Basil Quotes

Sin is a thing that writes itself across a man's face. It cannot be concealed.

Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm. That is all.

Happiness is excitement that has found a settling down place, but there is always a little corner that keeps flapping around.

Be bold and mighty forces will come to your aid.

I think you are wrong, Basil, but I won't argue with you. It is only the intellectually lost who ever argue.

Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

The eyes are the windows of the soul.... If someone was to look into your eyes, what would you want them to see?

I think you should learn, of course, and some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up inside of you until it touches everything. And you can feel it inside of you. If you never take time out to let that happen, then you accumulate facts, and they begin to rattle around inside of you. You can make noise with them, but never really feel anything with them. It's hollow.

Each of us has heaven and hell in him, Basil, cried Dorian with a wild gesture of despair.

Be my lover between two wars waged in the mirror, she said. I don't want to return now to the fortress of my father's house. Take me to your vineyard. Let me meet your mother. Perfume me with basil water. Arrange me on silver dishes, comb me, imprison me in your name, let love kill me.

When someone steals another's clothes, we call them a thief. Should we not give the same name to one who could clothe the naked and does not? The bread in your cupboard belongs to the hungry; the coat unused in your closet belongs to the one who needs it; the shoes rotting in your closet belong to the one who has no shoes; the money which you hoard up belongs to the poor.

I've been the oldest child since before you were born

A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.

He once called her his basil plant; and when she asked for an explanation, said that basil was a plant which had flourished wonderfully on a murdered man's brains.

A good deed is never lost; he who sows courtesy reaps friendship, and he who plants kindness gathers love.

or 3 sprigs fresh thyme or ½ teaspoon dried thyme 1 bay leaf Reduce the heat to low, cover, and cook for 5 minutes. Add the eggplant and zucchini and cook until everything is tender, about 20 minutes more. Taste and adjust the seasonings. Stir in: ¼ cup chopped basil (Chopped pitted Niçoise or Kalamata olives to taste)

Secrets are the kind of adventure she needs. Secrets are safe, and they do much to make you different. On the inside where it counts.

The adventure is over. Everything gets over, and nothing is ever enough. Except the part you carry with you. It's the same as going on a vacation. Some people spend all their time on a vacation taking pictures so that when they get home they can show their friends evidence that they had a good time. They don't pause to let the vacation enter inside of them and take that home.

Savory...that's a swell word. And Basil and Betel. Capsicum. Curry. All great. But Relish, now, Relish with a capital R. No argument, that' the best.

Basil Stag Hare tut-tutted severely as he remarked to Ambrose Spike, 'Tch, tch. Dreadful table manners. Just look at those three wallahs, kicking up a hullaballoo like that! Eating's a serious business.

A nasty letter or a sarcastic one can make you righteously angry, but what can you do about a polite letter of rejection? Nothing, really, except cry.

A tree is known by its fruit; a man by his deeds. A good deed is never lost; he who sows courtesy reaps friendship, and he who plants kindness gathers love.

Life is too short to try and glue together broken plates that were cheap in the first place.

Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.

The bread which you hold back belongs to the hungry; the coat, which you guard in your locked storage-chests, belongs to the naked; the footwear mouldering in your closet belongs to those without shoes. The silver that you keep hidden in a safe place belongs to the one in need. Thus, however many are those whom you could have provided for, so many are those whom you wrong.

But lying in bed just before going to sleep is the worst time for organized thinking; it is the best time for free thinking. Ideas drift like clouds in an undecided breeze, taking first this direction and then that.

While the melodrama of hucking crates of tea into Boston Harbor continues to inspire civic-minded hotheads to this day, it’s worth remembering the hordes of stoic colonial women who simply swore off tea and steeped basil leaves in boiling water to make the same point. What’s more valiant: littering from a wharf or years of doing chores and looking after children from dawn to dark without caffeine?

He once called her his basil plant, and when she asked for an explanation said that basil was a plant which had flourished wonderfully on a murdered man’s brains.

What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.

