followed by Carpathia crewmen carrying four corpses sewn into canvas bags. These were the bodies of two male passengers, one fireman, and one seaman, that had been brought aboard from the lifeboats. Each of the canvas bags in turn was laid on a wide plank and covered with a flag. As the words “Unto Almighty God we commend the soul of our brother departed, and we commit his body to the deep” were read aloud, the bodies were tipped into the sea one at a time. A large crowd stood nearby with heads bared. The canvas bags had been weighted so that the bodies would fall feet first but one of them struck the water flat. A Carpathia passenger wrote that he would never forget the sound of that splash. One of those buried at sea was first-class passenger William F. Hoyt, the heavy man who had been pulled into Boat 14 and died shortly thereafter. When May Futrelle learned that a large man had been lifted into one of the lifeboats, she questioned the crew of Boat 14 but soon realized that the man they described could not have been her husband. She also heard that Archibald Gracie had been pulled under with the ship and worked up her courage to ask him if he had suffered as he was being dragged down. Gracie reassured her that if he had never come up, he would have had no more suffering, giving May some comfort that perhaps Jacques had not endured an agonizing death. That afternoon Charles Lightoller had a serious talk with the three other surviving officers, Pitman, Boxhall, and Lowe, about what lay ahead. It was agreed that their best hope for escaping what Lightoller called “the inquisition” that awaited in New York was to immediately board the Cedric, scheduled to sail for Liverpool on Thursday. Their case was taken to Bruce Ismay who sent a message to Philip Franklin suggesting that the Cedric be held for the Titanic’s crew and himself. Ismay also asked that clothes and shoes be put on board for him. The cable was signed “Yamsi,” his coded signature for personal messages.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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On the same day that Marcelle Navratil arrived in New York, a brand-new movie entitled Saved from the Titanic was announced on the marquees of the city’s nickelodeons. The ten-minute silent film had been made in three weeks at Éclair’s studios in New Jersey and starred a real-life survivor of the shipwreck, Miss Dorothy Gibson, wearing the same white silk dress and black pumps in which she had escaped from the sinking liner. Dorothy had at first been unwilling to relive her ordeal so soon after the disaster and according to one newspaper there were times during the filming when she had “practically lost her reason by virtue of the terrible strain she had been under.” The one-reeler, which was produced by Jules Brulatour, would be Dorothy’s last film since she then embarked on a career in opera. This would prove to be short-lived, as would her marriage to Brulatour in 1917. Following a generous divorce settlement in 1919, the prettiest girl retreated from public attention and was never seen on stage or screen again.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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As the war was ending, the international flu epidemic of 1918 hit. Frances was one of the hundreds of thousands struck with the virus, which killed so many people that newspaper obituaries were divided into three sections: deaths, war dead, and “epidemic casualties.” Letters from home told her that everyone was wearing masks, theaters were closed, and some studios had stopped production. Troop movements were canceled. To go outside was to risk your life. Young and old were dying of the disease after only a few days of being afflicted. Her dear New York friend, the composer Felix Arndt, who had written Nola for his wife and Marionette for Frances, was gone at the age of twenty-two. Adela Rogers St. Johns’s beloved new stepmother had died as well. No one escaped being touched in one way or another.36
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Cari Beauchamp (Without Lying Down: Screenwriter Frances Marion and the Powerful Women of Early Hollywood)
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As long as she had flowers, Mrs Harris had no serious complaints concerning the life she led. They were her escape from the sombre
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Paul Gallico (Mrs Harris Goes to Paris & Mrs Harris Goes to New York)
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Here’s why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor’s yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words “soccer” and “neighbor” in the same sentence, might interrupt and mention that your childhood neighbor was Pelé, the famous soccer player, and I might be courteous and say, Didn’t he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Três Corações with Pelé, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit—that I had a funny story about being chased by my neighbor’s dog—would be totally lost, and only because you had to tell me all about Pelé. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories. I listened that night and I heard.
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Garth Stein (The Art of Racing in the Rain)
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Whether or not alcoholism, the obvious “iceberg” the writer could not escape, drowned some more private and secret suffering related to sexual desire or even gender identity, Robertson clearly wanted fate to absolve him for some compulsion that he feared was a choice, and perhaps also give him the ability to free himself from that compulsion—an impossible, contradictory, ambivalent wish. His precognitive habit seems to have answered both needs. Eisenbud makes a very key observation in this regard, one that goes well beyond Robertson in its implications: “With such an ambivalent attitude toward fate,” he writes, “all one would need, it might seem, would be heads and tails on the same throw. But any good precognitive event provides just this, since … the metaphysical significance of such an occurrence is sufficiently in question to satisfy both schools.”24 There was surely no better “precognitive event” than reading a New York Times headline about a sea disaster you had written a novel about 14 years earlier. The psychoanalytic rule of thumb is that nothing is ever an accident.25 The disasters and misfortunes that repeat themselves over and over in the lives of neurotics like Robertson look for all the world as though some higher power or cosmic theater director is testing them or just being cruel, but these situations are actually elicited by the neurotic in deviously subtle ways. For Freudians, the thematic consistency of the neurotic’s failures is always assumed to represent unresolved past situations confusedly haunting the neurotic’s present reality, governed by the repetition-compulsion beyond the pleasure principle. Instead of seeing things as they are, the neurotic sees replays of situations from early life and reacts accordingly, with predictably disappointing outcomes—the idiomatic “carrying baggage.” The alternative possibility that a case like Robertson’s suggests is that some of our baggage comes from our future. Robertson seems all his life to have been confusedly presponding to a future upheaval, even a kind of near miss or close call (since, having written about it beforehand, the Titanic disaster was in some sense “his” disaster), but treating it again and again as a present reality, a disaster that had already occurred or was in the process of occurring. By the time the real thing happened, he himself was already sunk, “washed up,” and could not even successfully capitalize on what might have been the perfect advertisement for his precognitive gift. What if something like this is true of many neurotics? What portion of ordinary human floundering and failure might really be attributable to misrecognized precognition, a kind of maladaptive prematurity of feeling and thought? We now turn to another deeply neurotic writer whose life even more clearly illustrates the painful temporal out-of-synch-ness of the strongly precognitive soul.
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Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
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P.S. 10, a school in Brooklyn, New York,
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Chris Grabenstein (Escape from Mr. Lemoncello's Library (Mr. Lemoncello's Library, #1))
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It was 1992, and the Knicks were hosting their first annual summer camp for youngsters. Like many camps with professional teams, the club wanted to have one of its players make an appearance for a day. Not someone like Ewing, a star who had too many demands on his time already. But not someone from the end of the bench, either. So they asked Mason—basically still new to the NBA—if he’d appear for $1,500. The forward said yes, and the team provided him with a limousine to the camp that day. Mason had his window rolled down as the vehicle arrived, and the kids hovered around it like paparazzi, wanting to catch a glimpse of him up close. Yet Mason stayed in the car. First for two minutes. Then five. Then almost fifteen. Finally Ed Tapscott, then the club’s administrative director, came outside. He’d been responsible for Mason’s appearance at the camp that day, and couldn’t figure out why Mason wasn’t making his way inside the gym. “I’m not getting out of the car for anything less than $2,000, bro. And I want cash,” Mason told him. Tapscott figured he was joking at first. But Mason was completely serious. Sure, he’d agreed to the $1,500 figure before, but now—with an army of young, excited kids waiting inside—he had the leverage to play hardball. Tapscott said he wasn’t even sure he could realistically get access to that much cash that soon. “I had to give one of our staffers my ATM card,” he recalls. “What choice did I really have in a situation like that?” With assurance of the pay increase, Mason hopped out. He played in a couple of scrimmages with the children. But, in classic Mason fashion, he couldn’t turn off his competitiveness. While playing, Mason inadvertently elbowed a kid, knocking the child out cold and breaking his nose, which gushed with blood. When the boy regained consciousness, he woke to find a worried Mason hovering over him. The child smiled and asked the Knick to sign his bloody T-shirt. Meanwhile, Tapscott said he and others running the camp were merely happy to escape the situation without the threat of a lawsuit.