Baz has stopped glaring at Penelope and started glaring at me. “What on earth are you drinking, Snow?” “A Unicorn Frappuccino.” He frowns. “Why’s it called that—does it taste like lavender?” “It tastes like strawberry Dip Dab,” I say. Penny’s grimacing at Baz. “For heaven’s snakes, Basil, I can’t believe you know what unicorns taste like.” “Shut up, Bunce, it was sustainably farmed.” “Unicorns can talk!” “They’re only capable of small talk; it’s not like eating a dolphin.” Baz takes my Frappuccino and sucks down a huge gulp. “Disgusting.” He hands it back to me. “Not like a unicorn at all.

I have been right, Basil, haven’t I, to take my love out of poetry, and to find my wife in Shakespeare’s plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth.

Bad Girl!" She chided. "I'm pretty sure Boris is a boy," I said. "Oh, I know," Mrs. Basil E. assured me. "I just like to keep him confused," Then she and Boris headed off with my future.

Words are truly the image of the soul.

Therefore, she decided that her leaving home would not be just running from somewhere but would be running to somewhere.

Claudia knew that she could never pull off the old-fashioned kind of running away. That is, running away in the heat of anger with a knapsack on her pack. She didn't like discomfort; even picnics were untidy and inconvenient: all those insects and the sun melting the icing on the cupcakes. Therefore, she decided that her leaving home would not be just running from somewhere but would be running to somewhere.

And she forgot the stars, the moon, and sun/ And she forgot the blue above the trees,/ And she forgot the dells where waters run,/ And she forgot the chilly autumn breeze;/ She had no knowledge when the day was done,/ And the new morn she saw not: but in peace/ Hung over her sweet basil evermore,/ And moisten'd it with tears unto the core.

Five minutes of planning are worth fifteen minutes of just looking.

There's something nice and safe about having money.

If you think of doing something in New York City, you can be certain that at least two thousand other people have the same thought. And of the two thousand who do, about one thousand will be standing in line waiting to do it.

Never regret anything you have done with a sincere affection; nothing is lost that is born of the heart.

It often seems to me that art conceals the artist far more completely than it ever reveals him.

Nothing, Basil. I’ll see you in a few,” Fine, and it’s Lord Basil.” Even in the bedroom?” Especially in the bedroom.

Relax,” Lucian said dryly. “Bricker will not leave without me. The SUV is—” “What?” Basil asked when his brother paused with his arm half raised, shock crossing his features. “The little shit just drove away without me,” Lucian said with amazement.

Always carry a corkscrew and the wine shall provide itself.

I keep telling you that often the search proves more profitable than the goal.

Yum, this looks good.” I can smell fresh basil. How is he still single? We

Go at it boldly, and you'll find unexpected forces closing round you and coming to your aid.

Did you inherit a sickness? Did you blame god? Do you believe in God? Do you believe in yourself? Are you still on fire? Did you ever put out the fire?

Some people spend all their time on a vacation taking pictures so that when they get home they can show their friends evidence that they had a good time. They don’t pause to let the vacation enter inside of them and take that home.

Capital," cried Basil. "I could eat a stag, antlers and all. I say they they do make a wonderful nosebag for us wounded heroes, y'know.

I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one's life.

Flattery is as important a machine as the lever, isn't it, Saxonberg? Give it a proper place to rest, and it can move the world.

Sometimes the silence is the loudest thing in the room.

Jamie, you know, you could go clear around the world and still come home wondering if the tuna fish sandwiches at Chock Full O'Nuts still cost thirty-five cents.

Both Jamie and Claudia had acquired a talent for being near but never part of a group. (Some people, Saxonberg, never learn to do that all their lives, and some learn it all too well.)

What happened was: they became a team, a family of two. There had been times before they ran away when they acted like a team, but those were very different from feeling like a team. Becoming a team didn't mean the end of their arguments. But it did mean that the arguments became a part of the adventure, became discussions not threats. To an outsider the arguments would appear to be the same because feeling like part of a team is something that happens invisibly. You might call it caring. You could even call it love. And it is very rarely, indeed, that it happens to two people at the same time-- especially a brother and a sister who had always spent more time with activities than they had with each other.