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Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
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(The distribution of playgrounds Moses constructed) was not at all even. The areas of the maps on which the dots were clustered most thickly corresponded in the main to those areas inhabited by families that were well-to-do or at least "comfortable." The areas of the maps on which the dots were sprinkled most thinly corresponded in part to undeveloped outlying areas of the city that did not really need playgrounds, but they corresponded also to some of the city's most congested areas, to the tenement neighborhoods and slums inhabited by families that were poor—to areas that needed playgrounds desperately. Most of Robert Moses' neighborhood playgrounds had, in other words, been built in the neighborhoods that needed playgrounds least. Few of the playgrounds had been built in the neighborhoods that needed playgrounds most.
The areas of the maps on which the dots were sprinkled most thinly of all corresponded to those areas of the city inhabited by its 400,000 Negroes.
Robert Moses built 255 playgrounds in New York City during the 1930's. He built one playground in Harlem.
(...)
“After a building program that had tripled the city's supply of playgrounds, there was still almost no place for approximately 200,000 of the city's children—the 200,000 with black skin—to play in their own neighborhoods except the streets or abandoned, crumbling, filthy, looted tenements stinking of urine and vomit; or vacant lots carpeted with rusty tin cans, jagged pieces of metal, dog feces and the leavings, spilling out of rotting paper shopping bags, of human meals. Children with white skin had been given swings and seesaws and sliding ponds. Children with black skin had been left with the old broomsticks that served them as baseball bats. Children with white skin had been given wading pools to splash in in summer. If children with black skin wanted to escape the heat of the slums, they could remove the covers from fire hydrants and wade through their outwash, as they had always waded, in gutters that were sometimes so crammed with broken glass that they glistened in the sun.
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Robert Caro
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I can afford it.” “I know it, darling. You’re one of the most powerful men in New York City.” She added, “It’s a good joke on New York City.” “It is.” “I concede that you’re in a position to do anything. That’s why I had to see you.” She added a small, gruntlike sound of amusement, to dilute her statement’s frankness. “Good,” he said, his voice comfortable and noncommittal. “I had to come here, because I thought it best, in this particular matter, not to be seen together in public.” “That is always wise.” “I seem to remember having been useful to you in the past.” “In the past—yes.” “I am sure that I can count on you.” “Of course—only isn’t that an old-fashioned, unphilosophical remark? How can we ever be sure of anything?” “Jim,” she snapped suddenly, “you’ve got to help me!” “My dear, I’m at your disposal, I’d do anything to help you,” he answered, the rules of their language requiring that any open statement be answered by a blatant lie. Lillian was slipping, he thought—and he experienced the pleasure of dealing with an inadequate adversary. She was neglecting, he noted, even the perfection of her particular trademark: her grooming. A few strands were escaping from the drilled waves of her hair—her nails, matching her gown, were the deep shade of coagulated blood, which made it easy to notice the chipped polish at their tips—and against the broad, smooth, creamy expanse of her skin in the low, square cut of her gown, he observed the tiny glitter of a safety pin holding the strap of her slip. “You’ve got to prevent it!” she said, in the belligerent tone of a plea disguised as a command. “You’ve got to stop it!” “Really? What?” “My divorce.
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Ayn Rand (Atlas Shrugged)
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US merchant ships had already been told a month ago not to operate with their lights on at night, but back in New York City lights still made them perfect, dark silhouettes for U-boat captains who observed them through their periscopes. In April 1942, New York City finally decided to turn out the lights. However, the “blackout” that was desired by Admiral Andrews never materialized, as Mayor La Guardia argued for a compromise—New York City would institute a “dimout.” The Statue of Liberty’s torch was extinguished. The Wrigley’s fish and neon bubbles in Times Square were taken down. However, at night, the Camel man kept smoking, and blowing smoke rings over a dark street. Street lamps and traffic lights were dimmed, and cars either ran with just their parking lights on or had their lights painted over so light could only escape through a slit. Gasoline and rubber shortages saw fewer and fewer cars were on the road, and most cars running were yellow taxicabs that were exempt from rationing. Floodlights that illuminated the facades of New York City’s most recognizable structures—the Empire State Building, the Chrysler Building, and Rockefeller Center—were turned off, making them look like “giant mausoleums.” In late April, sporadic blackout drills made the city even darker.
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Matthew Black (Operation Underworld: How the Mafia and U.S. Government Teamed Up to Win World War II)
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The chronic stress that accompanies poverty can be detected at the cellular level. One study found that up to 5,500 premature deaths that occurred in New York City from 2008 to 2012 could have been prevented if the city’s minimum wage had been $15 an hour during that time, instead of just over $7. A higher minimum wage is an antidepressant. It is a sleep aid. A stress reliever. Vocal segments of the American public, those with brain space to spare, seem to believe the poor should change their behavior to escape poverty. Get a better job. Stop having children. Make smarter financial decisions. In truth, it’s the other way around: Economic security leads to better choices.
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Matthew Desmond (Poverty, by America)
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While all this was occurring, elsewhere about the Republic celebrators of the Fourth suffered shattered fingers, wounded heads, and blinded eyes from excessive use of fireworks. In New York City, eighty-eight conflagrations were started by fireworks. In Montgomery, Alabama, the first Confederate capital, thirteen guns were fired in salute to the reunited nation; in Richmond, Virginia, the second Confederate capital, flags of the United States and Virginia were hoisted together for the first time since 1860. In New Orleans, parades and rhetorical exercises honored the day, but in Charleston, South Carolina, only the Negroes celebrated. An attempt was made in Oronogo, Missouri, to raise the Confederate flag, but an opposing party gathered and threatened to shoot the perpetrators of the deed. In Lawrenceburg, Kentucky, the Confederate flag and a banner bearing the names of the Democratic party’s candidates for President and Vice-President, Tilden and Hendricks, were suspended from the dome of the county courthouse. In Wyoming, ranchers heard rumors from friendly Indians that General Custer had suffered a great defeat north of Powder River, but none believed the story. Late in the day, a Helena, Montana, newspaper received a brief dispatch dated July 2 from Stillwater: “Muggins Taylor, a scout from General Gibbon, arrived here last night from Little Horn River and reports that Gen. Custer found the Indian camp of 2,000 lodges on the Little Horn and immediately attacked it. He charged the thickest portion of the camp with five companies … The Indians poured a murderous fire from all directions, Gen. Custer, his two brothers, his nephew, and brother-in-law were all killed, and not one of the detachment escaped.
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Dee Brown (The Year of the Century, 1876)
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Kevin Dowd, a distinguished Sales Consultant hailing from Rochester, NY, started his journey in Utica. An accomplished SUNY College at Oswego alumnus, Kevin excels in sales, earning the President's Club distinction. His passions encompass animal care, golf, basketball, and globetrotting. Kevin finds solace in dog walks, cheers for Syracuse Orange, and dreams of escaping to ocean city MD. With 25 years in sales, he's a beacon of success.