3938The bread which you do not use is the bread of the hungry; the garment hanging in your wardrobe is the garment of him who is naked; the shoes that you do not wear are the shoes of the one who is barefoot; the money that you keep locked away is the money of the poor; the acts of charity that you do not perform are so many injustices that you commit.

Basil my dear boy puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices his principles and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make and consequently are perfectly uninteresting in what they are. A great poet a really great poet is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.

Sin is the only real colour-element left in modern life.' 'You really must not say things like that before Dorian, Harry.' 'Before which Dorian? The one who is pouring out tea for us, or the one in the picture?' 'Before either.' 'I should like to come to the theatre with you, Lord Henry,' said the lad. 'Then you shall come; and you will come, too, Basil, won't you?' 'I can't, really. I would sooner not. I have a lot of work to do.' 'Well, then you and I will go alone, Mr. Gray.' 'I should like that awfully.' The painter bit his lip and walked over, cup in hand, to the picture. 'I shall stay with the real Dorian,' he said, sadly.

The mason stirs. Words! Pens are too light. Take a chisel to write.

Jamie: The only kind of deal that I can make is with money, and we haven't got any of that. Mrs. Frankweiler: You are very poor indeed if that is the only kind of deal you can make

I don't want to be loved despite my history: I want absolution, someone to observe my fitting-into and growing-out-of, someone to watch my spine make the mannequin come to life.

I know many who fast, pray, sigh, and demonstrate every manner of piety, so long as it costs them nothing, yet would not part with a penny to help those in distress.

I never really look past my eyes. That way I always feel pretty. Windows of the soul, you know.

who you are is who you are when you are alone.

For whoever habitually suppresses the truth in the interests of tact will produce a deformity from the womb of his thought.

The wind shook some blossoms from the trees, and the heavy lilac blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirp by the wall, and like a blue thread a long, thin dragonfly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.

When I go into the house of one of these tasteless newly rich individuals, and see it bedecked with every imaginable hue, I know that this person possesses nothing more valuable than what is on display; such people decorate inanimate objects, but fail to beautify the soul.

Becoming a team didn’t mean the end of their arguments. But it did mean that the arguments became a part of the adventure, became discussions not threats. To an outsider the arguments would appear to be the same because feeling like part of a team is something that happens invisibly. You might call it caring. You could even call it love.

Poetry doesn’t pay. But I need it. And so do you.

I have such faith in words that when I read about such families as a child, I thought that they were the norm and that the way I lived was subnormal, waiting for normal.

But time and surprise are the two most vital elements in war.

Flattery is as important a machine as the lever, isn't it, Saxonberg? Give it a proper place to rest, and it can move the world.

one of the finest private collections of art in the Western Hemisphere. Others considered it a gigantic hodgepodge of

The mountain-path of Action is no longer a path for me; my future hope pauses with my present happiness in the shadowed valley of Repose.

Preserve gratitude like a precious deposit within your soul, and from it you will receive a double portion of delight. Remember the apostolic word, "Give thanks in all circumstances.

It’s a Venetian name—Baseggio. A patronymic from a Venetian diminutive of the surname Basile. Perhaps you might begin your search there.” “A patronymic diminutive of . . . that, yes.” I understand less than half the words in that sentence, but God bless the book people for their boundless knowledge absorbed from having words instead of friends. “Yes, thank you. I’ll try that.

I want creation to penetrate you with so much admiration that everywhere, wherever you may be, the least plant may bring to you the clear remembrance of the Creator. If you see the grass of the fields, think of human nature, and remember the comparison of the wise Isaiah. “All flesh is grass, and all the goodliness thereof is as the flower of the field.

This story is the most ridiculous thing I've ever heard. "I could find another one," Basil says. "No, I want to see if they'll I through with it," she says. "I don't understand why they're throwing her in the volcano," I say. "Because she's a virgin," Basil says, and clears his throat. "We could throw Morgan into the volcano," Pen says.

It would seem that Caesar's recurrent and deep-rooted fault was his concentration in pursuing the objective immediately in front of his eyes to the neglect of his wider object. Strategically he was an alternating Jekyll and Hyde.