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Kevin Dowd Rochester NY
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There is an almost unearthly directness to the interaction with books that Day describes here. She reads about something and walks out to look at it. Over time, the books open up reality to her, through the medium of words and authors. It is for this reason, I think, that she refers to the books as “companions” and compares her life with books to her life with the living human beings who lived in her houses. And yet her reading could have gone in any number of directions. A reader of Sinclair, London, or Dickens could take refuge in empty, self-aggrandizing talk about the injustice of things. Such talk would find a hospitable audience among the liberal middle class of New York or Chicago, as Day knows well. Or the books could have remained distractions, idle forms of entertainment. Day is a writer committed to encouragement, unwilling to speak ill of anyone, even her preconverted self. Yet in her autobiography From Union Square to Rome, Day describes using reading to escape from a feeling of profound depression, in which she is “overwhelmed by the terror and the blackness of both life and death”:
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Zena Hitz (Lost in Thought: The Hidden Pleasures of an Intellectual Life)
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Let us turn to Harriet Jacobs for guidance in imagining. Jacobs masterminded her family’s escape from North Carolina to New York. From her room in the home of an employer in upstate New York in the 1850s, Jacobs penned a penetrating memoir of social critique. Hers was the first autobiography by a Black woman to reveal the insidious culture of sexual harassment and assault in slavery as well as to confront the gender double standard between white women and Black women in Victorian society, which always categorized Black women as impure. She expressed, pointedly, that those who have not experienced legalized bondage can never know “what it is to be a slave; to be entirely unprotected by law or custom; to have the laws reduce you to the condition of a chattel, entirely subject to the will of another.” We cannot enter the consciousness of a girl born into slavery who matures to give birth into slavery and can have no reasonable hope of rescue.30 We cannot know Rose, but we can draw on the resources at our disposal—documents, cityscapes, architectural records and the built environment she inhabited, slave narratives, and Ruth’s inscription on the sack—to picture the woman she might have been and summon the shape of her daily life.
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Tiya Miles (All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake)
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As the British withdrew first from Yorktown and Wilmington, then Savannah and Charleston, and finally New York and St. Augustine, they carried on their ships a great many African Americans. Estimates vary as to the numbers, but historians estimate that it was in the tens of thousands.121 At first glance, it might appear that such a mass exodus signaled freedom and new beginnings, but the vast majority—in the vicinity of 80 percent—remained enslaved, the property of loyalist émigrés or British officials.122 Some of these had always belonged to loyalist masters; others had escaped to the British to find freedom, only to be commandeered by army officers or given to loyalists as compensation for lost property.
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Ray Raphael (A People's History of the American Revolution: How Common People Shaped the Fight for Independence)
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I know the food isn’t…okay but…” he tells his father. Trying to pacify Mr. Wylder is beginning to seem an impossible task and to Dane’s credit, he’s been having this conversation since the crack of dawn and hasn’t lost his temper once.
Side note: it hasn’t escaped my notice that witnessing how patient he is with his father means he’ll be patient with our child. I grasp onto this discovery with both hands and hold it close to my heart.
“No, you’re not. And if you give me one more minute of grief, Stella and I are gettin’ on the next flight back to New York…that’s what I thought…okay. We’ll see you in a couple of hours. Yep.”
I stand corrected.
Ending the call, he exhales tiredly. “Don’t look at me like that.”
“That was a bit harsh, don’t you think?”
“He was seconds from runnin’ out of there bare-assed. I had to steal his clothes last night ’cause I knew what was coming.”
“Oh,” is all I can say, a smile overtaking my face.
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P. Dangelico (Baby Maker (It Takes Two, #1))
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No one in New York City knew I was trans because I chose not to lead with that fact. It was the first time in my young life when I was able to be just another twenty-two-year-old living in the big city, shedding the image that my hometown had assigned me. E. B. White, in his love letter 'Here Is New York,' wrote that it is the New York of 'the young girl arriving from a small town . . . to escape the indignity of being observed by her neighbors' who gives the city 'its incomparable achievements.' For me, New York was 'the city of final destination, the city that is a goal,' and my goal was independence.
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Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
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As interest rates rose in the United States and New York functioned as a magnet, drawing money from all corners of the globe, every country in Europe, except France, struggled to prevent its gold from escaping across the Atlantic.
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Liaquat Ahamed (Lords of Finance: The Bankers Who Broke the World)
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We met in the middle of a blackout. It was searing hot and there wasn’t any running water and New York City had lost its mind. People were sweaty and edgy, thronging the streets, leaking heat and anxiety. Traffic lights dangled dead over the intersections; taxis lurched through the dark. The ATMs didn’t work and bodegas were charging insane amounts for bottled water and I was thirsty, hungover, and almost out of cash. I felt defenseless every time I walked up the ten flights to my apartment, carrying a lit candle in the ghostly stairwell. I was nearing panic when a friend called and told me he had the water back on in his building down by City Hall, and a grill out on the balcony. As I walked there, on the cobblestone street just north of Washington Square Park, past an intersection where a woman in a sundress was directing traffic, down into the lighting district—window after window teaming with powerless, shimmering chandeliers, the people in the apartments above drinking beer on their fire escapes—the city seemed less like a nightmare and more like a carnival. My friend had said he had a houseguest in town, visiting from California: Lucy. She was golden-skinned and green-eyed in her white shirt, and she smiled with all the openness in the world when I walked in the door. She had the radiant decency of a sunflower.
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Ariel Levy (The Rules Do Not Apply)
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Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
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Garth Stein (The Art of Racing in the Rain)
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Migration is the story of America. It is foundational. From Pilgrims fleeing oppression in Europe, to the millions who took advantage of the Homestead Act to “go West,” to the erection of the Statue of Liberty in New York’s harbor, all the way up to the U.S. Congress tying Most Favored Nation status to the human right of Soviet Jews to emigrate, the movement of people fleeing tyranny, violence, and withered opportunities is sacrosanct to Americans. In fact, “freedom of movement” is a treasured right in the nation’s political lexicon. Yet, when more than 1.5 million African Americans left the land below the Mason-Dixon Line, white Southern elites raged with cool, calculated efficiency. This was no lynch mob seeking vengeance; rather, these were mayors, governors, legislators, business leaders, and police chiefs who bristled at “the first step … the nation’s servant class ever took without asking.”12 In the wood-paneled rooms of city halls, in the chambers of city councils, in the marbled state legislatures, and in sheriffs’ offices, white government officials, working hand in hand with plantation, lumber mill, and mine owners, devised an array of obstacles and laws to stop African Americans, as U.S. citizens, from exercising the right to find better jobs, to search for good schools, indeed simply to escape the ever-present terror of lynch mobs. In short, the powerful, respectable elements of the white South rose up, in the words of then-secretary of labor William B. Wilson, to stop the Great Migration and interfere with “the natural right of workers to move from place to place at their own discretion.
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Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
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There were days when I almost believed that I’d never left Chicago to work at Stanhope. Days when it felt as if my life in New York had happened to someone else and that I’d awakened from a deep coma, only to find myself trapped in a hellish existence that I couldn’t escape. Sometimes, when the medication wore off, my memory would come back into focus. I’d remember the injustice. The public humiliation. The way they’d chipped away at my self-esteem until there was almost nothing left of me.
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Megan Goldin (The Escape Room)
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This is what she becomes because of me… what do you think of here… do you like her or heat? Are you going to hate her for this?
~*~
‘They don't leave. They bring in their food from the outside, from quite far away sometimes. It gives their guard something to do when they're not out annihilating mavericks. Or protecting Volterra from exposure…’
‘From situations like this one, like Marcel,’ I finished her sentence. It was amazingly easy to say his name now. I wasn't sure what the difference was. Maybe because- I wasn't planning on living much longer without seeing him. Or at all, if we were too late. It was comforting to know that I would have an easy out.
‘I doubt they've ever had a situation quite like this,’ she muttered, disgusted.
‘You don't get a lot of suicidal angels.’
The sound that escaped out of my mouth was very quiet, but Olivia seemed to understand that it was a cry of pain. She wrapped her thin, strong arm around my shoulders.
‘We'll do what we can, Bell. It's not over yet.’
‘Not yet.’ I let her comfort me, though I knew she thought our chances were poor. ‘And the Ministry will get us if we mess up.’ Olivia stiffened. ‘You say that like it's a good thing.’
I shrugged.
‘Knock it off, Bell, or we're turning around in New York and going back to Pittsburgh.’
‘What?’
‘You know what. If we're too late for Marcel, I'm going to do me damnedest to get you back to Mr. Anderson, and I don't want any trouble from you. Do you understand that?’