You showed no mercy; it will not be shown to you. You opened not your house; you will be expelled from the Kingdom. You gave not your bread; you will not receive eternal life.

For Caesar met failure each time he relied on the direct, and retrieved it each time he resorted to the indirect.

In a few years, the date-tree had grown as tall as a woman, and out of it came a Fairy, who said to Zezolla, "What do you wish for?

definitions belong to the definer, not the defined, & I no longer wished to have my life & death foretold by others. I had endured too much to be reduced to an idea. Onto that pyre I threw so many, many words - that entire untrue literature of the past which had shackled & subjugated my as surely as the spiked iron collars & leg locks & jagged basils & balls & chains & headshaving - that had so long denied me my free voice & the stories I needed to tell. I no longer wished to read lies as to who & why I was. I knew who I was

I need bruschetta (that's "broo-SKET-uh," not "brushetter," a slender piece of ciabatta toasted and brushed with garlic and oil and covered in fresh tomato and basil-- the chunks inevitably fall off the bread and the olive oil runs over your lips and down your chin. The whole thing is delicious, deeply physical and delightfully undignified, and a woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that)

Angel" became part of Claudia's story about finding herself, about how the greatest adventure lies not in running away but in looking inside, and the greatest discovery is not in finding out who made a statue but in finding out what makes you.

The pilgrims continue to come. Only God knows what each one of us brings, and with what kind of heart. We come mystically to this cave. We know the mess we bring and the often distracted heart that brings it. But this is all we have--all we are. One stretches out his arms to receive.

What's the fun in standing in the outskirts of love and feeling superior? There's no shame in having got it wrong. Whereas its a shame when you don't even give yourself the chance of getting it right. Better to have loved and lost...

Keep strong, if possible. In any case, keep cool. Have unlimited patience. Never corner an opponent, and always assist him to save his face. Put yourself in his shoes—so as to see things through his eyes. Avoid self-righteousness like the devil—nothing is so self-blinding.

Of course," agreed Basil, "if you read it carelessly, and act on it rashly, with the blind faith of a fanatic; it might very well lead to trouble. But nature is full of devices for eliminating anything that cannot master its environment. The words 'to worship me' are all-important. The only excuse for using a drug of any sort, whether it's quinine or Epsom-salt, is to assist nature to overcome some obstacle to her proper functions. The danger of the so-called habit-forming drugs is that they fool you into trying to dodge the toil essential to spiritual and intellectual development. But they are not simply man-traps. There is nothing in nature which cannot be used for our benefit, and it is up to us to use it wisely. Now, in the work you have been doing in the last week, heroin might have helped you to concentrate your mind, and cocaine to overcome the effects of fatigue. And the reason you did not use them was that a burnt child dreads fire. We had the same trouble with teaching Hermes and Dionysus to swim. They found themselves in danger of being drowned and thought the best way was to avoid going near the water. But that didn't help them to use their natural faculties to the best advantage, so I made them confront the sea again and again, until they decided that the best way to avoid drowning was to learn how to deal with oceans in every detail. It sounds pretty obvious when you put it like that, yet while every one agrees with me about the swimming, I am howled down on all sides when I apply the same principles to the use of drugs.

Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.

should also have days when you allow what is already in you to swell up inside of you until it touches everything. And you can feel it inside you. If you never take time out to let that happen, then you just accumulate facts, and they begin to rattle around inside of you. You can make noise with them, but never really feel anything with them. It’s hollow.

the whole idea of a “holy” war was an alien concept to the Byzantine mind. Killing, as Saint Basil of Caesarea had taught in the fourth century, was sometimes necessary but never praiseworthy, and certainly not grounds for remission of sins. The Eastern Church had held this line tenaciously throughout the centuries, even rejecting the great warrior-emperor Nicephorus Phocas’s attempt to have soldiers who died fighting Muslims declared martyrs. Wars could, of course, be just, but on the whole diplomacy was infinitely preferable. Above all, eastern clergy were not permitted to take up arms, and the strange sight of Norman clerics armed and even leading soldiers disconcerted the watching hosts.