‘Sure, Olivia.’
She pulled back slightly so that she would glare at me. ‘No trouble.’
‘Scout's honor,’ I muttered.
She rolled her eyes.
‘Let me concentrate, now. I'm trying to see what he's planning.’
She left her arm around me, but let her head fall back against the seat and closed her eyes. She pressed her free hand to the side of her face, rubbing her fingertips against her temple.
I watched her in fascination for a long time. Eventually, she became utterly motionless, her face like a stone sculpture. The minutes passed, and if I didn't know better, I would have thought she'd fallen asleep. I didn't dare interrupt her to ask what was going on.
I wished there was something safe for me to think about. I couldn't allow myself to consider the horrors we were headed toward, or, more horrific yet, the chance that we might fail-not if I wanted to keep from screaming aloud.
I couldn't anticipate anything, either. If I were very, very, very lucky, I would somehow be able to save Marcel. But I wasn't so stupid as to think that saving him would mean that I could stay with him. I was no different, no more special than I'd been before. There would be no new reason for him to want me now. Seeing him and losing him again…
I fought back against the pain. This was the price I had to pay to save his life. I would pay for it.
They showed a movie, and my neighbor got headphones. Sometimes, I watched the figures moving across the little screen, but I couldn't even tell if the movie was supposed to be a romance or a horror film.
After an eternity, the plane began to descend toward New York City. Olivia remained in her trance. I dithered, reaching out to touch her, only to pull my hand back again. This happened a dozen times before the plane touched down with a jarring impact.
‘Olivia,’ I finally said. ‘Olivia, we have to go.’
I touched her arm.
Her eyes came open very slowly. She shook her head from side to side for a moment.
”
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Marcel Ray Duriez (Nevaeh Book 12: Nevaeh)
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and there will be no stopping it because the people who will be doing it will be ARMED this time and looking for blood. They will shoot at the cops and kill them off and the cops will then abandon the cities. Ever seen the movie “Escape from New York”??
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J. Micha-el Thomas Hays (Rise of the New World Order: Book Series Update and Urgent Status Report: Vol. 4 (Rise of the New World Order Status Report))
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and there will be no stopping it because the people who will be doing it will be ARMED this time and looking for blood. They will shoot at the cops and kill them off and the cops will then abandon the cities. Ever seen the movie “Escape from New York”?? The leftist media has conditioned the extreme left to get violent when they want something or don’t get their way and this would be the granddaddy of them all…another 4 years of Trump!!
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J. Micha-el Thomas Hays (Rise of the New World Order: Book Series Update and Urgent Status Report: Vol. 4 (Rise of the New World Order Status Report))
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The high tide of Montparnasse was brief, from 1920 to 1935. Since their work sold mainly outside France, expatriate writers and publishers suffered less in the stock market crash of 1929 than the restaurateurs and shopkeepers who served them, but as the Depression eroded even “old money,” exiles whose wealth had freed them to escape early to Paris became the first to leave. Those accustomed to living by their wits stayed on, at least as long as magazines and newspapers wanted news of the city. Not until the mid-1930s, amid a general feeling of “the parade’s gone by” as far as France was concerned, did they drift back to New York, London, and Madrid.
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John Baxter (Montparnasse: Paris's District of Memory and Desire (Great Parisian Neighborhoods, #3))
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The conditions suffered by the American soldiers captured by the British in and around New York were almost too horrible to describe. They were stuffed into jails, churches, warehouses, and decrepit ships in the harbor and left to rot. Their cells had no heat. They used a corner or a bucket for their toilet and were never allowed to bathe. They did not have blankets, warm clothes, or medical care. They had to drink dirty water. Their meals were raw pork, moldy biscuits infested with maggots, peas, and rice. About half of the two thousand Americans captured at Fort Washington died from disease and starvation within weeks. If the British had not allowed the citizens of New York to bring blankets and food to the prisoners, the death toll would have been higher. Captured officers, however, were treated differently. They were allowed to stay in boardinghouses, to work, and to walk around the city as long as they did not try to escape. The British felt that officers were gentlemen and deserved to be treated according to their higher social class. More than 10,000 American prisoners of war died in British captivity.
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Laurie Halse Anderson (Chains (Seeds of America #1))
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Caine, Philip D. Aircraft Down! Evading Capture in WWII Europe. Virginia: Potomac Books, 1997. Champlain, Héléne de. The Secret War of Helene De Champlain. Great Britain: Redwood Burn, Ltd., 1980. Chevrillon, Claire. Code Name Christiane Clouet: A Woman in the French Resistance. Texas: Texas A&M University Press, 1995. Coleman, Fred. The Marcel Network: How One French Couple Saved 527 from the Holocaust. Virginia: Potomac Books, 2013. Eisner, Peter. The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II. New York: HarperCollins, 2004. Fitzsimons, Peter. Nancy Wake: A Biography of Our Greatest War Heroine. New York: HarperCollins, 2001. Foot, M.R.D., and J.M. Langley. MI9: Escape and Evasion, 1939–1945. Boston: Little Brown, 1979. Humbert, Agnés. Résistance: A Woman’s Journal of Struggle and Defiance in Occupied France. New York: Bloomsbury USA, 2004. Jackson, Julian. France: The Dark Years, 1940–1944. New York: Oxford University Press, 2001. Litoff, Judy Barrett. An American Heroine in the French Resistance. The Diary and Memoir of Virginia d’Albert-Lake. New York: Fordham University Press, 2006. Long, Helen. Safe Houses Are Dangerous. London: William Kimber, 1985. Moorehead, Caroline. A Train in Winter: An Extraordinary Story of Women, Friendship, and Resistance in Occupied France. New York: HarperCollins, 2011. Neave, Airey. Little Cyclone. London: Coronet Books, 1954. Ideas for Book Groups Dear Readers, I truly believe in book groups.
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Kristin Hannah (The Nightingale)
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would once again haul the
lion's share of military supplies; that Congress would grant their claim of $494,000 in losses suffered in 1857 on the way to Fort Bridger, when attacking Mormons destroyed several trains; and, finally, that Congress would quit its interminable bickering and authorize a triweekly service over the Central Route, thus saving the Pony Express. None of these expectations materialized.
In the end, desperation led William Russell to traffic in stolen government bonds, money belonging to the Indian Trust Fund of the Interior Department, where they were held for the benefit of various Indian tribes. Russell "borrowed" the bonds to cover the company's losses. When he learned what had happened, President Lincoln himself insisted on an investigation. Russell was arrested in his New York office and jailed. Called before a congressional committee, he testified freely and frankly, at the suggestion of his lawyer, who knew that by a congressional act of 1857, witnesses who testified before Congress could not be indicted for the matters on which they testified. Although he was saved by a legal technicality from trial and imprisonment, Russell did not escape censure. In a letter to the attorney general a week after his inauguration, Lincoln referred to the matter of the stolen bonds as "the Russell fraud." Though spared the worst punishment, Russell was nevertheless disgraced, and returned to Missouri, where he died broke on September 10, 1872. He was sixty years old. The Pony Express had been Russell's great gamble, the critical turn of the cards, and it had failed.
"That the business men and citizens of Lexington believed in Russell and highly respected him is quite obvious," wrote the authors of Saddles and Spurs. "His record for more than two decades was without spot or blemish. During that time he was regarded as one of the town's most progressive citizens. Then, in the year 1860, in the far away city of Washington he, by one act, stained that shining record. Anyone who studies his remarkable life, including this incident, turns from it all with a feeling of intense sadness that a brilliant career such as his should close under a shadow."
William Waddell returned to Lexington and died there on April 1, 1862, at the age of sixty-five.
As for Alexander Majors, he moved to Salt Lake City, where he tried freighting, then prospecting. After 1879, he lived in Kansas City and Denver. Buffalo Bill Cody, then at the height of
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)