Creators of literary fairy tales from the 17th-century onward include writers whose works are still widely read today: Charles Perrault (17th-century France), Hans Christian Andersen (19th-century Denmark), George Macdonald and Oscar Wilde (19th-century England). The Brothers Grimm (19th-century Germany) blurred the line between oral and literary tales by presenting their German "household tales" as though they came straight from the mouths of peasants, though in fact they revised these stories to better reflect their own Protestant ethics. It is interesting to note that these canonized writers are all men, since this is a reversal from the oral storytelling tradition, historically dominated by women. Indeed, Straparola, Basile, Perrault, and even the Brothers Grimm made no secret of the fact that their source material came largely or entirely from women storytellers. Yet we are left with the impression that women dropped out of the history of fairy tales once they became a literary form, existing only in the background as an anonymous old peasant called Mother Goose.

What does the Spirit do? His works are ineffable in majesty, and innumerable in quantity. How can we even ponder what extends beyond the ages? What did He do before creation began? How great are the graces He showered on creation? What power will He wield in the age to come? He existed; He pre-existed; He co-existed with the Father and the Son before the ages. Even if you can imagine anything beyond the ages, you will discover that the Spirit is even further before.

Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you— well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.

Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.

There is only one way out of this, namely, total separation from all the world. But withdrawal from the world does not mean physical removal from it. Rather, it is the withdrawal by the soul of any sympathy for the body. One becomes stateless and homeless. One gives up possessions, friends, ownership and property, livelihood, business connection, social life and scholarship. The heart is made ready to receive the imprint of sacred teaching, and this making ready involves the unlearning of knowledge deriving from evil habits. To write on wax, one has first to erase the letters previously written there, and to bring sacred teaching to the soul one must begin by wiping out preoccupation rooted in ordinary habits.

As we advance in the spiritual life and in the practice of systematic self-examination we are often surprised by the discovery of vast unknown tracts of the inner life of the soul. They seem like great plains stretching out in mystery and wrapt in mists that sometimes for a moment lift, or sweep off and leave one looking for one brief instant upon great reaches of one’s own life, unknown, unmeasured, unexplored. Men stand at such moments breathless in wonder and in awe gazing upon these great tracts upon which they have never looked before, with kindling eyes and beating hearts; and while they look the mists steal back till all is lost to sight once more and they are left wondering if what they saw was reality, or the creation of their fancy. Or sometimes they see, not far-stretching plains which fill the soul with an awestruck sense of its expansiveness and of how much has been left absolutely uncultivated, not these plains but mountain peaks climbing and reaching upwards till lost in the heavens, echoing it may be with the voice of many streams whose waters fertilize and enrich those small tracts of the soul’s life which have been reclaimed and cultivated and which many a man has thought to be his whole inner self, though he never asked himself whence those rich streams had their source. Now he sees how their source lay in unmeasured heights of his own inner being whose existence he never dreamed of before. In one brief instant they have unveiled themselves. He looks again, and they are shut out from his eyes, there is no token visible that he possesses such reaches, such heights of life. The commonplaces of his existence gather in and crowd upon him, the ordinary routine of life settles down upon him, limiting and confining him on all sides, the same unbroken line measures his horizon, such as he has always known it, the same round of interests and occupations crowd in upon his hours and fill them, the pressure of the hard facts of life upon him are as unmistakable and as leveling as ever, bidding him forget his dreams and meet and obey the requirements of the world in which he lives. And yet the man who has caught but a momentary glimpse of that vast unknown inner life can never be the same as he was before; he must be better or worse, trying to explore and possess and cultivate that unknown world within him, or trying—oh, would that he could succeed!—to forget it. He has seen that alongside of, or far out beyond the reach of, the commonplace life of routine, another life stretches away whither he knows not, he feels that he has greater capacities for good or evil than he ever imagined. He has, in a word, awakened with tremulous awe to the discovery that his life which he has hitherto believed limited and confined to what he knew, reaches infinitely beyond his knowledge and is far greater than he ever dreamed.

The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.